Leave Your Fingerprint Quotes

Hop in? Dude, are you out of your ever-loving mind? I can’t touch this. I might leave a fingerprint or something. (Nick) Oh the horror. Guess I’ll have to trade the piece of junk in and get a new one if that happens. (Acheron)

Thermodynamic miracles... events with odds against so astronomical they're effectively impossible, like oxygen spontaneously becoming gold. I long to observe such a thing. And yet, in each human coupling, a thousand million sperm vie for a single egg. Multiply those odds by countless generations, against the odds of your ancestors being alive; meeting; siring this precise son; that exact daughter... Until your mother loves a man she has every reason to hate, and of that union, of the thousand million children competing for fertilization, it was you, only you, that emerged. To distill so specific a form from that chaos of improbability, like turning air to gold... that is the crowning unlikelihood. The thermodynamic miracle. But...if me, my birth, if that's a thermodynamic miracle... I mean, you could say that about anybody in the world!. Yes. Anybody in the world. ..But the world is so full of people, so crowded with these miracles that they become commonplace and we forget... I forget. We gaze continually at the world and it grows dull in our perceptions. Yet seen from the another's vantage point. As if new, it may still take our breath away. Come...dry your eyes. For you are life, rarer than a quark and unpredictable beyond the dreams of Heisenberg; the clay in which the forces that shape all things leave their fingerprints most clearly. Dry your eyes... and let's go home.

You’ll find out it’s little savors and little things that count more than big ones. A walk on a spring morning is better than an eighty-mile ride in a hopped-up car, you know why? Because it’s full of flavors, full of a lot of things growing. You’ve time to seek and find. I know, you’re after the broad effect now, I suppose that’s fit and proper. But you got to look at grapes as well as watermelons. You greatly admire skeletons and I like fingerprints; well, and good. Right now such things are bothersome to you, and I wonder if it isn’t because you never learned to use them. If you had your way you’d pass a law to abolish all the little jobs, the little things. But then you’d leave yourselves nothing to do between the big jobs and you’d have a devil of a time thinking up things? Cutting grass and pulling weeds can be a way of life.

Those heart-hammering nightmares that start to lose coherence even as you're waking up from them, but that still manage to leave their moldering fingerprints all across your day.

Stories aren't just stories if they've been read through before, for once a cover has been opened they turn into something more. A fingerprint of everyone who's ever turned its pages and a bookmark of the you you were when read at different ages. It's as though with each reread you leave a piece of you behind, a sliver of the past pressed for your future self to find. Until it's no longer the story that makes you pull it from the shelf, but the chance to reunite with younger versions of yourself.

Come...dry your eyes, for you are life, rarer than a quark and unpredictable beyond dreams of Heisenberg; the clay in which the forces that shape all things leave their fingerprints most clearly.

Every person who you have known in your life, has left their fingerprints on your heart, and your soul. Some leave bigger fingerprints than others. Never take these people for granted, because when they're gone, it's only those fingerprints that remain.

Come, dry your eyes, for you are LIFE, rarer than a quark and unpredictable beyond the dreams of Heisenberg; the clay in which the forces that shape all things leave their fingerprints most clearly. Dry your eyes, and let's go home.

That's the trouble with your generation,' said Grandpa. 'Bill, I'm ashamed of you, you a newspaperman. All the things in life that were put here to savor, you eliminate. Save time, save work, you say.' He nudged the grass trays disrespectfully. 'Bill, when your'e my age, you'll find out it's the little savors and little things that count more than big ones. A walk on a spring morning is better than an eighty-mile ride in a hopped-up car, you know why? Because it's full of flavors, full of a lot of things growing. You've time to seek and find. I know--you're after the broad effect now, and I suppose that's fit and proper. But for a young man working on a newspaper, you got to look for grapes as well as watermelons. You greatly admire skeletons and I like fingerprints; well and good. Right now such things are bothersome to you, and I wonder if it isn't because you've never learned to use them. If you had your way you'd pass a law to abolish all the little jobs, the little things. But then you'd leave yourselves nothing to do between the big jobs and you'd have a devil of a time thinking up things to do so you wouldn't go crazy. Instead of that, why not let nature show you a few things? Cutting grass and pulling weeds can be a way of life, son.

