Lava Stone Quotes

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I too love everything that flows: rivers, sewers, lava, semen, blood, bile, words, sentences. I love the amniotic fluid when it spills out of the bag. I love the kidney with it’s painful gall-stones, it’s gravel and what-not; I love the urine that pours out scalding and the clap that runs endlessly; I love the words of hysterics and the sentences that flow on like dysentery and mirror all the sick images of the soul...
Henry Miller (Tropic of Cancer (Tropic, #1))
Above all human existence requires stability, the permanence of things. The result is an ambivalence with respect to all great and violent expenditure of strength; such an expenditure, whether in nature or in man, represents the strongest possible threat. The feelings of admiration and of ecstasy induced by them thus mean that we are concerned to admire them from afar. The sun corresponds to that prudent concern. It is all radiance gigantic loss of heat and light, flame, explosion; but remote from men, who can enjoy in safety and quiet the fruits of this cataclysm. To earth belongs the solidity which sustains houses of stone and the steps of men (at least on its surface, for buried within the depths of the earth is the incandescence of lava).
Georges Bataille (Van Gogh As Prometheus)
The vaults beneath the Lunar palace were carved from years of emptied lava tubes, their walls made of rough black stone and lit by sparse glowing orbs.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
The end result: Abyssian plummeting toward the lava river, tethered to a net filled with stone penises.
Kresley Cole (Wicked Abyss (Immortals After Dark, #17))
We tend to imagine stone as inert matter, obdurate in its fixity. But here in the rift it feels instead like a liquid briefly paused in its flow. Seen in deep time, stone folds as strata, gouts as lava, floats as plates, shifts as shingle. Over aeons, rock absorbs, transforms, levitates from seabed to summit.
Robert Macfarlane (Underland: A Deep Time Journey)
Say you could view a time lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by widening lead. Mountains burst up, jutting, and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up- mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash-frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and crumble, like paths of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues whose split second in the light was too brief an exposure to yield any image but the hunched shadowless figures of ghosts. Slow it down more, come closer still. A dot appears, a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.
Annie Dillard (Pilgrim at Tinker Creek)
Again Sam’s genitals became rock, and this astonished him as much as anything. Through Franz, he was becoming the stone Earth; the final border separating him from the planet was disappearing. And this transformation to rock was fuelled by desire, the most ephemeral thing on Earth.
Barry Webster (The Lava in My Bones)
Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth’s surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid. Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.
Annie Dillard (Pilgrim at Tinker Creek)
I love everything that flows,’ said the great blind Milton of our times. I was thinking of him this morning when I awoke with a great bloody shout of joy: I was thinking of his rivers and trees and all that world of night which he is exploring. Yes, I said to myself, I too love everything that flows: rivers, sewers, lava, semen, blood, bile, words, sentences. I love the amniotic fluid when it spills out of the bag. I love the kidney with it’s painful gall-stones, its gravel and what-not; I love the urine that pours out scalding and the clap that runs endlessly; I love the words of hysterics and the sentences that flow on like dysentery and mirror all the sick images of the soul...
Henry Miller (Tropic of Cancer (Tropic, #1))
I felt that in me fear could not put down roots, and even the lava, the fiery stream of melting matter that I imagined inside the earthly globe, and the fear it provoked in me, settled in my mind in orderly sentences, in harmonious images, became a pavement of black stones like the streets of Naples, a pavement where I was always and no matter what the center.
