Legendary Funny Quotes

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Yes, I was standing on nothing but congealed starlight. Yes, I was walking up through a savage storm, the wind threatening to tear me off and throw me into the freezing waters of Lake Michigan far below. Yes, I was using a legendary and enchanted means of travel to transcend the border between one dimension and the next, and on my way to an epic struggle between ancient and elemental forces. But all i could think to say, between panting breaths, was, "Yeah. Sure. They couldn't possibly have made this an escalator.
Jim Butcher (Summer Knight (The Dresden Files, #4))
And what do people say? Tella asked. Just that he murdered his last fiancee. But they also say he's very handsome, she tacked on, as if that made up for murder.
Stephanie Garber (Legendary (Caraval, #2))
New York City is legendary for sleeping around. There's hot tail everywhere and it's such a big city that two-timing and even three-timing is very doable, if you plan it right." From "My Worst Valentine's Day.Ever. (a Short Story)
Zack Love (Stories and Scripts: an Anthology)
You know,' Tella mused, 'if I didn't hate you, I might actually enjoy your company.
Stephanie Garber, Legendary
I clutched my pearls through this page-turning read that’s laugh-out-loud funny—she’s a ki-ki, darling! It’s equally heartbreaking, suspenseful, and always fast-paced. The category is: legendary.
Billy Porter
Because it wasn’t enough to be accompanied by the beast who scared the crap out of every god in Heaven, Xuanzang was assigned a few more traveling companions. The gluttonous pig-man Zhu Baijie. Sha Wujing, the repentant sand demon. And the Dragon Prince of the West Sea, who took the form of a horse for Xuanzang to ride. The five adventurers, thusly gathered, set off on their— “Holy ballsacks!” I yelped. I dropped the book like I’d been bitten. “How far did you get?” Quentin said. He was leaning against the end of the nearest shelf, as casually as if he’d been there the whole time, waiting for this moment. I ignored that he’d snuck up on me again, just this once. There was a bigger issue at play. In the book was an illustration of the group done up in bold lines and bright colors. There was Sun Wukong at the front, dressed in a beggar’s cassock, holding his Ruyi Jingu Bang in one hand and the reins of the Dragon Horse in the other. A scary-looking pig-faced man and a wide-eyed demon monk followed, carrying the luggage. And perched on top of the horse was . . . me. The artist had tried to give Xuanzang delicate, beatific features and ended up with a rather girly face. By whatever coincidence, the drawing of Sun Wukong’s old master could have been a rough caricature of sixteen-year-old Eugenia Lo from Santa Firenza, California. “That’s who you think I am?” I said to Quentin. “That’s who I know you are,” he answered. “My dearest friend. My boon companion. You’ve reincarnated into such a different form, but I’d recognize you anywhere. Your spiritual energies are unmistakable.” “Are you sure? If you’re from a long time ago, maybe your memory’s a little fuzzy.” “The realms beyond Earth exist on a different time scale,” Quentin said. “Only one day among the gods passes for every human year. To me, you haven’t been gone long. Months, not centuries.” “This is just . . . I don’t know.” I took a moment to assemble my words. “You can’t walk up to me and expect me to believe right away that I’m the reincarnation of some legendary monk from a folk tale.” “Wait, what?” Quentin squinted at me in confusion. “I said you can’t expect me to go, ‘okay, I’m Xuanzang,’ just because you tell me so.” Quentin’s mouth opened slowly like the dawning of the sun. His face went from confusion to understanding to horror and then finally to laughter. “mmmmphhhhghAHAHAHAHA!” he roared. He nearly toppled over, trying to hold his sides in. “HAHAHAHA!” “What the hell is so funny?” “You,” Quentin said through his giggles. “You’re not Xuanzang. Xuanzang was meek and mild. A friend to all living things. You think that sounds like you?” It did not. But then again I wasn’t the one trying to make a case here. “Xuanzang was delicate like a chrysanthemum.” Quentin was getting a kick out of this. “You are so tough you snapped the battleaxe of the Mighty Miracle God like a twig. Xuanzang cried over squashing a mosquito. You, on the other hand, have killed more demons than the Catholic Church.” I was starting to get annoyed. “Okay, then who the hell am I supposed to be?” If he thought I was the pig, then this whole deal was off. “You’re my weapon,” he said. “You’re the Ruyi Jingu Bang.” I punched Quentin as hard as I could in the face.
