Left Luggage Quotes

We've searched our database for all the quotes and captions related to Left Luggage. Here they are! All 38 of them:

She knows, now, absolutely, hearing the white noise that is London, that Damien's theory of jet lag is correct: that her mortal soul is leagues behind her, being reeled in on some ghostly umbilical down the vanished wake of the plane that brought her here, hundreds of thousands of feet above the Atlantic. Souls can't move that quickly, and are left behind, and must be awaited, upon arrival, like lost luggage.
William Gibson (Pattern Recognition (Blue Ant, #1))
Are You Ready for New Urban Fragrances? Yeah, I guess I'm ready, but listen: Perfume is a disguise. Since the middle ages, we have worn masks of fruit and flowers in order to conceal from ourselves the meaty essence of our humanity. We appreciate the sexual attractant of the rose, the ripeness of the orange, more than we honor our own ripe carnality. Now today we want to perfume our cities, as well; to replace their stinging fumes of disturbed fossils' sleep with the scent of gardens and orchards. Yet, humans are not bees any more than they are blossoms. If we must pull an olfactory hood over our urban environment, let it be of a different nature. I want to travel on a train that smells like snowflakes. I want to sip in cafes that smell like comets. Under the pressure of my step, I want the streets to emit the precise odor of a diamond necklace. I want the newspapers I read to smell like the violins left in pawnshops by weeping hobos on Christmas Eve. I want to carry luggage that reeks of the neurons in Einstein's brain. I want a city's gases to smell like the golden belly hairs of the gods. And when I gaze at a televised picture of the moon, I want to detect, from a distance of 239,000 miles, the aroma of fresh mozzarella.
Tom Robbins (Wild Ducks Flying Backward)
When I finished bathing after dinner, Kumiko was sitting in the living room with the lights out. Hunched down in the dark with her gray shirt on, she looked like a piece of luggage that had been left in the wrong place.
Haruki Murakami (The Wind-Up Bird Chronicle)
Because sometimes, even when you see someone headed for a collision, all you can do is step out of the way and let it happen, hoping there will be something left to salvage after the wreckage is cleared.
Mandy Hale (I've Never Been to Vegas, but My Luggage Has: Mishaps and Miracles on the Road to Happily Ever After)
WAIT, WAIT! JUST one more!” “Bliss, there are children waiting.” And they probably hated us, but I was just so glad to see her smiling that I didn’t care. “Yeah, well, they all just jumped on the bandwagon. Most of them weren’t alive when I read Harry Potter for the first time.” I turned to the Canadian family behind me and said, “I’m so sorry. This is the last one, I promise.” Then I took one more picture of Bliss pretending to push the luggage cart through the wall at the Platform 9¾ monument at King’s Cross Station. A little boy stuck his tongue out at Bliss as we left. I pulled her away before she could follow suit. “That kid better watch it. I’m totally a Slytherin.” I shook my head, smiling. “Love, I’m going to need you to pull back on the crazy a bit.” “You’re right. Realistically, I’m a Ravenclaw.
Cora Carmack (Keeping Her (Losing It, #1.5))
My journey, however, has followed a far less predictable story: stalled chapters, unexpected plot twists, and dozens of rewrites that have left the ending more than a little uncertain.
Mandy Hale (I've Never Been to Vegas, but My Luggage Has: Mishaps and Miracles on the Road to Happily Ever After)
If I have too much luggage, too much property, too many material goods, that makes me worry I have to defend this stuff—then in that case I will not have time left to take care of the things I really love, and then I lose my freedom.
Johann Hari (Chasing the Scream: The Search for the Truth About Addiction)
There is a difference between arrival and entrance. Arrival is physical and happens all at once. The train pulls in, the plan touches down, you get out of the taxi with all your luggage. You can arrive a place and never really enter it; you get there, look around, take a few pictures, make a few notes, send postcards home. When you travel like this, you think you know where you are, but, in fact, you have never left home. Entering takes longer. You cross over, slowly, in bits and pieces. […] It is like awakening slowly, over a period of weeks. And then one morning, you open your eyes and you are finally here, really and truly here. You are just beginning to know where you are.
