Lending Book Quotes

Never lend books, for no one ever returns them; the only books I have in my library are books that other folks have lent me.

Libraries really are wonderful. They're better than bookshops, even. I mean bookshops make a profit on selling you books, but libraries just sit there lending you books quietly out of the goodness of their hearts.

Inside he was hurt. Not so much with Linda, but his failure to impress women generally with his abilities. There she was, an example: lending – no, giving –thirty thousand pounds to a smooth-talking old bastard, but she would not part with a penny to him after living with him for a year or more.

I hate to lend a book I love…it never seems quite the same when it comes back to me…

So he lent her books. After all, one of life's best pleasures is reading a book of perfect beauty; more pleasurable still is rereading that book; most pleasurable of all is lending it to the person one loves: Now she is reading or has just read the scene with the mirrors; she who is so lovely is drinking in that loveliness I've drunk.

A book lying idle on a shelf is wasted ammunition. Like money, books must be kept in constant circulation. Lend and borrow to the maximum.

If your friend wishes to read your 'Plutarch's Lives,' 'Shakespeare,' or 'The Federalist Papers,' tell him gently but firmly, to buy a copy. You will lend him your car or your coat - but your books are as much a part of you as your head or your heart.

I can lend you my money not my books.

When I get hold of a book I particularly admire, I am so enthusiastic that I loan it to someone who never brings it back.

It's a gift. Never lend a book.

There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make us almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of reverie. Gradually white fingers creep through the curtains, and they appear to tremble. In black fantastic shapes, dumb shadows crawl into the corners of the room and crouch there. Outside, there is the stirring of birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills and wandering round the silent house, as though it feared to wake the sleepers and yet must needs call forth sleep from her purple cave. Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern. The wan mirrors get back their mimic life. The flameless tapers stand where we had left them, and beside them lies the half-cut book that we had been studying, or the wired flower that we had worn at the ball, or the letter that we had been afraid to read, or that we had read too often. Nothing seems to us changed. Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colours, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness and the memories of pleasure their pain.

On rare occasions there comes along a profound original, an odd little book that appears out of nowhere, from the pen of some obscure storyteller, and once you have read it, you will never go completely back to where you were before. The kind of book you might hesitate to lend for fear you might miss its company. The kind of book that echoes from the heart of some ancient knowing, and whispers from time's forgotten cave that life may be more than it seems, and less.

The most dangerous part of lending books lies in the returning. At such times, friendships hang by a thread. I look for agony, ecstasy, for tears, transfiguration, trembling hands, a broken voice - but what the borrower usually says is, "I enjoyed it." I enjoyed it - as if that were what books were for.

The stories that unfold in the space of a writer's study, the objects chosen to watch over a desk, the books selected to sit on the shelves, all weave a web of echoes and reflections of meanings and affections, that lend a visitor the illusion that something of the owner of this space lives on between these walls, even if the owner is no more.

If you don't find a good teacher, find a good book.

Librarians lend people books from the library. The best librarians are children's book librarians.

When the web started, I used to get really grumpy with people because they put my poems up. They put my stories up. They put my stuff up on the web. I had this belief, which was completely erroneous, that if people put your stuff up on the web and you didn’t tell them to take it down, you would lose your copyright, which actually, is simply not true. And I also got very grumpy because I felt like they were pirating my stuff, that it was bad. And then I started to notice that two things seemed much more significant. One of which was… places where I was being pirated, particularly Russia where people were translating my stuff into Russian and spreading around into the world, I was selling more and more books. People were discovering me through being pirated. Then they were going out and buying the real books, and when a new book would come out in Russia, it would sell more and more copies. I thought this was fascinating, and I tried a few experiments. Some of them are quite hard, you know, persuading my publisher for example to take one of my books and put it out for free. We took “American Gods,” a book that was still selling and selling very well, and for a month they put it up completely free on their website. You could read it and you could download it. What happened was sales of my books, through independent bookstores, because that’s all we were measuring it through, went up the following month three hundred percent. I started to realize that actually, you’re not losing books. You’re not losing sales by having stuff out there. When I give a big talk now on these kinds of subjects and people say, “Well, what about the sales that I’m losing through having stuff copied, through having stuff floating out there?” I started asking audiences to just raise their hands for one question. Which is, I’d say, “Okay, do you have a favorite author?” They’d say, “Yes.” and I’d say, “Good. What I want is for everybody who discovered their favorite author by being lent a book, put up your hands.” And then, “Anybody who discovered your favorite author by walking into a bookstore and buying a book raise your hands.” And it’s probably about five, ten percent of the people who actually discovered an author who’s their favorite author, who is the person who they buy everything of. They buy the hardbacks and they treasure the fact that they got this author. Very few of them bought the book. They were lent it. They were given it. They did not pay for it, and that’s how they found their favorite author. And I thought, “You know, that’s really all this is. It’s people lending books. And you can’t look on that as a loss of sale. It’s not a lost sale, nobody who would have bought your book is not buying it because they can find it for free.” What you’re actually doing is advertising. You’re reaching more people, you’re raising awareness. Understanding that gave me a whole new idea of the shape of copyright and of what the web was doing. Because the biggest thing the web is doing is allowing people to hear things. Allowing people to read things. Allowing people to see things that they would never have otherwise seen. And I think, basically, that’s an incredibly good thing.

Sorrow spoken lends a little courage to the speaker.

I don’t understand why you don’t trust me. It’s not like you have a reason to not trust me. So, lend me some money, and let me give you the reason you were looking for to not trust me. Wouldn’t you rather be proved right than not lose money?

Lend me your ears and you can borrow my mind

There was, in fact, a street sign to that effect—the first I’d seen in all of Devil’s Acre. Louche Lane, it read in fancy handwritten script. Piracy discouraged. “Discouraged?” I said. “Then what’s murder? Frowned upon?” “I believe murder is ‘tolerated with reservations.’ ” “Is anything illegal here?” Addison asked. “Library late fines are stiff. Ten lashes a day, and that’s just for paperbacks.” “There’s a library?” “Two. Though one won’t lend because all the books are bound in human skin and quite valuable.

