“
So Aedion leaned in, and kissed Lysandra, kissed the woman who should have been his wife, his mate, one last time. “I love you.” Sorrow filled her beautiful face. “And I you.” She gestured to the western gate, to the soldiers waiting for its final cleaving. “Until the end?” Aedion hefted his shield, flipping the Sword of Orynth in his hand, freeing the stiffness that had seized his fingers. “I will find you again,” he promised her. “In whatever life comes after this.” Lysandra nodded. “In every lifetime.” Together, they turned toward the stairs that would take them down to the gates.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
Percy was waiting for them. He looked mad.
He stood at the edge of the glacier, leaning on the staff with the golden eagle, gazing down at the wreckage he'd caused: several hundred acres of newly open water dotted with icebergs and flotsam from the ruined camp.
The only remains on the glacier were the main gates, which listed sideways, and a tattered blue banner lying over a pile of now-bricks.
When they ran up to him, Percy said, "Hey," like they were just meeting for lunch or something.
"You're alive!" Frank marveled.
Percy frowned. "The fall? That was nothing. I fell twice that far from the St. Louis Arch."
"You did what?" Hazel asked.
"Never mind. The important thing was I didn't drown.
”
”
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
“
Love potions? For Will 'erondale? 'Tain't my way to turn down payment, but any man who looks like you 'as got no need of love potions, and that's a fact."
"No," Will said, a little desperation in his voice. "I was looking for the opposite, really -- something that might put an end to being in love."
"An 'atred potion?" Mol still sounded amused.
"I was hoping for something more akin to indifference? Tolerance?"
She made a snorting noise, astonishingly human for a ghost. "I 'ardly like to tell you this, Nephilim, but if you want a girl to 'ate you, there's easy enough ways of making it 'appen. You don't need my help with the poor thing."
And with that she vanished, spinning away into the mists among the graves. Will, looking after her, sighed. "Not for her," he said under his breath, though there was no one to hear him, "for me..." And he leaned his head against the cold iron gate.
”
”
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
“
Will looking after her, sighed.not for her, he said under his breath, though there was no one to hear him, for me.... And he leaned his head against the cold iron gate.
”
”
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
“
The first place that I can well remember, was a large pleasant meadow with a pond of clear water in it. Some shady trees leaned over it, and rushes and water-lilies grew at the deep end. Over the hedge on one side we looked into a plowed field, and on the other we looked over a gate at our master's house, which stood by the roadside;
”
”
Anna Sewell (Black Beauty)
“
She made a snorting noise, astonishingly human for a ghost. " I'ardly like to tell you this, Nephilim, but if you want a girl to 'ate you, there's easy enough ways of making it 'appen.
You don't need my help with the poor thing."
And with that, she vanished, spinning away into the mists among the graves. Will, looking after her, sighed. "Not for her," he said, under his breath, though there was no one to hear him, "for me..." and he leaned his head against the cold iron gate.
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
The amazing thing is that chaotic systems don't always stay chaotic," Ben said, leaning on the gate. "Sometimes they spontaneously reorganize themselves into an orderly structure."
"They suddenly become less chaotic?" I said, wishing that would happen at HiTek.
"No, that's the thing. They become more and more chaotic until they reach some sort of chaotic critical mass. When that happens, they spontaneously reorganize themselves at a higher equilibrium level. It's called self-organized criticality.
”
”
Connie Willis (Bellwether)
“
You, Doctor Martin, walk
from breakfast to madness. Late August,
I speed through the antiseptic tunnel
where the moving dead still talk
of pushing their bones against the thrust
of cure. And I am queen of this summer hotel
or the laughing bee on a stalk
of death. We stand in broken
lines and wait while they unlock
the doors and count us at the frozen gates
of dinner. The shibboleth is spoken
and we move to gravy in our smock
of smiles. We chew in rows, our plates
scratch and whine like chalk
in school. There are no knives
for cutting your throat. I make
moccasins all morning. At first my hands
kept empty, unraveled for the lives
they used to work. Now I learn to take
them back, each angry finger that demands
I mend what another will break
tomorrow. Of course, I love you;
you lean above the plastic sky,
god of our block, prince of all the foxes.
The breaking crowns are new
that Jack wore. Your third eye
moves among us and lights the separate boxes
where we sleep or cry.
What large children we are
here. All over I grow most tall
in the best ward. Your business is people,
you call at the madhouse, an oracular
eye in our nest. Out in the hall
the intercom pages you. You twist in the pull
of the foxy children who fall
like floods of life in frost.
And we are magic talking to itself,
noisy and alone. I am queen of all my sins
forgotten. Am I still lost?
Once I was beautiful. Now I am myself,
counting this row and that row of moccasins
waiting on the silent shelf.
”
”
Anne Sexton (To Bedlam and Part Way Back)
“
She couldn't help but grin at him. "It is the most exciting thing that has ever happened to me. Even more exciting than being abducted by you.
"Galen and Rose got married that summer," she went on. "It was terribly romantic." She shrugged again. "Honestly? I'm having a hard time believing that it won't happen like that again. Galen will work some magic. We'll seal the gate and go home. Poppy and Daisy will have a beautiful wedding."
Oliver got up from his chair and came over to the bed. He sank down beside her and put his arm around her waist. She leaned her head on his shoulder.
"It will be alright," he told her "You shouldn't be afraid.
”
”
Jessica Day George (Princess of the Silver Woods (The Princesses of Westfalin Trilogy, #3))
“
Yet now leaning here, till the gate prints my arm, I feel the weight that has formed itself in my side. Something has formed…some hard thing.
”
”
Virginia Woolf (The Waves)
“
Moon, that against the lintel of the west
Your forehead lean until the gate be swung,
Longing to leave the world and be at rest,
Being worn with faring and no longer young,
Do you recall at all the Carian hill
Where worn with loving, loving late you lay,
Halting the sun because you lingered still,
While wondering candles lit the Carian day?
Ah, if indeed this memory to your mind
Recall some sweet employment, pity me,
That even now the dawn's dim herald see!
I charge you, goddess, in the name of one
You loved as well: endure, hold off the sun.
”
”
Edna St. Vincent Millay (Unknown Book 7720699)
“
It was nearing 9 O'clock, and the fist duck was drawing down. Behind the trees, the first star pricked out, low and brilliant. The light breeze of the day had dropped, and the evening was very still. The stream sounded loud. I walked down to the gate and stood leaning on the top bar, enjoying the scent of the roses, and straining to listen for any sound from the lane or the road beyond.
”
”
Mary Stewart (Rose Cottage)
“
I am not a vine, to twist my life and twine about a strong column like yourself. Rather we have been as two strong trees that grew side by side, but must eventually lean apart from one another. You would not have me in your shade, would you, stunted and misshapen?
”
”
Megan Lindholm (The Limbreth Gate (Windsingers, #3))
“
Jerusha leaned forward watching with curiosity - and a touch of wistfulness - the stream of carriages and automobiles that rolled out of the asylum gates. In imagination she followed first one equipage, then another, to the big houses dotted along the hillside. She pictured herself in a fur coat and a velvet hat trimmed with feathers leaning back in the seat and nonchalantly murmuring "Home" to the driver. But on the door-sill of her home the picture grew blurred.
”
”
Jean Webster (Daddy-Long-Legs (Daddy-Long-Legs, #1))
“
He leaned his head against the dark iron gate, and Evangeline would forever remember the way he looked just then.
He was still indescribably breathtaking, but it was all the tragic beauty of a sky where every single star was falling. His hair was a storm of broken gold. HIs eyes were a mess of silver and blue. The deadness she'd seen her first night in Valorfell was gone, but now she understood why it had been there, why he seemed so unable to give comfort or kindness. The girl who was supposed to be his one true love had literally stabbed him in the heart.
”
”
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
“
Gavin, I never thought you’d be the irrational one in this relationship, but I’m happy to report that you’ve just thoroughly shocked me.”
He rolled to his side to lean on his arm, keeping my hand resting on his chest, buried underneath his shirt. “I know. My timing is impeccable.” He smirked, letting his hungry gaze drift over my body. “But I’m sorry, love. I cannot take seeing you all tucked up in this sexy corset anymore. The ties are so tight, they’re just begging me to undo them.” His fingers trailed over the top of my chest and down over the corset’s binding, tugging at the edges of the lace as he went. “Forcefully,” he winked.
”
”
Rachael Wade (The Gates (Resistance, #2))
“
While Emma pressed the unlock button on her key fob, Aidan started walking away, but then he stopped. He turned back and shook his head. “Oh f*ck it.” Taking Emma totally off guard, he shoved her against the car. He wrapped his arms around her waist, jerking her flush against him. Electricity tingled through her at his touch, and his scent invaded her nostrils, making her feel lightheaded.
She squirmed in his arms. “What are you—”
He silenced her by leaning over and crushing his lips against hers. She protested by pushing her hands against his chest, but the warmth of his tongue sliding open her lips caused her to feel weak. Her arms fell limply at her sides.
Aidan’s hands swept from her waist and up her back. He tangled his fingers through her long hair as his tongue plunged in her mouth, caressing and teasing Emma’s. Her hands left her side to wrap around his neck, drawing him even closer to her. God, it had been so very long since someone had kissed her, and it had taken Travis a week to get up the nerve to kiss her like this. Aidan was hot and heavy right out of the gate.
Using his hips, Aidan kept her pinned against the car as he kept up his assault on her mouth. Just when she thought she couldn’t breathe and might pass out, he released her lips. Staring down at her with eyes hooded and drunk with desire, Aidan smiled. “Maybe that will help you with your decision.
”
”
Katie Ashley (The Proposition (The Proposition, #1))
“
You have lost the duel! Liam smirked. “Is this how Arena champions fight?” He leaned in and pecked his lips on the side of my cheek.
”
”
Edward Brody (The Ascent (Eden's Gate #6))
“
If you take everything into consideration, Rachel' she observed leaning her chin for a moment upon the topmost bar of the gate, 'there's an enormous amount of good in the world.
”
”
Virginia Woolf (Melymbrosia)
“
Pigeon?”
“Yeah?”
A few moments passed, and then he sighed. “Nothing.”
Travis hesitated. “I can’t shake this feeling,” he said under his breath.
“What do you mean? Like a bad feeling?” I said, suddenly nervous.
He turned to me with concern in his eyes, “I have this crazy feeling that once we get home, I’m going to wake up. Like none of this was real.”
I slid my arms around his waist, running my hands up the lean muscles of his back. “Is that what you’re worried about?”
He looked down to his wrist, and then glanced to the thick silver band on his left finger. “I just can’t shake the feeling that the bubble’s going to burst, and I’m going to be lying in my bed alone, wishing you were there with me.”
“I don’t know what I’m going to do with you, Trav! I’ve dumped someone for you—twice—I’ve picked up and went to Vegas with you—twice—I’ve literally gone through hell and back, married you and branded myself with your name. I’m running out of ideas to prove to you that I’m yours.”
A small smile graced his lips. “I love it when you say that.”
“That I’m yours?” I asked. I leaned up on the balls of my feet, pressing my lips against his. “I. Am. Yours. Mrs. Travis Maddox, forever and always.”
His small smile faded as he looked at the boarding gate and then down to me. “I’m gonna fuck it up, Pigeon. You’re gonna get sick of my shit.”
I laughed. “I’m sick of your shit, now. I still married you.”
“I thought once we got married, that I’d feel a little more reassured about losing you. But I feel like if I get on that plane….”
“Travis? I love you. Let’s go home.”
His eyebrows pulled in. “You won’t leave me, right? Even when I’m a pain in the ass?”
“I vowed in front of God…and Elvis…that I wouldn’t, didn’t I?”
His frown lightened a bit. “This is forever?”
One corner of my mouth turned up. “Would it make you feel better if we made a wager?”
“What kind of husband would I be if I bet against my own marriage?”
I smiled. “The stupid kind. Didn’t you listen to your dad when he told you not to bet against me?”
He raised an eyebrow. “So you’re that sure, huh? You’d bet on it?”
I wrapped my arms around his neck and smiled against his lips. “I’d bet my first born. That’s how sure I am.”
And then the peace returned.
“You can’t be that sure,” he said, the anxiousness absent from his voice.
I raised an eyebrow, and my mouth pulled to one side. “Wanna bet?
