Lax Quotes

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Happiness is the consequence of personal effort. You fight for it, strive for it, insist upon it, and sometimes even travel around the world looking for it. You have to participate relentlessly in the manifestations of your own blessings. And once you have achieved a state of happiness, you must never become lax about maintaining it. You must make a mighty effort to keep swimming upward into that happiness forever, to stay afloat on top of it.
Elizabeth Gilbert (Eat, Pray, Love)
For man is essentially alone, and one should pity him and love him and grieve with him.
Halldór Laxness
Hmm…now that I think about it, housecats are often coddled and petted. You don’t pet me nearly enough. You must be a lax owner. How selfish of you to deprive your cat of attention.
Colleen Houck
I keep remembering one of my Guru's teachings about happiness. She says that people universally tend to think that happiness is a stroke of luck, something that will maybe descend upon you like fine weather if you're fortunate enough. But that's not how happiness works. Happiness is the consequence of personal effort. You fight for it, strive for it, insist upon it, and sometimes even travel around the world looking for it. You have to participate relentlessly in the manifestations of your own blessings. And once you have achieved a state of happiness, you must never become lax about maintaining it, you must make a mighty effort to keep swimming upward into that happiness forever, to stay afloat on top of it. If you don't you will eat away your innate contentment. It's easy enough to pray when you're in distress but continuing to pray even when your crisis has passed is like a sealing process, helping your soul hold tight to its good attainments.
Elizabeth Gilbert (Eat, Pray, Love)
We revel in the laxness of the path we take.
Charles Baudelaire
Tohrment spoke. "Bella's brother called. He's tabled the sehelusion request and asked that she stay here for a couple of days." Z jacked his head up. "Why?" "He didn't give a reason-" Tohr's eye's narrowed on Z's face. "Oh... my God." "What the fuck are you looking at?" Phury pointed to the antique mirror hanging on the wall next to the double doors. "See for yourself." Zsadist marched across the room, ready to give them all hell. Bella was what mattered- His mouth went lax at his reflection. With a shaky hand he reached out to the eyes in the old-fashioned leaded glass. His irises were no longer black. They were yellow. Just like his twin's. "Phury?" he said softly. "Phury... what happened to me?" As the male came up behind him, his brother's face appeared right beside Z's. And then Wrath's dark reflection showed up in the mirror, all long hair and sunglasses. Then Rhage's star-fallen beauty. And Vishous's Sox cap. And Tohrment's brush cut. And Butch's busted nose. One by one they reached out and touched him, their big hands gently on his shoulders. "Welcome back, my brother," Phury whispered. Zsadist stared at the males who were behind him. And the oddest thought that if he were to let himself go limp and fall backward... they would catch him.
J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
You can afford to be compassionate, lax, and courteous if, once in a while, when it is least expected of you, but completely justified, you sue someone, or savage an enemy, just to show that you can walk the walk.
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
Remember, any lie you are told, even deliberately, is often a more significant fact than a truth told in all sincerity.
Halldór Laxness (Under the Glacier)
You’ve got food stuck in your teeth,” Vee told Marcie. “In the crack between your two front teeth. Looks like chocolate Ex-Lax …
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
Happiness is the consequence of personal effort. You fight for it, strive for it, insist upon it, and sometimes even travel around the world looking for it. You have to participate relentlessly in the manifestations of your own blessings. And once you have achieved a state of happiness, you must never become lax about maintaining it, you must make a mighty effort to keep swimming upward into that happiness forever, to stay afloat on top of it. If you don’t, you will leak away your innate contentment. It’s easy enough to pray when you’re in distress but continuing to pray even when your crisis has passed is like a sealing process, helping your soul hold tight to its good attainments.
Elizabeth Gilbert (Eat, Pray, Love)
Jack, this is Vance McGruder. I couldn’t find your cell number so I’m taking a chance on reaching you at the cottage. It’s Monday afternoon and I need you here as soon as possible. I’ve arranged for a one-way, first-class ticket on Delta Air Lines on their 3:15pm flight tomorrow afternoon to Atlanta and connecting on to LAX. I’ll have a car and driver at LAX to pick you up. Call me as soon as you get this message.
Behcet Kaya (Body In The Woods (Jack Ludefance, #2))
Whoever doesn't live in poetry cannot survive here on earth.
Halldór Laxness (Under the Glacier)
People are afraid to merge on freeways in Los Angeles. This is the first thing I hear when I come back to the city. Blair picks me up from LAX and mutters this under her breath as she drives up the onramp. She says, "People are afraid to merge on freeways in Los Angeles." Though that sentence shouldn't bother me, it stays in my mind for an uncomfortably long time. Nothing else seems to matter. Not the fact that I'm eighteen and it's December and the ride on the plane had been rough and the couple from Santa Barbara, who were sitting across from me in first class, had gotten pretty drunk. Not the mud that had splattered on the legs of my jeans, which felt kind of cold and loose, earlier that day at an airport in New Hampshire. Not the stain on the arm of the wrinkled, damp shirt I wear, a shirt which looked fresh and clean this morning. Not the tear on the neck of my gray argyle vest, which seems vaguely more eastern than before, especially next to Blair's clean tight jeans and her pale-blue shirt. All of this seems irrelevant next to that one sentence. It seems easier to hear that people are afraid to merge than "I'm pretty sure Muriel is anorexic" or the singer on the radio crying out about magnetic waves. Nothing else seems to matter to me but those ten words. Not the warm winds, which seem to propel the car down the empty asphalt freeway, or the faded smell of marijuana which still faintly permeates Blaire's car. All it comes down to is the fact that I'm a boy coming home for a month and meeting someone whom I haven't seen for four months and people are afraid to merge.
Bret Easton Ellis (Less Than Zero)
Human beings, in point of fact, are lonely by nature, and one should feel sorry for them and love them and mourn with them. It is certain that people would understand one another better and love one another more if they would admit to one another how lonely they were, how sad they were in their tormented, anxious longings and feeble hopes.
Halldór Laxness
Þegar öllu er á botninn hvolft, þá fer allt einhvernveginn, þótt margur efist um það á tímabili.
Halldór Laxness (Independent People)
What you have stolen can never be yours.
