Leaf Flower Quotes

Autumn is a second spring when every leaf is a flower.

Nature's first green is gold, Her hardest hue to hold. Her early leaf's a flower; But only so an hour. Then leaf subsides to leaf. So Eden sank to grief, So dawn goes down to day. Nothing gold can stay.

And for all I know he is sitting there still, under his favorite cork tree, smelling the flowers just quietly

I Am Vertical But I would rather be horizontal. I am not a tree with my root in the soil Sucking up minerals and motherly love So that each March I may gleam into leaf, Nor am I the beauty of a garden bed Attracting my share of Ahs and spectacularly painted, Unknowing I must soon unpetal. Compared with me, a tree is immortal And a flower-head not tall, but more startling, And I want the one's longevity and the other's daring.

I like it better here where I can sit just quietly and smell the flowers.

He had heard about talking to plants in the early seventies, on Radio Four, and thought it was an excellent idea. Although talking is perhaps the wrong word for what Crowley did. What he did was put the fear of God into them. More precisely, the fear of Crowley. In addition to which, every couple of months Crowley would pick out a plant that was growing too slowly, or succumbing to leaf-wilt or browning, or just didn't look quite as good as the others, and he would carry it around to all the other plants. "Say goodbye to your friend," he'd say to them. "He just couldn't cut it. . . " Then he would leave the flat with the offending plant, and return an hour or so later with a large, empty flower pot, which he would leave somewhere conspicuously around the flat. The plants were the most luxurious, verdant, and beautiful in London. Also the most terrified.

Around us, life bursts with miracles--a glass of water, a ray of sunshine, a leaf, a caterpillar, a flower, laughter, raindrops. If you live in awareness, it is easy to see miracles everywhere. Each human being is a multiplicity of miracles. Eyes that see thousands of colors, shapes, and forms; ears that hear a bee flying or a thunderclap; a brain that ponders a speck of dust as easily as the entire cosmos; a heart that beats in rhythm with the heartbeat of all beings. When we are tired and feel discouraged by life's daily struggles, we may not notice these miracles, but they are always there.

The alchemist picked up a book that someone in the caravan had brought. Leafing through the pages, he found a story about Narcissus. The alchemist knew the legend of Narcissus, a youth who knelt daily beside a lake to contemplate his own beauty. He was so fascinated by himself that, one morning, he fell into the lake and drowned. At the spot where he fell, a flower was born, which was called the narcissus. But this was not how the author of the book ended the story. He said that when Narcissus died, the goddesses of the forest appeared and found the lake, which had been fresh water, transformed into a lake of salty tears. 'Why do you weep?' the goddesses asked. 'I weep for Narcissus," the lake replied. 'Ah, it is no surprise that you weep for Narcissus,' they said, 'for though we always pursued him in the forest, you alone could contemplate his beauty close at hand.' 'But... was Narcissus beautiful?' the lake asked. 'Who better than you to know that?' the goddesses asked in wonder. 'After all, it was by your banks that he knelt each day to contemplate himself!' The lake was silent for some time. Finally, it said: 'I weep for Narcissus, but I never noticed that Narcissus was beautiful. I weep because, each time he knelt beside my banks, I could see, in the depths of his eyes, my own beauty reflected.' 'What a lovely story,' the alchemist thought.

Nature's first green is gold, Her hardest hue to hold. Her early leaf's a flower; But only so an hour. Then leaf subsides to leaf. So Eden sank to grief, So dawn goes down to day. Nothing gold can stay.

The old cobbler had believed in something he called "the signature of all things"-namely, that God had hidden clues for humanity's betterment inside the design of every flower, leaf, fruit, and tree on earth. All the natural world was a divine code, Boehme claimed, containing proof of our Creator's love.

A lifetime isn’t long enough for the beauty of this world and the responsibilities of your life. Scatter your flowers over the graves, and walk away. Be good-natured and untidy in your exuberance. In the glare of your mind, be modest. And beholden to what is tactile, and thrilling.

And there, row upon row, with the soft gleam of flowers opened at morning, with the light of this June sun glowing through a faint skin of dust, would stand the dandelion wine. Peer through it at the wintry day - the snow melted to grass, the trees were reinhabitated with bird, leaf, and blossoms like a continent of butterflies breathing on the wind. And peering through, color sky from iron to blue. Hold summer in your hand, pour summer in a glass, a tiny glass of course, the smallest tingling sip for children; change the season in your veins by raising glass to lip and tilting summer in

For I shall learn from flower and leaf, That color every drop they hold, To change the lifeless wine of grief To living gold.

Living things don't all require light in the same degree. Some of us make our own light: a silver leaf like a path no one can use, a shallow lake of silver in the darkness under the great maples. But you know this already. You and the others who think you live for truth and, by extension, love all that is cold.

I found every breath of air, and every scent, and every flower and leaf and blade of grass and every passing cloud, and everything in nature, more beautiful and wonderful to me than I had ever found it yet. This was my first gain from my illness. How little I had lost, when the wide world was so full of delight for me.

In early June the world of leaf and blade and flowers explodes, and every sunset is different.

Man is timid and apologetic; he is no longer upright; he dares not say "I think," "I am," but quotes some saint or sage. He is ashamed before the blade of grass or the blowing rose. These roses under my window make no reference to former roses or to better ones; they are for what they are; they exist with God to-day. There is no time to them. There is simply the rose; it is perfect in every moment of its existence. Before a leaf-bud has burst, its whole life acts; in the full-blown flower there is no more; in the leafless root there is no less. Its nature is satisfied, and it satisfies nature, in all moments alike. But man postpones or remembers; he does not live in the present, but with reverted eye laments the past, or, heedless of the riches that surround him, stands on tiptoe to foresee the future. He cannot be happy and strong until he too lives with nature in the present, above time.

Fall, leaves, fall; die, flowers, away; Lengthen night and shorten day; Every leaf speaks bliss to me Fluttering from the autumn tree. I shall smile when wreaths of snow Blossom where the rose should grow; I shall sing when night’s decay Ushers in a drearier day.

In music, in the sea, in a flower, in a leaf, in an act of kindness... I see what people call God in all these things.

To regret the exchange of earthly pleasures for the joys of Heaven, is as if the grovelling caterpillar should lament that it must one day quit the nibbled leaf to soar aloft and flutter through the air, roving at will from flower to flower, sipping sweet honey from their cups, or basking in their sunny petals. If these little creatures knew how great a change awaited them, no doubt they would regret it; but would not all such sorrow be misplaced?

It is futile to argue as to which single leaf, which design of branch, or which attractive flower you like; when you understand the root, you understand all its blossoming.

Somewhere, in some shadowy bedroom of a leaf-strewn town, a father bolts the door to a child's room, then steps closer to the bed. In a neighbor's garden lurks a weed with a funny, blade-petaled flower, its poison choking the red roses. Somewhere a car is crashing; a phone is ringing in the center of night. The spider waits poised in the slipper. The bird swoops headlong into glass it thought was farther air. The strangler envisions a neighborhood of throats. The head finds the noose; the foot kicks the chair.

Behind her the sun was still shining, so that every grove and every single tree between her and the storm blazed ardent and vivid, little frail things defying the dark with leaf and twig and fruit and flower.

From p. 40 of Signet Edition of Thomas Wolfe's _You Can't Go Home Again_ (1940): Some things will never change. Some things will always be the same. Lean down your ear upon the earth and listen. The voice of forest water in the night, a woman's laughter in the dark, the clean, hard rattle of raked gravel, the cricketing stitch of midday in hot meadows, the delicate web of children's voices in bright air--these things will never change. The glitter of sunlight on roughened water, the glory of the stars, the innocence of morning, the smell of the sea in harbors, the feathery blur and smoky buddings of young boughs, and something there that comes and goes and never can be captured, the thorn of spring, the sharp and tongueless cry--these things will always be the same. All things belonging to the earth will never change--the leaf, the blade, the flower, the wind that cries and sleeps and wakes again, the trees whose stiff arms clash and tremble in the dark, and the dust of lovers long since buried in the earth--all things proceeding from the earth to seasons, all things that lapse and change and come again upon the earth--these things will always be the same, for they come up from the earth that never changes, they go back into the earth that lasts forever. Only the earth endures, but it endures forever. The tarantula, the adder, and the asp will also never change. Pain and death will always be the same. But under the pavements trembling like a pulse, under the buildings trembling like a cry, under the waste of time, under the hoof of the beast above the broken bones of cities, there will be something growing like a flower, something bursting from the earth again, forever deathless, faithful, coming into life again like April.

Upon the hearth the fire is red, Beneath the roof there is a bed; But not yet weary are our feet, Still round the corner we may meet A sudden tree or standing stone That none have seen but we alone. Tree and flower, leaf and grass, Let them pass! Let them pass! Hill and water under sky, Pass them by! Pass them by! Still round the corner there may wait A new road or a secret gate, And though we pass them by today, Tomorrow we may come this way And take the hidden paths that run Towards the Moon or to the Sun. Apple, thorn, and nut and sloe, Let them go! Let them go! Sand and stone and pool and dell, Fare you well! Fare you well! Home is behind, the world ahead, And there are many paths to tread Through shadows to the edge of night, Until the stars are all alight. Then world behind and home ahead, We'll wander back to home and bed. Mist and twilight, cloud and shade, Away shall fade! Away shall fade! Fire and lamp and meat and bread, And then to bed! And then to bed!

The pale pink light of dawn sparkled on branch and leaf and stone. Every blade of grass was carved from emerald, every drip of water turned to diamond. Flowers and mushrooms alike wore coats of glass. Even the mud puddles had a bright brown sheen. Through the shimmering greenery, the black tents of his brothers were encased in a fine glaze of ice. So there is magic beyond the Wall after all.

In fact, the only things in the flat Crowley devoted any personal attention to were the houseplants. They were huge, and green, and glorious, with shiny, healthy, lustrous leaves. This was because, once a week, Crowley went around the flat with a green plastic plant mister spraying the leaves, and talking to the plants.... Although talking is perhaps the wrong word for what Crowley did. What he did was put the fear of God into them. More precisely, the fear of Crowley. In addition to which, every couple of months Crowley would pick out a plant that was growing too slowly, or succumbing to leaf-wilt, or browning, or just didn't look quite as good as the others, and he would carry it around to all the plants. "Say goodbye to your friend," he'd say to them. "He just couldn't cut it..." Then he would leave the flat with the offending plant, and return an hour or so later with a large empty flower pot, which he would leave somewhere conspicuously around the flat. The plants were the most luxurious, verdant, and beautiful in London. Also the most terrified.

(Ravic speaking of a butterfly caught in the Louvre) In the morning it would search for flowers and life and the light honey of blossoms and would not find them and later it would fall asleep on millennial marble, weakened by then, until the grip of the delicate, tenacious feet loosened and it fell, a thin leaf of premature autumn.

I want to be Empress.” “Oh, Theodora, don’t be insane.” Antonina took her friend’s hands. “Do you really think a circus clown can become a queen?” “There’s no fruit without a flower.” “But an Empress? Maybe in a thousand years.” “All I have is today.” She stiffened her backbone, like a fluttery leaf changing into an oak. “And I won’t be defeated by a failure of imagination.

When the time has come, every leaf turns to face the sun!

I shake my head. I pick up the rake and start making the dead-leaf pile neater. A blister pops and stains the rake handle like a tear. Dad nods and walks to the Jeep, keys jangling in his fingers. A mockingbird lands on a low oak branch and scolds me. I rake the leaves out of my throat. Me: "Can you buy some seeds? Flower seeds?

Most people do not know at all how beautiful the world is and how much magnificence is revealed in the tiniest things, in some flower, in a stone, in tree bark, or in a birch leaf. (Letters on Life)

All things belonging to the earth will never change-the leaf, the blade, the flower, the wind that cries and sleeps and wakes again, the trees whose stiff arms clash and tremble in the dark, and the dust of lovers long since buried in the earth-all things proceeding from the earth to seasons, all things that lapse and change and come again upon the earth-these things will always be the same, for they come up from the earth that never changes, they go back into the earth that lasts forever. Only the earth endures, but it endures forever.

Tomorrow, I will continue to be. But you will have to be very attentive to see me. I will be a flower, or a leaf. I will be in these forms and I will say hello to you. If you are attentive enough, you will recognize me, and you may greet me. I will be very happy.

Autunm eats its leaf out of my hand: we are friends. From the nuts we shell time and we teach it to walk: then time returns to the shell. In the mirror it's Sunday, in dream there is room for sleeping, our mouths speak the truth. My eye moves down to the sex of my loved one: we look at each other, we exchange dark words, we love each other like poppy and recollection, we sleep like wine in the conches, like the sea in the moon's blood ray. We stand by the window embracing, and people look up from the street: it is time they knew! It is time the stone made an effort to flower, time unrest had a beating heart. It is time it were time. It is time.

Do you experience that? Ask yourself, "Have I ever experienced the wonders of life?" Meditate about it. Meditation helps your spirit bloom like a beautiful flower. The experience can be beautiful and great. Poetry is the language of the soul. So listen. "Life is like a dewdrop on a grass leaf. When is slips away, it's gone forever.

Flowers need plenty of water and sunshine to grow. Love, too, needs attention and affection, or else it slowly withers away from neglect. Once love’s gone, it’s as brittle as a dried-out leaf. You pick it up, only to discover that it’s turned to ash beneath your oncecareful touch, gone on a swift wind forever.

-You know how to call me although such a noise now would only confuse the air Neither of us can forget the steps we danced the words you stretched to call me out of dust Yes I long for you not just as a leaf for weather or vase for hands but with a narrow human longing that makes a man refuse any fields but his own I wait for you at an unexpected place in your journey like the rusted key or the feather you do not pick up.- -I WILL NEVER FIND THE FACES FOR ALL GOODBYES I'VE MADE.- For Anyone Dressed in Marble The miracle we all are waiting for is waiting till the Parthenon falls down and House of Birthdays is a house no more and fathers are unpoisoned by renown. The medals and the records of abuse can't help us on our pilgrimage to lust, but like whips certain perverts never use, compel our flesh in paralysing trust. I see an orphan, lawless and serene, standing in a corner of the sky, body something like bodies that have been, but not the scar of naming in his eye. Bred close to the ovens, he's burnt inside. Light, wind, cold, dark -- they use him like a bride. I Had It for a Moment I had it for a moment I knew why I must thank you I saw powerful governing men in black suits I saw them undressed in the arms of young mistresses the men more naked than the naked women the men crying quietly No that is not it I'm losing why I must thank you which means I'm left with pure longing How old are you Do you like your thighs I had it for a moment I had a reason for letting the picture of your mouth destroy my conversation Something on the radio the end of a Mexican song I saw the musicians getting paid they are not even surprised they knew it was only a job Now I've lost it completely A lot of people think you are beautiful How do I feel about that I have no feeling about that I had a wonderful reason for not merely courting you It was tied up with the newspapers I saw secret arrangements in high offices I saw men who loved their worldliness even though they had looked through big electric telescopes they still thought their worldliness was serious not just a hobby a taste a harmless affectation they thought the cosmos listened I was suddenly fearful one of their obscure regulations could separate us I was ready to beg for mercy Now I'm getting into humiliation I've lost why I began this I wanted to talk about your eyes I know nothing about your eyes and you've noticed how little I know I want you somewhere safe far from high offices I'll study you later So many people want to cry quietly beside you

I realized that the hair is there for a reason – it’s the leaf around the flower, the lawn around the house. You have to love the hair in order to love the vagina. You can’t pick the parts you want.

The weather here is windy, balmy, sometimes wet. Desert springtime, with flowers popping up all over the place, trees leafing out, streams gushing down from the mountains. Great time of year for hiking, camping, exploring, sleeping under the new moon and the old stars. At dawn and at evening we hear the coyotes howling with excitement - mating season. And lots of fresh rabbit meat hopping about to feed the young ones with.

