Leap Into The Unknown Quotes

Caged Bird A free bird leaps on the back of the wind and floats downstream till the current ends and dips his wing in the orange suns rays and dares to claim the sky. But a bird that stalks down his narrow cage can seldom see through his bars of rage his wings are clipped and his feet are tied so he opens his throat to sing. The caged bird sings with a fearful trill of things unknown but longed for still and his tune is heard on the distant hill for the caged bird sings of freedom. The free bird thinks of another breeze and the trade winds soft through the sighing trees and the fat worms waiting on a dawn-bright lawn and he names the sky his own. But a caged bird stands on the grave of dreams his shadow shouts on a nightmare scream his wings are clipped and his feet are tied so he opens his throat to sing. The caged bird sings with a fearful trill of things unknown but longed for still and his tune is heard on the distant hill for the caged bird sings of freedom.

Was there no safety? No learning by heart of the ways of the world? No guide, no shelter, but all was miracle, and leaping from the pinnacle of a tower into the air? Could it be, even for elderly people, that this was life?--startling, unexpected, unknown?

On September 11, I went out and bought a new TV/VCR at Best Buy so I could record the news coverage of the planes crashing into the Twin Towers. Trevor was on a honeymoon in Barbados, I'd later learn, but Reva was lost. Reva was gone. I watched the videotape over and over to soothe myself that day. And I continue to watch it, usually on a lonely afternoon, or any other time I doubt that life is worth living, or when I need courage, or when I am bored. Each time I see the woman leap off the seventy-eighth floor of the North Tower—one high-heeled shoe slipping off and hovering up over her, the other stuck on her foot as though it were too small, her blouse untucked, hair flailing, limbs stiff as she plummets down, one arm raised, like a dive into a summer lake—I am overcome by awe, not because she looks like Reva, and I think it's her, almost exactly her, and not because Reva and I had been friends, or because I'll never see her again, but because she is beautiful. There she is, a human being, diving into the unknown, and she is wide awake.

Vulnerability doesn’t come after trust—it precedes it. Leaping into the unknown, when done alongside others, causes the solid ground of trust to materialize beneath our feet.

But the act, called the sexual act, is not for the depositing of seed. It is for leaping off into the unknown, as from a cliff's edge, like Sappho into the sea.

But you can’t be a scientist if you’re uncomfortable with ignorance, because scientists live at the boundary between what is known and unknown in the cosmos. This is very different from the way journalists portray us. So many articles begin, “Scientists now have to go back to the drawing board.” It’s as though we’re sitting in our offices, feet up on our desks—masters of the universe—and suddenly say, “Oops, somebody discovered something!” No. We’re always at the drawing board. If you’re not at the drawing board, you’re not making discoveries. You’re not a scientist; you’re something else. The public, on the other hand, seems to demand conclusive explanations as they leap without hesitation from statements of abject ignorance to statements of absolute certainty.

If you stick to the familiar, you won’t find the unexpected. Those who get ahead in this century will dance with the great unknown and find danger, rather than comfort, in the status quo.

We are all born to fly. Instead, we sit on the branches afraid of the leap into the unknown. But the unknown is where enlightenment lives. Our true nature is the unknown.

A handwritten letter carries a lot of risk. It's a one-sided conversation that reveals the truth of the writer. Furthermore, the writer is not there to see the reaction of the person he writes to, so there's a great unknown to the process that requires a leap of faith. The writer has to choose the right words to express his sentences, and then, once he has sealed the envelope, he has to place those thoughts in the hands of someone else, trusting that the feelings will be delivered, and that the recipient will understand the writer's intent. How childish to think that could be easy.

Faith smothers your fear of the unknown. Faith allows you to take risks. Faith is the stuff of “leap and the net will appear.”     Faith is your best buddy when you’re scared shitless.

At the edge of heartbreak, we both take a leap into the unknown...That's when we see it, a buoy callled friendship.

When you loved someone, you couldn’t hold back. Love was a leap into the unknown, not a cautious dipping of the toe.

He began to read at haphazard. He entered upon each system with a little thrill of excitement, expecting to find in each some guide by which he could rule his conduct; he felt himself like a traveller in unknown countries and as he pushed forward the enterprise fascinated him; he read emotionally, as other men read pure literature, and his heart leaped as he discovered in noble words what himself had obscurely felt.

This is not an easy time, love, and yet … In order to leap and land, you must leap, And in that moment of leaping, there may be No solid ground, no safety rail, But in that moment you fly.

When you have come to the edge of all that you know and are about to drop off into the darkness of the unknown, faith is knowing that one of two things will happen,’ the Warmaster had told him. ‘And what are they?’ he had asked. ‘That there will be something solid to stand on or you’ll be taught to fly,’ laughed Horus as he jumped.

There are times when the midsummer sun strikes cold, and when the leaping flames of a hearthfire give no heat. Times when the chill within us comes not from fears we know, but from fears unknown-and forever unknowable.

The most difficult part of being a mother was to observe the mistakes of one's children: the foolish loves, the desperate solitude and alienation, the lack of will, the gullibility, the joyous and naive leaps into the unknown, the ignorance, the panicky choices and the utter determination.

If something happens that is highly unusual, and no explanation is readily available, isn’t “I don’t know” the only appropriate response? How can we justify leaping to the extraordinary conclusion that an unexplained event is the work of a god? Unknown means unknown.

It's an obvious challenge, but the risk feels too big, the leap too grand, the future too unknown

Take a leap into the unknown. I'll be here to catch you.

Some of them stole off to those cryptical realms which are known only to cats and which villagers say are on the moon's dark side, whither the cats leap from tall housetops; but one small black kitten crept upstairs and sprang in Carter's lap to purr and play, and curled up near his feet when he lay down at last on the little couch whose pillows were stuffed with fragrant drowsy herbs.

From the vast, invisible ocean of moonlight overhead fell, here and here, a slender, broken stream that seemed to plash against the intercepting branches and trickle to earth, forming small white pools among the clumps of laurel. But these leaks were few and served only to accentuate the blackness of his environment, which his imagination found it easy to people with all manner of unfamiliar shapes, menacing, uncanny, or merely grotesque. He to whom the portentous conspiracy of night and solitude and silence in the heart of a great forest is not an unknown experience needs not to be told what another world it all is - how even the most commonplace and familiar objects take on another character. The trees group themselves differently; they draw closer together, as if in fear. The very silence has another quality than the silence of the day. And it is full of half-heard whispers, whispers that startle - ghosts of sounds long dead. There are living sounds, too, such as are never heard under other conditions: notes of strange night birds, the cries of small animals in sudden encounters with stealthy foes, or in their dreams, a rustling in the dead leaves - it may be the leap of a wood rat, it may be the footstep of a panther. What caused the breaking of that twig? What the low, alarmed twittering in that bushful of birds? There are sounds without a name, forms without substance, translations in space of objects which have not been seen to move, movements wherein nothing is observed to change its place. Ah, children of the sunlight and the gaslight, how little you know of the world in which you live! ("A Tough Tussle")

I was responding to earlier loving messages from my parents, hundreds of them, which said, “You are a beautiful and beloved individual. It is good to be you. We will love you no matter what you do, as long as you are you.” Without that security of my parents’ love reflected in my own self-love, I would have chosen the known instead of the unknown and continued to follow my parents’ preferred pattern at the extreme cost of my self’s basic uniqueness. Finally, it is only when one has taken the leap into the unknown of total selfhood, psychological independence and unique individuality that one is free to proceed along still higher paths of spiritual growth and free to manifest love in its greatest dimensions. As long as one marries, enters a career or has children to satisfy one’s parents or the expectations of anyone else, including society as a whole, the commitment by its very nature will be a shallow one. As long as one loves one’s children primarily because one is expected to behave in a loving manner toward them, then the parent will be insensitive to the more subtle needs of the children and unable to express love in the more subtle, yet often most important ways. The highest forms of love are inevitably totally free choices and not acts of conformity.

