Leaf Insects Quotes

Babies are soft. Anyone looking at them can see the tender, fragile skin and know it for the rose-leaf softness that invites a finger's touch. But when you live with them and love them, you feel the softness going inward, the round-cheeked flesh wobbly as custard, the boneless splay of the tiny hands. Their joints are melted rubber, and even when you kiss them hard, in the passion of loving their existence, your lips sink down and seem never to find bone. Holding them against you, they melt and mold, as though they might at any moment flow back into your body. But from the very start, there is that small streak of steel within each child. That thing that says "I am," and forms the core of personality. In the second year, the bone hardens and the child stands upright, skull wide and solid, a helmet protecting the softness within. And "I am" grows, too. Looking at them, you can almost see it, sturdy as heartwood, glowing through the translucent flesh. The bones of the face emerge at six, and the soul within is fixed at seven. The process of encapsulation goes on, to reach its peak in the glossy shell of adolescence, when all softness then is hidden under the nacreous layers of the multiple new personalities that teenagers try on to guard themselves. In the next years, the hardening spreads from the center, as one finds and fixes the facets of the soul, until "I am" is set, delicate and detailed as an insect in amber.

I have always swung back and forth between alienation and relatedness. As a child, I would run away from the beatings, from the obscene words, and always knew that if I could run far enough, then any leaf, any insect, any bird, any breeze could bring me to my true home. I knew I did not belong among people. Whatever they hated about me was a human thing; the nonhuman world has always loved me. I can't remember when it was otherwise. But I have been emotionally crippled by this. There is nothing romantic about being young and angry, or even about turning that anger into art. I go through the motions of living in society, but never feel a part of it. When my family threw me away, every human on earth did likewise.

Cause nobody's the slightest idea who we are, or who we were, not even we ourselves - except, that is, in the glimmer of a moment of fair business between strangers, or the nod of knowing and agreement between friends. Other than these, we go out anonymous into the insect air and all we are is the dust of colour, brief engineerings of wings towards a glint of light on a blade of grass or a leaf in a summer dark.

Oh God! To hear the insect on the leaf pronouncing on the too much life among his hungry brothers in the dust !

I forgive. Cause nobody knows us : except our mothers, and they hardly do (and also tend disappointingly to die before they ought). Or our fathers, whose failings while they’re alive (and absences after they’re dead) infuriate. Or our siblings, who want us dead too cause what they know about us is that somehow we got away with not having to carry the bricks and stones like they did all those years. Cause nobody’s the slightest idea who we are, or who we were, not even we ourselves – except, that is, in the glimmer of a moment of fair business between strangers, or the nod of knowing and agreement between friends. Other than these, we go out anonymous into the insect air and all we are is the dust of colour, brief engineering of wings towards a glint of light on a blade of grass or a leaf in a summer dark.

One would have thought that not even Joyce could have maltreated a salad to the point where it became inedible, but one would have been wrong. Abustle with wild life, it was also soaked in a vinegary dressing. Barnaby lifted a soggy lettuce leaf. A small insect emerged, valiantly swimming against the tide.

Wild animals passed on their way under the leaves; each track was an arterial road; and when I stooped and looked at the earth close to, I saw, from leaf to leaf and flower to flower, a moving host of insects.

Some big insect flew in and began walking on the table. I don’t know what insect it was, but it was brown, shining, and rich in structures. In the city the big universal chain of insects gets thin, but where there’s a leaf or two it’ll be represented.

If these shadows remain unaltered by the Future, none other of my race," returned the Ghost, "will find him here. What then? If he be like to die, he had better do it, and decrease the surplus population." Scrooge hung his head to hear his own words quoted by the Spirit, and was overcome with penitence and grief. "Man," said the Ghost, "if man you be in heart, not adamant, forbear that wicked cant until you have discovered What the surplus is, and Where it is. Will you decide what men shall live, what men shall die? It may be, that in the sight of Heaven, you are more worthless and less fit to live than millions like this poor man's child. Oh God! to hear the Insect on the leaf pronouncing on the too much life among his hungry brothers in the dust!

Nothing in the natural world, no forest, no river, no insect nor leaf has any intrinsic value to men. All is worthless, utterly dispensable unless we discover some benefit to ourselves in it—even the most ardent forest lover thinks this way. Men behave as overlords. They decide what will flourish and what will die. I believe that humankind is evolving into a terrible new species and I am sorry that I am one of them.

I think that the leaf of a tree, the meanest insect on which we trample, are in themselves arguments more conclusive than any which can be adduced that some vast intellect animates Infinity.

In every house there ought to be an art table on which, one by one, things are placed, so that everybody in that house might look at the things very carefully, and see them.' 'What would you put on a table like that?' 'A leaf. A coin. A button. A stone. A small piece of torn newspaper. An apple. An egg. A pebble. A flower. A dead insect. A shoe.' 'Everybody's seen those things.' 'Of course. But nobody looks at them, and that's what art is. To look at familiar things as if they had never before been seen... A necktie. A pocketknife... a walnut.

Man," said the Ghost, "if man you be in heart, not adamant, forbear that wicked cant until you have discovered What the surplus is, and Where it is. Will you decide what men shall live, what men shall die? It may be, that in the sight of Heaven, you are more worthless and less fit to live than millions like this poor man's child. Oh God! to hear the Insect on the leaf pronouncing on the too much life among his hungry brothers in the dust!

The heart should have fed upon the truth, as insects on a leaf, till it be tinged with the color, and show its food in every ... minutest fiber.

Scrooge hung his head to hear his own words quoted by the Spirit, and was overcome with penitence and grief. "Man," said the Ghost, "if man you be in heart, not adamant, forbear that wicked cant until you have discovered What the surplus is, and Where it is. Will you decide what men shall live, what men shall die? It may be, that in the sight of Heaven, you are more worthless and less fit to live than millions like this poor man's child. Oh God! to hear the Insect on the leaf pronouncing on the too much life among his hungry brothers in the dust!