Halldór Laxness (Under the Glacier)
The life of man is so short that ordinary people simply cannot afford to be born
Halldór Laxness (Independent People)
It's a useful habit never to believe more than half of what people tell you, and not to concern yourself with the rest. Rather keep your mind free and your path your own.
Halldór Laxness (Independent People)
How do I look in the dark?” Startled, Arin glanced at him. The question had had no edges. It wasn’t sleek, either. Its soft, uncertain shape suggested that Roshar truly wanted to know. In the fired red shadows, his limbs looked lax and his mutilated face met Arin’s squarely. The heavy feeling that Arin carried—that specific sadness, nestled just below his collar bone, like a pendant—lessened. He said, “Like my friend.” Roshar didn’t smile. When he spoke, his voice matched his expression, which was rare for him. Rarer still: his tone. Quiet and true. “You do, too.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Presently the small of coffee began to fill the room. This was morning’s hallowed moment. In such a fragrance the perversity of the world is forgotten, and the soul is inspired with faith in the future…
Halldór Laxness (Independent People)
Maðurinn finnur það sem hann leitar að, og sá sem trúir á draug finnur draug.
Halldór Laxness (Independent People)
Like all great rationalists you believed in things that were twice as incredible as theology.
Halldór Laxness (Under the Glacier)
For the first time, I notice the lax skin at Mrs. Nightwing's jaw, the fine down that lies upon her cheek like the imprint of a childe's hand, and I wonder what it must be like watching yourself soften under the years, unable to stop it. what it's like measuring your days in perfecting girls' curtsies and drinking nightly glasses of sherry, trying to keep up with the world as it pulls you spinning into the furure, knowing you are always one step behind it.
Libba Bray
A free man can live on fish.Independence is better than meat
Halldór Laxness (Independent People)
Do not lower the standard or cater to the worldly laxness of the average Christian by making the way in easy. Make sure that everyone who joins fully understands his duties and obligations and is willing, in Christ's strength, to undertake them.
Isabella MacDonald Alden (Chrissy's Endeavor (GLH Library))
Because of self-doubt, the fear of failure, or laziness, most people usually bite off way less than they can chew.
Mokokoma Mokhonoana
Society's law was lax compared to the law of conscience
Patricia Highsmith (Strangers on a Train)
Can you just re­lax and let things hap­pen?
Chuck Palahniuk (Survivor)
A wise man once said that next to losing its mother, there is nothing more healthy for a child than to lose its father.
Halldór Laxness (The Fish Can Sing)
When a man has a flower in his life he builds a house.
Halldór Laxness (Independent People)
Vont er þeirra ránglæti, verra þeirra réttlæti.
Halldór Laxness (Iceland's Bell)
The tyranny of mankind; it was like the obstinate drip of water falling on a stone and hollowing it little by little; and this drip continued, falling obstinately, falling without pause on the souls of the children.
Halldór Laxness (Independent People)
The good life is not found in dreams of progress,but in coping with tragic contingencies.We have been reared on religions and philosophies that deny the experience of tragedy.Can we imagine a life that is not founded on the consolations of action?Or are we too lax and coarse even to dream of living without them?
John Gray
There is no more terrifying experience for a Christian than to discover he has suddenly become a rationalist.
Halldór Laxness (Under the Glacier)
This was the first time that he has ever looked into the labyrinth of the human soul. He was very far from understanding what he saw. But what was of more value, he felt and suffered with her. In years that were yet to come, he relived this memory in song, in the most beautiful song this world has known. For the understanding of the soul's defencelessness, of the conflict between the two poles, is not the source of the greatest song. The source of the greatest song is sympathy.
Halldór Laxness (Independent People)
My motto is strong packaging, clear addressing.
Halldór Laxness
Ree-" Grey barked into the icy silence. "Lax!" The word spat so unexpectedly into her ear had precisely the effect Grey must have intended. It shocked Nan for a split second into a state of not-thinking, just being- Suddenly, all in an instant she and Neville were one.
Mercedes Lackey (The Wizard of London (Elemental Masters, #4))
He continued on, on to the glacier, towards the dawn, from ridge to ridge, in deep, new-fallen snow, paying no heed to the storms that might pursue him. As a child he had stood by the seashore at Ljósavík and watched the waves soughing in and out, but now he was heading away from the sea. "Think of me when you are in glorious sunshine." Soon the sun of the day of resurrection will shine on the bright paths where she awaits her poet. And beauty shall reign alone.
Halldór Laxness (World Light)
Shortly afterwards it started raining, very innocently at first, but the sky was packed tight with cloud and gradually the drops grew bigger and heavier, until it was autumn’s dismal rain that was falling—rain that seemed to fill the entire world with its leaden beat, rain suggestive in its dreariness of everlasting waterfalls between the planets, rain that thatched the heavens with drabness and brooded oppressively over the whole countryside, like a disease, strong in the power of its flat, unvarying monotony, its smothering heaviness, its cold, unrelenting cruelty. Smoothly, smoothly it fell, over the whole shire, over the fallen marsh grass, over the troubled lake, the iron-grey gravel flats, the sombre mountain above the croft, smudging out every prospect. And the heavy, hopeless, interminable beat wormed its way into every crevice in the house, lay like a pad of cotton wool over the ears, and embraced everything, both near and far, in its compass, like an unromantic story from life itself that has no rhythm and no crescendo, no climax, but which is nevertheless overwhelming in its scope, terrifying in its significance. And at the bottom of this unfathomed ocean of teeming rain sat the little house and its one neurotic woman.
Halldór Laxness (Independent People)
One boy's footprints are not long in being lost in the snow, in the steadily falling snow of the shortest day, the longest night; they are lost as soon as they are made. And once again the heath is clothed in drifting white. And there is no ghost, save the one ghost that lives in the heart of a motherless boy, till his footprints disappear.
Halldór Laxness (Independent People)
I discovered that it is much more effective to act like a nice guy and be "reasonable" if you prove willing to go beyond just verbiage. You can afford to be compassionate, lax, and courteous if, once in a while, when it is least expected of you, but completely justified, you sue someone, or savage an enemy, just to show that you can walk the walk.
