Lean To Conservatory Quotes

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As for the other experiences, the solitary ones, which people go through alone, in their bedrooms, in their offices, walking the fields and the streets of London, he had them; had left home, a mere boy, because of his mother; she lied; because he came down to tea for the fiftieth time with his hands unwashed; because he could see no future for a poet in Stroud; and so, making a confidant of his little sister, had gone to London leaving an absurd note behind him, such as great men have written, and the world has read later when the story of their struggles has become famous. London has swallowed up many millions of young men called Smith; thought nothing of fantastic Christian names like Septimus with which their parents have thought to distinguish them. Lodging off the Euston Road, there were experiences, again experiences, such as change a face in two years from a pink innocent oval to a face lean, contracted, hostile. But of all this what could the most observant of friends have said except what a gardener says when he opens the conservatory door in the morning and finds a new blossom on his plant: — It has flowered; flowered from vanity, ambition, idealism, passion, loneliness, courage, laziness, the usual seeds, which all muddled up (in a room off the Euston Road), made him shy, and stammering, made him anxious to improve himself, made him fall in love with Miss Isabel Pole, lecturing in the Waterloo Road upon Shakespeare. Was he not like Keats? she asked; and reflected how she might give him a taste of Antony and Cleopatra and the rest; lent him books; wrote him scraps of letters; and lit in him
Virginia Woolf (Complete Works of Virginia Woolf)
Mae?” Mom’s voice rises over the noise. “Mm?” I look up, realizing again that everyone is watching me. Apparently, I’ve missed a direct question. Her brows furrow. “Are you okay, honey?” With horror, I realize my entire face and neck are flushed. “Yeah, sorry, was just chowing on my dinner.” Theo leans on his elbows. “I called Professor Plum, and you didn’t even blink.” “Oh.” I wave my fork. “I’ll be whoever’s left.” I can feel the ripples of shock make their way around the table. I am laid-back about few things, it’s true, and none of those things are Professor Plum. Like any self-respecting woman of twenty-six, I take my Clue very seriously. And yet. “What’s the big deal, guys?” I ask. “Sometimes a little change is good.” • • • I’ll have you know that Colonel Mustard won Clue tonight, and Professor Plum is already off to bed, pouting that not only did I take the good luck juju with me to a new character, but Professor Plum himself was the murderer, in the conservatory, with the rope. I don’t think Theo enjoys my victory dance, but Andrew sure seems to.
Christina Lauren (In a Holidaze)
London has swallowed up many millions of young men called Smith... Lodging off the Euston Road, there were experiences, again experiences, such as change a face in two years from a pink innocent oval to a face lean, contracted, hostile. But of all this what could the most observant of friends have said except what a gardener says when he opens the conservatory door in the morning and finds a new blossom on his plant: — It has flowered; flowered from vanity, ambition, idealism, passion, loneliness, courage, laziness, the usual seeds, which all muddled up (in a room off the Euston Road), made him shy, and stammering, made him anxious to improve himself, made him fall in love with Miss Isabel Pole, lecturing in the Waterloo Road upon Shakespeare. Was he not like Keats? she asked; and reflected how she might give him a taste of Antony and Cleopatra and the rest; lent him books; wrote him scraps of letters; and lit in him such a fire as burns only once in a lifetime, without heat, flickering a red gold flame infinitely ethereal and insubstantial over Miss Pole; Antony and Cleopatra; and the Waterloo Road. He thought her beautiful, believed her impeccably wise; dreamed of her, wrote poems to her, which, ignoring the subject, she corrected in red ink; he saw her, one summer evening, walking in a green dress in a in a green dress in a square. ‘It has flowered,’ the gardener might have said, had he opened the door; had he come in, that is to say, any night about this time, and found him writing; found him tearing up his writing; found him finishing a masterpiece at three o'clock in the morning and running out to pace the streets, and visiting churches, and fasting one day, drinking another, devouring Shakespeare, Darwin, The History of Civilisation, and Bernard Shaw.