Elena Ferrante (The Story of the Lost Child)
Obsidian rests around your neck as if you are carrying the history of every night sky in one stone Smile young girl Your eyes are moonless, grimmer than the rock revolved around your throat Your voice is weak when you speak of the things you love You do not love things properly Your jaw was battered against the ceramic when your father screamed of your selfishness and slapped you with all the anger your grandfather bred in him You conduct yourself in spite of his judgement In spite of being just like him But while you chase after reckless habits and restless bodies you are mirroring his tantrums Drain the anger from your blood, young girl Do not make this tempered interpretation a trio Your Obsidian is the cooling heat of lava and only pure when it maintains its darkness But there is more power in your will than in the frozen anger of the stone Your body does not have to erupt when you feel the heat of an outrage bubbling at the rim Keep your composure, you are not a volcano You do not have to hang around someone’s neck like a chunk of lava wishing to explode
Alessia Di Cesare
He then said something in Arabic to Ali, who made a sign of obedience and withdrew, but not to any distance. As to Franz a strange transformation had taken place in him. All the bodily fatigue of the day, all the preoccupation of mind which the events of the evening had brought on, disappeared as they do at the first approach of sleep, when we are still sufficiently conscious to be aware of the coming of slumber. His body seemed to acquire an airy lightness, his perception brightened in a remarkable manner, his senses seemed to redouble their power, the horizon continued to expand; but it was not the gloomy horizon of vague alarms, and which he had seen before he slept, but a blue, transparent, unbounded horizon, with all the blue of the ocean, all the spangles of the sun, all the perfumes of the summer breeze; then, in the midst of the songs of his sailors, -- songs so clear and sonorous, that they would have made a divine harmony had their notes been taken down, -- he saw the Island of Monte Cristo, no longer as a threatening rock in the midst of the waves, but as an oasis in the desert; then, as his boat drew nearer, the songs became louder, for an enchanting and mysterious harmony rose to heaven, as if some Loreley had decreed to attract a soul thither, or Amphion, the enchanter, intended there to build a city. At length the boat touched the shore, but without effort, without shock, as lips touch lips; and he entered the grotto amidst continued strains of most delicious melody. He descended, or rather seemed to descend, several steps, inhaling the fresh and balmy air, like that which may be supposed to reign around the grotto of Circe, formed from such perfumes as set the mind a dreaming, and such fires as burn the very senses; and he saw again all he had seen before his sleep, from Sinbad, his singular host, to Ali, the mute attendant; then all seemed to fade away and become confused before his eyes, like the last shadows of the magic lantern before it is extinguished, and he was again in the chamber of statues, lighted only by one of those pale and antique lamps which watch in the dead of the night over the sleep of pleasure. They were the same statues, rich in form, in attraction, and poesy, with eyes of fascination, smiles of love, and bright and flowing hair. They were Phryne, Cleopatra, Messalina, those three celebrated courtesans. Then among them glided like a pure ray, like a Christian angel in the midst of Olympus, one of those chaste figures, those calm shadows, those soft visions, which seemed to veil its virgin brow before these marble wantons. Then the three statues advanced towards him with looks of love, and approached the couch on which he was reposing, their feet hidden in their long white tunics, their throats bare, hair flowing like waves, and assuming attitudes which the gods could not resist, but which saints withstood, and looks inflexible and ardent like those with which the serpent charms the bird; and then he gave way before looks that held him in a torturing grasp and delighted his senses as with a voluptuous kiss. It seemed to Franz that he closed his eyes, and in a last look about him saw the vision of modesty completely veiled; and then followed a dream of passion like that promised by the Prophet to the elect. Lips of stone turned to flame, breasts of ice became like heated lava, so that to Franz, yielding for the first time to the sway of the drug, love was a sorrow and voluptuousness a torture, as burning mouths were pressed to his thirsty lips, and he was held in cool serpent-like embraces. The more he strove against this unhallowed passion the more his senses yielded to its thrall, and at length, weary of a struggle that taxed his very soul, he gave way and sank back breathless and exhausted beneath the kisses of these marble goddesses, and the enchantment of his marvellous dream.
Alexandre Dumas (The Count of Monte Cristo)
They are encumbered with secret pregnancies that never come to term. There are no terms, you don’t see. They drag their swollen brains about with them everywhere; hidden in pleats and drapes and cunning pouches; and the unbearable keep kicking, kicking under the dura mater. It is no bloody wonder they have headaches. Hold them to your ear, lumpy as they are, and pale; that roar you hear is the surge of the damned unspeakable being kept back. Stone will not dilate will not stretch will not tear— it shivers. Cleaves. Moves uneasily. At its core the burgundy lava simmers, making room. There are volcanoes at the bottom of the sea. Those pretty green things swaying are their false hair. Deliver us? Ram inward the forceps of the patriarchal paradigm and your infernal medicine and bring forth the ancient offspring with their missing mouths? I think not. Not bloody likely. (20th
Suzette Haden Elgin (Native Tongue (Native Tongue, #1))
We tend to imagine stone as inert matter, obdurate in its fixity. But here in the rift it feels instead like a liquid briefly paused in its flow. Seen in deep time, stone folds as strata, gouts as lava, floats as plates, shifts as shingle. Over aeons, rock absorbs, transforms, levitates from seabed to summit. Down here, too, the boundaries between life and not-life are less clear. I think of the discovery of the bones in Aveline’s, shining with calcite, lying promiscuously, almost converted into stone . . . I slip out the whalebone owl, feel the Braille of its back, the arcs of its wings, thinking of how it had taken flight from a whale’s beached ribs. We are part mineral beings too – our teeth are reefs, our bones are stones – and there is a geology of the body as well as of the land. It is mineralization – the ability to convert calcium into bone – that allows us to walk upright, to be vertebrate, to fashion the skulls that shield our brains.