Jamie Zeppa
We all travelled light, taking with us only what we considered to be the bare essentials of life. When we opened our luggage for Customs inspection, the contents of our bags were a fair indication of character and interests. Thus Margo’s luggage contained a multitude of diaphanous garments, three books on slimming, and a regiment of small bottles each containing some elixir guaranteed to cure acne. Leslie’s case held a couple of roll-top pullovers and a pair of trousers which were wrapped round two revolvers, an air-pistol, a book called Be Your Own Gunsmith, and a large bottle of oil that leaked. Larry was accompanied by two trunks of books and a brief-case containing his clothes. Mother’s luggage was sensibly divided between clothes and various volumes on cooking and gardening. I travelled with only those items that I thought necessary to relieve the tedium of a long journey: four books on natural history, a butterfly net, a dog, and a jam-jar full of caterpillars all in imminent danger of turning into chrysalids. Thus, by our standards fully equipped, we left the clammy shores of England.
Gerald Durrell
The girl beside the window looked up. She had straggly, waist-length, dirty blonde hair, very pale eyebrows and protuberant eyes that gave her a permanently surprised look. Harry knew at once why Neville had chosen to pass this compartment by. The girl gave off an aura of distinct dottiness. Perhaps it was the fact that she had stuck her wand behind her left ear for safekeeping, or that she had chosen to wear a necklace of Butterbeer corks, or that she was reading a magazine upside-down. Her eyes ranged over Neville and came to rest on Harry. She nodded. ‘Thanks,’ said Ginny, smiling at her. Harry and Neville stowed the three trunks and Hedwig’s cage in the luggage rack and sat down. Luna watched them over her upside-down magazine, which was called The Quibbler. She did not seem to need to blink as much as normal humans. She stared and stared at Harry, who had taken the seat opposite her and now wished he hadn’t. ‘Had a good summer, Luna?’ Ginny asked. ‘Yes,’ said Luna dreamily, without taking her eyes off Harry. ‘Yes, it was quite enjoyable, you know. You’re Harry Potter,’ she added. ‘I know I am,’ said Harry. Neville chuckled. Luna turned her pale eyes on him instead. ‘And I don’t know who you are.’ ‘I’m nobody,’ said Neville hurriedly. ‘No you’re not,’ said Ginny sharply. ‘Neville Longbottom – Luna Lovegood. Luna’s in my year, but in Ravenclaw.’ ‘Wit beyond measure is man’s greatest treasure,’ said Luna in a singsong voice. She raised her upside-down magazine high enough to hide her face and fell silent. Harry and Neville looked at each other with their eyebrows raised. Ginny suppressed a giggle.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
When Jean and his mother left Etreuilles, Monsieur Sureau had gathered for them great boxfuls of hawthorn and of snowballs which Madame Santeuil had not the courage to refuse. But, as soon as Jean's uncle had gone home, she threw them away, saying that they already had more than enough in the way of luggage. And then Jean cried because he had been separated from the darling creatures which he would have liked to take with him to Paris, and because of his mother's naughtiness.
Marcel Proust (Jean Santeuil)
God's only way of building the rickety structure of Time, to hold the bags to send on the roads, to carry our luggage from place to place looking for a bus to ride us back home to Eternity where the heart was left and farewell tears began.
Allen Ginsberg (Howl and Other Poems)
Do you have any luggage?” “No,” said Fat Charlie, apologetically. “Nothing?” “Nothing. Just this lime.” He filled out several forms, and she gave him a key and directions to his room. Fat Charlie was in the bath when a knock came on the door. He wrapped a towel around his midriff. It was the bellman. “You left your lime in reception,” he said, and handed it to Fat Charlie.
