“
Tell her that you love her hair, that you love her skin, her lips, because, in truth, you love them more than you love your own.
”
”
Junot Díaz (Drown)
“
Did I ever tell you that Alex loves you so much he got your name tattooed all over his body? Hell, he even got your name branded into the back of his neck."
"They say 'LB,' Carlos. The initials for Latino Blood."
"No, no, no. You've got it all wrong. He wants everyone to think that, but in reality it means Lover of Brittany. LB, get it?
”
”
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
“
It's possible this whole "Why do Latinos love Morrisey?" question will haunt us forever. Fortunately, Canadian academics are on the case.
”
”
Chuck Klosterman
“
I used to think those were the barrio rules, Latinos and blacks in, whites out —a place we down cats weren’t supposed to go. But love teaches you. Clears your head of any rules.
”
”
Junot Díaz (Drown)
“
This election is about the past vs. the future. It's about whether we settle for the same divisions and distractions and drama that passes for politics today or whether we reach for a politics of common sense and innovation, a politics of shared sacrifice and shared prosperity. There are those who will continue to tell us that we can't do this, that we can't have what we're looking for, that we can't have what we want, that we're peddling false hopes. But here is what I know. I know that when people say we can't overcome all the big money and influence in Washington, I think of that elderly woman who sent me a contribution the other day, an envelope that had a money order for $3.01 along with a verse of scripture tucked inside the envelope. So don't tell us change isn't possible. That woman knows change is possible. When I hear the cynical talk that blacks and whites and Latinos can't join together and work together, I'm reminded of the Latino brothers and sisters I organized with and stood with and fought with side by side for jobs and justice on the streets of Chicago. So don't tell us change can't happen. When I hear that we'll never overcome the racial divide in our politics, I think about that Republican woman who used to work for Strom Thurmond, who is now devoted to educating inner city-children and who went out into the streets of South Carolina and knocked on doors for this campaign. Don't tell me we can't change. Yes, we can. Yes, we can change. Yes, we can.
Yes, we can heal this nation. Yes, we can seize our future. And as we leave this great state with a new wind at our backs and we take this journey across this great country, a country we love, with the message we carry from the plains of Iowa to the hills of New Hampshire, from the Nevada desert to the South Carolina coast, the same message we had when we were up and when we were down, that out of many, we are one; that while we breathe, we will hope.
And where we are met with cynicism and doubt and fear and those who tell us that we can't, we will respond with that timeless creed that sums up the spirit of the American people in three simple words -- yes, we can.
”
”
Barack Obama
“
Papa, you were right. Love did come after security.
”
”
Jade Onyx (Prison Break: A Hispanic & Latino BDSM Erotic Romance)
“
You fall in love. He is Latino like you. You will be together for years. And even when it falls apart, it still feels like a success. (Much later, of course.) Because until it happened, and until it ended, you didn't know it was possible to be loved like that.
”
”
Mark Oshiro (Wild Tongues Can't Be Tamed: 15 Voices from the Latinx Diaspora)
“
You’ve been a hard worker—white, black, Asian, and Latino women ship out of the San Francisco port because of you. You have been a shipfitter, a nurse, a real estate broker, and a barber. Many men and—if my memory serves me right—a few women risked their lives to love you. You were a terrible mother of small children, but there has never been anyone greater than you as a mother of a young adult.
”
”
Maya Angelou (Mom & Me & Mom)
“
I'd only marry for love."
"Easy to say when you're not illegal.
”
”
Patricia Engel (Vida)
“
Or our whole country, which you never think of until it's gone, which you never love until you're no longer there.
”
”
Junot Díaz (This Is How You Lose Her)
“
For my number-one favorite kill, I almost went with Johnny Depp being eaten alive and then regurgitated by his own bed in A Nightmare on Elm Street, but the winner, by a finger blade’s width, has to be the death of that feisty Tina (Amanda Wyss), who put up such a fight while I thrashed her about on the ceiling of her bedroom. Freddy loves a worthy adversary, especially if it’s a nubile teenaged girl.
A close second goes to my hearing-impaired victim Carlos (Ricky Dean Logan) in Nightmare 6. In these uber-politically-correct times, it’s refreshing to remember what an equal opportunity killer Freddy always was. Not only does he pump up the volume on the hearing aid from hell, but he also adds a nice Latino kid to his body count. Today they probably wouldn’t even let Freddy force-feed a fat kid junk food.
Dream death number three is found in a sequence from Nightmare 3. Freddy plays puppet master with victim Phillip (Bradley Gregg), converting his arm and leg tendons into marionette strings, then cutting them in a Freddy meets Verigo moment.
