Lately Divine Quotes

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However late you think you are, however many chances you think you have missed, however many mistakes you feel you have made or talents you think you don’t have, or however far from home and family and God you feel you have traveled, I testify that you have not traveled beyond the reach of divine love. It is not possible for you to sink lower than the infinite light of Christ’s Atonement shines.
Jeffrey R. Holland
Wise men say, 'Forgiveness is divine, but never pay full price for late pizza.
Teenage Mutant Ninja Turtles
There is going to come a time when we have to accept who we are without the assistance of religion. That will be the dawn of true faith. We leave the big decisions to invisible consultants and pray we get the answers we are looking for. The late great George Carlin once said he gave up praying to God and started praying to Joe Pesci because his prayers to Joe Pesci were answered with as much accuracy and frequency as those to God. [...] If we as people are still looking for answers, we should turn our eyes away from the heavens and look to each other. I know we do not play well together - hell, some of us do not even like being in the same room with each other - but the divine lies in all of us. We are miracles. We are "god." If we shared a little more, we would not be left feeling less. We hold the keys to our own destinies. It is time we started looking for the locks.
Corey Taylor (Seven Deadly Sins: Settling the Argument Between Born Bad and Damaged Good)
Then I thought of the drive back, late at night, along the starlit river to this rickety antique New England hotel on a shoreline that I hoped would remind us both of the bay of B., and of Van Gogh's starry nights, and of the night I joined him on the rock and kissed him on the neck, and of the last night when we walked together on the coast road, sensing we'd run out of last-minute miracles to put off his leaving. I imagined being in his car asking myself, Who knows, would I want to, would he want to, perhaps a nightcap at the bar would decide, knowing that, all through dinner that evening, he and I would be worrying about the same exact thing, hoping it might happen, praying it might not, perhaps a nightcap would decide - I could just read it on his face as I pictured him looking away while uncorking a bottle of wine or while changing the music, because he too would catch the thought racing through my mind and want me to know he was debating the exact same thing, because, as he'd pour the wine for his wife, for me, for himself, it would finally dawn on us both that he was more me than I had ever been myself, because when he became me and I became him in bed so many years ago, he was and would forever remain, long after every forked road in life had done its work, my brother, my friend, my father, my son, my husband, my lover, myself. In the weeks we'd been thrown together that summer, our lives had scarcely touched, but we had crossed to the other bank, where time stops and heaven reaches down to earth and gives us that ration of what is from birth divinely ours. We looked the other way. We spoke of everything but. But we've always known, and not saying anything now confirmed it all the more. We had found the stars, you and I. And this is given once only.
André Aciman (Call Me by Your Name)
To err, as they say, is human. To forgive is divine. To err by withholding your forgiveness until it’s too late is to become divinely fucked up.
Jonathan Tropper (The Book of Joe)
But we never stopped believing that somewhere out there, in some stranger's backyard, our mother's rosebush was blossoming madly, wildly, pressing one perfect red flower after another out into the late afternoon light.
Julie Otsuka (When the Emperor Was Divine)
So they trust in the deity of the Old Testament, an incontinent dotard who soiled Himself and the universe with his corruption, a low-budget divinity passing itself off as the genuine article. (Ask the Gnostics.) They trust in Jesus Christ, a historical cipher stitched together like Frankenstein's monster out of parts robbed from the graves of messiahs dead and buried - a savior on a stick. They trust in the virgin-pimping Allah and his Drum Major Mohammed, a prophet-come-lately who pioneered a new genus of humbuggery for an emerging market of believers that was not being adequately served by existing religious products. They trust in anything that authenticates their importance as persons, tribes, societies, and particularly as a species that will endure in this world and perhaps in an afterworld that may be uncertain in its reality and unclear in its layout, but which states their craving for values "not of this earth" - that depressing, meaningless place their consciousness must sidestep every day.
Thomas Ligotti (The Conspiracy Against the Human Race)
(from: Age Sixty-nine) Often, lately, the night is a cold maw and stars the scattered white teeth of the gods, which spare none of us. At dawn I have birds, clearly divine messengers that I don't understand yet day by day feel the grace of their intentions.
Jim Harrison (In Search of Small Gods)
What is the Other?" they ask. The Other is the one who taught me whatI should be like, but not what I am. The Other believes that it is our obligation to spend our entire life thinking about how to get our hands on as much money a possible so that we will not die of hunger when we are old. So we think so much about money and our plans for acquiring it that we discover we are alive only when our days on earth are practically done. And then it's too late." And you? Who are you?" I am just like everyone else who listens to their heart: a person who is enchanted by the mystery of life. Who is open to miracles, who experiences joy and enthusiasm for what they do. It's just that the Other, afraid of disappointment,kept me from taking action." But there is suffering in life," one of the listeners said. And there are defeats. No one can avoid them. But it's better to lose some of the battles in the struggle for your dreams than to be defeated without ever even knowing what you're fighting for." That's it?" another listener asked. Yes, that's it. When I learned this, I resolved to become the person I had always wanted to be. The Other stood there in the corner of my room, watching me, but I will never let the Other into myself again----even though it has already tried to frighten me, warning me that it's risky not to think about the future. From the moment that I ousted the Other from my life, the Divine Energy began to perform its miracles.
Paulo Coelho (By the River Piedra I Sat Down and Wept)
Blind impatience is equally evident in the fruit section. Our ancestors might have delighted in the occasional handful of berries found on the underside of a bush in late summer, viewing it as a sign of the unexpected munificence of a divine creator, but we became modern when we gave up on awaiting sporadic gifts from above and sought to render any pleasing sensation immediately and repeatedly available.
Alain de Botton (The Pleasures and Sorrows of Work)
Being forced to learn the language of your oppressors is an oppression of the mind. They rewrite your history when you're too young to know what you're giving away, and before you know it, it's too late to reclaim what you've lost,' she had said. 'Patois is your island's tongue, Elara. It's your heritage. It is the true expression of your heart. Don't give it away.
Kamilah Cole (So Let Them Burn (Divine Traitors, #1))
The journey from first breath to death has nothing to do with miracles, how much you pray, coincidences, or divine intervention.
Colleen Hoover (Too Late)
My old black cat, he passed away this morning. He never knew what a heartache was. Woke up late and he danced till noon. If questioned why, answered just because. He never spoke much, preferring silence. Eight lost lives was all he had.
