Leather And Lace Quotes

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Even the Inquisitor's eyebrows shot up when Magnus strode through the gate. The High Warlock was wearing black leather pants, a belt with a buckle in the shape of a jeweled M, and a cobalt-blue Prussian military jacket open over a white lace shirt. He shimmered with layers of glitter. His gaze rested for a moment on Alec's face with amusement and a hint of something else before moving on to Jace, prone on the ground. "Is he dead?" he inquired. "He looks dead." "No," snapped Maryse. "He's not dead." "Have you checked? I could kick him if you want." Magnus moved toward Jace. "Stop that!" the Inquisitor snapped, sounding like Clary's third-grade teacher demanding that she stop doodling on her desk with a marker.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
She looks like a fucking wet dream sitting on that bike. Her legs are covered in tight denim with black boots laced up to mid-calf. She has a leather jacket on and it’s zipped up half way, showing off a good amount of cleavage.
Aurora Rose Reynolds (Until November (Until, #1))
You ladies ought to know-going commando? That’s sexier than leather and lace and whips and chains all put together.
Emma Chase
He chuckled and leaned back into the leather seat. “You’re going to be so much fun. I love it.” Fun?
Penelope Sky (Buttons & Lace (Buttons, #1))
«He grins and straightens, wings high and regal behind him. I glare at his costume. It’s so typical him. A mix of medieval and rock star: brown leather forearm guards with studs over a ruffle-cuffed white shirt, and a cavalier doublet in burgundy with a gold lace overlay. The hem hits above his muscled thighs, so the skintight burgundy hose taper smoothly into knee-high brown boots, leaving nothing to the imagination. Worst of all, he has a crown. He dressed as a fairy king. The irony doesn’t escape me. I scowl. “Problem, luv?” He looks down on me from behind a gold lace half mask while adjusting the ruby-jeweled crown over his blue hair with velvet-clad hands. Tiny moth corpses are suspended in the rubies, like stained-glass fossils. I shake my head. “I’m pretty sure you’ll be the only one wearing anything tight enough to need a codpiece. Always have to be the showstopper, don’t you?” “Oh, I assure you, what I chose to show is only the start.»
A.G. Howard (Unhinged (Splintered, #2))
So he likes being mean to you," she said. "And you like that he likes being mean to you." "And I like being mean to him, too, don't forget." "Of course not. Pleasure from meaness. There's a name for it: sadomasochism." "Thanks a lot." I said. "That's just what I need. A mental picture of Todd Harding laced up in a black leather bodysuit with a whip in one hand and his wang in the other.
Kristin Walker (A Match Made in High School)
Rachel returned to the circle of his arms and thought she might possibly combust. Even the summer night breeze that moved the silk against her torso couldn’t cool her. Braced against her car in the moonlight with his shirt fully open this time, Hawke posed as her own personal Adonis, poised for her touch.
Mia Dymond (Leather, Lace and Rock-n-Roll (SEALS, Inc., #1))
You been going through my undies?" I asked. Bruiser's mouth twitched. " 'Cause all I got with me are the travel undies. The leather, silk, and lace stuff is all in the mountains." "You got leather undies?" Bruiser asked, intrigued. [...] I smiled, showing teeth. "Nope.
Faith Hunter (Skinwalker (Jane Yellowrock, #1))
Off To The Races" My old man is a bad man but I can't deny the way he holds my hand And he grabs me, he has me by my heart He doesn't mind I have a Las Vegas past He doesn't mind I have an LA crass way about me He loves me with every beat of his cocaine heart Swimming pool glimmering darling White bikini off with my red nail polish Watch me in the swimming pool bright blue ripples you Sitting sipping on your black Cristal Oh yeah Light of my life, fire of my loins Be a good baby, do what I want Light of my life, fire of my loins Give me them gold coins, gimme them coins And I'm off to the races, cases of Bacardi chasers Chasing me all over town Cause he knows I'm wasted, facing Time again at Riker's Island and I won't get out Because I'm crazy, baby I need you to come here and save me I'm your little scarlet, starlet singing in the garden Kiss me on my open mouth Ready for you My old man is a tough man but He's got a soul as sweet as blood red jam And he shows me, he knows me Every inch of my tar black soul He doesn't mind I have a flat broke down life In fact he says he thinks it's why he might like about me Admires me, the way I roll like a Rolling Stone Likes to watch me in the glass room bathroom, Chateau Marmont Slippin' on my red dress, puttin' on my makeup Glass film, perfume, cognac, lilac Fumes, says it feels like heaven to him Light of his life, fire of his loins Keep me forever, tell me you own me Light of your life, fire of your loins Tell me you own me, gimme them coins And I'm off to the races, cases of Bacardi chasers Chasing me all over town Cause he knows I'm wasted, facing Time again at Riker's Island and I won't get out Because I'm crazy, baby I need you to come here and save me I'm your little scarlet, starlet singing in the garden Kiss me on my open mouth Now I'm off to the races, laces Leather on my waist is tight and I am fallin' down I can see your face is shameless, Cipriani's basement Love you but I'm going down God I'm so crazy, baby, I'm sorry that I'm misbehaving I'm your little harlot, starlet, Queen of Coney Island Raising hell all over town Sorry 'bout it My old man is a thief and I'm gonna stay and pray with him 'til the end But I trust in the decision of the Lord to watch over us Take him when he may, if he may I'm not afraid to say that I'd die without him Who else is gonna put up with me this way? I need you, I breathe you, I never leave you They would rue the day I was alone without you You're lying with your gold chain on, cigar hanging from your lips I said "Hon' you never looked so beautiful as you do now, my man." And we're off to the races, places Ready, set the gate is down and now we're goin' in To Las Vegas chaos, Casino Oasis, honey it is time to spin Boy you're so crazy, baby, I love you forever not maybe You are my one true love, you are my one true love You are my one true love
Lana Del Rey
Oh, Pet. How you fascinate me.
Samantha A. Cole (Leather & Lace (Trident Security, #1))
Back in the "leather and lace" eighties, I was the fantasy editor for a publishing company in New York City. It was a great time to be young and footloose on the streets of Manhattan—punk rock and folk music were everywhere; Blondie, the Eurythmics, Cyndi Lauper, and Prince were all strutting their stuff on the newly created MTV; and the eighties' sense of style meant I could wear my scruffy black leather into the office without turning too many heads. The fantasy field was growing by leaps and bounds, and I was right in the middle of it, working with authors I'd worshiped as a teen, and finding new ones to encourage and publish.