Neil Gaiman (Anansi Boys)
Marrying left your maiden name disused. Its five light sounds no longer mean your face, Your voice, and all your variants of grace; For since you were so thankfully confused By law with someone else, you cannot be Semantically the same as that young beauty: It was of her that these two words were used. Now it's a phrase applicable to no one, Lying just where you left it, scattered through Old lists, old programmes, a school prize or two Packets of letters tied with tartan ribbon - Then is it scentless, weightless, strengthless, wholly Untruthful? Try whispering it slowly. No, it means you. Or, since you're past and gone, It means what we feel now about you then: How beautiful you were, and near, and young, So vivid, you might still be there among Those first few days, unfingermarked again. So your old name shelters our faithfulness, Instead of losing shape and meaning less With your depreciating luggage laden. - Maiden Name
Philip Larkin
After that came a moment which is hard to describe, for the children seemed to be seeing three things at once. One was the mouth of a cave opening into the glaring green and blue of an island in the Pacific, where all the Telmarines would find themselves the moment they were through the Door. The second was a glade in Narnia, the faces of Dwarfs and Beasts, the deep eyes of Aslan, and the white patches on the Badger’s cheeks. But the third (which rapidly swallowed up the other two) was the gray, gravelly surface of a platform in a country station, and a seat with luggage round it, where they were all sitting as if they had never moved from it--a little flat and dreary for a moment after all they had been through, but also, unexpectedly, nice in its own way, what with the familiar railway smell and the English sky and the summer term before them. “Well!” said Peter. “We have had a time.” “Bother!” said Edmund. “I’ve left my new torch in Narnia.
C.S. Lewis (Prince Caspian (Chronicles of Narnia, #2))
Whatever the final cost of HS2, all those tens of billions could clearly buy lots of things more generally useful to society than a quicker ride to Birmingham. Then there is all the destruction of the countryside. A high-speed rail line offers nothing in the way of charm. It is a motorway for trains. It would create a permanent very noisy, hyper-visible scar across a great deal of classic British countryside, and disrupt and make miserable the lives of hundreds of thousands of people throughout its years of construction. If the outcome were something truly marvellous, then perhaps that would be a justifiable price to pay, but a fast train to Birmingham is never going to be marvellous. The best it can ever be is a fast train to Birmingham. Remarkably, the new line doesn’t hook up to most of the places people might reasonably want to go to. Passengers from the north who need to get to Heathrow will have to change trains at Old Oak Common, with all their luggage, and travel the last twelve miles on another service. Getting to Gatwick will be even harder. If they want to catch a train to Europe, they will have to get off at Euston station and make their way half a mile along the Euston Road to St Pancras. It has actually been suggested that travelators could be installed for that journey. Can you imagine travelling half a mile on travelators? Somebody find me the person who came up with that notion. I’ll get the horsewhip. Now here’s my idea. Why not keep the journey times the same but make the trains so comfortable and relaxing that people won’t want the trip to end? Instead, they could pass the time staring out the window at all the gleaming hospitals, schools, playing fields and gorgeously maintained countryside that the billions of saved pounds had paid for. Alternatively, you could just put a steam locomotive in front of the train, make all the seats inside wooden and have it run entirely by volunteers. People would come from all over the country to ride on it. In either case, if any money was left over, perhaps a little of it could be used to fit trains with toilets that don’t flush directly on to the tracks, so that when I sit on a platform at a place like Cambridge or Oxford glumly eating a WH Smith sandwich I don’t have to watch blackbirds fighting over tattered fragments of human waste and toilet paper. It is, let’s face it, hard enough to eat a WH Smith sandwich as it is.
