Le Morte D'arthur Quotes

Yet some men say in many parts of England that King Arthur is not dead, but had by the will of our Lord Jesu into another place; and men say that he shall come again, and he shall win the holy cross.

In the midst of the lake Arthur was ware of an arm clothed in white samite, that held a fair sword in that hand.

Ah Gawaine, Gawaine, ye have betrayed me; for never shall my court be amended by you, but ye will never be sorry for me as I am for you

What... is the wind in that door?

for it is better that we slay a coward, than through a coward all we to be slain.

And therefor, sir,' seyde the Bysshop, 'leve thys opynyon, other ellis I shall curse you with booke, belle and candyll.' 'Do thou thy warste,' seyde Mordred, 'and I defyghe the!

There is no fool, like an old fool. However, to not allow yourself to see your errors is not foolishness, but stupidity. I can assume to be a fool, not an idiot.” Island of Serenity book 7, Le Morte D'Arthur.

They both laughed and drank to each other; they had never tasted sweeter liquor in all their lives. And in that moment they fell so deeply in love that their hearts would never be divided. So the destiny of Tristram and Isolde was ordained.

Quote of the day. "The unthinkable is happening, Arthur has chosen to start the battle. However, the unthinkable is only unthinkable to those that haven’t already thought about it, yet." Le Morte D'Arthur, The Island of Serenity Book 7.

When she saw him come nigh, she said, Away, kitchen knave, out of the wind, for the smell of thy bawdy clothes grieveth me.

Well, said the haut prince, this day must noble knights joust.

Better is peace than ever war.

Enough is the same as a feast.

Yet some men say in many parts of England that King Arthur is not dead, but had by the will of our Lord Jesu into another place. And men say that he shall come again, and he shall win the the Holy Cross.

For I have promised to do the battle to the uttermost, by faith of my body, while me lasteth the life, and therefore I had liefer to die with honour than to live with shame ; and if it were possible for me to die an hundred times, I had liefer to die oft than yield me to thee; for though I lack weapon, I shall lack no worship, and if thou slay me weaponless that shall be thy shame.

O Merlin", said Arthur, "Here hadst thou been slain for all thy crafts had I not been." "Nay," said Merlin, "Not so, for I could save myself an I would; and thou art more near thy death than I am, for thou goest to the deathward, an God be not thy friend.

And therein were many knights and squires to behold, scaffolds and pavilions; for there upon the morn should be a great tournament: and the lord of the tower was in his castle and looked out at a window, and saw a damosel, a dwarf, and a knight armed at all points.

Arthuriana has become a genre in itself, more like TV soap opera where people think they know the characters. All that's fair enough, but it does remove the mythic power of the feminine and masculine principles. So I prefer it in its original form, even if you have to wade through Mallory's 'Le Morte d'Arthur' -- people smashing people for pages and pages! It still has the resonances of myth about it, which makes it work for me. I don't want to know if Mordred led an unhappy childhood or not.

...and there encountered with him all at once Sir Bors, Sir Ector, and Sir Lionel, and they three smote him at once with their spears, and with force of themselves they smote Sir Lancelot's horse reverse to the earth. And by misfortune Sir Bors smote Sir Lancelot through the shield into the side...

...and then the threw the sword as far into the water as he might; and there came an arm and a hand above the water and met it, and caught it, and so shook it thrice and brandished, and then vanished away the hand with the sword in the water.

I felt instantly at home, and wanted only to dismiss Alistair, along with the rest of Justice Hall, that I might have a closer look at the shelves.I had to content myself instead with a strolling perusal, my hands locked behind my back to keep them from reaching out for Le Morte D'Arthur, Caxton 1485 or the delicious little red-and-gilt Bestiary, MS Circa 1250 or.... If I took one down, I should be lost. So I looked, like a hungry child in a sweet shop, and trailed out on my guide's heels with one longing backward glance.

Sir Tor dressed his shield, and took his spear in his hands, and the other came fiercely upon him, and smote both horse and man to the earth.