Robert McFarlane
held out to me a closed fist that seemed three-quarters precious stones in their clawlike settings. In a movement that spoke of great effort, she turned her hand and opened it, as though she had some surprise gift concealed and was about to offer it to me. But there was no gift. The surprise was the hand itself. The flesh of her palm was like no flesh I had seen before. Its whitened ridges and purple furrows bore no relation to the pink mound at the base of my fingers, the pale valley of my palm. Melted by fire, her flesh had cooled into an entirely unrecognizable landscape, like a scene left permanently altered by the passage of a flow of lava. Her fingers did not lie open but were drawn into a claw by the shrunken tightness of the scar tissue. In the heart of her palm, scar within a scar, burn inside burn, was a grotesque mark. It was set very deep in her clutch, so deep that with a sudden nausea I wondered what had happened to the bone that should be there. It made sense of the odd set of the hand at the wrist, the way it seemed to weigh upon her arm as though it had no life of its own. The mark was a circle embedded in her palm, and extending from it, in the direction of the thumb, a short line.
Diane Setterfield (The Thirteenth Tale)
For unknown ages after the explosive outpouring of matter and energy of the Big Bang, the Cosmos was without form. There were no galaxies, no planets, no life. Deep, impenetrable darkness was everywhere, hydrogen atoms in the void. Here and there, denser accumulations of gas were imperceptibly growing, globes of matter were condensing-hydrogen raindrops more massive than suns. Within these globes of gas was kindled the nuclear fire latent in matter. A first generation of stars was born, flooding the Cosmos with light. There were in those times, not yet any planets to receive the light, no living creatures to admire the radiance of the heavens. Deep in the stellar furnaces, the alchemy of nuclear fusion created heavy elements from the ashes of hydrogen burning, the atomic building blocks of future planets and lifeforms. Massive stars soon exhausted their stores of nuclear fuel. Rocked by colossal explosions, they returned most of their substance back into the thin gas from which they had once condensed. Here in the dark lush clouds between the stars, new raindrops made of many elements were forming, later generation of stars being born. Nearby, smaller raindrops grew, bodies far too little to ignite the nuclear fire, droplets in the interstellar mist on their way to form planets. Among them was a small world of stone and iron, the early Earth. Congealing and warming, the Earth released methane, ammonia, water and hydrogen gases that had been trapped within, forming the primitive atmosphere and the first oceans. Starlight from the Sun bathed and warmed the primeval Earth, drove storms, generated lightning and thunder. Volcanoes overflowed with lava. These processes disrupted molecules of the primitive atmosphere; the fragments fell back together into more and more complex forms, which dissolved into the early oceans. After a while the seas achieved the consistency of a warm, dilute soup. Molecules were organized, and complex chemical reactions driven, on the surface of clay. And one day a molecule arose that quite by accident was able to make crude copies of itself out of the other molecules in the broth. As time passed, more elaborate and more accurate self replicating molecules arose. Those combinations best suited to further replication were favored by the sieve of natural selection. Those that copied better produced more copies. And the primitive oceanic broth gradually grew thin as it was consumed by and transformed into complex condensations of self replicating organic molecules. Gradually, imperceptibly, life had begun. Single-celled plants evolved, and life began generating its own food. Photosynthesis transformed the atmosphere. Sex was invented. Once free living forms bonded together to make a complex cell with specialized functions. Chemical receptors evolved, and the Cosmos could taste and smell. One celled organisms evolved into multicellular colonies, elaborating their various parts into specialized organ systems. Eyes and ears evolved, and now the Cosmos could see and hear. Plants and animals discovered that land could support life. Organisms buzzed, crawled, scuttled, lumbered, glided, flapped, shimmied, climbed and soared. Colossal beasts thundered through steaming jungles. Small creatures emerged, born live instead of in hard-shelled containers, with a fluid like the early ocean coursing through their veins. They survived by swiftness and cunning. And then, only a moment ago, some small arboreal animals scampered down from the trees. They became upright and taught themselves the use of tools, domesticated other animals, plants and fire, and devised language. The ash of stellar alchemy was now emerging into consciousness. At an ever-accelerating pace, it invented writing, cities, art and science, and sent spaceships to the planets and the stars. These are some of the things that hydrogen atoms do, given fifteen billion years of cosmic evolution.
