Leaf Peeping Quotes

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In the fall of leaves, In the hustle of breeze, In the curve of streams, I foresee, Nature keeps more concealed, Than it lets us peep!
Jasleen Kaur Gumber
Its spreading branches seemed to cast a light rather than a shade, and silver apples peeped out like stars from under every leaf.
C.S. Lewis (The Magician’s Nephew (Chronicles of Narnia, #6))
The two thought themselves alone. But all the while, one watched with the night-wide eyes of love. While they paced the pebbled paths between the silent flowers’ spiked arrays, sage Thyme spied upon each pale sigh, peeping between bloom and leaf. And while they sat side by side and hand in hand on the stained stone bench beneath the spreading wisteria, Thyme watched unwinking from the midnight face of the mute sundial. And while they lay lazy on the soft grass, swearing the sweet oaths of love and longing, and whispering as they parted that though long lives might pass like a night and the New Sun sunder the centuries, yet never should they ever part, Thyme crept and cried, counting seconds that spilled with the sand from the hourglass, and scenting the soft breezes that cooled the child’s burning cheek with his sad spice. The
Gene Wolfe (Starwater Strains: New Science Fiction Stories)
To every soul, you are special. Once in a while, I like to speak to you, yes to you, that which peeps through a twinkle or a tear, that which hears the vision and sees the hymn of the stars, that which resides in the deepest niche of our heart, that which shines through our mind, that which is beyond consciousness yet shaping it with the fine chords of human life. I like to congratulate you, for being there, fuelling that body which often gets tired of walking a long path, through a forest of fire. I like to caress you, for binding that mind and heart that often finds itself in a pit of gusty turbulence, sometimes losing sometimes winning that camouflaged victory of this ocean of illusion. I like to look at you through that eye of prideful faith that which leads one to jump off a cliff only to open those wings of love and light. I like to hear you, from the numb screams marring the dungeons of reality to the polished words that cross your lips each time this world shows up on your doorstep. I like to feel you, with all your vulnerabilities for they are the reason you are here in this voyage of earthly life. I like to speak to you, to every soul, for each of you have a story, a special story that is written by Him, a painting, a special painting that is coloured by Him, for you dear soul, is a flicker of love and light, of Him. So to every soul, you are special.
Debatrayee Banerjee (A Whispering Leaf. . .)
The whiles some one did chaunt this louely lay; Ah see, who so faire thing doest faine to see, In springing flowre the image of thy day; Ah see the Virgin Rose, how sweetly shee Doth first peepe forth with bashfull modestee, That fairer seemes, the lesse ye see her may; Lo see soone after, how more bold and free Her bared bosome she doth broad display; Loe see soone after, how she fades, and falles away. So passeth, in the passing of a day, Of mortall life the leafe, the bud, the flowre, Ne more doth flourish after first decay, That earst was sought to decke both bed and bowre, Of many a Ladie, and many a Paramowre: Gather therefore the Rose, whilest yet is prime, For soone comes age, that will her pride deflowre: Gather the Rose of love, whilest yet is time, Whilest louing thou mayst loued be with equall crime.
Edmund Spenser (The Faerie Queene)
Mind without heart The leaf had fallen, The branch still stood there intact, It was a gradual event and not at all sudden, The fallen leaf, the still existing branch was an undeniable fact, But why did the branch still hang on, waiting for something? As the leaf from the floor looked at it while time consumed it, Maybe the branch wanted to see the leaf on the floor dying, And with its shadow touch it, and feel it; and whisper to it, “There where you grew you shall grow again next season, I will wait for you here throughout the winter, And to do so, I need no motivation because I have my reason, I have loved you and I do not wish to be a quitter,” And finally there was nothing left of the leaf, the fallen and dead leaf, There was only its trace, a faint impression on the soil, This added to the branch’s anguish and grief, For time had robbed her of its every moment of toil, People passed by and trampled the leaf’s almost fossilised impression, Until there was nothing left of the leaf neither on the branch nor on the soil, The branch chided the fate’s paucity and time’s baseless aggression, For they even erased the leaf’s last impression that was as thin as silver foil, By the time winter entered its prime, The branch stood there waiting for it to pass, Not because it wanted to feel the joys of summer time, But it wanted the leaf to re-appear and re-grow so that it could undo time’s act so crass, Time passed by, spring arrived, the branch was filled with leaves, But that leaf never grew again, the same leaf, the fallen one, So the branch misses him and it continuously grieves, But she shows it to no one, because no leaf compares to her dear leaf, the fallen one, Maybe that is why it is beginning to bend, Though it is converted in thousands of fresh leaves, The branch has been unable to cope with the dear leaf’s premature end, So she keeps peeping into time’s graves, To find the grave of the leaf that she lost prematurely, And lie there beside him, and finally fall, Then be together with him timelessly, And say, “For you I too had to fall afterall!” Today the sun has risen but the branch has fallen forever, Exactly where the leaf had fallen, It is a love of different kind, and the branch is a special lover, Who would never let go of what time from her had stolen, After a year the branch too disappeared from the floor, Now there is neither the branch nor the leaf, Time knows it, fate planned it, but I witnessed it; and this I cannot ignore, But knowing they are somewhere together now, even if that be the graveyard of time, is a relief, Time and fate are never obsequious, Because they neither love nor hate, But they are masquerading and pretentious, And they never know how it feels when the branch lies naked in a leafless state, That is time’s and fate’s irony of which they may never know, But you and I who have minds and hearts, Yet become part of a fake and grotesque show, Where either mind thinks without the heart or the heart from mind’s innocence departs!