Virginia Woolf (Mrs. Dalloway)
As for the other experiences, the solitary ones, which people go through alone, in their bedrooms, in their offices, walking the fields and the streets of London, he had them; had left home, a mere boy, because of his mother; she lied; because he came down to tea for the fiftieth time with his hands unwashed; because he could see no future for a poet in Stroud; and so, making a confidant of his little sister, had gone to London leaving an absurd note behind him, such as great men have written, and the world has read later when the story of their struggles has become famous. London has swallowed up many millions of young men called Smith; thought nothing of fantastic Christian names like Septimus with which their parents have thought to distinguish them. Lodging off the Euston Road, there were experiences, again experiences, such as change a face in two years from a pink innocent oval to a face lean, contracted, hostile. But of all this what could the most observant of friends have said except what a gardener says when he opens the conservatory door in the morning and finds a new blossom on his plant: — It has flowered; flowered from vanity, ambition, idealism, passion, loneliness, courage, laziness, the usual seeds, which all muddled up (in a room off the Euston Road), made him shy, and stammering, made him anxious to improve himself, made him fall in love with Miss Isabel Pole, lecturing in the Waterloo Road upon Shakespeare. Was he not like Keats? she asked; and reflected how she might give him a taste of Antony and Cleopatra and the rest; lent him books; wrote him scraps of letters; and lit in him such a fire as burns only once in a lifetime, without heat, flickering a red gold flame infinitely ethereal and insubstantial over Miss Pole; Antony and Cleopatra; and the Waterloo Road. He thought her beautiful, believed her impeccably wise; dreamed of her, wrote poems to her, which, ignoring the subject, she corrected in red ink; he saw her, one summer evening, walking in a green dress in a square. “It has flowered,” the gardener might have said, had he opened the door; had he come in, that is to say, any night about this time, and found him writing; found him tearing up his writing; found him finishing a masterpiece at three o’clock in the morning and running out to pace the streets, and visiting churches, and fasting one day, drinking another, devouring Shakespeare, Darwin, The History of Civilisation, and Bernard Shaw.
Virginia Woolf (Complete Works of Virginia Woolf)
Charm’s guest hadn’t sat down, and now leaned elegantly against the conservatory’s framework. Long and elegant. As if they were a man and this utterly unthreatened, completely self-assured. As if they owned the space they took up by the right of their mere existence, instead of existing in a space borrowed from others. And that, oh genius that it was, was the surest part of the guise. The major knew their worth to a point of surety that, in a woman, would be overweaning arrogance. As a woman they would not be beautiful. It was their audacity that made them breathtaking.
Sara A. Mueller (The Bone Orchard)
How does your Grace prefer to be addressed?” asked Charm. After all, “Major Nathair” and as a man was how they had been introduced, but they had appeared in a gown in the ladies’ gallery at the Assembly Hall and been referred to as a woman by Count Seabrough. Charm’s guest hadn’t sat down, and now leaned elegantly against the conservatory’s framework. Long and elegant. As if they were a man and this utterly unthreatened, completely self-assured. As if they owned the space they took up by the right of their mere existence, instead of existing in a space borrowed from others. And that, oh genius that it was, was the surest part of the guise. The major knew their worth to a point of surety that, in a woman, would be overweaning arrogance. As a woman they would not be beautiful. It was their audacity that made them breathtaking. Major Nathair’s thin lips curled up in amusement. “Do you know, no one has ever asked me that?” “That seems a sad lack of manners in those who have the good fortune to be closely enough acquainted with you. Obviously, I shall refer to you as masculine if I speak of you as Major Nathair to others, and in feminine if I have any reason to refer to Your Grace by your Imperial title; but as this is a private space, and Orchard House is very good at keeping secrets, is there a manner of address you prefer?
Sara A. Mueller (The Bone Orchard)
We’ll fix it,” he said, tipping her chin up so he could see her eyes. “Your conservatory was going in on that side, and this will just speed up construction. Dare, get my crews over here to clear this mess. Nick, we’ll be needing the team for sure. Day and Phil can go through the outbuildings and find a suite of bedroom furniture, then pick out a room in the house that’s close enough to done we can move Ellen into it.” He braced a hand on either side of Ellen’s neck. “You are going to let me take care of this and no argument, please. God”—he hugged her to him—“if you’d been home, puttering at your embroidering, putting up jam…” She nodded, eyes teary, and let him hold her. “Ah, look there.” Val pointed to the base of the fallen tree. “Your greatest treasure is unscathed.” Marmalade sat on his fluffy orange backside, washing a front paw as if he hadn’t a care in the world. “I want…” Ellen stretched out a hand toward the cat, who pretended not to notice. “I’ll fetch him for you.” Val kissed her nose and made for the cat, who strolled back a few paces closer to what had been the bottom of the tree. Val reached for the beast then froze and looked more closely at the tree. He tucked the cat against his middle and stole another glance around at the surrounding trees before taking Marmalade back to Ellen. Val handed her the cat. “He says you have abandoned him shamelessly, and for your sins, you must allow him to accompany you up to the manor, where all his friends, the mice, are waiting to welcome him.” “Oh, Val.” Ellen managed a watery smile but leaned against him as she clutched her purring cat. “I’m so glad he’s unharmed. You’re a good kitty, Marmie. A very good, brave kitty.” “He’s also a very heavy kitty.” Val said, taking him from her grasp. “Let’s move him up to the manor, where I’m sure we can find him a dish of cream and you a cup of tea.
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))