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
Mass incarceration—not attacks on affirmative action or lax civil rights enforcement—is the most damaging manifestation of the backlash against the Civil Rights Movement
Michelle Alexander
Þar sem jökulinn ber við loft hættir landið að vera jarðneskt, en jörðin fær hlutdeild í himninum, þar búa ekki framar neinar sorgir og þessvegna er gleðin ekki nauðsynleg, þar ríkir fegurðin ein, ofar hverri kröfu.
Halldór Laxness (Heimsljós)
Is that why you came?' 'No, I came because I simply can't get enough of people looking down their noses at me. The girls at school are getting frightfully lax about it.' 'Are they? How remiss of them. We're taught from the cradle how to look down our noses, you know, we rich sons of bitches. Perhaps Westcliffe's curriculum is a tad too liberal these days.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
Strange though it may seem, people rarely show such enthusiasm as when they are seeking the proof of a ghost story—the soul gathers all this sort of thing to its hungry bosom.
Halldór Laxness (Independent People)
Can't you hear how everyone tells lies; if not deliberately, then involuntarily; if not out loud, then silently?
Halldór Laxness (The Fish Can Sing)
A determinação e o destino são irmãos, e ambos repousam no mesmo coração.
Halldór Laxness (Independent People)
You have to participate relentlessly in the manifestations of your own blessings. And once you have achieved a state of happiness, you must never become lax about maintaining it, you must make a mighty effort to keep swimming upward into that happiness forever, to stay afloat on top of it.
Sonja Lyubomirsky (The How of Happiness: A Scientific Approach to Getting the Life You Want)
And when the spring breezes blow up the valley; when the spring sun shines on last year's withered grass on the river banks; and on the lake; and on the lake's two white swans; and coaxes the new grass out of the spongy soil in the marshes - who could believe on such a day that this peaceful, grassy valley brooded over the story of our past; and over its spectres?
Halldór Laxness (Independent People)
The difference between a novelist and a historian is this: that the former tells lies deliberately and for the fun of it; the historian tells lies and imagines he is telling the truth.
Halldór Laxness
Present­ly, when the strain re­laxed, Blore said: 'There are habits and habits! Mr. Lom­bard takes a re­volver to out-​of-​the-way places, right enough, and a primus and a sleep­ing-​bag and a sup­ply of bug pow­der, no doubt! But habit wouldn't make him bring the whole out­fit down here? It's on­ly in books peo­ple car­ry re­volvers around as a matter of course.' Dr. Arm­strong shook his head per­plexed­ly.
Agatha Christie (And Then There Were None)
Sparta has no philosophers. That’s because the job of a philosopher is to understand things better, which is a form of change, so they don’t want it. Another difference: they don’t honour living poets, only dead ones. Why? Because dead poets don’t write anything new, but live ones do. A third difference: their education system is insanely harsh; ours is famously lax. Why? Because they don’t want their kids to dare to question anything, so that they won’t ever think of changing anything. How
David Deutsch (The Beginning of Infinity: Explanations That Transform the World)
If he believed it all, he was just like those theologians who store their theology somewhere in a locked compartment of the brain, or rather, perhaps, like those travellers who carry a bottle of iodine in their luggage and take care to keep it tightly corked in case it leaks and ruins their belongings.
Halldór Laxness (The Fish Can Sing)
...nothing is true that cannot be proven--and therefore, it's not true.
Halldór Laxness (Iceland's Bell)
People don't have the imagination to understand politicians. People are too innocent
Halldór Laxness (The Atom Station)
Ef maður vill stela í þjófafélagi, þá verður að stela samkvæmt lögum; og helst að hafa tekið þátt í því að setja lögin sjálfur.
Halldór Laxness (The Atom Station)
because yes – he likes to 'write' – but to 'do' – to do a particular thing – perhaps on paper (perhaps on canvas – perhaps in stone – perhaps, perhaps in a musical score) – a thing that will stand, a thing that will bear (that will sustain) repeated contemplation: a thing that will sustain long contemplation, and that will (in a 'deep' enough way) reward the beholder.
Robert Lax (Love Had a Compass: Journals and Poetry (Grove Press Poetry Series))
He did not know what to say in the face of such sorrow. He sat in silence by his sister's side in the spring verdure, which was too young; and the hidden strings in his breast began to quiver; and to sound. This was the first time that he had ever looked into the labyrinth of the human soul.
Halldór Laxness (Independent People)
Those were good days. They were serene days and quite undemonstrative, like the best days in one's life... Nothing happens; one simply lives and breathes and wishes for nothing more, and nothing more.
Halldór Laxness (Independent People)
It is very easy to destroy something. And very difficult to repair it again. Magic is much the same way. Magic that destroys and kills is very simple to master. Weak witches who fall victim to the temptations of easy power, therefore, grow lax in their study of true magic. The true magic is the ability to repair. The power to revive. That which calls back joy that has been shattered. That which brings back warmth to love gone cold. […] The world of humanity is full of separation, loss, and mourning. Everyone lives their lives seeking the means to evade or bear that sadness. But for a witch with the power to endlessly regenerate, any concept of destruction or decay no longer applies. The Endless Witch is free of all worldly suffering, certain of eternal bliss.
Ryukishi07 (Umineko WHEN THEY CRY Episode 3: Banquet of the Golden Witch, Vol. 1)
It was pretty miserable wretches that minded at all whether they were wet or dry. He could not understand why such people had been born. "It's nothing but damned eccentricity to want to be dry" he would say. "I've been wet more than half my life and never been a whit the worse for it.
Halldór Laxness (Independent People)
The most remarkable thing about a man's dreams is that they will all come true; this has always been the case, though no one would care to admit it. And a peculiarity of man's behaviour is that he is not in the least surprised when his dreams come true; it is as if he expected nothing else. The goal to be reached and the determination to reach it are brother and sister, and slumber in the same heart.
Halldór Laxness (Independent People)
Asta Sollilja slept on, her head in the corner, mouth open, chin up, and head back, with one hand under her ear and the other half-open on the coverlet as if she thought in her sleep that someone would come and lay happiness in her palm.