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
And What Good Will Your Vanity Be When The Rapture Comes”
says the man with a cart of empty bottles at the corner of church
and lincoln while I stare into my phone and I say
I know oh I know while trying to find the specific
filter that will make the sun’s near-flawless descent look
the way I might describe it in a poem and the man
says the moment is already right in front of you and I
say I know but everyone I love is not here and I mean
here like on this street corner with me while I turn
the sky a darker shade of red on my phone and I mean
here like everyone I love who I can still touch and not
pass my fingers through like the wind in a dream
but I look up at the man and he is a kaleidoscope
of shadows I mean his shadows have shadows
and they are small and trailing behind him and I know
then that everyone he loves is also not here and the man doesn’t ask
but I still say hey man I’ve got nothing I’ve got nothing even though I have plenty
to go home to and the sun is still hot even in its
endless flirt with submission and the man’s palm has a small
river inside I mean he has taken my hand now and here we are
tethered and unmoving and the man says what color are you making
the sky and I say what I might say in a poem I say all surrender
ends in blood and he says what color are you making the sky and
I say something bright enough to make people wish they were here
and he squints towards the dancing shrapnel of dying
light along a rooftop and he says I love things only as they are
and I’m sure I did once too but I can’t prove it to anyone these days
and he says the end isn’t always about what dies and I know I know
or I knew once and now I write about beautiful things
like I will never touch a beautiful thing again and the man
looks me in the eyes and he points to the blue-orange vault
over heaven’s gates and he says the face of everyone you miss
is up there and I know I know I can’t see them but I know
and he turns my face to the horizon and he says
we don’t have much time left and I get that he means the time
before the sun is finally through with its daily work or I
think I get that but I still can’t stop trembling and I close
my eyes and I am sobbing on the corner of church and
lincoln and when I open my eyes the sun is plucking everyone
who has chosen to love me from the clouds and carrying them
into the light-drunk horizon and I am seeing this and I know
I am seeing this the girl who kissed me as a boy in the dairy aisle
of meijer while our parents shopped and the older boy on the
basketball team who taught me how to make a good fist and swing
it into the jaw of a bully and the friends who crawled to my porch
in the summer of any year I have been alive they were all there
I saw their faces and it was like I was given the eyes of a newborn
again and once you know what it is to be lonely it is hard to
unsee that which serves as a reminder that you were not always
empty and I am gasping into the now-dark air and I pull my shirt
up to wipe whatever tears are left and I see the man walking in the
other direction and I chase him down and tap his arm and I say did
you see it did you see it like I did and he turns and leans into the
glow of a streetlamp and he is anchored by a single shadow now
and he sneers and he says have we met and he scoffs and pushes
his cart off into the night and I can hear the glass rattling even
as I watch him become small and vanish and I look down at my
phone and the sky on the screen is still blood red.
”
”
Hanif Abdurraqib
“
Along the wall, Valg soldiers surged and surged and surged over the battlements. So Aedion leaned in, and kissed Lysandra, kissed the woman who should have been his wife, his mate, one last time. “I love you.” Sorrow filled her beautiful face. “And I you.” She gestured to the western gate, to the soldiers waiting for its final cleaving. “Until the end?” Aedion hefted his shield, flipping the Sword of Orynth in his hand, freeing the stiffness that had seized his fingers. “I will find you again,” he promised her. “In whatever life comes after this.” Lysandra nodded. “In every lifetime.” Together, they turned toward the stairs that would take them down to the gates. To death’s awaiting embrace.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
He woke early the next morning. It was still cool, but he opened the window and, leaning on the ledge, looked down at the river. A ship slid by. Then another. Years later, in exile, he would watch the railway tracks from his hotel and it would sink a well in him, and he would taste the same calm water.
”
”
Rupert Thomson (The Five Gates of Hell)
“
Soon they reached the opened city gates. Two massive horse statues stood, one on either side of the entrance. They weren’t identical but asymmetrical complements of each other. The left one, carved in sleek ivory, was leaned back on its haunches, just coming up to a rear, muzzle pointed skyward. The right, carved from glistening onyx, black as pitch, was in full rear, its head curved downward, forelegs striking.
”
”
Mindee Arnett (Onyx & Ivory (Rime Chronicles, #1))
“
It is a harsh world, indescribably cruel. It is a gentle world, unbelievably beautiful. It is a world that can make us bitter, hateful, rabid, destroyers of joy. It is a world that can draw forth tenderness from us, as we lean towards one another over broken gates. It is a world of monsters and saints, a mutilated world, but it is the only one we have been given. We should let it shock us not into hatred or anxiety, but into unconditional love.
”
”
Richard Holloway (Between the Monster and the Saint)
“
I let the front door slam shut behind me and the fly screen rattle. It was as if each door was kicking me out of the old life I'd lived in that house. I was being thrown out into the world, new. The broken, leaning gate creaked open, let me out, and I gently placed it shut. I was gone, and from down the street, maybe fifty yards away, I looked back for a second at the house where I lived. It wasn't the same any more. It never would be. I kept walking.
”
”
Markus Zusak (Getting the Girl (Wolfe Brothers, #3))
“
I leaned agains the warm brick wall and gazed up. It was a bright, cloudless day, the sky a mocking blue. It was the kind of day when children ran up and down the streets and shouted, when couples walked out through the town gates, past the windmills and along the canals, when old women sat in the sun and closed their eyes. My father was probably sitting on the bench in front of the house, his face turned towards the warmth. Tomorrow night might be bitterly cold, but today it was spring.
”
”
Tracy Chevalier (Girl with a Pearl Earring)
“
The hanging gate, of something like trelliswork, was propped on a pole, and he could see that the house was tiny and flimsy. He felt a little sorry for the occupants of such a place--and then asked himself who in this world had a temporary shelter.
[Anonymous, Kokinshuu 987:
Where in all this world shall I call home?
A temporary shelter is my home.]
A hut, a jeweled pavilion, they were the same. A pleasantly green vine was climbing a board wall. The white flowers, he said to himself, had a rather self-satisfied look about them.
'I needs must ask the lady far yonder," he said, as if to himself.
[Anonymous, Kokinshuu 1007:
I needs must ask the lady far yonder
What flower it is off there that blooms so white.]
An attendant came up, bowing deeply. "The white flowers far off yonder are known as 'evening faces," he said. "A very human sort of name--and what a shabby place they have picked to bloom in."
It was as the man said. The neighborhood was a poor one, chiefly of small houses. Some were leaning precariously, and there were "evening faces" at the sagging eaves.
A hapless sort of flower. Pick one off for me, will you?"
The man went inside the raised gate and broke off a flower. A pretty little girl in long, unlined yellow trousers of raw silk came out through a sliding door that seemed too good for the surroundings. Beckoning to the man, she handed him a heavily scented white fan.
Put it on this. It isn't much of a fan, but then it isn't much of a flower either.
”
”
Murasaki Shikibu (The Tale of Genji)
“
Stepping down from the swing,
Languidly she smooths her soft slender hands,
Her flimsy dress wet with light perspiration
A slim flower trembling with heavy dew.
Spying a stranger, she walks hastily away in shyness:
Her feet in bare socks,
Her gold hairpin fallen.
Then she stops to lean against a gate,
And looking back,
Makes as if sniffing a green plum
”
”
Li Qing Zhao
“
He leans back against the starting gate like he's in a hammock in the Caribbean...
”
”
Secretariat
“
sleek gray Maserati at the front gates and is leaning against it, dressed in a black suit with a gray T-shirt underneath
”
”
Lilith Vincent (First Comes Blood (Promised in Blood, #1))
“
The tall, leaning buildings to either side shrouded the narrow passage in shadow.
”
”
Steven Erikson (Deadhouse Gates (Malazan Book of the Fallen, #2))
“
we have some good ideas here. But the only way to know if they’re workable is to try to make them fail. If we fail to fail, then maybe we’re on the right track.
”
”
Orson Scott Card (The Lost Gate (Mither Mages, #1))
“
PERCY WAS WAITING FOR THEM. He looked mad. He stood at the edge of the glacier, leaning on the staff with the golden eagle, gazing down at the wreckage he’d caused: several hundred acres of newly open water dotted with icebergs and flotsam from the ruined camp. The only remains on the glacier were the main gates, which listed sideways, and a tattered blue banner lying over a pile of snow-bricks. When they ran up to him, Percy said, “Hey,” like they were just meeting for lunch or something. “You’re alive!” Frank marveled. Percy frowned. “The fall? That was nothing. I fell twice that far from the St. Louis Arch.” “You did what?” Hazel asked. “Never mind. The important thing was I didn’t drown.” “So the prophecy was incomplete!” Hazel grinned. “It probably said something like: The son of Neptune will drown a whole bunch of ghosts.” Percy shrugged. He was still looking at Frank like he was miffed. “I got a bone to pick with you, Zhang. You can turn into an eagle? And a bear?” “And an elephant,” Hazel said proudly. “An elephant.” Percy shook his head in disbelief. “That’s your family gift? You can change shape?” Frank shuffled his feet. “Um…yeah. Periclymenus, my ancestor, the Argonaut—he could do that. He passed down the ability.” “And he got that gift from Poseidon,” Percy said. “That’s completely unfair. I can’t turn into animals.” Frank stared at him. “Unfair? You can breathe underwater and blow up glaciers and summon freaking hurricanes—and it’s unfair that I can be an elephant?” Percy considered. “Okay. I guess you got a point. But next time I say you’re totally beast—” “Just shut up,” Frank said. “Please.” Percy cracked a smile.
”
”
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
“
We’d been walking in endless rectangles and now we were near the candy store again. The lights were out, the security gate down. We leaned up against the wall of a bank and I could feel the cool stone on my back, the billions of dollars thrumming through wires beneath and behind me, or on the night waves above. I wasn’t quite sure how they traveled. Or how much they got out anymore.
”
”
Sam Lipsyte (The Ask)
“
No. Silence is something. This is nothing. Why couldn’t I hear it before? I think it has been there always. From the beginning of time.’ He put out his hand and stubbed it on my arm, stared at it. ‘At the end of the world, at the beginning of the world; under the sea and over the sky; at the root and crown of the universe: nothing. At all. That’s what I heard. What I hear.’ He leaned forward. ‘Do you understand?
”
”
Betsy James (Listening at the Gate (The Seeker Chronicles, #3))
“
Eventually they climb sixteen steps into the Gallery of Mineralogy. The guide shows them a gate from Brazil and violet amethysts and a meteorite on a pedestal that he claims is as ancient as the solar system itself. Then he leads them single file down two twisting staircases and along several corridors and stops outside an iron door with a single keyhole. “End of tour,” he says.
A girl says, “But what’s through there?”
“Behind this door is another locked door, slightly smaller.”
“And what’s behind that?”
“A third locked door, smaller yet.”
“What’s behind that?”
“A fourth door, and a fifth, on and on until you reach a thirteenth, a little locked door no bigger than a shoe.”
The children lean forward. “And then?”
“Behind the thirteenth door”—the guide flourishes one of his impossibly wrinkled hands—“is the Sea of Flames.”
Puzzlement. Fidgeting. “Come now. You’ve never heard of the Sea of Flames?”
The children shake their heads. Marie-Laure squints up at the naked bulbs strung in three-yard intervals along the ceiling; each sets a rainbow-colored halo rotating in her vision.
The guide hangs his cane on his wrist and rubs his hands together. “It’s a long story. Do you want to hear a long story?”
They nod.
He clears his throat. “Centuries ago, in the place we now call Borneo, a prince plucked a blue stone from a dry riverbed because he thought it was pretty. But on the way back to his palace, the prince was attacked by men on horseback and stabbed in the heart.”
“Stabbed in the heart?”
“Is this true?”
A boy says, “Hush.”
“The thieves stole his rings, his horse, everything. But because the little blue stone was clenched in his fist, they did not discover it. And the dying prince managed to crawl home. Then he fell unconscious for ten days. On the tenth day, to the amazement of his nurses, he sat up, opened his hand, and there was the stone.
“The sultan’s doctors said it was a miracle, that the prince never should have survived such a violent wound. The nurses said the stone must have healing powers. The sultan’s jewelers said something else: they said the stone was the largest raw diamond anyone had ever seen. Their most gifted stonecutter spent eighty days faceting it, and when he was done, it was a brilliant blue, the blue of tropical seas, but it had a touch of red at its center, like flames inside a drop of water. The sultan had the diamond fitted into a crown for the prince, and it was said that when the young prince sat on his throne and the sun hit him just so, he became so dazzling that visitors could not distinguish his figure from light itself.”
“Are you sure this is true?” asks a girl.
“Hush,” says the boy.
“The stone came to be known as the Sea of Flames. Some believed the prince was a deity, that as long as he kept the stone, he could not be killed. But something strange began to happen: the longer the prince wore his crown, the worse his luck became. In a month, he lost a brother to drowning and a second brother to snakebite. Within six months, his father died of disease. To make matters even worse, the sultan’s scouts announced that a great army was gathering in the east.
"The prince called together his father’s advisers. All said he should prepare for war, all but one, a priest, who said he’d had a dream. In the dream the Goddess of the Earth told him she’d made the Sea of Flames as a gift for her lover, the God of the Sea, and was sending the jewel to him through the river. But when the river dried up, and the prince plucked it out, the goddess became enraged. She cursed the stone and whoever kept it.