The kiss of death Profressor Freddy gives Sheila (Toy Newkirk) is great, but not as good as Al Pacino’s in The Godfather, so my fourth pick is Freddy turning Debbie (Brooke Theiss) into her worst nightmare, a cockroach, and crushing her in a Roach Motel. A classic Kafka/Krueger kill.
For my final fave, you will have to check out Freddy vs. Jason playing at a Hell’s Octoplex near you. Here’s a hint: the hockey-puck guy and I double team a member of Destiny’s Child. Yummy! Now where’s that Beyonce…
”
”
Robert Englund (Hollywood Monster: A Walk Down Elm Street with the Man of Your Dreams)
“
I held Angie Luna in that room for hours, and I remember the different times we made love like epochs in a civilization, each movement and every touch, apex upon abyss. In the luxury of our bed, we tried every position and every angle. I explored the curves on her body and delighted in seeing the freedom of her ecstasy. Her desperate whispers and pleas. I told her I loved her, and she said she loved me too. We lay in bed with our limbs entangled, in a pacific silence that reminded me of existing on a beach just for the sake of such an existence. I couldn't imagine the world ever becoming better, and for some strange reason the thought slipped into my head that I had suddenly grown to be an old man because I could only hope to repeat, but never improve on, a night like this. I finally took her home sometime when the interstate was empty, and the bridges seemed to lead to nowhere, for they were desolate too.
”
”
Sergio Troncoso (The Last Tortilla & Other Stories)
“
Young and beautiful crowds filled the myriad bars and clubs in El Poblado, in the heart of Medellín. Amid the hypnotic sound of Latin music, vibrant colors swayed back and forth across a tiny dance floor as I walked into the Iguana Roja, or Red Iguana, salsa club.
”
”
Kayla Cunningham (Fated to Love You (Chasing the Comet Book 1))
“
Ultimately, I believe that the far right in America, at least the incarnation I spent years covering, is destined to fail. Not because America is inherently good and that the forces of justice and progress are always stronger than those of intolerance and hatred, but because white supremacy is doing just fine without the far right. The country has spent decades perfecting an ostensibly nonracial form of white supremacy, and it is serving with remarkable efficiency. Private prisons, mandatory sentencing, seemingly unchecked police power, gerrymandering, increasingly limited access to healthcare and abortion—these are all tendrils in an ingenious web designed to keep people poor and powerless. Yes, white people were caught in that web too, but when it comes to those experiencing poverty, African Americans, Native Americans, and Latinos vastly outnumber whites. The people Matthew was ostensibly fighting for—the broken, beaten, and forgotten whites of Appalachia and the Rust Belt—weren’t victims in a war against white people but rather collateral damage in a war against poor people and minorities. I believe Matthew was right when he said that the elites and politicians hate his people, but they don’t hate them because they’re white; they hate them because they’re poor.
”
”
Vegas Tenold (Everything You Love Will Burn: Inside the Rebirth of White Nationalism in America)
“
My car rounds the corner, riding the path to the body shop. When I spot Alex leaning on his motorcycle waiting for me in the parking lot, my pulse skips a beat.
Oh, boy. I’m in trouble.
Gone is his ever-present bandanna. Alex’s thick black hair rests on his forehead, daring to be swept back. Black pants and a black silk shirt have replaced his jeans and T-shirt. He looks like a young Mexican daredevil. I can’t help but smile as I park next to him.
“Querida, you look like you’ve got a secret.”
I do, I think as I step out of my car. You.
“Dios mio. You look…preciosa.”
I turn in a circle. “Is this dress okay?”
“Come here,” he says, pulling me against him. “I don’t want to go to the wedding anymore. I’d rather have you all to myself.”
“No way,” I say, running a slow finger along the side of his jaw.
“You’re a tease.”
I love this playful side of Alex. It makes me forget all about those demons.
“I came to see a Latino wedding, and I expect to see one,” I tell him.
“And here I thought you were comin’ to be with me.”
“You’ve got a big ego, Fuentes.”
“That’s not all I’ve got.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
With our current ruptures, it is not enough to not be racist or sexist. Our times call for being pro-African-American, pro-woman, pro-Latino, pro-Asian, pro-indigenous, pro-humanity in all its manifestations. In our era, it is not enough to be tolerant. You tolerate mosquitoes in the summer, a rattle in an engine, the gray slush that collects at the crosswalk in winter. You tolerate what you would rather not have to deal with and wish would go away. It is no honor to be tolerated. Every spiritual tradition says love your neighbor as yourself, not tolerate them. —
”
”
Isabel Wilkerson (Caste: The Origins of Our Discontents)
“
Unlike other features on OkCupid, there is no visual component to match percentage. The number between two people only reflects what you might call their inner selves—everything about what they believe, need, and want, even what they think is funny, but nothing about what they look like. Judging by just this compatibility measure, the four largest racial groups on OkCupid—Asian, black, Latino, and white—all get along about the same.1 In fact, race has less effect on match percentage than religion, politics, or education. Among the details that users believe are important, the closest comparison to race is Zodiac sign, which has no effect at all. To a computer not acculturated to the categories, “Asian” and “black” and “white” could just as easily be “Aries” and “Virgo” and “Capricorn.” But this racial neutrality is only in theory; things change once the users’ own opinions, and not just the color-blind workings of an algorithm, come into play.