Terri Windling (Welcome to Bordertown (Borderland, #8))
For example today I was wearing a black corset with matching lace around it and a black leather miniskirt, pink fishnets and black combat boots. I was wearing black lipstick, white foundation, black eyeliner and red eye shadow. I was walking outside Hogwarts. It was snowing and raining so there was no sun, which I was very happy about. A lot of preps stared at me. I put up my middle finger at them.
Tara Gilesbie (My Immortal)
What were you thinking, Mitch? A tour? What are we, fucking Disney World?
Samantha A. Cole (Leather & Lace (Trident Security #1))
beefaroni
Lauren Landish (Leather and Lace (The Virgin Diaries #2))
the runway style. With her short hair freshly died platinum blonde she had to slay the scene in a black Crooks and Castle snapback, diamond stud earrings, gold collar necklace, red Crooks and Castle sweatshirt, Cartier gold men’s watch, black leather leggings, Saint Laurent suede peep-toe lace-up booties and a extra sickening red $7750 VBH Brera ostrich satchel bag.
Keisha Ervin (Material Girl 3: Secrets & Betrayals)
In the late 80s though, during the new Glam Rock, leather trousers came back with a vengeance. In a way they replaced Spandex, which had slipped slowly out of fashion due to bands like Saxon never being out of the stuff. These new leather trousers began to develop accessories such as tassels, sequins, and laces up the sides. This all looked quite nice for a while, but in the end they were just another easy target for Kurt Cobain and his subversive cardigans.
Seb Hunter (Hell Bent for Leather: Confessions of a Heavy Metal Addict)
I'm falling!" Lilliana cried loudly as she wrenched against the leather cuffs. Tucker's fingers laced with Lilliana's and he smashed her with the weight of his body against the cross. "I'll catch you Lilly," Tucker calmly breathed into her ear. "Let yourself go. Let it all go and fly pet. Fly...
Ella Dominguez (This Love's Not for Sale)
lace-up leather boots, ultra-skinny rose jeans, an untucked lime dress shirt, and a checkered skinny tie as loose as a necklace. With his thick black Ray-Bans and his choppy green hair, he looked like he’d stepped off a New Wave album cover circa 1979.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
Pedro of Portugal's rapt and bizarre declaration of love, in 1356, for the embalmed corpse of his murdered wife, Inez de Castro, who swayed beside him on his travels, leather-brown and skeletal, crowned with lace and gold circlet, hung about with chains of diamonds and pearls, her bone-fingers fantastically ringed.
A.S. Byatt
Moreover, you couldn't get animal sex and tight leather and sex toys along with something warm and comforting and meaningful.
Lacey Alexander (Lynda's Lace (City Heat, #1))
half-believed in the legend, he’d ground her for a month,
Jessie Evans (Leather and Lace (Lonesome Point, Texas, #1))
Mia’s pulse spiked with anxiety, worrying that she had just added assault-with-unwanted-lips to her list of sins against this man,
Jessie Evans (Leather and Lace (Lonesome Point, Texas, #1))
Laced leather boots that don’t pinch my toes.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Belt leather. Black pepper. Fine lace and bright feather. Tinker in town tonight, gone tomorrow. Working through the evening light. Come wife. Come daughter, I’ve small cloth and rose water.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
The money doesn't mean anything, Charlene. Nothing means anything without you. I want you however you come- broken, messed up, in leather, lace, satin, cotton pajamas... However you are, it's just you I want.
Helena Hunting (Pucked Love (Pucked, #6))
I’m in a simple black unitard that covers me from ankle to neck. Shiny leather boots lace up to my knees. But it’s the fluttering cape made of streams of orange, yellow, and red and the matching headpiece that define this costume.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
We entered the cool cave of the practice space with all the long-haired, goateed boys stoned on clouds of pot and playing with power tools. I tossed my fluffy coat into the hollow of my bass drum and lay on the carpet with my worn newspaper. A shirtless boy came in and told us he had to cut the power for a minute, and I thought about being along in the cool black room with Joey. Let's go smoke, she said, and I grabbed the cigarettes off the amp. She started talking to me about Wonder Woman. I feel like something big is happening, but I don't know what to do about it. With The Straight Girl? I asked in the blankest voice possible. With everything. Back in the sun we walked to the edge of the parking lot where a black Impala convertible sat, rusted and rotting, looking like it just got dredged from a swamp. Rainwater pooling on the floor. We climbed up onto it and sat our butts backward on the edge of the windshield, feet stretched into the front seat. Before she even joined the band, I would think of her each time I passed the car, the little round medallions with the red and black racing flags affixed to the dash. On the rusting Chevy, Joey told me about her date the other night with a girl she used to like who she maybe liked again. How her heart was shut off and it felt pretty good. How she just wanted to play around with this girl and that girl and this girl and I smoked my cigarette and went Uh-Huh. The sun made me feel like a restless country girl even though I'd never been on a farm. I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. I gave Joey my cigarette so I could unlace the ratty green laces of my boots, pull them off, tug the linty wool tights off my legs. I stretched them pale over the car, the hair springing like weeds and my big toenail looking cracked and ugly. I knew exactly who I was when the sun came back and the air turned warm. Joey climbed over the hood of the car, dusty black, and said Let's lie down, I love lying in the sun, but there wasn't any sun there. We moved across the street onto the shining white sidewalk and she stretched out, eyes closed. I smoked my cigarette, tossed it into the gutter and lay down beside her. She said she was sick of all the people who thought she felt too much, who wanted her to be calm and contained. Who? I asked. All the flowers, the superheroes. I thought about how she had kissed me the other night, quick and hard, before taking off on a date in her leather chaps, hankies flying, and I sat on the couch and cried at everything she didn't know about how much I liked her, and someone put an arm around me and said, You're feeling things, that's good. Yeah, I said to Joey on the sidewalk, I Feel Like I Could Calm Down Some. Awww, you're perfect. She flipped her hand over and touched my head. Listen, we're barely here at all, I wanted to tell her, rolling over, looking into her face, we're barely here at all and everything goes so fast can't you just kiss me? My eyes were shut and the cars sounded close when they passed. The sun was weak but it baked the grime on my skin and made it smell delicious. A little kid smell. We sat up to pop some candy into our mouths, and then Joey lay her head on my lap, spent from sugar and coffee. Her arm curled back around me and my fingers fell into her slippery hair. On the February sidewalk that felt like spring.