Ian S. Anderson
My Dearest Theresa, I have read this book in your garden, my love, you were absent, or else I could not have read it. It is a favourite book of mine. You will not understand these English words, and others will not understand them, which is the reason I have not scrawled them in Italian. But you will recognize the handwriting of him who passionately loved you, and you will divine that, over a book that was yours, he could only think of love. In that word, beautiful in all languages, but most so in yours, Amor mio, is comprised my existence here and thereafter. I feel I exist here, and I feel that I shall exist hereafter – to what purpose you will decide; my destiny rests with you, and you are a woman, eighteen years of age, and two out of a convent, I wish you had stayed there, with all my heart, or at least, that I had never met you in your married state. But all this is too late. I love you, and you love me, at least, you say so, and act as if you did so, which last is a great consolation in all events. But I more than love you, and cannot cease to love you. Think of me, sometimes, when the Alps and ocean divide us, but they never will, unless you wish it.
Lord Byron
When you are deeply hurt, no person on this earth can shut out the innermost fears and deepest agonies. The best of friends cannot really understand the battle you are going through or the wounds inflicted on you. Only God can shut out the waves of depression and feelings of loneliness and failure that come over you. Faith in God’s love alone can salvage the hurt mind. The bruised and broken heart that suffers in silence can be healed only by a supernatural work of the Holy Spirit, and nothing short of divine intervention really works.
David Wilkerson (Have You Felt Like Giving Up Lately?: Finding Hope and Healing When You Feel Discouraged)
Those who commend work. - In the glorification of 'work', in the unwearied talk of the 'blessing of work', I see the same covert idea as in the praise of useful impersonal actions: that of fear of everything individual. Fundamentally, one now feels at the sight of work - one always means by work that hard industriousness from early till late - that such work is the best policeman, that it keeps everyone in bounds and can mightily hinder the development of reason, covetousness, desire for independence. For it uses up an extraordinary amount of nervous energy, which is thus denied to reflection, brooding, dreaming, worrying, loving, hating; it sets a small goal always in sight and guarantees easy and regular satisfactions. Thus a society in which there is continual hard work will have more security: and security is now worshipped as the supreme divinity. - And now! Horror! Precisely the 'worker' has become dangerous! The place is swarming with 'dangerous individuals'! And behind them the danger of dangers - the individual!
Friedrich Nietzsche (Daybreak: Thoughts on the Prejudices of Morality)
To err, as they say, is human. To forgive is divine. To err by withholding your forgiveness until it's too late is to become divinely fucked up.
Jonathan Tropper (The Book of Joe)
Are you considering becoming a creative person? Too late, you already are one. To even call somebody "a creative person" is almost laughably redundant; creativity is the hallmark of our species. We have the sense for it; we have the curiosity for it; we have the opposable thumbs for it; we have the rhythm for it; we have the language and the excitement and the innate connection to divinity for it. If you're alive, you're a creative person. You and I and everyone you know are descended from tens of thousands of years of makers. Decorators, tinkerers, storytellers, dancers, explorers, fiddlers, drummers, builders, growers, problem-solvers, and embellishers--these are our common ancestors.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
At that time in my life I was never late. Only a year later would I suddenly have difficulty hanging on to any sense of time, leaving friends sitting, invariably, for a half hour here or there. Time would waft past me undetectably or absurdly - laughably when I could laugh - in quantities I was incapable of measuring or obeying. But that year, when I was twenty, I was as punctual as a priest. Were priests punctual? Cave-raised, divinely dazed, I believed them to be.
Lorrie Moore
The journey from first breath to death has nothing to do with miracles, how much you pray, coincidences, or divine intervention. Sometimes
Colleen Hoover (Too Late)
Too late did the socialist movement of the early twentieth century divine the coming of the Oligarchy. Even as it was divined, the Oligarchy was there—a fact established in blood,
Jack London (The Iron Heel)
Forgiveness is divine, but never pay full price for late pizza.
Michelangelo Buonarroti
That he had so often experienced the ready succours of Divine Grace upon all occasions, that from the same experience, when he had business to do, he did not think of it beforehand; but when it was time to do it, he found in GOD, as in a clear mirror, all that was fit for him to do. That of late he had acted thus, without anticipating care; but before the experience above mentioned, he had used it in his affairs.
Brother Lawrence (The Practice of the Presence of God)
A Song To Celia Drink to me, only with thine eyes And I will pledge with mine; Or leave a kiss but in the cup, And I’ll not look for wine. The thirst that from the soul doth rise Doth ask a drink divine: But might I of Jove’s nectar sup I would not change for thine. I sent thee late a rosy wreath, Not so much honouring thee As giving it a hope that there It could not withered be But thou thereon didst only breath And sent’st it back to me: Since, when it grows and smells, I swear, Not of itself but thee.
Ben Jonson
Can I, that these flowers’ obsequies attend, Divine how soon or late my life will end? Let others laugh flower-burial to see: Another year who will be burying me? As petals drop and spring begins to fail, The bloom of youth, too, sickens and turns pale. One day, when spring has gone and youth has fled. The Maiden and the flowers will both be dead.
Cao Xueqin (The Crab-Flower Club (The Story of the Stone #2))
To Judaism Christians ascribe the glory of having been the first religion to teach a pure monotheism. But monotheism existed long before the Jews attained to it. Zoroaster and his earliest followers were monotheists, dualism being a later development of the Persian theology. The adoption of monotheism by the Jews, which occurred only at a very late period in their history, was not, however, the result of a divine revelation, or even of an intellectual superiority, for the Jews were immeasurably inferior intellectually to the Greeks and Romans, to the Hindus and Egyptians, and to the Assyrians and Babylonians, who are supposed to have retained a belief in polytheism. This monotheism of the Jews has chiefly the result of a religious intolerance never before equaled and never since surpassed, except in the history of Christianity and Mohammedanism, the daughters of Judaism. Jehovistic priests and kings tolerated no rivals of their god and made death the penalty for disloyalty to him. The Jewish nation became monotheistic for the same reason that Spain, in the clutches of the Inquisition, became entirely Christian.
