Ledger Quotes

We've searched our database for all the quotes and captions related to Ledger. Here they are! All 100 of them:

That message is simple: When you come to one of the many moments in life when you must give an account of yourself, provide a ledger of what you have been, and done, and meant to the world, do not, I pray, discount that you filled a dying man’s days with a sated joy, a joy unknown to me in all my prior years, a joy that does not hunger for more and more, but rests, satisfied. In this time, right now, that is an enormous thing.
Paul Kalanithi (When Breath Becomes Air)
He thumbed quickly through the ledger and said, “When people see a cripple walking down the street, leaning on his cane, what do they feel?” Wylan looked away. People always did when Kaz talked about his limp, as if he didn’t know what he was or how the world saw him. “They feel pity. Now, what do they think when they see me coming?” Wylan’s mouth quirked up at the corner. “They think they’d better cross the street.” Kaz tossed the ledger back in the safe. “You’re not weak because you can’t read. You’re weak because you’re afraid of people seeing your weakness. You’re letting shame decide who you are.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Elodin proved a difficult man to find. He had an office in Hollows, but never seemed to use it. When I visited Ledgers and Lists, I discovered he only taught one class: Unlikely Maths. However, this was less than helpful in tracking him down, as according to the ledger, the time of the class was 'now' and the location was 'everywhere.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
Moments before sleep are when she feels most alive, leaping across fragments of the day, bringing each moment into the bed with her like a child with schoolbooks and pencils. The day seems to have no order until these times, which are like a ledger for her, her body full of stories and situations.
Michael Ondaatje (The English Patient)
It was only then I realized I didn't know the name of Elodin's class. I leafed through the ledger until I spotted Elodin's name, then ran my finger back to where the title of the class was listed in fresh dark ink: "Introduction to Not Being a Stupid Jackass." I sighed and penned my name in the single blank space beneath.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
If a man has any greatness in him, it comes to light, not in one flamboyant hour, but in the ledger of his daily work.
Beryl Markham (West with the Night)
You did not let me keep my name, so I will strip you of yours. In this world you are what I say you are, and I say you are a ghost, a long night's fever dream that I have finally woken up from. I say you are the smoke-wisp memory of a flame, thawing ice suffering under an early spring sun, a chalk ledger of depts being wiped clean. I say you do not have a name.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
I’m not sure I could trust a man who would bypass an Oreo in favor of vanilla wafers. It’s a fundamental character flaw, possibly a sign of true evil.
Jonathan Maberry (Patient Zero (Joe Ledger, #1))
I believe whatever doesn’t kill you, simply makes you stranger.
The Joker Heath Ledger
…Heath Ledger once said to me, ‘It’s built you up to knock you down and that’s all it is.
Susan Bernard (Marilyn: Intimate Exposures)
You see, in their last moments people show you who they really are.
The Joker Heath Ledger
Does it depress you? To know just how alone you really are?
The Joker Heath Ledger
No man can tell whether he is rich or poor by turning to his ledger. It is in the heart that makes a man rich. He is rich according to what he is, not according to what he has
Henry Ward Beecher
Sought we the Scrivani word-work of Surthur Long-lost in ledger all hope forgotten. Yet fast-found for friendship fair the book-bringer Hot comes the huntress Fela, flushed with finding Breathless her breast her high blood rising To ripen the red-cheek rouge-bloom of beauty. “That sort of thing,” Simmon said absently, his eyes still scanning the pages in front of him. I saw Fela turn her head to look at Simmon, almost as if she were surprised to see him sitting there. No, it was almost as if up until that point, he’d just been occupying space around her, like a piece of furniture. But this time when she looked at him, she took all of him in. His sandy hair, the line of his jaw, the span of his shoulders beneath his shirt. This time when she looked, she actually saw him. Let me say this. It was worth the whole awful, irritating time spent searching the Archives just to watch that moment happen. It was worth blood and the fear of death to see her fall in love with him. Just a little. Just the first faint breath of love, so light she probably didn’t notice it herself. It wasn’t dramatic, like some bolt of lightning with a crack of thunder following. It was more like when flint strikes steel and the spark fades almost too fast for you to see. But still, you know it’s there, down where you can’t see, kindling.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
When you have to kill the same terrorist twice in one week, then there's either something wrong with your skills or something wrong with your world. And there's nothing wrong with my skills.
Jonathan Maberry (Patient Zero (Joe Ledger, #1))
Everyone you meet always asks if you have a career, are married, or own a house as if life was some kind of grocery list. But no one ever asks you if you are happy.
Heath Ledger
Sought we the Scrivani word-work of Surthur Long-long in ledger all hope forgotten Yet fast-found for friendship fair the book-bringer Hot comes the huntress Fela, flushed with finding Breathless her breast her high blood rising To ripen the red-cheek rouge-bloom of beauty.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
The dangerous men were still asleep, their blades sheathed next to their beds. The really dangerous men had been up for hours, and their quills and ledgers were getting hard use.
Daniel Polansky (Low Town (Low Town, #1))
Reality is a state of mind. To the banker, the money in his ledger book is all very real, though he doesn't actually see it or touch it. But to the Brahma, it simply doesn't exist the way the air and the earth, pain and loss do. To him, the banker's reality is folly. To the banker, the Brahma's ideas are as inconsequential as dust.
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
—and I don’t care if you’re pissed, you can’t throw food at the Dragon Warlord, said Nezha. Kitay’s face was purple with anger. If he was at all relieved to see Nezha alive, he didn’t show it. “Your men tried to blow up my house!” “They tend to do that,” Rin said. “I was still in it!” Kitay cried. “And so we’re my ledgers!” Nezha looked amazed. “Who gives a shit about your ledgers?” “I was doing the city’s taxes.” “What?” Kitay stuck his lower lip out. “And I was almost done.