Carl Sagan (Cosmos)
He was around one and a half years old when he first discovered the joy of running, and it was the last time he walked as a kid ever again. The floor was always red-hot-burning lava, and every piece of furniture was land. It was the same with bricks, stones, and the grasslands on lava covered roads. There were also times when he truly believed that he could fly. It resulted in three head fractures, with seven stitches, before turning five.
Arka Datta (A Team of Extraordinary Bastards)
Our holidays began here in Catania, this loud, bustling city pulsing with memories. I know these scenes, like a movie once adored and now almost forgotten. I know the large square lava-stone pavers that line the footpaths. I can smell salty, fishy air coming from the fish market I think is just down the far end of the square. I remember this intense heat, the sea breeze flowing like water between the buildings, down the alleyways, never quite cooling enough.
Lizzy Dent (Just One Taste)
O pious of the heart, I am lost in a love, so great O pain the hidden secrets will become open debate. Shipwrecked we just float, O favorable wind arise, May we one more time gaze upon that familiar trait. Passage of time and the stars, are but what we fantasize For compassion and kindness, it is never too late. In the circle of wine and roses, nightingale’s song is prize With the aroma and the wine your senses satiate. O Thou compassionate one, life giver and the wise One day bestow thy grace upon this mendicant’s state. For peace of this world and the next, understand what I advise Magnanimity the lot of friends, and with foes try to relate. In the land of repute, our passage they will dispute If this will not suit, don’t stay mute, and transmute dictates of fate. When destitute and in need, let your love and passion breed Life’s alchemy, essence and seed, unimagined wealth shall create. If unruly with pride, with a candle’s zeal your flame will rise Beloved turns stone to lava, and molten wax manipulate. The Grail contains but wine, if only you realize Then the Kingdom of the world, at your feet prostrate. The good and wise Magi, forgivers of lives and lies Bearer bring good news, drunkards’ wine consecrate. With this wine stained robe, Hafiz would never disguise O untainted pure Master, exempt us from this fate
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the occasional alarming flash of Aral’s doubts, like vivid filaments of lava seen through a surface one had thought safe stone.
Lois McMaster Bujold (Gentleman Jole and the Red Queen (Vorkosigan Saga (Publication) #16))
I face Charlemagne and then gaze down at the mineral that swirls with lovely fading shades of green. Fuming hot lava cools over time to create such beauty, and I often think that Char is not unlike this stone.
J.P. Cianci (The Last Tears of a Phoenix)
CONTIMENT’S END At the equinox when the earth was veiled in a late rain, wreathed with wet poppies, waiting spring, The ocean swelled for a far storm and beat its boundary, the ground-swell shook the beds of granite. I gazing at the boundaries of granite and spray, the established sea-marks, felt behind me Mountain and plain, the immense breadth of the continent, before me the mass and doubled stretch of water. I said: You yoke the Aleutian seal-rocks with the lava and coral sowings that flower the south, Over your flood the life that sought the sunrise faces ours that has followed the evening star. The long migrations meet across you and it is nothing to you, you have forgotten us, mother. You were much younger when we crawled out of the womb and lay in the sun’s eye on the tideline. It was long and long ago; we have grown proud since then and you have grown bitter; life retains Your mobile soft unquiet strength; and envies hardness, the insolent quietness of stone. The tides are in our veins, we still mirror the stars, life is your child, but there is in me Older and harder than life and more impartial, the eye that watched before there was an ocean. That watched you fill your beds out of the condensation of thin vapor and watched you change them, That saw you soft and violent wear your boundaries down, eat rock, shift places with the continents. Mother, though my song’s measure is like your surf-beat’s ancient rhythm I never learned it of you. Before there was any water there were tides of fire, both our tones flow from the older fountain.