John E. Remsburg (The Christ)
And I see a lot of us, the producers, who write the books and make the books, accepting this--letting commodity profiteers sell us like deodorant, and tell us what to publish, what to write. Books aren't just commodities; the profit motive is often in conflict with the aims of art. We live in capitalism. Its power seems inescapable--but then, so did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art. Very often in our art, the art of words.
Ursula K. Le Guin (Late in the Day: Poems 2010–2014)
my father liked his Indian talk about the Great Spirit," Ridgeway said. "All these years late, I prefer the American spirit, the one that called us from the Old World to the New, to conquer and build and civilize. And destroy that what needs to be destroyed. To lift up the lesser races. If not lift up, subjugate. And if not subjugate, exterminate. One destiny by divine perscription--the American imperative.
Colson Whitehead (The Underground Railroad)
And what a cruel and terrible thing it is, to be a divine with such power and magic, and yet find yourself so small-minded and afraid that you decide to live out your endless days harming others. Instead of letting us choose to love you for the good you could be, you have forced us to serve you by way of pain and terror. That is unforgivable, and a lesson you will have learned too late, when you lose this war against us.
Rebecca Ross (Ruthless Vows (Letters of Enchantment, #2))
Jesus understood that God does not play by our rules. His God is a generous God, who not only allows the sun to shine on both the just and the unjust, but also gives us the ability to live into what should be rather than what is. The parables help us with their lessons about generosity: sharing joy, providing for others, recognizing the potential of small investments. His God wants us to be better than we are, because we have the potential to be. We are made but a little lower than the divine (Ps. 8.6; see Heb. 2.7); we should start acting in a more heavenly matter. Those who pray, “Your kingdom come,” might want to take some responsibility in the process, and so work in partnership with God. We too are to seek the lost and make every effort to find them. Indeed, we are not only to seek; we are to take notice of who might be lost, even when immediately present. The rich man ignores Lazarus at his gate, and the father of the prodigal ignored the elder son in the field. For the former, it is too late; for the latter, whether it is too late or not we do not know. But we learn from their stories. Don’t wait. Look now. Look hard. Count.
Amy-Jill Levine (Short Stories by Jesus: The Enigmatic Parables of a Controversial Rabbi)
Divine justice pursued its course; disasters came thick on me: I was forced to pass through the valley of the shadow of death. His chastisements are mighty; and one smote me which has humbled me for ever. You know I was proud of my strength: but what is it now, when I must give it over to foreign guidance, as a child does its weakness? Of late, Jane - only - only of late - I began to see and acknowledge the hand of God in my doom. I began to experience remorse, repentance; the wish for reconcilement to my Maker. I began to pray: very brief prayers they were, but very sincere.
Charlotte Brontë (Jane Eyre)
Higher LOVE has a mirror image...have you looked into it lately? When the wick of your soul is lit by love, it can magnify its purity, and diamond-like clarity; fired true to its perfection, in flawless reflection of affinity, and traceless etchings upon the heart, by detailed fingerprints of divinity.
Dr Tracey Bond
No wonder that tantra is so popular today in the West: it offers the ultimate "spiritual logic of late capitalism" uniting spirituality and earthly pleasures, transcendence and material benefits, divine experience and unlimited shopping. It propagates the permanent transgression of all rules, the violation of all taboos, instant gratification as the path to enlightenment; it overcomes old-fashioned "binary" thought, the dualism of mind and body, in claiming that the body at its most material (the site of sex and lust) is the royal path to spiritual awakening. Bliss comes from "saying yes" to all bodily needs, not from denying them: spiritual perfection comes from the insight that we already are divine and perfect, not that we have to achieve this through effort and discipline. The body is not something to be cultivated or crafted into an expression of spiritual truths, rather it is immediately the "temple for expressing divinity.
Slavoj Žižek (Living in the End Times)
Many people in this world are always looking to science to save them from something. But just as many, or more, prefer old and reputable belief systems and their sectarian offshoots for salvation. So they trust in the deity of the Old Testament, an incontinent dotard who soiled Himself and the universe with His corruption, a low-budget divinity passing itself off as the genuine article. (Ask the Gnostics.) They trust in Jesus Christ, a historical cipher stitched together like Frankenstein’s monster out of parts robbed from the graves of messiahs dead and buried—a savior on a stick. They trust in the virgin-pimping Allah and his Drum Major Mohammed, a prophet-come-lately who pioneered a new genus of humbuggery for an emerging market of believers that was not being adequately served by existing religious products. They trust in anything that authenticates their importance as persons, tribes, societies, and particularly as a species that will endure in this world and perhaps in an afterworld that may be uncertain in its reality and unclear in its layout, but which sates their craving for values not of this earth—that depressing, meaningless place their consciousness must sidestep every day.
Thomas Ligotti (The Conspiracy Against the Human Race: A Contrivance of Horror)
Who was not broken? Early, late, in pieces or parts? Rupture is the divine gift that will always make you see things and feel waves that not all see or feel them as you do.
Viorica Dragotel
Another time. I'm late for the show." "You're always late." Well, at least I'm consistent.
Libba Bray (Before the Devil Breaks You (The Diviners, #3))
The late Chuck Missler would often describe the sixty-six books of the Bible, penned by more than forty different people over a period of several thousand years, as a highly integrated message system from an extraterrestrial source outside of time. Like a hologram, a facet of the message is encoded on every page that, when illumined by the light of the Spirit, projects a multidimensional portrait of its divine Author and communicates his plan to redeem, reconcile, and restore the sons and daughters of Adam to the glory of their original estate in the family of God.
Timothy Alberino (Birthright: The Coming Posthuman Apocalypse and the Usurpation of Adam's Dominion on Planet Earth)
A man runs into an old friend who had somehow never been able to make it in life. "I should give him some money", he thinks. But instead he learns that his old friend has grown rich and is actually seeking him out to repay the debts he had run up over the years. They go to a bar they used to frequent together and the friend buys drinks for everyone there, When they ask him how he became so successful, he answers that until only a few days ago, he had been living the role of the Other. "What is the Other?", they ask. "The 'Other' is the one who taught me what I should be like, but not what I am. The Other believes that it is out obligations to spend our entire life thinking about how to get our hands on as much money as possible so that we will not die of hunger when we are old. So we think so much about money and our plans for acquiring it that we discover that we are alive only when our days on earth are practically done. And then it's too late." "And you? Who are you?" "I am just like everyone else who listens to their heart: a person who is enchanted by the mystery of life. Who is open to miracles, who experiences joy and enthusiasm for what they do. It's just that the Other, afraid of disappointment, kept me from taking actions". "But there is suffering in life", one of the listeners said. "And there are defeats. No one can avoid them. But it's better to lose some of the battles in the struggle for your dreams than to be defeated without ever even knowing what you're fighting for." "That's it?", another listener asked. "Yes, that's it. When I learned this, I resolved to become the person I had always wanted to be. The Other stood there in the corner of my room, watching me, but I will never let the Other into myself again - even though it has already tried to frighten me, warning me that it's risky not to think about the future." "From the moment that I ousted the Other from my life, the Divine Energy began to perform its miracles".