Halldór Laxness (Independent People)
A couple of days after the last time I saw him, I got a typically well-written postcard. He said that after he kissed me goodbye at LAX he was driving away and turned on the radio. Elvis was singing "It's Now or Never." In my personal religion, a faith cobbled together out of pop songs and books and movies, there is nothing closer to a sign from God than Elvis Presley telling you "tomorrow will be too late" at precisely the moment you drop off a girl you're not sure you want to drop off. Sitting on the stairs to my apartment, I read that card and wept. It said he heard the song and thought about running after me. But he didn't. And just as well--those mixed-faith marriages hardly ever work. An Elvis song coming out of the radio wasn't a sign from God to him, it was just another one of those corny pop tunes he could live without.
Sarah Vowell (Take the Cannoli)
Somewhere, out in the infinite distance, lay the spring, at least in God's mind, like babies that are not yet conceived in the mother's womb. (from "The Fish can Sing")
Halldór Laxness
The farm brook ran down from the mountain in a straight line for the fold then swerved to the west to go its way down into the marshes. There were two knee-high falls in it and two pools, knee-deep. At the bottom there was shingle, pebbles and sand. It ran in many curves. Each curve had its own tone, but not one of them was dull; the brook was merry and music-loving, like youth, but yet with various strings, and it played its music without thought of any audience and did not care though no one heard for a hundred years, like the true poet.
Halldór Laxness (Independent People)
Each religion makes scores of purportedly factual assertions about everything from the creation of the universe to the afterlife. But on what grounds can believers presume to know that these assertions are true? The reasons they give are various, but the ultimate justification for most religious people’s beliefs is a simple one: we believe what we believe because our holy scriptures say so. But how, then, do we know that our holy scriptures are factually accurate? Because the scriptures themselves say so. Theologians specialize in weaving elaborate webs of verbiage to avoid saying anything quite so bluntly, but this gem of circular reasoning really is the epistemological bottom line on which all 'faith' is grounded. In the words of Pope John Paul II: 'By the authority of his absolute transcendence, God who makes himself known is also the source of the credibility of what he reveals.' It goes without saying that this begs the question of whether the texts at issue really were authored or inspired by God, and on what grounds one knows this. 'Faith' is not in fact a rejection of reason, but simply a lazy acceptance of bad reasons. 'Faith' is the pseudo-justification that some people trot out when they want to make claims without the necessary evidence. But of course we never apply these lax standards of evidence to the claims made in the other fellow’s holy scriptures: when it comes to religions other than one’s own, religious people are as rational as everyone else. Only our own religion, whatever it may be, seems to merit some special dispensation from the general standards of evidence. And here, it seems to me, is the crux of the conflict between religion and science. Not the religious rejection of specific scientific theories (be it heliocentrism in the 17th century or evolutionary biology today); over time most religions do find some way to make peace with well-established science. Rather, the scientific worldview and the religious worldview come into conflict over a far more fundamental question: namely, what constitutes evidence. Science relies on publicly reproducible sense experience (that is, experiments and observations) combined with rational reflection on those empirical observations. Religious people acknowledge the validity of that method, but then claim to be in the possession of additional methods for obtaining reliable knowledge of factual matters — methods that go beyond the mere assessment of empirical evidence — such as intuition, revelation, or the reliance on sacred texts. But the trouble is this: What good reason do we have to believe that such methods work, in the sense of steering us systematically (even if not invariably) towards true beliefs rather than towards false ones? At least in the domains where we have been able to test these methods — astronomy, geology and history, for instance — they have not proven terribly reliable. Why should we expect them to work any better when we apply them to problems that are even more difficult, such as the fundamental nature of the universe? Last but not least, these non-empirical methods suffer from an insuperable logical problem: What should we do when different people’s intuitions or revelations conflict? How can we know which of the many purportedly sacred texts — whose assertions frequently contradict one another — are in fact sacred?
Alan Sokal
He reaches forward slowly, to lift the pen from my lax grip. Wearily I regard the faltering trail of ink it has tracked down my page. I have seen that shape before, I think, but it was not ink then. A trickle of drying blood on the deck of a Red-Ship, and mine the hand that spilled it? Or was it a tendril of smoke rising black against a blue sky as I rode too late to warn a village of a Red-Ship raid? Or poison swirling and unfurling yellowly in a simple glass of water, poison I had handed someone, smiling all the while? The artless curl of a strand of woman's hair left upon my pillow? Or the trail of a man's heels left in the sand as we dragged the bodies from the smoldering tower at Sealbay? The track of a tear down a mother's cheek as she clutched her Forged infant to her despite his angry cries? Like Red-Ships, the memories come without warning, without mercy.
Robin Hobb (Assassin's Apprentice (Farseer Trilogy, #1))
With reference to the elect we might distinguish between three classes. First, there are those who are satisfied with God’s will, as it is, and do not murmur against God, but rather believe that they are elected. They do not want to be damned. Secondly, there are those who submit to God’s will and are satisfied with it in their hearts. At least they desire to be satisfied, if God does not wish to save, but reject them. Thirdly, there are those who really are ready to be condemned if God should will this. These are cleansed most of all of their own will and carnal wisdom. And these experience the truth of Canticles 8:6: “Set me as a seal upon thine heart, as a seal upon thine arm: for love is strong as death.” Such love is always joined with cross and tribulation, for without it the soul becomes lax, and does not seek after God, nor thirst after God, who is the Fountain of Life.
Martin Luther (Commentary on Romans)
Edith’s clothes were flung in disarray on the floor beside the bed, the covers of which had been thrown back carelessly; she lay naked and glistening under the light on the white unwrinkled sheet. Her body was lax and wanton in its naked sprawl, and it shone like pale gold. William came nearer the bed. She was fast asleep, but in a trick of the light her slightly opened mouth seemed to shape the soundless words of passion and love. He stood looking at her for a long time. He felt a distant pity and reluctant friendship and familiar respect; and he felt also a weary sadness, for he knew that he would never again be moved as he had once been moved by her presence. The sadness lessened, and he covered her gently, turned out the light, and got in bed beside her.
John Williams (Stoner)
Almost every Bible conference majors on today’s Church being like the Ephesian Church. We are told that, despite our sin and carnality, we are seated with Him. Alas, what a lie! We are Ephesians all right; but, as the Ephesian Church in the Revelation, we have ‘‘left our first love!’’ We appease sin—but do not oppose it. To such a cold, carnal, critical, care-cowed Church, this lax, loose, lustful, licentious age will never capitulate. Let us stop looking for scapegoats. The fault in declining morality is not radio or television. The whole blame for the present international degeneration and corruption lies at the door of the Church!