94 was a good year to be twelve. Star Wars still had two more years as Box Office King, cartoons were still hand-drawn, and the Disney "D" still looked like a backwards "G." Words like "Columbine," "Al Qaeda" and "Y2K" were not synonymous with "terror," and 9-1-1 was an emergency number instead of a date. At twelve years old, summer still mattered. Monarch caterpillars still crawled beneath every milkweed leaf. Dandelions (or "wishes" as Mara called them) were flowers instead of pests. And divorce was still considered a tragedy. Before Mara, carnivals didn't make me sick.

. . . for she was the only girl they loved, as she is the queenly pearl you prize, because of the way the night that first we met she is bound to be, methinks, and not in vain, the darling of my heart, sleeping in her april cot, within her singachamer, with her greengageflavoured candywhistle duetted to the crazyquilt, Isobel, she is so pretty, truth to tell, wildwood's eyes and primarose hair, quietly, all the woods so wild, in mauves of moss and daphnedews, how all so still she lay, neath of the whitethorn, child of tree, like some losthappy leaf, like blowing flower stilled, as fain would she anon, for soon again 'twill be, win me, woo me, wed me, ah weary me!

Upon the hearth the fire is red, Beneath the roof there is a bed; But not yet weary are our feet, Still round the corner we may meet A sudden tree or standing stone That none have seen but we alone. Tree and flower and leaf and grass, Let them pass! Let them pass!

She had so deep a kinship with the trees, so intuitive a sympathy with leaf and flower, that it seemed as if the blood in her veins was not slow-moving human blood, but volatile sap.

Beauty means this to one person, perhaps, and that to another. And yet when any one of us has seen or heard or read that which to him is beautiful, he has known an emotion which is in every case the same in kind, if not in degree; an emotion precious and uplifting. A choirboy's voice, a ship in sail, an opening flower, a town at night, the song of the blackbird, a lovely poem, leaf shadows, a child's grace, the starry skies, a cathedral, apple trees in spring, a thorough-bred horse, sheep-bells on a hill, a rippling stream, a butterfly, the crescent moon -- the thousand sights or sounds or words that evoke in us the thought of beauty -- these are the drops of rain that keep the human spirit from death by drought. They are a stealing and a silent refreshment that we perhaps do not think about but which goes on all the time....It would surprise any of us if we realized how much store we unconsciously set by beauty, and how little savour there would be left in life if it were withdrawn. It is the smile on the earth's face, open to all, and needs but the eyes to see, the mood to understand.

Ephemerals: That's what Hub called them; flowers that bloomed and died in a matter of weeks, before the trees leafed out and shaded them. She liked the way the word sounded in her head. I am an ephemeral. It made her feel like something passing and precious.

When you walk through a beautiful botanical garden, you feel open and light. You feel love. You see beauty. You don’t judge the shape and placement of every leaf. The leaves are of all sizes and shapes and they face every-which-way. That’s what makes them beautiful. What if you felt that way about people? What if they didn’t all have to dress the same, believe the same, or behave the same? What if they were like the flowers, and however they happened to be seemed beautiful to you?

I wouldn't coax the plant if I were you. Such watchful nursing may do it harm. Let the soil rest from so much digging And wait until it's dry before you water it. The leaf's inclined to find its own direction; Give it a chance to seek the sunlight for itself. Much growth is stunted by too careful prodding, Too eager tenderness. The things we love we have to learn to leave alone.

The Promise" Stay, I said to the cut flowers. They bowed their heads lower. Stay, I said to the spider, who fled. Stay, leaf. It reddened, embarrassed for me and itself. Stay, I said to my body. It sat as a dog does, obedient for a moment, soon starting to tremble. Stay, to the earth of riverine valley meadows, of fossiled escarpments, of limestone and sandstone. It looked back with a changing expression, in silence. Stay, I said to my loves. Each answered, Always.

Nature’s first green is gold, Her hardest hue to hold. Her early leaf’s a flower; But only so an hour. Then leaf subsides to leaf. So Eden sank to grief, So dawn goes down to day. Nothing gold can stay.

Wild animals passed on their way under the leaves; each track was an arterial road; and when I stooped and looked at the earth close to, I saw, from leaf to leaf and flower to flower, a moving host of insects.

I'm fine," she said. But her smile was bleak, without light or warmth. And for the first time I thought of what it must be like to know that you were going to die, that the trees would bud, flower, leaf, dry, die, and you would not be there to see any of it.

A Late Walk - A Tree beside the wall stands bare, But a leaf that lingered brown, Disturbed, I doubt not, by my thought, comes softly rattling down. I end not far from my going forth By picking the faded blue Of the last remaining aster flower to carry again to you.

Freedom is a delicate flower, like a pretty leaf in the air: It's hard to catch and may not be what you thought when you get it, she observed quietly.- Polly from Copper Sun

Hiding in every flower, in every leaf, in every twig and bough, are reflections of the God who once walked with us in Eden. - The Color of Grace

...there began to come to her a first dim realization of God's humility. Rejected by the proud in His own right by what humble means He chose to succor them; through the spirit of a child, a poor gypsy or an old man, by a song perhaps, or even it might be by the fall of a leaf or the scent of a flower. For His infinite and humble patience nothing was too small to advance His purpose of salvation and eternity was not too long for its accomplishment.

When you know the fourfoil in all its seasons root and leaf and flower, by sight and scent and seed, then you may learn its true name, knowing its being: which is more than its use. What, after all, is the use of you? or of myself? Is Gont Mountain useful, or the Open Sea?

With her, too, I danced more easily now, in a freer and more sprightly fashion, even though not so buoyantly and more self-consciously than with the other. Hermine had me lead, adapting herself as softly and lightly as the leaf of a flower, and with her, too, I now experienced all these delights that now advanced and now took wing. She, too, now exhaled the perfume of woman and love, and her dancing, too, sang with intimate tenderness the lovely and enchanting song of sex.

There is another sky, Ever serene and fair, And there is another sunshine, Though it be darkness there; Never mind faded forests, Austin, Never mind silent fields - Here is a little forest, Whose leaf is ever green; Here is a brighter garden, Where not a frost has been; In its unfading flowers I hear the bright bee hum: Prithee, my brother, Into my garden come!

She opened her sketchbook, carefully tore out several pages and handed them to Nasser--three detailed color sketches of three flowers. Leafing through the pages, he translated the message. A petunia: Your presence soothes me. A peppermint flower: warmth of feeling. And heartsease, the flower he'd given her so many times before. You occupy my thoughts. "I've been doing a lot of reading," Lee said quietly, setting her sketchbook aside. "You're not the only one who knows what flowers mean.

For lo, all the days of man are as a leaf that is fallen and as the grass that withereth. Thou too shalt be forgotten, like the flowers that falleth on the grass, like the wine that is poured out and soaks into the earth.

FRANCESCA You came in out of the night And there were flowers in your hands, Now you will come out of a confusion of people, Out of a turmoil of speech about you. I who have seen you amid the primal things Was angry when they spoke your name In ordinary places. I would that the cool waves might flow over my mind, And that the world should dry as a dead leaf, Or as a dandelion seed-pod and be swept away, So that I might find you again, Alone.

Matins You want to know how I spend my time? I walk the front lawn, pretending to be weeding. You ought to know I'm never weeding, on my knees, pulling clumps of clover from the flower beds: in fact I'm looking for courage, for some evidence my life will change, though it takes forever, checking each clump for the symbolic leaf, and soon the summer is ending, already the leaves turning, always the sick trees going first, the dying turning brilliant yellow, while a few dark birds perform their curfew of music. You want to see my hands? As empty now as at the first note. Or was the point always to continue without a sign?

One of the deepest and strangest of all human moods is the mood which will suddenly strike us perhaps in a garden at night, or deep in sloping meadows, the feeling that every flower and leaf has just uttered something stupendously direct and important, and that we have by a prodigy of imbecility not heard or understood it. There is a certain poetic value, and that a genuine one, in this sense of having missed the full meaning of things. There is beauty, not only in wisdom, but in this dazed and dramatic ignorance.

If love were what the rose is, And I were like the leaf, Our lives would grow together, In sad or singing weather, Blown fields or flowerful closes, Green pleasure or grey grief; If love were what the rose is, And I were like the leaf.

A world, a glimmer or a flower? Glimmering and trembling, trembling and unfolding, a breaking light, an opening flower, it spread in endless succession to itself, breaking in full crimson and unfolding and fading to palest rose, leaf by leaf and wave of light by wave of light, flooding all the heavens with its soft flushes, every flush deeper than the other.

MIDNIGHT The stars are soft as flowers, and as near; The hills are webs of shadow, slowly spun; No separate leaf or single blade is here- All blend to one. No moonbeam cuts the air; a sapphire light Rolls lazily, and slips again to rest. There is no edgèd thing in all this night, Save in my breast.

For brief as water falling will be death, and brief as flower falling, or leaf, brief as the taking, and the giving, breath; thus natural, thus brief, my love, is grief. —CONRAD AIKEN It doesn’t matter if the water is cold or warm if you’re going to have to wade through it anyway. —PIERRE TEILHARD DE CHARDIN

She saw beauty in ordinary little things and took pleasure in it (and this was just as well because she had had very little pleasure in her life). She took pleasure in a well-made cake, a smoothly ironed napkin, a pretty blouse, laundered and pressed; she liked to see the garden well dug, the rich soil brown and gravid; she loved her flowers. When you are young you are too busy with yourself... you haven't time for ordinary little things but, when you leave youth behind, your eyes open and you see magic and mystery all around you: magic in the flight of a bird, the shape of a leaf, the bold arch of a bridge against the sky, footsteps at night and a voice calling in the darkness, the moment in a theatre before the curtain rises, the wind in the trees, or (in winter) an apple-branch clothed with pure white snow and icicles hanging from from a stone and sparkling with rainbow colours.

Perfection" Every oak will lose a leaf to the wind. Every star-thistle has a thorn. Every flower has a blemish. Every wave washes back upon itself. Every ocean embraces a storm. Every raindrop falls with precision. Every slithering snail leaves its silver trail. Every butterfly flies until its wings are torn. Every tree-frog is obligated to sing. Every sound has an echo in the canyon. Every pine drops its needles to the forest floor. Creation's whispered breath at dusk comes with a frost and leaves within dawn's faint mist, for all of existence remains perfect, adorned, with a dead sparrow on the ground. (Poem titled : 'Perfection' by R.H.Peat)

You want to work spells,' Ogion said presently, striding along. 'You've drawn too much water from that well. Wait. Manhood is patience. Mastery is nine times patience. What is that herb by the path?' 'Strawflower.' 'And that?' 'I don't know.' 'Fourfoil, they call it.' Ogion had halted, the coppershod foot of his staff near the little weed, so Ged looked closely at the plant, and plucked a dry seedpod from it, and finally asked, since Ogion said nothing more, 'What is its use, Master?' 'None I know of.' Ged kept the seedpod a while as they went on, then tossed it away. 'When you know the fourfoil in all its seasons root and leaf and flower, by sight and scent and seed, then you may learn its true name, knowing its being: which is more than its use. What, after all, is the use of you? or of myself? Is Gont Mountain useful, or the Open Sea?' Ogion went on a half mile or so, and said at last, 'To hear, one must be silent.

I slept and I woke. She gave me a ring made from a leaf, a cluster of golden berries, a flower that opened and closed at the stroking of a finger.... And once, when I startled awake with my face wet and my chest aching, she reached out to lay her hand on top of mine. The gesture was so tentative, her expression so anxious, you would think she had never touched a man before. As if she was worried I might break or burn or bite. Her cool hand lay on mine for a moment, gentle as a moth. She squeezed my hand softly, waited, then pulled away. It struck me as odd at the time. But I was too clouded with confusion and grief to think clearly. Only now, looking back, do I realize the truth of things. With all the awkwardness of a young lover, she was trying to comfort me, and she didn't have the slightest idea how.

In every house there ought to be an art table on which, one by one, things are placed, so that everybody in that house might look at the things very carefully, and see them.' 'What would you put on a table like that?' 'A leaf. A coin. A button. A stone. A small piece of torn newspaper. An apple. An egg. A pebble. A flower. A dead insect. A shoe.' 'Everybody's seen those things.' 'Of course. But nobody looks at them, and that's what art is. To look at familiar things as if they had never before been seen... A necktie. A pocketknife... a walnut.

A Match If love were what the rose is, And I were like the leaf, Our lives would grow together In sad or singing weather, Blown fields or flowerful closes, Green pasture or gray grief; If love were what the rose is, And I were like the leaf. If I were what the words are, And love were like the tune, With double sound and single Delight our lips would mingle, With kisses glad as birds are That get sweet rain at noon; If I were what the words are, And love were like the tune. If you were life, my darling, And I your love were death, We'd shine and snow together Ere March made sweet the weather With daffodil and starling And hours of fruitful breath; If you were life, my darling, And I your love were death. If you were thrall to sorrow, And I were page to joy, We'd play for lives and seasons With loving looks and treasons And tears of night and morrow And laughs of maid and boy; If you were thrall to sorrow, And I were page to joy. If you were April's lady, And I were lord in May, We'd throw with leaves for hours And draw for days with flowers, Till day like night were shady And night were bright like day; If you were April's lady, And I were lord in May. If you were queen of pleasure, And I were king of pain, We'd hunt down love together, Pluck out his flying-feather, And teach his feet a measure, And find his mouth a rein; If you were queen of pleasure, And I were king of pain.

A Colder breeze lifted a dead leaf to the roof and sent it scuttling merrily on its way to catch in my hair. It crackled dry and brittle when Chris plucked it out and held it, just staring down at a dead maple leaf as if his very life depended on reading its secret for knowing how to blow in the wind. No arms, no legs, no wings... bit it could fly when dead.

There's something I have learned from what I've lived: lf you're to live something, live it to its fullest Your beloved should fall exhausted from your kisses You should fall exhausted from smelling a flower One can watch the sky for hours Can for hours watch the sea, a bird, a child To live on earth is to mingle with it Growing roots that cannot be eradicated When you hug a friend you should hug him vigorously You should fight with all your muscles, body, passion And once you stretch out on the hot sand You should rest like a grain of sand, a leaf, a stone One should listen to all the beautiful music on earth So as to fill all his being with sounds and songs One should dive into life as if Diving from a rock into an emerald sea Distant lands should lure you, people you do not know You should burn with desire to read all the books, to know all the lives You should not exchange for anything the pleasure of drinking a glass of water All the joys should fill you with the yearning to live And you should live grief also, with honor, with all your being For grief also, like joy, matures a person Your blood should mingle with the great circulation of life In your veins must circulate the eternal fresh blood of life There is something I have learned from what I've lived: If you're to live, live big, as if you are mingling with the rivers, the sky, the whole universe For what we call a life span is a gift to life And life is a gift to mankind

Some stories last many centuries, others only a moment. All alter over that lifetime like beach-glass, grow distant and more beautiful with salt. Yet even today, to look at a tree and ask the story Who are you? is to be transformed. There is a stage in us where each being, each thing, is a mirror. Then the bees of self pour from the hive-door, ravenous to enter the sweetness of flowering nettles and thistle. Next comes the ringing a stone or violin or empty bucket gives off -- the immeasurable's continuous singing, before it goes back into story and feeling. In Borneo, there are palm trees that walk on their high roots. Slowly, with effort, they lift one leg then another. I would like to join that stilted transmigration, to feel my own skin vertical as theirs: an ant-road, a highway for beetles. I would like not minding, whatever travels my heart. To follow it all the way into leaf-form, bark-furl, root-touch, and then keep walking, unimaginably further.