Paulo Coelho (By the River Piedra I Sat Down and Wept)
Wine, like sex, was an immanent divine force, and the wash of its warm ecstasy was experienced as a communion with Dionysus. It is hard for us to appreciate the invisible but ubiquitous effects of wine in the Roman Empire.
Kyle Harper (From Shame to Sin: The Christian Transformation of Sexual Morality in Late Antiquity (Revealing Antiquity Book 20))
The use of incense and processional lights has been of late discussed in the Anglican Church with considerably more fervour than knowledge, and it has assumed an importance in controversy all out of proportion to its merits.
E.G. Cuthbert F. Atchley (A History of the Use of Incense in Divine Worship)
¿Por qué te enamora mi faz de tal suerte que no te vuelves hacia el hermoso jardín que florece bajo los rayos de Cristo? Allí están la rosa en que el Verbo divino encarnó; y allí están los lirios por cuyo aroma se descubre el buen camino.
Dante Alighieri (The Divine Comedy, Volume III: Paradiso, Part 2: Commentary)
There is one hour in his life when we see a flash of utter physical action on Christ's part, an hour when this most curious of men must have experienced the sheer joyous exuberance of a young mammal in full flight: when he lets himself go and flings over the first money changer's table in the Temple at Jerusalem, coins flying, doves thrashing into the air, oxen bellowing, sheep yowling, the money changer going head-over-teakettle, all heads turning, what the...? You don't think Christ got a shot of utter childlike physical glee at that moment? Too late to stop now, his rage rushing to his head, his veiny carpenter's-son wiry arms and hard feet milling as he whizzes through the Temple overturning tables, smashing birdcages, probably popping a furious money-changer here and there with a quick left jab or a well-placed Divine Right Elbow to the money-lending teeth, whipping his scourge of cords against the billboard-size flank of an ox, men scrambling to get out of the way, to grab some of the flying coins, to get a punch in on this nutty rube causing all the ruckus... In all this holy rage and chaos, don't you think there was a little absolute boyish mindless physical jittery joy in the guy?
Brian Doyle (Credo: Essays on Grace, Altar Boys, Bees, Kneeling, Saints, the Mass, Priests, Strong Women, Epiphanies, a Wake, and the Haun)
The word spread. It began with the techno-literates: young summoners who couldn’t quite get their containment circles right and who had fallen back on Facebook to keep themselves occupied while the sacred incense was cooked in their mum’s microwaves; eager diviners who scoured the internet for clues as to the future of tomorrow, and who read the truth of things in the static at the corners of the screen; bored vampires who knew that it was too early to go out and hunt, too late still to be in the coffin. The message was tweeted and texted onwards, sent out through the busy wires of the city, from laptop to PC, PC to Mac, from mobile phones the size of old breeze blocks through to palm-held devices that not only received your mail, but regarded it as their privilege to sort it into colour-coordinated categories for your consideration. The word was whispered between the statues that sat on the imperial buildings of Kingsway, carried in the scuttling of the rats beneath the city streets, flashed from TV screen to TV screen in the flickering windows of the shuttered electronics stores, watched over by beggars and security cameras, and the message said: We are Magicals Anonymous. We are going to save the city.
Kate Griffin (Stray Souls (Magicals Anonymous, #1))
Jane! you think me, I daresay, an irreligious dog: but my heart swells with gratitude to the beneficent God of this earth just now. He sees not as man sees, but far clearer: judges not as man judges, but far more wisely. I did wrong: I would have sullied my innocent flower--breathed guilt on its purity: the Omnipotent snatched it from me. I, in my stiff-necked rebellion, almost cursed the dispensation; instead of bending to the decree, I defied it. Divine justice pursued its course; disasters came thick on me: I was forced to pass through the valley of the shadow of death. His chastisements are mighty; and one smote me which has humbled me for ever. You know I was proud of my strength: but what is it now, when I must give it over to foreign guidance, as a child does it weakness? Of late, Jane--only--only of late--I began to see and acknowledge the hand of God in my doom. I began to experience remorse, repentance; the wish for reconcilement to my Maker. I began sometimes to pray: very brief prayers they were, but very sincere.
Charlotte Brontë (Jane Eyre)
One day, soon after her disappearance, an attack of abominable nausea forced me to pull up on the ghost of an old mountain road that now accompanied, now traversed a brand new highway, with its population of asters bathing in the detached warmth of a pale-blue afternoon in late summer. After coughing myself inside out I rested a while on a boulder and then thinking the sweet air might do me good, walked a little way toward a low stone parapet on the precipice side of the highway. Small grasshoppers spurted out of the withered roadside weeds. A very light cloud was opening its arms and moving toward a slightly more substantial one belonging to another, more sluggish, heavenlogged system. As I approached the friendly abyss, I grew aware of a melodious unity of sounds rising like vapor from a small mining town that lay at my feet, in a fold of the valley. One could make out the geometry of the streets between blocks of red and gray roofs, and green puffs of trees, and a serpentine stream, and the rich, ore-like glitter of the city dump, and beyond the town, roads crisscrossing the crazy quilt of dark and pale fields, and behind it all, great timbered mountains. But even brighter than those quietly rejoicing colors - for there are colors and shades that seem to enjoy themselves in good company - both brighter and dreamier to the ear than they were to the eye, was that vapory vibration of accumulated sounds that never ceased for a moment, as it rose to the lip of granite where I stood wiping my foul mouth. And soon I realized that all these sounds were of one nature, that no other sounds but these came from the streets of the transparent town, with the women at home and the men away. Reader! What I heard was but the melody of children at play, nothing but that, and so limpid was the air that within this vapor of blended voices, majestic and minute, remote and magically near, frank and divinely enigmatic - one could hear now and then, as if released, an almost articulate spurt of vivid laughter, or the crack of a bat, or the clatter of a toy wagon, but it was all really too far for the eye to distinguish any movement in the lightly etched streets. I stood listening to that musical vibration from my lofty slope, to those flashes of separate cries with a kind of demure murmur for background, and then I knew that the hopelessly poignant thing was not Lolita's absence from my side, but the absence of her voice from that concord.