”
”
Anthony Doerr (All the Light We Cannot See)
“
For one day as I leant over a gate that led into a field, the rhythm stopped: the rhymes and the hummings, the nonsense and the poetry. A space was cleared in my mind. I saw through the thick leaves of habit. Leaning over the gate I regretted so much litter, so much unaccomplishment and separation, for one cannot cross London to see a friend, life being so full of engagements; nor take a ship to India and see a naked man spearing a fish in blue water. I said life had been imperfect, an unfinished phrase. It had been impossible for me, taking snuff as I do from any bagman met in a train, to keep coherency—that sense of the generations, of women carrying red pitchers to the Nile, of the nightingale who sings among conquests and migrations. It had been too vast an undertaking, I said, and how can I go on lifting my foot perpetually to climb the stair? I addressed myself as one would speak to a companion with whom one is voyaging to the North Pole.
”
”
Virginia Woolf (The Waves)
“
Everyone in the room knew about leveraged buyouts, often called LBOs. In an LBO, a small group of senior executives, usually working with a Wall Street partner, proposes to buy its company from public shareholders, using massive amounts of borrowed money. Critics of this procedure called it stealing the company from its owners and fretted that the growing mountain of corporate debt was hindering America’s ability to compete abroad. Everyone knew LBOs meant deep cuts in research and every other imaginable budget, all sacrificed to pay off debt. Proponents insisted that companies forced to meet steep debt payments grew lean and mean. On one thing they all agreed: The executives who launched LBOs got filthy rich.
”
”
Bryan Burrough (Barbarians at the Gate: The Fall of RJR Nabisco)
“
The exponential growth of this industry was correlated with the phenomenon famously discovered by Moore, who in 1965 drew a graph of the speed of integrated circuits, based on the number of transistors that could be placed on a chip, and showed that it doubled about every two years, a trajectory that could be expected to continue. This was reaffirmed in 1971, when Intel was able to etch a complete central processing unit onto one chip, the Intel 4004, which was dubbed a “microprocessor.” Moore’s Law has held generally true to this day, and its reliable projection of performance to price allowed two generations of young entrepreneurs, including Steve Jobs and Bill Gates, to create cost projections for their forward-leaning products.
”
”
Walter Isaacson (Steve Jobs)
“
Roman Centurion's Song"
LEGATE, I had the news last night - my cohort ordered home
By ships to Portus Itius and thence by road to Rome.
I've marched the companies aboard, the arms are stowed below:
Now let another take my sword. Command me not to go!
I've served in Britain forty years, from Vectis to the Wall,
I have none other home than this, nor any life at all.
Last night I did not understand, but, now the hour draws near
That calls me to my native land, I feel that land is here.
Here where men say my name was made, here where my work was done;
Here where my dearest dead are laid - my wife - my wife and son;
Here where time, custom, grief and toil, age, memory, service, love,
Have rooted me in British soil. Ah, how can I remove?
For me this land, that sea, these airs, those folk and fields suffice.
What purple Southern pomp can match our changeful Northern skies,
Black with December snows unshed or pearled with August haze -
The clanging arch of steel-grey March, or June's long-lighted days?
You'll follow widening Rhodanus till vine and olive lean
Aslant before the sunny breeze that sweeps Nemausus clean
To Arelate's triple gate; but let me linger on,
Here where our stiff-necked British oaks confront Euroclydon!
You'll take the old Aurelian Road through shore-descending pines
Where, blue as any peacock's neck, the Tyrrhene Ocean shines.
You'll go where laurel crowns are won, but -will you e'er forget
The scent of hawthorn in the sun, or bracken in the wet?
Let me work here for Britain's sake - at any task you will -
A marsh to drain, a road to make or native troops to drill.
Some Western camp (I know the Pict) or granite Border keep,
Mid seas of heather derelict, where our old messmates sleep.
Legate, I come to you in tears - My cohort ordered home!
I've served in Britain forty years. What should I do in Rome?
Here is my heart, my soul, my mind - the only life I know.
I cannot leave it all behind. Command me not to go!
”
”
Rudyard Kipling
“
I remember the first time I heard your voice. I can still remember telling you how soothing I found it, how much it calmed me. It still does, even though we’re strangers. You’re silent, but your words are still very much alive in me. You are my home, even though the door is locked and the lights are off. It’s not a choice as much as it is a beautiful nagging that’s nearly impossible to ignore. But I’m locked out, left to wander, and I’ve found myself here. I know I left in a childish fit, and you locked the iron gate so tightly; you had to. So I was left out in the darkness, just me and the shadows that haunted me, the ones that led me away from you to begin with. You left me outside to face them. You wouldn’t let me lean on you to deal with them anymore. You are my home because you are the place I choose to return to over and over again. The place that, even when painful, means the most. You are my home because you have made me who I am, whether or not you realized what you were doing. You are my home because you showed me the best kind of love there is. You showed me real, genuine, love-you-so-much-it-hurts-and-changes-me-at-my-core love. It was a blissful combination of finally feeling alive mixed with the most painfully difficult challenge I never thought I’d have to deal with. I didn’t know I could ever feel so strongly that I’d end up there. And yet, I still believe, that although that love may have been all of those challenging things, it was still unconditional, undeniable, and above all, beautiful. Miraculous. And that’s what keeps me at your door.
”
”
Brianna Wiest (The Truth About Everything)
“
The mage leaned both hands on the table, scanning the charts splayed out on its surface. There was a map there, showing a land he could not recognize: a ragged coastline of fjords studded with cursory sketches of pine trees. Inland was a faint whitewash, as of ice or snow. A course had been plotted, striking east from the jagged shoreline, then southward across a vast ocean. The Malazan Empire purported to have world maps, but they showed nothing like the land he saw here. The Empire's claim to dominance suddenly seemed pathetic.
”
”
Steven Erikson (Deadhouse Gates (Malazan Book of the Fallen, #2))
“
Occasionally the poster pictures a pair of cyclists; and then one grasps the fact how much superior for purposes of flirtation is the modern bicycle to the old-fashioned parlour or the played-out garden gate. He and she mount their bicycles, being careful, of course, that such are of the right make. After that they have nothing to think about but the old sweet tale. Down shady lanes, through busy towns on market days, merrily roll the wheels of the “Bermondsey Company’s Bottom Bracket Britain’s Best,” or of the “Camberwell Company’s Jointless Eureka.” They need no pedalling; they require no guiding. Give them their heads, and tell them what time you want to get home, and that is all they ask. While Edwin leans from his saddle to whisper the dear old nothings in Angelina’s ear, while Angelina’s face, to hide its blushes, is turned towards the horizon at the back, the magic bicycles pursue their even course.
”
”
Jerome K. Jerome (Three Men on the Bummel)
“
It was nice to meet you,” I say loudly in a more formal tone than I used when we were alone. And then I surprise myself, lean closer to him and whisper something I know I shouldn’t.
“You know, my family’s assigned to the next supply run into town this Saturday.” I can’t quite look at him afterward. What am I doing?
He shoots me a sidelong glance and a slow smile spreads across his face, lighting up his gray-green eyes. “Maybe we’ll run into each other. Could happen . . . especially if I have a general idea of where you’re going to be.”
My breath quickens. I can feel his smile becoming contagious and I return it with one of my own. “We’ll probably be at Walmart for most of the morning.”
“I happen to love that store. Where else can you get a haircut, goldfish, and camping gear all at the same time?”
He winks at me and I have to clamp my mouth shut to keep from laughing. I’ve never felt so reckless. It’s terrifying, but exhilarating too.
”
”
Amy Christine Parker (Gated (Gated, #1))
“
hawing, let us ask of the starling (who is a more sociable bird than the lark) what he may think on the brink of the dustbin, whence he picks among the sticks combings of scullion’s hair. What’s life, we ask, leaning on the farmyard gate; Life, Life, Life! cries the bird, as if he had heard, and knew precisely, what we meant by this bothering prying habit of ours of asking questions indoors and out and peeping and picking at daisies as the way is of writers when they don’t know what to say next. Then they come here, says the bird, and ask me what life is; Life, Life, Life! We trudge on then by the moor path, to the high brow of the wine-blue purple-dark hill, and fling ourselves down there, and dream there and see there a grasshopper, carting back to his home in the hollow, a straw. And he says (if sawings like his can be given a name so sacred and tender) Life’s labour, or so we interpret the whirr of his dust-choked gullet. And the ant agrees and the bees, but if we lie here long enough to ask the moths, when they come at evening, stealing among the paler heather bells, they will breathe in our ears such wild nonsense as one hears from telegraph wires in snow storms; tee hee, haw haw. Laughter, Laughter! the moths say. Having asked then of man and of bird and the insects, for fish, men tell us, who have lived in green caves, solitary for years to hear them speak, never, never say, and so perhaps know what life is — having asked them all and grown no wiser, but only older and colder (for did we not pray once in a way to wrap up in a book something so hard, so rare, one could swear it was life’s meaning?) back we must go and say straight out to the reader who waits a-tiptoe to hear what life is — alas, we don’t know.
”
”
Virginia Woolf (Orlando (Illustrated))
“
Can you have forgotten that funny old Lilygloves, the chief mole, leaning on his spade and saying, ‘Believe me, your Majesty, you’ll be glad of these fruit trees one day.’ And by Jove he was right.”
“I do! I do!” said Lucy, and clapped her hands.
“But look here, Peter,” said Edmund. “This must be all rot. To begin with, we didn’t plant the orchard slap up against the gate. We wouldn’t have been such fools.
”
”
C.S. Lewis (Prince Caspian (Chronicles of Narnia, #2))
“
It had come from one of two corgis who were even now slamming their preposterous bodies into each other not far away, trying to roll each other over, which runs contrary to the laws of mechanics even in the case of corgis that are lean and trim, which these were not.
This struggle, which appeared to be only one skirmish in a conflict of epochal standing, had driven all lesser considerations, such as guarding the gate, from the combatants' sphere of attention...
”
”
Neal Stephenson (The Diamond Age: Or, a Young Lady's Illustrated Primer)
“
I saw a group of women standing by a station wagon. There were seven of them, pushing cartons and shopping bags over the open tailgate into the rear of the car. Celery stalks and boxes of Gleem stuck out of the bags. I took the camera from my lap, raised it to my eye, leaned out the window a bit, and trained it on the ladies as if I were shooting. One of them saw me and immediately nudged her companion but without taking her eyes off the camera. They waved. One by one the others reacted. They all smiled and waved. They seemed supremely happy. Maybe they sensed that they were waving at themselves, waving in the hope that someday if evidence is demanded of their passage through time, demanded by their own doubts, a moment might be recalled when they stood in a dazzling plaza in the sun and were registered on the transparent plastic ribbon; and thirty years away, on that day when proof is needed, it could be hoped that their film is being projected on a screen somewhere, and there they stand, verified, in chemical reincarnation, waving at their own old age, smiling their reassurance to the decades, a race of eternal pilgrims in a marketplace in the dusty sunlight, seven arms extended in a fabulous salute to the forgetfulness of being. What better proof (if proof is ever needed) that they have truly been alive? Their happiness, I think, was made of this, the anticipation of incontestable evidence, and had nothing to do with the present moment, which would pass with all the others into whatever is the opposite of eternity. I pretended to keep shooting, gathering their wasted light, letting their smiles enter the lens and wander the camera-body seeking the magic spool, the gelatin which captures the image, the film which threads through the waiting gate. Sullivan came out of the supermarket and I lowered the camera. I could not help feeling that what I was discovering here was power of a sort.
”
”
Don DeLillo (Américana)
“
Three days before the Garden Extravaganza, the Vanderbeekers walked to the garden to find the sidewalk in front of the gate filled with plants. There were two big pots of bright blue hydrangeas, four filled with peach-colored roses, a small tree with a scattering of green leaves, and twenty pots of lavender. Laney ran to the tree and hugged it. Hyacinth leaned over to smell the roses. Jessie and Oliver noticed ribbons attached to notes on some of the branches. As they peered at the cards, Orlando arrived carrying
”
”
Karina Yan Glaser (The Vanderbeekers and the Hidden Garden)
“
I don’t know how this happened, how we ended up here. I never knew it would be like this. I’m not from here, Israel, you have to believe me. I’m from another--”
“It’s all right,” Israel interrupted him, leaning over and putting his arm around him. “I’ll look after you. We two goats, we’ll get through this together, you’ll see, and when my enlistment is up well find your Katie and you and she can come and visit me and Abby and the boys. Don’t worry, Matthew Carlton, you’ve got a friend in Israel Gates. You can depend on it.
”
”
Elvira Woodruff (George Washington's Socks (Time Travel Adventure))
“
I came home because I was on the run, again, and stayed because of a sense of duty. He comes here every night and every weekend because he loves it here, loves the woods, pasture, pond, and all the hard work it takes to manage it. Here in this wide-open space, from the seat of a tractor or leaning on a pasture gate, things make sense. He is serenaded by katydids and crickets, swarmed by green flies, wasps, hornets, and worse, but it is a kind of paradise for him, I believe. He has bounced over every inch of it on that hateful tractor, the closest he could come to crossing it on muleback. So,
”
”
Rick Bragg (The Speckled Beauty: A Dog and His People)
“
I can’t believe you’re actually on board, Mr. Consummate Rule Follower.”