Your touch on the lives of others is like the touch of no one else. The "fingerprints" you leave on someone's heart can be traced back to no one but you. Amy Nappa, A Woman's Touch

Your footprints – you leave them on the sands of time. Your fingerprints – you leave them with the police.

Anybody in the world. ..But the world is so full of people, so crowded with these miracles that they become commonplace and we forget... I forget. We gaze continually at the world and it grows dull in our perceptions. Yet seen from the another's vantage point. As if new, it may still take our breath away. Come...dry your eyes. For you are life, rarer than a quark and unpredictable beyond the dreams of Heisenberg; the clay in which the forces that shape all things leave their fingerprints most clearly. Dry your eyes... and let's go home.

Give Me Back My Fingerprints Give me back my fingerprints My fingertips are raw If I don't get my fingerprints I'll have to call the law I touched you once too often I don't know who I am My fingerprints were missing When I wiped away the jam I called my fingerprints all night But they don't seem to care The last time that I saw them They were leafing through your hair I thought I'd leave this morning So I emptied out your drawer A hundred thousand fingerprints Floated to the floor You hardly stooped to pick them up You don't count what you lose You don't even seem to know Whose fingerprints are whose When I had to say goodbye You weren't there to find You took my fingerprints away So I would love your mind I don't pretend to understand Just what you mean by that But next time I'll inquire Before I scratch your back I wonder if my fingerprints Get lonely in the crowd There are no others like them And that should make them proud But now you want to marry me And take me down the aisle And throw confetti fingerprints You know that's not my style Sure I'd like to marry But I won't face the dawn With any girl who knew me When my fingerprints were on

I made your favorite." Nannie says, her elegant hand trembles, so subtle it hides behind a smile. She listens carefully, responds quickly, eases the baked macaroni from the oven. We wash our hands with bars of smooth soap in delicate shapes. We are quiet, careful not to touch the glass of doors. We do not leave fingerprints here.

People’s personalities are pretty well formed before they come to you, and they’ve been leaving their fingerprints all over the place since childhood; anyone is fairly knowable if you do your homework. You have to get at their values, abilities, and skills: Do they have a track record of excellence in what you’re expecting them to do? Have they done the thing you want them to do successfully at least three times? If not, you’re making a lower-probability bet, so you want to have really good reasons for doing so.

An ancient issue of J14, opened to a center page. The photograph of Henry, age thirteen. He glances up. “You knew?” “Of course I knew!” she says, flopping dramatically into the chair opposite him. “You were always leaving your greasy little fingerprints all over it! Why do you always assume you can get away with things?” She releases a long-suffering sigh. He looks down at the magazine and feels the corner of his mouth tug upward. He can’t believe June kept it all these years. “He looks so different,” he says after a long minute, gazing down at the baby Henry on the page and his easy, unfledged sureness. “I mean, like, obviously. But the way he carries himself.” His fingertips brush the page in the same place they did when he was young, over the sun-gold hair, except now he knows its exact texture.

I want to sleep with people, steal, get run out of town, leave my fingerprints on every scene. We have a name for it, our generation. It’s our Baghdad.” “Your what?” “My Baghdad,” Tommy said laughing, knowing it was dumb, savoring the dumbness, and maybe also its truth. “The situation you get into knowing it’s fucked-up but you keep doing it anyway, making it an even bigger disaster. Everyone gets one, but that’s how you learn. It builds character, makes you dirty and real. You know you’re a superpower when you can lose every war and still be a superpower. Maybe you’re a superpower because you can afford to lose them. Same here. There should be a Web site that records all the risks a person has taken, all the famous people they’ve met, all their gnarly trips and bad decisions. Like a Web site that ranks who’s lived the most.” “Isn’t that called Facebook?” Mills asked.