Vladimir Nabokov (Lolita)
And so when the generation, which itself desired to level and to be emancipated, to destroy authority and at the same time itself, has, through the scepticism of the principle association, started the hopeless forest fire of abstraction; when as a result of levelling with this scepticism, the generation has rid itself of the individual and of everything organic and concrete, and put in its place 'humanity' and the numerical equality of man and man: when the generation has, for a moment, delighted in this unlimited panorama of abstract infinity, unrelieved by even the smallest eminence, undisturbed by even the slightest interest, a sea of desert; then the time has come for work to begin, for every individual must work for himself, each for himself. No longer can the individual, as in former times, turn to the great for help when he grows confused. That is past; he is either lost in the dizziness of unending abstraction or saved for ever in the reality of religion. Perhaps very many will cry out in despair, but it will not help them--already it is too late...Nor shall any of the unrecognizable presume to help directly or to speak directly or to teach directly at the head of the masses, in order to direct their decisions, instead of giving his negative support and so helping the individual to make the decision which he himself has reached; any other course would be the end of him, because he would be indulging in the short-sighted compassion of man, instead of obeying the order of divinity, of an angry, yet so merciful, divinity. For the development is, in spite of everything, a progress because all the individuals who are saved will receive the specific weight of religion, its essence at first hand, from God himself. Then it will be said: 'behold, all is in readiness, see how the cruelty of abstraction makes the true form of worldliness only too evident, the abyss of eternity opens before you, the sharp scythe of the leveller makes it possible for every one individually to leap over the blade--and behold, it is God who waits. Leap, then, into the arms of God'. But the 'unrecognizable' neither can nor dares help man, not even his most faithful disciple, his mother, or the girl for whom he would gladly give his life: they must make the leap themselves, for God's love is not a second-hand gift. And yet the 'unrecognizable' neither can nor dares help man, not even his most faithful disciple, his mother, or the girl for whom he would gladly give his life: they must make the leap themselves, for God's love is not a second-hand gift. And yet the 'unrecognizable' (according to his degree) will have a double work compared with the 'outstanding' man (of the same degree), because he will not only have to work continuously, but at the same time labour to conceal his work.
Søren Kierkegaard (The Present Age)
John Houghton, in his article on Augustine and Tolkien, has made the point that there are in fact “two moments in the task of theology.” On the one hand, the theologian must “de-mythologize” and so render intelligible to his audience the meaning of divine revelation or sacred scripture by explaining it in terms of what they already know.2 It is this first task of theology with which St. Thomas was primarily involved, translating, as I suggested in the Introduction, the mythos of biblical revelation into the logos of Aristotle and the “vernacular” of late medieval scholasticism. “On the other hand,” Houghton continues, “the theologian faces the task of recovery, of restoring the power of images and stories that have grown weak from cultural change or from mere familiarity. In this sense the theologian’s task is not demythologizing but mythopoesis as...‘re-mythologizing’...
Jonathan S. McIntosh (The Flame Imperishable: Tolkien, St. Thomas, and the Metaphysics of Faerie)
Mlle. Daaé's curious action in going out at that hour had worried me at first; but, as soon as I saw her go to the churchyard, I thought that she meant to fulfill some pious duty on her father's grave and I considered this so natural that I recovered all my calmness. I was only surprised that she had not heard me walking behind her, for my footsteps were quite audible on the hard snow. But she must have been taken up with her intentions and I resolved not to disturb her. She knelt down by her father's grave, made the sign of the cross and began to pray. At that moment, it struck midnight. At the last stroke, I saw Mlle. Daaé lift her eyes to the sky and stretch out her arms as though in ecstasy. I was wondering what the reason could be, when I myself raised my head and everything within me seemed drawn toward the invisible, which was playing the most perfect music! Christine and I knew that music; we had heard it as children. But it had never been executed with such divine art, even by M. Daaé. I remembered all that Christine had told me of the Angel of Music. The air was The Resurrection of Lazarus, which old Mr. Daaé used to play to us in his hours of melancholy and of faith. If Christine's Angel had existed, he could not have played better, that night, on the late musician's violin.
Gaston Leroux (The Phantom of the Opera)
Do you know a Ukraine night? No, you do not know a night in the Ukraine. Gaze your full on it. The moon shines in the midst of the sky; the immeasurable vault of heaven seems to have expanded to infinity; the earth is bathed in silver light; the air is warm, voluptuous, and redolent of innumerable sweet scents. Divine night! Magical night! Motionless, but inspired with divine breath, the forests stand, casting enormous shadows and wrapped in complete darkness. Calmly and placidly sleep the lakes surrounded by dark green thickets. The virginal groves of the hawthorns and cherry-trees stretch their roots timidly into the cool water; only now and then their leaves rustle slumber; but there is a mysterious breath upon the heights. One falls into a weird and unearthly mood, and silvery apparitions rise from the depths. Divine night! Magical night! Suddenly the woods, lakes, and steppes become alive. The nightingales of the Ukraine are singing, and it seems as though the moon itself were listening to their song. The village sleeps as though under a magic spell; the cottages shine in the moonlight against the darkness of the woods behind them. The songs grow silent, and all is still. Only here and there is a glimmer of light in some small window. Some families, sitting up late, are finishing their supper at the threshholds of their houses.