R.F. Kuang (The Dragon Republic (The Poppy War, #2))
Someday, you know, we're going to be shown the great ledger of our recorded decisions-a dread concept you nonetheless know in your deepest soul is true.
Leif Enger (Peace Like a River)
There are ledgers. Those I kill. Those I reward." "There are legends. You used to be one." "I am a legend." "Dani's a legend. Not you." "This Dani appears to matter to you." "Always." "Perhaps you had a funny way of showing it.
Karen Marie Moning (Burned (Fever, #7))
What he says, even on his knees, about his own sinfulness is all parrot talk. At bottom, he still believes he has run up a very favorable credit-balance in the Enemy's ledger by allowing himself to be converted, and thinks that he is showing great humility and condescension in going to church with these 'smug', commonplace neighbors at all.
C.S. Lewis (The Screwtape Letters)
Ledger is an asshole. We’ve clarified that. I mean, the guy turned a bookstore into a bar. What kind of monster would do that?
Colleen Hoover (Reminders of Him)
My whole body is a lethal weapon, you know. I know more ways to kill you than you know how to die.
Jonathan Maberry (Assassin's Code (Joe Ledger, #4))
When they make up their ledger, they balance stupidity by wealth, and vice by hypocrisy.
Oscar Wilde (The Picture of Dorian Gray)
...You can have this whole entire life, with all your opinions, your loves, your fears. Eventually those parts of you disappear. And then the people who could remember those parts of you disappear, and before long, all that's left is your name in some ledger. This...person -- she had a favorite food. She had friends and people she disliked. We don't even know how she died...I guess that's why I like preservation better than history. In preservation I feel like I can keep some of it from slipping away.
Katherine Howe (The Physick Book of Deliverance Dane (The Physick Book, #1))
There is perhaps only one thing to say to this infant, who is all future, overlapping briefly with me, whose life, barring the improbable, is all but past. That message is simple: When you come to one of the many moments in life where you must give an account of yourself, provide a ledger of what you have been, and done, and meant to the world, do not, I pray, discount that you filled a dying man's days with a sated joy, unknown to me in all my prior years, a joy that does not hunger for more and more but rests, satisfied. In this time, right now, that is an enormous thing.
Paul Kalanithi
Heath Ledger was on the little glowing screen in front of me in his nurse’s uniform, smoky eyes, and smeared lipstick, smirking as he set off bombs and burned the hospital down.
Cat Marnell (How to Murder Your Life)
Ledger has no idea how much his actions tonight have broken the last few pieces of me. Ivy has no idea how much her words from almost five years ago are still somehow saving me.
Colleen Hoover (Reminders of Him)
You're late, Kell", Dockson said, still not looking up from his ledgers. "I strive for nothing if not consistency" - Kelsier
Brandon Sanderson (Mistborn: The Final Empire (Mistborn, #1))
A gentleman sitting in spectacles before an old ledger, and writing down pitiful remembrances of his own condition, is a quaint and ridiculous object.
William Makepeace Thackeray (The Virginians)
It doesn't matter who you meet or when you meet them; there's pain and joy on each side of the ledger. So don't stick rigidly to one story about what your life means, because it's likely to be wrong. In fact, there are many ways of living this life.
Natasha Lunn (Conversations on Love)
So, basically if we keep trying to save the country and maybe the world from a bunch of murderous assholes with outer space weapons, then we're the bad guys?" "In a nutshell." "Then, hey ... let's be bad guys.
Jonathan Maberry (Extinction Machine (Joe Ledger, #5))
Now discontent nibbled at him - not painfully, but constantly. Where does discontent start? You are warm enough, but you shiver. You are fed, yet hunger gnaws you. You have been loved, but your yearning wanders in new fields. And to prod all these there's time, the bastard Time. The end of life is now not so terribly far away - you can see it the way you see the finish line when you come into the stretch - and your mind says, "Have I worked enough? Have I eaten enough? Have I loved enough?" All of these, of course, are the foundation of man's greatest curse, and perhaps his greatest glory. "What has my life meant so far, and what can it mean in the time left to me?" And now we're coming to the wicked, poisoned dart: "What have I contributed in the Great Ledger? What am I worth?" And this isn't vanity or ambition. Men seem to be born with a debt they can never pay no matter how hard they try. It piles up ahead of them. Man owes something to man. If he ignores the debt it poisons him, and if he tries to make payments the debt only increases, and the quality of his gift is the measure of the man.
John Steinbeck (Sweet Thursday (Cannery Row, #2))
The word "impossible" used to mean something. It was a line that couldn't be crossed. It was the outer edge of the safe zone. I can't find that line anymore
Jonathan Maberry (Extinction Machine (Joe Ledger, #5))
When I looked at my life’s ledger I realized I was a very rich woman. What I was experiencing was merely a temporary cash-flow problem. Finally, I came to an inner awareness that my personal net worth couldn’t possibly be determined by the size of my checking account balance. Neither can yours.
Sarah Ban Breathnach (Simple Abundance: A Daybook of Comfort of Joy)
Somewhere along the line people reduce themselves to numbers in a ledger, and at that point you’re truly damned. It’s a rather concise definition of power – when you no longer need to look at the names.
Daniel Polansky (She Who Waits (Low Town Book 3))
Yenay stepped forward, the precious ledger clutched to her chest like a teddy bear. “Please don’t get blood on the books,” she said, in a gasp. “They don’t deserve that.
Seanan McGuire (When Sorrows Come (October Daye, #15))
I love him, and love wipes every ledger clean.
Alix E. Harrow (Starling House)
They are more cunning than practical. When they make up their ledger, they balance stupidity by wealth, and vice by hypocrisy.
Oscar Wilde (The Picture of Dorian Gray)
You didn’t really think this one through, Ledger.” “I thought about it plenty.” “Maybe, but you thought about it with the wrong fucking head.