Leonard Ravenhill (Why Revival Tarries)
When women grow increasingly lax in their pursuit of Bible literacy, everyone in their circle of influence is affected. Rather than acting as salt and light, we become bland contributions to the environment we inhabit and shape, indistinguishable from those who have never been changed by the gospel. Home, church, community, and country desperately need the influence of women who know why they believe what they believe, grounded in the Word of God. They desperately need the influence of women who love deeply and actively the God proclaimed in the Bible.
Jen Wilkin
THE PURPOSE OF this whole method of workflow management is not to let your brain become lax, but rather to enable it to move toward more elegant and productive activity. In order to earn that freedom, however, your brain must engage on some consistent basis with all your commitments and activities. You must be assured that you’re doing what you need to be doing, and that it’s OK to be not doing what you’re not doing.
David Allen (Getting Things Done: The Art of Stress-Free Productivity)
No. It was neither heroes nor sacrifice nor yet virtues that she loved most; rather the poetry which spoke to her of dreams that were either fulfilled to no purpose or never fulfilled at all; of happiness that came as a visitor or did not come, of how it came and went, or of how it never came. She saw and understood this man, not in an objective way, but in her own way: in the lambent colours of poetry, with woods in the background, and penetrating everything, the roar of the world's deepest and mightiest river.
Halldór Laxness (Independent People)
Will you pour out tea, Miss Brent?' The el­der wom­an replied: 'No, you do it, dear. That tea-​pot is so heavy. And I have lost two skeins of my grey knitting-​wool. So an­noy­ing.' Ve­ra moved to the tea-​ta­ble. There was a cheer­ful rat­tle and clink of chi­na. Nor­mal­ity returned. Tea! Blessed or­di­nary everyday af­ter­noon tea! Philip Lom­bard made a cheery re­mark. Blore re­spond­ed. Dr. Arm­strong told a hu­mor­ous sto­ry. Mr. Jus­tice War­grave, who or­di­nar­ily hat­ed tea, sipped ap­prov­ing­ly. In­to this re­laxed at­mo­sphere came Rogers. And Rogers was up­set. He said ner­vous­ly and at ran­dom: 'Ex­cuse me, sir, but does any one know what's become of the bath­room cur­tain?' Lom­bard's head went up with a jerk. 'The bath­room cur­tain? What the dev­il do you mean, Rogers?' 'It's gone, sir, clean van­ished. I was go­ing round draw­ing all the cur­tai­ns and the one in the lav -​ bath­room wasn't there any longer.' Mr. Jus­tice War­grave asked: 'Was it there this morn­ing?' 'Oh, yes, sir.' Blore said: 'What kind of a cur­tain was it?' 'Scar­let oil­silk, sir. It went with the scar­let tiles.' Lom­bard said: 'And it's gone?' 'Gone, Sir.' They stared at each oth­er. Blore said heav­ily: 'Well - af­ter all-​what of it? It's mad - ​but so's everything else. Any­way, it doesn't matter. You can't kill any­body with an oil­silk cur­tain. For­get about it.' Rogers said: 'Yes, sir, thank you, sir.' He went out, shut­ting the door.
Agatha Christie (And Then There Were None)
...freedom is of more account than the height of a roof beam. I ought to know; mine cost me eighteen years' slavery. The man who lives on his own land is an independent man. He is his own master. If I can keep my sheep alive through winter and can pay what has been stipulated from year to year - then I pay what has been stipulated; and I have kept my sheep alive. No, it is freedom that we are all after, Titla. He who pays his way is a king. He who keeps his sheep alive through the winter lives in a palace.
Halldór Laxness
He gazed intently at a sheet of paper, breath suspended, a word on the quivering point of his pen poised and waiting to fall. Monoliths of books and manuscripts rose around him. All were crammed with words; words packed as solidly as bricks in a wall. Armies of them; marching on from one page to the next without pause. He forced the pen in his tight grip a hairs’-breadth closer to the paper, so that the word stubbornly clinging to it might yield finally; flow onto the vast emptiness. Point and paper met, kissed, froze. He sat back, breath spilling abruptly out of him, the pen laden with unformed words dangling now over the floor in his lax fingers. How, he wondered incredulously, did all those books and papers come into existence? In what faceted jewel of amber secreted in what invisible compartment of what hidden casket did others find that one word to begin the sentence, that layered itself into a paragraph, that built itself into a page, that went on to the next page, and on, and on? ~The Bards of Bone Plain
Patricia A. McKillip
Embi: And you're supposed to be so good at mending primuses, pastor Jón! Pastor Jón: And correspondingly bad at Baroque art. Embi: How do you know there are 133 pieces? Who has had time to dismantle this work of art so carefully? Or to count the bits? Pastor Jón: No one is so busy that he hasn't the time to dismantle a work of art. Then scholars wake up and count the pieces.
Halldór Laxness (Under the Glacier)
Sure, some movies don’t work. Some fail in their intent. But anyone who says they hated a movie is treating a voluntarily shared human experience like a bad Red-Eye out of LAX. The departure is delayed for hours, there’s turbulence that scares even the flight attendants, the guy across from you vomits, they can’t serve any food and the booze runs out, you’re seated next to twin babies with the colic, and you land too late for your meeting in the city. You can hate that. But hating a movie misses the damn point. Would you say you hated the seventh birthday party of your girlfriend’s niece or a ball game that went eleven innings and ended 1–0? You hate cake and extra baseball for your money? Hate should be saved for fascism and steamed broccoli that’s gone cold.
Tom Hanks (The Making of Another Major Motion Picture Masterpiece)
But he could not help it. No one can help it. One is a realist. One has put up with it all ever since childhood; one has had the courage to look it full in the eye, possibly courage enough to look it in the eye all one's life long. Then one day the distances beckon with their floating possibilities, and in one's hands are the admission tickets, two slips of blue paper. One is a realist no longer. One has finished putting up with it all, one no longer has the courage to look it in the eye, one is in the power of beckoning hospitable distances, floating possibilities, perhaps forever afterwards. Perhaps one's life is over.