”
”
Christian Rudder (Dataclysm: Love, Sex, Race, and Identity--What Our Online Lives Tell Us about Our Offline Selves)
“
Even male children of affluent white families think that history as taught in high school is “too neat and rosy.” 6 African American, Native American, and Latino students view history with a special dislike. They also learn history especially poorly. Students of color do only slightly worse than white students in mathematics. If you’ll pardon my grammar, nonwhite students do more worse in English and most worse in history.7 Something intriguing is going on here: surely history is not more difficult for minorities than trigonometry or Faulkner. Students don’t even know they are alienated, only that they “don’t like social studies” or “aren’t any good at history.” In college, most students of color give history departments a wide berth. Many history teachers perceive the low morale in their classrooms. If they have a lot of time, light domestic responsibilities, sufficient resources, and a flexible principal, some teachers respond by abandoning the overstuffed textbooks and reinventing their American history courses. All too many teachers grow disheartened and settle for less. At least dimly aware that their students are not requiting their own love of history, these teachers withdraw some of their energy from their courses. Gradually they end up going through the motions, staying ahead of their students in the textbooks, covering only material that will appear on the next test. College teachers in most disciplines are happy when their students have had significant exposure to the subject before college. Not teachers in history. History professors in college routinely put down high school history courses. A colleague of mine calls his survey of American history “Iconoclasm I and II,” because he sees his job as disabusing his charges of what they learned in high school to make room for more accurate information. In no other field does this happen. Mathematics professors, for instance, know that non-Euclidean geometry is rarely taught in high school, but they don’t assume that Euclidean geometry was mistaught. Professors of English literature don’t presume that Romeo and Juliet was misunderstood in high school. Indeed, history is the only field in which the more courses students take, the stupider they become. Perhaps I do not need to convince you that American history is important. More than any other topic, it is about us. Whether one deems our present society wondrous or awful or both, history reveals how we arrived at this point. Understanding our past is central to our ability to understand ourselves and the world around us. We need to know our history, and according to sociologist C. Wright Mills, we know we do.8
”
”
James W. Loewen (Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong)
“
Uma consideção que podemos fazer é a respeito da palavra "traição". De fato, examinada atentamente, ela se nos revela ambígua, não só etimológica mas também semanticamente. Sabemos que o latim tradere significava somente “entregar”. Sabemos também que os evangelhos, escolhendo esse verbo para designar o ato de Judas de entregar Jesus aos seus inimigos, carregavam-no de conotações éticas, obviamente negativas. Mas, com o tempo, o mal-entendido inicial originou outros mal-entendidos e ambiguidades: o itinerário semântico desse verbo “condenado” levou-o a significados diferentes, distantíssimos entre si e às vezes nas antípodas, literalmente opostos. “Traio” deriva do latino trado, que é composto de dois morfemas, trans e do (=dar). O prefixo trans implica passagem; de fato, todos os significados originais de trado contem a ideia de dar alguma coisa que passa de uma mão a outra. Assim, trado significa o ato de entregar nas mãos de alguém (para guarda, proteção, castigo) o ato de confiar para o governo ou o ensinamento, o dar em esposa, o vender, o confiar com palavras ou o transmitir, o narrar. Na forma reflexiva, tradere, o verbo significa abandonar-se a alguém, dedicar-se a uma atividade. O substantivo correspondente, traditio, significa “entrega”, “ensinamento”, “narração”, “transmissão de narrações”, “tradição”. Note-se que o “nomem agentis” (nome do agente) traditor significa tanto “traidor” como “quem ensina”. É bom lembrar esse duplo sentido porque provavelmente tenha algo a ensinar talvez unicamente aquele que traiu com plena e total consciência.
”
”
Aldo Carotenuto (Amar Traicionar: Casi una Apología de la Traición [To Love, To Betray: Life as Betrayal])
“
Dall'archivio magnetico del signor Alex D. Alla fine, l'equilibrio interiore non é da cercare. Forse ce l'abbiamo già, e più ci muoviamo o agitiamo o altro, e più ce ne alltonatniamo. Il fatto é che a parlare di equlibrio interiore mi sento un povero stronzo. Mi sembra uno di quei termini che si usano nelle sedute di psicoanalisi liberatoria collettiva o nei rifugi per donne violentate.