On occasion a traveler will venture from one city to another. Is he perplexed What took seconds in Berne might take hours in Fribourg or days in Lucerne. In the time for a leaf to fall in one place a flower could bloom in another. In the duration of a thunderclap in one place two people could fall in love in another. In the time that a boy grows into a man a drop of rain might slide down a windowpane yet the traveler is unaware of these discrepancies...If the pace of human desires stay proportionally the same with the motion of waves on a pond how could the traveler know that something has changed

Roses and violets from summer gardens, sun-drenched Sicilian lemons squeezed of their juice and mingled with juniper from the frozen north. Saffron threads and gold leaf from the Indies waited to be turned into something magical. And contained deep within all of this was a smile that flooded him with warmth, a pair of blue eyes, and the scent of chocolate...

Every flower can sing, every tree can understand, every leaf can hear the silent song of your heart.

If God does not leave a blade of grass, a flower, or a small leaf of a tree without His good providence, will He leave us?

Nature's first green is gold, her hardest hue to hold, her early leaf's a flower, but only so an hour, then leaf subsides to leaf, so dawn goes down to day, nothing gold can stay.

Messengers often come when you struggle with a decision, need support or are trying to find your balance. They can come as animals like coyote and lizard appeared for Kate and for me. They can be spirit guides, angels, family members, ancestors and friends. A messenger can even be me! Many of them you will not notice because you are too preoccupied to see them. There may come a time, however, when you might sense the millions of angels too small to be witnessed, like fairies that live in the curve of a leaf or who sleep under the tiniest rose petal.

Shadow walked the meadow, making his own slow circles around the trunk of the tree, gradually widening his circle. Sometimes he would stop and pick something up: a flower, or a leaf, or a pebble, or a twig, or a blade of grass. He would examine it minutely, as if concentrating entirely on the twigness of the twig, the leafness of the leaf, as if he were seeing it for the first time. Easter found herself reminded of the gaze of a baby, at the point where it learns to focus.

Durga is the strength and protective power in nature, Lakshmi is its beauty. As Kali is the darkness of night and the great dissolve into nirvana, Lakshmi is the brightness of day and the expansiveness of teeming life. She can be found in rich soil and flowing waters, in streams and lakes that teem with fish. She is one of those goddesses whose signature energy is most accessible through the senses. You can detect her in the fragrance of flowers or of healthy soil. You can see her in the leafed-out trees of June and hear her voice in morning birdsong. If Durga is military band music and Kali heavy metal, Lakshmi is Mozart. She’s chocolate mousse, satiny sheets, the soft feeling of water slipping through your fingers. Lakshmi is growth, renewal, sweetness.

Nothing is clear now. Something must be the matter with my way of viewing things. I have no middle view. Either I fix on a detail and see it as thought it were magnified -- a leaf with all its veins perceived, the fine hairs on a man's hands -- or else the world recedes and becomes blurred, artificial, indefinite, an abstract painting of a world. The darkening sky is hugely blue, gashed with rose, blood, flame from the volcano or wound or flower of the lowering sun. The wavering green, the sea of grass, piercingly bright. Black tree trunks, contorted, arching over the river.

Oh Lilith, my sweet, sweet flower.” I can’t see it, but I know that he’s smiling down at me. “Lilith, Adam’s first wife, was banished from the garden of evil for disobeying the orders of men. Ask who Lilith is, and you will receive a different answer: A she-demon, a spirit that brings death, a creature of the night, the deadly sin of lust, a night monster. But if you ask me of my Lilith? I will tell you that she is everything. Every gust of wind, every fallen leaf, each drop of rain.

The real bible is not the work of inspired men, nor prophets, nor apostles, nor evangelists, nor of Christs. Every man who finds a fact, adds, as it were, a word to this great book. It is not attested by prophecy, by miracles or signs. It makes no appeal to faith, to ignorance, to credulity or fear. It has no punishment for unbelief, and no reward for hypocrisy. It appeals to man in the name of demonstration. It has nothing to conceal. It has no fear of being read, of being contradicted, of being investigated and understood. It does not pretend to be holy, or sacred; it simply claims to be true. It challenges the scrutiny of all, and implores every reader to verify every line for himself. It is incapable of being blasphemed. This book appeals to all the surroundings of man. Each thing that exists testifies of its perfection. The earth, with its forests and plains, its rocks and seas; with its every wave and cloud; with its every leaf and bud and flower, confirms its every word, and the solemn stars, shining in the infinite abysses, are the eternal witnesses of its truth.

The flowers have already bloomed to their most beautiful and luxuriant form; if they bloom even longer, they will only start withering away. Sending them off on their journey now will leave their most perfect image imprinted in your heart. Isn’t that a good thing?” His five fingers closed into a fist, and the piece of fallen leaf in his hand was immediately pulverized into a fine powder, rustling as it fell from his fingers. “In this world, if one cannot live vigorously and freely in accordance to their own desires and inclinations, then what is the point? Humans are not that different from flowers.

Sturt's desert pea Meaning: Have courage, take heart Swainsona formosa | Inland Australia Malukuru (Pit.) are famous for distinctive blood-red, leaf-like flowers, each with a bulbous black centre, similar to a kangaroo's eye. A striking sight in the wild: a blazing sea of red. Bird-pollinated and thrives in arid areas, but very sensitive to any root disturbance, which makes it difficult to propagate.

We would not be able to encounter the beauty of a sunset or the beauty and perfume emanated by nature on a spring day, if we did not already have this beauty within us. When the beauty within us is revealed, we will also be able to see beauty in a flower, a leaf of grass or a grain of sand, or even in a clod of mud.

When a leaf falls from a tree, when a river flows to the sea, when a bee flits from flower to flower, it happens without "action" or "doing." Nature is simply being. In the same way, human beings should simply be.

and when a leaf falls from the climbing vines, you know, my love, what name is written on that leaf, a name that is yours and mine, our love name, a single being, the arrow that pierced winter, the invincible love, the fire of the days, a leaf that dropped upon my breast, a leaf from the tree of life that made a nest and sang, that put out roots, that gave flowers and fruits. And so you see, my love, how I move around the island, around the world, safe in the midst of spring, crazy with light in the cold, walking tranquil in the fire, lifting your petal weight in my arms as if I had never walked except with you, my heart, as if I could not walk except with you, as if I could not sing except when you sing.

Even in the Moment of Our Earliest Kiss Even in the moment of our earliest kiss, When sighed the straitened bud into the flower, Sat the dry seed of most unwelcome this; And that I knew, though not the day and hour. Too season-wise am I, being country-bred, To tilt at autumn or defy the frost: Snuffing the chill even as my fathers did, I say with them, "What’s out tonight is lost." I only hoped, with the mild hope of all Who watch the leaf take shape upon the tree, A fairer summer and a later fall Than in these parts a man is apt to see, And sunny clusters ripened for the wine: I tell you this across the blackened vine.

With the utmost love and attention the man who walks must study and observe every smallest living thing, be it a child, a dog, a fly, a butterfly, a sparrow, a worm, a flower, a man, a house, a tree, a hedge, a snail, a mouse, a cloud, a hill, a leaf, or no more than a poor discarded scrap of paper on which, perhaps, a dear good child at school has written his first clumsy letters. The highest and the lowest, the most serious and the most hilarious things are to him equally beloved, beautiful, and valuable.

We heard about people who go back to their roots. That is good, but don't get stuck in the root. There is the branch, the leaf, the flower - all reaching toward the immense sky. We are many things. In Israel looking for my "roots", I realized that while I was a Jew, I was also an American, a feminist, a writer, a Buddhist. We are products of the modern era - it is our richness and our dilemma. We are not one thing. Our roots are becoming harder to dig out. Yet they are important and the ones most easy to avoid because there is often pain embedded there - that's why we left in the first place. When I first moved to Minnesota, Jim White, a very fine poet, said to me, "Whatever you do, don't become a regional writer." Don't get caught in the trap of becoming provincial. While you write about the cows in Iowa, how they stand and bend to chew, feel compassion simultaneously for the cows in Russia, in Czechoslovakia, for their eventual death and for their flanks cooked and served in stews, in bowls and on plates, to feed people on both sides of the earth. Go into your region, but don't stop there. Let it pique your curiosity to examine and look closely at more of the world.

I followed him down into the now coolly shadowed court. The lilies were pale blue, held on stiff stems a few inches above the water, where their glossy leaves overlapped the still surface like tiles of jade. Gold fins winked here and there below them, and a gold bee sipped water at a leaf’s edge. A powder-blue petal shut, and another, till one by one the lilies were turbaned up, stiff and quiet for the night. Another late bee, almost caught by a folding flower, wrestled his way angrily out of the petals, and shot off like a bullet.

He closed his eyes in the languor of sleep. His eyelids trembled as if they felt the vast cyclic movement of the earth and her watchers, trembled as if they felt the strange light of some new world. His soul was swooning into some new world, fantastic, dim, uncertain as under sea, traversed by cloudy shapes and beings. A world, a glimmer or a flower? Glimmering and trembling, trembling and unfolding, a breaking light, an opening flower, it spread in endless succession to itself, breaking in full crimson and unfolding and fading to palest rose, leaf by leaf and wave of light by wave of light, flooding all the heavens with its soft flushes, every flush deeper than the other.

58 One morning in the flower garden a blind girl came to offer me a flower chain in the cover of a lotus leaf. I put it round my neck, and tears came to my eyes. I kissed her and said, "You are blind even as the flowers are. You yourself know not how beautiful is your gift.

Blessed influence of one true loving human soul on another! Not calculable by algebra, not deducible by logic, but mysterious, effectual, mighty as the hidden process by which the tiny seed is quickened, and bursts forth into tall stem and broad leaf, and glowing tasseled flower.

Last to check was her namesake: a rampion or bellflower, Campanula rapunculus-- little turnip. All by itself in a beautiful Spanish clay pot with a bright blue glaze. Its blooms were pinky-purple stars, tiny but perfect and delicate. Sometimes, if she was feeling down, Rapunzel would secretly break off a leaf and chew it, the sour/bitter taste comforting her through the worst of the drab winter months when nothing else grew.

It is understandable you would want to come back as yourself into a wonderland with the sharpness of color of the Queen of Hearts in a newly opened pack of cards. But coming back as yourself is resurrection. It is uncommon. It may even be greater than the scope of mathematics. We cannot talk with definition about our souls, but it is certain that we will decompose. Some dust of our bodies may end up in a horse, wasp, cockerel, frog, flower, or leaf, but for every one of these sensational assemblies there are a quintillion microorganisms. It is far likelier that the greater part of us will become protists than a skyscraping dormouse. What is likely is that, sooner or later, carried in the wind and in rivers, or your graveyard engulfed in the sea, a portion of each of us will be given new life in the cracks, vents, or pools of molten sulphur on which the tonguefish skate. You will be in Hades, the staying place of the spirits of the dead. You will be drowned in oblivion, the River Lethe, swallowing water to erase all memory. It will not be the nourishing womb you began your life in. It will be a submergence. You will take your place in the boiling-hot fissures, among the teeming hordes of nameless microorganisms that mimic no forms, because they are the foundation of all forms. In your reanimation you will be aware only that you are a fragment of what once was, and are no longer dead. Sometimes this will be an electric feeling, sometimes a sensation of the acid you eat, or the furnace under you. You will burgle and rape other cells in the dark for a seeming eternity, but nothing will come of it. Hades is evolved to the highest state of simplicity. It is stable. Whereas you are a tottering tower, so young in evolutionary terms, and addicted to consciousness.

I AM an old man now, but then I was already past my prime when Arthur was crowned King. The years since then seem to me now more dim and faded than the earlier years, as if my life were a growing tree which burst to flower and leaf with him, and now has nothing more to do than yellow to the grave.

Francesca" You came in out of the night And there were flowers in your hands, Now you will come out of a confusion of people, Out of a turmoil of speech about you. I who have seen you amid the primal things Was angry when they spoke your name In ordinary places. I would that the cool waves might flow over my mind, And that the world should dry as a dead leaf, Or as a dandelion seed-pod and be swept away, So that I might find you again, Alone.

The trees frothed with leaf and blossom. The ground softened to mud, then thickened with an embroidery of flowers. Birds whirled and swooped and sang, and colts and calves tottered or gamboled in farmyards. The back of winter finally broke, and warmth and color came rushing in. And hope. Always, hope.

The old cobbler had believed in something he called “the signature of all things”—namely, that God had hidden clues for humanity’s betterment inside the design of every flower, leaf, fruit, and tree on earth. All the natural world was a divine code, Boehme claimed, containing proof of our Creator’s love.

The branches are quite gray and there’s not a single leaf anywhere,” Colin went on. “It’s quite dead, isn’t it?” “Aye,” admitted Dickon. “But them roses as has climbed all over it will near hide every bit o’ th’ dead wood when they’re full o’ leaves an’ flowers. It won’t look dead then. It’ll be th’ prettiest of all.

This is what I think about when I shovel compost into a wheelbarrow, and when I fill the long flower boxes, then press into rows the limp roots of red impatiens— the instant hand of Death always ready to burst forth from the sleeve of his voluminous cloak. Then the soil is full of marvels, bits of leaf like flakes off a fresco, red-brown pine needles, a beetle quick to burrow back under the loam. Then the wheelbarrow is a wilder blue, the clouds a brighter white, and all I hear is the rasp of the steel edge against a round stone, the small plants singing with lifted faces, and the click of the sundial as one hour sweeps into the next.

I hate the small looking-glass on the stairs," said Jinny. "It shows our heads only; it cuts off our heads...So I skip up the stairs past them, to the next landing, where the long glass hangs, and I see myself entire. I see my body and head in one now; for even in this serge frock they are one, my body and my head. Look, when I move my head I ripple all down my narrow body; even my thin legs rippled like a stalk in the wind. I flicker between the set face of Susan and Rhoda's vagueness; I leap like one of those flames that run between the cracks of the earth; I move, I dance, I never cease to move and dance. I move like the leaf that moved in the hedge as a child and frightened me. i dance over these streaked, these impersonal, distempered walls with their yellow skirting as firelight dances over teapots. i catch fire even from women's cold eyes. when I read, a purple rim runs around the black edge of the textbook. yet I cannot follow any word through its changes. I cannot follow any thought from present to past. I do not stand lost, like Susan, with tears in my eyes remembering home; or lie, like Rhoda, crumpled among the ferns, staining my pink cotton green, while I dream of plants that flower under the sea, and rocks through which the fish swim slowly. I do not dream.

Each one desires to be a flower, but none wants to be a leaf.

So he raced from dogwood to blossoming peach. When they thinned out he headed for the cherry blossoms, then magnolia, chinaberry, pecan, walnut and prickly pear. At last he reached a field of apple trees whose flowers were just becoming tiny knots of fruit. Spring sauntered north, but he had to run like hell to keep it as his traveling companion. From February to July he was on the lookout for blossoms. When he lost them, and found himself without so much as a petal to guide him, he paused, climbed a tree on a hillock and scanned the horizon for a flash of pink or white in the leaf world that surrounded him. He did not touch them or stop to smell. He merely followed in their wake, a dark ragged figure guided by the blossoming plums.

The surrender to Nature's irrational, strangely confused formations produces in us a feeling of inner harmony with the force responsible for these phenomena. We soon fall prey to the temptation of thinking of them as being our own moods, our own creations, and see the boundaries separating us from Nature begin to quiver and dissolve. We become acquainted with that state of mind in which we are unable to decide whether the images on our retina are the result of impressions coming from without or from within. Nowhere as in this exercise can we discover so easily and so simply to what extent we are creative, to what extent our soul partakes of the constant creation of the world. For it is the same indivisible divinity that is active through us and in Nature, and if the outside world were to be destroyed, a single one of us would be capable of rebuilding it: mountain and stream, tree and leaf, root and flower, yes, every natural form is latent within us, originates in the soul whose essence is eternity, whose essence we cannot know but which often intimates itself to us as the power to love and create.