Colleen Hoover (Reminders of Him)
What do you do, Nicole? Besides . . .” He waves a hand toward me. “Besides Ledger.
Colleen Hoover (Reminders of Him)
So perhaps there are no phantom pains after all; perhaps all pain is real; perhaps each long-ago blow lives on into eternity in some different permutation and shape; perhaps the body is this hypersensitive, revengeful entity, a ledger book, a warehouse of remembered slights and cruelties.
Thrity Umrigar (The Space Between Us)
Belief is this. Praying when you don't feel like it, when you don't know who or what is listening; it's doing the actions with the trust that something about it matters. That something about it makes you more human, a better human, a human able to love and trust and hope in a world where those things are hard. That is belief. That is the point of prayer. Not logging a wish list inside a cosmic ledger, not bartering for transactional services. You do it for the change around you; to the point of it is...itself. Nothing more and nothing less.
Sierra Simone (Sinner (Priest, #2))
It seemed to me that Mr. Forrester would approve of a woman who could follow him in conversation and not be baffled by ledgers and currency conversions. I had grossly overestimated him.
Gwenn Wright (The BlueStocking Girl (The Von Strassenberg Saga, #2))
[On the subject of Heath Ledger's Joker] This character who attracts psychotic henchmen may have lingering symptoms from his own past psychosis. He keeps making involuntary, repetitive movements—flicking his tongue, smacking his mouth—which suggest tardive dyskinesia, a condition that arises as a consequence of long-term or high-dosage use of antipsychotic (neuroleptic) medication.
Travis Langley (Batman and Psychology: A Dark and Stormy Knight)
In this world, you are what I say you are, and I say you are a ghost, a long night’s fever dream that I have finally woken up from. I say you are the smoke-wisp memory of a flame, thawing ice suffering under an early spring sun, a chalk ledger of debts being wiped clean.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
I don’t want to kill you and you don’t want to be dead.
Jonathan Maberry (Patient Zero (Joe Ledger, #1))
Some argue the days of furthering or bettering oneself through a liberl arts education are gone, but that's true only if "furthering and bettering" means "making more money"...For many life reveals itself more intimately in literature than in ledgers.
Gina Barreca
Perhaps the body has its own memory system, like the invisible meridian lines those Chinese acupuncturists always talk about. Perhaps the body is unforgiving, perhaps every cell, every muscle and fragment of bone remembers each and every assault and attack. Maybe the pain of memory is encoded into our bone marrow and each remembered grievance swims in our bloodstream like a hard, black pebble. After all, the body, like God, moves in mysterious ways. From the time she was in her teens, Sera has been fascinated by this paradox - how a body that we occupy, that we have worn like a coat from the moment of our birth - from before birth, even - is still a stranger to us. After all, almost everything we do in our lives is for the well-being of the body: we bathe daily, polish our teeth, groom our hair and fingernails; we work miserable jobs in order to feed and clothe it; we go to great lengths to protect it from pain and violence and harm. And yet the body remains a mystery, a book that we have never read. Sera plays with this irony, toys with it as if it were a puzzle: How, despite our lifelong preoccupation with our bodies, we have never met face-to-face with our kidneys, how we wouldn't recognize our own liver in a row of livers, how we have never seen our own heart or brain. We know more about the depths of the ocean, are more acquainted with the far corners of outer space than with our own organs and muscles and bones. So perhaps there are no phantom pains after all; perhaps all pain is real; perhaps each long ago blow lives on into eternity in some different permutation and shape; perhaps the body is this hypersensitive, revengeful entity, a ledger book, a warehouse of remembered slights and cruelties. But if this is true, surely the body also remembers each kindness, each kiss, each act of compassion? Surely this is our salvation, our only hope - that joy and love are also woven into the fabric of the body, into each sinewy muscle, into the core of each pulsating cell?
Thrity Umrigar (The Space Between Us)
God reminds us again and again that things between He and us are forever fixed. They are the rendezvous points where God declares to us concretely that the debt has been paid, the ledger put away, and that everything we need, in Christ we already possess. This re-convincing produces humility, because we realize that our needs are fulfilled. We don’t have to worry about ourselves anymore. This in turn frees us to stop looking out for what we think we need and liberates us to love our neighbor by looking out for what they need.
Tullian Tchividjian
At bottom, he still believes he has run up a very favourable credit-balance in the Enemy’s ledger by allowing himself to be converted,
C.S. Lewis (The Screwtape Letters)
We marched across half a world. We chased a Whirlwind. We walked out of a burning city. We stood against our own in Malaz City. We took down the Letherii Empire, held off the Nah’ruk. We crossed a desert that couldn’t be crossed. Now I know how the Bridgeburners must have felt, as the last of them was torn down, crushed underfoot. All that history, vanishing, soaking red into the earth. Back home – in the Empire – we’re already lost. Just one more army struck off the ledgers. And this is how things pass, how things simply go away. We’ve gone and marched ourselves off the edge of the world. I don’t want to say goodbye.
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
...soon I shall go from here and everything that I have seen or heard, felt, smelled, tasted, enjoyed, loved, will be extinguished and forgotten. There will be nothing left of me but a number on some ledger. And so, I give the a Earth my memories.
Eliza Granville (Gretel and the Dark)
Okay," I said slowly, "but what the hell would you mate a horse with to get a unicorn, because I don't see horses and narwhales doing the dirty boogie.
Jonathan Maberry (The Dragon Factory (Joe Ledger, #2))
If you are good at something, Never do it for free.
The Joker Heath Ledger
I don’t care how the sin ledger stands. There seem to be a number of artificial standards of good and evil that don’t really relate to true merit or demerit. Maybe the official system of classification has failed to keep up with the changing nature of our society.