Nothing in the natural world, no forest, no river, no insect nor leaf has any intrinsic value to men. All is worthless, utterly dispensable unless we discover some benefit to ourselves in it—even the most ardent forest lover thinks this way. Men behave as overlords. They decide what will flourish and what will die. I believe that humankind is evolving into a terrible new species and I am sorry that I am one of them. The

Oh God! to hear the Insect on the leaf pronouncing on the too much life among his hungry brothers in the dust!

while every insect in the Amazon lifted its head from the leaf it was masticating and turned a slender antenna in her direction. She was a snack plate, a buffet line, a woman dressed for springtime in the North

may be, that in the sight of Heaven, you are more worthless and less fit to live than millions like this poor man's child. Oh God! to hear the Insect on the leaf pronouncing on the too much life among his hungry

A naturalist should look at the world with warm affection, if not ardent love. The life the scalpel has ended ought to be honored by a caring, devoted appreciation for that creature’s unrepeatable individuality, and for the fact that, at the same time, strange as this may seem, this life stands for the entire natural kingdom. Examined with attention, the dissected hare illuminates the parts and properties of all other animals and, by extension, their environment. The hare, like a blade of grass or a piece of coal, is not simply a small fraction of the whole but contains the whole within itself. This makes us all one. If anything, because we are all made of the same stuff. Our flesh is the debris of dead stars, and this is also true of the apple and its tree, of each hair on the spider’s legs, and of the rock rusting on planet Mars. Each minuscule being has spokes radiating out to all of creation. Some of the raindrops falling on the potato plants in your farm back in Sweden were once in a tiger’s bladder. From one living thing, the properties of any other may be predicted. Looking at any particle with sufficient care, and following the chain that links all things together, we can arrive at the universe—the correspondences are there, if the eye is skillful enough to detect them. The guts of the anatomized hare faithfully render the picture of the entire world. And because that hare is everything, it is also us. Having understood and experienced this marvelous congruity, man can no longer examine his surroundings merely as a surface scattered with alien objects and creatures related to him only by their usefulness. The carpenter who can only devise tabletops while walking through the forest, the poet who can only remember his own private sorrows while looking at the falling snow, the naturalist who can only attach a label to every leaf and a pin to every insect—all of them are debasing nature by turning it into a storehouse, a symbol, or a fact. Knowing nature, Lorimer would often say, means learning how to be. And to achieve this, we must listen to the constant sermon of things. Our highest task is to make out the words to better partake in the ecstasy of existence.

Man,” said the Ghost, “if man you be in heart, not adamant, forbear that wicked cant until you have discovered What the surplus is, and Where it is. Will you decide what men shall live, what men shall die? It may be, that in the sight of Heaven, you are more worthless and less fit to live than millions like this poor man’s child. Oh God! to hear the Insect on the leaf pronouncing on the too much life among his hungry brothers in the dust!

Cause nobody's the slightest idea who we are, or who we were, not even we ourselves - except, that is, in the glimmer of a moment of fair business between strangers, or the nod of knowing and agreement between friends. Other than these, we go out anonymous into the insect air and all we are is the dust of colour, brief engineering of wings towards a glint of light on a blade of grass or a leaf in a summer dark. Azide Smith, How to be Both

The fundamental principle of morality which we seek as a necessity for thought is not, however, a matter only of arranging and deepening current views of good and evil, but also of expanding and extending these. A man is really ethical only when he obeys the constraint laid on him to help all life which he is able to succour, and when he goes out of his way to avoid injuring anything living. He does not ask how far this or that life deserves sympathy as valuable in itself, nor how far it is capable of feeling. To him life as such is sacred. He shatters no ice crystal that sparkles in the sun, tears no leaf from its tree, breaks off no flower, and is careful not to crush any insect as he walks. If he works by lamplight on a summer evening, he prefers to keep the window shut and to breathe stifling air, rather than to see insect after insect fall on his table with singed and sinking wings.

It may be, that in the sight of Heaven, you are more worthless and less fit to live than millions like this poor man's child. Oh God! to hear the Insect on the leaf pronouncing on the too much life among his hungry brothers in the dust

The transmission of SARS, Dwyer said, seems to depend much on super spreaders—and their behavior, not to mention the behavior of people around them, can be various. The mathematical ecologist’s term for variousness of behavior is “heterogeneity,” and Dwyer’s models have shown that heterogeneity of behavior, even among forest insects, let alone among humans, can be very important in damping the spread of infectious disease. “If you hold mean transmission rate constant,” he told me, “just adding heterogeneity by itself will tend to reduce the overall infection rate.” That sounds dry. What it means is that individual effort, individual discernment, individual choice can have huge effects in averting the catastrophes that might otherwise sweep through a herd. An individual gypsy moth may inherit a slightly superior ability to avoid smears of NPV as it grazes on a leaf. An individual human may choose not to drink the palm sap, not to eat the chimpanzee, not to pen the pig beneath mango trees, not to clear the horse’s windpipe with his bare hand, not to have unprotected sex with the prostitute, not to share the needle in a shooting gallery, not to cough without covering her mouth, not to board a plane while feeling ill, or not to coop his chickens along with his ducks. “Any tiny little thing that people do,” Dwyer said, if it makes them different from one another, from the idealized standard of herd behavior, “is going to reduce infection rates.

I went back every evening, after work, for nearly a year. I learned the meaning of the cud of a leaf and the glisten of wet pebbles, and the special significance of curves and angles. A great deal of the writing was unwritten. Plot three dots on a graph and join them; you now have a curve with certain characteristics. Extend that curve while maintaining the characteristics, and it has meaning, up where no dots were plotted. In just this way I learned to extend the curve of a grass-blade and of a protruding root, of the bent edges of wetness on a drying headstone. I quit smoking so I could sharpen my sense of smell, because the scent of earth after a rain has a clarifying effect on graveyard reading, as if the page were made whiter and the ink darker. I began to listen to the wind, and to the voices of birds and small animals, insects and people; because to the educated ear, every sound is filtered through the story written on graves, and becomes a part of it. ("The Graveyard Reader")

When the crops were thriving, Squanto took the men to the open forests where the turkey dwelled. He pointed out the nuts, seeds, and insects that the iridescent birds fed upon. He showed them the leaf nests of the squirrels and the hideouts of the skunks and raccoons. Walking silently along bear trails, he took them to the blueberry patches. He told them that deer moved about at sundown and sunrise. He took them inland to valleys where the deer congregated in winter and were easy to harvest. He walked the Pilgrims freely over the land. To Squanto, as to all Native Americans, the land did not belong to the people, people belonged to the land. He took the children into the meadows to pick wild strawberries. He showed them how to dig up the sweet roots of the wild Jerusalem artichoke. In mid-summer he led them to cranberry bogs and gooseberry patches. Together they gathered chestnuts, hickory nuts, walnuts, and hazelnuts in September. He paddled the boys into the harbor in his dugout canoe to set lobster pots made of reeds and sinew. While they waited to lift their pots, he taught them the creatures of the tidal pools.

Will you decide what men shall live, what men shall die? It may be that in the sight of Heaven you are more worthless and less fit to live than millions like this poor man’s child. O God! to hear the insect on the leaf pronouncing on the too much life among his hungry brothers in the dust!” Scrooge

If a giraffe starts eating an African acacia, the tree releases a chemical into the air that signals that a threat is at hand. As the chemical drifts through the air and reaches other trees, they “smell” it and are warned of the danger. Even before the giraffe reaches them, they begin producing toxic chemicals. Insect pests are dealt with slightly differently. The saliva of leaf-eating insects can be “tasted” by the leaf being eaten. In response, the tree sends out a chemical signal that attracts predators that feed on that particular leaf-eating insect. Life in the slow lane is clearly not always dull. But

He felt the ripples upon his face and heard their separate sounds as they struck. He looked at the forest on the bank of the stream, saw the individual trees, the leaves and the veining of each leaf — he saw the very insects upon them: the locusts, the brilliant bodied flies, the gray spiders stretching their webs from twig to twig. He noted the prismatic colors in all the dewdrops upon a million blades of grass. The humming of the gnats that danced above the eddies of the stream, the beating of the dragon flies’ wings, the strokes of the water spiders’ legs, like oars which had lifted their boat — all these made audible music.