Will pretends to look wounded. “Are you saying I’m uptight?”
“No, just boring,” Marie answers for me.
“That’s unfair,” Will says with a look of mock hurt on his face. “I follow the rules that make sense. The ones that keep us safe. But an hour or two by the river . . . to talk”—he raises both eyebrows here—“isn’t exactly life-threatening.”
“Something tells me being alone with you in the dark isn’t exactly safe either,” I say.
Will chuckles and leans in to kiss me softly on the lips. “I promise I’ll be good . . . or at least not very bad.
”
”
Amy Christine Parker (Gated (Gated, #1))
“
The young man looked at her a moment. 'You are very much changed,' he said.
'I am glad to hear it,' Gertrude declared.
'I am not. I have known you a long time, and I have loved you as you were.'
'I am much obliged to you,' said Gertrude. 'I must be going home.'
He, on his side, gave a little laugh. 'You certainly do avoid me - you see!'
'Avoid me, then.' said the girl.
He looked at her again; and then, very gently, 'No, I will not avoid you,' he replied; 'but I will leave you, for the present, to yourself. I think you will remember - after a while - some of the things you have forgotten. I think you will come back to me; I have great faith in that.'
This time his voice was very touching; there was a strong reproachful force in what he said, and Gertrude could answer nothing. He turned away and stood there, leaning his elbows on the gate and looking at the beautiful sunset. Gertrude left him and took her way home again; but when she reached the middle of the next field she suddenly burst into tears. Her tears seemed to her to have been a long time gathering, and for some moments it was a kind of glee to shed them. But they presently passed away. There was something a little hard in Gertrude; and she never wept again.
”
”
Henry James (The Europeans (Penguin Popular Classics))
“
Already it is twilight down in the Laredito. Bats fly forth from their roostings in courthouse and tower and circle the quarter. The air is full of the smell of burning charcoal. Children and dogs squat by the mud stoops and gamecocks flap and settle in the branches of the fruit trees. They go afoot, these comrades, down along a bare adobe wall. Band music carries dimly from the square. They pass a watercart in the street and they pass a hole in the wall where by the light of a small forgefire an old man beats out shapes of metal. They pass in a doorway a young girl whose beauty becomes the flowers about.
They arrive at last before a wooden door. It is hinged into a larger door or gate and all must step over the foot-high sill where a thousand boots have scuffled away the wood, where fools in their hundreds have tripped or fallen or tottered drunkenly into the street. They pass along a ramada in a courtyard by an old grape arbor where small fowl nod in the dusk among the gnarled and barren vines and they enter a cantina where the lamps are lit and they cross stooping under a low beam to a bar and belly up one two three.
There is an old disordered Mennonite in this place and he turns to study them. A thin man in a leather weskit, a black and straightbrim hat set square on his head, a thin rim of whiskers. The recruits order glasses of whiskey and drink them down and order more. There are monte games at tables by the wall and there are whores at another table who look the recruits over. The recruits stand sideways along the bar with their thumbs in their belts and watch the room. They talk among themselves of the expedition in loud voices and the old Mennonite shakes a rueful head and sips his drink and mutters.
They'll stop you at the river, he says.
The second corporal looks past his comrades. Are you talking to me?
At the river. Be told. They'll jail you to a man.
Who will?
The United States Army. General Worth.
They hell they will.
Pray that they will.
He looks at his comrades. He leans toward the Mennonite. What does that mean, old man?
Do ye cross that river with yon filibuster armed ye'll not cross it back.
Don't aim to cross it back. We goin to Sonora.
What's it to you, old man?
The Mennonite watches the enshadowed dark before them as it is reflected to him in the mirror over the bar. He turns to them. His eyes are wet, he speaks slowly. The wrath of God lies sleeping. It was hid a million years before men were and only men have power to wake it. Hell aint half full. Hear me. Ye carry war of a madman's making into a foreign land. Ye'll wake more than the dogs.
But they berated the old man and swore at him until he moved off down the bar muttering, and how else could it be?
How these things end. In confusion and curses and blood. They drank on and the wind blew in the streets and the stars that had been overhead lay low in the west and these young men fell afoul of others and words were said that could not be put right again and in the dawn the kid and the second corporal knelt over the boy from Missouri who had been named Earl and they spoke his name but he never spoke back. He lay on his side in the dust of the courtyard. The men were gone, the whores were gone. An old man swept the clay floor within the cantina. The boy lay with his skull broken in a pool of blood, none knew by whom. A third one came to be with them in the courtyard. It was the Mennonite. A warm wind was blowing and the east held a gray light. The fowls roosting among the grapevines had begun to stir and call.
There is no such joy in the tavern as upon the road thereto, said the Mennonite. He had been holding his hat in his hands and now he set it upon his head again and turned and went out the gate.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
I’ve lived near here at several different stretches across time, but once, when I lived here a few hundred years ago, I had a camel I named Oded. He was just about the laziest creature ever to talk the Earth. He would pass out when I was in the middle of feeding him, and making it to the closest Bedouin camp for tea was a minor miracle. But when I first met you in that lifetime-“
“Oded broke into a run,” Luce said without thinking. “I screamed because I thought he was going to trample me. You said you’d never seen him move like that.”
“Yeah, well,” Daniel said. “He liked you.”
They paused and looked at each other, and Daniel started laughing when Luce’s jaw dropped. “I did it!” she cried out. “It was just there, in my memory, a part of me. Like it happened yesterday. I came to me without thinking!”
It was miraculous. All those memories from all those lives that had been lost each time Lucinda died in Daniel’s arms were somehow finding their way back to her, the way Luce always found her way back to Daniel.
No. She was finding her way to them.
It was like a gate had been left open after Luce’s quest through the Announcers. Those memories stayed with her, from Moscow to Helston to Egypt. Now more were becoming available.
She had a sudden, keen sense of who she was-and she wasn’t just Luce Price from Thunderbolt, Georgia. She was every girl she’d ever been, an amalgamation of experience, mistakes, achievements, and, above all, love.
She was Lucinda.
“Quick,” she said to Daniel. “Can we do another?”
“Okay, how about another desert life? You were living in the Sahara when I found you. Tall and gangly and the fastest runner in your village. I was passing through one day, on my way to visit Roland, and I stopped for the night at the closest spring. All the other men were very distrustful of me, but-“
“But my father paid you three zebra skins for the knife you had in your satchel!”
Daniel grinned. “He drove a hard bargain.”
“This is amazing,” she said, nearly breathless. How much more did she have in her that she didn’t know about? How far back could she go? She pivoted to face him, drawing her knees against her chest and leaning in so that their foreheads were almost touching. “Can you remember everything about our pasts?”
Daniel’s eyes softened at the corners. “Sometimes the order of things gets mixed up in my head. I’ll admit, I don’t remember long stretches of time I’ve spent alone, but I can remember every first glimpse of your face, every kiss of your lips, every memory I’ve ever made with you.
”
”
Lauren Kate (Rapture (Fallen, #4))
“
My heart is broken this day. My soul cries out in agony, but I recognize my pain for what it really is. Our shared agony is born of greed, for our fathers, mothers, and friends are all in a better place now. Never again will they know sadness. Never again will they know hunger, thirst, loneliness or pain, yet still we grieve. In reality, we grieve for ourselves. We grieve because we can no longer speak with them, hug them or hold them. We can no longer lean on them when we need a shoulder to cry on. But make no mistake, my brothers and sisters: They are perfect now. Perfect, as all of us will be when the gods, in their infinite wisdom, decide it is our time.
”
”
Jeff Gunzel (Reborn (The Legend of the Gate Keeper, #4))
“
Bob Death smiles coolly (South Shore bikers are required to be extremely cool in everything they do) and manipulated a wooden match with his lip and says No, not that fish-one. He has to assume a kind of bar-shout to clear the noise of his idling hawg. He leans in more toward Gately and shouts that the one he was talking about was: The wise old whiskery fish swims up to three young fish and goes, 'Morning boys, how's the water?' and swims away; and three young fish watch him swim away and look at each other and go, 'What the fuck is water?' and swim away. The young biker leans back and smiles at Gately and gives an affable shrug and blatts away, a halter top's tits mashed against his back.
”
”
David Foster Wallace (Infinite Jest)
“
All about the hills the hosts of Mordor raged. The Captains of the West were foundering in a gathering sea. The sun gleamed red, and under the wings of the Nazgul the shadows of death fell dark upon the earth. Aragorn stood beneath his banner, silent and stern, as one lost in thought of things long past or far away; but his eyes gleamed like stars that shine the brighter as the night deepens. Upon the hill-top stood Gandalf, and he was white and cold and no shadow fell on him. The onslaught of Mordor broke like a wave on the beleaguered hills, voices roaring like a tide amid the wreck and crash of arms.
As if to his eyes some sudden vision had been given, Gandalf stirred; and he turned, looking back north where the skies were pale and clear. Then he lifted up his hands and cried in a loud voice ringing above the din: The Eagles are coming! And many voices answered crying: The Eagles are coming! The Eagles are coming! The hosts of Mordor looked up and wondered what this sign might mean.
There came Gwaihir the Windlord, and Landroval his brother, greatest of all the Eagles of the North, mightiest of the descendants of old Thorondor, who built his eyries in the inaccessible peaks of the Encircling Mountains when Middle-earth was young. Behind them in long swift lines came all their vassals from the northern mountains, speeding on a gathering wind. Straight down upon the Nazgul they bore, stooping suddenly out of the high airs, and the rush of their wide wings as they passed over was like a gale.
But the Nazgul turned and fled, and vanished into Mordor's shadows, hearing a sudden terrible call out of the Dark Tower; and even at that moment all the hosts of Mordor trembled, doubt clutched their hearts, their laughter failed, their hands shook and their limbs were loosed. The Power that drove them on and filled them with hate and fury was wavering, its will was removed from them; and now looking in the eyes of their enemies they saw a deadly light and were afraid.
Then all the Captains of the West cried aloud, for their hearts were filled with a new hope in the midst of darkness. Out from the beleaguered hills knights of Gondor, Riders of Rohan, Dunedain of the North, close-serried companies, drove against their wavering foes, piercing the press with the thrust of bitter spears. But Gandalf lifted up his arms and called once more in a clear voice:
'Stand, Men of the West! Stand and wait! This is the hour of doom.'
And even as he spoke the earth rocked beneath their feet. Then rising swiftly up, far above the Towers of the Black Gate, high above the mountains, a vast soaring darkness sprang into the sky, flickering with fire. The earth groaned and quaked. The Towers of the Teeth swayed, tottered, and fell down; the mighty rampart crumbled; the Black Gate was hurled in ruin; and from far away, now dim, now growing, now mounting to the clouds, there came a drumming rumble, a roar, a long echoing roll of ruinous noise.
'The realm of Sauron is ended!' said Gandalf. 'The Ring-bearer has fulfilled his Quest.' And as the Captains gazed south to the Land of Mordor, it seemed to them that, black against the pall of cloud, there rose a huge shape of shadow, impenetrable, lightning-crowned, filling all the sky. Enormous it reared above the world, and stretched out towards them a vast threatening hand, terrible but impotent: for even as it leaned over them, a great wind took it, and it was all blown away, and passed; and then a hush fell.
The Captains bowed their heads...
”
”
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
“
The exponential growth of this industry was correlated with the phenomenon famously discovered by Moore, who in 1965 drew a graph of the speed of integrated circuits, based on the number of transistors that could be placed on a chip, and showed that it doubled about every two years, a trajectory that could be expected to continue. This was reaffirmed in 1971, when Intel was able to etch a complete central processing unit onto one chip, the Intel 4004, which was dubbed a “microprocessor.”Moore’s Law has held generally true to this day, and its reliable projection of performance to price allowed two generations of young entrepreneurs, including Steve Jobs and Bill Gates, to create cost projections for their forward- leaning products.
”
”
Walter Isaacson (Steve Jobs)
“
The exponential growth of this industry was correlated with the phenomenon famously discovered by Moore, who in 1965 drew a graph of the speed of integrated circuits, based on the number of transistors that could be placed on a chip, and showed that it doubled about every two years, a trajectory that could be expected to continue. This was reaffirmed in 1971, when Intel was able to etch a complete central processing unit onto one chip, the Intel 4004, which was dubbed a “microprocessor.” Moore’s Law has held generally true to this day, and its reliable projection of performance to price allowed two generations of young entrepreneurs, including Steve Jobs and Bill Gates, to create cost projections for their forward-leaning products. The
”
”
Walter Isaacson (Steve Jobs)
“
The Dying Man"
in memoriam W.B. Yeats
1. His words
I heard a dying man
Say to his gathered kin,
“My soul’s hung out to dry,
Like a fresh salted skin;
I doubt I’ll use it again.