Okay. Tutto mi dice di essere forte, determinato negli scopi, capace di andare avanti nella Vita, ma se uno sente che é arrivato il momento di cambiare un pò rotta o anche solo il bisogno di fermarsi a ragionare sul serio per proprio conto? Voglio dire: e i cazzi di sette e mezzo in latino, per esempio, che da semplici strumenti sono diventati una specie di fine ultimo?... Insomma, a quanto ne so dovrei studiare per strappare un titolo di studio che a sua volta mi permetta di strappare un buon lavoro che a sua volta mi permetta di strappare abbastanza soldi per strappare una qualche cavolo di serenità tutta guerregiata e ferita e massacrata dagli sforzi inauditi per raggiungerla.
Cioè, uno dei fini ultimi é questa cavolo di serenità martoriata. Il ragionamento é così. Non ci vuole un genio. E allora, perché dovrei sacrificare i momenti di serenità che mi vengono incontro spontaneamente lungo la strada?
Perché dovrei buttarli in un pozzo, se fanno parte anche loro del fine a cui tendere? Se un pomeriggio posso andare a suonare o uscire con una ragazza che mi piace, perché cavolo devo starmene in casa a trascrivere le versioni dal traduttore o far finta di leggereil sunto di filosofia? La realtà é che mi trovo a sacrificare il me diciassettenne felice di oggi pomeriggio a un eventuale me stesso calvo e sovrappeso, cinquantenne soddisfatto, che apre la porta del garage col comando a distanza e dentro c'ha una bella macchina, una moglie che probabilmente gli fa le corna col commercialista e due figli gemelli con i capelli a caschetto identici in tutto ai bambini nazisti della kinders. Tutti dentro il garage, magari, no. Diciamo più o meno intorno. Cioè, circondato. Dovunque la domanda è: un orrore di queste proporzioni vale più del sole e del gelato di oggi pomeriggio? Più di qualunque ragazza? Più di Valentina che arriva sorridendo all'appuntamento con dieci minuti di ritardo e una maglietta blu con dentro quel ben di Dio sorprendente?
”
”
Enrico Brizzi (Jack Frusciante Has Left the Band: A Love Story- with Rock 'n' Roll)
“
In high school, I developed a new love: acting. I went to a predominantly black and Latino school in Compton and, outside of television, this was my first true immersion in black culture. I had an inspiring drama teacher, a Jewish man who found the most amazing, hidden plays of color. There was On Striver’s Row, a play about an upper-middle-class black family in Harlem. Maricela de la Luz Lights the World, a fanciful and mystical Latino drama by José Rivera. And so much more. Every year for four years I was introduced to new diverse works, all while working with a multicultural cast. I only wish Hollywood could take a lesson from Compton. The
”
”
Issa Rae (The Misadventures of Awkward Black Girl)
“
Insofar as there is a politics, here, it seems a variation on a theme seen since the dawn of capitalism. Ultimately, it’s sociality itself that’s treated as abusive, criminal, demonic. To this, most ordinary Americans—including Black and Latino Americans, recent immigrants, and others who were formerly excluded from credit—have responded with a stubborn insistence on continuing to love one another.
”
”
David Graeber (Debt: The First 5,000 Years)
“
About 41 percent of mothers are primary breadwinners and earn the majority of their family’s income. Another 23 percent of mothers are co-breadwinners, contributing at least a quarter of the family’s earnings.30 The number of women supporting families on their own is increasing quickly; between 1973 and 2006, the proportion of families headed by a single mother grew from one in ten to one in five.31 These numbers are dramatically higher in Hispanic and African-American families. Twenty-seven percent of Latino children and 51 percent of African-American children are being raised by a single mother.32 Our country lags considerably behind others in efforts to help parents take care of their children and stay in the workforce. Of all the industrialized nations in the world, the United States is the only one without a paid maternity leave policy.33 As Ellen Bravo, director of the Family Values @ Work consortium, observed, most “women are not thinking about ‘having it all,’ they’re worried about losing it all—their jobs, their children’s health, their families’ financial stability—because of the regular conflicts that arise between being a good employee and a responsible parent.”34 For many men, the fundamental assumption is that they can have both a successful professional life and a fulfilling personal life. For many women, the assumption is that trying to do both is difficult at best and impossible at worst. Women are surrounded by headlines and stories warning them that they cannot be committed to both their families and careers. They are told over and over again that they have to choose, because if they try to do too much, they’ll be harried and unhappy. Framing the issue as “work-life balance”—as if the two were diametrically opposed—practically ensures work will lose out. Who would ever choose work over life? The good news is that not only can women have both families and careers, they can thrive while doing so. In 2009, Sharon Meers and Joanna Strober published Getting to 50/50, a comprehensive review of governmental, social science, and original research that led them to conclude that children, parents, and marriages can all flourish when both parents have full careers. The data plainly reveal that sharing financial and child-care responsibilities leads to less guilty moms, more involved dads, and thriving children.35 Professor Rosalind Chait Barnett of Brandeis University did a comprehensive review of studies on work-life balance and found that women who participate in multiple roles actually have lower levels of anxiety and higher levels of mental well-being.36 Employed women reap rewards including greater financial security, more stable marriages, better health, and, in general, increased life satisfaction.37 It may not be as dramatic or funny to make a movie about a woman who loves both her job and her family, but that would be a better reflection of reality. We need more portrayals of women as competent professionals and happy mothers—or even happy professionals and competent mothers. The current negative images may make us laugh, but they also make women unnecessarily fearful by presenting life’s challenges as insurmountable. Our culture remains baffled: I don’t know how she does it. Fear is at the root of so many of the barriers that women face. Fear of not being liked. Fear of making the wrong choice. Fear of drawing negative attention. Fear of overreaching. Fear of being judged. Fear of failure. And the holy trinity of fear: the fear of being a bad mother/wife/daughter.