If there is a "problem of evil" there is also a "problem of good." Wherever we look we see not only confusion but beauty. In snowflake, leaf or insect, we discover structured patterns of a delicacy and balance that nothing manufactured by human skill can equal. We are not to sentimentalize these things, but we cannot ignore them.

An immaculate garden is a hostile place to most wildlife. Beautifully weeded borders, with every fallen leaf and twig gathered and disposed of, hedges kept constantly crisp and grass mown to within a fraction of its life may make a certain sort of gardener glow with pride but will provide little comfort for most of our birds, mammals and insects.

If these shadows remain unaltered by the Future, none other of my race,'' returned the Ghost, "will find him here. What then? If he be like to die, he had better do it, and decrease the surplus population.'' Scrooge hung his head to hear his own words quoted by the Spirit, and was overcome with penitence and grief. "Man,'' said the Ghost, "if man you be in heart, not adamant, forbear that wicked cant until you have discovered What the surplus is, and Where it is. Will you decide what men shall live, what men shall die? It may be, that in the sight of Heaven, you are more worthless and less fit to live than millions like this poor man's child. Oh God! to hear the Insect on the leaf pronouncing on the too much life among his hungry brothers in the dust!

Roofed by the woven canopy of blind annealing grass-roots and the roots of trees, dark in the blind dark of time's silt and rich refuse - the constant and unslumbering anonymous worm-glut and the inextricable known bones - Troy's Helen and the nymphs and the snoring mitred bishops, the saviors and the victims and the kings - it wakes, up-seeping, attritive in uncountable creeping channels: first, root; then frond by frond, from whose escaping tips like gas it rises and disseminates and stains the sleep-fast earth with drowsy insect-murmur; then, still upward-seeking, creeps the knitted bark of trunk and limb where, suddenly louder leaf by leaf and dispersive in diffusive sudden speed, melodious with the winged and jeweled throats, it upward bursts and fills night's globed negation with jonquil thunder.

Cause nobody's the slightest idea who we are, or who we were, not even we ourselves – except, that is, in the glimmer of a moment of fair business between strangers, or the nod of knowing and agreement between friends. Other than these, we go out anonymous into the insect air and all we are is the dust of colour, brief engineering of wings towards a glint of light on a blade of grass or a leaf in a summer dark.

Man,” said the Ghost, “if man you be in heart, not adamant, forbear that wicked cant until you have discovered What the surplus is, and Where it is. Will you decide what men shall live, what men shall die? It may be, that in the sight of Heaven, you are more worthless and less fit to live than millions like this poor man’s child. Oh God! To hear the Insect on the leaf pronouncing on the too much life among his hungry brothers in the dust.

A month from now, in early April, at the time when far away, outside the city, the water hyacinths would be covering every inch of bayou, lagoon, creek, and backwater with a spiritual-mauve to obscene-purple, violent, vulgar, fleshy, solid, throttling mass of bloom over the black water, and the first heartbreaking, misty green, like girlhood dreams, on the old cypresses would have settled down to be leaf and not a damned thing else, and the arm-thick, mud-colored, slime-slick mocassins would heave out of the swamp and try to cross the highway and your front tire hitting one would give a slight bump and make a sound like kerwhush and a tinny thump when he slapped heavily up against the underside of the fender, and the insects would come boiling out of the swamps and day and night the whole air would vibrate with them with a sound like an electric fan, and if it was night the owls back in the swamps would be whoo-ing and moaning like love and death and damnation, or one would sail out of the pitch dark into the rays of your headlights and plunge against the radiator to explode like a ripped feather bolster, and the fields would be deep in that rank, hairy or slick, juicy, sticky grass which the cattle gorge on and never get flesh over their ribs for that grass is in that black soil and no matter how far the roots could ever go, if the roots were God knows how deep, there would never be anything but that black, grease-clotted soil and no stone down there to put calcium into that grass—well, a month from now, in early April, when all those things would be happening beyond the suburbs, the husks of the old houses in the street where Anne Stanton and I were walking would, if it were evening, crack and spill out onto the stoops and into the street all that life which was now sealed up within.

The fields, the lakes, the forests, and the streams, ocean, and all the living things that dwell within the daedal earth; lightning, and rain, earthquake, and fiery flood, and hurricane, the torpor of the year when feeble dreams visit the hidden buds, or dreamless sleep holds every future leaf and flower; the bound with which from that detested trance they leap; the works and ways of man, their death and birth, and that of him and all that his may be; all things that move and breathe with toil and sound are born and die; revolve, subside, and swell. Power dwells apart in its tranquillity, remote, serene, and inaccessible: and this, the naked countenance of earth, on which I gaze, even these primeval mountains teach the adverting mind. The glaciers creep like snakes that watch their prey, from their far fountains, slow rolling on; there, many a precipice frost and the sun in scorn of mortal power have pil'd: dome, pyramid, and pinnacle, a city of death, distinct with many a tower and wall impregnable of beaming ice. Yet not a city, but a flood of ruin is there, that from the boundaries of the sky rolls its perpetual stream; vast pines are strewing its destin'd path, or in the mangled soil branchless and shatter'd stand; the rocks, drawn down from yon remotest waste, have overthrown the limits of the dead and living world, never to be reclaim'd. The dwelling-place of insects, beasts, and birds, becomes its spoil; their food and their retreat for ever gone, so much of life and joy is lost. The race of man flies far in dread; his work and dwelling vanish, like smoke before the tempest's stream, and their place is not known. Below, vast caves shine in the rushing torrents' restless gleam, which from those secret chasms in tumult welling meet in the vale, and one majestic river, the breath and blood of distant lands, for ever rolls its loud waters to the ocean-waves, breathes its swift vapours to the circling air.

A neighbor had a banana tree that had grown so fulsomely that it extended onto Kunip’s property. Insects attached to the banana tree were infiltrating his house. This is where an American probably would have said to his neighbor, “Yo, do something about your frickin’ banana tree! I’ve got bugs in my house.” It’s what I would have said. But that’s not what Kunip did. He broke off a leaf of the banana tree, just one leaf, thus subtly signaling to his neighbor his displeasure. A few days later, the neighbor’s gardener showed up and pruned the banana tree. The conflict was resolved without a word being uttered. “The relationship always comes first. It is more important than the problem,” explains Kunip.