Piers Anthony (On a Pale Horse (Incarnations of Immortality Book 1))
The book that simply demands to be read, for no good reason, is asking us to change our lives by putting aside what we usually think of as good reasons. It's asking us to stop calculating. It's asking us to do something for the plain old delight and interest of it, not because we can justify its place on the mental spreadsheet or accounting ledger (like the one Benjamin Franklin kept) by which we tote up the value of our actions.
Alan Jacobs (The Pleasures of Reading in an Age of Distraction)
I took a very careful hold of the metal door handle. No shocks and nothing exploded. I pulled gently and the door yielded, but I stayed on the balls of my feet. If I felt the tension of a wire or heard a click, I was going to set a new land speed record for a scared white guy in a hazmat suit.
Jonathan Maberry (The King of Plagues (Joe Ledger, #3))
For a giddy moment Olivia wondered how that young man’s pay was entered into the palace housekeeping ledger. His Highness’s First Orderly of the Stool? Royal Stepping-stoolie?
Celeste Bradley (Surrender to a Wicked Spy (Royal Four, #2))
Ludo, for Christ's sake stop saying okey-dokey. We're master criminals. We're supervillains. Can't you come up with something that doesn't sound like we're a couple of hicks?" "Yes, Your Exalted Evilness. How's that? Or should I call you Dark Lady?
Jonathan Maberry (Code Zero (Joe Ledger, #6))
Every night she wrote in that ledger. Every day he saw more signs that the ladies did not consider her one of their own. Every instinct he had screamed one thing. Lady Sagerra was a spy.
Erin Beaty (The Traitor's Kiss (The Traitor's Circle, #1))
And, thinking of this judgment I would no longer be able to change, I suddenly felt a kind of relief, as if peace could come to me only after the moment when there would be nothing to add and nothing to remove in that arbitrary ledger of misunderstandings, and the galaxies which were gradually reduced to the last tail of the last luminous ray, winding from the sphere of darkness, seemed to bring with them the only possible truth about myself, and I couldn’t wait until all of them, one after the other, had followed this path.
Italo Calvino (Cosmicomics)
Here I am, proud as Greek god, and yet standing debtor to this blockhead for a bone to stand on! Cursed be that mortal inter-indebtedness which will not do away with ledgers. I would be free as air; and I'm down in the whole world's books. I am so rich, I could have given bid for bid with the wealthiest Praetorians at the auction of the Roman empire (which was the world's); and yet I owe for the flesh in the tongue I brag with. By heavens! I'll get a crucible, and into it, and dissolve myself down to one small, compendious vertebra.
Herman Melville (Moby-Dick or, The Whale)
River was a beautiful man, inside and out—too beautiful for this world, it turned out. It always seems to be the really talented guys who go down. Why is it that the original thinkers like River Phoenix and Heath Ledger die, but Keanu Reeves still walks among us? River was a better actor than me; I was funnier. But I certainly held my own in our scenes—no small feat, when I look back decades later. But more important, River just looked at the world in a different way than we all did, and that made him fascinating, and charismatic, and, yes, beautiful, but not in a Gap ad kinda way (though he was that, too)—in a there-is-no-one-else-in-the-world-like-him kind of way. Not to mention he was rocketing to stardom, yet you would never know it.
Matthew Perry (Friends, Lovers, and the Big Terrible Thing)
Make no mistake, our economic system can do no other than destroy everything it encounters. That’s what happens when you convert living beings to cash. That conversion, from living trees to lumber, schools of cod to fish sticks, and onward to numbers on a ledger, is the central process of our economic system. Psychologically, it is the central process of our enculturation; we are most handsomely rewarded in direct relation to the manner in which we can help increase the Gross National Product.
Derrick Jensen (A Language Older Than Words)
They's lots of work in this world that aint never paid for. But the accounts gets balanced anyway. In the long run. A man that contracts for work and then dont pay for it, the world will reckon with him fore it's out. With the worker too. You live long enough and you'll see it. They's a ledger kept that the pages dont never get old nor crumbly nor the ink dont never fade. If it dont balance then they aint no right in this world and if they aint then where did I hear of it at? Where did you? Only way it wont is you start retribution on you own. You start retribution on you own you'll be on you own. That man up there ain goin to help you. Aint no use even to ask.
Cormac McCarthy (The Stonemason)
I knelt down and hugged the furry monster for a while. If it was too tight, Ghost didn't seem to mind. He wagged his tail and whined a little, sensing the hurt that I felt. Dogs are truly the best of companions. You don't need to explain. They know as much as they need to know, and they are loyal no matter what sins you've committed.
Jonathan Maberry (The King of Plagues (Joe Ledger, #3))
Listen,” I said, cool as a 911 operator talking someone down from a ledge, “you’re dead. I’m sorry about that, but I am not going to let you possess me. So follow the light, or go to the other side, or hang around your own house and haunt your accounting ledgers or something. You do not get to stay in my head.
Devon Monk (Magic in the Shadows (Allie Beckstrom, #3))
History is a set of lies agreed upon.
Jonathan Maberry (Predator One (Joe Ledger, #7))
Nerves were on hair triggers, and if my virgin aunt had stepped out from behind those crates with a puppy in one hand and a baby in the other my guys would have capped her.
Jonathan Maberry (The Dragon Factory (Joe Ledger, #2))
Early, I indentured myself to the five horizontal lines where black notes were written on a sheet of music. It is a place of world of signs and notations that speaks to me with perfect clarity. It is a place of time signatures, fermatas, ledger lines, grace notes, and demisemiquavers that are the common tongue and heritage of musicians all over the world. . . . It is something I cannot imagine being without. For without music, life is a journey through a desert that has not ever heard the rumor of God. In music’s sweet harmony, I had all the proof I needed of a God who held the earth together between the staffs, where the heavens lay. Here, he marked all the lines and spaces with notes so perfect that they praised all of his creation with their beauty.