And when matins and the first mass was done, there was seen in the churchyard, against the high altar, a great stone four square, like unto a marble stone; and in midst thereof was like an anvil of steel a foot on high, and therein stuck a fair sword naked by the point, and letters there were written in gold about the sword that said thus:—Whoso pulleth out this sword of this stone and anvil, is rightwise king born of all England.

Ah! fair damosel, said Balin, worthiness, and good tatches, and good deeds, are not only in arrayment, but manhood and worship is hid within man's person, and many a worshipful knight is not known unto all people, and therefore worship and hardiness is not in arrayment.

I think my sense of right and wrong, my feeling of noblesse oblige, and any thought I may have against the oppressor and for the oppressed came from [Le Morte d'Arthur]....It did not seem strange to me that Uther Pendragon wanted the wife of his vassal and took her by trickery. I was not frightened to find that there were evil knights, as well as noble ones. In my own town there were men who wore the clothes of virtue whom I knew to be bad....If I could not choose my way at the crossroads of love and loyalty, neither could Lancelot. I could understand the darkness of Mordred because he was in me too; and there was some Galahad in me, but perhaps not enough. The Grail feeling was there, however, deep-planted, and perhaps always will be.

Did ye so? said Sir Meliagaunce, then I will abide by it: I love Queen Guenever, what will ye with it? I will prove and make good that she is the fairest lady and most of beauty in the world. As to that, said Sir Lamorak, I say nay thereto, for Queen Morgawse of Orkney, mother to Sir Gawaine, and his mother is the fairest queen and lady that beareth the life. That is not so, said Sir Meliagaunce, and that will I prove with my hands upon thy body. Will ye so? said Sir Lamorak, and in a better quarrel keep I not to fight. Then they departed either from other in great wrath.

But one shelf was a little neater than the rest and here I noted the following sequence which for a moment seemed to form a vague musical phrase, oddly familiar: Hamlet, La morte d’Arthur, The Bridge of San Luis Rey, Doctor Jekyll and Mr. Hyde, South Wind, The Lady with the Dog, Madame Bovary, The Invisible Man, Le Temps Retrouvé, Anglo-Persian Dictionary, The Author of Trixie, Alice in Wonderland, Ulysses, About Buying a Horse, King Lear … The melody gave a small gasp and faded.

Two literary figures bridge the gap between the mediaeval age and the Renaissance. They are Sir Thomas Malory, the author of Le Morte D'Arthur, and the first 'poet-laureate', John Skelton. In their entirely separate ways, they made distinctive contributions to the history of literature and to the growth of English as a literary language. ........ Le Morte D'Arthur is, in a way, the climax of a tradition of writing, bringing together myth and history, with an emphasis on chivalry as a kind of moral code of honour. The supernatural and fantastic aspects of the story, as in Sir Gawain and the Green Knight, are played down, and the more political aspects, of firm government and virtue, emphasised. It was a book for the times. The Wars of the Roses ended in the same year as Le Morte D'Arthur was published. Its values were to influence a wide readership for many years to come. There is sadness, rather than heroism, in Arthur's final battle.. ...... John Skelton is one of the unjustly neglected figures of literature. His reputation suffered at the hands of one of the earliest critics of poetry, George Puttenham, and he is not easily categorised in terms of historical period, since he falls between clearly identified periods like 'mediaeval' and 'Renaissance'. He does not fit in easily either because of the kinds of poetry he wrote. But he is one of the great experimenters, and one of the funniest poets in English.