Robinson Jeffers (The Selected Poetry of Robinson Jeffers)
jerked so hard the move almost made them lose their connection. “Fuck!” Green felt the large muscles of Ruxs’ back grow ridged and tighten like he was on his one hundredth pull-up. God he fucking loved this man. Ruxs inhaled hard, took what was given him. Green kept the same intensity in his thrust, but he slowed the fucking down, made it precious. Ruxs made a sound like he was in pain. Large hands came up and grabbed a fist full of Green’s hair. Ruxs tightened his hold on him, now it was Green’s turn to make a painful sound. When Ruxs’ ass clamped down on his cock, Green dropped his head back to the pillow. He pinched harder and Ruxs’ body went still and then hard as stone. His come burst from him. Long streams of white lava erupted over Ruxs’ rippled stomach. He heard him, felt Ruxs growl and jolt with each release. Green barked a startled cry as his orgasm dug its claws in and roared through his core, to settle in his balls, consuming them with heat. He freed Ruxs’ tortured nipples and pulled the tight ass down on his cock, pressing it firmly into his pelvis just in time for his cock to thicken and shoot deep inside that throbbing channel. Deep enough for Ruxs to feel it in his soul. And he knew he did because the affectionately whispered, “Chris” that left his lover’s lips told him their bonding was sealed.
A.E. Via (Here Comes Trouble (Nothing Special #3))
(...)Through the ship's telescopes, he had watched the death of the solar system. With his own eyes, he had seen the volcanoes of Mars erupt for the first time in a billion years; Venus briefly naked as her atmosphere was blasted into space before she herself was consumed; the gas giants exploding into incandescent fireballs. But these were empty, meaningless spectacles compared with the tragedy of Earth. That, too, he had watched through the lenses of cameras that had survived a few minutes longer than the devoted men who had sacrificed the last moments of their lives to set them up. He had seen ... ... the Great Pyramid, glowing dully red before it slumped into a puddle of molten stone ... ... the floor of the Atlantic, baked rock-hard in seconds, before it was submerged again, by the lava gushing from the volcanoes of the Mid-ocean Rift... ... the Moon rising above the flaming forests of Brazil and now itself shining almost as brilliantly as had the Sun, on its last setting, only minutes before ... ... the continent of Antarctica emerging briefly after its long burial, as the kilometres of ancient ice were burned away ... ... the mighty central span of the Gibraltar Bridge, melting even as it slumped downward through the burning air ... In that last century the Earth was haunted with ghosts - not of the dead, but of those who now could never be born. For five hundred years the birthrate had been held at a level that would reduce the human population to a few millions when the end finally came. Whole cities - even countries - had been deserted as mankind huddled together for History's closing act.
Arthur C. Clarke
Annabeth knit her eyebrows. “We’ll have to talk to Tantalus, get approval for a quest. He’ll say no.” “Not if we tell him tonight at the campfire in front of everybody. The whole camp will hear. They’ll pressure him. He won’t be able to refuse.” “Maybe.” A little bit of hope crept into Annabeth’s voice. “We’d better get these dishes done. Hand me the lava spray gun, will you?” That night at the campfire, Apollo’s cabin led the sing-along. They tried to get everybody’s spirits up, but it wasn’t easy after that afternoon’s bird attack. We all sat around a semicircle of stone steps, singing halfheartedly and watching the bonfire blaze while the Apollo guys strummed their guitars and picked their lyres. We did all the standard camp numbers: “Down by the Aegean,” “I Am My Own Great-Great-Great-Great-Grandpa,” “This Land is Minos’s Land.” The bonfire was enchanted, so the louder you sang, the higher it rose, changing color and heat with the mood of the crowd. On a good night, I’d seen it twenty feet high, bright purple, and so hot the whole front row’s marshmallows burst into the flames. Tonight, the fire was only five feet high, barely warm, and the flames were the color of lint. Dionysus left early. After suffering through a few songs, he muttered something about how even pinochle with Chiron had been more exciting than this. Then he gave Tantalus a distasteful look and headed back toward the Big House. When the last song was over, Tantalus said, “Well, that was lovely!” He came forward with a toasted marshmallow on a stick and tried to pluck it off, real casual-like. But before he could touch it, the marshmallow flew off the stick. Tantalus made a wild grab, but the marshmallow committed suicide, diving into the flames. Tantalus turned back toward us, smiling coldly. “Now then! Some announcements about tomorrow’s schedule.” “Sir,” I said. Tantalus’s
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
It is clear, the lava is heating up, and the volcano is preparing to erupt. The crack of the fault line is under pressure and will soon rip, and the F-5 storm is building energy as it prepares to spin the destruction of free speech from coast to coast. The Apostle Paul penned a preview of this moment.