The reason you might be having trouble with your practice in the long run—if you were capable of building a practice in the short run—is nearly always because you are afraid. The fear, the resistance, is very insidious. It doesn’t leave a lot of fingerprints, but the person who manages to make a movie short that blows everyone away but can’t raise enough cash to make a feature film, the person who gets a little freelance work here and there but can’t figure out how to turn it into a full-time gig—that person is practicing self-sabotage. These people sabotage themselves because the alternative is to put themselves into the world as someone who knows what they are doing. They are afraid that if they do that, they will be seen as a fraud. It’s incredibly difficult to stand up at a board meeting or a conference or just in front of your peers and say, “I know how to do this. Here is my work. It took me a year. It’s great.” This is hard to do for two reasons: (1) it opens you to criticism, and (2) it puts you into the world as someone who knows what you are doing, which means tomorrow you also have to know what you are doing, and you have just signed up for a lifetime of knowing what you are doing. It

The reason you might be having trouble with your practice in the long run—if you were capable of building a practice in the short run—is nearly always because you are afraid. The fear, the resistance, is very insidious. It doesn’t leave a lot of fingerprints, but the person who manages to make a movie short that blows everyone away but can’t raise enough cash to make a feature film, the person who gets a little freelance work here and there but can’t figure out how to turn it into a full-time gig—that person is practicing self-sabotage. These people sabotage themselves because the alternative is to put themselves into the world as someone who knows what they are doing. They are afraid that if they do that, they will be seen as a fraud. It’s incredibly difficult to stand up at a board meeting or a conference or just in front of your peers and say, “I know how to do this. Here is my work. It took me a year. It’s great.” This is hard to do for two reasons: (1) it opens you to criticism, and (2) it puts you into the world as someone who knows what you are doing, which means tomorrow you also have to know what you are doing, and you have just signed up for a lifetime of knowing what you are doing. It’s much easier to whine and sabotage yourself and blame the client, the system, and the economy. This is what you hide from—the noise in your head that says you are not good enough, that says it is not perfect, that says it could have been better.

Never count on anything except surprise and unpredictability and danger. Ring doorbells with your knuckles or elbows to avoid leaving fingerprints.

I went to a psychiatrist (NBC insisted we all go) and told her I had been through traumatic experiences before and understood that the kidnapping would leave “fingerprints” on me for a while. The key was knowing what to expect. If you get blind drunk, you know you’re going to wake up with a hangover. By the same token, I expected post-traumatic stress symptoms—anger, irritability, a sense of isolation—and I experienced those feelings, off and on, for several months. It’s like having the monkey on your back again, and being self-aware helps shake him off.

Those who support the concept of a direct interface network don’t take into account the price they would have to pay for it, in privacy and safety and a thousand other areas of concern. Do you really want a machine to know where you are every minute of the day? Do you really trust the people who design these things, and program them, enough to let their work directly into your head? Don’t you realize that every time you let this creature come in contact with your brain, you are leaving your mark upon it as clearly as fingerprints upon glass, which any clever programmer can decipher? MAXWELL ONEGIN; Think Again! (Historical Archives, Hellsgate Station)

As this book has explored, we have always had different, complex motives for our relationships with our books. Jorge Luis Borges described a book as ‘a relationship, an axis of innumerable relationships’: Portable Magic has argued for two particular kinds of relationship in our long love affair with books. One is the interconnectedness of book form and book content. And the other is the reciprocity and proximity of books and their readers, in relationships that leave both parties changed. This copy of Portable Magic now carries traces of your DNA in its gutter, your fingerprints on its cover. If you own it, you can bend its page corners or write your name in it or make satirical comments in the margin. You can lend it, or return it to the library, or give it away, or send it to the charity shop, but it will always be somehow yours.

Each day we carry on the legacy Of those who came before us And we leave our fingerprints On those that are here.

Conversation with a Butterfly: You see one day I was sitting on the porch all to myself, Contemplating on what to do, I had no money, no wealth, That's when I saw a butterfly come down from the sky, With wings so beautiful, so pleasant to the eye, I wanted to touch them, but I thought twice, I knew my fingerprint alone could create just a slight, Unevenness in her weight, which would surely affect her flight, I told the butterfly that she was lovely and brought me some cheer, But it would soon leave when she disappeared, You see I wish I could soar, and have wings such as yours, I wish I could be as wealthy as she is beautiful and so much more, The butterfly just looked with a tear in her eye, I wasn't always this beautiful and I am at the end of my life, This is just the reward of a long struggle, I never gave up and now I am humble, I never complained about where God placed me, You see he gave me struggles and doors placed just for me, I knew that I couldn't have what others had so I focused on my own, I never gave up and now others envy me alone, Not knowing what I had to go through for the finished product, I just hung true to my faith and that for me was enough, So don't get stuck in my life because you don't know it, Work your process and the end result will show it, That you and I are the same, See you are a butterfly, just by a different name,