I am affected as if in a peculiar sense I stood in the laboratory of the Artist who made the world and me. I feel as if I were nearer to the vitals of the globe. You find this in the very sands an anticipation of the vegetable leaf. No wonder the earth expresses itself outwardly in leaves, it so labors with the idea inwardly. The atoms have already learned this law, and are pregnant by it. The feathers and wings of birds are still drier and thinner leaves. The very globe continually transcends and translates itself; and becomes winged in its orbit. Even ice begins with delicate crystal leaves, as if it had flowed into moulds. The whole tree itself is but one leaf; and rivers are still vaster leaves whose pulp is intervening earth, and towns and cities are the ova of insects.

My own heartbeat was slowing under my hand, under the deep rose silk, the color of a baby’s sleep-flushed cheek. When you hold a child to your breast to nurse, the curve of the little head echoes exactly the curve of the breast it suckles, as though this new person truly mirrors the flesh from which it sprang. Babies are soft. Anyone looking at them can see the tender, fragile skin and know it for the rose-leaf softness that invites a finger’s touch. But when you live with them and love them, you feel the softness going inward, the round-checked flesh wobbly as custard, the boneless splay of the tiny hands. Their joints are melted rubber, and even when you kiss them hard, in the passion of loving their existence, your lips sink down and seem never to find bone. Holding them against you, they melt and mold, as though they might at any moment flow back into your body. But from the very start, there is that small streak of steel within each child. That thing that says “I am,” and forms the core of personality. In the second year, the bone hardens and the child stands upright, skull wide and solid, a helmet protecting the softness within. And “I am” grows, too. Looking at them, you can almost see it, sturdy as heartwood, glowing through the translucent flesh. The bones of the face emerge at six, and the soul within is fixed at seven. The process of encapsulation goes on, to reach its peak in the glossy shell of adolescence, when all softness then is hidden under the nacreous layers of the multiple new personalities that teenagers try on to guard themselves. In the next years, the hardening spreads from the center, as one finds and fixes the facets of the soul, until “I am” is set, delicate and detailed as an insect in amber.

He was now in full possession of his physical senses. They were, indeed, preternaturally keen and alert. Something in the awful disturbance of his organic system had so exalted and refined them that they made record of things never before perceived. He felt the ripples upon his face and heard their separate sounds as they struck. He looked at the forest on the bank of the stream, saw the individual trees, the leaves and the veining of each leaf -- he saw the very insects upon them: the locusts, the brilliant bodied flies, the gray spiders stretching their webs from twig to twig. He noted the prismatic colors in all the dewdrops upon a million blades of grass. The humming of the gnats that danced above the eddies of the stream, the beating of the dragon flies' wings, the strokes of the water spiders' legs, like oars which had lifted their boat -- all these made audible music. A fish slid along beneath his eyes and he heard the rush of its body parting the water... He had not known that he lived in so wild a region.

Psalm How leaky are the borders of man-made states! How many clouds float over them scot-free, how much desert sand sifts from country to country, how many mountain pebbles roll onto foreign turf in provocative leaps! Need I cite each and every bird as it flies, or alights, as now, on the lowered gate? Even if be a sparrow—its tail is abroad, Though its beak is still home. As if that weren’t enough—it keeps fidgeting! Out of countless insects I will single out the ant, who, between the guard’s left and right boots, feels unobliged to answer questions of origin and destination. If only this whole mess could be seen at once in detail on every continent! Isn’t that a privet on the opposite bank smuggling its hundred-thousandth leaf across the river? Who else but the squid, brazenly long-armed, would violate the sacred territorial waters.? How can we speak of any semblance of order when we can’t rearrange the stars to know which one shines for whom? Not to mention the reprehensible spreading of fog! Or the dusting of the steppe over its entire range as though it weren’t split in two! Or voices carried over accommodating air waves: summoning squeals and suggestive gurgles! Only what’s human can be truly alien. The rest is mixed forest, undermining moles, and wind.

Unchopping a Tree. Start with the leaves, the small twigs, and the nests that have been shaken, ripped, or broken off by the fall; these must be gathered and attached once again to their respective places. It is not arduous work, unless major limbs have been smashed or mutilated. If the fall was carefully and correctly planned, the chances of anything of the kind happening will have been reduced. Again, much depends upon the size, age, shape, and species of the tree. Still, you will be lucky if you can get through this stages without having to use machinery. Even in the best of circumstances it is a labor that will make you wish often that you had won the favor of the universe of ants, the empire of mice, or at least a local tribe of squirrels, and could enlist their labors and their talents. But no, they leave you to it. They have learned, with time. This is men's work. It goes without saying that if the tree was hollow in whole or in part, and contained old nests of bird or mammal or insect, or hoards of nuts or such structures as wasps or bees build for their survival, the contents will have to repaired where necessary, and reassembled, insofar as possible, in their original order, including the shells of nuts already opened. With spider's webs you must simply do the best you can. We do not have the spider's weaving equipment, nor any substitute for the leaf's living bond with its point of attachment and nourishment. It is even harder to simulate the latter when the leaves have once become dry — as they are bound to do, for this is not the labor of a moment. Also it hardly needs saying that this the time fro repairing any neighboring trees or bushes or other growth that might have been damaged by the fall. The same rules apply. Where neighboring trees were of the same species it is difficult not to waste time conveying a detached leaf back to the wrong tree. Practice, practice. Put your hope in that. Now the tackle must be put into place, or the scaffolding, depending on the surroundings and the dimension of the tree. It is ticklish work. Almost always it involves, in itself, further damage to the area, which will have to be corrected later. But, as you've heard, it can't be helped. And care now is likely to save you considerable trouble later. Be careful to grind nothing into the ground. At last the time comes for the erecting of the trunk. By now it will scarcely be necessary to remind you of the delicacy of this huge skeleton. Every motion of the tackle, every slightly upward heave of the trunk, the branches, their elaborately reassembled panoply of leaves (now dead) will draw from you an involuntary gasp. You will watch for a lead or a twig to be snapped off yet again. You will listen for the nuts to shift in the hollow limb and you will hear whether they are indeed falling into place or are spilling in disorder — in which case, or in the event of anything else of the kind — operations will have to cease, of course, while you correct the matter. The raising itself is no small enterprise, from the moment when the chains tighten around the old bandages until the boles hands vertical above the stump, splinter above splinter. How the final straightening of the splinters themselves can take place (the preliminary work is best done while the wood is still green and soft, but at times when the splinters are not badly twisted most of the straightening is left until now, when the torn ends are face to face with each other). When the splinters are perfectly complementary the appropriate fixative is applied. Again we have no duplicate of the original substance. Ours is extremely strong, but it is rigid. It is limited to surfaces, and there is no play in it. However the core is not the part of the trunk that conducted life from the roots up to the branches and back again. It was relatively inert. The fixative for this part is not the same as the one for the outer layers and the bark, and if either of these is involved