The most remarkable leaps into the unknown are often not fully appreciated,

It was a talking picture, one in which I heard the voice of my mother, and then my father's - always affectionate and kind - and the barking of Clara, his gun-dog, calling me into the garden to play. The boys and girls of my childhood, the ones I had played with during the happiest days of my life. All this - this film I was watching without ever having meant to see it, this magic lantern that my subconscious had lit against my will - all this filled the night of waiting before the leap into the great unknown with sweet, gentle memories and emotions

Hiccup had made leaps such as these all his life. Leaps of faith, leaps of hope, leaps out into the unknown. Hiccup had always trusted in his luck, in his faith that the universe was ultimately kindly, a Good Egg, as Stoick would put it, rather than a Bad Egg, and would reach out and save him. But this was more of a leap of despair.

The bowl that emerged was one of those gifts whose first impact produces in the recipient's mind a colored image, a blazoned blur, reflecting with such emblematic force the sweet nature of the donor that the tangible attributes of the thing are dissolved, as it were, in this pure inner blaze, but suddenly and forever leap into brilliant being when praised by an outsider to whom the true glory of the object is unknown.

Any thoughts of being with Parker were long gone, and I knew it was because of my feelings for Travis. I thought about the different paths my life would take from that moment—trusting Travis with a leap of faith and risking the unknown, or pushing him away and knowing exactly where I would end up, which included a life without him—either decision terrified me.

What was it then? What did it mean? Could things thrust their hands up and grip one; could the blade cut; the fist grasp? Was there no safety? No learning by heart of the ways of the world? No guide, no shelter, but all was miracle, and leaping from the pinnacle of the tower into the air? Could it be, even for elderly people, that this was life?—startling, unexpected, unknown? For one moment she felt that if they both got up, here, now on the lawn, and demanded an explanation, why it was so short, why was it so inexplicable, said it with violence, as two fully equipped human beings from whom nothing should be hid might speak, then, beauty would roll itself up; the space would fill; those empty flourishes would form into shape; if they shouted loud enough Mrs. Ramsay would return. “Mrs. Ramsay!” she said aloud, “Mrs. Ramsay!” The tears ran down her face.

We make things happen when we make the choice to shift from denying of the unknown to starting.

Perhaps you feel the stirrings of a wild feminine creature within, a long to leap out of the fishbowl of familiarity into the turbulent unknown.

The move to separate from the EU is not a step backward onto firm ground, but a leap into the unknown.

We all reach a point that is the limit of our understanding. When we stare over the precipice of uncertainty and into the dark unknown that we cannot explain with hard evidence, that is when we trade understanding for belief. At best, we make an educated guess. At worst, we make blind leaps of faith.

Despite the fact that logic tells us that we should not trust anyone, in any situation where the unknown variables are too many or the risks too high, we nevertheless go ahead and take what can only be called a leap of faith.

Make uncertainty your ally, not your enemy. All leaps forward depend on reaching into the unknown. Once you see the unknown as the source of creativity, you no longer fear it. Instead, you welcome the fact that life renews itself in unexpected ways.

She looked now at the drawing-room step. She saw, through William’s eyes, the shape of a woman, peaceful and silent, with downcast eyes. She sat musing, pondering (she was in grey that day, Lily thought). Her eyes were bent. She would never lift them. . . . [N]o, she thought, one could say nothing to nobody. The urgency of the moment always missed its mark. Words fluttered sideways and struck the object inches too low. Then one gave it up; then the idea sunk back again; then one became like most middle-aged people, cautious, furtive, with wrinkles between the eyes and a look of perpetual apprehension. For how could one express in words these emotions of the body? Express that emptiness there? (She was looking at the drawing-room steps; they looked extraordinarily empty.) It was one’s body feeling, not one’s mind. The physical sensations that went with the bare look of the steps had become suddenly extremely unpleasant. To want and not to have, sent all up her body a hardness, a hollowness, a strain. And then to want and not to have – to want and want – how that wrung the heart, and wrung again and again! Oh, Mrs. Ramsay! she called out silently, to that essence which sat by the boat, that abstract one made of her, that woman in grey, as if to abuse her for having gone, and then having gone, come back again. It had seemed so safe, thinking of her. Ghost, air, nothingness, a thing you could play with easily and safely at any time of day or night, she had been that, and then suddenly she put her hand out and wrung the heart thus. Suddenly, the empty drawing-room steps, the frill of the chair inside, the puppy tumbling on the terrace, the whole wave and whisper of the garden became like curves and arabesques flourishing round a centre of complete emptiness. . . . A curious notion came to her that he did after all hear the things she could not say. . . . She looked at her picture. That would have been his answer, presumably – how “you” and “I” and “she” pass and vanish; nothing stays; all changes; but not words, not paint. Yet it would be hung in the attics, she thought; it would be rolled up and flung under a sofa; yet even so, even of a picture like that, it was true. One might say, even of this scrawl, not of that actual picture, perhaps, but of what it attempted, that it “remained for ever,” she was going to say, or, for the words spoken sounded even to herself, too boastful, to hint, wordlessly; when, looking at the picture, she was surprised to find that she could not see it. Her eyes were full of a hot liquid (she did not think of tears at first) which, without disturbing the firmness of her lips, made the air thick, rolled down her cheeks. She had perfect control of herself – Oh, yes! – in every other way. Was she crying then for Mrs. Ramsay, without being aware of any unhappiness? She addressed old Mr. Carmichael again. What was it then? What did it mean? Could things thrust their hands up and grip one; could the blade cut; the fist grasp? Was there no safety? No learning by heart of the ways of the world? No guide, no shelter, but all was miracle, and leaping from the pinnacle of a tower into the air? Could it be, even for elderly people, that this was life? – startling, unexpected, unknown? For one moment she felt that if they both got up, here, now on the lawn, and demanded an explanation, why was it so short, why was it so inexplicable, said it with violence, as two fully equipped human beings from whom nothing should be hid might speak, then, beauty would roll itself up; the space would fill; those empty flourishes would form into shape; if they shouted loud enough Mrs. Ramsay would return. “Mrs. Ramsay!” she said aloud, “Mrs. Ramsay!” The tears ran down her face.

Now to life...I grant you the ability to give, to take, to expedite, to wander, to love, to hate, to charge, to expend... All of life is beautiful for what it makes of us. With only this single shot, let us leap into the unknown with our eyes open and our hearts ready.