Michelle Tea
Look your fill ” the creature murmured his voice as sweet and rich as syllabub sauce. And his lusty grin when he said it was sinful—and pleasurable. Prue was certain her face flamed red at the barbarian’s insinuation. “I’m sure I don’t know what you mean ” she replied tartly. He smiled and drained his goblet. His head was tilted back exposing the thick cords in his throat and Prue watched him eagerly drink down the entire contents in one swallow. Never had she seen such a vulgar display. Never had she been so engrossed in the workings of a man’s throat and the movement of his Adam’s apple. With a thunk he set the goblet down and shoved his chair back. His legs were spread and the black leather riding britches he wore were pulled snugly over his massive thighs…and other parts as well. Flushing Prudence glanced away. She could not look at him like that with his lace jabot untied and lying on either side of his opened shirt. A shirt that was unbuttoned and opened to his waist exposing a vast amount of dark male skin hairless and bronzed. “Shall you not look my lady ” he beckoned softly. “I like the feel of your eyes on me.” “Cover yourself sir ” she demanded. “It’s most unseemly.” “Ah the lady is Temperance indeed ” the brute murmured huskily.
Charlotte Featherstone (Lust (The Sins and The Virtues, #1))
What’s up, sugar britches?” Mia asked as she answered the phone, grinning when her gram made an offended, huffing noise. “Really, Mia. If I didn’t know your mother had tried her best, I would think you’d been raised in a whorehouse.” “Aw, Gram. You’re sweet.
Jessie Evans (Leather and Lace (Lonesome Point, Texas, #1))
On the land adjoining La Grenouillère strollers were sauntering under the gigantic trees which help to make this part of the island one of the most delightful parks imaginable. Busty women with peroxided hair and nipped-in waists could be seen, made up to the nines with blood red lips and black-kohled eyes. Tightly laced into their garish dresses they trailed in all their vulgar glory over the fresh green grass. They were accompanied by men whose fashion-plate accessories, light gloves, patent-leather boots, canes as slender as threads and absurd monocles made them look like complete idiots.
Guy de Maupassant (A Parisian Affair and Other Stories)
Taking into consideration all your loveliness why can't you burn your bootsoles and your draft card? How can you sit there saying yes to war? You'll be a pauper when you die, sore boy. Dead, while I still live at our addresss. Oh my brother, why do you keep making plans when I am at seizures of hearts and hands? Come dance the dance, the Papa-Mama dance; bring costumes from the suitcase pasted Ille de France, the S.S. Gripsholm. Papa's London Harness case he took abroad and kept i our attic laced with old leather straps for storage and his scholar's robes, black licorice - that metamorphosis with it's crimson blood. "The Papa and Mama Dance
Anne Sexton (The Complete Poems)
The aunts are so old it's impossible to tell their age. Their hair is white and their spines are crooked. They wear long black skirts and laced leather boots. Though they haven't left Massachusetts in more than forty years, they're certainly not intimidated by travel. Or anything else, for that matter. They know what they want and they're not afraid to be outspoken.
Alice Hoffman (Practical Magic (Practical Magic, #1))
There were some hours to spare before his ship sailed, and having deposited his luggage, including a locked leather despatch-case, on board, he lunched at the Cafe Tewfik near the quay. There was a garden in front of it with palm trees and trellises gaily clad in bougainvillias: a low wooden rail separated it from the street, and Morris had a table close to this. As he ate he watched the polychromatic pageant of Eastern life passing by: there were Egyptian officials in broad-cloth frock coats and red fezzes; barefooted splay-toed fellahin in blue gabardines; veiled women in white making stealthy eyes at passers-by; half-naked gutter-snipe, one with a sprig of scarlet hibiscus behind his ear; travellers from India with solar tepees and an air of aloof British Superiority; dishevelled sons of the Prophet in green turbans, a stately sheik in a white burnous; French painted ladies of a professional class with lace-rimmed parasols and provocative glances; a wild-eyed dervish in an accordion-pleated skirt, chewing betel-nut and slightly foaming at the mouth. A Greek boot-black with box adorned with brass plaques tapped his brushes on it to encourage customers, an Egyptian girl squatted in the gutter beside a gramophone, steamers passing into the Canal hooted on their syrens. ("Monkeys")
E.F. Benson (The Mummy Walks Among Us)
The July sun blazed in the middle of the sky and the atmosphere was gay and carefree, while in the windless air not a leaf stirred in the poplars and willows lining the banks of the river. In the distance ahead, the conspicuous bulk of Mont-Valérien loomed, rearing the ramparts of its fortifications in the glare of the sun. On the right, the gentle slopes of Louveciennes, following the curve of the river, formed a semi-circle within which could be glimpsed, through the dense and shady greenery of their spacious lawns, the white-painted walls of weekend retreats. On the land adjoining La Grenouillère strollers were sauntering under the gigantic trees which help to make this part of the island one of the most delightful parks imaginable. Busty women with peroxided hair and nipped-in waists could be seen, made up to the nines with blood red lips and black-kohled eyes. Tightly laced into their garish dresses they trailed in all their vulgar glory over the fresh green grass. They were accompanied by men whose fashion-plate accessories, light gloves, patent-leather boots, canes as slender as threads and absurd monocles made them look like complete idiots.