Javid Ahmad Tak (They Loved in 2075!)
Find something more productive and less nosy to do!” she shouted at the closest peeping LeafWing. He jumped and scurried away up the tree like a startled squirrel. “Oh my goodness,” Willow said. “Must you be so terrifying?” “It’s my special skill,” Sundew said. “And he deserved it.” “Did he, though?” Willow said thoughtfully. “Could you please keep being the one dragon I’m not furious at right now?” Sundew said. “Come on, everyone, let’s go. Willow, you lead the way for now, since you’re the most familiar with the jungle around your village.” Willow hesitated for a moment, as though she was thinking about pressing her point a bit more, but instead she nodded and headed into the trees, to Sundew’s relief. Sundew followed, with Cricket a half step behind her. The HiveWing was like a shadow, staying as close to Sundew as she could, although she kept twisting her head to stare at weird plants as they went by. “I’m familiar with this area, too,” Nettle complained from the rear. “I’ve been scouting in SapWing territory since before Mandrake was born. I know every kind of tree around here.” “Meh meh meh meh meh,” Bumblebee said in a hilariously similar tone of voice.
Tui T. Sutherland (The Poison Jungle (Wings of Fire, #13))
Most of us have sometime or other visited a great metropolis - have wondered through its network of streets - lost ourselves in its crowds of people - looked up at its tall rows of houses, its grand public buildings, churches and squares. Also, perhaps, we have peeped into its miserable little back alleys, where dirty children play in gutters all day and half the night - or where men reel tipsy and women fight - where even young boys go about picking pockets, with nobody to tell them it is wrong, except the policeman, and he simply takes them of to prison. And all this wretchedness is close behind the grandeur - like the two sides of the leaf of a book.
Miss Murlock (The Little Lame Prince And His Traveling Cloak)
They say when one door closes, another opens or there's a window open somewhere. But what if I keep the door closed for sometime, freeze the moment for a while, and look inside the closets of my heart and take a gentle stroll outside without walking inside of any door, or peeping inside of a window? What if the door I have been looking for has always been the lock of my mind, the key being Silence resonating in my heart only audible when the pelting of doors and windows are hushed for a while?
Debatrayee Banerjee (A Whispering Leaf. . .)
Seeing is of course very much a matter of verbalization. Unless I call my attention to what passes before my eyes, I simply won’t see it. It is, as Ruskin says, “not merely unnoticed, but in the full clear sense of the word, unseen.” If Tinker Mountain erupted, I’d be likely to notice. But if I want to notice the lesser cataclysms of valley life, I have to maintain in my head a running description of the present…when I see this way I analyze and pry. I hurl over logs and roll away stones; I study the bank a square foot at a time, probing and tilting my head. Some days when the mist covers the mountains, when the muskrats won’t show and the microscope’s mirror shatters, I want to climb up the blank blue dome as a man would storm the inside of a circus tent, wildly, dangling, and with a steel knife, claw a rent in the top, peep, and if I must, fall. But there is another kind of seeing that involves a letting go. When I see this way I sway transfixed and emptied. The difference between the two ways of seeing is the difference between walking with and without a camera. When I walk without a camera, my own shutter opens, and the moment’s light prints on my own silver gut. It was sunny one evening last summer at Tinker Creek; the sun was low in the sky, upstream. I was sitting on the sycamore log bridge with the sunset at my back, watching the shiners the size of minnows who were feeding over the muddy bottom…again and again, one fish, then another, turned for a split second and flash! the sun shot out from its silver side. I couldn’t watch for it. It was always just happening somewhere else…so I blurred my eyes and gazed towards the brim of my hat and saw a new world. I saw the pale white circles roll up, roll up like the world’s turning, mute and perfect, and I saw the linear flashes, gleaming silver, like stars being born at random down a rolling scroll of time. Something broke and something opened. I filled up like a new wineskin. I breathed an air like light; I saw a light like water. I was the lip of a fountain the creek filled forever; I was ether, the leaf in the zephyr; I was flesh-flake, feather, bone. When I see this way, I see truly.
Annie Dillard (Pilgrim at Tinker Creek)