Pat Conroy (Beach Music)
Pick a man, any man. That man there. See him. That man hatless. You know his opinion of the world. You can read it in his face, in his stance. Yet his complaint that a man’s life is no bargain masks the actual case with him. Which is that men will not do as he wishes them to. Have never done, never will do. That’s the way of things with him and his life is so balked about by difficulty and become so altered of its intended architecture that he is little more than a walking hovel hardly fit to house the human spirit at all. Can he say, such a man, that there is no malign thing set against him? That there is no power and no force and no cause? What manner of heretic could doubt agency and claimant alike? Can he believe that the wreckage of his existence is unentailed? No liens, no creditors? That gods of vengeance and of compassion alike lie sleeping in their crypt and whether our cries are for an accounting or for the destruction of the ledgers altogether they must evoke only the same silence and that it is this silence which will prevail?
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
The grandmothers decided on William’s eighth birthday that the time had come for the boy to learn the value of money. With this in mind, they allocated him one dollar a week as pocket money, but insisted that he keep an inventory accounting for every cent he spent. Grandmother Kane presented him with a green leather-bound ledger, at a cost of 95 cents, which she deducted from his first week’s allowance. From then on the grandmothers divided the dollar up every Saturday morning. William could invest 50 cents, spend 20 cents, give 10 cents to charity and keep 20 cents in reserve. At the end of each quarter they would inspect the ledger and his written report on any unusual transactions.
Jeffrey Archer (Kane and Abel (Kane and Abel, #1))
There were more of them out there. More walkers. And I was being asked to step up and be... what? Some kind of Captain Heroism who would lead the boys in the Red, White, and Blue to victory? What was I getting myself into? This wasn't task force duty, this wasn't even SWAT-team level. I'd never even smelled anything this big before and now I was expected to train and lead a black ops team? How frigging insane was this? Why were they asking me? I'm just a cop. Where are the guys who actually do this for a living? How come none of them were here? Where's James Bond and Jack Bauer? Why me, of all people?
Jonathan Maberry (Patient Zero (Joe Ledger, #1))
When you come to one of the many moments in life where you must give an account of yourself, provide a ledger of what you have been, and done, and meant to the world, do not, I pray, discount that you filled a dying man’s days with a sated joy, a joy unknown to me in all my prior years, a joy that does not hunger for more and more but rests, satisfied. In this time, right now, that is an enormous thing.
Paul Kalanithi (When Breath Becomes Air)
But I got through the review, for all their Latin and French; I did, and if you doubt me, you just look at the end of the great ledger, turn it upside down, and you'll find I've copied out all the fine words they said of you: "careful observer," "strong nervous English," "rising philosopher." Oh! I can nearly say it all off by heart, for many a time when I am frabbed by bad debts, or Osborne's bills, or moidered with accounts, I turn the ledger wrong way up, and smoke a pipe over it, while I read those pieces out of the review which speak about you, lad!
Elizabeth Gaskell (Wives and Daughters)
Thanksgiving is not some formulaic action based on a tedious ledger that neatly tallies everything I have received so I can determine if being thankful is warranted or not. Rather, it’s appreciating the fact that I have already received the privilege of living life which in and of itself will fill the whole of my ledger for the whole of my life.
Craig D. Lounsbrough (An Intimate Collision: Encounters with Life and Jesus)
A hero is no braver than an ordinary man, but he is braver five minutes longer. –RALPH WALDO EMERSON
Jonathan Maberry (Patient Zero (Joe Ledger, #1))
Brave young women complete heroic acts everyday, with no one bearing witness. This was a chance to even the ledger, to share one small story the made the difference between starvation and survival for the families whose lives it changed. I wanted to pull the curtain back for readers on a place foreigners know more for its rocket attacks and roadside bombs than its countless quiet feats of courage. And to introduce them to the young women like Kamila Sidiqi who will go on. No matter what.
Gayle Tzemach Lemmon (The Dressmaker of Khair Khana: Five Sisters, One Remarkable Family, and the Woman Who Risked Everything to Keep Them Safe)
Steeply’s face had assumed the openly twisted sneering expression which he knew well Québecers found repellent on Americans. ‘But you assume it’s always choice, conscious, decision. This isn’t just a little naive, Rémy? You sit down with your little accountant’s ledger and soberly decide what to love? Always?’ ‘What if sometimes there is no choice about what to love? What if the temple comes to Mohammed? What if you just love? without deciding? You just do: you see her and in that instant are lost to sober account-keeping and cannot choose but to love?’ Marathe’s sniff held disdain. ‘Then in such a case your temple is self and sentiment. Then in such an instance you are a fanatic of desire, a slave to your individual subjective narrow self’s sentiments; a citizen of nothing. You become a citizen of nothing. You are by yourself and alone, kneeling to yourself.’ A silence ensued this.
David Foster Wallace
I had divided my to-do list into three categories: short-, medium-, and long-term. Short-term meant “a couple of weeks,” medium-term meant “a couple of years,” and long-term meant “as long as it takes.” It was that far side of the ledger where I wrote down the most intractable problems we were facing—the ones you can’t expect to solve on your own, over a term, perhaps even over a career. That’s where the most important work is. That’s where you take the bigger view—not of the political moment but of the historical one.
Kamala Harris (The Truths We Hold: An American Journey)
There is no hunting like the hunting of man, and those who have hunted armed men long enough and liked it, never care for anything else thereafter. —ERNEST HEMINGWAY “On the Blue Water,” Esquire, April 1936
Jonathan Maberry (The Dragon Factory (Joe Ledger, #2))
She said, "Look down at your chest." I held the cell phone to my ear as I bend my head. Two red dots, quivering slightly, danced right over my heart. "You are one second away from death," said the caller.