Guy de Maupassant (Femme Fatale)
Greta's cedar hope chest Is full of pamphlets Glass shelves of romantic vignettes A journal laced with sedimentary prose Norma gathers and collects vintage photoplays Hair combs valentines Lillian allows the animals to scratch And the leather crack And the mail collect in the box as coatings peel Agnes veiled cathedral dweller Smiles with benevolent pain But it's Katrina's fair Tuesday morning As she with caution unlatches the flat door She alone cascades to the basement Careful not to spoil her Calico printed pinafore Composite traits and mannerists All others dissipate Marguerite vigilant She dwells upon frigid casements Sarah's thoughts in high velocity Accusations always pierce and pass Clara abandons her passions for distastes A Miss Lenora P. Sinclair Early for coffee in the pool "I'm resituating all your words" Capital Space Colon Paragraph Sylvia keeps beasts in jars labeled by Kingdom Phylum Class Order Family Genus Species But it's Katrina's fair Tuesday morning As she with caution unlatches the flat door She alone cascades to the basement Careful not to spoil her Calico printed pinafore Composite traits and mannerists All others dissipate Down the way a silk design This face is mine Tis I, Katrina! Katrina, I.
Natalie Merchant
So, my dear…” She faced him with thudding heart, the crystal piece clutched desperately in her hand, but she was hardly aware that she even held it. “… You say I have let another man into my bed.” Erienne opened her mouth to speak. Her first impulse was to chatter some inanity that could magically take the edge from his callous half statement, half question. No great enlightenment dawned, however, and her dry, parched throat issued no sound of its own. She inspected the stopper closely, turning it slowly in her hand rather than meet the accusing stare. From behind the mask, Lord Saxton observed his wife closely, well aware that the next moments would form the basis for the rest of his life or leave it an empty husk. After this, there could be no turning back. “I think, my dear,” his words made her start, “that whatever the cost, ’tis time you met the beast of Saxton Hall.” Erienne swallowed hard and clasped the stopper with whitened knuckles, as if to draw some bit of courage from the crystal piece. As she watched, Lord Saxton doffed his coat, waistcoat, and stock, and she wondered if it was a trick of her imagination that he seemed somewhat lighter of frame. After their removal, he caught the heel of his right boot over the toe of the left and slowly drew the heavy, misshapen encumbrance from his foot. She frowned in open bemusement, unable to detect a flaw. He flexed the leg a moment before slipping off the other boot. His movements seemed pained as he shed the gloves, and Erienne’s eyes fastened on the long, tan, unscarred hands that rose to the mask and, with deliberate movements, flipped the lacings loose. She half turned, dropping the stopper and colliding with the desk as he reached to the other side of the leather helm and lifted it away with a single motion. She braved a quick glance and gasped in astonishment when she found translucent eyes calmly smiling at her. “Christopher! What…?” She could not form a question, though her mind raced in a frantic search for logic. He rose from the chair with an effort. “Christopher Stuart Saxton, lord of Saxton Hall.” His voice no longer bore a hint of a rasp. “Your servant, my lady.” “But… but where is…?” The truth was only just beginning to dawn on her, and the name she spoke sounded small and thin. “… Stuart?” “One and the same, madam.” He stepped near, and those translucent eyes commanded her attention. “Look at me, Erienne. Look very closely.” He towered over her, and his lean, hard face bore no hint of humor. “And tell me again if you think I would ever allow another man in your bed while I yet breathe.” -Christopher & Erienne
Kathleen E. Woodiwiss (A Rose in Winter)
He's got a cat tied to the seat of the toilet and a bubble bath all set for someone to jump in. I excused myself for a second and went over to the kitchenette and popped a couple of Valiums. I was already loaded on junk but I could see this was going to be strictly from fruit. When I got back in the john he was already naked and in the tub frosted in bubbles . . . the poor cat was still chained to the john seat, yelping away. The guy laid his plan on me. He wants me to whip the cat dead after I first piss on him in his bubble bath, then when the cat has had it I'm to jerk off into his mouth while he's still in the tub. Out from under the bubbles he hands me a whip, a tiny cat size whip with leather fringes laced with broken ends of razors. ... I untied the cat, he tried to get up and stop me, I punched his chump face, he landed back on his ass in the tub and I gave him the whip across the chest . . . a nasty wound. . . . I grabbed his hair, opened his mouth and pissed in it . . . he spit it out, the piss mixing with the blood oozing from his lip from the punch and he let out a slow motion yell at the sting of urine dripping into the cuts on his chest. He sank under water to cool the burn, I rifled his wallet for sixty bucks, picked up the kitty and split.
Jim Carroll (The Basketball Diaries)
A folktale in Hokkaido just after the war and passed from conductor to conductor held that the floor of heaven is laced with silver train tracks, and the third rail is solid pearl. The trains that ran along them were fabulous even by the Shinkansen of today: carriages containing whole pine forests hung with gold lanterns, carriages full of rice terraces, carriages lined in red silk where the meal service bought soup, rice-balls, and a neat lump of opium with persimmon tea poured over it in the most delicate of cups. These trains sped past each other, utterly silent, carrying each a complement of ghosts who clutched the branches like leather handholds, and plucked the green rice to eat raw, amd fell back insensate into the laps of women whose faces were painted red from brow to chin. They never stop, never slow, and only with great courage and grace could a spirit slowly progress from car to car, all the way to the conductor's cabin, where all accounts cease, and no man knows what lies therein. In Hokkaido, where the snow and the ice are so white and pure they glow blue, it is said only the highest engineers of Japan Railways know the layout of the railroads on the floor of heaven. They say that these exalted engineers are working slowly, generation by generation, to lay the tracks to earth so that they mirror exactly the tracks in heaven. When this is done, those marvelous carriages will fall from the sky, and we may know on earth, without paying the terrible fare of death, the gaze of the red women, the light of the forest lanterns, and the taste of persimmon tea.