Halldór Laxness (Independent People)
An anomaly which often struck me in the character of my friend Sherlock Holmes was that, although in his methods of thought he was the neatest and most methodical of mankind, and although also he affected a certain quiet primness of dress, he was none the less in his personal habits one of the most untidy men that ever drove a fellow-lodger to distraction. Not that I am in the least conventional in that respect myself. The rough-and-tumble work in Afghanistan, coming on the top of a natural Bohemianism of disposition, has made me rather more lax than befits a medical man. But with me there is a limit, and when I find a man who keeps his cigars in the coal-scuttle, his tobacco in the toe end of a Persian slipper, and his unanswered correspondence transfixed by a jack-knife into the very centre of his wooden mantelpiece, then I begin to give myself virtuous airs. I have always held, too, that pistol practice should be distinctly an open-air pastime; and when Holmes, in one of his queer humors, would sit in an arm-chair with his hair-trigger and a hundred Boxer cartridges, and proceed to adorn the opposite wall with a patriotic V. R. done in bullet-pocks, I felt strongly that neither the atmosphere nor the appearance of our room was improved by it.
Arthur Conan Doyle (The Complete Adventures and Memoirs of Sherlock Holmes: A Facsimile of the Original Strand Magazine Stories, 1891-1893)
It is often said of people with second sight that their soul leaves the body. That doesn't happen to the glacier. But the next time one looks at it, the body has left the glacier, and nothing remains except the soul clad in air... the glacier is illuminated at certain times of the day by a special radiance and stands in a golden glow with a powerful aureole of rays, and everything becomes insignificant except it. Then it's as if the mountain is no longer taking part in the history of geology but has become iconic... A remarkable mountain. At night when the sun is off the mountains the glacier becomes a tranquil silhouette that rests in itself and breathes upon man and beast the word never, which perhaps means always. Come, waft of death.
Halldór Laxness (Under the Glacier)
The Curse" Cedars and the westward sun. The darkening sky. A man alone Watches beside the fallen wall The evening multitudes of sin Crowd in upon us all. For when the light fails they begin Nocturnal sabotage among The outcast and the loose of tongue, The lax in walk, the murderers: Our twilight universal curse. Children are faultless in the wood, Untouched. If they are later made Scandal and index to their time, It is that twilight brings for bread The faculty of crime. Only the idiot and the dead Stand by, while who were young before Wage insolent and guilty war By night within that ancient house, Immense, black, damned, anonymous.
John Berryman
People universally tend to think that happiness is a stroke of luck, something that will maybe descend upon you like fine weather if you're fortunate enough. But that's not how happiness works. Happiness is the consequence of personal effort. You fight for it, strive for it, insist upon it, and sometimes even travel around the world looking for it. You have to participate relentlessly in the manifestations of your own blessings. And once you have achieved a state of happiness, you must never become lax about maintaining it, you must make a mighty effort to keep swimming upward into that happiness forever, to stay afloat on top of it. If you don't, you will leak away your inner contentment. It's easy enough to pray when you're in distress but continuing to pray even when your crisis has passed is like a sealing process, helping your soul hold tight to its good attainments.
Elizabeth Gilbert (Eat, Pray, Love)
The President is at liberty, both in law and conscience, to be as big a man as he can. His capacity will set the limit; and if Congress be overborne by him, it will be no fault of the makers of the Constitution, – it will be from no lack of constitutional powers on its part, but only because the President has the nation behind him, and the Congress has not.” “The chief instrumentality by which the law of the Constitution has been extended to cover the facts of national development has of course been judicial interpretation, – the decisions of the courts. The process of formal amendment of the Constitution was made so difficult by provisions of the Constitution itself that it has seldom been feasible to use it; and the difficulty of formal amendment has undoubtedly made the courts more liberal, not to say lax, in their interpretation than they would otherwise have been. The whole business of adaptation has been theirs, and they have undertaken it with open minds, sometimes even with boldness and a touch of audacity...” “The old theory of the sovereignty of the States, which used so to engage our passions, has lost its vitality. The war between the States established at least this principle, that the federal government is, through its courts, the final judge of its own powers... We are impatient of state legislatures because they seem to us less representative of the thoughtful opinion of the country than Congress is. We know that our legislatures do not think alike, but we are not sure that our people do not think alike...
Woodrow Wilson (Constitutional Government in the United States (Library of Liberal Thought))
The poems which touched her heart most, suffusing her with exalted emotion, so that she felt she could gather everything to her, were those which tell of the sorrow that wakes in the heart whose dreams have not been fulfilled, and of the beauty of that sorrow. The ship which in Autumn lies deserted on the shore, rudderless, mastless, used no more; the bird that cowers low in shelter, likewise in the Autumn, featherless and forlorn, driven before the storm;the harp that hangs trembling on the wall, silently mourning its owner's fall-all this was her poetry.
Halldór Laxness
I have written about everything at Brekkukot, both indoors and out, which can be given a name; but I have scarcely said a word yet about my grandmother, who was certainly not some useless ornament about the place. On the other hand, if she were likened to the heart of the house, one could say exactly the same about her as one does about healthy hearts in general, that whoever is lucky enough to have such a heart is quite unaware of having a heart at all.
Halldór Laxness (The Fish Can Sing)
They were allowed a little touch at each of the books, but only with their fingertips tonight, literature cannot bear dirty hands; first we'll have to back each volume with paper, the covers must not get dirty, nor the spines slit, books are the nation's most precious possession, books have preserved the nation's life through monopoly, pestilence, and volcanic eruption, not to mention the tons of snow that have lain over the country's widely scattered homesteads for the major part of every one of its thousand years.
Halldór Laxness (Independent People)
Adara, cease!" She froze at the sound of a voice she hadn't expected to hear. For a moment she thought she might be dreaming, until she blinked to look up into the most handsome face she'd ever known. She stared at the same blue eyes that made the tenderest of love to her. Christian. Her grip went lax and the candlestick in her hand fell to the floor. He was alive! She threw herself into his arms and held him close as giddy tears replaced her grief-induced ones. At least until her rage took hold again. "Damn you, you worthless, heartless son of a dog!" she snarled, pulling back to strike at his chest. "How dare you make me think you were dead! Don't you ever do such a thing to me again. " Christian was stunned by her language and actions. "I didn't know you could hear us through the door." She struck him again on his armor, a blow that no doubt he felt not at all, but it gave her some degree of satisfaction. "Well, think better next time." Her untoward anger amused him. Wiping the tears from her face, he kissed her tenderly.