Elliot is extremely exacting. He doesn’t tolerate anything half-assed. As long as you do things the way he wants, you don’t have to worry about your longevity.” I smoothed my hair away from my face. “Well, I wasn’t worried about him firing me. I asked because I was curious about the turnover rate. Do people often leave—” She held up her hand. “All you need to concern yourself with is the job you do. What other people have or haven’t done doesn’t affect you.” She moved on without waiting for me to comment, making the switch to explaining Elliot’s schedule when something shifted in the air. A hush fell over the already quiet space. I raised my head from the computer, finding the cause coming toward us. Davida straightened as Elliot approached, his long strides eating up the space. My new boss moved with efficient grace. His height and lean build had something to do with it, and the sharp cut of his tailored, charcoal-gray suit only added to his sharklike aura. He homed in on me behind my desk, and I was overcome with the sudden need to wipe my fingerprints from the gleaming surface. “Good morning, Elliot,” Davida said with more cheer than she had shown me.

But legacy isn't a stamp left by the people with ink. It's not about leaving your fingerprints. It's about having fingerprints left on you. In the case of books, the legacy isn't created by writing it, it's created by the people who pick it up, who expand and enrich and enlighten your words with how they reinterpret, remember and relive them.

Leadership and Culture” may seem like a vague or general catch-all phrase. Let me offer some questions to guide you down the path and to set the stage for upcoming chapters on this important first piece of the framework. What does it feel like to be part of your company’s sales team? Is it a high-performance culture? Why do you feel that way? Are team members laser-focused on goals and results? What’s the vibe in the sales department (whether it is local or based remotely)? What does accountability look like on this team? How often, how big, and how loud are victories celebrated? Is the manager leading the team or just reacting to circumstances? Are sales team meetings valuable? Do salespeople leave those meetings better equipped, envisioned, and energized, or drained and discouraged? Do members of the sales team feel supported, valued, and appreciated? Does the existing compensation plan make sense and does it drive the desired behaviors and results? In what ways is the manager putting his or her fingerprints on the team? How much of the sales leader’s time is devoted to non-sales activities and executive and administrative burdens? What’s the level of intensity, passion, and heart-engagement of team members? I don’t believe that anyone would doubt that we can create significant lift in a sales organization by improving the answers to these questions.

Picking up the empty cans, I brought them over to the trashcan Aiden was placing a fresh bag in. “Cleaning up?” he asked, fitting the bag to the can. “This is unexpected.” “I’m a new girl.” I dumped the cans. “Are you okay?” Aiden hooked a finger into the belt of my jeans and led me over to the sink. Then he rolled up my sleeves, turned on the tap and picked up the hand soap. I rolled my eyes, but shoved my hands under the warm water. “Aiden?” “What? You’re going to have sticky hands and be touching everything.” He squirted the apple-scented soap on my hands. “You’ll leave little fingerprints all over the place.” I watched my hands disappear under his larger ones and sort of forgot about what I was asking. Who knew washing hands could be so… distracting? “Are you concerned about CSI visiting the place?” “You never know.” I let him finish, because who was I to stop his OCD at the moment, then I dried my hands.

Like a handprint in cement An indelible mark has been left My identity has been bent At the point where your fingers pressed. Some people leave their marks All over your identity; Some leave beautiful art And others graffiti obscenities.

If someone hacks your password, you can change it—as many times as you want. You can’t change your fingerprints. You have only ten of them. And you leave them on everything you touch. SENATOR AL FRANKEN

Oh Persia, Persia, if I can't be your prince, then I'll whisper, I'd like to leave you with my fingerprints. Persia, Persia, I might not be the one, I still whisper, until you tell me that we're done.

Everything you do leaves behind a fingerprint of your personality.

there wouldn’t be a goddamn person on this planet that could convince me I’d let myself get to this point. That I’d let a man hit me. That’s what everyone always says, right? I’d never let a man hit me. You don’t even realize that’s what has happened until it’s too late. You’ve already been pushed down the stairs and slapped across the face. There are already hand and fingerprint bruises marring your arms and neck. And you’ve already told yourself he won’t ever do it again. That he’s sorry. He’s stressed. You were wrong. Bad, bad girl. Feel guilty for making him lay hands on you. You deserved that. Leave? He’ll kill himself. No one will ever love you the way he does, and you love him, too. You don’t want him to die.