”
”
Sheryl Sandberg (Lean In: Women, Work, and the Will to Lead)
“
You know why I put that "rag" on my head occasionally, even though I hold no compulsion for it?
Because in some parts of the world people are still medieval enough to deem us "ragheads" and "desert dwellers" as subject of fear, hate, mistrust and repugnance. I cannot change how these suited savages feel by retaliating hate with further hate. The only way I can expand anybody's sight is by being the most exuberant raghead that ever lived.
We treat the worst of humanity by being the best of humanity. That is why I am raghead, that is why I am latino, that is why I am black, and that is why I am many more facets of human existence in one body. I am one, yet I am all. Or better yet, I am all, that's why I am one.
Wherever someone is pushed to the wall, I am there. Wherever someone is kneed to the ground, I am there. Wherever someone is denied the freedom of choice and the freedom of love, I am there. Wherever someone is denied the common decency and dignity in life, I am there. For I am but a reflection of life oppressed, for I am but resuscitation of life oppressed, for I am but invigoration of life oppressed.
”
”
Abhijit Naskar (Divane Dynamite: Only truth in the cosmos is love)
“
Qualcuno - un poeta latino - aveva scritto che l'eternità consisteva nel trattenere e possedere la pienezza della vita in un unico istante, nel qui e nell'ora, il passato, il presente e il futuro
”
”
Winston Graham (POLDARK SAGA 1: Ross Poldark; 2: Demelza; 3: Jeremy Poldark; 4: Warleggan; 5: The Black Moon; 6: The Four Swans; 7: The Angry Tide; 8: The Stranger from the Sea; 9: The Miller's Dance; 10: The Loving Cup)
“
All through history every culture on earth has produced its distinct literature - American literature, British literature, Latino Literature, Arabic literature, Turkish literature, European literature, Bengali literature and so on. I am none of these, because I am all of these - Naskar is the amalgamation of all of world's cultures. Naskar is the first epitome of integrated Earth literature - where there is no inferior, no superior - no greater, no lesser. Soulfulness of Rumiland, heartfulness of Martíland, correctiveness of MLKland, sweetness of Tagoreland - merge them all in the fire of love, and lo emerges Naskarland - merge them all in the fire of love, and lo emerges lightland.
”
”
Abhijit Naskar (Rowdy Scientist: Handbook of Humanitarian Science)
“
We cannot make ourselves or allow others to make us small so we can fit in the minds and hearts of white people. America might never love us back, so we must love ourselves.
”
”
Julissa Arce (You Sound Like a White Girl: The Case for Rejecting Assimilation)
“
Compared to children raised in an intact, married family, children raised in single-parent or cohabiting homes are significantly more likely to suffer psychological problems such as depression, to get into trouble with the law, to become pregnant as teenagers, and to drop out of high school.75
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W. Bradford Wilcox (Soul Mates: Religion, Sex, Love, and Marriage among African Americans and Latinos)
“
I love the cooking and the Food. I love the music and the dancing. But most of all, I love the people. Smiles, honor, family, Amor- Latinos have warmth in their blood. I think it's all this warmth that makes our skin turn brown. It's as of the heat of our passion has boiled the liquid in our veins and cooked our flesh from the inside out to make our coloring go crispy brown like a flour tortilla being used to make a delicious quesadilla.