Jonathan Maberry (Assassin's Code (Joe Ledger, #4))
Church didn't answer that. Instead he said, "The darkness is all around us. Very few people have the courage to light a candle against it." "I'm not that kind of idealist." "Nor am I. We are of a kind, Captain, and neither of us is holding a candle against the darkness. Like the unknown and unseen enemy we fight, people like you and me, we are the darkness. In some ways we are more like the things we're fighting than the people we're protecting. Granted our motives are better--from our perspective--but we wait in the shadows for our unseen enemy to make a move against those innocents with candles. And by that light we take aim.
Jonathan Maberry (The King of Plagues (Joe Ledger, #3))
And, once again, the bears showed us. There they were, God help us, the Ledgers of the Earth, written in clouds and glaciers and sediments, tallied in the colours of the sun and the moon as light passed through the millennial sap of every living thing, and we looked upon it all with dread. Ours was not the only fiscal system in the world, it turned out. And worse, our debt was severe beyond reckoning. And worse than worse, all the capital we had accrued throughout history was a collective figment of the human imagination: every asset, stock and dollar. We owned nothing. The bears asked us to relinquish our hold on all that never belonged to us in the first place. Well, this we simply could not do. So we shot the bears.
Shaun Tan (Tales from the Inner City)
Fate doesn’t always respect what we believe is the end of a life. It will deal your last card to those who come after. Which is why I think all lives are condemned to remain unfinished. This is the deplorable truth we all live with. We reach the end and are by no means done with life, not by a long stretch! There are projects we barely started, matters unresolved and left hanging everywhere. Living means dying with regrets stuck in your craw. As the French poet says, Le temps d’apprendre à vivre il est déjà trop tard, by the time we learn to live, it’s already too late. And yet there must be some small joy in finding that we are each put in a position to complete the lives of others, to close the ledger they left open and play their last card for them. What could be more gratifying than to know that it will always be up to someone else to complete and round off our life? Someone whom we loved and who loves us enough.
André Aciman (Find Me)
...as of this moment there's the police department way, the federal law enforcement way, the military way... and my way. If you want me to function at my best then you're going to have to accept that I'm going to have to make up some of my own rules. I don't know enough about your playbook and, quite frankly, I don't like the way you operate. If I'm not a cop anymore then I'm something else, something new. Okay, then from here on out I'll decide what that is; and that includes building, shaping, and leading my team. My team, my rules.
Jonathan Maberry (Patient Zero (Joe Ledger, #1))
The work of the philosophical policeman," replied the man in blue, "is at once bolder and more subtle than that of the ordinary detective. The ordinary detective goes to pot-houses to arrest thieves; we go to artistic tea-parties to detect pessimists. The ordinary detective discovers from a ledger or a diary that a crime has been committed. We discover from a book of sonnets that a crime will be committed. We have to trace the origin of those dreadful thoughts that drive men on at last to intellectual fanaticism and intellectual crime. We were only just in time to prevent the assassination at Hartlepool, and that was entirely due to the fact that our Mr. Wilks (a smart young fellow) thoroughly understood a triolet.
G.K. Chesterton
We grow crisp and crotchety, fully half our organs ignore our commands--whistling to themselves, as it were, while we struggle to bring them to attention--but to balance the ledger we are allowed to dwell on the past, revisit the sites of our old humiliations, reread (without the aid of spectacles) our own misjudgments. And we do, believing that it was there, in our past, that our last best chance for happiness lay hidden; that somewhere in that thicket, now dense with self-recrimination and foolishness, trickled a freshet of joy powerful enough to redeem us.
Mark Slouka (God's Fool)
I did not and do not want my life tied up in cloak-and-dagger bullshit, dead guys, or pissing contests with either the testosterone crowd in there or some prissy-assed Earl Grey-drinking, scone-munching major who isn't even my freaking boss. I don't know you and I don't give a rat's ass if you trust me.
Jonathan Maberry (Patient Zero (Joe Ledger, #1))
A pale, bored woman in white ankle-socks and a white tasselled beret was sitting on a bentwood chair at the corner entrance to the verandah of the writer's club, where there was an opening in the creeper-grown trellis. In front of her on a plain kitchen table lay a large book like a ledger, in which for no known reason the woman wrote the names of the people entering the restaurant. She stopped Koroviev and Behemoth. 'Your membership cards?' she said, staring in surprise at Koroviev's pince-nez, at Behemoth's Primus and grazed elbow. 'A thousand apologies, madam, but what membership cards?' asked Koroviev in astonishment. 'Are you writers?' asked the woman in return. 'Indubitably,' replied Koroviev with dignity. 'Where are your membership cards?' the woman repeated. 'Dear lady...' Koroviev began tenderly. 'I'm not a dear lady,' interrupted the woman. 'Oh, what a shame,' said Koroviev in a disappointed voice and went on: 'Well, if you don't want to be a dear lady, which would have been delightful, you have every right not to be. But look here - if you wanted to make sure that Dostoyevsky was a writer, would you really ask him for his membership card? Why, you only have to take any five pages of one of his novels and you won't need a membership card to convince you that the man's a writer. I don't suppose he ever had a membership card, anyway! What do you think?' said Koroviev, turning to Behemoth. 'I'll bet he never had one,' replied the cat, putting the Primus on the table and wiping the sweat from its brow with its paw. 'You're not Dostoyevsky,' said the woman to Koroviev. 'How do you know?' 'Dostoyevsky's dead,' said the woman, though not very confidently. 'I protest!' exclaimed Behemoth warmly. 'Dostoyevsky is immortal!' 'Your membership cards, please,' said the woman.