For peace read books, for success read books and take actions.

I feel about lending a book the way most fathers feel about their daughters living with a man out of wedlock.

I do lend my books, but I have to be a bit selective because my marginalia are so incriminating.” --Alison Bechdel

The book was not new. Dates were stamped on the front endpaper, in and out dates. A rent book. A lending library of elaborate smut. I rewrapped the book and locked it up behind the seat. A racket like that, out in the open on the boulevard, seemed to mean plenty of protection. I sat there and poisoned myself with cigarette smoke and listened to the rain and thought about it.

A serious bibliophile never lends his books. In fact he does not even read his books, for fear of wearing them out.

I am often described to my irritation as a 'contrarian' and even had the title inflicted on me by the publisher of one of my early books. (At least on that occasion I lived up to the title by ridiculing the word in my introduction to the book's first chapter.) It is actually a pity that our culture doesn't have a good vernacular word for an oppositionist or even for someone who tries to do his own thinking: the word 'dissident' can't be self-conferred because it is really a title of honor that has to be won or earned, while terms like 'gadfly' or 'maverick' are somehow trivial and condescending as well as over-full of self-regard. And I've lost count of the number of memoirs by old comrades or ex-comrades that have titles like 'Against the Stream,' 'Against the Current,' 'Minority of One,' 'Breaking Ranks' and so forth—all of them lending point to Harold Rosenberg's withering remark about 'the herd of independent minds.' Even when I was quite young I disliked being called a 'rebel': it seemed to make the patronizing suggestion that 'questioning authority' was part of a 'phase' through which I would naturally go. On the contrary, I was a relatively well-behaved and well-mannered boy, and chose my battles with some deliberation rather than just thinking with my hormones.

We're all on our own, aren't we? That's what it boils down to. We come into this world on our own- in Hawaii, as I did, or New York, or China, or Africa or Montana- and we leave it in the same way, on our own, wherever we happen to be at the time- in a plane, in our beds, in a car, in a space shuttle, or in a field of flowers. And between those times, we try to connect along the way with others who are also on their own. If we're lucky, we have a mother who reads to us. We have a teacher or two along the way who make us feel special. We have dogs who do the stupid dog tricks we teach them and who lie on our bed when we're not looking, because it smells like us, and so we pretend not to notice the paw prints on the bedspread. We have friends who lend us their favorite books. Maybe we have children, and grandchildren, and funny mailmen and eccentric great-aunts, and uncles who can pull pennies out of their ears. All of them teach us stuff. They teach us about combustion engines and the major products of Bolivia, and what poems are not boring, and how to be kind to each other, and how to laugh, and when the vigil is in our hands, and when we have to make the best of things even though it's hard sometimes. Looking back together, telling our stories to one another, we learn how to be on our own.

I hate lending, or borrowing—if you want me to read a book, tell me about it, or buy me a copy outright. Your loaned edition sits in my house like a real grievance. And in lieu of lending books, I buy extra copies of those I want to give away, which gives me the added pleasure of buying books I love again and again.” --Jonathan Lethem

A good reader should always have two books with him: one to read, the other one to lend.

I believe murder is ‘tolerated with reservations.’ ” “Is anything illegal here?” Addison asked. “Library late fines are stiff. Ten lashes a day, and that’s just for paperbacks.” “There’s a library?” “Two. Though one won’t lend because all the books are bound in human skin and quite valuable.

Librarians who are arguing and lobbying for clever e-book lending solutions are completely missing the point. They are defending the library-as-warehouse concept, as opposed to fighting for the future, which is librarian as producer, concierge, connector, teacher, and impresario.

For six months, then, Emma, at fifteen years of age, made her hands dirty with books from old lending libraries.

Borrowed books and umbrellas are seldom returned

Lend a little and you have a debtor—lend a lot and you have a partner!

There is a simple rule: practice a kind of generous selfishness. Give a book to a friend, but don't lend it, because you will never get it back. ~ James Wood, author of The Book Against God.

I have never read anything quite like Mark Haddon's funny and agonizingly honest book, or encountered a narrator more vivid and memorable. I advise you to buy two copies; you won't want to lend yours out.

Oh kindly books! Like true and trusted friends: What blessed cheer your presence with us lends. Whene'er we spend a pleasant hour with you. We find renewed delight, and treasure's new. Dear Friendly Books.

...the point, the essential quality of the act of reading, now and always, is that it tends to no foreseeable end, to no conclusion. Every reading prolongs another, begun in some afternoon thousands of years ago and of which we know nothing; every reading projects its shadow onto the following page, lending it content and context. In this way, the story grows, layer after layer, like the skin of the society whose history this act preserves.

Is your book interesting?”  I had already formed the intention of asking her to lend it to me some day.

... to lend a book is an incitement to theft." A Reader on Reading p. 281

Is your book interesting?' I had already formed the intention of asking her to lend it to me some day.

A book lying idle on a shelf is wasted ammunition. Like money, books must be in constant circulation. Lend and borrow to the maximum.

Don Vicente, a monk of the Convent of Pobla in Aragon, murdered several collectors in order to get their best books;

The direness of the situation suddenly struck me. All by myself for half an hour, and I had no book.

Palgolak was a god of knowledge. ... He was an amiable, pleasant deity, a sage whose existence was entirely devoted to the collection, categorization, and dissemination of information. ... Palgolak's library ... did not lend books, but it did allow readers in at any time of the day or night, and there were very, very few books it did not allow access to. The Palgolaki were proselytizers, holding that everything known by a worshipper was immediately known by Palgolak, which was why they were religiously charged to read voraciously. But their mission was only secondarily for the glory of Palgolak, and primarily for the glory of knowledge, which was why they were sworn to admit all who wished to enter into their library.

