Lavender Poem Quotes

Lavender lilies all dotted with spots. Sun-yellow daffodils clustered in pots. Blue morning-glories climb trellises high. Powder-white asters like stars in the sky. Thick, pink peonies unfold in the sun. Winter adieu now that spring has begun.

Well, of course I’ve tried lavender. And pulling my memory out, ribbonlike and dripping. And shrieking into my pillow. And writing the poems. And making more friends. And baking warm brown cookies. And therapy. And intimacy. And pictures of rainbows. And all of the movies about lovers and the terrible things they do to each other. And watching the ones in other languages. And leaving the subtitles off. And listening to the language. And forgetting my name. And feeling the dirt on my skin. And screaming in the shower. And changing my shampoo. And living alone. And cutting my hair. And buying a turtle. And petting the cat. And traveling. And writing more poems. And touching a different body. And digging a grave. And digging a grave. Of course, I’ve tried it. Of course I have.

We owned a garden on a hill, We planted rose and daffodil, Flowers that English poets sing, And hoped for glory in the Spring. We planted yellow hollyhocks, And humble sweetly-smelling stocks, And columbine for carnival, And dreamt of Summer's festival. And Autumn not to be outdone As heiress of the summer sun, Should doubly wreathe her tawny head With poppies and with creepers red. We waited then for all to grow, We planted wallflowers in a row. And lavender and borage blue, - Alas! we waited, I and you, But love was all that ever grew.

I'd Like to See ----------------- I'd like to see the red Of the roses in full bloom. I'd like to see the silver Of sun's reflection on the moon. I'd like to see the blue Of the ocean when it's roaring. I'd like to see the brown Of the eagle when it's soaring. I'd like to see the purple Of grapes hanging on the vine. I'd like to see the yellow Of the sun in summertime. I'd like to see the russet Of the chestnuts on the tree. I'd like to see the faces Of those that smile at me.

lavender and brandy under your tongue for an entire weekend. blessed. joy as a watermelon seed i keep swallowing on purpose.

Tides Every day the sea blue gray green lavender pulls away leaving the harbor’s dark-cobbled undercoat slick and rutted and worm-riddled, the gulls walk there among old whalebones, the white spines of fish blink from the strandy stew as the hours tick over; and then far out the faint, sheer line turns, rustling over the slack, the outer bars, over the green-furred flats, over the clam beds, slippery logs, barnacle-studded stones, dragging the shining sheets forward, deepening, pushing, wreathing together wave and seaweed, their piled curvatures spilling over themselves, lapping blue gray green lavender, never resting, not ever but fashioning shore, continent, everything. And here you may find me on almost any morning walking along the shore so light-footed so casual.

Tomorrow she’d look up tattoo removal. They were doing big things with lasers now. When Cal was just a little more stable, she’d break up with him, gently, and then she’d begin her project of helping everybody she could help, and after that she’d head out on a great long journey to absolutely nowhere and write a gorgeous poem cycle steeped in heavenly lavender-scented closure and also utter despair, a poem cycle you could also actually ride for its aerobic benefits, and she’d pedal that fucker straight across the face of the earth until at some point she’d coast right off the edge, whereupon she’d giggle and say, “Oh, shit.

9:09 in the morning, the taste of liquor and cigarettes, no police, no lovers, walking the streets, this poem, this city, closing its doors, barricaded, almost empty, mournful without tears, aging without pity, the hardrock mountains, the ocean like a lavender flame, a moon destitute of greatness, a small music from broken windows… a poem is a city, a poem is a nation, a poem is the world…

I want so little: another leather bound Book, a gimlet with a lavender gin, bread So good when I taste it I can tell you How it’s made. I’d like us to rethink What it is to be a nation. I’m in a mood about America Today.