“What’s done is yet to come;
The flesh deserts the bone,
But a kiss widens the rose
I know, as the dying know
Eternity is Now.
“A man sees, as he dies,
Death’s possibilities;
My heart sways with the world.
I am that final thing,
A man learning to sing.
2. What Now?
Caught in the dying light,
I thought myself reborn.
My hand turn into hooves.
I wear the leaden weight
Of what I did not do.
Places great with their dead,
The mire, the sodden wood,
Remind me to stay alive.
I am the clumsy man
The instant ages on.
I burned the flesh away,
In love, in lively May.
I turn my look upon
Another shape than hers
Now, as the casement blurs.
In the worst night of my will,
I dared to question all,
And would the same again.
What’s beating at the gate?
Who’s come can wait.
3. The Wall
A ghost comes out of the unconscious mind
To grope my sill: It moans to be reborn!
The figure at my back is not my friend;
The hand upon my shoulder turns to horn.
I found my father when I did my work,
Only to lose myself in this small dark.
Though it reject dry borders of the seen,
What sensual eye can keep and image pure,
Leaning across a sill to greet the dawn?
A slow growth is a hard thing to endure.
When figures our of obscure shadow rave,
All sensual love’s but dancing on a grave.
The wall has entered: I must love the wall,
A madman staring at perpetual night,
A spirit raging at the visible.
I breathe alone until my dark is bright.
Dawn’s where the white is. Who would know the dawn
When there’s a dazzling dark behind the sun.
4. The Exulting
Once I delighted in a single tree;
The loose air sent me running like a child–
I love the world; I want more than the world,
Or after image of the inner eye.
Flesh cries to flesh, and bone cries out to bone;
I die into this life, alone yet not alone.
Was it a god his suffering renewed?–
I saw my father shrinking in his skin;
He turned his face: there was another man,
Walking the edge, loquacious, unafraid.
He quivered like a bird in birdless air,
Yet dared to fix his vision anywhere.
Fish feed on fish, according to their need:
My enemies renew me, and my blood
Beats slower in my careless solitude.
I bare a wound, and dare myself to bleed.
I think a bird, and it begins to fly.
By dying daily, I have come to be.
All exultation is a dangerous thing.
I see you, love, I see you in a dream;
I hear a noise of bees, a trellis hum,
And that slow humming rises into song.
A breath is but a breath: I have the earth;
I shall undo all dying with my death.
5. They Sing, They Sing
All women loved dance in a dying light–
The moon’s my mother: how I love the moon!
Out of her place she comes, a dolphin one,
Then settles back to shade and the long night.
A beast cries out as if its flesh were torn,
And that cry takes me back where I was born.
Who thought love but a motion in the mind?
Am I but nothing, leaning towards a thing?
I scare myself with sighing, or I’ll sing;
Descend O gentlest light, descend, descend.
I sweet field far ahead, I hear your birds,
They sing, they sing, but still in minor thirds.
I’ve the lark’s word for it, who sings alone:
What’s seen recededs; Forever’s what we know!–
Eternity defined, and strewn with straw,
The fury of the slug beneath the stone.
The vision moves, and yet remains the same.
In heaven’s praise, I dread the thing I am.
The edges of the summit still appall
When we brood on the dead or the beloved;
Nor can imagination do it all
In this last place of light: he dares to live
Who stops being a bird, yet beats his wings
Against the immense immeasurable emptiness of things.
”
”
Theodore Roethke (The Collected Poems)
“
She leaned in and hugged me. “I know. Thanks. I love you, too. And for the record, Cheyenne and Landon are soul mates and if they don’t end up together, I want you to find a poltergeist to haunt the Easton Heights writers.”
She pulled back, smiling at me, then reaching out to ruffle Lend’s hair. “Take care of each other, you two obnoxious kids.”
Then, throwing her shoulders back and staring straight forward, she walked through the gate. I watched, dreading seeing her turn into dust or something, but gasped in relief and joy as her ruined, unnaturally preserved body blossomed into something new, something strong and proud and undeniably alive.
She turned back, just once, and although she was nearly unrecognizable, I could see our Arianna in her smile that managed to maintain its trademark ironic twist.
“I’m going to miss her,” I said.
“What?” Lend shouted.
“I said, I’m going to miss her!”
“I can’t hear you! I’m going to miss her!
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
He is gone away,” acknowledged Dupesu. “He is afraid here, we are wait so long, and he will not stay. He is say he is safer away.” He took his elbows off the table and leaned back. “We are try pray to the Raven and offer gifts direct but the Raven is not answer. And this is a question for Prince Mawat as well. Why does the Raven nothing? Why is the heir must sit naked before the fortress gates to complain of this wrong, to tell the people, to make Lease Hibal to deal with his complain? Why is he not complain to the Raven himself? Where is the god of Iraden?” “Wherever he wishes to be, I suppose,” you said. “Is it not strange,” observed Dupesu, “that he is not here now and I am think he might be needed?” From under his collar, the snake’s tongue flickered out and then back, no other sign of the snake itself but a bulge under the fabric of his tunic. “Excuse me,” you said, rising. “I have business to attend to.” And without waiting for an answer you left.
”
”
Ann Leckie (The Raven Tower)
“
The gods in Lankhmar (that is, the gods and candidates for divinity who dwell or camp, it may be said, in the Imperishable City, not the gods of Lankhmar—a very different and most secret and dire matter)… the gods in Lankhmar sometimes seem as if they must be as numberless as the grains of sand in the Great Eastern Desert. The vast majority of them began as men, or more strictly the memories of men who led ascetic, vision-haunted lives and died painful, messy deaths. One gets the impression that since the beginning of time an unending horde of their priests and apostles (or even the gods themselves, it makes little difference) have been crippling across that same desert, the Sinking Land, and the Great Salt Marsh to converge on Lankhmar's low, heavy-arched Marsh Gate—meanwhile suffering by the way various inevitable tortures, castrations, bindings and stonings, impalements, crucifixions, quarterings and so forth at the hands of eastern brigands and Mingol unbelievers who, one is tempted to think, were created solely for the purpose of seeing to the running of that cruel gauntlet.
”
”
Fritz Leiber (Swords in the Mist (Fafhrd and the Gray Mouser, #3))
“
How long will you be away?”
“Three days,” he said cheerfully. “You’ll scarcely have time to miss me before I’m back.”
“I wouldn’t miss you no matter how long you were gone.” But Kathleen looked over him with concern as the butler helped him don his hat and coat. When he returned, she thought, they would have to take in his clothes again; he had lost at least another stone. “Don’t forget to eat while you’re away,” she scolded. “You’ll soon be mistaken for a scarecrow if you keep missing your dinner.”
The constant exercise of riding across the estate lands, walking the fields, helping a farmer repair a gate or retrieve a ewe that had jumped a garden wall, had wrought considerable changes in West. He’d lost so much weight that his garments hung on his frame. The bloat had melted from his face and neck, revealing a firm jawline and hard profile. All the time spent outdoors had imparted healthy color to his complexion, and he appeared years younger, an air of vitality replacing the look of sleepy indolence.
West leaned down to press a light kiss on her forehead. “Good-bye, Attila,” he said affectionately. “Try not to browbeat everyone in my absence.
”
”
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
“
Reth narrowed his eyes and looked from me to the gate and back again.
“Don’t even think about it,” I said, suddenly scared. “If you so much as take a step to drag me through, I will drain your soul and send it through the gate in the stars you’re so scared of. And you know you can’t fight me right now.”
His lips jutted out petulantly, then he sighed. “I really will miss you, my love. If nothing else you were always entertaining.”
I smiled. “I think I might miss you, too. So few things left in this world to terrorize me and look pretty while doing it. Now get out of here and enjoy your eternity.” He glanced calculatingly at the gate once again, and I raised my hand in warning. “I can drain faster than you can run.”
He looked torn, then leaned forward and pressed his smooth lips against mine in a whisper of a kiss. I staggered back, putting my fingers to my lips and still feeling his heat there.
“Perhaps if I had done that earlier you would be coming with me now.” He smiled at me, that enigmatic faerie smile that I realized with a pang I really would miss, then turned and walked, stooped and unsteady, through the gate.
“Good-bye, Reth,” I whispered, letting the wind carry my words through the gate and wondering if he heard them on the other side. Something tight around my heart released as he grew taller and brighter, healed, his features smoothing until they were so much less human than they had ever been. He turned his head ever so briefly in my direction, smiled, and then ran on dancing feet to join the rest of his brothers and sisters.
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
It was said that the Old Folk controlled the power of fire, among other things, but that was in the Long and Long Ago. Before that, the fathers of the Old Folk caught a spark with flint and steel and their own desire to live. It was also said that the world was a great wheel, and everything came round to what it once had been, and so Steven Boughmount knelt in the snow with rocks in his hands, trying to catch a flame. He was having little luck. Just over the low hills, beyond this scrub of forest, the village was warm and sleeping behind its wall.
That’s where I should be, Steven thought as he scraped the edge of one rock against the other. Not in bed, not yet, but stretched out in my chair with my feet up, a pipe smoking just right in my hand and Heather curled up beside me. The boys are all asleep, but maybe we’ll stay up for a while. Maybe we’ll move to the bedroom, maybe not. That’s where I should be, not up to my ass in snow trying to light a fire.
“C’mon, bastard,” he said, and drug the sharp edge of the rock in his right hand against the flat of the one in his left. A white spark flew, and then died before it could reach the stripped branches and dried moss he had laid out on the frozen ground.
Snow crunched somewhere off to the left of him. Steven heard soft, bare footsteps. They were coming, all right. And they were in a hurry, running toward a village protected by two drunks on either side of a leaning gate. That was why Steven sat in the snow. When the Guards slept, the Hunters went to work. And what sounded like a whole clan of goblins was passing him by because he couldn’t get a damn fire lit.
Steven drew his sword. It was called Fangodoom, given to him by his mother just before she died. Fangodoom was a dwarf blade, of steel mined and forged deep within the Lyme Mountains centuries ago. Goblins near, the blade all but gleamed though there wasn’t any moon. Again he wondered if this would be the last time, and again he knew that if it was, it was. His hand turned into a fist on the hilt of his weapon, and he prayed.
“Lord, make me Your hammer.
”
”
Michael Kanuckel (Winter's Heart)
“
What did you hope to get out of killing Win’s doctor?” “Enjoyment.” “No doubt you would have. Win didn’t seem to be enjoying it, however.” “Why is Harrow here?” Kev asked fiercely. “I can answer that one,” Leo said, leaning a shoulder against the wall with casual ease. “Harrow wants to become better acquainted with the Hathaways. Because he and my sister are … close.” Kev abruptly felt a sickening weight in his stomach, as if he’d swallowed a handful of river stones. “What do you mean?” he asked, even though he knew. No man could be exposed to Win and not fall in love with her. “Harrow is a widower,” Leo said. “A decent enough fellow. More attached to his clinic and patients than anything else. But he’s a sophisticated man, widely traveled, and wealthy as the devil. And he’s a collector of beautiful objects. A connoisseur of fine things.” Neither of the other men missed the implication. Win would indeed be an exquisite addition to a collection of fine things. It was difficult to ask the next question, but Kev forced himself to. “Does Win care for him?” “I don’t believe Win knows how much of what she feels for him is gratitude, and how much is true affection.” Leo gave Kev a pointed glance. “And there are still a few unresolved questions she has to answer for herself.” “I’ll talk to her.” “I wouldn’t, if I were you. Not until she cools a bit. She’s rather incensed with you.” “Why?” Kev asked, wondering if she had confided to her brother about the events of the previous night. “Why?” Leo’s mouth twisted. “There’s such a dazzling array of choices, I find myself in a quandary about which one to start with. Putting the subject of this morning aside, what about the fact that you never wrote to her?” “I did,” Kev said indignantly. “One letter,” Leo allowed. “The farm report. She showed it to me, actually. How could one forget the soaring prose you wrote about fertilizing the field near the east gate? I’ll tell you, the part about sheep dung nearly brought a tear to my eye, it was so sentimental and—” “What did she expect me to write about?” Kev demanded. “Don’t bother to explain, my lord,” Cam interceded as Leo opened his mouth. “It’s not the way of the Rom to put our private thoughts on paper.