And thus it passed on from Candlemass until after Easter, that the month of May was come, when every lusty heart beginneth to blossom, and to bring forth fruit; for like as herbs and trees bring forth fruit and flourish in May, in like wise every lusty heart that is in any manner a lover, springeth and flourisheth in lusty deeds. For it giveth unto all lovers courage, that lusty month of May, in something to constrain him to some manner of thing more in that month than in any other month, for divers causes. For then all herbs and trees renew a man and woman, and likewise lovers call again to their mind old gentleness and old service, and many kind deeds that were forgotten by negligence. For like as winter rasure doth alway arase and deface green summer, so fareth it by unstable love in man and woman. For in many persons there is no stability; for we may see all day, for a little blast of winter's rasure, anon we shall deface and lay apart true love for little or nought, that cost much thing; this is no wisdom nor stability, but it is feebleness of nature and great disworship, whosomever useth this. Therefore, like as May month flowereth and flourisheth in many gardens, so in like wise let every man of worship flourish his heart in this world, first unto God, and next unto the joy of them that he promised his faith unto; for there was never worshipful man or worshipful woman, but they loved one better than another; and worship in arms may never be foiled, but first reserve the honour to God, and secondly the quarrel must come of thy lady: and such love I call virtuous love. But nowadays men can not love seven night but they must have all their desires: that love may not endure by reason; for where they be soon accorded and hasty heat, soon it cooleth. Right so fareth love nowadays, soon hot soon cold: this is no stability. But the old love was not so; men and women could love together seven years, and no licours lusts were between them, and then was love, truth, and faithfulness: and lo, in like wise was used love in King Arthur's days. Wherefore I liken love nowadays unto summer and winter; for like as the one is hot and the other cold, so fareth love nowadays; therefore all ye that be lovers call unto your remembrance the month of May, like as did Queen Guenever, for whom I make here a little mention, that while she lived she was a true lover, and therefore she had a good end.

At the end of the 1400s, the world changed. Two key dates can mark the beginning of modern times. In 1485, the Wars of the Roses came to an end, and, following the invention of printing, William Caxton issued the first imaginative book to be published in England - Sir Thomas Malory's retelling of the Arthurian legends as Le Morte D'Arthur. In 1492, Christopher Columbus's voyage to the Americas opened European eyes to the existence of the New World. New worlds, both geographical and spiritual, are the key to the Renaissance, the 'rebirth' of learning and culture, which reached its peak in Italy in the early sixteenth century and in Britain during the reign of Queen Elizabeth I, from 1558 to 1603.

The Count of Monte Cristo, Edgar Allan Poe, Robinson Crusoe, Ivanhoe, Gogol, The Last of the Mohicans, Dickens, Twain, Austen, Billy Budd…By the time I was twelve, I was picking them out myself, and my brother Suman was sending me the books he had read in college: The Prince, Don Quixote, Candide, Le Morte D’Arthur, Beowulf, Thoreau, Sartre, Camus. Some left more of a mark than others. Brave New World founded my nascent moral philosophy and became the subject of my college admissions essay, in which I argued that happiness was not the point of life. Hamlet bore me a thousand times through the usual adolescent crises. “To His Coy Mistress” and other romantic poems led me and my friends on various joyful misadventures throughout high school—we often sneaked out at night to, for example, sing “American Pie” beneath the window of the captain of the cheerleading team. (Her father was a local minister and so, we reasoned, less likely to shoot.) After I was caught returning at dawn from one such late-night escapade, my worried mother thoroughly interrogated me regarding every drug teenagers take, never suspecting that the most intoxicating thing I’d experienced, by far, was the volume of romantic poetry she’d handed me the previous week. Books became my closest confidants, finely ground lenses providing new views of the world.

As a result of Malory’s plangent and often elaborate prose, the song of Arthur has never ended. Le Morte d’Arthur inspired both Milton and Dryden with dreams of Arthurian epic, and in the nineteenth century Tennyson revived the themes of Malory in Idylls of the King. William Morris wrote The Defence of Guenevere , and Algernon Swinburne composed Tristram of Liones. The Round Table was reconstituted in the libraries of nineteenth-century England.

We shall now seek that which we shall not find. —Sir Thomas Malory, Le Morte D’Arthur

The knights in Sir Thomas Malory’s Le Morte d’Arthur say to one another, ‘Let us take the adventure that God sends us,’ recognizing that the God in whom we live and move and have our being may come and meet us when and where he pleases, and any door we open may be the door to the ‘chapel perilous’.

I also wonder what would have happened if Steinbeck had forsaken Le Morte d’Arthur and invented a world of his own. Free to follow his own course, he might have crafted a major work of fantasy. It’s not as unlikely as it may seem. His first novel, Cup of Gold: A Life of Sir Henry Morgan, Buccaneer, with Occasional Reference to History, was one of high adventure, with more fiction than history.