I put down my book, The Meaning of Zen, and see the cat smiling into her fur as she delicately combs it with her rough pink tongue. Cat, I would lend you this book to study but it appears you have already read it. She looks up and gives me her full gaze. Don't be ridiculous, she purrs, I wrote it. - from "Miao

My son loved the library. He loved putting books on hold online and having them waiting, bundled up with his name, when he came for them. He loved the benevolence that the stacks held out, their map of the known world. He loved the all-you-can-eat buffet of borrowing. He loved the lending histories stamped into the front of each book, the record of strangers who checked them out before him. The library was the best dungeon crawl imaginable: free loot for the finding, combined with the joy of leveling up.

I was born in a village in the northeast, and it wasn’t until I was quite big that I saw my first train. I climbed up and down the station bridge, quite unaware that its function was to permit people to cross from one track to another. I was convinced that the bridge had been provided to lend an exotic touch and to make the station premises a place of pleasant diversity, like some foreign playground. I remained under this delusion for quite a long time, and it was for me a very refined amusement indeed to climb up and down the bridge. I thought that it was one of the most elegant services provided by the railways. When later I discovered that the bridge was nothing more than a utilitarian device, I lost all interest in it. Again, when as a child I saw photographs of subway trains in picture books, it never occurred to me that they had been invented out of practical necessity; I could only suppose that riding underground instead of on the surface must be a novel and delightful pastime. I have been sickly ever since I was a child and have frequently been confined to bed. How often as I lay there I used to think what uninspired decorations sheets and pillow cases make. It wasn’t until I was about twenty that I realized that they actually served a practical purpose, and this revelation of human dullness stirred dark depression in me.

Besides,” said Mr Norrell, “I really have no desire to write reviews of other people's books. Modern publications upon magic are the most pernicious things in the world, full of misinformation and wrong opinions.” “Then sir, you may say so. The ruder you are, the more the editors will be delighted.” “But it is my own opinions which I wish to make better known, not other people's.” “Ah, but, sir,” said Lascelles, “it is precisely by passing judgements upon other people's work and pointing out their errors that readers can be made to understand your own opinions better. It is the easiest thing in the world to turn a review to one's own ends. One only need mention the book once or twice and for the rest of the article one may develop one's theme just as one chuses. It is, I assure you, what every body else does.” “Hmm,” said Mr Norrell thoughtfully, “you may be right. But, no. It would seem as if I were lending support to what ought never to have been published in the first place.

The study found widespread dissatisfaction with our town's public library, and, when considering the facts, it's easy to see why. The public computers for Internet use are outdated and slow. The lending period of fourteen days is not nearly long enough to read lengthier books, given the busy schedule of all our lives. The fatality rate is also well above the national average for public libraries.

I don’t think there’s a less elitist thing on earth to do than to try and reach out and connect with another human being . . . And that’s what the best writing does, that’s what art does. It looks a reader in the eye, and it proceeds honestly with that reader, and nakedly. There is a compact there, a bond, a relationship, a union, a symbiosis . . . It’s not about you. Whether you’re a genius or an idiot savant. It’s about the work. The work is more important than you. So it’s not about back-claps and plaudits and “isn’t that author smart.” It’s about, “this book really connected with me. And even though you, my friend, are very different from me, I’m lending it to you, because I think it will connect with you as well.” Community. Across the eras. Between people who have never met, who will never meet, who are nonetheless bound in something together, in different ways.

my yacht. I don’t mind going for a coupla hours’ cruise. I’ll even lend you that book so you’ll have something to read on the revenue

someone who lends his book is stupid, but one who returns it is stupider

I know no greater bore than the man who insists on lending you a book which you do not intend to read.

The root problem with conventional currency is all the trust that’s required to make it work. The central bank must be trusted notto debase the currency, but the history of fiat currencies is full of breaches of that trust. Banks must be trusted to hold our money and transfer it electronically, but they lend it out in waves of credit bubbles with barely a fraction in reserve.

She stood by the fireplace talking, in that beautiful voice which made everything she said sound like a caress, to Papa, who had begun to be attracted rather against his will (he never got over lending her one of his books and finding it soaked on the terrace), when suddenly she said, 'What a shame to sit indoors!' and they all went out on to the terrace and walked up and down.

Don’t change, Dorian; at any rate, don’t change to me. We must always be friends.” “Yet you poisoned me with a book once. I should not forgive that. Harry, promise me that you will never lend that book to anyone. It does harm.” “My dear boy, you are really beginning to moralise. You will soon be going about warning people against all the sins of which you have grown tired. You are much too delightful to do that. Besides, it is no use. You and I are what we are, and will be what we will be.

Have you been reading those books that clueless illiterate Duja in charge of the lending library lets you borrow?’ ‘No, Ma.’ ‘Then what put you in mind of devils possessing nuns to take over the church?

Fanfare for the Makers A cloud of witnesses. To whom? To what? To the small fire that never leaves the sky. To the great fire that boils the daily pot. To all the things we are not remembered by, Which we remember and bless. To all the things That will not notice when we die, Yet lend the passing moment words and wings. So fanfare for the Makers: who compose A book of words or deeds who runs may write As many who do run, as a family grows At times like sunflowers turning towards the light. As sometimes in the blackout and the raids One joke composed an island in the night. As sometimes one man’s kindness pervades A room or house or village, as sometimes Merely to tighten screws or sharpen blades Can catch a meaning, as to hear the chimes At midnight means to share them, as one man In old age plants an avenue of limes And before they bloom can smell them, before they span The road can walk beneath the perfected arch, The merest greenprint when the lives began Of those who walk there with him, as in default Of coffee men grind acorns, as in despite Of all assaults conscripts counter assault, As mothers sit up late night after night Moulding a life, as miners day by day Descend blind shafts, as a boy may flaunt his kite In an empty nonchalant sky, as anglers play Their fish, as workers work and can take pride In spending sweat before they draw their pay. As horsemen fashion horses while they ride, As climbers climb a peak because it is there, As life can be confirmed even in suicide: To make is such. Let us make. And set the weather fair. Louis Macneice

Outside theology and fantastic literature, few can doubt that the main features of our universe are its dearth of meaning and lack of discernible purpose. And yet, with bewildering optimism, we continue to assemble whatever scraps of information we can gather in scrolls and books and computer chips, on shelf after library shelf, whether material, virtual or otherwise, pathetically intent on lending the world a semblance of sense and order, while knowing perfectly well that, however much we'd like to believe the contrary, our pursuits are sadly doomed to failure.