Bill Bryson (The Road to Little Dribbling: Adventures of an American in Britain)
She knows, now, absolutely, hearing the white noise that is London, that Damien’s theory of jet lag is correct: that her mortal soul is leagues behind her, being reeled in on some ghostly umbilical down the vanished wake of the plane that brought her here, hundreds of thousands of feet above the Atlantic. Souls can’t move that quickly, and are left behind, and must be awaited, upon arrival, like lost luggage. She wonders if this gets gradually worse with age: the nameless hour deeper, more null, its affect at once stranger and less interesting?
William Gibson (Pattern Recognition (Blue Ant, #1))
We live broadly according to the tenets of a religion we no longer believe in. We live as if we are creatures of pure free will when philosophers and evolutionary biologists tell us this is largely a fiction. We live as if the memory were a well-built and efficiently staffed left-luggage office. We live as if the soul - or spirit, or individuality, or personality - were an identifiable and locatable entity rather than a story the brain tells itself. We live as if nature and nurture were equal parents when the evidence suggests that nature has both the whip hand and the whip.
Julian Barnes (Nothing to Be Frightened Of)
Let's face it, we all got issues. Most of the time we can deal with our own overstuffed luggage, but every once in a while a few marbles bust out of the bag, go rolling down the aisle, and we got no choice but to chase after them. Chasing after our lost marbles is like an out-of-body experience. For a while it's like we become somebody else—someone we don't recognize. It scares us and gives us new and bigger headaches...They got shrinks to analyze why we do weird crap. Sometimes they tell us it's all because of our parents, which makes us happy, because we all want to blame our parents for everything, right?...No one ever seems to take responsibility themselves—because if we don't blame it on our parents, or the devil, or the government, or the freaking position of Venus in relation to Mars, then we're still left with that big ugly 'why?' Most of the time we know for sure what we did, when we did it, and where it happened. Which means we're not playing Boggle anymore; now it's Clue. But does anyone ask why Colonel Mustard killed Professor Plum with the lead pipe in the ballroom? No. When we look at our own lead pipes and ask ourselves why, the answer never really comes, so we find someone or something to blame, because 'I don't know' is not an acceptable answer.
Neal Shusterman (Ship Out of Luck (Antsy Bonano, #3))
his face and head. In this position he lay in a stupor of half-sleep for about twelve hours. The conductor had to shake him when they arrived. Singer left his luggage in the middle of the station floor. Then he walked to the shop. He greeted the jeweler for whom he worked with a listless turn of his head. When he went out again there was something heavy in his pocket. For a while he rambled with bent head along the streets. But the unrefracted brilliance of the sun, the humid heat, oppressed him. He returned to his room with swollen eyes and an aching head. After resting he drank a glass of iced coffee and smoked a cigarette. Then when he had washed the ashtray and the glass he brought out a pistol from his pocket and put a bullet in his chest.
Carson McCullers (The Heart Is a Lonely Hunter)
So I could not stay seated, I got back on to my feet; and thus at every moment, I had to meet one of those countless, humble selves that compose us who had not yet learned of Albertine’s departure and inform them of it—this task was all more cruel than if they had been strangers, and had not borrowed my sensitivity in order to suffer—to announce the impending misfortune to all of these people, all of these selves who did not yet know it; each one of them in turn needed to hear these words for the first time “Albertine asked for her trunk”—that coffin-shaped trunk which I had seen loaded into the carriage at Balbec along with my mother’s luggage—“Albertine has left.” I had to inform every one of them of my sorrow, that sorrow which is not at all a pessimistic conclusion freely drawn from a collection of sinister circumstances, but the intermittent and involuntary revival of a specific impression, externally provoked rather than chosen by us.