Catherynne M. Valente (Palimpsest)
this thing—his thing—still well and alive inside me. # I dreamed of clawed hooks and sexual abandon. Faces covered in leather masks and eyeliner so dark I could only see black. Here the monsters would come alive, but not the kind you have come to expect. I watched myself as if I were outside my own flesh, free from the imprisonment of bone and conscience. Swollen belly stretch-marked and ugly; my hair tethered and my skin vulnerable. Earthquake beats blared from the DJ booth as terrible looking bodies thrashed, moshed and convulsed. Alone, so alone. Peter definitely gone, no more tears left but the ones that were to come from agony. She was above me again, Dark Princess, raging beauty queen, and I was hers to control. The ultimate succession into human suspension. Like I’d already learned: the body is the final canvas. There is no difference between love and pain. They are the same hopeless obsession. The hooks dived, my legs opened and my back arched. Blood misted my face; pussy juice slicked my inner thigh as my water suddenly broke. # The next night I had to get to the club. 4 A.M. is a time that never lets me down; it knows why I have nightmares, and why I want to suspend myself above them. L train lunacies berated me once again, but this time I noticed the people as if under a different light. They were all rather sad, gaunt and bleary. Their faces were to be pitied and their hands kept shaking, their legs jittering for another quick fix. No matter how much the deranged governments of New York City have cleaned up the boroughs, they can’t rid us of our flavor. The Meatpacking District was scarily alive. Darkness laced with sizzling urban neon. Regret stitched up in the night like a black silk blanket. The High Line Park gloomed above me with trespassers and graffiti maestros. I was envious of their creative freedom, their passion, and their drive. They had to do what they were doing, had to create. There was just no other acceptable life than that. I was inside fast, my memories of Peter fleeting and the ache within me about to be cast off. Stage left, stage right, it didn’t matter. I passed the first check point with ease, as if they already knew the click of my heels, the way my protruding stomach curved through my lace cardigan. She found me, or I found her, and we didn’t exchange any words, any warnings. It was time. Face up, legs open, and this time I’d be flying like Superman, but upside down. There were many hands, many faces, but no
Joe Mynhardt (Tales from The Lake Vol. 1)
The translucent, golden punch tastes velvety, voluptuous and not off-puttingly milky. Under its influence, I stage a party for my heroines in my imagination, and in my flat. It's less like the glowering encounter I imagined between Cathy Earnshaw and Flora Poste, and more like the riotous bash in Breakfast at Tiffany's. Not everyone is going to like milk punch. So there are also dirty martinis, and bagels and baklava, and my mother's masafan, Iraqi marzipan. The Little Mermaid is in the bath, with her tail still on, singing because she never did give up her soaring voice. Anne Shirley and Jo March are having a furious argument about plot versus character, gesticulating with ink-stained hands. Scarlett is in the living room, her skirts taking up half the space, trying to show Lizzy how to bat her eyelashes. Lizzy is laughing her head off ut Scarlett has acquired a sense of humour, and doesn't mind a bit. Melanie is talking book with Esther Greenwood, who has brought her baby and also the proofs of her first poetry collection. Franny and Zooey have rolled back the rug and are doing a soft shoe shuffle in rhinestone hats. Lucy Honeychurch is hammering out some Beethoven (in this scenario I have a piano. A ground piano. Well, why not?) Marjorie Morningstar is gossiping about directors with Pauline and Posy Fossil. They've come straight from the shows they're in, till in stage make-up and full of stories. Petrova, in a leather aviator jacket, goggles pushed back, a chic scarf knotted around her neck, is telling the thrilling story of her latest flight and how she fixed an engine fault in mid-air. Mira, in her paint-stained jeans and poncho, is listening, fascinated, asking a thousand questions. Mildred has been persuaded to drink a tiny glass of sherry, then another tiny glass, then another and now she and Lolly are doing a wild, strange dance in the hallway, stamping their feet, their hair flying wild and electric. Lolly's cakes, in the shape of patriarchs she hates, are going down a treat. The Dolls from the Valley are telling Flora some truly scandalous and unrepeatable stories, and she is firmly advising them to get rid of their men and find worthier paramours. Celie is modelling trousers of her own design and taking orders from the Lace women; Judy is giving her a ten-point plan on how to expand her business to an international market. She is quite drunk but nevertheless the plan seems quite coherent, even if it is punctuated by her bellowing 'More leopard print, more leopard print!' Cathy looks tumultuous and on the edge of violent weeping and just as I think she's going to storm out or trash my flat, Jane arrives, late, with an unexpected guest. Cathy turns in anticipation: is it Heathcliff? Once I would have joined her but now I'm glad it isn't him. It's a better surprise. It's Emily's hawk. Hero or Nero. Jane's found him at last, and has him on her arm, perched on her glove; small for a bird of prey, he is dashing and patrician looking, brown and white, observing the room with dark, flinty eyes. When Cathy sees him, she looks at Jane and smiles. And in the kitchen is a heroine I probably should have had when I was four and sitting on my parents' carpet, wishing it would fly. In the kitchen is Scheherazade.
Samantha Ellis
Yeah, baby! And you are the magnet and I'm the steel! Bring to me your leather, take from me my lace!
Elizabeth Gilbert (Eat, Pray, Love)
how delicious he smelled. It was a bold, provocative mix of wool and leather, pure man and something exotic, perhaps sandalwood, the whole laced with a trace of peat smoke.
Anonymous
Drive, Jaynes!” In a blur of white satin and lace, Louisa Marie Honeycutt dove into the waiting limousine, slid across the expansive leather seat, then with a furtive look out the tinted window,
Rhonda Nelson (Double Dare)
lace, Louisa Marie Honeycutt dove into the waiting limousine, slid across the expansive leather seat, then with a furtive look out the tinted window, issued the desperate order again. Befuddled, her driver started to protest.
Rhonda Nelson (Double Dare)
In a blur of white satin and lace, Louisa Marie Honeycutt dove into the waiting limousine, slid across the expansive leather seat, then with a furtive look out the tinted window,
Rhonda Nelson (Double Dare)
I took in her shoes, the dark leather and bright red laces, the toes of the shoes like smirks and the high heels like stems or talons. They were cancan shoes. I’d never seen them before and so I stared at them. I’d
Alexander Chee (The Queen of the Night)
The witch has a green face and a fleet of flying monkeys. She wears scarves and leather and lace. She lives in Africa; on the island of Aeaea; in a tower; in a chicken-leg hut; in Peoria, Illinois. She lurks in the forests of fairy tales, in the gilded frames of paintings, in the plotlines of sitcoms and YA novels, and between the bars of ghostly blues songs. She is solitary. She comes in threes. She’s a member of a coven. Sometimes she’s a he. She is stunning, she is hideous, she is insidious, she is ubiquitous. She is our downfall. She is our deliverance.
Pam Grossman (Waking the Witch: Reflections on Women, Magic, and Power (Witchcraft Bestseller))
I approached a small table at the far corner of the Sky Garden and saw Akemi sitting nearby, studying a math textbook. She wore a demure, long-sleeved, knee-length white lace dress, black patent leather Mary Jane shoes, and on the floor was her school backpack that said "ICS-Tokyo" and was adorned with pastel ribbons, bows, and lace.