Perry Stone (America's Apocalyptic Reset: Unmasking the Radical's Blueprints to Silence Christians, Patriots, and Conservatives)
Before I could say anything the other gagged my mouth with a stone ball. I wanted to say what fools they were, but not the first fool in Dolingo. How could I confess anything with my mouth gagged? And the boy’s smell came to my nose again, so strong, almost as if he was right outside this cell, but now moving away. The one-eyed scientist pulled a knot at his neck and removed his hood. Bad Ibeji. I heard of one found at the foot of the Hills of Enchantment, which the Sangoma burned, even though it was already dead. Even in death it shook the unshakable woman, for it was the one mingi she would kill on sight. Bad Ibeji was never to be born but is not the unborn Douada, who roams the spirit world, wiggling on air like a tadpole and sometimes slipping into this world through a newborn. Bad Ibeji was the twin that the womb squeezed and crushed, tried to melt, but could not melt away. Bad Ibeji grows on its malcontent like that devil of the body’s own flesh, that bursts through the breasts of woman, killing her by poisoning her blood and bone. Bad Ibeji knows it will never be the favored one, so it attacks the other twin in the womb. Bad Ibeji sometimes dies at birth when the mind did not grow. When the mind did grow, all it knows to do is survive. It burrows into the twin’s skin, sucking food and water from his flesh. It leaves the womb with the twin, and sticks so tight to his skin that the mother thinks this too is the baby’s flesh, unformed, ugly like a burn and not handsome, and sometimes throws away them both to the open lands to die. It is wrinkled and puffy flesh, and skin and hair, and one eye big and a mouth that drools without stop, and one hand with claws and another stuck on the belly as if sewn, and useless legs that flap like fins, a thin penis, stiff like a finger, and hole that bursts shit like lava. It hates the twin for it will never be the twin, but it needs the twin for it cannot eat food, or drink water as it has no throat, and teeth grow anywhere, even above the eye. Parasite. Fat, and lumpy, like cow entrails tied together, and leaving slime where it crawls.
Marlon James (Black Leopard, Red Wolf (The Dark Star Trilogy, #1))
Before I could say anything the other gagged my mouth with a stone ball. I wanted to say what fools they were, but not the first fool in Dolingo. How could I confess anything with my mouth gagged? And the boy’s smell came to my nose again, so strong, almost as if he was right outside this cell, but now moving away. The one-eyed scientist pulled a knot at his neck and removed his hood. Bad Ibeji. I heard of one found at the foot of the Hills of Enchantment, which the Sangoma burned, even though it was already dead. Even in death it shook the unshakable woman, for it was the one mingi she would kill on sight. Bad Ibeji was never to be born but is not the unborn Douada, who roams the spirit world, wiggling on air like a tadpole and sometimes slipping into this world through a newborn. Bad Ibeji was the twin that the womb squeezed and crushed, tried to melt, but could not melt away. Bad Ibeji grows on its malcontent like that devil of the body’s own flesh, that bursts through the breasts of woman, killing her by poisoning her blood and bone. Bad Ibeji knows it will never be the favored one, so it attacks the other twin in the womb. Bad Ibeji sometimes dies at birth when the mind did not grow. When the mind did grow, all it knows to do is survive. It burrows into the twin’s skin, sucking food and water from his flesh. It leaves the womb with the twin, and sticks so tight to his skin that the mother thinks this too is the baby’s flesh, unformed, ugly like a burn and not handsome, and sometimes throws away them both to the open lands to die. It is wrinkled and puffy flesh, and skin and hair, and one eye big and a mouth that drools without stop, and one hand with claws and another stuck on the belly as if sewn, and useless legs that flap like fins, a thin penis, stiff like a finger, and hole that bursts shit like lava. It hates the twin for it will never be the twin, but it needs the twin for it cannot eat food, or drink water as it has no