F.C. Yee (The Epic Crush of Genie Lo (The Epic Crush of Genie Lo, #1))
The best advice came from the legendary actor the late Sir John Mills, who I sat next to backstage at a lecture we were doing together. He told me he considered the key to public speaking to be this: “Be sincere, be brief, be seated.” Inspired words. And it changed the way I spoke publicly from then on. Keep it short. Keep it from the heart. Men tend to think that they have to be funny, witty, or incisive onstage. You don’t. You just have to be honest. If you can be intimate and give the inside story--emotions, doubts, struggles, fears, the lot--then people will respond. I went on to give thanks all around the world to some of the biggest corporations in business--and I always tried to live by that. Make it personal, and people will stand beside you. As I started to do bigger and bigger events for companies, I wrongly assumed that I should, in turn, start to look much smarter and speak more “corporately.” I was dead wrong--and I learned that fast. When we pretend, people get bored. But stay yourself, talk intimately, and keep the message simple, and it doesn’t matter what the hell you wear. It does, though, take courage, in front of five thousand people, to open yourself up and say you really struggle with self-doubt. Especially when you are meant to be there as a motivational speaker. But if you keep it real, then you give people something real to take away. “If he can, then so can I” is always going to be a powerful message. For kids, for businessmen--and for aspiring adventurers. I really am pretty average. I promise you. Ask Shara…ask Hugo. I am ordinary, but I am determined. I did, though--as the corporation started to pay me more--begin to doubt whether I was really worth the money. It all seemed kind of weird to me. I mean, was my talk a hundred times better now than the one I gave in the Drakensberg Mountains? No. But on the other hand, if you can help people feel stronger and more capable because of what you tell them, then it becomes worthwhile for companies in ways that are impossible to quantify. If that wasn’t true, then I wouldn’t get asked to speak so often, still to this day. And the story of Everest--a mountain, like life, and like business--is always going to work as a metaphor. You have got to work together, work hard, and go the extra mile. Look after each other, be ambitious, and take calculated, well-timed risks. Give your heart to the goal, and it will repay you. Now, are we talking business or climbing? That’s what I mean.
Bear Grylls (Mud, Sweat and Tears)
I don't write comedy. I write drama that's funny.
Gregor Collins (The Accidental Caregiver: How I Met, Loved, and Lost Legendary Holocaust Refugee Maria Altmann)
Gary’s love of practical jokes was legendary. Not his skill in executing them, just his love of them. Before discovering magic, his idea of a great joke was placing a flaming bag of dog poop on someone’s doorstep. After discovering magic, he graduated to transporting the flaming bag of dog poop into the house. Thus, whenever something happened that was simultaneously inexplicable and not at all funny, all eyes turned to him.
Scott Meyer (An Unwelcome Quest (Magic 2.0, #3))
F*ck you guys, I'm goin' home
Eric Cartman
F*ck you guys, I'm goin' home.
Eric Cartman
So, it took the openly gay guy to bring down the legendary ladies’ man? That’s kind of funny.
Leila James (Fearless Rose (Rosehaven Academy, #8))
I'm going in. Be careful. I am using a faint draft. No worries, I am creating a nice habitat for the black witch moth. It isn't small, it has a seven-inch wingspan, but the undead would not believe a hunter would use such a creature to spy on them. I, however, will have to give my moth at least eight inches to be realistic. Dragomir nearly choked. Leave it to Sandu. The black witch moth was legendary as a harbinger of death. And eight inches? It was starting. He shouldn't have shared humor with any of them. Found another entrance here on the street. Ferro this time. I will go in as a black witch moth. Perhaps I should make my wingspan that little bit bigger as in keeping with my size. Say, nine inches? Dragomir would have laughed if his present form allowed it. They might not find humor in the things they said, but they were funny. Now that he had regained his emotions, he shared them automatically with the others. It had been so long since any of them had felt anything, they almost didn't remember what humor was. If we went by that, I would go for a ten-ing wingspan, Andor said, his voice droll. Sandu, I hope that you do not feel embarrassed Given that much larger than eight to nine inches is going to draw attention and be smashed by some stubby vampire, I have no reason to feel this emotion - this embarrassment you speak of. That rules out my twelve-inch wingspan, Benedik grumbled.
Christine Feehan (Dark Legacy (Dark, #27))
I need to find out if they can defend their material without being defensive about it. I don’t want to work with someone who says, “No, it’s funny, do it.” If I make suggestions that they don’t think will improve the script and they can articulate why, I will never be upset by it. If they can’t explain why, I won’t work with them.