Rachel Cohn (My Almost Flawless Tokyo Dream Life)
When I arrived in San Francisco, there was no way to find the Castro on any map. People were forever calling the bookstore for directions to the neighborhood. In my group there was the sense that we were a wave arriving on the West Coast from the East: postcollegiate youngsters seeking and finding a paradise of cheap apartments and thrift stores bursting with the old athletic T-shirts and jeans and flannel shirts we all prixed. I remember when I put the empty clothes together with the empty apartments, on an ordinary sunny afternoon walking down the sidewalk to work: there on a blanket stood a pari of black leather steel-toed boots, twelve-hole lace-ups. They gleamed, freshly polished, in the light of the morning. As I approached them, feeling the pull of the hill, I drew up short to examine the rest of the sidewalk sale. Some old albums, Queen and Sylvester; three pairs of jeans; two leather wristbands; a box of old T-shirts; a worn watch, the hands still moving; a pressed-leather belt, west style; and cowboy boots, the same size as the steel-toes. I tried the steel-toes on and took a long look at the salesman as I stood up, feelign that they were exactly my size. This man was thin, thin in a way that was immediately familiar. Hollowing from the inside out. His skin reddened, and his brown eyes looked over me as if lighting might fall on me out of that clear afternoon sky. And I knew then, as I paid twenty dollars for the boots, that they'd been recently emptied. That he was watching me walk off in the shoes of the newly dead. And that all of this had been happening for some time now.
Alexander Chee (How to Write an Autobiographical Novel)
I TOOK NIMUE TO GYLLAD’S farm. I did not put her in the big hall, but rather used an abandoned shepherd’s cottage where the two of us could be alone. I fed her on broth and milk, but first I washed her clean; washed every inch of her, washed her twice and then washed her black hair and afterwards used a bone comb to tease the tangles free. Some of the tangles were so tight they needed to be cut, but most came free and when her hair hung wet and straight I used the comb to find and kill the lice before I washed her once again. She endured the process like a small obedient child, and when she was clean I wrapped her in a great woollen blanket and took the broth off the fire and made her eat while I washed myself and hunted down the lice that had gone from her body on to mine. By the time I had finished it was dusk and she was fast asleep on a bed made from newly cut bracken. She slept all night and in the morning ate six eggs I had stirred in a pan over the fire. Then she slept again while I took a knife and a piece of leather and cut an eyepatch with a lace she could tie around her hair.
Bernard Cornwell (The Winter King (The Warlord Chronicles, #1))
But I didn’t beg.” “No, lass, you didn’t. But I prefer you throwing yourself at me for now. The begging can come later.” Goose bumps arose over her skin, inspired by the veiled promise in his husky words. She searched for his mouth to continue where they’d left off, while his hands crept over her chest and tugged on the cords to her studded leather bodice. “Blasted laces. Do you knot them on purpose?
Vivienne Savage (Red and the Wolf (Once Upon a Spell, #2))
The lacings of her simple bodice stood no chance against the strength of an eager werewolf. His fingers tugged, a leather strap snapped, and he pulled the garment from her body. Her tunic swiftly followed. “Co—” Before she could protest his reckless conduct with her garments, the world spun and she landed on her back amidst the furs. With
Vivienne Savage (Red and the Wolf (Once Upon a Spell, #2))
What are you doing?” asked the woman, pulling her hand away in dismay when Tom reached out to untie the captain’s laces. The first mate hesitated and looked up at Baltsaros. The captain’s eyes narrowed, and he stared at the whore with a blank expression that Tom knew hid a very dangerous temper. “Continue,” nodded Baltsaros without shifting his eyes from the woman. Moving quickly to obey, the first mate pulled the leather laces apart and eased his fingers into the opening. The captain’s cock spilled out into his hand, and Tom let out a pleased sigh before ducking his head to pull it into his mouth. He moaned softly around the cock between his lips, the simple act of putting his mouth to the captain making his own erection bob up eagerly. He tongued it slowly for a moment, savouring the feel and taste of the wide, smooth head before opening his jaw to take Baltsaros deeper. The captain let out a low growl of pleasure, and his hand cupped the back of Tom’s head, pushing him further. Baltsaros liked being rough with him, and it drove Tom wild to be used by a man who knew exactly how to control pain and pleasure to suit his needs; it was freedom like no other to give himself over completely to the captain.
Bey Deckard (Sacrificed: Heart Beyond the Spires (Baal's Heart, #2))
Taro knelt and tightened the leather laces of his prosthetic leg. Buckles and straps kept the wood attached to his ankle.
Cameron M. Hayden (The Reach Between Worlds (The Arclight Saga #1))
I had the dream again. I was leaning in the back corner of the elevator in my building looking down at the bundle of keys in my hand. Below my hand were the blurred outlines of my black leather lace-up boots and my frayed black jeans. There was ink all over my legs from the screen-printers in my shop. There was ink on the skin beneath the rips at my knee and my thigh where the rough edge of my work table had worn through... The detail was vivid, but there was an ethereal sparkle to everything around the edges. The periphery washed out of focus as if I was looking through a narrow lens... Then the elevator stopped and the door opened. A woman climbed on board. Her face was concealed behind large sunglasses. The realism of the dream became unsteady and I lost grip. The images became fleeting close-ups, stills, and sensations. She was looking at me and my heart began to race... A part of me worried that I was drunk and about to make an embarrassing pass at some poor woman from my building. But when I reached for her, she reached for me too... She pulled my hand down and then the elevator began to plummet. I realized I didn’t have much time. I was surrounded by her scent and warmth... I was so overwhelmed with the sensuality of everything that I lost myself in her... Then I watched her eyes fade into the blackness of my apartment as I woke up.
Giselle Fox (Rock Candy)
Leather and feathers and lace, oh my.