”
”
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
“
Are you Hilary Westfield?” She sounded like she hoped it wasn’t the case. Hilary nodded. “Oh. Well, I’m Philomena. I have to show you to your room.” Hilary looked wildly at Miss Greyson. “I’m Miss Westfield’s governess,” Miss Greyson said, to Hilary’s relief. Maybe talking politely to people like Philomena was something you learned at Miss Pimm’s, or maybe getting past Philomena was a sort of entrance exam. “Is there any chance we could see Miss Pimm? We’re old acquaintances. I used to go to school here, you see.” Miss Greyson smiled for the second time that day—the world was getting stranger and stranger by the minute—but Philomena didn’t smile back. “I’m terribly sorry,” said Philomena, “but Miss Pimm doesn’t receive visitors. You can leave Miss Westfield with me, and the porter will collect Miss Westfield’s bags.” She raised her eyebrows as the carriage driver deposited the golden traveling trunk on the doorstep. “I hope you have another pair of stockings in there.” “I do.” Hilary met Philomena’s stare. “I have nineteen pairs, in fact. And a sword.” Miss Greyson groaned and put her hand to her forehead. “Excuse me?” said Philomena. “I’m afraid Miss Westfield is prone to fits of imagination,” Miss Greyson said quickly. Philomena’s eyebrows retreated. “I understand completely,” she said. “Well, you have nothing to worry about. Miss Pimm’s will cure her of that nasty habit soon enough. Now, Miss Westfield, please come along with me.” Hilary and Miss Greyson started to follow Philomena inside. “Only students and instructors are permitted inside the school building,” said Philomena to Miss Greyson. “With all the thefts breaking out in the kingdom these days, one really can’t be too careful. But you’re perfectly welcome to say your good-byes outside.” Miss Greyson agreed and knelt down in front of Hilary. “A sword?” she whispered. “I’m sorry, Miss Greyson.” “All I ask is that you take care not to carve up your classmates. If I were not a governess, however, I might mention that the lovely Philomena is in need of a haircut.” Hilary nearly laughed, but she suspected it might be against the rules to laugh on the grounds of Miss Pimm’s, so she gave Miss Greyson her most solemn nod instead. “Now,” said Miss Greyson, “you must promise to write. You must keep up with the news of the day and tell me all about it in your letters. And you’ll come and visit me in my bookshop at the end of the term, won’t you?” “Of course.” Hilary’s stomach was starting to feel very strange, and she didn’t trust herself to say more than a few words at a time. This couldn’t be right; pirates were hardly ever sentimental. Then again, neither was Miss Greyson. Yet here she was, leaning forward to hug Hilary, and Hilary found herself hugging Miss Greyson back. “Please don’t tell me to be a good little girl,” she said. Miss Greyson sniffed and stood up. “My dear,” she said, “I would never dream of it.” She gave Hilary’s canvas bag an affectionate pat, nodded politely to Philomena, and walked down the steps and through the gate, back to the waiting carriage. “Come along,” said Philomena, picking up the lightest of Hilary’s bags. “And please don’t dawdle. I have lessons to finish.” HILARY FOLLOWED PHILOMENA through a maze of dark stone walls and high archways. From the inside, the building seemed more like a fortress
”
”
Caroline Carlson (Magic Marks the Spot (The Very Nearly Honorable League of Pirates, #1))
“
So it was always at night, like a werewolf, that I would take the thing out for an honest run down the coast. I would start in Golden Gate Park, thinking only to run a few long curves to clear my head. . . but in a matter of minutes I'd be out at the beach with the sound of the engine in my ears, the surf booming up on the sea wall and a fine empty road stretching all the way down to Santa Cruz. . . not even a gas station in the whole seventy miles; the only public light along the way is an all-night diner down around Rockaway Beach.
There was no helmet on those nights, no speed limit, and no cooling it down on the curves. The momentary freedom of the park was like the one unlucky drink that shoves a wavering alcoholic off the wagon. I would come out of the park near the soccer field and pause for a moment at the stop sign, wondering if I knew anyone parked out there on the midnight humping strip.
Then into first gear, forgetting the cars and letting the beast wind out. . . thirty-five, forty-five. . . then into second and wailing through the light at Lincoln Way, not worried about green or red signals, but only some other werewolf loony who might be pulling out, too slowly, to start his own run. Not many of these. . . and with three lanes on a wide curve, a bike coming hard has plenty of room to get around almost anything. . . then into third, the boomer gear, pushing seventy-five and the beginning of a windscream in the ears, a pressure on the eyeballs like diving into water off a high board.
Bent forward, far back on the seat, and a rigid grip on the handlebars as the bike starts jumping and wavering in the wind. Taillights far up ahead coming closer, faster, and suddenly -- zaaapppp -- going past and leaning down for a curve near the zoo, where the road swings out to sea.
The dunes are flatter here, and on windy days sand blows across the highway, piling up in thick drifts as deadly as any oil-slick. . . instant loss of control, a crashing, cartwheeling slide and maybe one of those two-inch notices in the paper the next day: “An unidentified motorcyclist was killed last night when he failed to negotiate a turn on Highway I.”
Indeed. . . but no sand this time, so the lever goes up into fourth, and now there's no sound except wind. Screw it all the way over, reach through the handlebars to raise the headlight beam, the needle leans down on a hundred, and wind-burned eyeballs strain to see down the centerline, trying to provide a margin for the reflexes.
But with the throttle screwed on there is only the barest margin, and no room at all for mistakes. It has to be done right. . . and that's when the strange music starts, when you stretch your luck so far that fear becomes exhilaration and vibrates along your arms. You can barely see at a hundred; the tears blow back so fast that they vaporize before they get to your ears. The only sounds are wind and a dull roar floating back from the mufflers. You watch the white line and try to lean with it. . . howling through a turn to the right, then to the left and down the long hill to Pacifica. . . letting off now, watching for cops, but only until the next dark stretch and another few seconds on the edge. . . The Edge. . . There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others -- the living -- are those who pushed their control as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later.
But the edge is still Out there. Or maybe it's In. The association of motorcycles with LSD is no accident of publicity. They are both a means to an end, to the place of definitions.
”
”
Hunter S. Thompson (Hell's Angels)
“
After six long hours of driving and three rest stops, Tiger pulls up to a snow-topped, metal speaker box just outside the State Penitentiary's first gate in Walla Walla. As he rolls down his window and snow flies in his face, Joshua starts begging for a Happy Meal.
I turn around, snapping at him. "This ISN'T MCDONALDS and YOU AREN'T HUNGRY. NOW SHUT UP BRAT."
A loud scratchy masculine voice blasts out of the speaker. "CAN I HELP YOU?"
Tiger leans out the window, as he answers- We're here to visit Raven Chandler.
"HAVE YOU BEEN HERE BEFORE?"
"Yes sir. I've been here A LOT."
"WHERE'S HIS MOTHER?"
"I don't know.. I haven't seen her in months."
"NOT THE PRISONER'S MOTHER. THE BRAT IN THE BACK SEAT OF YOUR JEEP."
"Oh- HIM-" As he turns, smiling and sticking his tongue out at Joshua, I lean towards his window to answer the guard's question.
"SHE'S IN VEGAS, SIR. I'M BABYSITTING. HE'S MY GODSON." When the speaker remains disturbingly silent for far too long, I continue. "HE'S A GOOD BOY SIR. HE WON'T BE ANY TROUBLE- I SWEAR."
"THAT'S RIGHT," Tiger said. "HE SWEARS ON THE LITTLE BRAT'S MOTHER'S GRAVE.
”
”
Giorge Leedy (Uninhibited From Lust To Love)
“
Nate was sitting in the relative dark of the room, doors open, the long gauzy sheers floating in the wind. He peripherally registered movement on the lawn. It was Dominika, holding a small case in her hand. She had somehow gotten through the gate and come around the side of the house. Two hours early. Nate dis not move, watching her through the French doors. She faced the water, dropped her bag, shook out her hair in the breeze, and looked at a freighter thrumming down the channel. She lifted one foot, then the other, slipping sandals off her feet. Her dark-blue summer dress billowed in the breeze, right out of Wuthering Heights. Nate walked to the open door and leaned against the frame. “I’m sorry, but the property is not for sale,” he said. Dominika did not turn, but continued to look at the water. “Are you the owner?” said Dominika over her shoulder. “I represent the owners,” said Nate, stepping down to the grass and walking up behind her. “Are you sure they will not consider selling?” she said. She turned around and brushed wind-blown hair off her face. She took a step toward him. They were inches apart. “How much are you willing to offer?” said Nate. “For a view like this, price is no object,” said Dominika. She put her arms around his neck and buried her face in his shoulder. Nate lightly held her waist. They stood like that for a long minute, then Dominika stepped back and wiped her wet cheek. “Kak ty?” she wispered, in Russian, how are you? “Privet,” said Nate, Hi. “I missed you.
”
”
Jason Matthews (The Kremlin's Candidate (Red Sparrow Trilogy, #3))
“
How much more fun life must have been when we went around on horses, chatting to strangers, leaning over gates, leaping over fences, singing with joy, being at one with nature, its animals and its weather.
”
”
Tom Hodgkinson (The Freedom Manifesto)
“
Wow,” I breathe as we walk along the road past the parked cars, and come to an arched gate set in a low wall, a drive slanting steeply downhill through the archway. A few Vespa scooters are leaning against the wall, by the gateposts, and at the bottom of the drive is a small house, all its windows blazing with light, music pouring out into the dark velvety night air. It’s like something out of a fairy tale. A modern fairy tale, where Hansel and Gretel don’t get put into a witch’s oven, but dance all night under the stars.
And maybe there’ll be a prince to make the fairy take complete, I can’t help thinking, before I firmly forbid myself from speculating about whether Luca will be here.
”
”
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
“
out and started again? Well, she hated cold tea, so she tipped it onto the grass, holding her breath. No complaint, so she began again. ‘Milk?’ Hannah studied him from under her hair. ‘Yes, please, just a small amount. Lapsang is a very delicate tea and too much milk kills the flavour.’ ‘I’ll need lots of milk then.’ Balancing the cup, saucer and spoon carefully, she offered it. ‘Thank you, Miss Hollis.’ ‘Hannah.’ She poured her own tea, wondering if it would taste like the ashtray it smelled like. With cup only in hand, she leaned against the back of the wooden chair then threw a leg over the side arm. ‘So, Miss Hollis, what brings you to Cornwall?’ ‘Call me Hannah. Miss Hollis makes me sound like some old school marm.’ ‘Is that a problem? Most old school marms, as you call them, of my acquaintance are delightful people.’ ‘Sure, but boring I bet.’ ‘Not at all.’ ‘Right. Not to you, maybe.’ Hannah braved a sip and winced. ‘Back to the question: what has brought you to Cornwall?’ ‘Bloody bad luck,’ she said, frowning at her tea. ‘No need to swear,’ he said. ‘I didn’t swear.’ ‘You did,’ he said. ‘What? Are you talking about bloody?’ she asked. ‘Yes. It is a curse.’ ‘No,’ she said. ‘Yes.’ ‘Well, maybe in the dark ages it was, but it isn’t now.’ She began to wonder if she’d walked through a time machine when she’d come through the gate earlier. It was a nice one, though. The orchard was beautifully laid out and the table and chairs were a lovely weathered blue. ‘Who advised you of this?’ he asked. Hannah sat up and put her empty cup on the table, not quite sure when she had drunk it. ‘Look, it’s a word that’s used every day.’ ‘Yes, but does that change its meaning?’ he asked. ‘No, but no one takes it like that any more.’ ‘Who is no one?’ he asked. ‘I mean no one who hasn’t lived in the dark ages.’ She looked at his wrinkled skin and tried to guess his age. ‘You mean anyone over the age of, say, sixty?’ he suggested. ‘Yeah, sort of.’ ‘Well, as I fit that category, could you refrain from using it?’ ‘Yeah, I guess. If it bothers you that much.’ ‘Thank you. Would you be kind enough to pour more tea?’ Old Tom leaned back into his chair. The sun wasn’t coming through the east window when Maddie opened her eyes for the second time that day; instead, she found Mark standing at the end of the bed with a tray. She blinked. When she last peered at the bedside clock, it had been eight a.m. and she’d thought that if she slept for another hour, she would begin to feel human. What a wasted day. What had Hannah been up to? Had she come into the room and seen her like this? Well, it was a lesson in what not to do in life. The end of last night, no, this morning, was more than fuzzy; in fact, she didn’t remember coming up to her room. The last clear memory was saying goodbye to Tamsin and Anthony. She and Mark had gone back into the kitchen and had another glass of wine or two. ‘Good evening,’ he said. ‘It’s not that late?’ ‘Almost time for a drink.’ He smiled. She winced. ‘Oh, don’t.’ ‘Would a bit of tea and toast help?’ ‘It might.’ Maddie eased herself onto her elbows and then slipped back down again. She was only wearing knickers. Mark’s eyes widened. ‘Could you hand me that shirt on the end of the bed?’ she asked. ‘Certainly.’ She wrestled with it under the duvet. ‘Sorry. I couldn’t find your pyjamas last night.’ ‘What?’ Maddie
”
”
Liz Fenwick (The Cornish House)
“
We stop at the gate to the apartment, but Bruno’s still hanging on to me.
“The key,” he says, swaying his hips. “Pocket on left.”
“So put me down and get it out.”
He lowers his lips to my ear. “You get it for me?”
Goose bumps. All over. I may have decided I want his attention, but that’s a little much.