I'm mixed on figs. The fleshy quality feels spooky. In Italian, il fico, fig, has a slangy turn into la fica, meaning vulva. Possibly because of the famous fig leaf exodus from Eden, it seems like the most ancient of fruits. Oddest, too—the fig flower is inside the fruit. To pull one open is to look into a complex, primitive, infinitely sophisticated life cycle tableau.

The hill is like an old woman, all her human obligations met, who sits at work day after day, in a kind of rapt leisure, at an intricate embroidery. She has time for all things. Because she does not expect ever to be finished, she is endlessly patient with details. She perfects flower and leaf, feather and song, adorning the briefest life in great beauty as though it were meant to last forever.

Tap into your childlike sense of wonder. Young children are in an almost constant state of awe since everything is so new to them. During your walk, try to approach what you see with fresh eyes, imagining that you’re seeing it for the first time. Take a moment in each walk to take in the vastness of things, for example in looking at a panoramic view or up close at the detail of a leaf or flower. Go somewhere new. Each week, try to choose a new location. You’re more likely to feel awe in a novel environment where the sights and sounds are unexpected and unfamiliar to you. That said, some places never seem to get old, so there’s nothing wrong with revisiting your favorite spots if you find that they consistently fill you with awe. The key is to recognize new features of the same old place.

you is all of Heaven. Every leaf that falls is given life in you. Each bird that ever sang will sing again in you. And every flower that ever bloomed has saved its perfume and its loveliness for you. Text-25.

Picnic, Lightning It is possible to be struck by a meteor or a single-engine plane while reading in a chair at home. Safes drop from rooftops and flatten the odd pedestrian mostly within the panels of the comics, but still, we know it is possible, as well as the flash of summer lightning, the thermos toppling over, spilling out on the grass. And we know the message can be delivered from within. The heart, no valentine, decides to quit after lunch, the power shut off like a switch, or a tiny dark ship is unmoored into the flow of the body’s rivers, the brain a monastery, defenseless on the shore. This is what I think about when I shovel compost into a wheelbarrow, and when I fill the long flower boxes, then press into rows the limp roots of red impatiens— the instant hand of Death always ready to burst forth from the sleeve of his voluminous cloak. Then the soil is full of marvels, bits of leaf like flakes off a fresco, red-brown pine needles, a beetle quick to burrow back under the loam. Then the wheelbarrow is a wilder blue, the clouds a brighter white, and all I hear is the rasp of the steel edge against a round stone, the small plants singing with lifted faces, and the click of the sundial as one hour sweeps into the next.

Mosses are often described by what they lack, in comparison to the more familiar higher plants. They lack flowers, fruits, and seeds and have no roots. They have no vascular system, no xylem and phloem to conduct water internally. They are the most simple of plants, and in their simplicity, elegant. With just a few rudimentary components of stem and leaf, evolution has produced some 22,000 species of moss worldwide.

A Short Story of Falling It is the story of the falling rain to turn into a leaf and fall again it is the secret of a summer shower to steal the light and hide it in a flower and every flower a tiny tributary that from the ground flows green and momentary is one of water's wishes and this tale hangs in a seed-head smaller than my thumbnail if only I a passerby could pass as clear as water through a plume of grass to find the sunlight hidden at the tip turning to seed a kind of lifting rain drip then I might know like water how to balance the weight of hope against the light of patience water which is so raw so earthy-strong and lurks in cast-iron tanks and leaks along drawn under gravity towards my tongue to cool and fill the pipe-work of this song which is the story of the falling rain that rises to the light and falls again

It was grand to see how the wind awoke, and bent the trees, and drove the rain before it like a cloud of smoke; and to hear the solemn thunder and to see the lightning; and while thinking with awe of the tremendous powers by which our little lives are encompassed, to consider how beneficent they are and how upon the smallest flower and leaf there was already a freshness poured from all this seeming rage which seemed to make creation new again.

The fundamental principle of morality which we seek as a necessity for thought is not, however, a matter only of arranging and deepening current views of good and evil, but also of expanding and extending these. A man is really ethical only when he obeys the constraint laid on him to help all life which he is able to succour, and when he goes out of his way to avoid injuring anything living. He does not ask how far this or that life deserves sympathy as valuable in itself, nor how far it is capable of feeling. To him life as such is sacred. He shatters no ice crystal that sparkles in the sun, tears no leaf from its tree, breaks off no flower, and is careful not to crush any insect as he walks. If he works by lamplight on a summer evening, he prefers to keep the window shut and to breathe stifling air, rather than to see insect after insect fall on his table with singed and sinking wings.

Roses climbed the shed, entwined with dark purple clematis, leaves as glossy as satin. There were no thorns. Patience's cupboard was overflowing with remedies, and the little barn was often crowded with seekers. The half acre of meadow was wild with cosmos and lupine, coreopsis, and sweet William. Basil, thyme, coriander, and broad leaf parsley grew in billowing clouds of green; the smell so fresh your mouth watered and you began to plan the next meal. Cucumbers spilled out of the raised beds, fighting for space with the peas and beans, lettuce, tomatoes, and bright yellow peppers. The cart was righted out by the road and was soon bowed under glass jars and tin pails of sunflowers, zinnias, dahlias, and salvia. Pears, apples, and out-of-season apricots sat in balsa wood baskets in the shade, and watermelons, some with pink flesh, some with yellow, all sweet and seedless, lined the willow fence.

…And I do know that to regret the exchange of earthly pleasures for the joys of Heaven, is as if the groveling caterpillar should lament that it must one day quit the nibbled leaf to soar aloft and flutter through the air, roving at will from flower to flower, sipping sweet honey from their cups or basking in their sunny petals. If these little creature knew how great a change awaited them, no doubt they would regret it; but would not all such sorrow be misplaced?

Rebecca, always Rebecca. Wherever I walked in Manderley, wherever I sat, even in my thoughts and in my dreams, I met Rebecca. I knew her figure now, the long slim legs, the small and narrow feet. Her shoulders, broader than mine, the capable clever hands. Hands that could steer a boat, could hold a horse. Hands that arranged flowers, made the models of ships, and wrote ‘Max from Rebecca’ on the fly-leaf of a book. I knew her face too, small and oval, the clear white skin, the cloud of dark hair. I knew the scent she wore, I could guess her laughter and her smile. If I heard it, even among a thousand others, I should recognize her voice. Rebecca, always Rebecca. I should never be rid of Rebecca.

Seeds eat no mud Stem eats no seed, Leaf eats no stem, Flower consumes no leaf Nor fruit eats flower, The fruit, quit the tree with happiness Without harming it. But the intelligent human-being, eats up all; still unhappy , hungry and ...

But those words liveoak, pine, the somehow onomatopoeic splendor [sic] of magnolia, still flower greenly in the mind before McCarthy crushes them, and that leaf, which if ash must weigh very little, still lies heavy against the father's hand.

And her heart sprang in Iseult, and she drew With all her spirit and life the sunrise through And through her lips the keen triumphant air Sea-scented, sweeter than land-roses were, And through her eyes the whole rejoicing east Sun-satisfied, and all the heaven at feast Spread for the morning; and the imperious mirth Of wind and light that moved upon the earth, Making the spring, and all the fruitful might And strong regeneration of delight That swells the seedling leaf and sapling man, Since the first life in the first world began To burn and burgeon through void limbs and veins, And the first love with sharp sweet procreant pains To pierce and bring forth roses; yea, she felt Through her own soul the sovereign morning melt, And all the sacred passion of the sun; And as the young clouds flamed and were undone About him coming, touched and burnt away In rosy ruin and yellow spoil of day, The sweet veil of her body and corporal sense Felt the dawn also cleave it, and incense With light from inward and with effluent heat The kindling soul through fleshly hands and feet. And as the august great blossom of the dawn Burst, and the full sun scarce from sea withdrawn Seemed on the fiery water a flower afloat, So as a fire the mighty morning smote Throughout her, and incensed with the influent hour Her whole soul's one great mystical red flower Burst, and the bud of her sweet spirit broke Rose-fashion, and the strong spring at a stroke Thrilled, and was cloven, and from the full sheath came The whole rose of the woman red as flame: And all her Mayday blood as from a swoon Flushed, and May rose up in her and was June. So for a space her hearth as heavenward burned: Then with half summer in her eyes she turned, And on her lips was April yet, and smiled, As though the spirit and sense unreconciled Shrank laughing back, and would not ere its hour Let life put forth the irrevocable flower. And the soft speech between them grew again

Naturally she knew of him. She had her own copies of these works in the White Acre library. She had read Boehme, though she never admired him. Jacob Boehme was a sixteenth-century cobbler from Germany who had mystical visions about plants. Many people considered him an early botanist. Alma’s mother, on the other hand, had considered him a cesspool of residual medieval superstition. So there was considerable conflict of opinion surrounding Jacob Boehme. The old cobbler had believed in something he called “the signature of all things”—namely, that God had hidden clues for humanity’s betterment inside the design of every flower, leaf, fruit, and tree on earth. All the natural world was a divine code, Boehme claimed, containing proof of our Creator’s love.

Thus to him, to this school-boy under the bending dome of day, is suggested, that he and it proceed from one root; one is leaf and one is flower; relation, sympathy, stirring in every vein. And what is that Root? Is not that the soul of his soul?―A thought too bold,―a dream too wild. Yet when this spiritual light shall have revealed the law of more earthly natures,―when he has learned to worship the soul, and to see that the natural philosophy that now is, is only the first gropings of its gigantic hand, he shall look forward to an ever expanding knowledge as to a becoming creator. He shall see, that nature is the opposite of the soul, answering to it part for part. One is seal, and one is print. Its beauty is the beauty of his own mind. Its laws are the laws of his own mind. Nature then becomes to him the measure of his attainments. So much of nature as he is ignorant of, so much of his own mind does he not yet possess. And, in fine, the ancient precept, "Know thyself," and the modern precept, "Study nature," become at last one maxim.

Fall, leaves, fall; die, flowers, away; Lengthen night and shorten day; Every leaf speaks bliss to me Fluttering from the autumn tree. I shall smile when wreaths of snow Blossom where the rose should grow; I shall sing when night's decay Ushers in a drearier day.

You’re right. I don’t need them in front of me, Sis. But, as each tree is different, so is each branch and leaf and flower. What I’m painting this afternoon can’t be painted again. They’re all different. Once this flower dies there won’t be another quite the same.

I buried her like a pagan. I put deer bones in with her, for her journey; a blanket, for warmth; flowers, cedar fronds, stones from places we’d been, grouse feathers, a tidbit of raw venison hamburger, and a swatch of my own hair. A headstone, a footstone. I planted an aspen tree above the headstone, to give her shade, and to someday provide leaf-music in the breeze. It took a long time before I was worth a damn again. How to measure the eleven years of magic she brought to us? How, now, to say thank you? Too late, as usual, for these sorts of things.

In addition to which, every couple of months Crowley would pick out a plant that was growing too slowly, or succumbing to leaf-wilt or browning, or just didn’t look quite as good as the others, and he would carry it around to all the other plants. “Say goodbye to your friend,” he’d say to them. “He just couldn’t cut it…” Then he would leave the flat with the offending plant, and return an hour or so later with a large, empty flower pot, which he would leave somewhere conspicuously around the flat. The plants were the most luxurious, verdant, and beautiful in London. Also the most terrified.

I did not really listen, fixing my eyes on the nearest tapestry, which showed a white unicorn sitting with its front hooves in the lap of a fair-haired maiden in a gorgeous medieval gown. The embroidered grass was studded with flowers, and the two overarching trees were hung with pomegranates. Small beasts- rabbits and squirrels and badgers- watched from the shelter of the forest, not noticing the hunters creeping closer with their dogs and spears. I stared at this tapestry for an hour every day and still I found new things in it- a nest of baby birds, a hunter who looked sad, a ladybird on a leaf.

I am Vertical by Sylvia Plath But I would rather be horizontal. I am not a tree with my root in the soil Sucking up minerals and motherly love So that each March I may gleam into leaf, Nor am I the beauty of a garden bed Attracting my share of Ahs and spectacularly painted, Unknowing I must soon unpetal. Compared with me, a tree is immortal And a flower-head not tall, but more startling, And I want the one's longevity and the other's daring. Tonight, in the infinitesimal light of the stars, The trees and the flowers have been strewing their cool odors. I walk among them, but none of them are noticing. Sometimes I think that when I am sleeping I must most perfectly resemble them -- Thoughts gone dim. It is more natural to me, lying down. Then the sky and I are in open conversation, And I shall be useful when I lie down finally: Then the trees may touch me for once, and the flowers have time for me.

When the time has come, every leaf turns to face the sun! It doesn't know if it has to, but because the call has reached it: Not knowing what to expect, it will, move slightly, twist patiently and try to embrace whatever is coming! It might be too strong, it might be too weak, it also might just be perfect!

Many of us have forgotten how we used to be bedazzled by such everyday wonders as marveling at a spider web, finding an animal shape in the clouds, exploring the delicate intricacy of the pistils and stamens of a flower. It is time to rediscover the emotional vitality of the child within us. Our inner child can find enduring satisfaction in simple pleasures because s/he does not pursue them purely to escape inner emotional turmoil. Perhaps the vision of the emotionally vital poet Walt Whitman will motivate you to reconnect with the ardor of your abandoned inner child: I believe a leaf of grass is no less than the journey-work of the stars, And the running blackberry would adorn the parlours of heaven, And a mouse is miracle enough to stagger sextillions of infidels . . . And I or you pocketless of a dime may purchase the pick of the earth, And to glance with an eye or show a bean in its pod confounds the learning of all times . . .

The windows were shattered. Grass and weeds grew up through the warped wooden floor. The roof had partially collapsed, and the sun shone through on a pile oof leaves that almost reached the ceiling. At the top of the leaf pile, a golden flower has bloomed, stretching toward the sunlight streaming through he exposed rafters.

Congratulations," I said. "It's so wonderful to write a book." "I walked all the way here," she said. "I started at midnight. I would have gotten here sooner if I weren't so old." "Where do you live?" I said. "The Kit Carson Hotel," she said. "And I've written a book." Then she handed it proudly to me as if it were the most precious thing in the world. And it was. It was a loose-leaf notebook of the type that you find everywhere in America. There is no place that does not have them. There was a heavy label pasted on the cover and written in broad green crayon across the label was the title: GROWING FLOWERS BY CANDLELIGHT IN HOTEL ROOMS BY MRS. CHARLES FINE ADAMS

One bee does not make a swarm. One wasp does not make a nest. One wolf does not make a pack. One bull does not make a herd. One dog does not make a litter. One sheep does not make a flock. One lion does not make a pride. One branch does not make a tree. One pebble does not make a hill. One rock does not make a mountain. One dune does not make a desert. One spark does not make a flame. One finger does not make a hand. One color does not make a rainbow. One leaf does not make a plant. One flower does not make a garden. One seed does not make a forest. One drop does not make an ocean. One cloud does not make a sky. One star does not make a galaxy. One world does not make a universe.

the seed has in it the leaf and the flower and the fruit. But the fulfillment of the purpose of that seed is that it is put in the ground, that it is watered, that a seedling springs up and is reared by the sun; it brings forth its flowers and fruits. This is the fulfillment of that seed which already contained in itself the fruit and the flower.