Who's Mrs. Gummidge?' 'If you're a good girl and get well soon I'll lend you the book.' 'Oh, somebody in a book! All you people like Nilla and the Cornishes and that man Darcourt seem to live out of books. As if everything was in books!' 'Well, Schnak, just about everything is in books. No, that's wrong. We recognize in books what we've met in life. But if you'd read a few books you wouldn't have to meet everything as if it had never happened before, and take every blow right on the chin. You'd see a few things coming...

The fact is, most people live their lives without worrying too much about these supposedly philosophical questions. They think about them only when they’re facing some kind of tragedy – a serious illness, the death of a loved one. At least, that’s how it is in the West; in the rest of the world people die and kill in the name of these very questions, they wage bloody wars over them, and they have since the dawn of time. These metaphysical questions are exactly what men fight over, not market shares or who gets to hunt where. Even in the West, atheism has no solid basis. When I talk to people about God, I always start by lending them a book on astronomy …

Librarians who are arguing and lobbying for clever ebook lending solutions are completely missing the point. They are defending library as warehouse as opposed to fighting for the future, which is librarian as producer, concierge, connector, teacher and impresario.

What say you, can you love the gentleman? This night you shall behold him at our feast. Read o'er the volume of young Paris' face, And find delight writ there with beauty's pen; Examine every married lineament, And see how one another lends content; And what obscured in this fair volume lies Find written in the margent of his eyes. This precious book of love, this unbound lover, To beautify him only lacks a cover. The fish lives in the sea, and 'tis much pride For fair without the fair within to hide. That book in many's eyes doth share the glory, That in gold clasps locks in the golden story. So shall you share all that he doth possess, By having him, making yourself no less.

In that room on Via Clelia, I manage to create a world that corresponded to nothing outside it. My books, my city, myself. All I had to do then was let the novels I was reading lend their aura to this street and drop an illusory film over this buildings, a film that washed down Via Clelia like a sheet of rainwater, casting a shimmering spell on this hard, humdrum, here-and-now area of lower-middle-class Rome.

You haven't any right to expect your friends to be larger than yourself, larger than life. Just take them as they are, cut down to average size, and be glad you have them. To drink with, laugh with, borrow money from, lend money to, stay away from their special girls as you want them to stay away from yours, and above all, never break your word to, once it's been given. And that is all the obligation you have, all you have the right to expect. ("New York Blues")

I doubt very much that the lengths of wood we nail together into a frame could be considered up to code, but we do the best we can. I suspect they will take it all apart and start over as soon as we are gone, but it looks good on camera since Jesus was a carpenter. Daddy would say that segments like this lend an air of humility to the show, but he says it while wearing a three-hundred-dollar tie, so I'm not entirely sure he knows what the word humility really means.

If we are inclined to forget how much there is in the world besides that which we anticipate, then works of art are perhaps a little to blame, for in them we find at work the same process of simplification or selection as in the imagination. Artistic accounts include severe abbreviations of what reality will force upon us. A travel book may tell us, for example, that the narrator journeyed through the afternoon to reach the hill town of X and after a night in its medieval monastery awoke to a misty dawn. But we never simply 'journey through an afternoon'. We sit in a train. Lunch digests awkwardly within us. The seat cloth is grey. We look out the window at a field. We look back inside. A drum of anxieties resolves in our consciousness. We notice a luggage label affixed to a suitcase in a rack above the seats opposite. We tap a finger on the window ledge. A broken nail on an index finger catches a thread. It starts to rain. A drop wends a muddy path down the dust-coated window. We wonder where our ticket might be. We look back at the field. It continues to rain. At last, the train starts to move. It passes an iron bridge, after which it inexplicably stops. A fly lands on the window And still we may have reached the end only of the first minute of a comprehensive account of the events lurking within the deceptive sentence 'He journeyed through the afternoon'. A storyteller who provides us with such a profusion of details would rapidly grow maddening. Unfortunately, life itself often subscribes to this mode of storytelling, wearking us out with repetitions, misleading emphases[,] and inconsequential plot lines. It insists on showing us Burdak Electronics, the safety handle in the car, a stray dog, a Christmas card[,] and a fly that lands first on the rim and then the centre of a laden ashtray. Which explains the curious phenomenon whereby valuable elements may be easier to experience in art and in anticipation than in reality. The anticipatory and artistic imaginations omit and compress; they cut away the periods of boredom and direct our attention to critical moments, and thus, without either lying or embellishing, they lend to life a vividness and a coherence that it may lack in the distracting woolliness of the present.

The story is that while a child named Servius Tullius lay sleeping, his head burst into flames in the sight of many. The general outcry which so great a miracle called forth brought the king and queen to the place. One of the servants fetched water to quench the fire, but was checked by the queen, who stilled the uproar and commanded that the boy should not be disturbed until he awoke of himself. Soon afterwards sleep left him, and with it disappeared the flames. Then, talking her husband aside, Tanaquil Said: 'Do you see this child whom we are bringing up in so humble a fashion? Be assured he will one day be a lamp to our dubious fortunes, and a protector to the royal house in the day of its distress. Let us therefore rear with all solicitude one who will lend high renowen to the state and to our family.' It is said that from that moment the boy began to be looked upon as a son, and to be trained in the studies by which men are inspired to bear themselves greatly.

Hannah didn't see Robbie again for weeks after that. She thought he'd forgotten his promise to lend her his book of poetry. It was just like him, she suspected, to charm his way into a dinner invitation, make empty promises, then vanish without honoring them. She was not offended, merely disappointed in herself for being taken in.