A leap of faith means hurdling into the unknown, and believing in our hearts that we will make it to the other side, despite not yet knowing what the other side is going to look like. It is taking bold action in spite of the fact that this action is forcing us out of our familiar territory, and our comfort zones. It also means taking action even though we cannot foresee the results or consequences of our choice. To do this requires both faith and courage!

Those who advocated Brexit, the departure of the United Kingdom from the European Union, imagined a British nation-state, though such a thing never existed. There was a British Empire, and then there was Britain as a member of the European Union. The move to separate from the EU is not a step backward onto firm ground, but a leap into the unknown.

Changing your life and leaping into the unknown is an optimistic pursuit, but so is staying put and making the most of what you already have.

Books open a realm to a world beyond our own, all one has to do is take a leap of faith, open one, and step through the gate, passed the veil of myth on into the unknown.

The unknown is simply the Divine in motion, ready to take your hand.

Don't be afraid to start over ... because it is in that leap to the unknown where you will find your wings.

Human beings would often rather adapt to the fun-free familiar instead of risking the unknown. Until (and unless) the familiar becomes so unbearable that they’re willing to risk taking the leap into the void of change.

It’s natural for people to protect what they know instead of leaping into the unknown, and managers are no exception. Managers might even be worse, as the politics they rely on to survive can make them more entrenched and defensive.

Pay attention to your dreams and follow them closely to where they may lead you. No matter how crazy or seemingly impossible they appear — to you or the world. Yet, be open to the possibility that the road, even the destination will likely be different than what you had imagined. Then it matters not what actually happens. For the journey becomes the destination, constantly metamorphosing with each and every step along the way. You see, taking a bold leap into the unknown means trusting that you will either land on a feathered bed or you will come to realise that you can fly, perhaps toward undreamed of heights. This, as I conceive, is what flowing through a full life entails: Acknowledging the risks of seeking to materialise your dreams, courageously embracing the uncertainty rather than fearing it, and confidently going for the jump anyway. Abandon the comfort. Float away. Adjust the sails according to the Winds of Change.

I'll tell you what I miss. I miss that throbbing heart telling me to take a leap when the sky looks too dark. I miss the walk that I took in the narrow cobblestoned pathways that fumed of history and undying stories of love and loss. I miss the coffee that scented like mist in a frozen dream in a land of strange beauty. I miss the afternoon tea that followed my pen to hours of happy melancholy. I miss the muse I saw dance in a foreign land of near heart. I miss the stranger smiling at me from a corner and teaching me his language to smile at my twinkled happiness. I miss that symphony of mad evenings ending in a sky full of stars to fill my soul with an unknown ecstasy. I miss that hand of an old woman trying to tell me her story. I miss that child running up to me in a crowd of unknown faces to hand me her candy. I miss that night where I lay back on a distant balcony gazing at the solitary moon for hours knowing that it is shining at my homeland just as bright. I miss that stranger listening to my heart and telling me how beautiful it is. I miss a wandering soul, who went on filling her breath with life of eternal love in the wings of Life. And I'll tell you now when I look back I see how wonderful Time has treated me and how grateful I am to have lived in moments that roar of a beautiful Life lived with a heart throbbing to take a leap once again in that ocean of Life's beguiling journey.

And it occurs to me that I do not have to be fearless. Sometimes worry stays beneath your fur, in the small spaces that fear likes to hide - but I do believe that, with the right human by your side, it's possible to leap fearlessly into the unknown.

Though the Christian has no immunity from death and no claim to perpetual life on this planet, death is to him a friend rather than a foe, the beginning rather than the end, another step on the pathway to heaven rather than a leap into a dark unknown.

Was there no safety? No learning by heart of the ways of the world? No guide, no shelter, but all was miracle, and leaping from the pinnacle of a tower into the air? Could it be, even for elderly people, that this was life?—startling, unexpected, unknown?

We are like that. Each one of us no more than a tiny glimmering things, a sparkling droplet on the waves of time which flow past beneath us into an unknown, misty future. We leap up, look around us and, before we know it, we vanish again. We can hardly be seen in the Great River of time. New drops keep rising to the surface. And what we call our fate is no more than our struggle in that great multitude of droplets in the rise and fall of one wave. But we must make use of that moment. It is worth the effort.

And it entered my strictured heart, this morning, slightly, shyly as if warily, untamed, a greater sense of the sweetness and plenty of his ongoing life, unknown to me, unseen by me, unheard by me, untouched by me, but known by others, seen by others, heard, touched.

In the parking lot, she drove and parked in a dark area with no other cars around. She reclined her seat, and listened to music. Outside there were trees, a ditch, a bridge; another parking lot. It was very dark. Maybe the Sasquatch would run out from the woods. Chelsea wouldn’t be afraid. She would calmly watch the Sasquatch jog into the ditch then out, hairy and strong and mysterious—to be so large yet so unknown; how could one cope except by running?—smash through some bushes, and sprint, perhaps, behind Wal-Mart, leaping over a shopping cart and barking. Did the Sasquatch bark? It used to alarm Chelsea that this might be all there was to her life, these hours alone each day and night—thinking things and not sharing them and then forgetting—the possibility of that would shock her a bit, trickily, like a three-part realization: that there was a bad idea out there; that that bad idea wasn’t out there, but here; and that she herself was that bad idea. But recently, and now, in her car, she just felt calm and perceiving, and a little consoled, even, by the sad idea of her own life, as if it were someone else’s, already happened, in some other world, placed now in the core of her, like a pillow that was an entire life, of which when she felt exhausted by aloneness she could crumple and fall towards, like a little bed, something she could pretend, and believe, even (truly and unironically believe; why not?), was a real thing that had come from far away, through a place of no people, a place of people, and another place of no people, as a gift, for no occasion, but just because she needed—or perhaps deserved; did the world try in that way? to make things fair?—it.

This is not to deny that you may encounter intense inner resistance to disidentifying from your pain. This will be the case particularly if you have lived closely identified with your emotional pain-body for most of your life and the whole or a large part of your sense of self is invested in it. What this means is that you have made an unhappy self out of your pain-body and believe that this mind-made fiction is who you are. In that case, unconscious fear of losing your identity will create strong resistance to any disidentification. In other words, you would rather be in pain — be the pain-body — than take a leap into the unknown and risk losing the familiar unhappy self.

Something about the idea of a tower that headed straight down played with a twinned sensation of vertigo and a fascination with structure. I could not tell which part I craved and which I feared, and I kept seeing the inside of nautilus shells and other naturally occurring patterns balanced against a sudden leap off a cliff into the unknown

When I first met Hao, I thought of him as unusual and discounted the possibility that the sorts of ideas he espoused and incarnated could be representative of much of anything beyond his own gruff and often cynical persona. But I would learn that his brand of free-spoken disaffection from the system back home was widespread among China’s new emigrants. To be sure, a desire for better economic opportunities was the biggest driver behind their exodus. Still, contributing to the decision for many to take a great leap into the unknown and move to Africa was a weariness with omnipresent official corruption back home, fear of the impact of a badly polluted environment on their health, and a variety of constraints on freedoms, including religion and speech. Many migrants also invoked a sheer lack of space.

The opposite of samsara is when the walls fall down, the cocoon completely disappears, and we are totally open to whatever may happen, with no withdrawing, no centralizing into ourselves. That is what we aspire to, the warrior's journey. That's what stirs us and inspires us: leaping, being thrown out of the nest, going through initiation rites, growing up, stepping into something that's uncertain and unknown.