Marcel Proust (The Fugitive: In Search of Lost Time, Volume 6 (Penguin Classics Deluxe Edition))
Petrificus Totalus!” Without warning, Malfoy pointed his wand at Harry, who was instantly paralyzed. As though in slow motion, he toppled out of the luggage rack and fell, with an agonizing, floor-shaking crash, at Malfoy’s feet, the Invisibility Cloak trapped beneath him, his whole body revealed with his legs still curled absurdly into the cramped kneeling position. He couldn’t move a muscle; he could only gaze up at Malfoy, who smiled broadly. “I thought so,” he said jubilantly. “I heard Goyle’s trunk hit you. And I thought I saw something white flash through the air after Zabini came back. . . .” His eyes lingered for a moment upon Harry’s trainers. “You didn’t hear anything I care about, Potter. But while I’ve got you here . . .” And he stamped, hard, on Harry’s face. Harry felt his nose break; blood spurted everywhere. “That’s from my father. Now, let’s see. . . .” Malfoy dragged the Cloak out from under Harry’s immobilized body and threw it over him. “I don’t reckon they’ll find you till the train’s back in London,” he said quietly. “See you around, Potter . . . or not.” And taking care to tread on Harry’s fingers, Malfoy left the compartment.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
I was exhausted and had to rely on Herr Schreiner to help me and knew in my soul that God had sent him to my aid. As tired as I was, I couldn’t have handled my luggage alone. Finally another train did pull into the station but in stark contrast to the empty platform we were standing on, the train was completely full of people. Although he wasn’t that big of a man, Herr Schreiner pushed my suitcases up the two steps into the railway car, and I climbed up behind them. As the train left the station, he hung onto the two entrance handles right behind me and I pushed for space, trying to make enough room for him to get into the carriage. With every surge of the train I expected him to lose his grip but with what I am certain was superhuman strength, he hung on as the train picked up speed. Several of the people made snide remarks but I turned a deaf ear to this and pushed as hard as I could, so that he could also get in. With the help of another man pulling on his coat, Herr Schreiner finally managed to squeeze in far enough so that we could close the door behind him. Once safely on the train, someone from his school in Mannheim recognized him. Herr Schreiner had been a very popular, much admired school principal and seeing how tired and bedraggled we now looked, the passenger offered us his window seats and helped to make room so that we could store our suitcases in the luggage rack above our heads. The train didn’t make any more stops and continued east crossing the Rhine River Bridge, which miraculously was still there. I couldn’t believe that everything had come together as well as it had, and that I was on my way back to Überlingen and my children.
Hank Bracker
Ruth could have left me the carry-along case. Taking a boyfriend would have been enough for most. Not Ruth. She wanted luggage too.
Lucy-Anne Holmes (The (Im)Perfect Girlfriend (Sarah Sargeant, #2))
It’s not fair that she can undo me with a simple kiss at a mirror when she doesn’t even see me as a real, live, flesh-and-blood man. She still sees me as the boy who grew up next door to her. She seems to forget that I’m the one who held her hair back as she threw up her first few shots of tequila. She forgets that I’m the one who carried her luggage up three fucking flights of stairs when I moved her into her dorm room. I’m the one who hugged her when Dusty Forbes dumped her at the homecoming dance. I’m the one who left my own date—who was a sure thing, by the way—standing alone by the wall while I retrieved Lacey from the ladies’ room and stroked her hair until she could breathe. She
Tammy Falkner (Just Jelly Beans and Jealousy (The Reed Brothers, #3.4))
left side of his mouth kicks up. "I'll have Samuel store your luggage in the boot.