Rory Ni Coileain (Gale Force (SoulShares, #2))
the time I got back to my room, I had thoroughly envisioned every wretched scenario imaginable . . . only to find a new, neatly folded tunic lying on the lid of my trunk. Beside the tunic, there was a broad crimson leather belt that cinched tight with fine bronze buckles, and a pair of red-dyed leather sandals that laced all the way up to the knee. There was also a lamp—a fine new oil lamp to replace the dim little lump of tallow candle that sat in a clay dish on my windowsill. I remembered the lamp the Lanista had lowered into the grave of the gladiatrix Ismene, and a shiver ran up my spine. I had been chosen to swear the oath. The lamp would light my cell until the day I won my freedom. Or died.
Lesley Livingston (The Valiant (The Valiant, #1))
Want Could Kill Me Xandria Phillips for Dominique I know this from looking into store fronts taste buds voguing alight from the way treasure glows when I imagine pressing its opulence into your hand I want to buy you a cobalt velvet couch all your haters’ teeth strung up like pearls a cannabis vineyard and plane tickets to every island on earth but my pockets are filled with lint and love alone touch these inanimate gods to my eyelids when you kiss me linen leather gator skin silk satin lace onyx marble gold ferns leopard crystal sandalwood mink pearl stiletto matte nails and plush lips glossed in my 90s baby saliva pour the glitter over my bare skin I want a lavish life us in the crook of a hammock incensed by romance the bowerbird will forgo rest and meals so he may prim and anticipate amenity for his singing lover call me a gaunt bird a keeper of altars shrines to the tactile how they shine for you fold your wings around my shoulders promise me that should I drown in want-made waste the dress I sink in will be exquisite
Xandria Phillips
A rippling murmur echoed through the grove behind her. Emeline turned to see people emerging from the shadows of the trees, gathering to cluster and stare. Clothed in leather and fine wool, delicate lace and soft silk, they held themselves with moonlit grace. Their eyes shone too bright and their shadows twisted behind them, hinting at other shapes. They were... not quite human. Remembering Tom's stories, Emeline knew this was the shiftling court. I'm really here, she thought, resisting the urge to pinch herself. All the stories were true.
Kristen Ciccarelli (Edgewood)
She's receiving Dr. Sheldon Lord in audience just at the moment," Marshall said. "I don't see why you shouldn't go on to the Throne Room, though. He's giving her some psychological tests, but they ought to be finished in a minute or two." "Fine," Malone said. "How about court dress? Got anything here that might fit me?" Marshall nodded. "We've got a pretty complete line of court costume now," he said. "I should say it was the most complete in existence--except possibly for the TV historical companies. Down the hall, three doors farther on, you'll find the dressing room." * * * * * Malone thanked Dr. Marshall and went out slowly. He didn't really mind the court dress or the Elizabethan etiquette Her Majesty liked to preserve; as a matter of fact, he was rather fond of it. There had been some complaints about expense when the Throne Room and the costume arrangement were first set up, but the FBI and the Government had finally decided that it was better and easier to humor Her Majesty. Malone spent ten minutes dressing himself magnificently in hose and doublet, slash-sleeved, ermine-trimmed coat, lace collar, and plumed hat. By the time he presented himself at the door to the Throne Room he felt almost cheerful. It had been a long time since he had entered the world of Elizabethan knighthood over which Her Majesty held sway, and it always made him feel taller and more sure of himself. He bowed to a chunkily-built man of medium height in a stiffly brocaded jacket, carrying a small leather briefcase. The man had a whaler's beard of blond-red hair that looked slightly out of period, but the costume managed to overpower it. "Dr. Lord?" Malone said. The bearded man peered at him. "Ah, Sir Kenneth," he said. "Yes, yes. Just been giving Her Majesty a few tests. Normal weekly check, you know." "I know," Malone said. "Any change?" "Change?" Lord said. "In Her Majesty? Sir Kenneth, you might as well expect the very rocks to change. Her Majesty remains Her Majesty--and will, in all probability, throughout the foreseeable future." "The same as ever?" Malone asked hopefully. "Exactly," Lord said. "But--if you do want background on the case--I'm flying back to New York tonight. Look me up there, if you have a chance. I'm afraid there's little information I can give you, but it's always a pleasure to talk with you." "Thanks," Malone said dully. "Barrow Street," Lord said with a cheery wave of the briefcase. "Number 69.
Randall Garrett (The Best of Randall Garrett: 43 Novels and Short Stories (Unexpurgated Edition) (Halcyon Classics))
He had on a red sleeveless jumpsuit, black shirt with bell sleeves, high-heeled black patent leather boots with black laces. A full-length black leather trench coat hung open.
Robert B. Parker (The Godwulf Manuscript (Spenser, #1))
approaching her. “She’s-she’s out, I guess,” the girl replied, trying to sound confident but not succeeding. “But she should be back real soon.” The old man smiled again, more of a sneer, as he wavered slightly. “And that little shit brother of yours?” demanded her stepfather. “Where’s he at?” “I-I don’t know,” she mumbled. “No one was home when I got here.” “So it’s just you and me, huh, kiddo?” he mused, scratching his stubble thoughtfully as his cold bleary eyes wandered over the forms of her body beneath her thin, yellow sundress. “I’m sure Mom will be back real soon,” she repeated tearfully as she shrunk into the corner, shivering with terror. The old man grinned at her for a few seconds, then stepped back and pushed the door shut. As he returned, he started unbuttoning his jeans and retorted, “Well, girly, real soon is just not soon enough for me today. You’re just gonna have to fill your mama’s shoes.” The boy rolled away from the grill, not wanting to see what was taking place. His sister shrieked and several slaps were heard amidst a muttered “Quiet, little lady.” Covering his ears, the youngster cowered in the darkness and silently wept with frustration. But, what could he do? He was only ten. After a minute or two, the boy heard the bedroom door below swing open and slam shut and everything grew quiet. With tears in his eyes, he crawled forward and once again peered down through the grill. Their stepfather was gone but his sister was still there, lying on the bed, whimpering and shaking uncontrollably. Her dress was ripped and he could see her exposed breasts, scratched and bruised. Her left eye, just above the cheekbone, was already starting to swell from when the pig had hit her and the sheets were spattered with blood. He began to soundlessly weep once more as he vowed that he would get even when he was older. Chapter 1 - Tuesday, June 25, 1996 8:00 p.m. Sandy was at school, her last night of the spring term and would not be home for a while. She had mentioned that she would be going for a drink or two after class with a few fellow students to celebrate the completion of another semester. She would therefore most likely not be home before midnight. She never was on such occasions as she enjoyed these mini social events. With Sandy out, he was alone for the evening but this had never proved to be a problem in the past and this night would not be any different. He was perfectly capable of looking after himself and could always find a way to occupy his time. He pulled on some black Levi’s and a dark t-shirt, slipped into his black Reeboks and laced them securely. Leaving the bedroom, he descended to the main floor, headed for the foyer closet and retrieved his black leather jacket. No studs or chains, just black leather. He slipped into the coat and donned
Claude Bouchard (THE VIGILANTE SERIES 1-6)
At Cold Corner in midwinter, the women of the Snow Clan were waging a cold war against the men. They trudged about like ghosts in their whitest furs, almost invisible against the new-fallen snow, always together in female groups, silent or at most hissing like angry shades. They avoided Godshall with its trees for pillars and walls of laced leather and towering pine-needle roof.