The Last Hero The wind blew out from Bergen from the dawning to the day, There was a wreck of trees and fall of towers a score of miles away, And drifted like a livid leaf I go before its tide, Spewed out of house and stable, beggared of flag and bride. The heavens are bowed about my head, shouting like seraph wars, With rains that might put out the sun and clean the sky of stars, Rains like the fall of ruined seas from secret worlds above, The roaring of the rains of God none but the lonely love. Feast in my hall, O foemen, and eat and drink and drain, You never loved the sun in heaven as I have loved the rain. The chance of battle changes -- so may all battle be; I stole my lady bride from them, they stole her back from me. I rent her from her red-roofed hall, I rode and saw arise, More lovely than the living flowers the hatred in her eyes. She never loved me, never bent, never was less divine; The sunset never loved me, the wind was never mine. Was it all nothing that she stood imperial in duresse? Silence itself made softer with the sweeping of her dress. O you who drain the cup of life, O you who wear the crown, You never loved a woman's smile as I have loved her frown. The wind blew out from Bergen to the dawning of the day, They ride and run with fifty spears to break and bar my way, I shall not die alone, alone, but kin to all the powers, As merry as the ancient sun and fighting like the flowers. How white their steel, how bright their eyes! I love each laughing knave, Cry high and bid him welcome to the banquet of the brave. Yea, I will bless them as they bend and love them where they lie, When on their skulls the sword I swing falls shattering from the sky. The hour when death is like a light and blood is like a rose, -- You never loved your friends, my friends, as I shall love my foes. Know you what earth shall lose to-night, what rich uncounted loans, What heavy gold of tales untold you bury with my bones? My loves in deep dim meadows, my ships that rode at ease, Ruffling the purple plumage of strange and secret seas. To see this fair earth as it is to me alone was given, The blow that breaks my brow to-night shall break the dome of heaven. The skies I saw, the trees I saw after no eyes shall see, To-night I die the death of God; the stars shall die with me; One sound shall sunder all the spears and break the trumpet's breath: You never laughed in all your life as I shall laugh in death.

When you know the fourfoil in all its seasons root and leaf and flower, by sight and scent and seed, then you may learn its true name, knowing its being: which is more than its use. What, after all, is the use of you? or of myself? Is Gont Mountain useful, or the Open Sea?' Ogion went on a halfmile or so, and said at last, 'To hear, one must be silent.

It is possible to think of fragrance existing before a flower was created to contain it, and so it is that God created the world to reveal Himself, to reveal Mercy. Once or twice a year, perhaps three times, a woman visits the garden, her face ancient, the eyes calm but not passive as she approaches the rosewood tree and begins to pick and examine each fallen leaf. Whether she is in possession of her full mental faculties, no one is sure. Perhaps she is sane and just pretending madness for self-protection. Many decades ago - long before the house was built, when this place was just an expanse of wild growth - she had discovered the name of God on a rosewood leaf, the green veins curving into sacred calligraphy. She picks each small leaf now, hoping for a repetition of the miracle, holding it in her palms in a gesture identical to prayer. The life of the house continues around her and occasionally she watches them, following the most ordinary human acts with an attention reserved by others for much greater events. If it is autumn, she has to remain in the garden for hours, following the surge and pull of the wind as it takes the dropped foliage to all corners. Afterwards, as the dusk begins to darken the air, they sit together, she and the tree, until only the tree remains. What need her search fulfils in her is not known. Perhaps healing had existed before wounds and bodies were created to be its recipient.

The Garden of Proserpine" Here, where the world is quiet; Here, where all trouble seems Dead winds' and spent waves' riot In doubtful dreams of dreams; I watch the green field growing For reaping folk and sowing, For harvest-time and mowing, A sleepy world of streams. I am tired of tears and laughter, And men that laugh and weep; Of what may come hereafter For men that sow to reap: I am weary of days and hours, Blown buds of barren flowers, Desires and dreams and powers And everything but sleep. Here life has death for neighbour, And far from eye or ear Wan waves and wet winds labour, Weak ships and spirits steer; They drive adrift, and whither They wot not who make thither; But no such winds blow hither, And no such things grow here. No growth of moor or coppice, No heather-flower or vine, But bloomless buds of poppies, Green grapes of Proserpine, Pale beds of blowing rushes Where no leaf blooms or blushes Save this whereout she crushes For dead men deadly wine. Pale, without name or number, In fruitless fields of corn, They bow themselves and slumber All night till light is born; And like a soul belated, In hell and heaven unmated, By cloud and mist abated Comes out of darkness morn. Though one were strong as seven, He too with death shall dwell, Nor wake with wings in heaven, Nor weep for pains in hell; Though one were fair as roses, His beauty clouds and closes; And well though love reposes, In the end it is not well. Pale, beyond porch and portal, Crowned with calm leaves, she stands Who gathers all things mortal With cold immortal hands; Her languid lips are sweeter Than love's who fears to greet her To men that mix and meet her From many times and lands. She waits for each and other, She waits for all men born; Forgets the earth her mother, The life of fruits and corn; And spring and seed and swallow Take wing for her and follow Where summer song rings hollow And flowers are put to scorn. There go the loves that wither, The old loves with wearier wings; And all dead years draw thither, And all disastrous things; Dead dreams of days forsaken, Blind buds that snows have shaken, Wild leaves that winds have taken, Red strays of ruined springs. We are not sure of sorrow, And joy was never sure; To-day will die to-morrow; Time stoops to no man's lure; And love, grown faint and fretful, With lips but half regretful Sighs, and with eyes forgetful Weeps that no loves endure. From too much love of living, From hope and fear set free, We thank with brief thanksgiving Whatever gods may be That no life lives for ever; That dead men rise up never; That even the weariest river Winds somewhere safe to sea. Then star nor sun shall waken, Nor any change of light: Nor sound of waters shaken, Nor any sound or sight: Nor wintry leaves nor vernal, Nor days nor things diurnal; Only the sleep eternal In an eternal night.

They were in the middle of a garden with trees shaped as animals. There were gorillas and camels and lions. Rosie felt like she was in some strange storybook circus. Any minute the gorillas would start talking and the lions would charge towards her. "What are we doing here?" Rosie's eyes went wide. "Just follow me." Josh grinned. Rosie followed him through a maze of gardens, each more elaborate than the last. There was a Japanese garden bursting with pink and white blossoms. They passed a water garden with floating lilies, and a tropical garden with birds of paradise and purple irises. Finally they entered a small garden with low-lying plants. A butterfly rested on almost every leaf. Rosie had never seen so many butterflies. She stood still as a statue, afraid if she moved they'd fly away. "This is my favorite," Josh said as if he created the garden. "It's called the butterfly garden. All the flowers contain food attractive to butterflies. The butterflies lay their eggs and feast for days before they fly away." "They're like kaleidoscopes." Rosie peered at a butterfly with gold-and-turquoise wings.

The leaf does not grow before the plant. The garden does not grow before the flowers. The forest does not grow before the tree. The harvest does not grow before the seeds. The flame does not grow before the spark. The ocean does not grow before the river. The finger does not grow before the hand. The toe does not grow before the foot. The soul does not grow before the mind. The heart does not grow before the body. The world does not grow before the sky. The heavens do not grow before the universe. The child does not grow before the family. The teacher does not grow before the student. The music does not grow before the artist. The team does not grow before the coach. The flock does not grow before the shepherd. The army does not grow before the warrior.

Poem" “Two communities outside Birmingham, Alabama, are still searching for their dead.” —News Telecast And tomorrow morning at 8 o’clock in Springfield, Massachusetts, my oldest aunt will be buried from a convent. Spring is here and I’m staying here, I’m not going. Do birds fly? I am thinking my own thoughts, who else’s? When I die, don’t come, I wouldn’t want a leaf to turn away from the sun— it loves it there. There’s nothing so spiritual about being happy but you can’t miss a day of it, because it doesn’t last. So this is the devil’s desire? Well I was born to dance. It’s a sacred duty, like being in love with an ape, and eventually I’ll reach some great conclusion, like assumption, when at last I meet exhaustion in these flowers, go straight up.

Go on from here, Ada, please. (She). Billions of boys. Take one fairly decent decade. A billion of Bills, good, gifted, tender and passionate, not only spiritually but physically well-meaning Billions, have bared the jillions of their no less tender and brilliant Jills during that decade, at stations and under conditions that have to be controlled and specified by the worker, lest the entire report be choked up by the weeds of statistics and waist-high generalizations. No point would there be, if we left out, for example, the little matter of prodigious individual awareness and young genius, which makes, in some cases, of this or that particular gasp an unprecedented and unrepeatable event in the continuum of life or at least a thematic anthemia of such events in a work of art, or a denouncer’s article. The details that shine through or shade through: the local leaf through the hyaline skin, the green sun in the brown humid eye, tout ceci, vsyo eto, in tit and toto, must be taken into account, now prepare to take over (no, Ada, go on, ya zaslushalsya: I’m all enchantment and ears), if we wish to convey the fact, the fact, the fact—that among those billions of brilliant couples in one cross section of what you will allow me to call spacetime (for the convenience of reasoning), one couple is a unique super-imperial couple, sverhimperator-skaya cheta, in consequence of which (to be inquired into, to be painted, to be denounced, to be put to music, or to the question and death, if the decade has a scorpion tail after all), the particularities of their love-making influence in a special unique way two long lives and a few readers, those pensive reeds, and their pens and mental paintbrushes. Natural history indeed! Unnatural history—because that precision of senses and sense must seem unpleasantly peculiar to peasants, and because the detail is all: The song of a Tuscan Firecrest or a Sitka Kinglet in a cemetery cypress; a minty whiff of Summer Savory or Yerba Buena on a coastal slope; the dancing flitter of a Holly Blue or an Echo Azure—combined with other birds, flowers and butterflies: that has to be heard, smelled and seen through the transparency of death and ardent beauty. And the most difficult: beauty itself as perceived through the there and then. The males of the firefly (now it’s really your turn, Van).

There was a strong but not unpleasant smell- moist earth, decomposing leaf matter, new flowers beginning to catch the day's sun- and great fat bumblebees were busy already collecting pollen from a profusion of small pink and white blooms. Blackberries: Sadie surprised herself by dredging up the knowledge. They were blackberry flowers, and in a few months' time the bushes would be heavy with fruit.

As he lifted the leather-bound cover, the musty smell of paper rose up. He turned the first mottled leaf and looked down at an elaborately drawn image. A brimming goblet was decorated with curling vines and bunches of grapes. But instead of wine or water, the cup was filled with words. John stared at the alien symbols. He could not read. Around the goblet a strange garden grew. Honeycombs dripped and flowers like crocuses sprouted among thick-trunked trees. Vines draped themselves about their branches which bristled with leaves and bent under heavy bunches of fruit. In the far background John spied a roof with a tall chimney. His mother settled beside him. 'Palm trees...' she said. 'These are dates. Honey came from the hives and saffron came from these flowers. Grapes swelled on the vine...

I come from the depths of infinity and from all directions of space-time. I traveled through dark tunnels, went through solar storms. I went straight, circled, parallel, rotated as a spiral. Cosmic clouds trapped me and escaped from them. Avoided collisions with meteories. I was helped by exotic particles, neutron stars and the love of gravity. Every leaf, every flower, every mountain and lake, every cloud and every star and every atom recognize me and greet me. I feel that i have live for million lifetimes. Who am i? What is my purpose? Last night i sent a question into universe, asking ”who am i or am i not? The universe responded immediately: ”You asked me the same thing billions of years ago. And then and now i answer: You’re the smile of no birth and no death, The Hidden Law!

A thousand confused thoughts came to birth in her mind and grew there, as the sunbeams grew without along the wall... Her thoughts were all in keeping with the details of this strange landscape, and the harmonies of her heart blended with the harmonies of nature. When the sun reached an angle of the wall where the “Venus-hair” of southern climes drooped its thick leaves, lit with the changing colors of a pigeon’s breast, celestial rays of hope illumined the future to her eyes, and thenceforth she loved to gaze upon that piece of wall, on its pale flowers, its blue harebells, its wilting herbage, with which she mingled memories as tender as those of childhood. The noise made by each leaf as it fell from its twig in the void of that echoing court gave answer to the secret questionings of the young girl

It's been over a year since they've visited their son's market. As they walk through the parking lot they take in a number of improvements. Brian admires the raised garden beds made of cedar planks that flank the sides of the lot. There are stalks of tomatoes, staked beans, baskets of green herbs- oregano, lavender, fragrant blades of lemongrass and pointed curry leaf. The planter of baby lettuces has a chalkboard hung from its side: "Just add fork." A wheelbarrow parked by the door is heaped with bright coronas of sunflowers, white daisies, jagged red ginger and birds-of-paradise. Avis feels a leap of pride as they enter the market: the floor of polished bamboo, the sky-blue ceiling, the wooden shelves- like bookshelves in a library. And the smells. Warm, round billows of baking bread, roasting garlic and onions and chicken.

He had heard about talking to plants in the early seventies, on Radio Four, and thought it an excellent idea. Although talking is perhaps the wrong word for what Crowley did. What he did was put the fear of God into them. More precisely, the fear of Crowley. In addition to which, every couple of months Crowley would pick out a plant that was growing too slowly, or succumbing to leaf-wilt or browning, or just didn’t look quite as good as the others, and he would carry it around to all the other plants. “Say goodbye to your friend,” he’d say to them. “He just couldn’t cut it…” Then he would leave the flat with the offending plant, and return an hour or so later with a large, empty flower pot, which he would leave somewhere conspicuously around the flat. The plants were the most luxurious, verdant, and beautiful in London. Also the most terrified. The

For it is the same indivisible divinity that is active through us and in Nature, and if the outside world were to be destroyed, a single one of us would be capable of rebuilding it: mountain and stream, tree and leaf, root and flower, yes, every natural form is latent within us, originates in the soul whose essence is eternity, whose essence we cannot know but which often intimates itself to us as the power to love and create.

Sprout was the best name in the world. A sprout grew into a leaf and embraced the wind and the sun before falling and rotting and turning into mulch for bringing fragrant flowers into bloom. Sprout wanted to do something with her life, just like the sprouts on the acacia tree. That was why she’d named herself after them. Nobody called her Sprout, and she knew her life wasn’t like a sprout’s, but still the name made her feel good.

The fairy let her go and pulled aside a piece of bright gold-and-pink silk hanging on the wall. Behind it was the fairy's own private room. She had a soft bed of bright green moss with several iridescent feathers for a counterpane. A shelf mushroom served as an actual shelf displaying an assortment of dried flowers and pretty gewgaws the fairy had collected. There was a charming little dining table, somewhat bold in irony: It was the cheery but deadly red-and-white amanita. The wide top was set with an acorn cap bowl and jingle shell charger. In the corner, a beautifully curved, bright green leaf collected drops from somewhere in the celling much like the water barrel did, but this was obviously for discreet fairy bathing. An assortment of tiny buds, rough seeds, and spongy moss were arranged neatly on a piece of gray driftwood nearby to aid in cleansing.

Go, sit upon the lofty hill, And turn your eyes around, Where waving woods and waters wild Do hymn an autumn sound. The summer sun is faint on them -- The summer flowers depart -- Sit still -- as all transform'd to stone, Except your musing heart. How there you sat in summer-time, May yet be in your mind; And how you heard the green woods sing Beneath the freshening wind. Though the same wind now blows around, You would its blast recall; For every breath that stirs the trees, Doth cause a leaf to fall. Oh! like that wind, is all the mirth That flesh and dust impart: We cannot bear its visitings, When change is on the heart. Gay words and jests may make us smile, When Sorrow is asleep; But other things must make us smile, When Sorrow bids us weep! The dearest hands that clasp our hands, -- Their presence may be o'er; The dearest voice that meets our ear, That tone may come no more! Youth fades; and then, the joys of youth, Which once refresh'd our mind, Shall come -- as, on those sighing woods, The chilling autumn wind. Hear not the wind -- view not the woods; Look out o'er vale and hill- In spring, the sky encircled them -- The sky is round them still. Come autumn's scathe -- come winter's cold -- Come change -- and human fate! Whatever prospect Heaven doth bound, Can ne'er be desolate.