We're artisans, Gwen, who use people to shape outcomes. Just pick the right people, point them in directions they already want to go, and they'll do your work for you. And they won't leave any of your fingerprints showing after the deed is done, unless of course you want to take credit for it.

But legacy isn't a stamp left by the people with ink. It's not about leaving your fingerprints, it's about having fingerprints left on you. In the case of books, the legacy isn't created by writing it, it's created by the people who pick it up, who expand and enrich and enlighten your words with how they reinterpret, remember and relive them. It's passion, it's tears... A book isn't a book until it's read.

A woman must cultivate a double self: the public self and the real self. Somehow, you must keep that fragmented self, no matter if Lacan tells you it’s impossible. Your life depends on its management. You can dream and think and spit and fuck as long as you don’t keep a sloppy house. As long as you don’t leave fingerprints or pennies in the bread. If you do, that’s it. They can do anything they want to you.

Come...Dry your eyes, for you are life, rarer than a quark and unpredictable beyond the dreams of Heisenberg; the clay in which the forces that shape all things leave their fingerprints most clearly.

Rules breed rebels. I think it’s important to think for yourself when making art. That way you’re leaving a mark as uniquely yours as your own fingerprints. We’ve all been taught that the black sheep is a deviation from acceptable standards and something to be avoided. Still, when you see it amongst a herd, its lack of conformity is what steals your breath and captures your attention.

Rules breed rebels. I think it’s important to think for yourself when making art. That way you’re leaving a mark as uniquely yours as your own fingerprints. We’ve all been taught that the black sheep is a deviation from acceptable standards and something to be avoided. Still, when you see it amongst a herd, its lack of conformity is what steals your breath and captures your attention.

Sometimes we work hard in the short term but still fail to achieve our big-picture goals. How do you keep your short-term work aligned with your long-term objectives? The reason you might be having trouble with your practice in the long run—if you were capable of building a practice in the short run—is nearly always because you are afraid. The fear, the resistance, is very insidious. It doesn’t leave a lot of fingerprints, but the person who manages to make a movie short that blows everyone away but can’t raise enough cash to make a feature film, the person who gets a little freelance work here and there but can’t figure out how to turn it into a full-time gig—that person is practicing self-sabotage. These people sabotage themselves because the alternative is to put themselves into the world as someone who knows what they are doing. They are afraid that if they do that, they will be seen as a fraud. It’s incredibly difficult to stand up at a board meeting or a conference or just in front of your peers and say, “I know how to do this. Here is my work. It took me a year. It’s great.” This is hard to do for two reasons: (1) it opens you to criticism, and (2) it puts you into the world as someone who knows what you are doing, which means tomorrow you also have to know what you are doing, and you have just signed up for a lifetime of knowing what you are doing. It’s much easier to whine and sabotage yourself and blame the client, the system, and the economy. This is what you hide from—the noise in your head that says you are not good enough, that says it is not perfect, that says it could have been better.

I'd insist that we all out same canvases and paint together. You might not want to, but I'd assure you that we needn't be so worried about painting masterpieces. People are the masterpieces, and you are creative because you are God's best creation and HI fingerprints and brush strokes dance all inside of you. Then I'd hold up my written rules for paintbrush holders. Everyone must try. Give yourself permission to not be perfect. Refuse to be intimidated by the process. The most beauty will emerge from the paintbrushes held by those who are most free from fear. Smile. I already love what will soon come to life on your canvas. Then we'd paint. And you'd discover you actually like it. Your piece would turn out amazing, and together we'd think through the perfect place for you to hang it up in your house... We are slowly coming out of hiding. It feels good to be vulnerable with artwork and with each other.

I made your favorite." Nannie says, her elegant hand trembles, so subtle it hides behind a smile. She listens carefully, responds quickly, eases the baked macaroni from the oven. We wash our hands with bars of smooth soap in delicate shapes. We are quiet, careful not to touch the glass of doors. We do not leave fingerprints here.