She finds herself, by some miraculous feat, no longer standing in the old nursery but returned to the clearing in the woods. It is the 'green cathedral', the place she first kissed Jack all those weeks ago. The place where they laid out the stunned sparrowhawk, then watched it spring miraculously back to life. All around, the smooth, grey trunks of ancient beech trees rise up from the walls of the room to tower over her, spreading their branches across the ceiling in a fan of tangled branches and leaves, paint and gold leaf cleverly combined to create the shimmering effect of a leafy canopy at its most dense and opulent. And yet it is not the clearing, not in any real or grounded sense, because instead of leaves, the trees taper up to a canopy of extraordinary feathers shimmering and spreading out like a peacock's tail across the ceiling, a hundred green, gold and sapphire eyes gazing down upon her. Jack's startling embellishments twist an otherwise literal interpretation of their woodland glade into a fantastical, dreamlike version of itself. Their green cathedral, more spectacular and beautiful than she could have ever imagined. She moves closer to one of the trees and stretches out a hand, feeling instead of rough bark the smooth, cool surface of a wall. She can't help but smile. The trompe-l'oeil effect is dazzling and disorienting in equal measure. Even the window shutters and cornicing have been painted to maintain the illusion of the trees, while high above her head the glass dome set into the roof spills light as if it were the sun itself, pouring through the canopy of eyes. The only other light falls from the glass windowpanes above the window seat, still flanked by the old green velvet curtains, which somehow appear to blend seamlessly with the painted scene. The whole effect is eerie and unsettling. Lillian feels unbalanced, no longer sure what is real and what is not. It is like that book she read to Albie once- the one where the boy walks through the wardrobe into another world. That's what it feels like, she realizes: as if she has stepped into another realm, a place both fantastical and otherworldly. It's not just the peacock-feather eyes that are staring at her. Her gaze finds other details: a shy muntjac deer peering out from the undergrowth, a squirrel, sitting high up in a tree holding a green nut between its paws, small birds flitting here and there. The tiniest details have been captured by Jack's brush: a silver spider's web, a creeping ladybird, a puffy white toadstool. The only thing missing is the sound of the leaf canopy rustling and the soft scuttle of insects moving across the forest floor.

Statement Preliminary to the Invention of Solace Whether they bend as compliantly as black leaves Curved and hanging in the heavy dew in the grey dawn, Or whether they wait as motionless as ice-coated Insects and spears of roots on a northern cliff; Whether they tighten once like the last white edge Of primrose taken suddenly skyward By a gust of frost, or swallow as hard as stones Careened and scattered by a current of river; Whether they mourn by the bright light of grief Running like a spine of grass straight through the sound Of their songs, or whether they fall quietly Through indefinite darkness like a seed of sorrel Bound alive beneath snow; whether they mourn in multitudes, blessed like a congregation of winter forest moaning for the white drifting children of storms they can never remember, or whether they grieve separately, divided even from themselves, parted like golden plovers blown and calling over a buffeted sea; something must come to them, something as clear and fair and continuous as the eye of the bluegill open in calm water, something as silent as the essential spaces of breath heard inside the voice naming all of their wishes, something touching them in the same way the sun deep in the pit of the pear touches the spring sky by the light of its own leaf. A comfort understood like that must be present now and possible.

Neurons can be created in vitro by modifying the epigenesis of cnidarian cells, which suggests that the repeated evolution of functional neurons from non-neuronal cell lines cannot be too difficult to achieve. The evolvability of functional neurons is further supported by convergence on action potentials and information-transfer mechanisms in lineages for whom rapid sensory-motor mechanisms are either inaccessible or not required. For instance, action potentials have evolved in the first major origin of complex multicellularity: the green plants, some of whom, such as the carnivorous Venus flytrap, are capable of limited rapid movements. Such 'real-time' plant behaviors are made possible by action potentials that are analogous in certain ways to animal nervous systems. Mechanosensory stimulus triggers sensory hairs, which then generate a propagating action potential that initiates a rapid motor response - such as the snapping shut of two leaf lobes, resulting in the imprisonment of hapless insect prey. Though the precise biochemical mechanisms of this snapping mechanism are poorly understood, it is likely achieved by gated ion channels, which produce a flow of water or acid molecules that cause cells in the lobes to change shape, causing the lobes, which are held under tension, to snap shut. A basic memory system is also employed: to avoid snapping shut due to noise (such as raindrops), the snapping mechanism is only initiated when two stimuli separated in time by a few seconds are detected.

But how did proteins make physiological reactions possible? Hemoglobin, the oxygen carrier in blood, for instance, performs one of the simplest and yet most vital reactions in physiology. When exposed to high levels of oxygen, hemoglobin binds oxygen. Relocated to a site with low oxygen levels, it willingly releases the bound oxygen. This property allows hemoglobin to shuttle oxygen from the lung to the heart and the brain. But what feature of hemoglobin allows it to act as such an effective molecular shuttle? The answer lies in the structure of the molecule. Hemoglobin A, the most intensively studied version of the molecule, is shaped like a four-leaf clover. Two of its “leaves” are formed by a protein called alpha-globin; the other two are created by a related protein, beta-globin.II Each of these leaves clasps, at its center, an iron-containing chemical named heme that can bind oxygen—a reaction distantly akin to a controlled form of rusting. Once all the oxygen molecules have been loaded onto heme, the four leaves of hemoglobin tighten around the oxygen like a saddle clasp. When unloading oxygen, the same saddle-clasp mechanism loosens. The unbinding of one molecule of oxygen coordinately relaxes all the other clasps, like the crucial pin-piece pulled out from a child’s puzzle. The four leaves of the clover now twist open, and hemoglobin yields its cargo of oxygen. The controlled binding and unbinding of iron and oxygen—the cyclical rusting and unrusting of blood—allows effective oxygen delivery into tissues. Hemoglobin allows blood to carry seventyfold more oxygen than what could be dissolved in liquid blood alone. The body plans of vertebrates depend on this property: if hemoglobin’s capacity to deliver oxygen to distant sites was disrupted, our bodies would be forced to be small and cold. We might wake up and find ourselves transformed into insects.