The Loneliness of the Military Historian Confess: it's my profession that alarms you. This is why few people ask me to dinner, though Lord knows I don't go out of my way to be scary. I wear dresses of sensible cut and unalarming shades of beige, I smell of lavender and go to the hairdresser's: no prophetess mane of mine, complete with snakes, will frighten the youngsters. If I roll my eyes and mutter, if I clutch at my heart and scream in horror like a third-rate actress chewing up a mad scene, I do it in private and nobody sees but the bathroom mirror. In general I might agree with you: women should not contemplate war, should not weigh tactics impartially, or evade the word enemy, or view both sides and denounce nothing. Women should march for peace, or hand out white feathers to arouse bravery, spit themselves on bayonets to protect their babies, whose skulls will be split anyway, or,having been raped repeatedly, hang themselves with their own hair. There are the functions that inspire general comfort. That, and the knitting of socks for the troops and a sort of moral cheerleading. Also: mourning the dead. Sons,lovers and so forth. All the killed children. Instead of this, I tell what I hope will pass as truth. A blunt thing, not lovely. The truth is seldom welcome, especially at dinner, though I am good at what I do. My trade is courage and atrocities. I look at them and do not condemn. I write things down the way they happened, as near as can be remembered. I don't ask why, because it is mostly the same. Wars happen because the ones who start them think they can win. In my dreams there is glamour. The Vikings leave their fields each year for a few months of killing and plunder, much as the boys go hunting. In real life they were farmers. The come back loaded with splendour. The Arabs ride against Crusaders with scimitars that could sever silk in the air. A swift cut to the horse's neck and a hunk of armour crashes down like a tower. Fire against metal. A poet might say: romance against banality. When awake, I know better. Despite the propaganda, there are no monsters, or none that could be finally buried. Finish one off, and circumstances and the radio create another. Believe me: whole armies have prayed fervently to God all night and meant it, and been slaughtered anyway. Brutality wins frequently, and large outcomes have turned on the invention of a mechanical device, viz. radar. True, valour sometimes counts for something, as at Thermopylae. Sometimes being right - though ultimate virtue, by agreed tradition, is decided by the winner. Sometimes men throw themselves on grenades and burst like paper bags of guts to save their comrades. I can admire that. But rats and cholera have won many wars. Those, and potatoes, or the absence of them. It's no use pinning all those medals across the chests of the dead. Impressive, but I know too much. Grand exploits merely depress me. In the interests of research I have walked on many battlefields that once were liquid with pulped men's bodies and spangled with exploded shells and splayed bone. All of them have been green again by the time I got there. Each has inspired a few good quotes in its day. Sad marble angels brood like hens over the grassy nests where nothing hatches. (The angels could just as well be described as vulgar or pitiless, depending on camera angle.) The word glory figures a lot on gateways. Of course I pick a flower or two from each, and press it in the hotel Bible for a souvenir. I'm just as human as you. But it's no use asking me for a final statement. As I say, I deal in tactics. Also statistics: for every year of peace there have been four hundred years of war.

I sometimes wonder if that is what Krishna meant — Among other things — or one way of putting the same thing: That the future is a faded song, a Royal Rose or a lavender spray Of wistful regret for those who are not yet here to regret, Pressed between yellow leaves of a book that has never been opened.

Paradise ---------- A glowing dawn, a sweet, ripe peach, A blue sea lapping on the beach. A hint of spring, a dewy rose Whose scent assails an eager nose. Beauty now at every sight. A feast for senses to delight. A darkened cell, the fear of night, A mistral blows with all its might. A winter's chill in barren land, The bitter cold through frozen hand. Beauty now has closed its door. And swept away for distant shore. A touch of cheek, a lingered kiss So soft remembered, soon to miss. A tender arm around me thrown, The beauty of a heart's true home. In black despair, a shooting star, For Paradise is where you are.

They’re close. Voices loud and fierce, Slapping faces with words. A scream … A cry … They’re getting closer. Did I lock the door? It’s too late to check. They’re coming. I barely move, barely breathe. Perhaps they’ll go away. But they’re getting closer. The door slams against the wall. My eyes squeeze shut. This curtain is not a shield. They’re here. They’ve come for me. I freeze. Metal rings clank together. My barrier is cast aside. Wearily, I look. Reddened eyes glower at one another … But not at me. I wonder. A moment of silence … Water streams down my face. Steam rolls around my flesh. I glare at the intruders And slide the curtain between us. I wait. He shrieks, “She took my glow stick!” She howls, “No, I didn’t!” I scowl. “Go tell your father about it.” They leave. I inhale the lavender mist. Slather bubbles over my skin. Five more minutes … And, next time, I shall lock the door.