Magda Alexander (Storm Damages (Storm Damages, #1))
At a key point in the letter James told his readers: “You do not have because you do not ask God” (4:2). Prayer makes a difference. Your prayer makes a difference. “The prayer of a righteous person is powerful and effective” (5:16). One of the most successful advertising campaigns of recent years came from a regional airline in the US during the run-up to Christmas. They set up a “virtual Santa” in the departure lounge of a domestic flight. Passengers would scan their boarding pass, activating a screen featuring Santa (located somewhere else and with access to their flight details), who would then ask them what they wanted for Christmas before sending them on their way. Unbeknownst to the passengers, employees from the airline then went out to local malls to purchase and wrap the very things the passengers had asked for—everything from new socks to a widescreen TV. When the passengers arrived at their destination, their gifts arrived along with their luggage at the baggage belt. Many stood in disbelief when they realised what had happened. Needless to say, the video recording their reactions went viral, providing the airline with way more publicity and goodwill than a standard commercial would have generated. But after the warm glow from watching it subsided, I had one thought in my mind: The guy who only asked for socks must be kicking himself. Once he’d realised what had happened, surrounded by people with expensive cameras and tablets, he must have felt a little foolish clutching a pair of socks. If only he had known. If only he had asked. James does not want us to make the same mistake. The prayer of a righteous man is powerful and effective. It is real. Things actually happen. God answers. How foolish we are not to pray far more than we do. How foolish, at the end of the day, aware of all that we could have had, to be left clutching the equivalent of a pair of socks that we never even realised we would get. Not every Christian can be a great theologian, preacher, missionary or evangelist. But every Christian can be a great and effective pray-er.
Sam Allberry (James For You: Showing you how real faith looks in real life (God's Word For You))
After a long night and countless stops we finally arrived in Überlingen. By now the compartment was almost empty again and the cool air off the lake had replaced the body heat and overwhelming stench of the crowds. It was late afternoon and I was grateful that this awful journey was at long last behind me. After descending from the train, I struggled to get my belongings up the steep steps, where I found and commandeered a luggage cart. Now with my two heavy suitcases loaded onto the cart, I pulled it right down the main street to the nearest hotel. From there I telephoned the farm and fortunately it was Brigitte who answered. “Mama, I’m so glad that you returned safely. Before you left I promised that I would lock our door at night. Today Herr Weber said that he would punish me if I locked it again and I don’t know what to do?” “Do as I told you, and lock it! I have just arrived in Überlingen and will take a short cut back to the farm by coming up through the forest. Tell that nasty man, that Mama is on her way!
Hank Bracker (Suppressed I Rise)
Around me, in this tin can, my fellow travelers: we, the acquiescent, unaware insurrectionists; we who have left and returned so constantly throughout history our language has given us a name—balikbayan. Sloped-shouldered we are, freighted by absence; our hand-carries bulging with items that wouldn’t fit in overweight luggage, all the countless gifts for countless relatives—proof our time away has not been wasted.
Miguel Syjuco (Ilustrado)
However, there is a small but undeniable part of herself that takes comfort in imagining the detailed journey home: landing in Gatwick, a train to Victoria Station, the tube to King’s Cross, another train that rolls through the countryside, small towns, and swelling cities, and eventually to Newcastle, then a forty-minute Metro to South Shields, a two-mile walk (her rolling luggage listing consistently to her left), and it’s warm and sunny even though it is never warm and sunny often enough in northern England, and finally she’s standing before their semidetached home with the brick walls and a white trellis, and she walks through the small garden and through the back door, then to the kitchen to sit with Mum and Dad at their ridiculous little table with the ugly yellow vinyl tablecloth and they both glance over the frames of their reading glasses and smile that wan I-see-you-dear smile.