Because all such things are aspects of the holomovement, he feels it has no meaning to speak of consciousness and matter as interacting. In a sense, the observer is the observed. The observer is also the measuring device, the experimental results, the laboratory, and the breeze that blows outside the laboratory. In fact, Bohm believes that consciousness is a more subtle form of matter, and the basis for any relationship between the two lies not in our own level of reality, but deep in the implicate order. Consciousness is present in various degrees of enfoldment and unfoldment in all matter, which is perhaps why plasmas possess some of the traits of living things. As Bohm puts it, "The ability of form to be active is the most characteristic feature of mind, and we have something that is mindlike already with the electron. "11 Similarly, he believes that dividing the universe up into living and nonliving things also has no meaning. Animate and inanimate matter are inseparably interwoven, and life, too, is enfolded throughout the totality of the universe. Even a rock is in some way alive, says Bohm, for life and intelligence are present not only in all of matter, but in "energy, " "space, " "time, " "the fabric of the entire universe, " and everything else we abstract out of the holomovement and mistakenly view as separate things. The idea that consciousness and life (and indeed all things) are ensembles enfolded throughout the universe has an equally dazzling flip side. Just as every portion of a hologram contains the image of the whole, every portion of the universe enfolds the whole. This means that if we knew how to access it we could find the Andromeda galaxy in the thumbnail of our left hand. We could also find Cleopatra meeting Caesar for the first time, for in principle the whole past and implications for the whole future are also enfolded in each small region of space and time. Every cell in our body enfolds the entire cosmos. So does every leaf, every raindrop, and every dust mote, which gives new meaning to William Blake's famous poem: To see a World in a Grain of Sand And a Heaven in a Wild Flower, Hold Infinity in the palm of your hand And Eternity in an hour.

That's oak leaf, for bravery. I've got Veronica and Honeysuckle, for fidelity and affection. And that's Peony, for shame. She lives under this rock." "Did you make that up by yourself?" "'Course not. That's the language of flowers. Everyone knows that." "No, they don't. I don't." "Everyone used to know. They sent each other messages. Like Bluebells means, 'I'll always love you' and Jasmine means 'We're friends.' and Asphodels... Asphodels are for the dead.

Living away from the present, in an artificial paradise, Bertha was almost completely happy. She found indifference to the whole world a trusty armour: life was easy without love or hate, hope or despair, without ambition, desire of change, or tumultuous passion. So bloom the flowers; unconscious, uncaring, the bud bursts from the enclosing leaf, and opens to the sunshine, squanders its perfume to the breeze and there is none to see its beauty—and then it dies.

The Garden by Moonlight" A black cat among roses, Phlox, lilac-misted under a first-quarter moon, The sweet smells of heliotrope and night-scented stock. The garden is very still, It is dazed with moonlight, Contented with perfume, Dreaming the opium dreams of its folded poppies. Firefly lights open and vanish High as the tip buds of the golden glow Low as the sweet alyssum flowers at my feet. Moon-shimmer on leaves and trellises, Moon-spikes shafting through the snow ball bush. Only the little faces of the ladies’ delight are alert and staring, Only the cat, padding between the roses, Shakes a branch and breaks the chequered pattern As water is broken by the falling of a leaf. Then you come, And you are quiet like the garden, And white like the alyssum flowers, And beautiful as the silent sparks of the fireflies. Ah, Beloved, do you see those orange lilies? They knew my mother, But who belonging to me will they know When I am gone.

Most dictionaries define tree as a large, perennial, single-trunked, woody plant. This is misleading, for a palm tree contains no wood. Botanists themselves do not bother to distinguish trees from nontrees. Instead, they divide plants into more precise categories, such as angiosperms (flowering plants) and gymnosperms (nonflowering). Angiosperms comprise two diagnostic types, monocots and dicots. Monocots, including palms, are less complex than dicots. They develop from a single embryonic leaf, have basic flowers and no secondary growth (wood). The rootstock is adventitious, meaning that the underground shoots develop independently; the tree has no radicle, or primary root. The simplicity of monocots enhances their agricultural tility. As crops, they supply us with essential carbohydrates—think bananas, yuccas, and edible grasses (rice, wheat, maize, cane). From a botanist’s point of view, a palm is not so different from a giant stalk of grass.

So we are cut and laid in swaths, I said; so we lie side by side on the damp meadows, withered branches and flowering. We have no more to expose ourselves on the bare hedges to the wind and snow; no more to carry ourselves erect when the gale sweeps, to bear our burden upheld; or stay, unmurmuring, on those pallid noondays when the bird creeps close to the bough and the damp whitens the leaf. We are cut, we are fallen. We are become part of that unfeeling universe that sleeps when we are at our quickest and burns red when we lie asleep.

Mrs. Weasley came to a halt in front of them, her hands on her hips, staring from one guilty face to the next. She was wearing a flowered apron with a wand sticking out of the pocket. “So,” she said. “Morning, Mum,” said George, in what he clearly thought was a jaunty, winning voice. “Have you any idea how worried I’ve been?” said Mrs. Weasley in a deadly whisper. “Sorry, Mum, but see, we had to —” All three of Mrs. Weasley’s sons were taller than she was, but they cowered as her rage broke over them. “Beds empty! No note! Car gone — could have crashed — out of my mind with worry — did you care? — never, as long as I’ve lived — you wait until your father gets home, we never had trouble like this from Bill or Charlie or Percy —” “Perfect Percy,” muttered Fred. “YOU COULD DO WITH TAKING A LEAF OUT OF PERCY’S BOOK!” yelled Mrs. Weasley, prodding a finger in Fred’s chest. “You could have died, you could have been seen, you could have lost your father his job —” It seemed to go on for hours. Mrs. Weasley had shouted herself hoarse before she turned on Harry, who backed away. “I’m very pleased to see you, Harry, dear,” she said. “Come in and have some breakfast.” She

A butterfly fluttered from flower to flower in the old garden, gracing the silvery-blue tips of the crocuses and what remained of the icy-white petals of the lady's prized tulips. The yellow strands on the butterfly's wings shimmered in the fading light, and Libby watched the creature in its journey, mesmerized by the graceful rise and fall of its dance. Her arms outstretched, Libby twirled around like she had as a girl, embracing the last rays of sunlight. Here in this garden, she was as free as the butterfly. Here she didn't have to hide. The butterfly climbed above the flowers and soared toward the lily pond. Beyond the pond were more flowers, hundreds of them, and then the trees. Soon the butterfly would curl up under a rock or leaf and rest for the night, hiding in the darkness, alone and vulnerable until the sun powered her wings again at dawn. Libby trailed the creature around the pond to see where it would land. If the night stayed warm, she might curl up beside the butterfly to rest, but not now. She no longer had to hide in these gardens. Soon the moonlight would glaze the paths with gold, and she would explore for hours, enveloped in the shadows and the light.

I tell you your Heaven is full of the kingdom of the earth's most crass- headed idiots and poverty-stricken in spirit! I tell you, you have filled your Heaven with the grossest and most cherished harlots from here below, who have bent their knees piteously before you at their hour of death! I tell you, you have used force against me, and you know not, you omniscient nullity, that I never bend in opposition! I tell you, all my life, every cell in my body, every power of my soul, gasps to mock you--you Gracious Monster on High. I tell you, I would, if I could, breathe it into every human soul, every flower, every leaf, every dewdrop in the garden! I tell you, I would scoff you on the day of doom, and curse the teeth out of my mouth for the sake of your Deity's boundless miserableness! I tell you from this hour I renounce all thy works and all thy pomps! I will execrate my thought if it dwell on you again, and tear out my lips if they ever utter your name! I tell you, if you exist, my last word in life or in death--I bid you farewell, for all time and eternity--I bid you farewell with heart and reins. I bid you the last irrevocable farewell, and I am silent, and turn my back on you and go my way.... Quiet.

The forest reveals what was in the seed. The hen reveals what was in the egg. The storm reveals what was in the clouds. The light reveals what was in the star. The perfume reveals what was in the flower. The honey reveals what was in the bee. The fruit reveals what was in the tree. The rose reveals what was in the thorn. The web reveals what was in the spider. The butterfly reveals what was in the caterpillar. The venom reveals what was in the serpent. The pearl reveals what was in the oyster. The diamond reveals what was in the rock. The flame reveals what was in the spark. The nest reveals what was in the bird. The roar reveals what was in the lion. The leaf reveals what was in the plant. The fire reveals what was in the wood. The droplet reveals what was in the ocean. The rainbow reveals what was in the storm. The ocean reveals what was in the shark. The desert reveals what was in the camel. The sky reveals what was in the eagle. The jungle reveals what was in the elephant. The team reveals what was in the coach. The flock reveals what was in the shepherd. The crew reveals what was in the captain. The army reveals what was in the general. The tower reveals what was in the architect. The sculpture reveals what was in the sculptor. The painting reveals what was in the painter. The symphony reveals what was in the composer. The sensation reveals what was in the body. The tongue reveals what was in the mind. The action reveals what was in the heart. The character reveals what was in the soul. Spring reveals what was in winter. Summer reveals what was in spring. Autumn reveals what was in summer. Summer reveals what was in spring. The past reveals what was in the beginning. The present reveals what was in the past. The future reveals what was in the present. The afterlife reveals what was in the future.

When Cherokee and Raphael got back to the canyon house, they set up the tepee on the grass and crept inside it. They lay on their backs, not touching, looking at the leaf shadows flickering on their canvas, and trying to identify the flowers they smelled in the warm air. "Honeysuckle." "Orange blossom." "Rose." "The Sea." "The Sea! That doesn't count!" "I smell it like it's growing in the yard." They giggled the way they used to when they were very young. Then they were quiet. Raphael sat up and took Cherokee's feet in her hands. "Do they still hurt?" he asked, stroking them tenderly. He moved his hands up over her whole body, as if he were painting her, bringing color into her white skin. As if he were playing her-his guitar. And all the hurt seemed to float out of her like music. They woke in the morning curled together. "Remember how when we were really little we used to have the same dreams?" Cherokee whispered. "It was like going on trips together." "It stopped when we started making love." "I know." "But last night..." "Orchards of hawks and apricots," Raphael said, remembering. "Sheer pink-and-gold cliffs." "The sky's wings." "The night beasts run beside us, not afraid. Dream horses carry us..." "To the sea," they said together...

Ode to the West Wind I O wild West Wind, thou breath of Autumn’s being, Thou, from whose unseen presence the leaves dead Are driven, like ghosts from an enchanter fleeing, Yellow, and black, and pale, and hectic red, Pestilence-stricken multitudes: O thou, Who chariotest to their dark wintry bed The winged seeds, where they lie cold and low, Each like a corpse within its grave, until Thine azure sister of the Spring shall blow Her clarion o’er the dreaming earth, and fill (Driving sweet buds like flocks to feed in air) With living hues and odours plain and hill: Wild Spirit, which art moving everywhere; Destroyer and preserver; hear, oh hear! II Thou on whose stream, mid the steep sky’s commotion, Loose clouds like earth’s decaying leaves are shed, Shook from the tangled boughs of Heaven and Ocean, Angels of rain and lightning: there are spread On the blue surface of thine aëry surge, Like the bright hair uplifted from the head Of some fierce Maenad, even from the dim verge Of the horizon to the zenith’s height, The locks of the approaching storm. Thou dirge Of the dying year, to which this closing night Will be the dome of a vast sepulchre, Vaulted with all thy congregated might Of vapours, from whose solid atmosphere Black rain, and fire, and hail will burst: oh hear! III Thou who didst waken from his summer dreams The blue Mediterranean, where he lay, Lull’d by the coil of his crystàlline streams, Beside a pumice isle in Baiae’s bay, And saw in sleep old palaces and towers Quivering within the wave’s intenser day, All overgrown with azure moss and flowers So sweet, the sense faints picturing them! Thou For whose path the Atlantic’s level powers Cleave themselves into chasms, while far below The sea-blooms and the oozy woods which wear The sapless foliage of the ocean, know Thy voice, and suddenly grow gray with fear, And tremble and despoil themselves: oh hear! IV If I were a dead leaf thou mightest bear; If I were a swift cloud to fly with thee; A wave to pant beneath thy power, and share The impulse of thy strength, only less free Than thou, O uncontrollable! If even I were as in my boyhood, and could be The comrade of thy wanderings over Heaven, As then, when to outstrip thy skiey speed Scarce seem’d a vision; I would ne’er have striven As thus with thee in prayer in my sore need. Oh, lift me as a wave, a leaf, a cloud! I fall upon the thorns of life! I bleed! A heavy weight of hours has chain’d and bow’d One too like thee: tameless, and swift, and proud. V Make me thy lyre, even as the forest is: What if my leaves are falling like its own! The tumult of thy mighty harmonies Will take from both a deep, autumnal tone, Sweet though in sadness. Be thou, Spirit fierce, My spirit! Be thou me, impetuous one! Drive my dead thoughts over the universe Like wither’d leaves to quicken a new birth! And, by the incantation of this verse, Scatter, as from an unextinguish’d hearth Ashes and sparks, my words among mankind! Be through my lips to unawaken’d earth The trumpet of a prophecy! O Wind, If Winter comes, can Spring be far behind?

It was then that the central figure of the gospels, a historical figure whom she deeply revered and sought to imitate, began at rare intervals to flash out at her like live lightning from their pages, frightening her, turning the grave blueprint into a dazzle of reflected fire. Gradually she learned to see that her fear was not of the lightning itself but what it showed her of the nature of love, for it dazzled behind the stark horror of Calvary. At this point, where so many vowed lovers faint and fail, Mary Montague went doggedly on over a period of years that seemed if possible longer and harder than the former period. At some point along the way, she did not know where because the change came so slowly and gradually, she realized that he had got her and got everything. His love held and illumined every human being for whom she was concerned, and whom she served with the profound compassion which was their need and right, held the Cathedral, the city, every flower and leaf and creature, giving it reality and beauty. She could not take her eyes from the incredible glory of his love. As far as it was possible for a human being in this world she had turned from herself. She could say, 'I have been turned,' and did not know how very few can speak these words with truth.

The fields, the lakes, the forests, and the streams, ocean, and all the living things that dwell within the daedal earth; lightning, and rain, earthquake, and fiery flood, and hurricane, the torpor of the year when feeble dreams visit the hidden buds, or dreamless sleep holds every future leaf and flower; the bound with which from that detested trance they leap; the works and ways of man, their death and birth, and that of him and all that his may be; all things that move and breathe with toil and sound are born and die; revolve, subside, and swell. Power dwells apart in its tranquillity, remote, serene, and inaccessible: and this, the naked countenance of earth, on which I gaze, even these primeval mountains teach the adverting mind. The glaciers creep like snakes that watch their prey, from their far fountains, slow rolling on; there, many a precipice frost and the sun in scorn of mortal power have pil'd: dome, pyramid, and pinnacle, a city of death, distinct with many a tower and wall impregnable of beaming ice. Yet not a city, but a flood of ruin is there, that from the boundaries of the sky rolls its perpetual stream; vast pines are strewing its destin'd path, or in the mangled soil branchless and shatter'd stand; the rocks, drawn down from yon remotest waste, have overthrown the limits of the dead and living world, never to be reclaim'd. The dwelling-place of insects, beasts, and birds, becomes its spoil; their food and their retreat for ever gone, so much of life and joy is lost. The race of man flies far in dread; his work and dwelling vanish, like smoke before the tempest's stream, and their place is not known. Below, vast caves shine in the rushing torrents' restless gleam, which from those secret chasms in tumult welling meet in the vale, and one majestic river, the breath and blood of distant lands, for ever rolls its loud waters to the ocean-waves, breathes its swift vapours to the circling air.