Nikolai Gogol (Village Evenings Near Dikanka and Mirgorod)
Luxury means being able to relax and savor the moment, knowing that it doesn't get any better than this. Feeling that way doesn't require money. It doesn't require the perfect scenery. All that's required is an ability to survey a landscape that is disheveled, that is off-kilter, that is slightly unattractive or unsettling, and say to yourself: this is exactly how it should be. This requires a big shift in perspective: Since your thoughts and feelings can't simply be turned off, you have to train your thoughts and feelings to experience imperfections as acceptable or preferable--even divine. The sky is gray. A fly lands on you hand. Your cocktail is lukewarm. And still, for some reason, if you slow down and accept reality enough, it starts to feel right. Better than right. You are not comparing reality to some imagined perfect alternative. You are welcoming reality for what it already is. And what if you have no cocktail, because you're sober now? And what if your neck is aching? Maybe you're running late. Maybe you feel anxious. Still, you pay attention to each little fold, each disappointment, each impatient attempt by mind and body to "fix" what already is. And then surrender to all of it. These details are irreplaceable. They give the moment its value. The chance to soak in this mundane, uneven moment is the purest luxury of all.
Heather Havrilesky (What If This Were Enough?: Essays)
Besides (said he) do you not observe what a keen Edge Christian Faith puts upon the ill-nature of Divines, when they are disputing about matters of Religion? 'Tis common for Philosophers, Lawyers, Physicians, &c. to differ about matters which concern their Professions, and write one against another: But you will find some Temper and Decorum observed in their Writings. But let the Controversy be about any Branch of Christian Faith; and then see the Odium Theologorum, the Malice of Divines in the late Writings of two of your Church Doctors against each other; at least this shews that Christian Faith doth not improve the Temper of such Men who are of mean Birth, and narrow Education.
William Stephens (An account of the growth of deism in England)
When I go musing all alone Thinking of divers things fore-known. When I build castles in the air, Void of sorrow and void of fear, Pleasing myself with phantasms sweet, Methinks the time runs very fleet. All my joys to this are folly, Naught so sweet as melancholy. When I lie waking all alone, Recounting what I have ill done, My thoughts on me then tyrannise, Fear and sorrow me surprise, Whether I tarry still or go, Methinks the time moves very slow. All my griefs to this are jolly, Naught so mad as melancholy. When to myself I act and smile, With pleasing thoughts the time beguile, By a brook side or wood so green, Unheard, unsought for, or unseen, A thousand pleasures do me bless, And crown my soul with happiness. All my joys besides are folly, None so sweet as melancholy. When I lie, sit, or walk alone, I sigh, I grieve, making great moan, In a dark grove, or irksome den, With discontents and Furies then, A thousand miseries at once Mine heavy heart and soul ensconce, All my griefs to this are jolly, None so sour as melancholy. Methinks I hear, methinks I see, Sweet music, wondrous melody, Towns, palaces, and cities fine; Here now, then there; the world is mine, Rare beauties, gallant ladies shine, Whate'er is lovely or divine. All other joys to this are folly, None so sweet as melancholy. Methinks I hear, methinks I see Ghosts, goblins, fiends; my phantasy Presents a thousand ugly shapes, Headless bears, black men, and apes, Doleful outcries, and fearful sights, My sad and dismal soul affrights. All my griefs to this are jolly, None so damn'd as melancholy. Methinks I court, methinks I kiss, Methinks I now embrace my mistress. O blessed days, O sweet content, In Paradise my time is spent. Such thoughts may still my fancy move, So may I ever be in love. All my joys to this are folly, Naught so sweet as melancholy. When I recount love's many frights, My sighs and tears, my waking nights, My jealous fits; O mine hard fate I now repent, but 'tis too late. No torment is so bad as love, So bitter to my soul can prove. All my griefs to this are jolly, Naught so harsh as melancholy. Friends and companions get you gone, 'Tis my desire to be alone; Ne'er well but when my thoughts and I Do domineer in privacy. No Gem, no treasure like to this, 'Tis my delight, my crown, my bliss. All my joys to this are folly, Naught so sweet as melancholy. 'Tis my sole plague to be alone, I am a beast, a monster grown, I will no light nor company, I find it now my misery. The scene is turn'd, my joys are gone, Fear, discontent, and sorrows come. All my griefs to this are jolly, Naught so fierce as melancholy. I'll not change life with any king, I ravisht am: can the world bring More joy, than still to laugh and smile, In pleasant toys time to beguile? Do not, O do not trouble me, So sweet content I feel and see. All my joys to this are folly, None so divine as melancholy. I'll change my state with any wretch, Thou canst from gaol or dunghill fetch; My pain's past cure, another hell, I may not in this torment dwell! Now desperate I hate my life, Lend me a halter or a knife; All my griefs to this are jolly, Naught so damn'd as melancholy.
Robert Burton (The Anatomy of Melancholy: What It Is, With All the Kinds, Causes, Symptoms, Prognostics, and Several Cures of It ; in Three Partitions; With Their ... Historically Opened and Cut Up, V)
Being forced to learn the language of your oppressors is an oppression of the mind. They rewrite your history when you're too young to know what you're giving away, and before you know it, it's too late to reclaim what you've lost,' she had said. 'Patois is your island's tongue, Elara. It's your heritage. It is the true expression of your heart. Don't give it away.
Kamilah Cole (So Let Them Burn (Divine Traitors, #1))
And how about the "Daily Odes to the Benefactor"? Who can read them without bowing his head reverently before the selfless labors of this Number of Numbers? Or the terrible, blood-red beauty of the "Flowers of Judicial Verdicts" ? Or the immortal tragedy "He Who Was Late to Work"? Or the bedside book of "Stanzas on Sexual Hygiene"? The whole of life, in all its complexity and beauty, has been etched forever into the gold of words. Our poets no longer soar into the Empyrean; they have come down to earth; they go along in step with us to the stern mechanical March of the Musical Factory. Their lyre consists of the morning hum of electrical toothbrushes and the ominous crackle of the sparks in the Machine of the Benefactor; the majestic echo of the OneState Anthem and the intimate tinkle of the gleaming crystal chamberpot at night; the exciting clatter of lowering blinds , the merry voices of the latest cookbook, and the barely audible whisper of street membranes Our gods are here, below, with us—in the office, the kitchen, the workshop, the toilet; the gods have become like us. Ergo, we have become like gods. And we're headed your way, my unknown planetary readers , we're coming to make your life as divinely rational and precise as ours.
Yevgeny Zamyatin (We)
Eurus ad Auroram Nabathaeaque regna recessit, Persidaque, et radiis juga subdita matutinis.” “The East-Wind withdrew to Aurora and the Nabathæn kingdom, And the Persian, and the ridges placed under the morning rays. Man was born. Whether that Artificer of things, The origin of a better world, made him from the divine seed; Or the earth, being recent and lately sundered from the high Ether, retained some seeds of cognate heaven.