Konnor said a silent prayer and made his move. He slid his hand over the curve of Grayson's neck and took the gigantic leap into the unknown. He kissed him. A few braincells died the moment Grayson kissed him back. Then a few more, when those perfect lips he'd been admiring for the last six months opened beneath his kiss. He kissed Grayson the way he'd always wanted to kiss him, teasing those parted lips with a lick of appreciation before slipping his tongue into his mouth. A tongue brushed his and he moaned at the little shots of pleasure that coursed through his whole body. Kissing Grayson was better than any sex with Tam. Just as he'd always known it would be. He had always found kissing to be such an intimate thing, so delicious and nerve shattering. No physical thing could say what a kiss could; not in his mind.

I’m about to head out the door to meet Hannah for coffee. Laura has texted asking if I want to take another improv course with her next month, and I’ve said yes. I’m reading the next book for our book club. Paul and his girlfriend are coming over for dinner next week. Sam and I are going to make Thanksgiving at ours an annual tradition. Claude and I are email pen pals now, and he always signs off, ‘I hope that you are well and that you do nice things,’ which I like very much. Lily and Vivian are trying to persuade me to perform comedy again. Probably I’ll just go along to their gigs and cheer them on. And there’s nothing wrong with that. I have a tiny little social life. A new way to experience the world when I want to. I really like my comfort zone, but I also know I’ll be OK if I leap into the unknown or the scary for a little while.

The self is ever listening and self-seeking; it compares, compels, conquers, and destroys. It rules and is also the I’s ruler. Behind your thoughts and feelings, my brother, there stands a mighty commander, an unknown wise man-he is called self . . . Your self laughs at your ego and its proud leaps. 'What are these leaps and flights to me?' it says to itself. 'A detour to my purpose. I am the leading reins of the I and the prompter of its conception.

The self is ever listening and self-seeking; it compares, compels, conquers, and destroys. It rules and is also the I’s ruler. Behind your thoughts and feelings, my brother, there stands a mighty commander, an unknown wise man-he is called self . . . Your self laughs at your ego and its proud leaps. 'What are these leaps and flights to me?' it says to itself. 'A detour to my purpose. I am the leading reins of the I and the prompter of its conception.

You inhabit the land you know, pragmatically and conceptually. But imagine what lies just outside of that. There exists an immense space of things you do not know, but which other people might comprehend, at least in part. Then, outside of what anyone knows, there is the space of things that no one at all knows. Your world is known territory, surrounded by the relatively unknown, surrounded by the absolutely unknown—surrounded, even more distantly, by the absolutely unknowable. Together, that is the canonical, archetypal landscape. The unknown manifests itself to you in the midst of the known. That revelation—sometimes exciting, but often quite painful—is the source of new knowledge. But a fundamental question remains: How is that knowledge generated? What is comprehended and understandable does not just leap in one fell swoop from the absolutely unknown to the thoroughly and self-evidently articulated. Knowledge must pass through many stages of analysis—a multitude of transformations—before it becomes, let us say, commonplace.

I’ve heard that when you’re in a life-or-death situation, like a car accident or a gunfight, all your senses shoot up to almost superhuman level, everything slows down, and you’re hyper-aware of what’s happening around you. As the shuttle careens toward the earth, the exact opposite is true for me. Everything silences, even the screams and shouts from the people on the other side of the metal door, the crashes that I pray aren’t bodies, the hissing of rockets, Elder’s cursing, my pounding heartbeat. I feel nothing—not the seat belt biting into my flesh, not my clenching jaw, nothing. My whole body is numb. Scent and taste disappear. The only thing about my body that works is my eyes,and they are filled with the image before them. The ground seems to leap up at us as we hurtle toward it. Through the blurry image of the world below us, I see the outline of land—a continent. And at once, my heart lurches with the desire to know this world, to make it our home. My eyes drink up the image of the planet—and my stomach sinks with the knowledge that this is a coastline I’ve never seen before. I could spin a globe of Earth around and still be able to recognize the way Spain and Portugal reach into the Atlantic, the curve of the Gulf of Mexico, the pointy end of India. But this continent—it dips and curves in ways I don’t recognize, swirls into an unknown sea, creating peninsulas in shapes I do not know, scattering out islands in a pattern I cannot connect. And it’s not until I see this that I realize: this world may one day become our home,but it will never be the home I left behind.

Jess Pepper's review of the Avalon Strings: 'In a land so very civilized and modern as ours, it is unpopular to suggest that the mystical isle of Avalon ever truly existed. But I believe I have found proof of it right here in Manhattan. To understand my reasoning, you must recall first that enchanting tale of a mist-enshrouded isle where medieval women--descended from the gods--spawned heroic men. Most notable among these was the young King Arthur. In their most secret confessions, these mystic heroes acknowledged Avalon, and particularly the music of its maidens, as the source of their power. Many a school boy has wept reading of Young King Arthur standing silent on the shore as the magical isle disappears from view, shrouded in mist. The boy longs as Arthur did to leap the bank and pilot his canoe to the distant, singing atoll. To rejoin nymphs who guard in the depths of their water caves the meaning of life. To feel again the power that burns within. But knowledge fades and memory dims, and schoolboys grow up. As the legend goes, the way became unknown to mortal man. Only woman could navigate the treacherous blanket of white that dipped and swirled at the surface of the water. And with its fading went also the music of the fabled isle. Harps and strings that heralded the dawn and incited robed maidens to dance evaporated into the mists of time, and silence ruled. But I tell you, Kind Reader, that the music of Avalon lives. The spirit that enchanted knights in chain mail long eons ago is reborn in our fair city, in our own small band of fair maids who tap that legendary spirit to make music as the Avalon Strings. Theirs is no common gift. Theirs is no ordinary sound. It is driven by a fire from within, borne on fingers bloodied by repetition. Minds tormented by a thirst for perfection. And most startling of all is the voice that rises above, the stunning virtuoso whose example leads her small company to higher planes. Could any other collection of musicians achieve the heights of this illustrious few? I think not. I believe, Friends of the City, that when we witnes their performance, as we may almost nightly at the Warwick Hotel, we witness history's gift to this moment in time. And for a few brief moments in the presence of these maids, we witness the fiery spirit that endured and escaped the obliterating mists of Avalon.