throat, and teeth grow anywhere, even above the eye. Parasite. Fat, and lumpy, like cow entrails tied together, and leaving slime where it crawls. The Bad Ibeji’s one hand splayed itself on the one-eyed scientist’s neck and chest. He unhooked each claw and a little blood ran out of each hole. The second hand unwrapped itself from the scientist’s waist, leaving a welt. I shook and screamed into the gag and kicked against the shackles but the only thing free was my nose to huff. The Bad Ibeji pulled his head off the twin’s shoulder and one eye popped open. The head, a lump upon a lump, upon a lump, with warts, and veins, and huge swellings on the right cheek with a little thing flapping like a finger. His mouth, squeezed at the corners, flopped open, and his body jerked and sagged like kneaded flour being slapped. From the mouth came a gurgle like from a baby. The Bad Ibeji left the scientist’s shoulder and slithered on my belly and up to my chest, smelling of arm funk and shit of the sick. The other scientist grabbed my head with both sides and held it stiff. I struggled and struggled, shaking, trying to nod, trying to kick, trying to scream, but all I could do was blink and breathe.
Marlon James
into lava. Trust me.” “Right, got it,” said Alex. “Lava is the blue one, right? And water is the orange one?” “No!” said Dave. “Water is blue, lava is orange.” “Ok,” said Alex, “I think I’ve got it now. And… water is the bad one?” “No!” said Dave. He was trying not to get too annoyed with Alex, but her brain was a bit like Steve’s—all over the place. “Anyone for a drink?” Porkins called from the front door of the house. “Can I have a glass of lava please?” Alex shouted back. “I’m feeling a bit thirsty.” Dave put his head in his hands. Over the next few hours, Dave showed Alex how to dig for materials—showing her what was useful and what was not. Robo-Steve had made all five of them new backpacks, out of the leather from a herd of nearby cows, so they had plenty of room to store the useful blocks that they found. Soon Alex’s wood pickaxe broke, so Dave showed her how to make a stone one out of cobblestone. She kept on digging, and soon dug up some coal and iron ore. “Ooo, is this iron?” Alex asked, holding up a tiny block full of shiny chunks. “Let’s make an iron sword! Swoosh, swoosh, swoosh!” “You need to smelt it first,” Dave told her. Alex gave the block a sniff. “It doesn’t smell like anything,” she said. “Not
Dave Villager (Dave the Villager 9: An Unofficial Minecraft Book (The Legend of Dave the Villager))
Seth followed the phantom through the labyrinthine cave. After a number of turns, Seth wasn’t sure if he could find his way back. The air started to get hotter. In one room, steam wafted up from little fissures in the floor. In another, a bubbling pool of hot water in one corner saturated the room with a steamy, eggy odor. Some passages narrowed so much, Seth had to turn sideways. Some wider chambers had room to spare, with stalagmites four or five times his height. The light from his wand did not always reach the ceiling, and it was hard to tell if some of the shadowy side passages went a long distance or ended after a few feet. “Be extra quiet here,” the phantom whispered. Noticing a red glow up ahead, Seth shielded the light of his wand with his hand and stepped carefully. In a neighboring chamber of the cave, Seth saw a blob of dark lava with molten redness glowing through the cracks. Fiery millipedes as long as Seth’s arm skittered around the surface of the lava blob, some of them crawling into or out of the gaps to the red interior. He knew of no living creature that could handle such extreme temperature. The air in the cave became increasingly hot and dry as Seth progressed. The stone around him smelled like it was baking. Seth crossed through one room where more than half the floor was a glowing pool of smoldering scarlet lava. He felt certain that without the ointment, his hair and clothes would burst into flame by proximity to such heat, but instead Seth discovered
Brandon Mull (Dragonwatch, Book 3: Master of the Phantom Isle (Dragonwatch, #3))