Henry David Thoreau (Walden)
It was the most divinely comfortable, elegant, luxurious hotel in the world, with exquisite suites, fabulous food, private cabanas where you could spend the entire day and even eat lunch without ever seeing another guest, lying on mattresses and deck chairs to get a tan, or lounge under a big umbrella, while waiters served food and drinks. You could swim in the Mediterranean, or the infinity pool. There was a gym, beautiful gardens, and impeccable service.
Danielle Steel (Never Too Late)
The Mysteries at Aegina were popular and continued to be sought out by citizens during the late Roman Era. In one example, Paulina, the wife of Praetextatus, wrote of her husband after his death that he was a pious initiate who internalised that which he found at the sacred rites, who learned many things and adored the Divine. Paulina’s husband had introduced her to ‘all the mysteries’ and in doing so ‘exempted her from death’s destiny’. Named specifically are the Mysteries of Eleusis, Kybele, Mithras and that of Hekate at Aegina, where Paulina was a Hierophant. “… her husband taught to her, the servant of Hecate, her “triple secrets” – whatever these secrets were, the Mysteries provided less “extraordinary experience” than soteriological hope and theological and philosophical knowledge.”[176] It is possible to assume that the beliefs and customs at Aegina had something in common with those at other temples associated with the annual Mysteries said to be established by Orpheus, like those of Eleusis. The Mysteries of Aegina were renowned, as this early Christian writer indicates, and it is possible to conclude that they had an element of oathbound secrecy as we know so little about them today. “For the mysteries of Mithras do not appear to be more famous among the Greeks than those of Eleusis, or than those in Aegina, where individuals are initiated in the rites of Hecate.”[177]
Sorita d'Este (Circle for Hekate - Volume I: History & Mythology (The Circle for Hekate Project Book 1))
Minutes, blithesome mortal, are bits of ore That you must not release without extracting the gold!  Remember, Time is a greedy player Who wins without cheating, every round! It's the law. The daylight wanes; the night deepens; remember! The abyss thirsts always; the water-clock runs low.  Soon will sound the hour when divine Chance, When august Virtue, your still virgin wife, When even Repentance (the very last of inns!), When all will say: Die, old coward! it is too late!
Charles Baudelaire (The Flowers of Evil)
In addition to legal assemblies such as the one at Thingvellir, major public rituals were part of the celebration of the three big festivals around which the Viking calendar turned. One of these was Winter Nights, which was held over several days during our month of October, which the Vikings considered to be the beginning of winter and of the new year generally. The boundary between the realm of the living and the realm of the dead was thin, and all sorts of uncanny things were bound to happen. At this festival, the divine powers were petitioned for the general prosperity of the people. The second critical festival was Yule at midwinter - late December and early January - Which, with the arrival of Christianity, was converted into Christmas. Offerings were made to the gods in hopes of being granted bountiful harvests in the coming growing season in return. The third major festival was called "Summer Time" (Sumarmál), and was held in April, which the Vikings considered to be the beginning of summer. When the deities were contacted during this festival, they were asked for success in the coming season's battles, raids, and trading expeditions. The exact time of these festivals differed between communities.
Daniel McCoy (The Viking Spirit: An Introduction to Norse Mythology and Religion)
Sunday Morning I Complacencies of the peignoir, and late Coffee and oranges in a sunny chair, And the green freedom of a cockatoo Upon a rug mingle to dissipate The holy hush of ancient sacrifice. She dreams a little, and she feels the dark Encroachment of that old catastrophe, As a calm darkens among water-lights. The pungent oranges and bright, green wings Seem things in some procession of the dead, Winding across wide water, without sound. The day is like wide water, without sound, Stilled for the passing of her dreaming feet Over the seas, to silent Palestine, Dominion of the blood and sepulchre. II Why should she give her bounty to the dead? What is divinity if it can come Only in silent shadows and in dreams? Shall she not find in comforts of the sun, In pungent fruit and bright, green wings, or else In any balm or beauty of the earth, Things to be cherished like the thought of heaven? Divinity must live within herself: Passions of rain, or moods in falling snow; Grievings in loneliness, or unsubdued Elations when the forest blooms; gusty Emotions on wet roads on autumn nights; All pleasures and all pains, remembering The bough of summer and the winter branch. These are the measures destined for her soul. III Jove in the clouds had his inhuman birth. No mother suckled him, no sweet land gave Large-mannered motions to his mythy mind He moved among us, as a muttering king, Magnificent, would move among his hinds, Until our blood, commingling, virginal, With heaven, brought such requital to desire The very hinds discerned it, in a star. Shall our blood fail? Or shall it come to be The blood of paradise? And shall the earth Seem all of paradise that we shall know? The sky will be much friendlier then than now, A part of labor and a part of pain, And next in glory to enduring love, Not this dividing and indifferent blue. IV She says, "I am content when wakened birds, Before they fly, test the reality Of misty fields, by their sweet questionings; But when the birds are gone, and their warm fields Return no more, where, then, is paradise?" There is not any haunt of prophecy, Nor any old chimera of the grave, Neither the golden underground, nor isle Melodious, where spirits gat them home, Nor visionary south, nor cloudy palm Remote on heaven's hill, that has endured As April's green endures; or will endure Like her remembrance of awakened birds, Or her desire for June and evening, tipped By the consummation of the swallow's wings
Wallace Stevens
There are four on whose pots the Holy One, blessed he, knocked, only to find them filled with piss, and these are they: Adam, Cain, the wicked Balaam, and Hezekiah." Again, an abrupt transposition from the divine to the domestic, from upper to lowly spheres, occurs in the midrash. The homely image of the Holy One knocking on pots apparently derives from the practice of tapping on a clay or earthen pot to hear its ring in order to decide if it is worthy of holding wine. In current Hebrew usage, the expression 'to assess or gauge someone's pot' still denotes taking in the measure of a person's character. From Adam's answer to God, we learn that he turned out to be a pisspot.