A flamenco dancer, lurking under a shadow, prepares of the terror of her dance. Somebody has wounded her with words, alluding to the fact that she has no fire, or ‘duende’. She knows she has to dance her way past her limitations, and that this may destroy her forever. She has to fail, or she has to die. I want to dwell for a little while on this dancer because, though a very secular example, she speaks very well for the power of human transcendence. I want you to imagine this frail woman. I want you to see her in deep shadow, and fear. When the music starts, she begins to dance, with ritual slowness. Then she stamps out the dampness from her soul. Then she stamps fire into her loins. She takes on a strange enchanted glow. With a dark tragic rage, shouting, she hurls her hungers, her doubts, her terrors, and her secular prayer for more light into the spaces around her. All fire and fate, she spins her enigma around us, and pulls into the awesome risk of her dance. She is taking herself apart before our sceptical gaze. She is disintegrating, shouting and stamping and dissolving the boundaries of her body. Soon, she becomes a wild unknown force, glowing in her death, dancing from her wound, dying in her dance. And when she stops – strangely gigantic in her new fiery stature – she is like one who has survived the most dangerous journey of all. I can see her now as she stands shining in celebration of her own death. In the silence that follows, no one moves. The fact is that she has destroyed us all. Why do I dwell on this dancer? I dwell on her because she represents for me the courage to go beyond ourselves. While she danced she became the dream of the freest and most creative people we had always wanted to be, in whatever it is we do. She was the sea we never ran away to, the spirit of wordless self-overcoming we never quite embrace. She destroyed us because we knew in our hearts that rarely do we rise to the higher challenges in our lives, or our work, or our humanity. She destroyed us because rarely do we love our tasks and our lives enough to die and thus be reborn into the divine gift of our hidden genius. We seldom try for that beautiful greatness brooding in the mystery of our blood. You can say in her own way, and in that moment, that she too was a dancer to God. That spirit of the leap into the unknown, that joyful giving of the self’s powers, that wisdom of going beyond in order to arrive here – that too is beyond words. All art is a prayer for spiritual strength. If we could be pure dancers in spirit, we would never be afraid to love, and we would love with strength and wisdom. We would not be afraid of speech, and we would be serene with silence. We would learn to live beyond words, among the highest things. We wouldn't need words. Our smile, our silences would be sufficient. Our creations and the beauty of our functions would be enough. Our giving would be our perpetual gift.

Faith is a curious liberty in Twelve Step groups, considering how much latitude we are given. If you have an outrageous Higher Power concept you might get some laughs but you won’t get picketed by evangelists. For some of us, Faith in a Higher Power is intuitive. It is felt so strongly it doesn’t have to be articulated to be believed. Some of us don’t need a creator to explain the unknown; the universe is fascinating enough. Just coming to a second meeting was an extreme leap of Faith for any of us. The program looked like quackery but we hoped something would rub off and relieve our temptation to relapse. We may have attended the first meeting out of morbid curiosity or as part of a negotiation to get the heat off. But coming back—that takes Faith.

But I attach myself only to names and faces; and hoard them like amulets against disaster. I choose out across the hall some unknown face and can hardly drink my tea when she whose name I do not know sits opposite. I choke. I am rocked from side to side by the violence of my emotion. I imagine these nameless, these immaculate people, watching me from behind bushes. I leap high to excite their admiration. At night, in bed, I excite their complete wonder. I often die pierced with arrows to win their tears. If they should say, or I should see from a label in their boxes, that they were in Scarborough last holidays, the whole town runs gold, the whole pavement is illuminated. Therefore, I hate my looking-glasses which show me my real face. Alone, I often fall down into nothingness.

Even working within the laws of physics, researchers with an anti-God bias often make blind leaps of faith to escape any evidence of God’s involvement in the universe. For centuries Christians were criticized for their God-of-the-gaps arguments. Sometimes that criticism was deserved. Christians tended to use gaps in understanding or data to build a case for God’s miraculous intervention. Then, when scientific discoveries uncovered a natural explanation for the “divine phenomenon,” ridicule was heaped not only on those proposing the divine explanation but also on belief in God’s existence. In the twenty-first century we see the reverse of the God-of-the-gaps arguments. Nontheists, confronted with problems when ample research leads to no natural explanations and instead points to the supernatural, utterly reject the possibility of the supernatural and insist on a natural explanation even if it means resorting to absurdity. For example, steady state models were supported by an imagined force of physics for which there was not one shred of observational or experimental evidence. The oscillating universe model depended on an imagined bounce mechanism for which there was likewise not one shred of observational or experimental evidence. Similar appeals to imagined forces and phenomena have been the basis for all the cosmological models proposed to avoid the big bang implications about God (see chs. 8 and 9). The disproof of these models and the ongoing appeal by nontheists to more and more bizarre unknowns and unknowables seem to reflect the growing strength of the case for theism (see chs. 8, 9, 13, and 16).

A strong wind is blowing and there are little crests of foam on the waves. Look carefully at the millions of shimmering white bubbles rising and then vanishing with each wave. Over and over again, new bubbles come to the surface and then vanish in time with the waves. For a brief moment they are lifted on the wave’s crest and then they sink down and are seen no more. We are like that. Each one of us no more than a tiny glimmering thing, a sparkling droplet on the waves of time which flow past beneath us into an unknown, misty future. We leap up, look around us and, before we know it, we vanish again. We can hardly be seen in the great river of time. New drops keep rising to the surface. And what we call our fate is no more than our struggle in that multitude of droplets in the rise and fall of one wave. But we must make use of that moment. It is worth the effort.

THE SPANISH JEW'S TALE. THE LEGEND OF RABBI BEN LEVI. Rabbi Ben Levi, on the Sabbath, read A volume of the Law, in which it said, "No man shall look upon my face and live." And as he read, he prayed that God would give His faithful servant grace with mortal eye To look upon His face and yet not die. Then fell a sudden shadow on the page And, lifting up his eyes, grown dim with age, He saw the Angel of Death before him stand, Holding a naked sword in his right hand. Rabbi Ben Levi was a righteous man, Yet through his veins a chill of terror ran. With trembling voice he said, "What wilt thou here?" The angel answered, "Lo! the time draws near When thou must die; yet first, by God's decree, Whate'er thou askest shall be granted thee." Replied the Rabbi, "Let these living eyes First look upon my place in Paradise." Then said the Angel, "Come with me and look." Rabbi Ben Levi closed the sacred book, And rising, and uplifting his gray head, "Give me thy sword," he to the Angel said, "Lest thou shouldst fall upon me by the way." The Angel smiled and hastened to obey, Then led him forth to the Celestial Town, And set him on the wall, whence, gazing down, Rabbi Ben Levi, with his living eyes, Might look upon his place in Paradise. Then straight into the city of the Lord The Rabbi leaped with the Death-Angel's sword, And through the streets there swept a sudden breath Of something there unknown, which men call death. Meanwhile the Angel stayed without, and cried, "Come back!" To which the Rabbi's voice replied, "No! in the name of God, whom I adore, I swear that hence I will depart no more!" Then all the Angels cried, "O Holy One, See what the son of Levi here has done! The kingdom of Heaven he takes by violence, And in Thy name refuses to go hence!" The Lord replied, "My Angels, be not wroth; Did e'er the son of Levi break his oath? Let him remain; for he with mortal eye Shall look upon my face and yet not die." Beyond the outer wall the Angel of Death Heard the great voice, and said, with panting breath, "Give back the sword, and let me go my way." Whereat the Rabbi paused, and answered, "Nay! Anguish enough already has it caused Among the sons of men." And while he paused He heard the awful mandate of the Lord Resounding through the air, "Give back the sword!" The Rabbi bowed his head in silent prayer; Then said he to the dreadful Angel, "Swear, No human eye shall look on it again; But when thou takest away the souls of men, Thyself unseen, and with an unseen sword, Thou wilt perform the bidding of the Lord." The Angel took the sword again, and swore, And walks on earth unseen forevermore.