It is often much harder to get rid of books than it is to acquire them. They stick to us in that pact of need and oblivion we make with them, witnesses to a moment in our lives we will never see again. While they are still there, it is a part of us. I have noticed that many people make a note of the day, month, and year that they read a book; they build up a secret calendar. Others, before lending one, write their name on the flyleaf, note whom they lent it to in an address book, and add the date. I have known some book owners who stamp them or slip a card between their pages the way they do in public libraries. Nobody wants to mislay a book. We prefer to lose a ring, a watch, our umbrella, rather than a book whose pages we will never read again, but which retains, just in the sound of its title, a remote and perhaps long-lost emotion.

He had a little single-story house, three bedrooms, a full bathroom and a half bathroom, a combined kitchen-living room-dining room with windows that faced west, a small brick porch where there was a wooden bench worn by the wind that came down from the mountains and the sea, the wind from the north, the wind through the gaps, the wind that smelled like smoke and came from the south. He had books he'd kept for more than twenty-five years. Not many. All of them old. He had books he'd bought in the last ten years, books he didn't mind lending, books that could've been lost or stolen for all he cared. He had books that he sometimes received neatly packaged and with unfamiliar return addresses, books he didn't even open anymore. He had a yard perfect for growing grass and planting flowers, but he didn't know what flowers would do best there--flowers, as opposed to cacti or succulents. There would be time (so he thought) for gardening. He had a wooden gate that needed a coat of paint. He had a monthly salary.

Outsong in the Jungle [Baloo:] For the sake of him who showed One wise Frog the Jungle-Road, Keep the Law the Man-Pack make For thy blind old Baloo's sake! Clean or tainted, hot or stale, Hold it as it were the Trail, Through the day and through the night, Questing neither left nor right. For the sake of him who loves Thee beyond all else that moves, When thy Pack would make thee pain, Say: "Tabaqui sings again." When thy Pack would work thee ill, Say: "Shere Khan is yet to kill." When the knife is drawn to slay, Keep the Law and go thy way. (Root and honey, palm and spathe, Guard a cub from harm and scathe!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [Kaa:] Anger is the egg of Fear-- Only lidless eyes see clear. Cobra-poison none may leech-- Even so with Cobra-speech. Open talk shall call to thee Strength, whose mate is Courtesy. Send no lunge beyond thy length. Lend no rotten bough thy strength. Gauge thy gape with buck or goat, Lest thine eye should choke thy throat. After gorging, wouldst thou sleep ? Look thy den be hid and deep, Lest a wrong, by thee forgot, Draw thy killer to the spot. East and West and North and South, Wash thy hide and close thy mouth. (Pit and rift and blue pool-brim, Middle-Jungle follow him!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [Bagheera:] In the cage my life began; Well I know the worth of Man. By the Broken Lock that freed-- Man-cub, ware the Man-cub's breed! Scenting-dew or starlight pale, Choose no tangled tree-cat trail. Pack or council, hunt or den, Cry no truce with Jackal-Men. Feed them silence when they say: "Come with us an easy way." Feed them silence when they seek Help of thine to hurt the weak. Make no bandar's boast of skill; Hold thy peace above the kill. Let nor call nor song nor sign Turn thee from thy hunting-line. (Morning mist or twilight clear, Serve him, Wardens of the Deer!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [The Three:] On the trail that thou must tread To the threshold of our dread, Where the Flower blossoms red; Through the nights when thou shalt lie Prisoned from our Mother-sky, Hearing us, thy loves, go by; In the dawns when thou shalt wake To the toil thou canst not break, Heartsick for the Jungle's sake; Wood and Water, Wind air Tree, Wisdom, Strength, and Courtesy, Jungle-Favour go with thee!

It was Coleridge, a compulsive book scribbler, who first called it marginalia. Lamb would lend books to Coleridge, and they would come back annotated. Rather than being upset with his friend, Lamb valued such personal jottings. Other well documented marginalists include William Blake, Conan Doyle, Virginia Woolf, Gertrude Stein, Northrop Frye and Vladimir Nabokov.

Her account is that she tried to get out of having to read it, but it was no use." "And that's fair enough," sighed Craddock. "If anyone is really determined to lend you a book, you never can get out of it!

The chief beauty of this book lies not so much in its literary style, or in the extent and usefulness of the information it conveys, as in its simple truthfulness.  Its pages form the record of events that really happened.  All that has been done is to colour them; and, for this, no extra charge has been made.  George and Harris and Montmorency are not poetic ideals, but things of flesh and blood—especially George, who weighs about twelve stone.  Other works may excel this in dept of thought and knowledge of human nature: other books may rival it in originality and size; but, for hopeless and incurable veracity, nothing yet discovered can surpass it.  This, more than all its other charms, will, it is felt, make the volume precious in the eye of the earnest reader; and will lend additional weight to the lesson that the story teaches.

Because we are forced to learn about numbers and operations with numbers while we are still too young to appreciate them—a preparation for life which hardly excites our interest in the future—we grow up believing that numbers are drab and uninteresting. But the number system warrants attention not only as the basis of mathematics, but because it contains weighty and beautiful ideas which lend themselves to powerful applications.

I know of a private library containing several thousand volumes, which are organized neither alphabetically nor chronologically, but where the owner has instead determined the juxtaposition of hierarchy of all the books according to pure personal preference - and yet so organically has the whole place been arranged and so sovereign an overview does he have of his entire collection that he can effortlessly pick out any particular tome that someone has asked him to lend them.

Lending Out Books You're always giving, my therapist said. You have to learn how to take. Whenever you meet a woman, the first thing you do is lend her your books. You think she'll have to see you again in order to return them. But what happens is, she doesn't have the time to read them, & she's afraid if she sees you again you'll expect her to talk about them, & will want to lend her even more. So she cancels the date. You end up losing a lot of books. You should borrow hers.