On Floriography This poem explores the ancient practice of floriography, the coded language of flowers, as a way to express human love through the use of fragrance, colors, and vivid symbolism. By elucidating the phenomenon of florescence alongside the art of floral arrangement, the poem encourages readers to extract poetry and beauty out of a dystopic world. If you often find yourself at a loss for words or don’t know what to say to those you love, just extract poetry out of poverty, this dystopia of civilization rendered fragrant, blossoming onto star-blue fields of loosestrife, heady spools of spike lavender, of edible clover beckoning to say without bruising a jot of dog’s tooth violet, a nib of larkspur notes, or the day’s perfumed reports of indigo in the gloaming— what to say to those whom you love in this world? Use floriography, or as the flower-sellers put it, Say it with flowers. —Indigo, larkspur, star-blue, my dear.

I first imagined each moment separate, inspired, consecutive. I could have cast the film—myself the female lead, you the star. I wore color—magenta. lavender, lime. You were in white, something textured that moved with your body. The music was sensuous, full orchestra scored for harp, piccolo, twelve double basses, a chime. The premiere, well-attended, prices high. Those who didn't like it find little to like in this world. The critics, through careful eyes, decided our performance was fresh, the location on the cliff above the ocean a splendid choice on someone's part, the humor warm. But time extracts. After the blast, the slow boil, the few grains cupped in the palm. The orchestra was really scored for wind and pelican, the dry flick of lizard. The lily, with petals like white tongues, appeared from nowhere, and the gull remained stone-still. as gulls do not do. The costumes were too simple: sun and salt on skin, and the actors kept changing roles, crawling into one another’s lines, saying the wrong words when they spoke at all, finding it hard to think in vertigo, their love clouded with a retinue of men and women, former actors who wanted the parts. The critics made no sense of the film, double-exposed, sprocket holes on either side and a garbled sound track that wove ‘always’ and ‘never’ into one word. The beginning appeared in the last scene, and the climax was a whorl of color, like looking too long at the sun through closed eyelids. One thing someone found to praise: a clear shot of a shining feather lying on a stone in the path.

Annunciation: Eve to Ave The wings behind the man I never saw. But often, afterward, I dreamed his lips, remembered the slight angle of his hips, his feet among the tulips and the straw. I liked the way his voice deepened as he called. As for the words, I liked the showmanship with which he spoke them. Behind him, distant ships went still; the water was smooth as his jaw— And when I learned that he was not a man— bullwhip, horsewhip, unzip, I could have crawled through thorn and bee, the thick of hive, rosehip, courtship, lordship, gossip and lavender. (But I was quiet, quiet as eagerness—that astonished, dutiful fall.)

I returned to my pillow and comforter, both of which I loved; they smelled like lavender, and were so cozy, poems should be written about their epic cozy wonder. I snuggled against their softness and willed away the touch of anxiety I felt about my mom’s strange behavior.

The aspiring writer comes home after a hard day’s work in the plastic shop. Maybe he has a few beers, or a cocktail, but soon he retires to his writing. There he discovers the aroma of burning lavender incense, and a soft red glow streaming from his reading lamp. The strings of a violin sing out softly, romantically. He notices his favorite notebook lying on his desk, submissively, with her blank naked pages spread open for him. He fondles his ballpoint pen and gawks at her 9.75 by 7.5-inch-wide ruled lines. He simply sits and stares at her awhile, lustfully, admiring the soft red lines that run down her legs to form margins. He smiles, feeling shy and perhaps a little apprehensive about this, what is for him, inevitable endeavor. He glances at his eager pen for a moment. It is a small pen. She reassures him that it is not the size of the pen that counts, but rather his prowess with it.        Not having any sort of plan in mind, all the more excited by the spontaneity of it, he sets to writing. He starts out softly, gently, and careful at first, forming each letter of each word with intimate precision. The inhibitions drop with each gentle stroke of his pen. Soon he is inside and one with the inviting quarter blank page. His pen is feverishly scratching against the warm paper. Madly he is marking the page. The blood in his head pounds, as he lets all his energy, all the everything inside him spill out onto the page. Faster and faster he writes with wild abandon, pushing it out onto her! “More” she moans. He grunts a primal grunt that rises up thick and full, from somewhere in the depths of his very soul, and he writes on! From under his pen she screams out in shades of purple passion ecstasy! “YES! OH GOOD GOD, YES! GIVE IT TO ME! YOU MAD MAD POET!” So he writes on, harder and faster, striving for climax. Until it seems at any moment, his pen might explode and spray thick creamy bubbling blue ink everywhere! He comes! To the end of the page. With the ink still wet and strangely sticky between her pages, he closes the notebook. Feeling drained, he lies his head against her soft cardboard cover and dozes off to dream the dreams that writers dream…           Rainbow