Mikhail Bulgakov (The Master and Margarita)
A ‘library’ turned out to be a room where books were read. The fact that people used to have so many books that they needed a whole separate room just to store them, much less a word for the room, said everything Lan guessed she needed to know about the way the world used to be. In Norwood, loose pictures and salvaged magazines were locked up like other valuables. The mayor had a few books, including the town ledger where Lan’s own name had been written on the day of her birth and presumably crossed out along with her mother’s the day she’d left, but all of them together could have fit on one shelf. Here was a room the size of the dining hall, two stories tall and lined in bookshelves, with ladders on runners along every wall so that no shelf was out of reach. These were books that could not be measured in hundreds or even thousands, but in some greater number that had no name. If only she knew how to read.
R. Lee Smith (Land of the Beautiful Dead)
I work at T-Town, which is about ninety-nine percent men, and all of them either are alpha personalities or think they are. That said, what we have here is the standard dynamic for sexual tension. I'm moderately good-looking. I have big boobs, and I get hit on by everyone from the pastor of my church to baristas at Starbucks, and by every single guy at T-Town except for my boss and the range master. I don't blame them and I don't judge them. It's part of the procreative drive hardwired into us, and we haven't evolved as a species far enough exert any genuine control over the biological imperative. You, on the other hand, are a very good-looking man of prime breeding age. Old enough to have interesting lines and scars--and stories to go with them--and young enough to be a catch. You probably get laid as often as you want to, and you can probably count on the fingers of one hand the number of times women have said no to you. Maybe--and please correct me if I've strayed too far into speculation--being an agent of a secret government organization has led you to buy into the superspy sex stud propaganda perpetuated by James Bond films." "My name is Powers," I said. "Austin Powers." She ignored me and plowed ahead. "We're in the middle of a crisis. We may have to work closely together for several days, or even several weeks. Close-quarters travel, emotions running high, all that. If it's all the same to you, I'd rather not spend the next few days living inside a trite office romance cliche. That includes everything from mild flirtation to sexual innuendo and double entendre and the whole ball of wax." She sipped her Coke. The ball landed in my court with a thump.
Jonathan Maberry (The King of Plagues (Joe Ledger, #3))
I never cared for poetry," I said. "Your loss," Sim said absently as he turned a few pages. "Eld Vintic poetry's thunderous. It pounds at you." "What's the meter like?"I asked, curious despite myself. "I don't know anything about meter," Simmon said distractedly he ran his finger down the page in front of him. "It's like this: "Sought we the Scrivani word-work of Surthur Long-lost in ledger all hope forgotten Yet fast-found for friendship fair the book-bringer Hot comes the huntress Fela, flushed with finding Breathless her breast her high blood rising To ripen the red-cheek rouge-bloom of beauty. "That sort of thing," Simmon said absently, his eyes still scanning the pages in front of him. I saw Fela turn her head to look at Simmon, almost as if she were surprised to see him sitting there. No, it was almost s if up until that point, he'd just been occupying space around her, like a piece of furniture. But this time when she looked at him, she took all of him in. His sandy hair, the line of his jaw, the span of his shoulders beneath his shirt. This time when she looked, she actually *saw* him. Let me say this. It was worth the whole awful , irritating time spent searching the Archives just to watch that moment happen. It was worth blood and the fear of death to see her fall in love with him. Just a little. Just the first faint breath of love, so light she probably didn't notice it herself. It wasn't dramatic, like some bolt of lightning with a crack of thunder following. It was more like when flint strikes steel and the spark fades almost fast for you to see. But still, you know it's there, down where you can't see, kindling.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
The air smelled of paper and dust and years. Jon plucked a scroll from a bin, blew off the worst of the dust. A corner flaked off between his fingers as he unrolled it. “Look, this one is crumbling,” he said, frowning over the faded script. “Be gentle.” Sam came around the table and took the scroll from his hand, holding it as if it were a wounded animal. “The important books used to be copied over when they needed them. Some of the oldest have been copied half a hundred times, probably.” “Well, don’t bother copying that one. Twenty-three barrels of pickled cod, eighteen jars of fish oil, a cask of salt . . .” “An inventory,” Sam said, “or perhaps a bill of sale.” “Who cares how much pickled cod they ate six hundred years ago?” Jon wondered. “I would.” Sam carefully replaced the scroll in the bin from which Jon had plucked it. “You can learn so much from ledgers like that, truly you can. It can tell you how many men were in the Night’s Watch then, how they lived, what they ate . . .” “They ate food,” said Jon, “and they lived as we live.” “You’d be surprised. This vault is a treasure, Jon.” “If you say so.” Jon was doubtful. Treasure meant gold, silver, and jewels, not dust, spiders, and rotting leather. “I do,” the fat boy blurted. He was older than Jon, a man grown by law, but it was hard to think of him as anything but a boy. “I found drawings of the faces in the trees, and a book about the tongue of the children of the forest . . . works that even the Citadel doesn’t have, scrolls from old Valyria, counts of the seasons written by maesters dead a thousand years . . .” “The books will still be here when we return.” “If we return . . .
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
When people speak of the tragedies in my life, they ordinarily mean the deaths. Not only Jacob. But all those around me who have perished. Whether in direct consequence of danger or simple misfortune and the passage of time after our friendships have formed. At times though I think these partings should be accounted as highly, if only in the ledger of my own sorrow. Akinimanbi did not die on a Lebane spear, but I never saw her again after leaving for the Great Cataract. In that sense I lost her as thoroughly as if she had died. So it was with Yeyuama as well. I only saw Faj Rawango once more, years later. And although Galinke corresponded with me, we could not be friends the way we might have been had we dwelt in the same land. So it has been, again and again throughout my life, as I form connections with people and then lose them to distance and time. I mourn those losses, even when I know my erstwhile friends are safe and happy among their own kin. But the only way for me to avoid such losses, would be to stay home. To never journey beyond the range of easy visitation. As my life will attest, that is not a measure I am willing to take. Nor would I forgo the pleasures of my transient friendships if I could. So we made our farewells, packed our things, and boarded a steamship in the harbor of Nsebu. Much browner, thinner and more worn than it had been when we arrived, we made our way back to Scirland.