experience, and to our consequent estrangement from the earthly world around us. So the ancient Hebrews, on the one hand, and the ancient Greeks on the other, are variously taken to task for providing the mental context that would foster civilization’s mistreatment of nonhuman nature. Each of these two ancient cultures seems to have sown the seeds of our contemporary estrangement—one seeming to establish the spiritual or religious ascendancy of humankind over nature, the other effecting a more philosophical or rational dissociation of the human intellect from the organic world. Long before the historical amalgamation of Hebraic religion and Hellenistic philosophy in the Christian New Testament, these two bodies of belief already shared—or seem to have shared—a similar intellectual distance from the nonhuman environment. In every other respect these two traditions, each one originating out of its own specific antecedents, and in its own terrain and time, were vastly different. In every other respect, that is, but one: they were both, from the start, profoundly informed by writing. Indeed, they both made use of the strange and potent technology which we have come to call “the alphabet.” — WRITING, LIKE HUMAN LANGUAGE, IS ENGENDERED NOT ONLY within the human community but between the human community and the animate landscape, born of the interplay and contact between the human and the more-than-human world. The earthly terrain in which we find ourselves, and upon which we depend for all our nourishment, is shot through with suggestive scrawls and traces, from the sinuous calligraphy of rivers winding across the land, inscribing arroyos and canyons into the parched earth of the desert, to the black slash burned by lightning into the trunk of an old elm. The swooping flight of birds is a kind of cursive script written on the wind; it is this script that was studied by the ancient “augurs,” who could read therein the course of the future. Leaf-miner insects make strange hieroglyphic tabloids of the leaves they consume. Wolves urinate on specific stumps and stones to mark off their territory. And today you read these printed words as tribal hunters once read the tracks of deer, moose, and bear printed in the soil of the forest floor. Archaeological evidence suggests that for more than a million years the subsistence of humankind has depended upon the acuity of such hunters, upon their ability to read the traces—a bit of scat here, a broken twig there—of these animal Others. These letters I print across the page, the scratches and scrawls you now focus upon, trailing off across the white surface, are hardly different from the footprints of prey left in the snow. We read these traces with organs honed over millennia by our tribal ancestors, moving instinctively from one track to the next, picking up the trail afresh whenever it leaves off, hunting the meaning, which would be the meeting with the Other.2

Nevertheless, it would be prudent to remain concerned. For, like death, IT would come: Armageddon. There would be-without exaggeration-a series of catastrophes. As a consequence of the evil in man...-no mere virus, however virulent, was even a burnt match for our madness, our unconcern, our cruelty-...there would arise a race of champions, predators of humans: namely earthquakes, eruptions, tidal waves, tornados, typhoons, hurricanes, droughts-the magnificent seven. Floods, winds, fires, slides. The classical elements, only angry. Oceans would warm, the sky boil and burn, the ice cap melt, the seas rise. Rogue nations, like kids killing kids at their grammar school, would fire atomic-hydrogen-neutron bombs at one another. Smallpox would revive, or out of the African jungle would slide a virus no one understood. Though reptilian only in spirit, the disease would make us shed our skins like snakes and, naked to the nerves, we'd expire in a froth of red spit. Markets worldwide would crash as reckless cars on a speedway do, striking the wall and rebounding into one another, hurling pieces of themselves at the spectators in the stands. With money worthless-that last faith lost-the multitude would riot, race against race at first, God against God, the gots against the gimmes. Insects hardened by generations of chemicals would consume our food, weeds smother our fields, fire ants, killer bees sting us while we're fleeing into refuge water, where, thrashing we would drown, our pride a sodden wafer. Pestilence. War. Famine. A cataclysm of one kind or another-coming-making millions of migrants. Wearing out the roads. Foraging in the fields. Looting the villages. Raping boys and women. There'd be no tent cities, no Red Cross lunches, hay drops. Deserts would appear as suddenly as patches of crusty skin. Only the sun would feel their itch. Floods would sweep suddenly over all those newly arid lands as if invited by the beach. Forest fires would burn, like those in coal mines, for years, uttering smoke, making soot for speech, blackening every tree leaf ahead of their actual charring. Volcanoes would erupt in series, and mountains melt as though made of rock candy till the cities beneath them were caught inside the lava flow where they would appear to later eyes, if there were any eyes after, like peanuts in brittle. May earthquakes jelly the earth, Professor Skizzen hotly whispered. Let glaciers advance like motorboats, he bellowed, threatening a book with his fist. These convulsions would be a sign the parasites had killed their host, evils having eaten all they could; we'd hear a groan that was the going of the Holy Ghost; we'd see the last of life pissed away like beer from a carouse; we'd feel a shudder move deeply through this universe of dirt, rock, water, ice, and air, because after its long illness the earth would have finally died, its engine out of oil, its sky of light, winds unable to catch a breath, oceans only acid; we'd be witnessing a world that's come to pieces bleeding searing steam from its many wounds; we'd hear it rattling its atoms around like dice in a cup before spilling randomly out through a split in the stratosphere, night and silence its place-well-not of rest-of disappearance. My wish be willed, he thought. Then this will be done, he whispered so no God could hear him. That justice may be served, he said to the four winds that raged in the corners of his attic.

The electrical impulses that pass through the roots of trees, for example, move at the slow rate of one third of an inch per second. But why, you might ask, do trees pass electrical impulses through their tissues at all? The answer is that trees need to communicate, and electrical impulses are just one of their many means of communication. Trees also use the senses of smell and taste for communication. If a giraffe starts eating an African acacia, the tree releases a chemical into the air that signals that a threat is at hand. As the chemical drifts through the air and reaches other trees, they “smell” it and are warned of the danger. Even before the giraffe reaches them, they begin producing toxic chemicals. Insect pests are dealt with slightly differently. The saliva of leaf-eating insects can be “tasted” by the leaf being eaten.

The crucifix of singleness to Genesis meant carrying and living an empty life that had been sapped and drained of all the lifeblood it required to flourish, like a withered leaf that lay on the ground waiting to decay and decompose as nature's forces and hungry insects depleted, consumed and eroded it until it was nothing.

Unlike other people to Genesis the burden of singleness, ultimately meant carrying the crucifix of living an empty life that had been sapped and drained of all the lifeblood it required to flourish, like a withered leaf that lay on the ground just waiting to decay and decompose as nature's forces and hungry insects depleted, consumed and eroded it until it was nothing.

Singleness to Genesis was very much like a crucifix and it represented the burden of carrying an empty, lonely life upon one's shoulders that had been sapped of all the lifeblood it required to survive, much like a brown, withered leaf that lay upon the ground just waiting to die as nature, insects and time decayed, decomposed and eradicated it until there was absolutely nothing left at all.

Even as the leaves are falling, the buds of next year’s crop are already in place, waiting to erupt again in spring. Most trees produce their buds in high summer, and the autumn leaf fall reveals them, neat and expectant, protected from the cold by thick scales. We rarely notice them because we think we’re seeing the skeleton of the tree, a dead thing until the sun returns./ The tree is waiting. It has everything ready. It’s fallen leaves are mulching the forest floor, and its roots are drawing up the extra winter moisture, providing a firm anchor against seasonal storms. Its ripe cones and nuts are providing essential food in this scarce time for mice and squirrels, and its bark is hosting hibernating insects and providing a source of nourishment for hungry deer. It is far from dead. It is in fact the life and soul of the wood. It’s just getting on with it quietly. It will not burst into life in the spring. It will just put on a new coat and face the world again.