The intensity of my sensations has always been less than the intensity of my awareness of them. I've always suffered more from my consciousness that I was suffering than from the suffering of which I was conscious. The life of my emotions moved early on to the chambers of thought, and that's where I've most fully lived my emotional experience of life. And since thought, when it shelters emotion, is more demanding than emotion by itself, the regime of consciousness in which I began to live what I felt made how I felt more down-to earth, more physical, more titillating. By thinking so much, I became echo and abyss. By delving within, I made myself into many. The slightest incident — a change in the light, the tumbling of a dry leaf, the faded petal that falls from a flower, the voice speaking on the other side of the stone wall, the steps of the speaker next to those of the listener, the half-open gate of the old country estate, the courtyard with an arch and houses clustered around it in the moonlight — all these things, although not mine, grab hold of my sensory attention with the chains of longing and emotional resonance. In each of these sensations I am someone else, painfully renewed in each indefinite impression. I live off impressions that aren't mine. I'm a squanderer of renunciations, someone else in the way I'm I.

sunshine made the whole place look different. The high, deep, blue sky arched over Misselthwaite as well as over the moor, and she kept lifting her face and looking up into it, trying to imagine what it would be like to lie down on one of the little snow-white clouds and float about. She went into the first kitchen-garden and found Ben Weatherstaff working there with two other gardeners. The change in the weather seemed to have done him good. He spoke to her of his own accord. “Springtime’s comin’,” he said. “Cannot tha’ smell it?” Mary sniffed and thought she could. “I smell something nice and fresh and damp,” she said. “That’s th’ good rich earth,” he answered, digging away. “It’s in a good humor makin’ ready to grow things. It’s glad when plantin’ time comes. It’s dull in th’ winter when it’s got nowt to do. In th’ flower gardens out there things will be stirrin’ down below in th’ dark. Th’ sun’s warmin’ ’em. You’ll see bits o’ green spikes stickin’ out o’ th’ black earth after a bit.” “What will they be?” asked Mary. “Crocuses an’ snowdrops an’ daffydowndillys. Has tha’ never seen them?” “No. Everything is hot, and wet, and green after the rains in India,” said Mary. “And I think things grow up in a night.” “These won’t grow up in a night,” said Weatherstaff. “Tha’ll have to wait for ’em. They’ll poke up a bit higher here, an’ push out a spike more there, an’ uncurl a leaf this day an’ another that. You watch ’em.” “I am going to,” answered Mary. Very soon she heard the soft rustling flight of wings again and she knew at once that the robin had come again. He was very pert and lively, and hopped about so close to her feet, and put his head on one side and looked at her so slyly that she asked Ben Weatherstaff a question. “Do you think he remembers me?” she said. “Remembers thee!” said Weatherstaff indignantly. “He knows every cabbage stump in th’ gardens, let alone th’ people. He’s never seen a little wench here before, an’ he’s bent on findin’ out all about thee. Tha’s no need to try to hide anything from him.” “Are

Autumn eats its leaf out of my hand: we are friends. From the nuts we shell time and we teach it to walk: then time returns to the shell. In the mirror it’s Sunday, September 17, 2017 in dream there is room for sleeping, our mouths speak the truth. My eye moves down to the sex of my loved one: we look at each other, we exchange dark words, we love each other like poppy and recollection, we sleep like wine in the conches, like the sea in the moon’s blood ray. We stand by the window embracing, and people look up from the street: it is time they knew! It is time the stone made an effort to flower, time unrest had a beating heart. It is time it were time. It is time. ("Corona")

The island had grown so small that it scarcely looked like a leaf any longer. It looked like the top of a rock which some big wave would cover. Yet in its frailty were all those paths, those terraces, those bedrooms—all those innumerable things. But as, just before sleep, things simplify themselves so that only one of all the myriad details has power to assert itself, so, she felt, looking drowsily at the island, all those paths and terraces and bedrooms were fading and disappearing, and nothing was left but a pale blue censer swinging rhythmically this way and that across her mind. It was a hanging garden; it was a valley, full of birds, and flowers, and antelopes…. She was falling asleep.

Ursula, in a garden, found A bed of radishes. She kneeled upon the ground And gathered them, With flowers around, Blue, gold, pink, and green. She dressed in red and gold brocade And in the grass an offering made Of radishes and flowers. She said, "My dear, Upon your altars, I have placed The marguerite and coquelicot, And roses Frail as April snow; But here," she said, "Where none can see, I make an offering, in the grass, Of radishes and flowers." And then she wept For fear the Lord would not accept. The good Lord in His garden sought New leaf and shadowy tinct, And they were all His thought. He heard her low accord, Half prayer and half ditty, And He felt a subtle quiver, That was not heavenly love, Or pity. This is not writ

Gardener: ...Go thou, and like an executioner, Cut off the heads of too fast growing sprays, That look too lofty in our commonwealth: All must be even in our government. You thus employ'd, I will go root away The noisome weeds, which without profit suck The soil's fertility from wholesome flowers. +Servant: Why should we in the compass of a pale Keep law and form and due proportion, Showing, as in a model, our firm estate, When our sea-walled garden, the whole land, Is full of weeds, her fairest flowers choked up, Her fruit-trees all upturned, her hedges ruin'd, Her knots disorder'd and her wholesome herbs Swarming with caterpillars? -Gardener: Hold thy peace! He that hath suffer'd this disorder'd spring Hath now himself met with the fall of leaf.,,

Cilantro: eat half a cup a day of this herb as-is, sprinkled on salads, or in a smoothie. Parsley: eat a quarter cup a day of this herb as-is, sprinkled on salads, or in a smoothie. Zeolite: buy this mineralized clay in liquid form. Spirulina (preferably from Hawaii): if it’s in powder form (which is best for removal of metals from the gut), mix one teaspoon daily into water or a smoothie. Garlic: eat two fresh cloves a day. Sage: eat two tablespoons a day. L-glutamine: if it’s in powder form (which is preferable for removal of metals from the gut), mix one teaspoon daily into water or a smoothie. Plantain leaf: brew this herb to make tea and drink a cup a day. Red clover blossom: brew two tablespoons of these flower blossoms to make two cups of tea a day.

Within it grew such a variety of plants as Elizabeth had ever seen: white roses, carnations, lobelias, mimosas, even sweet peas tumbling over each other in vigorous abandon. At one end was an herb garden, and Elizabeth recognized rue, fennel, caraway, sage, thyme and mint. Through a doorway at the rear of the courtyard she could see a grove of olive and lemon trees and on the short walk from the harbor to the house she had spotted tall, spiky thistle-like plants, palms and trees covered in white flowers. She was seized with an immediate desire to open her sketchbook and take out the magnifying glass from the pocket of her cloak, to capture the intricate detail of an almond blossom, its calyx and corolla, stamens and carpel, or perhaps to draw the curl of a vine tendril or a spiky aloe leaf

The great minds, which from time to time have existed in this world, were like doors thrown wide to understanding. I don't mean just their brilliance or philosophy or even psychology. I mean that the spoken words that have endured are those uttered by men who understood with their hearts. No one on earth understands everything; that all-comprehensive function belongs to God alone. But we all try to understand a little. Most of us realize that too late. We look back and think: If only I'd tried to understand. Many failures in human relationships derive from this common failure. Watching the birds flock to discuss their travels among the brilliant leaves, listening to the slow turning of the earth upon her axis, meditating on Nature herself, never uncertain no matter how uncertain her manifestations may be, I think of the instinct that sends the birds from one locality to another, of the lengthening shadows as we face toward autumn, and of the marvelous system that encourages the leaf to fall and nurture the soil. In the single flame of October it begins the lullaby that will put the roots of grass and flowers to sleep. This system, in the four seasons of my little world, will cover the ground with silent snow, and at a later date will shout that spring is coming and awaken sleepers to new life. The sun in his glory, the moon in her phases, the stars in their courses, all these are part of the system; and Nature, turning the wheel of the seasons, understands what she must accomplish. Each in our own way, I suppose, we try to understand what we must accomplish. Perhaps the most important thing of all is the attempt to understand others.

The two thought themselves alone. But all the while, one watched with the night-wide eyes of love. While they paced the pebbled paths between the silent flowers’ spiked arrays, sage Thyme spied upon each pale sigh, peeping between bloom and leaf. And while they sat side by side and hand in hand on the stained stone bench beneath the spreading wisteria, Thyme watched unwinking from the midnight face of the mute sundial. And while they lay lazy on the soft grass, swearing the sweet oaths of love and longing, and whispering as they parted that though long lives might pass like a night and the New Sun sunder the centuries, yet never should they ever part, Thyme crept and cried, counting seconds that spilled with the sand from the hourglass, and scenting the soft breezes that cooled the child’s burning cheek with his sad spice. The

horizontal division between clearness and opacity, but were imbedded in an elastic body of a monotonous pallor throughout. There was no perceptible motion in the air, not a visible drop of water fell upon a leaf of the beeches, birches, and firs composing the wood on either side. The trees stood in an attitude of intentness, as if they waited longingly for a wind to come and rock them. A startling quiet overhung all surrounding things—so completely, that the crunching of the waggon-wheels was as a great noise, and small rustles, which had never obtained a hearing except by night, were distinctly individualized. Joseph Poorgrass looked round upon his sad burden as it loomed faintly through the flowering laurustinus, then at the unfathomable gloom amid the high trees on each hand, indistinct, shadowless, and spectre-like in their monochrome of grey. He felt anything but cheerful, and wished he had the company even of a child or dog. Stopping the horse, he listened. Not a footstep or wheel was audible anywhere around, and the dead silence was broken only by a heavy particle falling from a tree through the evergreens and alighting with a smart rap upon the coffin of poor Fanny. The fog had by this time saturated the trees, and this was the first dropping of water from the overbrimming leaves. The hollow echo of its fall reminded the waggoner painfully of the grim Leveller. Then hard by came down another drop, then two or three. Presently there was a continual tapping of these heavy drops upon the dead leaves, the road, and the travellers. The nearer boughs were beaded with the mist to the greyness of aged men, and the rusty-red leaves of the beeches were

Now glancing this side, that side, they looked deeper, beneath the flowers, down the dark avenues into the unlit world where the leaf rots and the flower has fallen. Then one of them, beautifully darting, accurately alighting, spiked the soft, monstrous body of the defenceless worm, pecked again and yet again, and left it to fester. Down there among the roots where the flowers decayed, gusts of dead smells were wafted; drops formed on the bloated sides of swollen things. The skin of rotten fruit broke, and matter oozed too thick to run. Yellow excretions were exuded by slugs, and now and again an amorphous body with a head at either end swayed slowly from side to side. The gold-eyed birds darting in between the leaves observed that purulence, that wetness, quizzically. Now and then they plunged the tips of their beaks savagely into the sticky mixture.

Man is timid and apologetic; he is no longer upright; he dares not say ‘I think,’ ‘I am,’ but quotes some saint or sage. He is ashamed before the blade of grass or the blowing rose. These roses under my window make no reference to former roses or to better ones; they are for what they are; they exist with God to-day. There is no time to them. There is simply the rose; it is perfect in every moment of its existence. Before a leaf-bud has burst, its whole life acts; in the full-blown flower there is no more; in the leafless root there is no less. Its nature is satisfied, and it satisfies nature, in all moments alike. But man postpones or remembers; he does not live in the present, but with reverted eye laments the past, or, heedless of the riches that surround him, stands on tiptoe to foresee the future. He cannot be happy and strong until he too lives with nature in the present, above time.

Permaculture Economics is a system that only allows contexts whererby the pursuit of profit is aligned with the pursuit of service, and whereby that service is to the benefit of not only a specific group directly but to society at large indirectly - such that every economic participant indirectly benefits from the profit pursuits of other economic participants. Lets learn from nature. In a forest, every life form there benefits when a single leaf is returned to the soil, or when a single bee transports the pollen of a single flower, or when a single mushroom sends out spores. There are exclusive interactions and exclusive services, but the exclusivity of benefits has its limits. A single kind of life form may get the majority of benefits from a certain activity, but all life forms in that ecosystem will receive some residual benefits from that activity. And this isn't by force, but by design.

Red Red is the wine, red are the carnations. Red is beautiful. Red flowers and red. Color itself is beautiful. The red color is red. Red is the flag, red the poppy. Red are the lips and the mouth. Red are the reality and the Fall. Red are many Blue Leaves. Yellow Yellow is the sand of the earth. Yellow is the color of the bronze forests. Yellow is the hearts of flowers. Yellow are the asters. Yellow is the meadow. of money. the franc is yellow.–brunette. i have seen a yellow franc. yellow is for example my pencil. Violet The color was rose-red then blue came along and cried viola viola violeta. violet was lovely but only in the sky. quite simply this color was lovely you violet. The cry of violet colors. Blue The Red Color. The Yellow Color. The Dark Green. The Sky ELLENO The Patentender The Pedestal, The Ship. The Rainbow. The Sea The Shoreleaves The Water The Leaf Vein The Kleyf (R) “r.” The Locks + The Lock.

BACKYARD GARDEN SALAD In wartime, patriotic families cultivated “Victory Gardens” to promote self-sufficiency and help the war effort. 4 cups mixed greens 1/4 cup fresh sprigs of dill 1/4 cup fresh flat-leaf parsley leaves 4 large basil leaves, rolled up and thinly sliced crosswise 1 large lemon, halved 1/4 cup fruity olive oil pinch of salt fresh ground black pepper to taste 1 cup toasted walnuts 3/4 cup crumbled feta cheese 1 cup fresh edible flowers; choose from bachelor’s buttons, borage, calendulas, carnations, herb flowers (basil, chives, rosemary, thyme), nasturtiums, violas, including pansies and Johnny-jump-ups, stock Toss salad greens and herbs in a large bowl. Squeeze lemon juice (without the seeds) over the greens and season with olive oil, salt and pepper. Toss again. Add walnuts and feta and toss well. Divide salad and pansies among four serving plates and serve. (Source: Adapted from California Bountiful)

Plants Fed On by Fawns" All the flowers: the pleated leaves of the hellebore; And the false blossom of the calla, a leaf like a petal— The white flesh of a woman bathing— a leaf over- Shadowing the small flowers hidden in the spadix; And fly poison, tender little flower, whose cursed root Pounded into a fine white powder will destroy flies. But why kill flies? They do not trouble me. They Are like the fruit the birds feed on. They are like The wind in the trees, or the sap that threads all things, The blue blood moving through branch and vine, Through the wings of dead things and living things.... If I lift my hand? If I write to you? The letters Can be stored in a box. Can they constitute the shape Of a love? Can the paper be ground? Can the box Be altar and garden plot and bed? Can there rise From the bed the form of a two-headed creature, A figure that looks both forward and back, keeping Watch always, one head sleeping while the other wakes, The bird head sleeping while the lion head wakes, And then the changing of the guard?.... No, The flies do not trouble me. They are like the stars At night. Common and beautiful. They are like My thoughts. I stood at midnight in the orchard. There were so many stars, and yet the stars, The very blackness of the night, though perfectly Cold and clear, seemed to me to be insubstantial, The whole veil of things seemed less substantial Than the thing that moved in the dark behind me, An unseen bird or beast, something shifting in its sleep, Half-singing and then forgetting it was singing: Be thou always ravished by love, starlight running Down and pulling back the veil of the heart, And then the water that does not exist opening up Before one, dark as wine, and the unveiled figure Of the self stepping unclothed, sweetly stripped Of its leaf, into starlight and the shadow of night, The cold water warm around the narrow ankles, The body at its most weightless, a thing so durable It will— like the carved stone figures holding up The temple roof— stand and remember its gods Long after those gods have been forsaken.