Marie Brennan (The Tropic of Serpents (The Memoirs of Lady Trent, #2))
Entering the office, Evie found Sebastian and Cam on opposite sides of the desk. They both mulled over account ledgers, scratching out some entries with freshly inked pens, and making notations beside the long columns. Both men looked up as she crossed the threshold. Evie met Sebastian’s gaze only briefly; she found it hard to maintain her composure around him after the intimacy of the previous night. He paused in mid-sentence as he stared at her, seeming to forget what he had been saying to Cam. It seemed that neither of them was yet comfortable with feelings that were still too new and powerful. Murmuring good morning to them both, she bid them to remain seated, and she went to stand beside Sebastian’s chair. “Have you breakfasted yet, my lord?” she asked. Sebastian shook his head, a smile glinting in his eyes. “Not yet.” “I’ll go to the kitchen and see what is to be had.” “Stay a moment,” he urged. “We’re almost finished.” As the two men discussed a few last points of business, which pertained to a potential investment in a proposed shopping bazaar to be constructed on St. James Street, Sebastian picked up Evie’s hand, which was resting on the desk. Absently he drew the backs of her fingers against the edge of his jaw and his ear while contemplating the written proposal on the desk before him. Although Sebastian was not aware of what the casual familiarity of the gesture revealed, Evie felt her color rise as she met Cam’s gaze over her husband’s downbent head. The boy sent her a glance of mock reproof, like that of a nursemaid who had caught two children playing a kissing game, and he grinned as her blush heightened further. Oblivious to the byplay, Sebastian handed the proposal to Cam, who sobered instantly. “I don’t like the looks of this,” Sebastian commented. “It’s doubtful there will be enough business in the area to sustain an entire bazaar, especially at those rents. I suspect within a year it will turn into a white elephant.” “White elephant?” Evie asked. A new voice came from the doorway, belonging to Lord Westcliff. “A white elephant is a rare animal,” the earl replied, smiling, “that is not only expensive but difficult to maintain. Historically, when an ancient king wished to ruin someone he would gift him with a white elephant.” Stepping into the office, Westcliff bowed over Evie’s hand and spoke to Sebastian. “Your assessment of the proposed bazaar is correct, in my opinion. I was approached with the same investment opportunity not long ago, and I rejected it on the same grounds.” “No doubt we’ll both be proven wrong,” Sebastian said wryly. “One should never try to predict anything regarding women and their shopping.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
A businessman buys a business and tries to operate it. He does everything that he knows how to do but just cannot make it go. Year after year the ledger shows red, and he is not making a profit. He borrows what he can, has a little spirit and a little hope, but that spirit and hope die and he goes broke. Finally, he sells out, hopelessly in debt, and is left a failure in the business world. A woman is educated to be a teacher but just cannot get along with the other teachers. Something in her constitution or temperament will not allow her to get along with children or young people. So after being shuttled from one school to another, she finally gives up, goes somewhere and takes a job running a stapling machine. She just cannot teach and is a failure in the education world. I have known ministers who thought they were called to preach. They prayed and studied and learned Greek and Hebrew, but somehow they just could not make the public want to listen to them. They just couldn’t do it. They were failures in the congregational world. It is possible to be a Christian and yet be a failure. This is the same as Israel in the desert, wandering around. The Israelites were God’s people, protected and fed, but they were failures. They were not where God meant them to be. They compromised. They were halfway between where they used to be and where they ought to be. And that describes many of the Lord’s people. They live and die spiritual failures. I am glad God is good and kind. Failures can crawl into God’s arms, relax and say, “Father, I made a mess of it. I’m a spiritual failure. I haven’t been out doing evil things exactly, but here I am, Father, and I’m old and ready to go and I’m a failure.” Our kind and gracious heavenly Father will not say to that person, “Depart from me—I never knew you,” because that person has believed and does believe in Jesus Christ. The individual has simply been a failure all of his life. He is ready for death and ready for heaven. I wonder if that is what Paul, the man of God, meant when he said: [No] other foundation can [any] man lay than that is laid, which is Jesus Christ. Now if any man build upon this foundation gold, silver, precious stones, wood, hay, stubble; every man’s work shall be made manifest: for the day shall declare it, because it shall be revealed by fire; and the fire shall try every man’s work of what sort it is. If any man’s work abide which he hath built thereupon, he should receive a reward. If any man’s work shall be burned, he shall suffer loss: but he himself shall be saved; yet so as by fire (1 Cor. 3:11-15). I think that’s what it means, all right. We ought to be the kind of Christian that cannot only save our souls but also save our lives. When Lot left Sodom, he had nothing but the garments on his back. Thank God, he got out. But how much better it would have been if he had said farewell at the gate and had camels loaded with his goods. He could have gone out with his head up, chin out, saying good riddance to old Sodom. How much better he could have marched away from there with his family. And when he settled in a new place, he could have had “an abundant entrance” (see 2 Pet. 1:11). Thank God, you are going to make it. But do you want to make it in the way you have been acting lately? Wandering, roaming aimlessly? When there is a place where Jesus will pour “the oil of gladness” on our heads, a place sweeter than any other in the entire world, the blood-bought mercy seat (Ps. 45:7; Heb. 1:9)? It is the will of God that you should enter the holy of holies, live under the shadow of the mercy seat, and go out from there and always come back to be renewed and recharged and re-fed. It is the will of God that you live by the mercy seat, living a separated, clean, holy, sacrificial life—a life of continual spiritual difference. Wouldn’t that be better than the way you are doing it now?
A.W. Tozer (The Crucified Life: How To Live Out A Deeper Christian Experience)