Kinley MacGregor (Return of the Warrior (Brotherhood of the Sword, #6))
Item, I've read that there's not a single virgin to be found in your country," said the statesman. "Where might you have read this?" asked the Professor Antiquitatum. "The good auctor Blefken says this." "I wonder if the good auctor might not have misread his sources," said Arnaeus. "The best auctores tell us that Icelandic girls remain chaste virgins up until they've had their seventh child, Your Benevolence.
Halldór Laxness (Iceland's Bell)
Remember that every day you quicken into motion waves that undulate on to the very confines of existence; you stir up waves that break upon the shores of eternity itself. And it is of much importance whether they are waves of brightness that are radiated, bearing light and fragrance far and wide, or whether they are waves of gloom, carrying misery and misfortune to loosen pent-up glaciers that will create an Ice Age of the national heart.
Halldór Laxness (Independent People)
She was like defenceless Nature, that withers in the blast because it has shelter neither of God nor of men; human beings do not give one another shelter; and God? We shall see, when in the end we are dead of consumption. Perhaps the Almighty had made a note of all that she had had to suffer. All the same she felt that evening that she was not too old once more to view the future in a dream; in a new dream. To be able to look forward is to live.
Halldór Laxness (Independent People)
Townsfolk have no conception of the peace that mother nature bestows, and as long as that peace is unfound the spirit must seek to quench its thirst with ephemeral novelties. And what is more natural that that of the townsman's feverish search for pleasure should mould people of unstable, hare-brained character, who think only of their personal appearance and their clothes and find momentary comfort in foolish fashions and other such worthless innovations? The countryman, on the other hand walks out into the verdant meadows, into an atmosphere clear and pure, and as he breaths it into his lungs some unknown power streams through his limbs, invigorating body and soul. The peace in nature fills his mind with calm and cheer, the bright green grass under his feet awakens a sense of beauty, almost of reverence. In the fragrance that is borne so sweetly to his nostrils, in the quietude that broods so blissfully around him, there is comfort and rest. The hillsides, the dingles, the waterfalls, and the mountains are all friends of his childhood, and never to be forgotten.
Halldór Laxness (Independent People)
When the boat had gone a few oar-strokes away from land they were still standing on the beach, gazing after the boy whom an unknown woman had left naked in their arms. They were holding hands, and other people gave way before them, and I could see no one except them. Or were they perhaps so extraordinary that other people melted away and vanished into thin air around them? When I had clambered up with my bag onto the deck of the mail-boat North Star, I saw them walking back together on their way home: on the way to our turnstile-gate; home to Brekkukot, our house which was to be razed to the ground tomorrow. They were walking hand in hand, like children.
Halldór Laxness (The Fish Can Sing)
He did not know what to say in the face of such sorrow. He sat in silence by his sister's side in the spring verdure, which was too young; and the hidden strings of his breast began to quiver, and to sound. This was the first time that he had ever looked into the labyrinth of the human soul. He was very far from understanding what he saw. But what was of more value, he felt and suffered with her. In years that were yet to come he relived this memory in song, in the most beautiful song the world has ever known. For the understanding of the soul's defenselessness, of the conflict between the two poles, is not the source of the greatest song. The source of the greatest song is sympathy. Sympathy with Asta Sollilja on earth.
Halldór Laxness (Independent People)
Pastor Jón: God has the virtue that one can locate Him anywhere at all, in anything at all. Embi: In a nail, for instance? Pastor Jón, verbatim: In school debates the question was sometimes put whether God was not incapable of creating a stone so heavy that He couldn't lift it. Often I think the Almighty is like a snow bunting abandoned in all weathers. Such a bird is about the weight of a postage stamp. Yet he does not blow away when he stands in the open in a tempest. Have you ever seen the skull of a snow bunting? He wields this fragile head against the gale, with his beak to the ground, wings folded close to his sides and his tail pointing upwards; and the wind can get no hold on him, and cleaves. Even in the fiercest squalls the bird does not budge. He is becalmed. Not a single feather stirs. Embi: How do you know the bird is the Almighty, and not the wind? Pastor Jón: Because the winter storm is the most powerful force in Iceland, and the snow bunting is the feeblest of all God's conceptions.
Halldór Laxness (Under the Glacier)
And Ásta Sóllilja, it was she who swept on wings of poetry into those spheres which she had sensed as if in distant murmur one spring night last year when she was reading about the little girl who journeyed over the seven mountains; and the distant murmur had suddenly swelled to a song in her ears, and her soul found here for the first time its origin and its descent; happiness, fate, sorrow, she understood them all; and many other things. When a man looks at a flowering plant growing slender and helpless up in the wilderness among a hundred thousand stones, and he has found this plant only by chance, then he asks: Why is it that life is always trying to burst forth? Should one pull up this plant and use it to clean one's pipe? No, for this plant also broods over the limitation and the unlimitation of all life, and lives in the love of the good beyond these hundred thousand stones, like you and me; water it with care, but do not uproot it, maybe it is little Ásta Sóllilja.