”
”
Alan Lawrence Sitomer
“
From the Bridge” by Captain Hank Bracker
Behind “The Exciting Story of Cuba”
It was on a rainy evening in January of 2013, after Captain Hank and his wife Ursula returned by ship from a cruise in the Mediterranean, that Captain Hank was pondering on how to market his book, Seawater One. Some years prior he had published the book “Suppressed I Rise.” But lacking a good marketing plan the book floundered. Locally it was well received and the newspapers gave it great reviews, but Ursula was battling allergies and, unfortunately, the timing was off, as was the economy.
Captain Hank has the ability to see sunshine when it’s raining and he’s not one easily deterred. Perhaps the timing was off for a novel or a textbook, like the Scramble Book he wrote years before computers made the scene. The history of West Africa was an option, however such a book would have limited public interest and besides, he had written a section regarding this topic for the second Seawater book. No, what he was embarking on would have to be steeped in history and be intertwined with true-life adventures that people could identify with.
Out of the blue, his friend Jorge suggested that he write about Cuba. “You were there prior to the Revolution when Fidel Castro was in jail,” he ventured. Laughing, Captain Hank told a story of Mardi Gras in Havana. “Half of the Miami Police Department was there and the Coca-Cola cost more than the rum. Havana was one hell of a place!” Hank said. “I’ll tell you what I could do. I could write a pamphlet about the history of the island. It doesn’t have to be very long… 25 to 30 pages would do it.” His idea was to test the waters for public interest and then later add it to his book Seawater One.
Writing is a passion surpassed only by his love for telling stories. It is true that Captain Hank had visited Cuba prior to the Revolution, but back then he was interested more in the beauty of the Latino girls than the history or politics of the country. “You don’t have to be Greek to appreciate Greek history,” Hank once said. “History is not owned solely by historians. It is a part of everyone’s heritage.” And so it was that he started to write about Cuba. When asked about why he wasn’t footnoting his work, he replied that the pamphlet, which grew into a book over 600 pages long, was a book for the people. “I’m not writing this to be a history book or an academic paper. I’m writing this book, so that by knowing Cuba’s past, people would understand it’s present.” He added that unless you lived it, you got it from somewhere else anyway, and footnoting just identifies where it came from.
Aside from having been a ship’s captain and harbor pilot, Captain Hank was a high school math and science teacher and was once awarded the status of “Teacher of the Month” by the Connecticut State Board of Education. He has done extensive graduate work, was a union leader and the attendance officer at a vocational technical school. He was also an officer in the Naval Reserve and an officer in the U.S. Army for a total of over 40 years. He once said that “Life is to be lived,” and he certainly has. Active with Military Intelligence he returned to Europe, and when I asked what he did there, he jokingly said that if he had told me he would have to kill me.
The Exciting Story of Cuba has the exhilaration of a novel. It is packed full of interesting details and, with the normalizing of the United States and Cuba, it belongs on everyone’s bookshelf, or at least in the bathroom if that’s where you do your reading. Captain Hank is not someone you can hold down and after having read a Proof Copy I know that it will be universally received as the book to go to, if you want to know anything about Cuba!
Excerpts from a conversation with Chief Warrant Officer Peter Rommel, USA Retired, Military Intelligence Corps, Winter of 2014.
”
”
Hank Bracker (The Exciting Story of Cuba: Understanding Cuba's Present by Knowing Its Past)
“
He was given a ranch, and two lovely mistresses. 'Imagine, at thirty, I was put out to stud. And we Latins are such drowsy pigs that I almost fell for it.
”
”
Warren Eyster (The Goblins of Eros)
“
Habana Eva" released in 2010, Habana Eva is a funny Romantic comedy. Eva works as a seamstress in a sweatshop where she dreams of becoming a fashion designer with her own a room. Her love is her longtime partner Angel, a charming yet lazy islander. Her dream of marrying Angel fades when she meets Jorge, a handsome and wealthy Cuban raised in Venezuela who returns to Cuba, with a more ambitious project than taking photos of Eva for a book. Eva who has been living with her aunts falls for him and has to decide which of the two men she will want to marry. Directed by Fina Torres, starring Prakriti Maduro as Eva and Juan Carlos García as Jorge and Carlos Enrique Almirante as Angel. Venezuelan produced and filmed in La Habana, Cuba. Habana Eva film won the Best Picture award at the New York International Latino Film Festival on August 2, 2010.
”
”
Hank Bracker
“
Come here,” he says, pulling me against him. “I don’t want to go to the wedding anymore. I’d rather have you all to myself.”
“No way,” I say, running a slow finger along the side of his jaw.
“You’re a tease.”
I love this playful side of Alex. It makes me forget all about those demons.
“I came to see a Latino wedding, and I expect to see one,” I tell him.
“And here I thought you were comin’ to be with me.”