I think it is hard for intellectually brilliant people to make leaps of faith regardless of their vocations. Highly analytical minds want to take everything apart, see all the pieces, and understand them. There is a certain pride that comes with total understanding, and a simultaneous fear of the unknown. That combination of pride and fear too often leads great scholars to belittle people of faith as weak, wrong, silly, and useless. “But it works the other way too. Too many Christians take pride in their extrascriptural beliefs, fear science they interpret as contradicting the Bible, and belittle scholars as weak, wrong, silly, and useless. No one trying to learn about creation is any of those things. Christians should engage with scientific discovery, be awed by God’s work, and pray that everyone will see Him in the "atoms as massive as suns, and universes smaller than atoms.

The headlights of parked cars shone through the rain, and the sidewalks extended, empty, into the darkness. Underground, the sewers surged like rivers, and a few blocks away, sirens blared. He was no longer aware of his heart or thoughts, only the image of a sunken face staring up from a well, the paleness rising through the water like polished bone. A ringed hand reached toward it, but as the fingers approached, the face would sink away, its eyes opening, closing, and the droplets of red falling like leaves. He was a child running through an autumn cemetery, leaping over cast iron fences, the rain bleeding into the tombstones and the roofs of the mausoleums, his legs following the wings of a crow, flapping to the north. A hedge of withered roses stood between him and his childhood house. He tripped and grazed his cheek on a manhole, his red blooming in the water. The sun set behind the hill; the house turned black—abandoned and derelict—and Chris knew he had to keep running, ahead, into the unknown.

ON SEPTEMBER 11, I went out and bought a new TV/VCR at Best Buy so I could record the news coverage of the planes crashing into the Twin Towers. Trevor was on a honeymoon in Barbados, I’d later learn, but Reva was lost. Reva was gone. I watched the videotape over and over to soothe myself that day. And I continue to watch it, usually on a lonely afternoon, or any other time I doubt that life is worth living, or when I need courage, or when I am bored. Each time I see the woman leap off the Seventy-eighth floor of the North Tower—one high-heeled shoe slipping off and hovering up over her, the other stuck on her foot as though it were too small, her blouse untucked, hair flailing, limbs stiff as she plummets down, one arm raised, like a dive into a summer lake—I am overcome by awe, not because she looks like Reva, and I think it’s her, almost exactly her, and not because Reva and I had been friends, or because I’ll never see her again, but because she is beautiful. There she is, a human being, diving into the unknown, and she is wide awake.

He thought the best thing he had gained in Paris was a complete liberty of spirit, and he felt himself at last absolutely free. In a desultory way he had read a good deal of philosophy, and he looked forward with delight to the leisure of the next few months. He began to read at haphazard. He entered upon each system with a little thrill of excitement, expecting to find in each some guide by which he could rule his conduct; he felt himself like a traveller in unknown countries and as he pushed forward the enterprise fascinated him; he read emotionally, as other men read pure literature, and his heart leaped as he discovered in noble words what himself had obscurely felt. His mind was concrete and moved with difficulty in regions of the abstract; but, even when he could not follow the reasoning, it gave him a curious pleasure to follow the tortuosities of thoughts that threaded their nimble way on the edge of the incomprehensible. Sometimes great philosophers seemed to have nothing to say to him, but at others he recognised a mind with which he felt himself at home. He

His mouth, his tongue, his voice box, seem to be working separately at first. His Adam's apple shivers, the skulls vibrate, his voice quakes. What's going on? It is as if a different Romeo is speaking, an interior Romeo. This unknown alternate Romeo has staged a coup. This Romeo Two has infiltrated his communication infrastructure. Are the drugs betraying him? What did he take again? What shape of pill? Romeo thinks it was a big white oval but there also were some smaller yellow articles. Perhaps crisscrossing side affects. Romeo is startled to silence even as Romeo Two becomes voluble, moved to unload certain acts undertaken for certain reasons. Romeo Two's mouth claptraps, his voice shifts gear, high and higher, until Romeo One understands in despair that Romeo Two has frog-leaped all the way to that holy step somewhere beyond three, maybe four, five, where you tell God and another human the exact nature of your wrongs. Talk about combined side effects. Where among the vertigo, gastric pain, incontinence, shortness of breath, and possible kidney failure was telling the truth?

I told him he must carry it thus. It was evident the sagacious little creature, having lost its mother, had adopted him for a father. I succeeded, at last, in quietly releasing him, and took the little orphan, which was no bigger than a cat, in my arms, pitying its helplessness. The mother appeared as tall as Fritz. I was reluctant to add another mouth to the number we had to feed; but Fritz earnestly begged to keep it, offering to divide his share of cocoa-nut milk with it till we had our cows. I consented, on condition that he took care of it, and taught it to be obedient to him. Turk, in the mean time, was feasting on the remains of the unfortunate mother. Fritz would have driven him off, but I saw we had not food sufficient to satisfy this voracious animal, and we might ourselves be in danger from his appetite. We left him, therefore, with his prey, the little orphan sitting on the shoulder of his protector, while I carried the canes. Turk soon overtook us, and was received very coldly; we reproached him with his cruelty, but he was quite unconcerned, and continued to walk after Fritz. The little monkey seemed uneasy at the sight of him, and crept into Fritz's bosom, much to his inconvenience. But a thought struck him; he tied the monkey with a cord to Turk's back, leading the dog by another cord, as he was very rebellious at first; but our threats and caresses at last induced him to submit to his burden. We proceeded slowly, and I could not help anticipating the mirth of my little ones, when they saw us approach like a pair of show-men. I advised Fritz not to correct the dogs for attacking and killing unknown animals. Heaven bestows the dog on man, as well as the horse, for a friend and protector. Fritz thought we were very fortunate, then, in having two such faithful dogs; he only regretted that our horses had died on the passage, and only left us the ass. "Let us not disdain the ass," said I; "I wish we had him here; he is of a very fine breed, and would be as useful as a horse to us." In such conversations, we arrived at the banks of our river before we were aware. Flora barked to announce our approach, and Turk answered so loudly, that the terrified little monkey leaped from his back to the shoulder of its protector, and would not come down. Turk ran off to meet his companion, and our dear family soon appeared on the opposite shore, shouting with joy at our happy return. We crossed at the same place as we had done in the morning, and embraced each other. Then began such a noise of exclamations. "A monkey! a real, live monkey! Ah! how delightful! How glad we are! How did you catch him?

A number of mechanisms make it difficult for the victim to separate psychologically from the abuser following prolonged captivity. Two such mechanisms are fear of losing the only positive relationship available to the victim during this prolonged period of isolation—marked by terrorization and the resultant craving for nurturance, protection, and safety—and fear of losing the only identity that remains, namely, her or his self as seen through the eyes of the abuser. These fears are expressed variously: fear of abandonment, of being lonely, of not being able to live without the abuser, and of not knowing who one is without the abuser, feeling empty, and so on. The greater the victim’s fears, the greater was her or his isolation from perspectives other than the abuser’s, and the greater the damage to the sense of self. In the case of child victims, this view of self may be the only sense of sell' they have ever experienced; in the case of adult victims, this view of self may have replaced a previous sense of self. In any case, living without the abuser, and thus without a sense of self, is experienced by the victim as a threat to psychic survival. Loss of their only “friend” and of self as experienced through the abuser’s eyes requires victims to take a leap into a terrifying unknown, which is difficult even for people in healthy environments. It is considerably more difficult for someone whose survival depends on the fragile feelings of predictability and control produced by cognitive distortions and the whims of a terrorist.