I remove my hands from his neck and push my legs down against his arm, making myself as heavy as possible. He gives in and lets me slide off, then opens the gate. I hop over to the stairs and use the railing as leverage to hoist myself up the first and second steps, blood pounding in my ears with every move. With a top floor apartment, this could take an hour.
Bruno scoops me back up without a word and trudges up the stairs. Despite the strength and precision it takes him to avoid letting any of my appendages smack into the wall, he’s not even winded when we finally get to the apartment. He sets me down on the couch--the boys’ temporary bed folded away inside--and carefully props my giant foot on a pillow. He rummages in the kitchen and comes back with a plastic sandwich bag filled with ice, wrapped in a hand towel.
The weight of it sends a fresh wave of pain up to my temples and I lean back, bracing myself.
“I am sorry!” he says, a deep line between his eyebrows.
“It’s fine.” I force a laugh. “This”--I motion to my foot--“is definitely not your fault.”
“It is. I should have gone. It would not have happened.”
If he had come with me, I know exactly what would have happened, and it wouldn’t have involved sightseeing. It would have been The Kissing Bench Part II.
”
”
Kristin Rae (Wish You Were Italian (If Only . . . #2))
“
His brother Najib owned an auto-parts store at bustling Shikarpur Gate, the mouth of the narrow road linking their village to the city—an ancient byway that had once led southward through the passes all the way to India. At dusk it is clogged with a riot of vegetable sellers’ handcarts beset by shoppers, Toyota pickup trucks, horse-drawn taxis, and three-wheeled rickshaws clambering around and through the throng like gaudy dung beetles. Nurallah’s brother Najib had gone to Chaman, just across the border in Pakistan, where the streets are lined with cargo containers serving as shops, and used motor oil cements the dust to the ground in a glossy tarmac, and every variety of automotive organ or sinew is laid bare, spread out, and strung up for sale. He had made his purchases and set off back to Kandahar. “He paid his customs dues”—Nurallah emphasized the remarkable point—“because that’s the law. He paid at every checkpoint on the way back, fifty afghanis, a hundred afghanis.” A dollar or two every time an unkempt, underage police boy in green fatigues slouched out of a sandbagged lean-to into the middle of the road—eight times in the sixty-six miles when last I counted. “And then when he reached the entrance to town, the police there wanted five hundred afghanis. Five hundred!” A double arch marks the place where the road that swoops down from Kabul joins the road leading in from Pakistan. The police range from one side to the other, like spear fishermen hunting trout in a narrows. “He refused,” Nurallah continued. “He said he had paid his customs dues—he showed them the receipt. He said he had paid the bribes at every checkpoint all along the way, and he was not paying again.” I waited a beat. “So what happened?” “They reached into his window and smacked him.” “They hit him?” I was shocked. Najib might be a sunny guy, but Kandahar tempers are strung on tripwires. For a second I thought we’d have to go bail him out. “What did he do?” Nurallah’s eyes, beneath his widow’s peak, were banked and smoldering. “What could he do? He paid the money. But then he pulled over to the side of the road and called me. I told him to stay right there. And I called Police Chief Matiullah Qatih, to report the officer who was taking the bribes.” And Matiullah had scoffed at him: Did he die of it? The police buzzards had seen Najib make the call. They had descended on him, snatched the phone out of his hand, and smashed it. “You call that law?” Now Nurallah was ablaze. “They’re the police! They should be showing people what the law is; they should be enforcing the law. And they’re the ones breaking it.” Nurallah was once a police officer himself. He left the force the day his own boss, Kabul police chief Zabit Akrem, was assassinated in that blast in the mosque in 2005.1 Yet so stout was Nurallah’s pride in his former profession that he brought his dark green uniform into work and kept it there, hung neatly on a hook in his locker. “My sacred oath,” he vowed, concluding: “If I see someone planting an IED on a road, and then I see a police truck coming, I will turn away. I will not warn them.” I caught my breath. So maybe he didn’t mean it literally. Maybe Nurallah wouldn’t actually connive with the Taliban. Still, if a former police officer like him was even mouthing such thoughts, then others were acting on them. Afghan government corruption was manufacturing Taliban.
”
”
Sarah Chayes (Thieves of State: Why Corruption Threatens Global Security)
“
I stood leaning on the gates of hell with a cigarette in my mouth, and some trees were on fire and they resembled lilies in their white eternal flames, and I knew it appeared to the others that I was callously watching the world unravel.
”
”
Frank X. Gaspar (A Field Guide to the Heavens (Wisconsin Poetry Series))
“
Great captains and great CEOs both know you can’t move fast every minute of the journey. If you’re going to go the distance, you have to recognize that the conditions around you are always changing. You have to be strategically patient, but that doesn’t mean sitting back and waiting. It means leaning in and being prepared for the moment to step on the gas. But when that breakout moment first arrives, your first steps out of the starting gates should be fast. In fact, they should be explosive. The whole idea is to generate enormous early momentum behind your idea—before anyone else can steal your thunder.
”
”
Reid Hoffman (Masters of Scale: Surprising Truths from the World's Most Successful Entrepreneurs)
“
This is how Chloe, as a person, has swiftly come to mean so much during our complicated and short history. Despite all her personal fears and anxiety, she still reaches for me. She doesn’t flinch when she touches me, she doesn’t care if she must lean against my chest. If Amalourne was a pet’s love—warm but focused only on affection as a comfort and moment of peace—Chloe was the dangerous and alluring hint of a binding love—something that lasted through death, pain…and power. Something far deeper, far rarer, and far more precious. And yet, it is something I still can’t have. I doubt it’s what wild magic has in mind for her, but—more importantly—that’s the kind of love that is dangerous for me to have when my sole purpose in life is to fulfill my duties. It would distract me and keep me from it.
”
”
K.M. Shea (The King's Shadow (Gates of Myth and Power, #2))
“
Sander raised his voice, just loud enough to get people to lean forward to hear him. “This is how it’s gonna work.”
He sat up, closer to the edge of the couch, his legs closing together like a gate, but still with enough room between them that they were almost framing Aaron. Sander tapped a thigh with two thick-knuckled fingers. “Over here. I scored twenty-one points, right? So twenty-one of them, over the clothes.
”
”
Opal Moritz (Losing, or Something Like It)
“
disliked lore, as a general rule, and he certainly disliked it when citizens of the Protectorate got it in their heads to think themselves better than they were. He deepened his frown and leaned in close, wrinkling his brow. The baby stuck out her tongue. Horrible child, Gherland thought. “Gentlemen,” he said with all the ceremony he could muster, “it is time.” The baby chose this particular moment to let loose a large, warm, wet stain across the front of Gherland’s robes. He pretended not to notice, but inwardly he fumed. She had done it on purpose. He was sure of it. What a revolting baby. The procession was, as usual, somber, slow, and insufferably plodding. Gherland felt he might go mad with impatience. Once the Protectorate’s gates closed behind them, though, and the citizens returned with their melancholy broods of children to their drab little homes, the Elders quickened their pace. “But why are we running, Uncle?” Antain asked. “Hush, boy!” Gherland hissed. “And keep
”
”
Kelly Barnhill (The Girl Who Drank the Moon)
“
He leans close, his distress evident. “She’s penned a play,” he says. “I can feel it. Don’t act the part she’s written for you.
”
”
Sabaa Tahir (A Reaper at the Gates (An Ember in the Ashes, #3))
“
Your pick-up is out front,” Bryce told her. He seemed on the brink of saying something else. Max took a step forward and slid her arms around his waist, leaning against the solid bulk of muscle and warmth, feeling the last little bit of tension ease out of her body. His arms came around her so she was wrapped in him, completely at peace. “You could come with me,” she said, tilting her head up to look at him. Surprise lit his face, and he smiled, then the smile faded and he shook his head.
”
”
Vanessa Nelson (Forged (The Grey Gates, #4))
“
Pageantry. Elm winked at his father, fixing his face with his custom brand of petulant, courtly charm. “The Pine family. How delightful.” He turned to Wayland. “I was sorry to hear about your Iron Gate Card.” His bruised hand flexed beneath the table. “Nasty things, highwaymen.” Wayland Pine, the poor bastard, looked close to tears at the mention of the Providence Card Ravyn had rid him of several weeks ago. “Thank you, my Prince.” He bowed, his hand on his eldest daughter’s back, pushing her slightly forward. “You remember Farrah, my eldest.” Elm hardly did. “Of course. Are you long at Stone, Miss Pine?” Farrah’s eyes flickered to the King. “For a week, Your Grace. For the feasts.” “For which we are most grateful to be invited,” Wayland chimed, another bow. The King raised a hand, acceptance and dismissal in a single gesture. The Pines shuffled away, Farrah bidding Elm a backward glance. “What feasts?” he said to his father, watching the Pines disappear into the crowd. The King leaned back in his chair. “Beginning tomorrow night, there will be six feasts. On the sixth, you will choose a wife.
”
”
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
“
she admitted, then blew on a spoonful of hot broth. “No. I mean, I really like it. When I’m near you, it’s easier for me. It’s not such a fight with Bear. He settles around you.” If this was settled for Bear, he really did have less control than she could even imagine. What had happened to Ethan to break the bond between him and his animal? It wasn’t supposed to be a war. They were supposed to work together. She draped her legs over his lap as he lifted his bowl of soup and leaned against the wall behind the cot. “Better?” she asked with a coy smile. He gifted her a hungry glance and relaxed under her. “Much.” His voice was still too low and growly, but his eyes were the color of dark chocolate, and that was good enough for her. Dinner was a comfortable affair, highlighted with a few phone calls from campers who’d been locked out of the gates past closing time and needed the code to get back in to their campsites. Ethan insisted on rinsing the dishes, but it didn’t sit well with her to just sit around while he worked, so she helped. She stood so close to him, their arms touched. If he liked feeling her, she didn’t mind soothing Bear. “What are you thinking now?
”
”
T.S. Joyce (Avenge the Bear (Hells Canyon Shifters #3))
“
The only way through is that kissing gate.”
“Why is it called that?”
“I don’t know.” Lottie considered the gate thoughtfully. “I suppose because a kiss would be the unavoidable consequence of two people trying to pass through it at the same time.”
“An interesting theory.” Sydney paused inside the narrow gate. Leaning against one side of it, he sent her a challenging smile, knowing full well that she could not go through without brushing against him.
Lottie raised her brows. “By some chance are you expecting me to test it?”
Lord Sydney lifted one shoulder in a relaxed shrug, watching her with a vagabond charm that was nearly irresistible. “I won’t stop you, if you feel so inclined.”
-Lottie & Nick
”
”
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
“
Whoa,” I murmured, trying to calm the animal enough to set it loose, not wanting it to come to harm.
I gripped the reins, but the horse, its eyes wild with fear, snapped its head back, catching my hand in the leather strap, and I inhaled sharply from the sting. How long had the poor thing been out here? My senses on full alert, I glanced behind me at the busy street, weighing my options. Seeing no one, I hoisted up my skirt, and unsheathed the dagger I had kept. The instant I cut the reins, the horse bolted past me, almost knocking me over. Its owner would not be happy, but at least the animal would live to see another day.
It wasn’t until someone clamped an arm around my waist, seizing the knife, that I realized I was no longer alone. So much for having reliable senses.
“Well, aren’t you just incorrigible?”
Imprisonment or execution was the punishment for bearing weapons in this new Hytanica. The dagger itself was a small loss, but I had to get away. I brought my elbow back, my mother’s reluctance to let me leave the house flashing like lightning in my brain. If I were arrested, killed, she would never forgive herself, even though she would bear no fault.
“Empress, the bruises you’ve given me are too many to count!”
I whirled around, dismayed that I had not succeeded in getting the Cokyrian to release me, at the same time recognizing the voice and the curse. Saadi pushed me against the side of the shop, leaning in so close to me that I could feel his breath upon my cheek, and his pale blue eyes stared me into submission.
“I can’t call you a horse thief for what you just did,” he told me, glancing after the gelding. “At least, not a very good horse thief. But I can, and I must, bring you in for this little utensil of yours. Some niece of the captain you are.”
“Are you going to take me to your sister?” I spat, and he grimaced, contemplating me for an instant before disregarding the barb. Gripping me by the upper arm, he hauled me toward the thoroughfare.
“Come on. To the Bastion.”
Though my question about Rava appeared to have had its intended effect, I was numb with fear. What if he did take me to her? Rava had been the one to order me lashed for my failed prank, she’d been the one to inflict punishment upon Steldor. It seemed no one could exert control over her, a thought that made me ill.
The nearer we came to our destination, the more rapidly my heart beat, and by the time we reached the palace gates, I was again fighting Saadi.
“Let…me…go!” I howled, unexpectedly pulling out of his grasp, but one of the Cokyrian sentries caught me, laughing at my plight.
“Need some help, Saadi?” the burly man offered, shoving me back at my captor, who was rather slight in comparison to his comrade.
“No,” Saadi grumbled and the sentry moved ahead to open the gates for us.