Halldór Laxness (Independent People)
You’d think someone as resourceful as Rachel would know whether or not Toraf was the identical twin of a known terrorist. But nooooo. So we wait by our guard in the corridor of the security office of LAX airport while about a dozen people work to verify our identity. My identity comes back fine and clean and boring. Toraf’s identity doesn’t come back for a few hours. Which is not cool, because he’s been puking in the trash can next to our bench seats and it’s got to be almost full by now. Because of the regional storms in Jersey, we’d had a rough takeoff. Coupled with the reaction Toraf had to the Dramamine-excitability, no less-it was all I could do to coax him out of the tiny bathroom to get him to sit still and not puke while doing so. His fingerprints could not be matched and his violet eyes were throwing them for a loop, since they physically verified that they aren’t contacts. A lady security officer asked us several times in several different ways why our tickets would be one-way to Hawaii if we lived in Jersey and only had a carry-on bag full of miscellaneous crap that you don’t really need. Where were we going? What were we doing? I’d told them we were going to Honolulu to pick a place to get married and weren’t in a hurry to come back, so we only purchased one-way tickets and blah blah blah. It’s a BS story and they know it, but sometimes BS stories can’t be proven false. Finally, I asked for an attorney, and since they hadn’t charged us with anything, and couldn’t charge us with anything, they decided to let us go. For crying out loud. I can’t decide if I’m relieved or nervous that Toraf’s seat is a couple of rows back on our flight to Honolulu. On the plus side, I don’t have to be bothered every time he goes to the bathroom to upchuck. Then again, I can’t keep my eye on him, either, in case he doesn’t know how to act or respond to nosy strangers who can’t mind their own business. I peek around my seat and roll my eyes. He’s seated next to two girls, about my age and obviously traveling together, and they’re trying nonstop to start a conversation with him. Poor, poor Toraf. It must be a hard-knock life to have inherited the exquisite Syrena features. It’s all he can do not to puke in their laps. A small part of me wishes that he would, so they’d shut up and leave him alone and I could maybe close my eyes for two seconds. From here I can hear him squirm in his seat, which is about four times too small for a built Syrena male. His shoulder and biceps protrude into the aisle, so he’s constantly getting bumped. Oy.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Is there a bird among them, dear boy?” Charity asked innocently, peering not at the things on the desk, but at his face, noting the muscle beginning to twitch at Ian’s tense jaw. “No.” “Then they must be in the schoolroom! Of course,” she said cheerfully, “that’s it. How like me, Hortense would say, to have made such a silly mistake.” Ian dragged his eyes from the proof that his grandfather had been keeping track of him almost from the day of his birth-certainly from the day when he was able to leave the cottage on his own two legs-to her face and said mockingly, “Hortense isn’t very perceptive. I would say you are as wily as a fox.” She gave him a little knowing smile and pressed her finger to her lips. “Don’t tell her, will you? She does so enjoy thinking she is the clever one.” “How did he manage to have these drawn?” Ian asked, stopping her as she turned away. “A woman in the village near your home drew many of them. Later he hired an artist when he knew you were going to be somewhere at a specific time. I’ll just leave you here where it’s nice and quiet.” She was leaving him, Ian knew, to look through the items on the desk. For a long moment he hesitated, and then he slowly sat down in the chair, looking over the confidential reports on himself. They were all written by one Mr. Edgard Norwich, and as Ian began scanning the thick stack of pages, his anger at his grandfather for this outrageous invasion of his privacy slowly became amusement. For one thing, nearly every letter from the investigator began with phrases that made it clear the duke had chastised him for not reporting in enough detail. The top letter began, I apologize, Your Grace, for my unintentional laxness in failing to mention that indeed Mr. Thornton enjoys an occasional cheroot… The next one opened with, I did not realize, Your Grace, that you would wish to know how fast his horse ran in the race-in addition to knowing that he won. From the creases and holds in the hundreds of reports it was obvious to Ian that they’d been handled and read repeatedly, and it was equally obvious from some of the investigator’s casual comments that his grandfather had apparently expressed his personal pride to him: You will be pleased to know, Your Grace, that young Ian is a fine whip, just as you expected… I quite agree with you, as do many others, that Mr. Thornton is undoubtedly a genius… I assure you, Your Grace, that your concern over that duel is unfounded. It was a flesh wound in the arm, nothing more. Ian flipped through them at random, unaware that the barricade he’d erected against his grandfather was beginning to crack very slightly. “Your Grace,” the investigator had written in a rare fit of exasperation when Ian was eleven, “the suggestion that I should be able to find a physician who might secretly look at young Ian’s sore throat is beyond all bounds of reason. Even if I could find one who was willing to pretend to be a lost traveler, I really cannot see how he could contrive to have a peek at the boy’s throat without causing suspicion!” The minutes became an hour, and Ian’s disbelief increased as he scanned the entire history of his life, from his achievements to his peccadilloes. His gambling gains and losses appeared regularly; each ship he added to his fleet had been described, and sketches forwarded separately; his financial progress had been reported in minute and glowing detail.
Judith McNaught (Almost Heaven (Sequels, #3))
Because no one of us lives for himself and no one dies for himself. For if we live, then we live for the Lord; and if we die, then we die for the Lord. Therefore whether we live or die, we belong to the Lord.' Pastor Jón Prímus to himself: That's rather good. With that he thrust the manual into his cassock pocket, turned towards the coffin, and said: That was the formula, Mundi. I was trying to get you to understand it, but it didn't work out; actually it did not matter. We cannot get round this formula anyway. It's easy to prove that the formula is wrong, but it is at least so right that the world came into existence. But it is a waste of words to try to impute to the Creator democratic ideas or social virtues; or to think that one can move Him with weeping and wailing, and persuade Him with logic and legal quibbles. Nothing is so pointless as words. The late pastor Jens of Setberg knew all this and more besides. But he also knew that the formula is kept in a locker. The rest comes by itself. The Creation, which includes you and me, we are in the formula, this very formula I have just been reading; and there is no way out of it. Because no one lives for himself and so on; and whether we live or die, we and so on. You are annoyed that demons should govern the world and that consequently there is only one virtue that is taken seriously by the newspapers: killings. You said they had discovered a machine to destroy everything that draws breath on earth; they were now trying to agree on a method of accomplishing this task quickly and cleanly; preferably while having a cocktail. They are trying to break out of the formula, poor wretches. Who can blame them for that? Who has never wanted to do that? Many consider the human being to be the most useless animal on earth or even the lowest stage of evolution in all the universe put together, and that it is more than high time to wipe this creature out, like the mammoth in the tundras. We once knew a war maiden, you and I. There was only one word ever found for her: Úa. So wonderful was this creation that it's no exaggeration to say that she was completely unbearable; indeed I think that we two helped one another to destroy her, and yet perhaps she is still alive. There was never anything like her. ... In conclusion I, as the local pastor, thank you for having participated in carrying the Creation on your shoulders alongside me.
Halldór Laxness (Under the Glacier)