Amidst all the pressure to keep going and to keep going, may you also take time to learn the art of being; being Loved, being Held, being Seen, being in the Presence of the One who calls you to rest. For beyond your accomplishments and your calendars, and your lists, you were made with purpose and intention to reflect Glorious Light and to abide in Love that reminds you even in the pause you are still where you need to be. No matter how yesterday unfolded before your eyes and no matter the stacks of worries burdening your mind that have left you unsettled or confused, Light is still pouring in reminding you over and over again to surrender, to let go, for these troubles are bound to shadows that cannot survive in this new light. Bask in these beams of sun as you find your new beginnings, a new way of seeing, a grace-filled way of living. Oh, how steady hope makes the soul in the river rush of things you cannot control. For somehow through it all, you have still been made whole. Because as sure as the water makes way past the river stones, so does hope carry you past the depth of your unknowns, under fogged and white-gray skies that demand the most of tired eyes, the sound of the rushing river gently speaks: all is passing, truly passing. What if all the imperfections and the flaws were only part of your story— not the sum of who you are? What if all along, you were made to be beautiful, and it was only the dirt from this broken world that made you doubt your shining self? And what if you were not alone, as you once thought, and when a friend told you she would be there, she truly meant it? What if for every time you were afraid, you remember how you were brave, and it only escaped your memory because bravery is natural these days? Perhaps there are a million reasons to never take the leap, to never take the time to think your presence means anything, but I hope you know there are more reasons to believe this life is worth living for. I hope you can look down into that warped well of your imperfections knowing whatever you find there can never even compare to the greatness in your soul, shining wildly through.

Since my visit to the Hermitage, I had become more aware of the four figures, two women and two men, who stood around the luminous space where the father welcomed his returning son. Their way of looking leaves you wondering how they think or feel about what they are watching. These bystanders, or observers, allow for all sorts of interpretations. As I reflect on my own journey, I become more and more aware of how long I have played the role of observer. For years I had instructed students on the different aspects of the spiritual life, trying to help them see the importance of living it. But had I, myself, really ever dared to step into the center, kneel down, and let myself be held by a forgiving God? The simple fact of being able to express an opinion, to set up an argument, to defend a position, and to clarify a vision has given me, and gives me still, a sense of control. And, generally, I feel much safer in experiencing a sense of control over an undefinable situation than in taking the risk of letting that situation control me. Certainly there were many hours of prayer, many days and months of retreat, and countless conversations with spiritual directors, but I had never fully given up the role of bystander. Even though there has been in me a lifelong desire to be an insider looking out, I nevertheless kept choosing over and over again the position of the outsider looking in. Sometimes this looking-in was a curious looking-in, sometimes a jealous looking-in, sometimes an anxious looking-in, and, once in a while, even a loving looking-in. But giving up the somewhat safe position of the critical observer seemed like a great leap into totally unknown territory. I so much wanted to keep some control over my spiritual journey, to be able to predict at least a part of the outcome, that relinquishing the security of the observer for the vulnerability of the returning son seemed close to impossible. Teaching students, passing on the many explanations given over the centuries to the words and actions of Jesus, and showing them the many spiritual journeys that people have chosen in the past seemed very much like taking the position of one of the four figures surrounding the divine embrace. The two women standing behind the father at different distances the seated man staring into space and looking at no one in particular, and the tall man standing erect and looking critically at the event on the platform in front of him--they all represent different ways of not getting involved. There is indifference, curiosity, daydreaming, and attentive observation; there is staring, gazing, watching, and looking; there is standing in the background, leaning against an arch, sitting with arms crossed, and standing with hands gripping each other. Every one of these inner and outward postures are all too familiar with me. Some are more comfortable than others, but all of them are ways of not getting directly involved," (pp. 12-13).

Leap into the unknown.

Good God!" Fionna half-raised an arm self-consciously. "What?" she queried. "What is it?" Anxious dismay shot through her. Had her coiffure come undone? Was she underdressed for the occasion? Overdressed? What? she wondered. What? "A moment," was all he said. "Allow me a moment." His eyes wandered over her, at least twice over. His regard was long and undeniably appreciative. When at length those incredibly blue eyes fused with hers, Fionna's heart gave a little leap, then began to beat with a frenzy she could not control at what she read there. Oh, bother! Whom did she fool? Why should she hide it? Everything inside her glowed. Her heart sang, and she didn't care a whit. Lean fingers caught hers. He lifted her hand to his mouth and kissed her fingertips, never breaking the hold of their eyes. "You're truly stunning," he said simply.

It shows how a leap into the unknown – whether it’s a bungee jump or a marriage proposal – can lead to joy, not disaster. Come to the Edge by Christopher Logue Come to the edge. We might fall. Come to the edge. It’s too high! COME TO THE EDGE! And they came, And he pushed, And they flew.

You frighten me to take a leap of faith into the unknown, where my only safety net is your arms. You frighten me with the realization that I have never trusted another human in my life not to hurt me.

On February 18, 2012, the New York Times printed the obituary of a man who was unknown to most people. He never wrote a book, never started a company, he didn’t even have his own website. But at 74 years old, John Fairfax died at his home in Henderson, Nevada having seized every opportunity that life afforded him. …. He was simply a man who refused to let his life be tamped by the cubicle. He didn't base his decisions on a paycheck, the fears that haunted him or the expectations of people around him. He saw the world as an adventure, something to be exhausted. And he lived it to the fullest.

Faith is the muscle you use when you decide to blast outside of your comfort zone and transform your life into something that’s practically unrecognizable to you in your present reality. Faith smothers your fear of the unknown. Faith allows you to take risks. Faith is the stuff of “leap and the net will appear.”     Faith is your best buddy when you’re scared shitless. When

Taking trips tore all of us up inside, for they seemed, each journey away from home, something that might have been less selfishly undertaken, or something that would test us, or something that had better be momentous, to justify such a leap into the dark. The torment and guilt - the torment of having the loved one go, the guilt of being the loved one gone - comes into my fiction as it did and does in my life. And most of all the guilt then was because it was true: I had left to arrive at some future and secret joy, at what was unknown, and what was no in New York, waiting to be discovered. My joy was connected with my writing; that was as much as I knew.

Love Hurts. I daresay there’s two or three poems, six novels and at least twelve songs on the subject. That’s how the Janus-faced beast of poetry gets written in the first place, in all its myriad of magical forms. So; why cover this hitherto uncharted and highly original territory? Why leap fearlessly into the unknown, nostrils flared, eyes flashing fire? Well, in the name of love, lust and limerence, why on earth not? Suffering is gratuitous and pointless, yet also vital, valuable and necessary. My last tête à tête gave me plenty, incorporating elements of the forbidden, of rebellion, pornography, pregnancy, parental approval – followed by fury – of infidelity, friend estrangement, life on one island that was heavenly and a second that veered between purgatorial and infernal, of violence, miscarriage, masturbating Indians, pepper spray, antipathy, disloyalty, evictions, a planned future, failed globetrotting and **** ***, whilst being indicative of a wider, all-encompassing social corrosion, and while the story itself may remain merely hinted at or alluded to in the course of this generalised polemic, it’s as worthy or valid as any other such tale told round the campfire and whispered across the beaches of the world...