Paul Tremblay (Survivor Song)
Madame Egloff, who stood, hands held out in front of her, expressing her admiration. ‘Please make the alterations, Madame, and have the gowns sent round to Brown’s Hotel by the weekend.’ Half an hour later, when they left Madame Egloff’s salon, Sophie had been dressed and pinned into each of the garments Matty had chosen, and promises had been made to deliver the clothes to the hotel by Saturday morning at the latest. * Monday morning saw them at Paddington Station being conducted to a private compartment on the train. Sophie had never travelled in such style before, being more used to the uncomfortable rowdiness of a third-class carriage, but Matty had insisted. ‘I always travel this way,’ she said. ‘The journey is quite tiring enough without being crammed in next to crying children and shrill women.’ Having directed the porter to place their luggage in the guard’s van, Matty had settled herself into their compartment with a copy of the new Murray’s Magazine, which she had bought from a news-stand at the station. Beside her on the seat was a hamper, provided by Brown’s, with the food and drink they would need for the journey. As the train drew out of the station and started its long journey west, Sophie felt keyed up with anxious anticipation and was grateful for the comforting presence of Hannah, ensconced on the other side of the compartment. Dressed in her new plaid travelling dress, with a matching hat perched on her head, Sophie knew she was a different person from the one who had sat at her dying mother’s bedside, holding her hand. No longer a young girl on the brink of adulthood... but who? There had been too much change in her life in the past weeks that she still had to come to terms with. Who am I? she wondered. I don’t feel like me! She looked across at Hannah, so familiar, so safe, huddled in a corner, her eyes shut as she dozed, and Sophie felt a wave of affection flood through her. Dear Hannah, she thought, I’m so glad you came too. When they had left Madame Egloff, Matty had taken Sophie for afternoon tea at Brown’s. Looking round the famous tea room, with its panelled walls, its alcoved fireplace and its windows giving onto Albemarle Street, Sophie
Diney Costeloe (Miss Mary's Daughter)
But as I grew older, things changed. Slowly, I was pushed to the back of the bus until I wasn’t even in the same vehicle. Left behind like unnecessary luggage.
Emily McIntire (Hooked (Never After, #1))
The auto trunk technique is used only when eventual discovery of the body doesn’t matter. And it has only become popular since the size of trunks has increased. “It used to be,” said a former Deputy Coroner, “that the bodies would be found a lot sooner because they’d be left in the front or back seat of the car. That’s when the trunks were small and you couldn’t very well strap a stiff up on the luggage rack. Even in Chicago that would attract attention.
Mike Royko (Early Royko: Up Against It in Chicago)
Our Dutch hostess—or rather, the woman we are hoping will host us once we show up on her doorstep—is known to everyone but me. And though I had been warned about Johanna Hoffman’s friendliness and large dogs, there is no way to be truly prepared for either. When the door to her canal house opens, three dogs that look as though they each weigh more than I do spill out, followed by a plump, bright-faced woman in a pink dress that matches the bows around each dog’s neck. When she sees Felicity, she screams. In spite of not having anything in her hands, I swear she somehow still drops a vase. She throws her arms around Felicity, squeezing her so hard she nearly lifts her off the ground. “Felicity Montague, I thought you were dead!” “Not dead,” Felicity says. One of the dogs tries to wedge itself between the two of them, tail wagging so furiously it makes a thumping drumbeat against the door frame. A second snuffles its nose against my palm, trying to flip my hand onto the top of its head in an encouragement to pet. “It’s been years. Years, Felicity, I haven’t heard from you in years.” She takes Felicity’s face in her hands and presses their foreheads together. “Hardly a word since you left! What on earth are you doing here? I can’t believe it!” She releases Felicity just long enough to turn to Monty and throw open her arms to him. “And Harold!” “Henry,” he corrects, the end coming out in a wheeze as she wraps him in a rib-crushing hug. The dog gives up nudging my hand and instead mashes its face into my thigh, leaving a trail of spittle on my trousers. “Of course, Henry!” She lets go of him, turns to me, and says with just as much enthusiasm, “And I don’t know who you are!” And then I too am being hugged. She smells of honey and lavender, which makes the embrace feel like being wrapped in a loaf of warm bread. “This is Adrian,” Felicity says. “Adrian!” Johanna cries. One of the dogs lets out a long woof in harmony and the others take up the call, an off-key, enthusiastic chorus. She releases me, then turns to Felicity again, but Felicity holds up a preemptive hand. “All right, that’s enough. No more hugs.” She brushes an astonishing amount of dog hair off the front of her skirt, then says brusquely, “It’s good to see you, Johanna.” In return, Johanna smacks her on the shoulder. “You tell me you’re going to Rabat with some scholar and then you never come back and I never hear a single word! Why didn’t you write? Come inside, come on, push the dogs out the way, they won’t bite.” As we follow her into the hallway and then the parlor, she’s speaking so fast I can hardly understand her. “Where are you staying? Wherever it is, cancel it; let me put you up here. Was your luggage sent somewhere? I can have one of my staff collect it. We have plenty of room, and I can make up the parlor for you, Harry—” “Henry,” Monty corrects, then corrects himself. “Monty, Jo, I’ve told you to call me Monty.” She waves that away. “I know but it always feels so terribly glib! You were nearly a lord! But I’m happy to set you up down here so you needn’t navigate the stairs on your leg—gosh, what have you done to it? Your lovely Percy isn’t here, is he? Though we’ll have to do something so the dogs don’t jump on you in the night. They usually sleep with Jan and me, but they get squirrely when we have company. One of Jan’s brokers from Antwerp stayed with us last week and he swears he locked the bedroom door, but somehow Seymour still jumped on top of him in the middle of the night. Poor man thought he was being murdered in his bed. Please sit down—the dogs will move if you crowd them.