You just never know when you’ll want an escape hatch: mile-long lines at tollbooth plazas, the fifteen minutes you have to spend in the hall of some boring college building waiting for your advisor (who’s got some yank-off in there threatening to commit suicide because he/she is flunking Custom Kurmfurling 101) to come out so you can get his signature on a drop-card, airport boarding lounges, laundromats on rainy afternoons, and the absolute worst, which is the doctor’s office when the guy is running late and you have to wait half an hour in order to have something sensitive mauled. At such times I find a book vital. If I have to spend time in purgatory before going to one place or the other, I guess I’ll be all right as long as there’s a lending library

My course of study was philosophy. I remembered that it was my uncle, […] who, without invoking a single proper name, had first revealed to me philosophy’s beautiful perplexities. One of the after-dinner oranges was his aid in initiating me into Berkeley’s idealism; a chessboard was enough to illustrate the paradoxes of the Eleatics. Years later, he was to lend me Hinton’s treatises which attempt to demonstrate the reality of four-dimensional space and which the reader is meant to imagine by means of complicated exercises with mutlicoloured cubes.

Let me be candid. If I had to rank book-acquisition experiences in order of comfort, ease, and satisfaction, the list would go like this: 1. The perfect independent bookstore, like Pygmalion in Berkeley. 2. A big, bright Barnes & Noble. I know they’re corporate, but let’s face it—those stores are nice. Especially the ones with big couches. 3. The book aisle at Walmart. (It’s next to the potting soil.) 4. The lending library aboard the U.S.S. West Virginia, a nuclear submarine deep beneath the surface of the Pacific. 5. Mr. Penumbra’s 24-Hour Bookstore.

(...) I don’t remember the way every song goes. I can’t recall ever y person I’ve met. I get names mixed up all the time. I’m terrible with birthdays. But I remember all the ways people have affected me. How our stories became memories. And if you were enough then you’re in there somewhere. Maybe it was a truth or dare kiss, Or a simple act of kindness, one that reminded me to remember this moment and mark it as a memory , so we could both have it to look back on. From this life, I’ve drawn conclusions so big, They can’t fit into the tiny comic book boxes, Because I don’t wanna risk losing the detail, Just so I can make the story fit. It’s not a trick. I remember how things felt. Which in turn makes me remember how things happened. (...) I’m pretty fantastic. It’s not magic. I remember because I make comparisons. Not in terms of better or worse, just different. And not all of these memories are great, but they’re mine. Which lends way to believe, That none of our lives are put together on an assembly line. We’re not pre-packaged with memories or programmed with stories. We have to make our own. (...)

Snobs by Julian Fellowes The Piano Teacher by Janice Y. K. Lee People Like Us by Dominick Dunne The Power of Style by Annette Tapert and Diana Edkins (this is out of print; I will lend you my copy) Pride and Avarice by Nicholas Coleridge The Soong Dynasty by Sterling Seagrave Freedom by Jonathan Franzen D. V. by Diana Vreeland A Princess Remembers: The Memoirs of the Maharani of Jaipur by Gayatri Devi Jane Austen—complete works beginning with Pride and Prejudice Edith Wharton—The Custom of the Country, The Age of Innocence, The Buccaneers, The House of Mirth (must be read in strict order—you will understand why when you finish the last one) Vanity Fair by William Makepeace Thackeray Anna Karenina by Leo Tolstoy Brideshead Revisited by Evelyn Waugh Anthony Trollope—all the books in the Palliser series, beginning with Can You Forgive Her?

Thomas Kuhn’s book The Structure of Scientific Revolutions has probably been more widely read—and more widely misinterpreted—than any other book in the recent philosophy of science. The broad circulation of his views has generated a popular caricature of Kuhn’s position. According to this popular caricature, scientists working in a field belong to a club. All club members are required to agree on main points of doctrine. Indeed, the price of admission is several years of graduate education, during which the chief dogmas are inculcated. The views of outsiders are ignored. Now I want to emphasize that this is a hopeless caricature, both of the practice of scientists and of Kuhn’s analysis of the practice. Nevertheless, the caricature has become commonly accepted as a faithful representation, thereby lending support to the Creationists’ claims that their views are arrogantly disregarded.

When I was a young girl, I studied Greek in school. It's a beautiful language and ever so many good things were written in it. When you speak Greek, it feels like a little bird flapping its wings on your tongue as fast as it can. This is why I sometimes put Greek words into my stories, even though not so many people speak Ancient Greek anymore. Anything beautiful deserves to be shared round, and anything I love goes into my stories for safekeeping. The word I love is Arete. It has a simple meaning and a complicated meaning. The simple one is: excellence. But if that were all, we'd just use Excellence and I wouldn't bring it up until we got to E. Arete means your own excellence. Your very own. A personal excellence that belongs to no one else, one that comes out of all the things that make you special and different. Arete means whatever you are best at, no matter what that is. You might think the Greeks only meant things like fighting with bronze swords or debating philosophy, but they didn't. They meant whatever you're best at. What makes you feel like you're doing the rightest thing in the world. And that might be fighting with bronze swords and it might mean debating philosophy—but it also might mean building machines, or drawing pictures, or playing the guitar, or acting in Shakespeare plays, or writing books, or making a home for people who need one, or listening so hard and so well that people tell you the things they really need to say even if they didn't mean to, or running faster than anyone else, or teaching people patiently and boldly, or even making pillow forts or marching in parades or baking bread. It could be lending out just the right library book to just the right person at just the right moment. It could be standing up to the powerful even if you don't feel very powerful yourself, even if you're lost and as far away from home as you can get. It could be loving someone with the same care and thoroughness that a Wyvern takes with alphabetizing. It could be anything in the world. And it isn't easy to figure out what that is. It's even harder to get that good at it, because nothing, not even being yourself, comes without practice. But your arete goes with you everywhere, just waiting for you to pay attention to it. You can't lose it. You can only find it. And that's my favorite thing that starts with A.

Recent Federal Reserve Bank of Chicago research has found, with a granular level of detail down to the city block, that the refusal to lend to Black families under the original 1930s redlining maps is responsible for as much as half of the current disparities between Black and white homeownership and for the gaps between the housing values of Black and white homes in those communities. Richard Rothstein, author of the seminal book on segregation, Color of Law: How the Government Segregated America, reminds us that there is no such thing as “de facto” segregation that is different from de jure (or legal) segregation. All segregation is the result of public policy, past and present.