The old propaganda campaign will slowly influence you over time to believe that things cannot change and you are stuck the way you are. This door is open only for a short while, and you must make the decision to leap through it to the unknown that waits on the other side. I encourage you with all of my heart to make the jump. While the potential fall might be scary, the world around you will hold you up. There are thousands of people out there who want to be your friend, and thousands more who want to date you, sleep with you, marry you, and start a family with you. The world is waiting for you to show up as your full, authentic self. Do not keep it waiting. May you have the courage to be who you are.

We are so attached to the unhelpful familiar, in fact, that we will spend our valuable, very finite time here on Earth crafting excuses to keep ourselves right where we are, instead of leaping into the glorious unknown and growing into who we’re really meant to be.

improbabilities is a word few children know, and even if they did, why, they would dismiss the notion with a single hand fluttering overhead as they danced to the horizon. Because it will not do to creep timorously into the future, no, one should leap, sail singing through the air, and who can say where one’s feet will finally set down on this solid, unknown land?

Uh, I am the opposite of a thrill-seeker.” I argued. “I’m nervous and awkward, and I rarely move outside my comfort zone.” He laughed, a deep rumbling sound. “But when you do, you leap out of it and straight into the unknown.” I considered what he said. He could be right. I stayed in my box until the moment I decided not to.

What a strange vortex the years suddenly seemed. The jump from ten to twenty-five was a lifetime. The leap from twenty-five to forty was but a long weekend.

The Calling by Stewart Stafford Lightning-scorched gravestones, Leave and follow infinity’s call, Spring off the edge of Flat Earth, Know not what lies there and fall. Silence licks and speaks in tongues, Darkness the ferryman leading on, Fingers caress, scraping skin curses, Talisman whispers the way is gone. Hit the bottom and scream out for air, Fill the lungs with each noxious gas, Decide to rest some in poisoned sleep, Nourish yourself in an extended fast. © Stewart Stafford, 2022. All rights reserved.

In analysis we have to deal with a counterplay of retarding and forward-moving forces, with resistance and incentive. Resistance is a collective term for all the forces within the patient that operate to maintain the status quo. His incentive, on the other hand, is produced by the constructive energy that urges him on toward inner freedom. This is the motive power with which we work and without which we could do nothing. It is the force that helps the patient overcome resistance. It makes his associations productive, thereby giving the analyst a chance for better understanding. It gives him the inner strength to endure the inevitable pain of maturing. It makes him willing to take the risk of abandoning attitudes that have given him a feeling of safety and to make the leap into the unknown of new attitudes toward himself and others.

In the shop window you have promptly identified the cover with the title you were looking for. Following this visual trail, you have forced your way through the shop past the thick barricade of Books You Haven't Read, which were frowning at you from the tables and shelves, trying to cow you. But you know you must never allow yourself to be awed, that among them there extend for acres and acres the Books You Needn't Read, the Books Made For Purposes Other Than Reading, Books Read Even Before You Open Them Since They Belong To The Category Of Books Read Before Being Written. And thus you pass the outer girdle of ramparts, but then you are attacked by the infantry of the Books That If You Had More Than One Life You Would Certainly Also Read But Unfortunately Your Days Are Numbered. With a rapid maneuver you bypass them and move into the phalanxes of the Books You Mean To Read But There Are Others You Must Read First, the Books Too Expensive Now And You'll Wait Till They're Remaindered, the Books ditto When They Come Out In Paperback, Books You Can Borrow From Somebody, Books That Everybody's Read So It's As If You Had Read Them, Too. Eluding these assaults, you come up beneath the towers of the fortress, where other troops are holding out: the Books Dealing With Something You're Working On At The Moment, the Books You Want To Own So They'll Be Handy Just In Case, the Books You Could Put Aside Maybe To Read This Summer, the Books You Need To Go With Other Books On Your Shelves, the Books That Fill You With Sudden, Inexplicable Curiosity, Not Easily Justified. Now you have been able to reduce the countless embattled troops to an array that is, to be sure, very large but still calculable in a finite number; but this relative relief is then undermined by the ambush of the Books Read Long Ago Which It's Now Time To Reread and the Books You've Always Pretended To Have Read And Now It's Time To Sit Down And Really Read Them. With a zigzag and a dash you shake them off and leap straight into the citadel of the New Books Whose Author or Subject Appeals To You. Even inside this stronghold you can make some breaches in the ranks of the defenders, dividing them into New (for you in general) and New Books By Authors Or On Subjects Completely Unknown (at least to you), and defining the attraction they have for you on the basis of your desires and needs for the new and the not new (for the new you seek in the not new and for the not new you seek in the new). All this means that, having rapidly glanced over the titles of the volumes displayed in the bookshop, you turn toward a stack of If on a winter’s night a traveler fresh off the press, you have grasped a copy, and you have carried it to the cashier so that your right to own it can be established. You cast another bewildered look at the books around you (or, rather: it was the books that looked at you, with the bewildered gaze of dogs who, from their cages in the city pound, see a former companion go off on the leash of his master, come to rescue him), and out you went. You derive a special pleasure from a just-published book, and it isn’t only a book you are taking with you but the novelty as well, which could also merely be that of an object fresh from the factory, the youthful bloom of new books, which lasts until the dust jacket begins to yellow, until a veil of smog settles on the top edge, until the bindings become dog-eared, in the rapid autumn of libraries. No, you hope always to encounter true newness, which having been new once, will continue to be so. Having read the freshly published book, you will take possession of this newness at the first moment, without having to pursue, to chase it. Will it happen this time? You can never tell. Let’s see how it begins.

When things no longer meet our expectations and our identity feels undermined, and we fail to restore the tears and fractures, we can indeed keep on tinkering in our corner and living in denial, or we can make the big leap into the unknown and immerge into the well of our unspoken will power, and give trust to our inner second self. ("The freedom of new thinking")

The jump from ten to twenty-five was a lifetime. The leap from twenty-five to forty was but a long weekend.

I’ve spent so long looking for adventure that I didn’t realize life itself is the greatest unknown. It has so many different stages and impossible to predict turns, and that’s what I want to experience with you. I want to take every leap with you. Every plunge.

Play to your strengths. There are many roads to happiness, but almost all of them are found by pursuing your particular strengths, which are likely to change over time. Change is intimidating for almost everyone, as it requires us to move from the known to the unknown, and hence from the predictable to the unpredictable. For this reason, many people remain too long with jobs or hobbies that once suited them but do not anymore. Just because you once loved something doesn’t mean you are destined to always feel that way. Your changing sources of happiness are probably telling you that your old life doesn’t suit you anymore. Seek the original source. Our modern world provides numerous opportunities for happiness that resemble but do not duplicate the original sources. Some are perfectly fine (e.g., TV and movies), some probably do more harm than good (e.g., alcohol, drugs, and junk food), but none is as good as the ancestral originals. Time with family and friends sits at the top of our species’ checklist and is our best recipe for happiness.

Even as love could deprive one of reason, it is the strongest force that drives anyone to take a chance into the unknown. It takes a leap of faith to begin an adventure.