The lounge of the private terminal in Delhi. A place of beige leather sofas and cappuccinos, set deep in that world where a seeling modernity has yet to close over the land, and where in the empty spaces that lie between the elevated roads and the coloured glass buildings there are still, like insects taking shelter under the veined roof of a leaf, the encampments of families who built them. Black pigs still thread their way through the weeds, there are still patient lorry-loads of labourers, waiting among the dazzle of the new cars, for the lights to change. One India, dwarfed and stunted, adheres like a watchful undergrowth to another India which, in very physical ways, as with the roads that fly up out of the pale land, or the chunks of monorail that rise up from the ground like the remnants of an ancient wall, or the blank closed faces of the glass buildings, wishes to shrug off its poorer opposite: to leave it behind; to shut it out; to soar over it. One man, above all, captures the mood of this time: the security guard. In him, this man of expectation – a man not rich himself, but standing guard at the doorway to a world of riches – it is possible to feel the boredom and restlessness of a world that inspires ambition, but cannot answer it. Skanda watches him watching the lounge, with eyes glazed and yellowing from undernourishment. A favourite phrase from college returns: Quis custodiet ipsos custodes?

Babies are soft. Anyone looking at them can see the tender, fragile skin and know it for the rose-leaf softness that invites a finger’s touch. But when you live with them and love them, you feel the softness going inward, the round-checked flesh wobbly as custard, the boneless splay of the tiny hands. Their joints are melted rubber, and even when you kiss them hard, in the passion of loving their existence, your lips sink down and seem never to find bone. Holding them against you, they melt and mold, as though they might at any moment flow back into your body. But from the very start, there is that small streak of steel within each child. That thing that says “I am,” and forms the core of personality. In the second year, the bone hardens and the child stands upright, skull wide and solid, a helmet protecting the softness within. And “I am” grows, too. Looking at them, you can almost see it, sturdy as heartwood, glowing through the translucent flesh. The bones of the face emerge at six, and the soul within is fixed at seven. The process of encapsulation goes on, to reach its peak in the glossy shell of adolescence, when all softness then is hidden under the nacreous layers of the multiple new personalities that teenagers try on to guard themselves. In the next years, the hardening spreads from the center, as one finds and fixes the facets of the soul, until “I am” is set, delicate and detailed as an insect in amber.

The holy pair were not only children under the fatherly care of God but students receiving instruction from the all-wise Creator. They were visited by angels, and were granted communion with their Maker, with no obscuring veil between. They were full of the vigor imparted by the tree of life, and their intellectual power was but little less than that of the angels. The mysteries of the visible universe—“the wondrous works of him which is [51] perfect in knowledge” (Job 37:16)—afforded them an exhaustless source of instruction and delight. The laws and operations of nature, which have engaged men’s study for six thousand years, were opened to their minds by the infinite Framer and Upholder of all. They held converse with leaf and flower and tree, gathering from each the secrets of its life. With every living creature, from the mighty leviathan that playeth among the waters to the insect mote that floats in the sunbeam, Adam was familiar. He had given to each its name, and he was acquainted with the nature and habits of all. God’s glory in the heavens, the innumerable worlds in their orderly revolutions, “the balancings of the clouds,” the mysteries of light and sound, of day and night—all were open to the study of our first parents. On every leaf of the forest or stone of the mountains, in every shining star, in earth and air and sky, God’s name was written. The order and harmony of creation spoke to them of infinite wisdom and power. They were ever discovering some attraction that filled their hearts with deeper love and called forth fresh expressions of gratitude.

This ability to produce different compounds is another feature that helps trees fend off attack for a while. When it comes to some species of insects, trees can accurately identify which bad guys they are up against. The saliva of each species is different, and trees can match the saliva to the insect. Indeed, the match can be so precise that trees can release pheromones that summon specific beneficial predators. The beneficial predators help trees by eagerly devouring the insects that are bothering them. For example, elms and pines call on small parasitic wasps that lay their eggs inside leaf-eating caterpillars. As the wasp larvae develop, they devour the larger caterpillars bit by bit from the inside out. Not a nice way to die. The result, however, is that the trees are saved from bothersome pests and can keep growing with no further damage. The fact trees can recognize saliva is, incidentally, evidence for yet another skill they must have. For if they can identify saliva, they must also have a sense of taste.

The air was pure and still, and early sunshine sparkled on the heavy dew. In the valley sat cotton candy mist, and the distant hills stood softly, their edges blurred and colors muted by the moist air. Swallows and house martins swooped and dipped, hungry for their breakfasts, catching the first rise of insects of the day. The honeysuckle and roses had not yet warmed to release their scent, so the strongest smell was of wet grass and bracken. Laura smiled, breathing deeply, and walked lightly through the gate into the meadows. She hadn't the courage to head off onto the mountain on her own just yet but could not wait to explore the woods at the end of the fields. By the time she reached the first towering oaks, her feet were washed clean by the dew. She felt wonderfully refreshed and awake. As she wandered among the trees she had the sense of a place where time had stood still. Where man had left only a light footprint. Here were trees older than memory. Trees that had sheltered farmers and walkers for generations. Trees that had been meeting points for lovers and horse dealers. Trees that had provided fuel and food for families and for creatures of the forest with equal grace. As she walked deeper into the woods she noticed the quality of sound around her change. Gone were the open vistas and echoes of the meadows and their mountain backdrop. Here even the tiniest noises were close up, bouncing back off the trunks and branches, kept in by the dense foliage. The colors altered subtly, too. With the trees in full leaf the sunlight was filtered through bright green, giving a curious tinge to the woodland below. White wood anemones were not white at all, but the palest shade of Naples yellow. The silver lichens which grew in abundance bore a hint of olive. Even the miniature violets reflected a suggestion of viridian.

Marijuana, meanwhile, produces a chemical called THC that attaches to the second class of receptors (discovered in 1988). These receptors were then deemed “cannabinoid receptors,” and the brain chemicals that attach to them were called endocannabinoids (for endogenous cannabinoids). Because molecules in these plants attach to these receptors in our brain and elsewhere, they can, in small amounts, enhance our lives. Marijuana can calm the nausea in chemotherapy patients and improve the appetite of AIDS patients. Morphine and other opioids, of course, numb pain and allow for surgery to take place. In the bowels, opioids can control diarrhea—as Paul Janssen knew when he invented loperamide. But in larger quantities, far beyond what the brain can produce, these molecules prod our brain receptors to excess. THC in marijuana overwhelms the cannabinoid receptors and produces ravenous hunger and faulty memory. The morphine molecule locks with the opioid receptors to produce euphoria and numb pain. Opioid receptors in our lungs govern breathing; too much morphine molecule shuts down breathing, which is how overdose victims die. The morphine molecule also produces constipation in addicts. In withdrawals, without the drug, addicts suffer diarrhea. (Naloxone, the overdose antidote, is occasionally used to treat constipation.) (Interestingly, the natural substances that make humans high actually evolved in their plants as pesticides, to keep predator insects from feasting on their leaves. Nicotine is a pesticide that tobacco naturally produces. So is caffeine in coffee, cocaine in the coca leaf, morphine in the opium poppy, and perhaps THC in marijuana as well.) In

went back out to the garden at the side of the cottage where she grew vegetables: peas, beans, and cabbages. As she dug at the sturdy deep roots of a dock leaf, her hens saw her, and came rushing up from the shoreline. They scratched companionably, looking for worms and little insects in the turned earth, clucking contentedly at Alinor, and she scolded them gently. “You go down to the shore, don’t you scrape up my plants.” One copper-brown hen pecked up a little worm and made a funny grunting noise of appreciation.