To me, it doesn’t make sense. The poorest of the poor work twelve hours a day. They need to sell and earn income to eat. They have every reason to pay you back, just to take another loan and live another day! That is the best security you can have—their life.” The manager shook his head. “You are an idealist, Professor. You live with books and theories.” “But

Many religious fundamentalists around the world would like to see the establishment of theocracies — states where religion and government are closely intertwined. While some just reject separation of [name of place of worship] and state, others go further and insist that one religion’s tenets be made law. The normal arguments for a theocracy are that, for example, it would lend a greater sense of morality to the making and enforcement of laws. Or that as our laws were originally derived from some moral commandments in a particular religion, it makes sense to enthrone this religion as chief in the state. Basically, theocrats can talk until the cows come home about how great it would be if we were ruled by God, how great it would be if our laws followed God’s laws, and so forth. But this vision of theocracy will never come to be, and should never come to be. The fundamental problem with every theocracy is that is innately unfair. Not just unfair to those who do not follow the state religion, but also unfair to those who do not follow the state religion as it is understood and interpreted by the humans who run the state. After all, who really believes that all the Muslims in any of the Islamic theocracies we have today are happy? Those who believe the wrong things about Islam from one particular point of view are mercilessly vilified — the present civil war in Iraq is an excellent example. Why a theocracy would be unfair to those who don’t practice the state religion should be very apparent. Whatever flowery talk there may be of equality, if the laws are derived from one religion, then the laws will favour that religion, like it or not. At this point, supporters of theocracy often get riled up. This is because they can point topassages in their holy book which they argue justify their claims that their religion would be fair to all. On occasion they will also argue that their particular God’s laws are perfect.

One alchemist observed that in the prima materia there is a certain intractable amount of terra damnata (accursed earth) that defies all efforts at transformation and must be rejected. Not all dark impulses lend themselves to redemption; certain ones, soaked in evil, cannot be allowed to break loose and must be severely repressed. What is against nature, against the instincts, has to be stopped by main force and eradicated. The expression "assimilation of the shadow" is meant to apply to childish, primitive, undeveloped sides of one's nature, depicted in the image of the child or the dog or the stranger. But there are deadly germs that can destroy the human being and must be resisted, and their presence means that one must be hard from time to time and not accept everything that comes up from the unconscious.

Atticus’s rule was that while he would never lend a book, any of his friends were free whenever they liked to come up and read or even make their own copies. And it was here, beneath a head of Aristotle, that we found Atticus reclining that afternoon, dressed in the loose white tunic of a Greek, and reading, if I remember rightly, a volume of Kyriai doxai, the principal doctrines of Epicurus. He came straight to the point. “I was at dinner last

About some books we feel that our reluctance to return to them is the true measure of our admiration. It is hard to suppose that many people go back, from a spontaneous desire, to reread 1984: there is neither reason nor need to, no one forgets it. The usual distinctions between forgotten details and a vivid general impression mean nothing here, for the book is written out of one passionate breath, each word is bent to a severe discipline of meaning, everything is stripped to the bareness of terror. Kafka's The Trial is also a book of terror, but it is a paradigm and to some extent a puzzle, so that one may lose oneself in the rhythm of the paradigm and play with the parts of the puzzle. Kafka's novel persuades us that life is inescapably hazardous and problematic, but the very 'universality' of this idea helps soften its impact: to apprehend the terrible on the plane of metaphysics is to lend it an almost soothing aura.

I never met a librarian worth his or her salt who didn't perceive my passion for books. And without exception, each one would lend me a book on a subject we had been discussing. No paperwork, no formalities of any kind, no rules or regulations. My unspoken side of the bargain was to protect them, in two ways; first by keeping the book unharmed - not that easy, especially in bad weather, but when it rained, I carried the book next to my skin. I can tell you now that carrying Gulliver's Travels or Lays of Ancient Rome or Mr. Oscar Wilde's stories or Mr. William Yeat's poems next to my heart gave me a kind of sweet pleasure. The second half of the bargain often nearly broke my heart, but I always kept it - and that was to return the book safe and sound to the library that had lent it. To part company with Mr. Charles Dickens or Mr. William Makepeace Thackeray and his lovely name! - that was harder than saying good-bye to a dear flesh-and-blood companion. But I always did it - and I sent the book by registered post, no small consideration of cost given the peculiar economics of an itinerant storyteller.

In the presence of our families and friends, I take you, Celestia, to be my mate, my love, my consort, and my wife. Together, we can accomplish more than I could ever do alone. I will never let the pressures of the present and uncertainty of the future stop me from loving you, because you are my partner in mayhem, my enabler in trouble, and my companion in a life full of unexpected, strange adventures. I will encourage you to try new things and revisit the old to refresh your memories. I promise to celebrate our love daily, snuggle with you often, and make you laugh out loud. I vow to lend you my strength only when you need it, and to cheer you on from the sideline and support you when you don’t. I pledge to nurture and be respectful of your talents and quirks even when they involve dead animals.” He glanced at a raven in the back of the room, which I’d assumed was one of Odin’s. “You have a huge, kind, and giving heart, and I’m the lucky man you’ve given it to for safekeeping. I promise to never give you a reason to doubt my love for you, because this is just the beginning of our journey together. We have forever, and I will love you always.