“You’ve got a big ego, Fuentes.”
“That’s not all I’ve got.” He backs me against my car, his breath warming my neck more than the midday sun. I close my eyes and expect his lips on mine, but instead I hear his voice. “Give me your keys,” he says, reaching around and taking them from my hand.
“You’re not going to throw them into the bushes, are you?”
“Don’t tempt me.”
Alex opens my car door and slides into the driver’s seat.
“Aren’t you going to invite me in?” I ask, confused.
“No. I’m parkin’ your car in the shop so it doesn’t get jacked. This is an official date. I’m drivin’.”
I point to his motorcycle. “Don’t think I’m getting on that thing.”
His left eyebrow raises a fraction. “Why not? Julio’s not good enough for you?”
“Julio? You named your motorcycle Julio?”
“After my great uncle who helped my parents move here from Mexico.”
“I like Julio just fine. I just don’t want to ride on him wearing this short dress. Unless you want everyone riding behind us to see my undies.”
He rubs his chin, thinking about it. “Now that would be a sight for sore eyes.”
I cross my arms over my chest.
“I’m jokin’. We’re takin’ my cousin’s car.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
The world is constantly trying to label us and categorize us. This makes sense, because God instilled in each of us a desire to be known, understood, and loved. Labels can foster a sense of belonging, connectedness, and purpose. This is why we often embrace them with pride. Whether as Philly fans, Americans, Latinos, feminists, pro-life advocates, or others, labels can be an important aspect of our lives. While it’s acceptable to take pride in these labels, we must be vigilant not to let them overshadow our fundamental identity as followers of Jesus. Holding any identity more closely than our identity in Christ prevents us from experiencing the fullness of unity with God and his church. Therefore, we must be prepared to relinquish any identity that conflicts with our true identity in Christ.
”
”
D. Jay Martin (Before the Booth: A Guide to Navigating the Election Season While Honoring Christ)
“
With our current ruptures, it is not enough to not be racist or sexist. Our times call for being pro-African-American, pro-woman, pro-Latino, pro-Asian, pro-indigenous, pro-humanity in all its manifestations. In our era, it is not enough to be tolerant. You tolerate mosquitoes in the summer, a rattle in an engine, the gray slush that collects at the crosswalk in winter. You tolerate what you would rather not have to deal with and wish would go away. It is no honor to be tolerated. Every spiritual tradition says love your neighbor as yourself, not tolerate them.
”
”
Isabel Wilkerson (Caste: The Origins of Our Discontents)
“
I ask you not to let other people take over your talent, and let yourself be the one in charge of your own life. Sleep enough, eat well, and avoid excesses. Everything always changes; nothing stays the same. Your time is my time. I share my energy with you and your show is my show. Do not fall into that abyss of self-pity. Lift your head up with pride and count on your talent to carry on forward. Let’s respect each other and return to our humbleness, to that joy and that love in our hearts to make the world know, by way of our presence on stage, that everything is possible with love and we have to keep on shining. How much longer will we be here? Let’s get through this adventure by enjoying ourselves”.
”
”
Antonio Drija (My life is a Cirque: A Latino in the Soleil)
“
(Mothers) They lose their children's love. Reunited, they end up in conflict homes. Too often, the boys seek out gangs to try to find the love they thought they would find with their mothers. Too often, the girls get pregnant and form their own families. In many ways, these separations are devastating Latino families. People are losing what they value the most.
”
”
Sonia Nazario (Enrique's Journey)
“
একজন আক্রমণকারীর এপিটাফ
তোমার দাদুর বাবা ঘোড়ায় চেপে টেক্সাস পার হয়েছিলেন
তামাটে মেকসিকান মেয়েদের ধর্ষণ করতে-করতে আর ঘোড়া চুরি করে
যতোদিন না মেরি স্টোনহিলের সঙ্গে সংসার বাঁধলে আর বাড়ি তৈরি করলে
ওক কাঠের আসবাব আর ঈশ্বর আমাদের বাড়িকে আশীর্বাদ করুন দিয়ে
তোমার দাদু স্যান্তিয়াগো দ্য কিউবাতে নামলো
দেখলো স্পেনের লোকগুলো হেরে গেছে, আর বাসা বাঁধলো
রাম-এর হাওয়া ওড়ানো গন্ধ আর বাদামি তরুণীদের শ্যামল মনকেমন ।
তোমার বাবা, শান্তিপ্রিয় মানুষ,
গুয়াতেমালার বারোজন যুবককে কেবল মজুরি দিতো
তোমাদের লোকেদের মতনই,
১৯৬২ সালের হেমন্তে তুমি কিউবা আক্রমণের দায়িত্ব নিজের ওপর চাপালে।
আজকে তুমি তুলোর গাছগুলোকে সার দিচ্ছ ।
”
”
Roberto Fernandez Retmar
“
Rafe told everyone he was from Texas. That was bull. I’d dated a summer guy from Texas, and Rafe’s drawl was all wrong. His last name suggested he was Latino, and he kind of looked it, but his high cheekbones and amber eyes said Native to me. He was a little taller than Daniel, lean, with black hair that hung just past the collar of his leather jacket. Worn blue jeans and low motorcycle boots completed the image: American Teen Rebel.