Mackenzi Lee (The Nobleman's Guide to Scandal and Shipwrecks (Montague Siblings, #3))
The day my father left was a sweltering morning in late August. You wouldn't have known it by the way he was dressed, wearing khakis and a pullover sweatshirt. He had a winter coat draped over his left arm while he attempted to silently roll the ugly olive green Samsonite luggage he and Mom had purchased on their honeymoon out the door without disturbing anyone in the household. He did a lousy job because I could hear the straining of the front door on its hinges from my spot on the couch. “‘Daddy?’ I rubbed my groggy eyes and squinted to see him in the early morning light. It couldn't have been any later than 5:30 or 6:00 as the morning sky only showed hints of pink and brightness on the horizon. “He placed his finger to his lips and replied with a quiet ‘Shhh, Kathryn.’ “Sitting up on the couch where I had slept the night before, because I had a habit of sleep walking, I asked, ‘Where are you going, Daddy?’ “He glanced around and in the faint light I could see him lick his lips, a nervous habit of his. He did it when my mother would grill him about where he had been that afternoon after the store had closed. He also did it when my mother asked if he paid the gas bill or the electric bill as the lights were flickering. He did it when we kids would ask him a school question that he didn't know the answer to.
Heather Balog (Letters To My Sister's Shrink)
As I focused the lens on her earrings, I thought about her husband. I imagined him shuffling through the house before he left, looking only for those things that were precious to his wife: her sari, her jewellery, things that would make her happy, things that would remind her of their Karachi. These belongings he carried, perhaps concealed within his luggage so that the authorities would not take them away.
Aanchal Malhotra (Remnants of a Separation: A History of the Partition through Material Memory)
This suitcase belonged to someone. And that someone had packed up their books and clothes and toothbrush, much like we had, and had left their home far behind. I wondered if they’d felt frightened, unsure of where they were going and what sort of welcome they’d receive when they got there. At least we’d arrived in one piece. The more I looked, the more I was sure this luggage was from Queenie’s missing boat. I could feel it too, a sort of foreboding in the air, because if my instinct was right, then where were the passengers? Had their attempt to help people gone tragically wrong? And what about Sukie? The awfulness of what this washed-up suitcase implied almost overwhelmed me.
Emma Carroll (Letters from the Lighthouse)
She cast a dazed and sad eye over the many things the airport offered to her as she left. Surely, she couldn't depart England without a bottle of whisky, a set of china teacups, a Paddington Bear, a biography of some grim-looking sportsdude, an overpriced purse, a shawl, several bottles of perfume ... "Did people come to the airport just to set their money on fire? "There were more practical offerings as well. Every other shop offered candy, water, luggage tags, and toothbrushes. Stuff you might have forgotten or need on the way.
Maureen Johnson (Nine Liars (Truly Devious, #5))