In a lending library you see people's real tastes, not their pretended ones, and one thing that strikes you is how completely the 'classical' English novelists have dropped out of favour. It is simply useless to put Dickens, Thackeray, Jane Austen, Trollope, etc. into the ordinary lending library; nobody takes them out. At the mere sight of a nineteenth-century novel people say, 'Oh, but that's OLD!' and shy away immediately. Yet it is always fairly easy to SELL Dickens, just as it is always easy to sell Shakespeare. Dickens is one of those authors whom people are 'always meaning to' read,

I’m rather an admirer of the book,” Robert said and took a sip from his glass. “Damien, when you marry, you might want to see if Brianna won’t lend it out to your bride. I promise you no regrets if you give it to your beloved. Let’s just say there are certain things a gentleman won’t address with his wife that Lady Rothburg has no trouble discussing in detail.” If his younger brother’s sinful grin was any indication, it was true. “I’m headed back to Spain tomorrow.” Damien pointed out. “So I doubt romance of any kind is in my future, but I’ll keep it in mind.” “One never knows.” Colton commented. “Had anyone said it was in mine, I would have protested vehemently.” How true. How could anyone have guessed his upright older brother would marry such a lovely but impulsive young lady and manage to become a different man than the upright, unapproachable Duke of Rolthven?

So which theory did Lagos believe in? The relativist or the universalist?" "He did not seem to think there was much of a difference. In the end, they are both somewhat mystical. Lagos believed that both schools of thought had essentially arrived at the same place by different lines of reasoning." "But it seems to me there is a key difference," Hiro says. "The universalists think that we are determined by the prepatterned structure of our brains -- the pathways in the cortex. The relativists don't believe that we have any limits." "Lagos modified the strict Chomskyan theory by supposing that learning a language is like blowing code into PROMs -- an analogy that I cannot interpret." "The analogy is clear. PROMs are Programmable Read-Only Memory chips," Hiro says. "When they come from the factory, they have no content. Once and only once, you can place information into those chips and then freeze it -- the information, the software, becomes frozen into the chip -- it transmutes into hardware. After you have blown the code into the PROMs, you can read it out, but you can't write to them anymore. So Lagos was trying to say that the newborn human brain has no structure -- as the relativists would have it -- and that as the child learns a language, the developing brain structures itself accordingly, the language gets 'blown into the hardware and becomes a permanent part of the brain's deep structure -- as the universalists would have it." "Yes. This was his interpretation." "Okay. So when he talked about Enki being a real person with magical powers, what he meant was that Enki somehow understood the connection between language and the brain, knew how to manipulate it. The same way that a hacker, knowing the secrets of a computer system, can write code to control it -- digital namshubs?" "Lagos said that Enki had the ability to ascend into the universe of language and see it before his eyes. Much as humans go into the Metaverse. That gave him power to create nam-shubs. And nam-shubs had the power to alter the functioning of the brain and of the body." "Why isn't anyone doing this kind of thing nowadays? Why aren't there any namshubs in English?" "Not all languages are the same, as Steiner points out. Some languages are better at metaphor than others. Hebrew, Aramaic, Greek, and Chinese lend themselves to word play and have achieved a lasting grip on reality: Palestine had Qiryat Sefer, the 'City of the Letter,' and Syria had Byblos, the 'Town of the Book.' By contrast other civilizations seem 'speechless' or at least, as may have been the case in Egypt, not entirely cognizant of the creative and transformational powers of language. Lagos believed that Sumerian was an extraordinarily powerful language -- at least it was in Sumer five thousand years ago." "A language that lent itself to Enki's neurolinguistic hacking." "Early linguists, as well as the Kabbalists, believed in a fictional language called the tongue of Eden, the language of Adam. It enabled all men to understand each other, to communicate without misunderstanding. It was the language of the Logos, the moment when God created the world by speaking a word. In the tongue of Eden, naming a thing was the same as creating it. To quote Steiner again, 'Our speech interposes itself between apprehension and truth like a dusty pane or warped mirror. The tongue of Eden was like a flawless glass; a light of total understanding streamed through it. Thus Babel was a second Fall.' And Isaac the Blind, an early Kabbalist, said that, to quote Gershom Scholem's translation, 'The speech of men is connected with divine speech and all language whether heavenly or human derives from one source: the Divine Name.' The practical Kabbalists, the sorcerers, bore the title Ba'al Shem, meaning 'master of the divine name.'" "The machine language of the world," Hiro says.

There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make us almost enamored of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those who minds have been troubled with the malady of reverie. Gradually white fingers creep through the curtains, and they appear to tremble. In black, fantastic shapes, dumb shadows crawl into the corners of the room, and crouch there. Outside, there is the stirring of the birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills and wandering round the silent house, as though it feared to wake the sleeper, and yet must needs call forth Sleep from her purple cave. Veil after veil of thin, dusky gauze is lifted, and by degrees the forms and colors of things are restored to them, and we watch the dawn remaking the world in its antique pattern. The wan mirrors get back their mimic life. The flameless tapers stand where we had left them, and beside them lies the half-cut book that we had been studying, or the wired flower that we had worn at the ball, or the letter we had been afraid to read, or that we had read too often. Nothing seems to us changed. Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colors, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness, and the memories of pleasure their pain.

The next bit is the fairy tale. There’s a day in April when it’s raining. The river is running fast. The girl whose father had died, whose mother raised her in the crooked house by the river, who grew up with that broken part inside where your father has died and which if you’re a girl and your father was Spencer Tracy you can’t fix or unhurt, that girl who yet found in herself some kind of forbearance and strength and was not bitter, whose name was Mary MacCarroll and who was beautiful without truly knowing it and had her mother and father’s dancing and pride in her, that girl walked the riverbank in the April rain. And standing at that place in Shaughnessy’s called Fisher’s Step, where the ground sort of raises a little and sticks out over the Shannon, right there, the place which in The Salmon in Ireland Abraham Swain says salmon pass daily and though it’s treacherous he calls a blessed little spot, right there, looking like a man who had been away a long time and had come back with what in Absalom, Absalom! (Book 1,666, Penguin Classics, London) William Faulkner calls diffident and tentative amazement, as if he’d been through some solitary furnace experience, and come out the other side, standing right there, suntanned face, pale-blue eyes that look like they are peering through smoke, lips pressed together, aged twenty-nine but looking older, back in Ireland less than two weeks, the ocean-motion still in his legs but strangely the river now lending him a river repose, standing right there, was Virgil Swain.