In order to get Otis and Bob up to speed about what had happened in my dimension, we traveled on foot for the first fifteen minutes of our journey toward the swamp.  Baby Zeke told them all about how he was pulled into another dimension during the blending and what we all had to do – and sacrifice – in order to stop the blending, save the Rainbow Creeper, and put a stop to Entity 303’s evil plan. “Yeah, that blending nonsense was crazy,” said Otis. “I thought you and Harold were dead for sure. I mean, one minute Bob and I are riding next to you and Harold, and the next minute you are missing and there is a giant pool of lava right in front of me. And, I was engulfed in a strange flash of yellow light!” “Yeah, I’m just glad I appeared near Jimmy and could contribute to the struggle against Entity 303 and the preservation of the Rainbow Creeper.” “This Rainbow Creeper thing sounds bizarre,” said Bob. “Is it really the shape of a creeper with a bunch of colors on its skin?” “It sure is,” said Baby Zeke. Otis looked at me and asked, “And your friend Claire was joined with the Rainbow Creeper when she grabbed the creation stone?” I took a deep breath and sighed. “Yes, she was.” I paused and wiped a tear from my eye. “But, at least she’s alive … hurrr ... in some manner. That’s why we need to save my friend Emma. I can’t lose another friend.” Otis thumped his chest. “A good friend is hard to find. I vow on my life that we will save your friend Emma. Saving people is what I do, even if I have to kill a thousand others to achieve it.” Weird flex, but ... okay. I guess the needs of the one outweigh the needs of the many in Otis’ worldview. I must say, Baby Zeke had really captured Otis
Dr. Block (Diary of a Surfer Villager, Books 16-20 (Diary of a Surfer Villager #16-20))
Cayla nodded. “I think that would be best. Besides, this platform idea resolves the issue. What are you going to build it out of?” “Stone, I guess,” I said with a shrug, and I scanned the rocky cliffs jutting up behind us. “Ooo, do lava again!” Aurora gasped. “Please?” Cayla begged, and she dropped onto a boulder to get a front row seat. “I love watching you work with lava.” “It’s so incredible,” the half-elf agreed. “You look like a god.” Shoshanne furrowed her brow. “Mason can work with lava?” “Apparently,” I muttered. “Those huts you saw in the lair were part of a drunken rebuild I performed last time we were here, but I don’t remember any of it.” “Well, I remember it,” Aurora snorted. “You called yourself the Infamous Lava Man of Illaria, and you did that thing where you throw your arms out to the side and laugh like a villain whenever you said it.” “How many times did he say it?” Shoshanne chuckled. “Too many to count,” Cayla giggled. “It was cute.” “At least I’m not as drunk this time,” I mumbled as I shook my head. “I think I’m not, anyways. I can’t remember how much I drank in there, but I do feel like my head isn’t attached to my neck anymore.
Eric Vall (Metal Mage 13 (Metal Mage, #13))
I love everything that flows,’ said the great blind Milton of our times. I was thinking of him this morning when I awoke with a great bloody shout of joy: I was thinking of his rivers and trees and all that world of night which he is exploring. Yes, I said to myself, I too love everything that flows: rivers, sewers, lava, semen, blood, bile, words, sentences. I love the amniotic fluid when it spills out of the bag. I love the kidney with it’s painful gall-stones, it’s gravel and what-not; I love the urine that pours out scalding and the clap that runs endlessly; I love the words of hysterics and the sentences that flow on like dysentery and mirror all the sick images of the soul...
Henry Miller (Tropic of Cancer (Tropic, #1))
If the lava fountain starts at a higher elevation than the water fountain, this will stop it from becoming obsidian and you can create a cool dual fountain that won't turn to stone.
Minecraft Books (Minecraft: 30 Sneaky Minecraft Tricks)
We tend to imagine stone as inert matter, obdurate in its fixity. But here in the rift it feels instead like a liquid briefly paused in its flow. Seen in deep time, stone folds as strata, gouts as lava, floats as plates, shifts as shingle. Over aeons, rock absorbs, transforms, levitates from seabed to summit. Down here, too, the boundaries between life and not-life are less clear.
Robert Macfarlane (Underland: A Deep Time Journey)