Fritz Leiber (Swords and Deviltry (Lankhmar, 1))
Yet he saw no familiar faces, no honor guard waiting to escort him from Lordsport to Pyke, only smallfolk going about their small business. Shorehands rolled casks of wine off the Tyroshi trader, fisherfolk cried the day’s catch, children ran and played. A priest in the seawater robes of the Drowned God was leading a pair of horses along the pebbled shore, while above him a slattern leaned out a window in the inn, calling out to some passing Ibbenese sailors. A handful of Lordsport merchants had gathered to meet the ship. They shouted questions as the Myraham was tying up. “We’re out of Oldtown,” the captain called down, “bearing apples and oranges, wines from the Arbor, feathers from the Summer Isles. I have pepper, woven leathers, a bolt of Myrish lace, mirrors for milady, a pair of Oldtown woodharps sweet as any you ever heard.” The gangplank descended with a creak and a thud. “And I’ve brought your heir back to you.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
white satin and lace, Louisa Marie Honeycutt dove into the waiting limousine, slid across the expansive leather seat, then with a furtive look out the tinted window, issued the desperate order again. Befuddled, her driver started to protest. “But—
Rhonda Nelson (Double Dare)
He still cares for you. His reaction wouldn’t be nearly so violent if he was indifferent to you.
Maggie Adams (Leather and Lace (Tempered Steel, #2))
A long, supple shape streaked through the doorway and paused. It was Dodger, who caught sight of Poppy, did a few hops of joy, and raced to her. “Dodger,” Poppy exclaimed, almost happy to see the ferret. He loped to her, regarded her with bright eyes and chirped happily as she petted him. After a moment, he left her lap and stole toward Miss Marks. The companion glanced at him sternly. “Don’t come near me, you loathsome weasel.” Undeterred, he stopped by her feet and executed a slow roll, showing her his belly. It was a source of amusement to the Hathaways that Dodger adored Miss Marks, no matter that she despised him. “Go away,” she told him, but the lovestruck ferret continued his efforts to entice her. Sighing, she reached down and removed one of her shoes, a sturdy black leather affair that laced up to the ankle. “It’s the only way to keep him quiet,” she said dourly. Immediately, the ferret’s chatter ceased, and he buried his head inside the shoe. Suppressing
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
Nothing means anything without you. I want you however you come—broken, messed up, in leather, lace, satin, cotton pajamas . . . However you are, it’s just you I want.
Helena Hunting (Pucked Love (Pucked, #6))
Some years ago I took a copy of God’s “whoever” policy to California. I wanted to show it to my Uncle Billy. He’d been scheduled to visit my home, but bone cancer had thwarted his plans. My uncle reminded me much of my father: squared like a blast furnace, ruddy as a leather basketball. They shared the same West Texas roots, penchant for cigars, and blue-collar work ethic. But I wasn’t sure if they shared the same faith. So after several planes, two shuttles, and a rental-car road trip, I reached Uncle Billy’s house only to learn he was back in the hospital. No visitors. Maybe tomorrow. He felt better the next day. Good enough to come home. I went to see him. Cancer had taken its toll and his strength. The recliner entombed his body. He recognized me yet dozed as I chatted with his wife and friends. He scarcely opened his eyes. People came and went, and I began to wonder if I would have the chance to ask the question. Finally the guests stepped out onto the lawn and left me alone with my uncle. I slid my chair next to his, took his skintaut hand, and wasted no words. “Bill, are you ready to go to heaven?” His eyes, for the first time, popped open. Saucer wide. His head lifted. Doubt laced his response: “I think I am.” “Do you want to be sure?” “Oh yes.” Our brief talk ended with a prayer for grace. We both said “amen,” and I soon left. Uncle Billy died within days. Did he wake up in heaven? According to the parable of the eleventh-hour workers, he did.
Max Lucado (3:16: The Numbers of Hope)
His fingers moved deeper and I thought that the dye may have given me new nerve endings because every hair prickled up to his touch. "We're sensualists, aren't we?" "Sensualists?" He lowered his hand to my neck and pulled me so close our foreheads touched. "What do you mean?" I asked, the tips of my lips- just slightly- against his. "Sensualism..." he repeated in his bizarre accent. He didn't press his lips against mine and I didn't dare press back. We let our mouths push and graze as we spoke. "We are passionate, you and I. We know how to give in to our senses." Then I felt the full heat of his mouth on mine and I lapped him up greedily, my hands grabbing his face and hair and shoulders. I had never thought of myself as much of a sensualist. I was a writer, a rationalist in a sensualist world. I was always worrying about what other people thought of me and more often than not I liked the company of babies and dogs instead of humans my own age. But what's rational about a man's lips on you, when he's touching you in a way that makes you feel the exquisite pleasure of belonging? Everything else is a distraction. We tussled with our shirts off, until he pulled me on top of him and slid his hands from under my hair, to my shoulders, down to my arms, and finally to the place where the top of my pants met my skin. "Leather pants, you little minx. Shall we have an encore?" he asked. By now my hair was a wild mess. I was red from the wine. The lights were sort of dark, but not dark enough. I was wearing some Kiki Montparnasse lingerie, black lace with tiny bows that were at once sweet and not so sweet. You could even describe them as naughty. He let the tip of one finger move around the edge of my pants. When he got to the button, he made a flicking motion that stressed its hold. The critical button.
Jessica Tom (Food Whore)