Modern science says that it wants to know the laws of Nature in all their minute ramifications and yet pays no attention whatever to the universal and fundamental law from which all these ramifications spring. Thus science resembles an insect crawling over a fallen leaf and imagining, thereby learning the qualities of the tree.

The area where I sat was slick with dampness. It wasn't just that the ground was moist - all around me, it felt like it was bursting: with the leaves on the trees, the undergrowth, the countless microorganisms under the ground, the flat bugs crawling over the surface, the winged insects flitting through the air, the birds perched on branches, even the breath of the larger animals that inhabited the deep forest. I could only see a small patch of sky, the part that was left open between the treetops of the forest around me. The branches seemed like a network that in some places almost obscured the sky. Once my eyes had adjusted to the faint light, I realized that the undergrowth was alive with all manner of things. Tiny orange mushrooms. Moss. Something that looked like coarse white veins in the underside of a leaf. What must be some kind of fungus. Dead beetles. Various kinds of ants. Centipedes. Moths on the back of leaves. It seemed strange to be surrounded by so many living things. When I was in Tokyo, I couldn't help but feel like I was always alone, or occasionally in the company of Sensei. It seemed like the only living things in Tokyo were big like us. But of course, if I really paid attention, there were plenty of other living things surrounding me in the city as well. It was never just the two of us, Sensei and me. Even when we were at the bar, I tended to only take notice of Sensei. but Satoru was always there, along with the usual crowd of familiar faces. And I never really acknowledged that any of them were alive in any way. I never gave any thought to the fact that they were leading the same kind of complicated life as I was.

The area where I sat was slick with dampness. It wasn't just that the ground was moist - all around me, it felt like it was bursting: with the leaves on the trees, the undergrowth, the countless microorganisms under the ground, the flat bugs crawling over the surface, the winged insects flitting through the air, the birds perched on branches, even the breath of the larger animals that inhabited the deep forest. I could only see a small patch of sky, the part that was left open between the treetops of the forest around me. The branches seemed like a network that in some places almost obscured the sky. Once my eyes had adjusted to the faint light, I realized that the undergrowth was alive with all manner of things. Tiny orange mushrooms. Moss. Something that looked like coarse white veins in the underside of a leaf. What must be some kind of fungus. Dead beetles. Various kinds of ants. Centipedes. Moths on the back of leaves. It seemed strange to be surrounded by so many living things. When I was in Tokyo, I couldn't help but feel like I was always alone, or occasionally in the company of Sensei. It seemed like the only living things in Tokyo were big like us. But of course, if I really paid attention, there were plenty of other living things surrounding me in the city as well. It was never just the two of us, Sensei and me. Even when we were at the bar, I tended to only take notice of Sensei. but Satoru was always there, along with the usual crowd of familiar faces. And I never really acknowledged that any of them were alive in any way. I never gave any thought to the fact that they were leading the same kind of complicated life as I was.

Even though I was driving, writing, I shut my eyes, and they all became available to me: the venation of leaf and insect wing, the Lichtenberg figure in the grass where the discharge took place, delicate crazing in blue grass, the network of vessels against the black back of the lids, self-similar golden spirals, the fractals formed by riverbeds and neurons, honeycomb lattices, habits, all the beautiful conspiracies, which means "to breath together," the ancient dream of poetry.

Because the farming ants have practiced the mutual co-adaptation model during millions of years of relentless natural selection on joint performance, they often surpass us in specific efficiency targets. Not only did ants in general evolve sperm banks at ambient temperature that last a queen’s potential life span of two to three decades (Den Boer et al. 2009), but they also somehow prevented the evolution of resistance by specialized Escovopsis garden pathogens against biocontrol compounds obtained from Actinobacteria that they rear on their cuticles (De Man et al. 2016; Holmes et al. 2016; Heine et al. 2018) (chapter 11, this volume). Recent work has further indicated that the fungus-growing termites are equally efficient in keeping their colonies as free from pathogens as the leaf-cutting ants appear to be (Otani et al. 2019; see also figure 5.1C, D, E). Relative to the extreme specialization of social insect farmers, human farmers are jacks of all trades in their interactions with domesticated crops, and we remain extremely vulnerable to endemic and epidemic diseases of our cultivars.

Daniel Mas Masumoto: The blade slices into the soil. My muscles tense and push the shovel into the moist ground. Dark and damp, the sweet warm smell of wet earth…I can’t count the thousands of shovelfuls of earth I have moved in my life. But I like to think of the thousands that lie in my future, if I am fortunate. Spring irrigation brings life to the orchards and vineyards. Peaches ripen and the scent of bloom lingers in the air…I guide the water into my fields in an act of renewal, I think of Paul, a farmer and oil painter friend. He enjoys experimenting with green, capturing the subtle nuances of a fresh leaf or the thriving growth of mid-spring or the weak yellow green of a cover crop on bad soil… Paul knows his paintings work when the farmers gravitate toward a few, attracted by the colors, and begin talking about his greens. The true green of a field has depth, like the mysterious colors of a clear by deep lake. Each shade has meaning we interpret differently. Paul says farmers are his best art critics, we know more of greens than anyone else. I’ve lost raisin crops, peach harvests, whole trees and vines. I’ve lost money, my time, and my labor. I’ve lost my temper, my patience, and, at time, hope. Most of the time, it’s due to things beyond my control, like the weather, market prices, or insects or disease. Ironically, the moment I step off my farm I enter a world where it seems that everything, life and nature, is regulated and managed. Homes are built to insulate families from the outside weather. People work in climate controlled environments designed to minimize the impact of weather. In America, a lack of control means failure…I’ve abandoned my attempts to control and compete with nature, but letting go has been a challenge. I’m trying to listen to my farm. Before I had not reason to hear the sounds of nature. The sole strategy of conventional farming seems to be dominance. Now, with each passing week, I venture into fields full of life and change, clinging to a belief in my work and a hope that it’s working.