James Burrows (Directed by James Burrows: Five Decades of Stories from the Legendary Director of Taxi, Cheers, Frasier, Friends, Will & Grace, and More)
Both Bob and Suzanne would ask me questions during shoots, and I’d answer them. I impressed them because I was right more than I was wrong. I learned another valuable lesson: Take a stand. I could say, “Bob, do this; I think it’s going to be funny.” If an actor ever asks you which version of a take will be funnier, don’t say, “I don’t care.” Pick one. Pick one even if you don’t know. If you’re wrong, say, “Jesus! I was wrong. Let’s try the other one.” The minute you equivocate or are perceived as someone who doesn’t know what they’re doing, no actor will walk the comedic plank or take any risks for you.
James Burrows (Directed by James Burrows: Five Decades of Stories from the Legendary Director of Taxi, Cheers, Frasier, Friends, Will & Grace, and More)
Seize the moment, because one silly act can create a legacy, and also birth a legend.
Michael Bassey Johnson (Night of a Thousand Thoughts)
Are we almost there?” I asked. “You won’t be sleeping on the beach tonight,” he replied. “Not unless you’re fool enough to insist on it.” “I don’t mind sleeping under the stars.” “Well, isn’t that what a legendary huntress always does?” He winked at me. “Or have you become someone else already?” He kept his teasing to a whisper. “Very funny.” “Put your quills down, little hedgehog, I’m not your enemy,” Argus replied. “I owe you plenty for what you’ve brought to this voyage. Thanks to you, I only felt like throttling Jason every second day. I wish I knew your true name so when I die, I can tell Hades, ‘See that girl? She’s sharp as a shark’s tooth, brave enough to battle the worst storm Poseidon could throw at her, and one of these days she’ll be as beautiful as a sunrise on a summer sea. So you tell the Fates to spin the thread of her life good and long, or you’ll have Argus to answer to!’” He chuckled. I placed my hand over his on the prow. “I hope the Pythia was wrong,” I told him. “Not because I like you, but so Hades doesn’t have to put up with you too soon.
Esther M. Friesner (Nobody's Prize (Nobody's Princess, #2))
What was Fodor like? Funny you should ask that, as I had a little dust-up over at Daily Nous not long ago, with an old graduate-school friend, Samir Chopra, on the subject of Fodor, in a discussion thread about him, after he’d just died. It turns out that one thing I really liked about Fodor was what Chopra disliked the most about him, namely his (in my view) hilarious argumentative affect and manner. Some of the shit he would do in class and at colloquia was just legendary. One thing I remember was a philosophy of mind class, where a really wacko student – you know, the guy who everyone silently prays isn’t going to talk or ask a question – just said something completely bizarre – I think it was that material objects are “waves of probability” or something like that – and Fodor, looking tormented, staggered over to the wall, drew a square on it with a black marker, and began banging his head in the center of it, going “No, no, no….” I almost pissed myself, it was so hilarious. And the square stayed there long after, so you’d be in some other class, and people would ask, “Why is there a square drawn on the wall in marker?” and you’d get to tell the story and crack up all over again. Now Samir takes this sort of thing as evidence of just how what a meanie Fodor was and as representative of a kind of meanie philosophy that too many philosophers engage in, and he lamented how it “alienated” him. It was all very much in the mode of the current sensitivity-culture everyone seems to be in the grip of, which I just find humorless and precious and representative of everything about the current cultural moment that I can’t stand.
Dan Kaufman (The Routledge Companion to Seventeenth Century Philosophy (Routledge Philosophy Companions))
Zeke, having plenty of wisdom and seeing just about everything through the years, was pretty crusty among the junior pilots. His legendary tough attitude in the face of rules made the young guys laugh. Hard. Often seen in the hangar on the catwalk checking out the mechanics turning wrenches, he’d have a cigarette in his mouth in an area full of fuel. Zeke knew the flashpoint was so high that he’d never start a fire, so he routinely ignored the “No Smoking” signs.
Lawrence A. Colby (The Black Scorpion Pilot (Ford Stevens Military-Aviation Thriller #2))
The Lourve, he concluded, with an insult designed to puncture French pride, "is less well protected than a Spanish museum.
Nicholas Day (The Mona Lisa Vanishes: A Legendary Painter, a Shocking Heist, and the Birth of a Global Celebrity)
Word of his midnight activities gets out. 'The pope has found out that I have skinned three corpses,' Leonardo writes in his notebook. He gets off easy. He's simply told: please stop skinning corpses.
Nicholas Day (The Mona Lisa Vanishes: A Legendary Painter, a Shocking Heist, and the Birth of a Global Celebrity)