As we passed through, the large man called, “Rava is at the city headquarters, minding the peacekeeping force. If you were looking for her, that is.”
“I wasn’t.” Even though my circumstances were inarguably bleak, a wave of relief washed over me. She, at least, would not be the one to show me the error of my ways.
”
”
Cayla Kluver (Sacrifice (Legacy, #3))
“
He reached up and stroked her cheek. “Face it, lady, you’re not getting rid of me that easily. I don’t care how many times you call the cops.” She smiled and leaned against his hand, and he felt her tears falling over his fingers.
”
”
Sam Sisavath (The Gates of Byzantium (Purge of Babylon, #2))
“
The Birth of a Poet
The formal study of literature and poetry is a ladder
you must throw away after you've climbed to the top.
Once you've reached the lofty heights,
stand firm and dauntless on the shoulders of giants.
Inspire and climb a new ladder
by creating your own poetry and literature.
With your words, boldly lean your ladder on
the roaring cumulonimbus clouds
and ascend to heaven's gates
through the peal and crack of thunder.
Behold!
A poet is born.
”
”
Beryl Dov
“
Teams steeped in traditional product development methods are trained to make go/kill decisions on a regular basis. That is the essence of the waterfall or stage-gate development model.
”
”
Eric Ries (The Lean Startup: How Today's Entrepreneurs Use Continuous Innovation to Create Radically Successful Businesses)
“
Well, it’s not so much a trembling,’ was the answer—‘though they do quiver—as a complete derangement of the nervous system. They can’t sign their names to the book; sometimes can’t even hold the pen; look about ’em without appearing to know why, or where they are; and sometimes get up and sit down again, twenty times in a minute. This is when they’re in the office, where they are taken with the hood on, as they were brought in. When they get outside the gate, they stop, and look first one way and then the other; not knowing which to take. Sometimes they stagger as if they were drunk, and sometimes are forced to lean against the fence, they’re so bad:—but they clear off in course of time.
”
”
Charles Dickens (American Notes and Pictures from Italy)
“
Sydney had spent all day working up the nerve to come out to the Leaning T Ranch. Now that she was here, right outside the gates, all those nerves were shifting into overdrive and turning her insides to mush. But if she wanted a horse-drawn carriage for her wedding, she had to ask Cam Thatcher.
”
”
Morgan Blaze (Cowboy's Pride (Welcome to Covendale, #1))
“
For God’s sake, Eve Windham, it was just a kiss under the mistletoe, probably inspired by your papa’s wassail more than anything else.” She had to put her hand on his arm while the feeling of the ground shifting beneath her feet swept over her. “My brothers said it was white rum.” “The occasional tot makes the holiday socializing less tedious. You really do not look well.” The last observation was grudging, almost worried. “I did not mean to swill from your glass, Deene. You should have stopped me.” They had to get to the coach. The night felt like it was closing in, and Deene’s voice—a perfect example of male aristocratic euphony—was swelling and shrinking in the oddest way. “I might have stopped you, except you downed the whole drink before I realized what was afoot, and then you were accosting me in the most passionate—” Eve clutched his arm and swayed into him, breathing shallowly through her mouth. “If you insist on arguing with me, my lord, I will be ill all over these bushes.” “Why didn’t you say so?” He slipped an arm around her waist and promenaded her down the steps. By the time they got to the garden gate, the nausea was subsiding, though Eve was leaning heavily on her escort. She had the notion that the scents of cedar and lavender coming from Deene’s jacket might have helped quiet her stomach. Deene ushered her through the gate, which put them on a quiet, mercifully dark side street. “How often do these headaches befall you?” “Too often. Sometimes I go for months between attacks, sometimes only days. The worst is when it hits on one side, subsides for a day, then strikes on the other.” Deene pulled one of his gloves off with his teeth, then used two fingers to give a piercing, three-blast whistle. “Sorry.” All the while he kept his arm around Eve’s waist, a solid, warm—and quite unexpected—bulwark against complete disability. “The coach will here in moments. Is there anything that helps?” “Absolute quiet, absolute dark, time.” Though her mother used to rub her neck, and that had helped the most. He said nothing more—Deene wasn’t stupid—and Eve just leaned on him. Her grandmother had apparently suffered from these same headaches, though neither Eve’s parents nor her siblings were afflicted. The clip-clop of hooves sounded like so much gunfire in Eve’s head, but it was the sound of privacy, so Eve tried to welcome it. Deene gave the coachy directions to the Windham mansion and climbed in after Eve. “Shall I sit beside you, my lady?” An odd little courtesy, that he would even ask. “Please. The less I move, the less uncomfortable I am.” He settled beside her and looped an arm around her shoulders. Without a single thought for dignity, skirmishes, or propriety, Eve laid her head on his shoulder, closed her eyes, and was grateful. ***
”
”
Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))
“
The men fortunately didn’t notice my near heart attack or me. They were too busy watching something in the parking lot. Standing shoulder to shoulder, they blocked my view. I didn’t really care what had them so engrossed; I wanted to go home. I heard Sam behind me, muttered a quick “excuse me,” and moved around the small group. It took me less than a second to spot the object of their attention. Once I did, I couldn’t look away. Sam’s truck had exploded. Ok, maybe not literally, but that’s what it looked like at first glance. The detached hood leaned against the right front fender. Dark shapes littered the ground directly in front of the truck. My mouth popped open when I realized I was looking at scattered pieces of the truck’s guts. Little pieces, big pieces, some covered in sludge. Deep inside, I groaned a desperate denial. Not Sam’s truck. I needed it. A clanking sound drew my attention from the carnage to the form bent over the front grill. He did this, the last man I’d met. He studied the gaping hole that had once lovingly cradled an engine—one with enough life to drive me home. “Gabby, honey,” Sam said from behind me, causing me to jump. “I don’t think he wants you to go just yet.” My heart sank. Not only did the man’s actions scream loud and clear “she’s mine” but Sam’s calm statement confirmed my worst fear. The Elders had noticed. My stomach clenched with dread for a moment, and I wrestled with my emotions. No, it didn’t matter who noticed. I wasn’t giving up or giving in. I’d told Sam I’d come to the Introductions. I had never agreed to follow their customs. “There’s more than one vehicle here,” I said. “If we go inside to ask anyone else, we’ll come back to more vehicular murder.” I turned to look at Sam. He watched the man and his truck. He was right. I couldn’t ask anyone else to deal with this guy’s obvious mental disorder. As soon as that thought entered my mind, I felt a little guilty. I usually didn’t judge people. I preferred to avoid them altogether. But this guy made himself hard to ignore. “Fine.” I shouldered my bag, turned, and walked toward the main gate, pretending I didn’t hear Sam’s warning. “You won’t get far,” he said softly behind me. The
”
”
Melissa Haag (Hope(less) (Judgement of the Six #1))
“
David strode through the battle raging between his men and the castle defenders in the courtyard and headed straight for the keep, intent on his goal.
The castle would fall quickly. The defenders lacked leadership and were in disarray. His only concern was whether the castle had a secret tunnel for escape. During the siege, he had spread his men out through the fields surrounding the fortress to keep watch. But he had concentrated his forces for the attack and most were now inside the castle. If there was a tunnel, he must secure the widow and her daughters before they had a chance to escape. He did not relish the idea of having to chase them down through the fields with dogs.
The defenders had foolishly waited too long to withdraw to the keep, and most were caught in the courtyard when David’s men burst through the gate. He barely spared them a glance as he ran up the steps of the keep.
With several of his warriors at his back, he burst through the doors brandishing his sword. He paused inside the entrance to hall. Women and children were screaming, and the few Blackadder warriors who had made it inside were overturning tables in a useless attempt to set up a defense.
“If ye hope for mercy, drop your weapons,” David shouted, making his voice heard above the chaos.
He locked gazes with the men who hesitated to obey his order until every weapon clanked to the floor, then he swept his gaze over the women. Their clothing confirmed what he’d known the moment he entered the hall. Blackadder’s widow was not in the room.
“Where is she?” he demanded of the closest Blackadder man.
“Who, m’lord?” the man said, shifting his gaze to the side.
“Your mistress!” David picked him up by the front of his tunic and leaned in close. “Tell me now.”
“In her bedchamber,” the man squeaked, pointing to an arched doorway. “’Tis up the stairs.”
David caught a sudden whiff of urine and dropped the man to the floor in disgust. The wretch had wet himself.
“Take him to the dungeon,” he ordered. The coward had given up his mistress far too easily.
”
”
Margaret Mallory (Captured by a Laird (The Douglas Legacy, #1))
“
Star Struck
Our group visited the laser light show, an attraction mixing music and beams of bright colors as they formed constellations and abstract shapes. An awe-inspiring performance, but as it ended, I noticed the stranger, eyes still focused on me. I turned away quickly.
“Look--over by the door. There he is again.” I gestured for my friend to sneak a peek in the direction of the man.
“Where?” She squinted, her head pointed straight at him. “I don’t see him--maybe he left.”
Frustration tinged my voice. “He’s right there--hasn’t moved an inch. He’s almost smiling at me now. Please don’t try to say I’m imagining him.” Fear mounted in me. Was I being stalked? I tucked the thought away, determined to enjoy this time with my companions, to relax in the gentle warmth of the sun.
As our excursion neared its end, I glanced to the left, at the wall of a building, devoid of gates or doors of any sort. The man leaned against it, looking at me. This time I stared back, determined to show a bravery I didn’t feel. Hidden in pockets, my hands trembled.
A calm smile and deep compassion shone on his face as we locked eyes for what felt like minutes, but probably lasted only seconds. Then--I don’t know how to explain it--it was as though a burst of conversation swept from his mind to mine.
“Everything’s going to be all right.”
I felt an intense warmth head to toe, as though embraced in a spiritual hug from the inside out.
“There’s work ahead.”
I took a deep breath, maintaining the eye contact, listening.
He continued to smile with his eyes. “I’ll be watching.”
I nodded slowly, softly. I understood. And felt safe.
A friend tugged on my arm, pulling me toward another monument. I turned my head back for a glimpse of the man, but he was gone. I scanned the building once more, searching for openings he could have exited through. There were none.
I shook my head. I knew I’d seen him. And he’d seen me. I was certain he was real. I still felt his warmth.
We headed for home, my mind filled with questions about the man, and the message I’d somehow received. Reason fought against intuition. He was just an ordinary guy. Or was he?
In the months to come, I overcame my fears and visited the doctor. I underwent three cardiac catheterization operations, and a successful triple-bypass surgery. Through them all, I knew I’d be al right.
Years have passed since that day. But the peace he projected has remained with me. God sent me comfort in a way I needed, in a form I could understand and trust--an ordinary-looking man. He gave me the courage and the confidence to take care of my health problems.
My angel.
And even though I can’t see him, I know he’s still watching. I know things are going to be all right.
How can I be so sure?
Because there’s still work for me to do. He told me so.
-Nancy Zeider
”
”
Jack Canfield (Chicken Soup for the Soul: Angels Among Us: 101 Inspirational Stories of Miracles, Faith, and Answered Prayers)
“
Be good for Nola Jean and Mrs. Latham, now.” James’s bottom lip trembled. Dan nodded and stuck his thumb in his mouth. I laid a hand on each boy’s cheek. James leaned into my hand. “When are you coming back?” My throat tightened. Janie stretched her arms to me. I avoided her reach, kissed her head, and started for the door. Janie screamed and wriggled until Nola Jean let her down. Still wailing, she crawled after me, red-faced but without tears. She gulped air, screaming, then breathing, and screaming again. Ollie followed Janie onto the porch. I hurried toward the gate. Part of me wanted to run back and sweep that sweet baby into my arms. To hold on tight. But the greater part of me wanted to go. Now. I glanced up the road. Then I looked back at Ollie and Janie—and James and Dan, who now stood on the porch, as well, their expressions of bewilderment jabbing my already tortured soul. If I could take care of them, anybody could, I told myself. Nola Jean would do just fine. I forced myself forward. Janie shrieked again. I closed my eyes and ran.
”
”
Anne Mateer (Wings of a Dream)
“
Lord Gareth leaned close to her ear. "Nervous, Miss Paige?" he teased. She willed her pounding heart to be calm, fought the feeling of foreboding that was squeezing her chest, wished she had a weapon with which to brain Chilcot, who was hopping around on one foot, miming shackles and giggling like the idiot he was. "In truth, my lord, yes. But I'm sure we'll both be happier after the deed is done." "You sound as though the idea does not appeal to you." She watched Cokeham open the iron gate and swagger up to the vicarage, banging the knocker sharply and turning to laugh at Chilcot's foolishness. "I'm sorry. It's just that ..." That you're nothing like Charles, and he's the sort of man I should be marrying, not you. "That what, Miss Paige? Do you find me wanting in some way, shape, or form?" "No, Lord Gareth. It's nothing. Just bridal jitters, that is all." And
”
”
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))