It was a look we didn’t see a lot at our school, and the other girls loved it. Not that Rafe needed the added cachet. Considering we’d had the same guys in our class since kindergarten, Rafe’s novelty factor alone would have had the girls tripping over themselves. He was the hottest ticket in town. And he knew it.
When I bumped into him, I said a polite, “Hey,” and tried to get past.
“Hey, yourself.”
He grinned and, in spite of myself, I felt a little flip in my stomach. Rafe wasn’t gorgeous, but he had a sexy, crooked smile and eyes that looked at a girl like she was the first one he’d ever seen. When he stood close, I swore I could feel heat radiating off him. And Rafe always stood close.
As I backed up, he hooked a thumb toward the conference room. “Barnes in there?” he asked, meaning the principal.
I shook my head. “Haven’t seen him. Ms. Morales was around, though.”
“Yeah, I talked to her. She says I need to talk to Barnes. Late once too often this week.”
That grin sparked again, like being late for school earned him a place in the bad boy hall of fame.
”
”
Kelley Armstrong (The Gathering (Darkness Rising, #1))
“
I took a step back. He was right. I did have a problem. I… I… I was racist. I’d become that which I’d hated all my life. These guys didn’t see themselves as black and white and brown as I did. They simply saw themselves as Latinos, as cubanos and panameños and mexicanos, and… and as brothers. I gripped my head. My mind was reeling. I decided to go outside to get some fresh air. The air was crisp and clean. I took a big, deep breath. Then it hit me like a sledgehammer between the eyes. Then words weren’t reality. They were “labels” that were placed on reality. I began to shiver, this thought WAS SO GREAT! Then words were like maps, and a map could tell us about a state or nation, but a map wasn’t that state or nation any more than words were the person or place we were referring to. I mean, I could get a map that laid out the freeway systems of California, the towns and cities, and I could get another map that laid out the rivers and mountain ranges, the valleys, the different types of vegetation at different elevations, and yet all this information would still never give me the reality of California.
”
”
Victor Villaseñor (Crazy Loco Love: A Memoir)
“
Don't let any of 'em in the room 'til my guy gets what he needs. We'll be outta here before they get their gloves on.
Tea Party Teddy's Legacy
”
”
Dianne Harman
“
Stay Woke, Stay Human (Sonnet)
BLACK is Brave, black is Leaderly,
Adventurous, Conscientious and KINGly.
LATINO means Loud, Loving And Tenacious,
latino means Ingenious in Obscurity.
WOMAN is Wonder Obstinate, woman is
Miracle Awake, and Nature-incarnate.
PRIDE means Passionate and Resilient,
Indefatigably Daring in Endearment.
MUSLIM is Merciful, muslim is Unbending,
Sincere and Lively, Insightfully Magnetic.
ASIAN means Amiable, asian means Strong,
Inquisitive, Ambitious and Neighborly.
Hateless, Undivided, Mindful And
Neurodiverse - that's HUMAN.
Mind carries its own detergent,
stay woke and stay human!
”
”
Abhijit Naskar (Azad Earth Army: When The World Cries Blood)
“
LATINO means Loud, Loving And Tenacious, Ingenious in Obscurity.
”
”
Abhijit Naskar (Azad Earth Army: When The World Cries Blood)
“
তোমার মতন
তোমার মতন আমি
ভালোবাসাকে ভালোবাসি, জীবন, মিষ্টি গন্ধ
সব জিনিসের, আকাশ-নীল
জানুয়ারি-দিনের উপত্যকা ।
আর আমার রক্ত গরম হয়ে যায়
আর আমি চোখ দিয়ে হাসি
যা অশ্রুর ফোঁটাগুলো জানে ।
আমি বিশ্বাস করি পৃথিবীটা সুন্দর
আর দারিদ্র্য, রুটির মতন, সকলের জন্য ।
আর আমার শিরাগুলো আমাতেই ফুরোয় না
বরং সর্বসাধারণের রক্তে
যারা জীবনের সংঘর্ষ করে চলেছে,
ভালোবাসা,
ছোটোখাটো জিনিস,
উপত্যকা আর রুটি
সবায়ের কবিতা ।
”
”
Roque Dalton (Antología Poética)