I took a cautious step inside, marveling at the sight before me. A vast conservatory awaited, or what 'once' was a conservatory. Sunlight beamed through the enormous glass roof. I realized that its position at the center of the house precluded its visibility from below. In awe, my heart beating wildly, I lingered in an arbor covered with bright pink bougainvillea, with a trunk so thick, it was larger than my waist. Most of it had died off, but a single healthy vine remained, and it burst with magenta blossoms. I could smell citrus warming in the sunlight, and I immediately noticed the source: an old potted lemon tree in the far corner. 'This must have been Lady Anna's.' I walked along the leaf-strewn pathway to a table that had clearly once showcased dozens of orchids. Now it was an orchid graveyard. Only their brown, shriveled stems remained, but I could imagine how they'd looked in their prime. I smiled when I picked up a tag from one of the pots. 'Lady Fiona Bixby. She must have given them her own names.' Perhaps there hadn't been anything sinister going on in the orchard, after all. Lady Anna was clearly a creative spirit, and maybe that played out in her gardens and the names she gave to her flowers and trees.

Probably you consider the body is not at all important. I’ve seen you eat, and you eat as if you were feeding a furnace. You may like the taste of food, but it is all so mechanical, so inattentive, the way you mix food on your plate. When you become aware of all this, your fingers, your eyes, your ears, your body all become sensitive, alive, responsive. This is comparatively easy. But what is more difficult is to free the mind from the mechanical habits of thought, feeling and action into which it has been driven by circumstances – by one’s wife, one’s children, one’s job. The mind itself has lost its elasticity. The more subtle forms of observation escape it. This means seeing yourself actually as you are without wanting to correct yourself or change what you see or escape from it – just to see yourself actually as you are, so that the mind doesn’t fall back into another series of habits. When such a mind looks at a flower or the colour of a dress or a dead leaf falling from a tree, it is now capable of seeing the movement of that leaf as it falls and the colour of that flower vividly. So both outwardly and inwardly the mind becomes highly alive, pliable, alert; there is a sensitivity which makes the mind intelligent. Sensitivity, intelligence and freedom in action are the beauty of living.

What would have happened, I wondered, if Clover and Jotter never ran the river—if they had listened to the critics and doomsayers, or to their own doubts? They brought knowledge, energy, and passion to their botanical work, but also a new perspective. Before them, men had gone down the Colorado to sketch dams, plot railroads, dig gold, and daydream little Swiss chalets stuck up on the cliffs. They saw the river for what it could be, harnessed for human use. Clover and Jotter saw it as it was, a living system made up of flower, leaf, and thorn, lovely in its fierceness, worthy of study for its own sake. They knew every saltbush twig and stickery cactus was, in its own way, as much a marvel as Boulder Dam—shaped to survive against all the odds. In the United States, half of all bachelor’s degrees in science, engineering, and mathematics go to women, yet these women go on to earn only 74 percent of a man’s salary in those fields. A recent study found that it will be another two decades before women and men publish papers at equal rates in the field of botany, a field traditionally welcoming to women. It may take four decades for chemistry, and three centuries for physics. Stereotypes linger of scientists as white-coated, wild-haired men, and they limit the ways in which young people envision their futures. In a famous, oft-replicated study, 70 percent of six-year-old girls, asked to draw a picture of a scientist, draw a woman, but only 25 percent do so at the age of sixteen.

When I was nineteen years old, I discovered a collection of books in the Harvard library written by Jacob Boehme. Do you know of him?" Naturally she knew of him. She had her own copies of these works in the White Acre library. She had read Boehme, though she never admired him. Jacob Boehme was a sixteenth-century cobbler from Germany who had mystical visions about plants. Many people considered him an early botanist. Alma's mother, on the other hand, had considered him a cesspool of residual medieval superstition. So there was considerable conflict of opinion surrounding Jacob Boehme. The old cobbler had believed in something he called "the signature of all things"- namely, that God had hidden clues for humanity's betterment inside the design of every flower, leaf, fruit, and tree on earth. All the natural world was a divine code, Boehme claimed, containing proof of our Creator's love. That is why so many medicinal plants resembled the diseases they were meant to cure, or the organs they were able to treat. Basil, with its liver-shaped leaves, is the obvious ministration for ailments of the liver. The celandine herb, which produces a yellow sap, can be used to treat the yellow discoloration brought on by jaundice. Walnuts, shaped like brains, are helpful for headaches. Coltsfoot, which grows near cold streams, can cure the coughs and chills brought on by immersion in ice water. 'Polygonum,' with its spattering of blood-red markings on the leaves, cures bleeding wounds of the flesh.

Mom's secret recipe used Meyer lemons for a sweeter, richer flavor. That was one of her tricks. That and European butter. With its higher fat content than American butter, it made a flakier crust. "Lolly, what are the three secret ingredients that make this the best lemon meringue pie in the world?" She'd drilled me that last night before she died, demanding I recite every ingredient, every step, until she was satisfied I had it down pat. "The three ingredients are Meyer lemons, European butter, and a leaf of lemon balm boiled into the syrup every time," I'd dutifully recited in her hospital room, feeling the weight of grief, of responsibility rest heavier on my shoulders with every word. Lemon balm was an unorthodox choice for pie, but Mom had loved cooking with edible flowers and herbs. She'd taught me everything I knew about them. I reached for the little lemon balm potted plant growing on the windowsill over the sink and carefully pinched off a leaf. "In the language of flowers, lemon balm means sympathy or good cheer," she'd explained once. "So every bite of this pie can help brighten someone's day." I crushed the leaf of lemon balm between my fingers and inhaled the scent, hoping it would work on me. No such luck. I dropped the leaf into the pot and stirred. Every time I made these pies I felt her presence. She had loved lemons---their sharp, fresh scent and cheerful hue. She would slice a lemon in half and sniff deeply, happily. "See, Lolly," she'd say. "Lemons brighten every day. They are a touch of kitchen magic, and we all need a little magic in our lives.

I am in my twenty-seventh year. This event keeps thrusting itself before my mind ⎯ nothing else seems to have happened of late. But to reach twenty-seven ⎯ is that a trifling thing? ⎯ To pass the meridian of the twenties on one's progress towards thirty? ⎯ Thirty ⎯ that is to say maturity ⎯ the age at which people expect fruit rather than fresh foliage. But, alas, where is the promise of fruit? As I shake my head, it still feels brimful of luscious frivolity, with not a trace of philosophy. Folk are beginning to complain: "Where is that which we expected of you ⎯ that in hope of which we admired the soft green of the shoot? Are we to put up with immaturity for ever? It is high time for us to know what we shall gain from you. We want an estimate of the proportion of oil which the blindfold, mill turning, unbiased critic can squeeze out of you." It has ceased to be possible to delude these people into waiting expectantly any longer. While I was under age they trustfully gave me credit; it is sad to disappoint them now that I am on the verge of thirty. But what am I to do? Words of wisdom will not come! I am utterly incompetent to provide things that may profit the multitude. Beyond a snatch of song, some tittle-tattle, a little merry fooling, I have been unable to advance. And as the result, those who held high hopes will turn their wrath on me; but did any one ever beg them to nurse these expectations? Such are the thoughts which assail me since one fine Bysakh morning I awoke amidst fresh breeze and light, new leaf and flower, to find that I had stepped into my twenty-seventh year.

Golden Gold Vine Part One There was a miser who prized her, this golden gold vine. This sapling so gilded, her leaflings did shine. The moment he saw her, he let out a whisper of, “mine.” He’d found her in rubble, along a plain road. Unburied, he took her, in pocket he stowed. Back to his house, where he stared at her gleam. Hands curled to covet, want stitched to seam. What a chance this was, the chance for much more. So he planted her there, right outside his front door. Kept under secrets and hidden she lay. This old miser did find her, did steal her away. Brought to the yard, he planted her there. Fenced her all in to shelter her glare. Soon she grew tiny buds, glinting with gold. He plucked them by one, went to town to be sold. He paid off his debts, bought whatever he sought. But it wasn’t enough, whatever he got. For greed had been planted beside her thin roots. Want had leafed out, along with her shoots. Yet although he watered, soon she did wilt. Her golden did dull and worry he spilt. For his most prized possession looked right to be culled. She wasted away, while he fretted and mulled. It wasn't til so angry, he pulled out his hair. Brown clumps all fallen on the vine bare, that her color suddenly glistened, her vine did then surge. She grew ever much from his body he'd purged. Ecstatic, he knew, what he must do. So this miser clip-clipped, and gold flowers then bloomed. His hair he snip-snipped, gladly shedding his plume. For she would not grow without sacrifice. Only pieces of him would ever suffice. For her to keep growing, that was her price. This golden gold vine was the miser’s own vice. To be continued…

The mainland of Greece was dark; and somewhere off Euboea a cloud must have touched the waves and spattered them—the dolphins circling deeper and deeper into the sea. Violent was the wind now rushing down the Sea of Marmara between Greece and the plains of Troy. In Greece and the uplands of Albania and Turkey, the wind scours the sand and the dust, and sows itself thick with dry particles. And then it pelts the smooth domes of the mosques, and makes the cypresses, standing stiff by the turbaned tombstones of Mohammedans, creak and bristle. Sandra’s veils were swirled about her. “I will give you my copy,” said Jacob. “Here. Will you keep it?” (The book was the poems of Donne.) Now the agitation of the air uncovered a racing star. Now it was dark. Now one after another lights were extinguished. Now great towns—Paris—Constantinople—London—were black as strewn rocks. Waterways might be distinguished. In England the trees were heavy in leaf. Here perhaps in some southern wood an old man lit dry ferns and the birds were startled. The sheep coughed; one flower bent slightly towards another. The English sky is softer, milkier than the Eastern. Something gentle has passed into it from the grass–rounded hills, something damp. The salt gale blew in at Betty Flanders’s bedroom window, and the widow lady, raising herself slightly on her elbow, sighed like one who realizes, but would fain ward off a little longer—oh, a little longer!—the oppression of eternity. But to return to Jacob and Sandra. They had vanished. There was the Acropolis; but had they reached it? The columns and the Temple remain; the emotion of the living breaks fresh on them year after year; and of that what remains?

But…but that’s tragic! To go through life without color? Unable to appreciate art, or beauty?” He laughed. “Now, sweet-hold your brush before you paint me a martyr’s halo. It’s not as though I’m blind. I have a great appreciation for art, as I believe we’ve discussed. And as for beauty…I don’t need to know whether your eyes are blue or green or lavender to know that they’re uncommonly lovely.” “No one has lavender eyes.” “Don’t they?” His gaze caught hers and refused to let go. Leaning forward, he continued, “Did that tutor of yours ever tell you this? That your eyes are ringed with a perfect circle a few shades darker than the rest of the…don’t they call it the iris?” Sophia nodded. “The iris.” He propped his elbow on the table and leaned forward, his gaze searching hers intently. “An apt term it is, too. There are these lighter rays that fan out from the center, like petals. And when your pupils widen-like that, right there-your eyes are like two flowers just coming into bloom. Fresh. Innocent.” She bowed her head, mixing a touch of lead white into the sea-green paint on her palette. He leaned closer still, his voice a hypnotic whisper. “But when you take delight in teasing me, looking up through those thick lashes, so saucy and self-satisfied…” She gave him a sharp look. He snapped his fingers. “There! Just like that. Oh, sweet-then those eyes are like two opera dancers smiling from behind big, feathered fans. Coy. Beckoning.” Sophia felt a hot blush spreading from her bosom to her throat. He smiled and reclined in his chair. “I don’t need to know the color of your hair to see that it’s smooth and shiny as silk. I don’t need to know whether it’s yellow or orange or red to spend an inordinate amount of time wondering how it would feel brushing against my bare skin.” Opening his book to the marked page, he continued, “And don’t get me started on your lips, sweet. If I endeavored to discover the precise shade of red or pink or violet they are, I might never muster the concentration for anything else.” He turned a leaf of his book, then fell silent. Sophia stared at her canvas. Her pulse pounded in her ears. A bead of sweat trickled down the back of her neck, channeling down between her shoulder blades, and a hot, itchy longing pooled at the cleft of her legs. Drat him. He’d known she was taunting him with her stories. And now he sat there in an attitude of near-boredom, making love to her with his teasing, colorless words in a blatant attempt to fluster her. It was as though they were playing a game of cards, and he’d just raised the stakes. Sophia smiled. She always won at cards. “Balderdash,” she said calmly. He looked up at her, eyebrow raised. “No one has violet lips.” “Don’t they?” She laid aside her palette and crossed her arms on the table. “The slope of your nose is quite distinctive.” His lips quirked in a lopsided grin. “Really.” “Yes.” She leaned forward, allowing her bosom to spill against her stacked arms. His gaze dipped, but quickly returned to hers. “The way you have that little bump at the ridge…It’s proving quite a challenge.” “Is that so?” He bent his head and studied his book. Sophie stared at him, waiting one…two…three beats before he raised his hand to rub the bridge of his nose. Quite satisfactory progress, that. Definite beginnings of fluster.

Not liking to think of him so, and wondering if they had guessed at dinner why he suddenly became irritable when they talked about fame and books lasting, wondering if the children were laughing at that, she twitched the stockings out, and all the fine gravings came drawn with steel instruments about her lips and forehead, and she grew still like a tree which has been tossing and quivering and now, when the breeze falls, settles, leaf by leaf, into quiet. It didn't matter, any of it, she thought. A great man, a great book, fame—who could tell? She knew nothing about it. But it was his way with him, his truthfulness—for instance at dinner she had been thinking quite instinctively, If only he would speak! She had complete trust in him. And dismissing all this, as one passes in diving now a weed, now a straw, now a bubble, she felt again, sinking deeper, as she had felt in the hall when the others were talking, There is something I want—something I have come to get, and she fell deeper and deeper without knowing quite what it was, with her eyes closed. And she waited a little, knitting, wondering, and slowly rose those words they had said at dinner, "the China rose is all abloom and buzzing with the honey bee," began washing from side to side of her mind rhythmically, and as they washed, words, like little shaded lights, one red, one blue, one yellow, lit up in the dark of her mind, and seemed leaving their perches up there to fly across and across, or to cry out and to be echoed; so she turned and felt on the table beside her for a book. And all the lives we ever lived And all the lives to be, Are full of trees and changing leaves, she murmured, sticking her needles into the stocking. And she opened the book and began reading here and there at random, and as she did so, she felt that she was climbing backwards, upwards, shoving her way up under petals that curved over her, so that she only knew this is white, or this is red. She did not know at first what the words meant at all. Steer, hither steer your winged pines, all beaten Mariners she read and turned the page, swinging herself, zigzagging this way and that, from one line to another as from one branch to another, from one red and white flower to another, until a little sound roused her—her husband slapping his thighs. Their eyes met for a second; but they did not want to speak to each other. They had nothing to say, but something seemed, nevertheless, to go from him to her. It was the life, it was the power of it, it was the tremendous humour, she knew, that made him slap his thighs. Don't interrupt me, he seemed to be saying, don't say anything; just sit there. And he went on reading. His lips twitched. It filled him. It fortified him. He clean forgot all the little rubs and digs of the evening, and how it bored him unutterably to sit still while people ate and drank interminably, and his being so irritable with his wife and so touchy and minding when they passed his books over as if they didn't exist at all. But now, he felt, it didn't matter a damn who reached Z (if thought ran like an alphabet from A to Z). Somebody would reach it—if not he, then another. This man's strength and sanity, his feeling for straight forward simple things, these fishermen, the poor old crazed creature in Mucklebackit's cottage made him feel so vigorous, so relieved of something that he felt roused and triumphant and could not choke back his tears. Raising the book a little to hide his face, he let them fall and shook his head from side to side and forgot himself completely (but not one or two reflections about morality and French novels and English novels and Scott's hands being tied but his view perhaps being as true as the other view), forgot his own bothers and failures completely in poor Steenie's drowning and Mucklebackit's sorrow (that was Scott at his best) and the astonishing delight and feeling of vigour that it gave him.