Shuli Barzilai (Tales of Bluebeard and His Wives from Late Antiquity to Postmodern Times (Routledge Studies in Folklore and Fairy Tales))
In the Roman empire of late antiquity, people worshipped the gods to ask for help during a crisis, to secure a divine blessing for the state and to experience a healing sense of continuity with the past. Religion was a matter of cult and ritual rather than ideas; it was based on emotion, not on ideology or consciously adopted theory. This is not an unfamiliar attitude today: many of the people who attend religious services in our own society are not interested in theology, want nothing too exotic and dislike the idea of change. They find that the established rituals provide them with a link with tradition and give them a sense of security. They do not expect brilliant ideas from the sermon and are disturbed by changes in the liturgy.
Karen Armstrong (A History of God: The 4,000-Year Quest of Judaism, Christianity and Islam)
There is something very pleasant in the close, bosom friendship, and bitter, uncompromising animosity, of these human gods, — of these human beings who would be gods were they not shorn so short of their divinity in that matter of immortality. If it were so arranged that the same persons were always friends, and the same persons were always enemies, as used to be the case among the dear old heathen gods and goddesses; — if Parliament were an Olympus in which Juno and Venus never kissed, the thing would not be nearly so interesting. But in this Olympus partners are changed, the divine bosom, now rabid with hatred against some opposing deity, suddenly becomes replete with love towards its late enemy, and exciting changes occur which give to the whole thing all the keen interest of a sensational novel.
Anthony Trollope (Complete Works of Anthony Trollope)
Creativity is the natural order of life. Life is energy—pure, creative energy. There is an underlying, indwelling creative force infusing all of life—including ourselves. When we open ourselves to our creativity, we open ourselves to the creator’s creativity within us and our lives. We are, ourselves, creations. And we, in turn, are meant to continue creativity by being creative ourselves. Creativity is God’s gift to us. Using our creativity is our gift back to God. The refusal to be creative is self-will and is counter to our true nature. When we open ourselves to exploring our creativity, we open ourselves to God: good, orderly direction. As we open our creative channel to the creator, many gentle but powerful changes are to be expected. It is safe to open ourselves up to greater and greater creativity. Our creative dreams and yearnings come from a divine source. As we move toward our dreams, we move toward our divinity.
Julia Cameron (It's Never Too Late to Begin Again: Discovering Creativity and Meaning at Midlife and Beyond (Artist's Way))
BASIC PRINCIPLES FOR CREATIVITY RECOVERY Creativity is the natural order of life. Life is energy—pure, creative energy. There is an underlying, indwelling creative force infusing all of life—including ourselves. When we open ourselves to our creativity, we open ourselves to the creator’s creativity within us and our lives. We are, ourselves, creations. And we, in turn, are meant to continue creativity by being creative ourselves. Creativity is God’s gift to us. Using our creativity is our gift back to God. The refusal to be creative is self-will and is counter to our true nature. When we open ourselves to exploring our creativity, we open ourselves to God: good, orderly direction. As we open our creative channel to the creator, many gentle but powerful changes are to be expected. It is safe to open ourselves up to greater and greater creativity. Our creative dreams and yearnings come from a divine source. As we move toward our dreams, we move toward our divinity.
Julia Cameron (It's Never Too Late to Begin Again: Discovering Creativity and Meaning at Midlife and Beyond (Artist's Way))
My hypothesis is mimetic: because humans imitate one another more than animals, they have had to find a means of dealing with contagious similarity, which could lead to the pure and simple disappearance of their society. The mechanism that reintroduces difference into a situation in which everyone has come to resemble everyone else is sacrifice. Humanity results from sacrifice; we are thus the children of religion. What I call after Freud the founding murder, in other words, the immolation of a sacrificial victim that is both guilty of disorder and able to restore order, is constantly re-enacted in the rituals at the origin of our institutions. Since the dawn of humanity, millions of innocent victims have been killed in this way in order to enable their fellow humans to live together, or at least not to destroy one another. This is the implacable logic of the sacred, which myths dissimulate less and less as humans become increasingly self-aware. The decisive point in this evolution is Christian revelation, a kind of divine expiation in which God through his Son could be seen as asking for forgiveness from humans for having revealed the mechanisms of their violence so late. Rituals had slowly educated them; from then on, humans had to do without. Christianity demystifies religion. Demystification, which is good in the absolute, has proven bad in the relative, for we were not prepared to shoulder its consequences. We are not Christian enough. The paradox can be put a different way. Christianity is the only religion that has foreseen its own failure. This prescience is known as the apocalypse. Indeed, it is in the apocalyptic texts that the word of God is most forceful, repudiating mistakes that are entirely the fault of humans, who are less and less inclined to acknowledge the mechanisms of their violence. The longer we persist in our error, the stronger God’s voice will emerge from the devastation. […] The Passion unveiled the sacrificial origin of humanity once and for all. It dismantled the sacred and revealed its violence. […] By accepting crucifixion, Christ brought to light what had been ‘hidden since the foundation of the world,’ in other words, the foundation itself, the unanimous murder that appeared in broad daylight for the first time on the cross. In order to function, archaic religions need to hide their founding murder, which was being repeated continually in ritual sacrifices, thereby protecting human societies from their own violence. By revealing the founding murder, Christianity destroyed the ignorance and superstition that are indispensable to such religions. It thus made possible an advance in knowledge that was until then unimaginable. […] A scapegoat remains effective as long as we believe in its guilt. Having a scapegoat means not knowing that we have one. Learning that we have a scapegoat is to lose it forever and to expose ourselves to mimetic conflicts with no possible resolution. This is the implacable law of the escalation to extremes. The protective system of scapegoats is finally destroyed by the Crucifixion narratives as they reveal Jesus’ innocence, and, little by little, that of all analogous victims. The process of education away from violent sacrifice is thus underway, but it is going very slowly, making advances that are almost always unconscious. […] Mimetic theory does not seek to demonstrate that myth is null, but to shed light on the fundamental discontinuity and continuity between the passion and archaic religion. Christ’s divinity which precedes the Crucifixion introduces a radical rupture with the archaic, but Christ’s resurrection is in complete continuity with all forms of religion that preceded it. The way out of archaic religion comes at this price. A good theory about humanity must be based on a good theory about God. […] We can all participate in the divinity of Christ so long as we renounce our own violence.
René Girard (Battling to the End: Conversations with Benoît Chantre)
It was late; I’d been sleeping. I woke up to the sound of him crying. The ward was dark, with only the light from the nurses’ station bleeding in. ‘Kid,’ he said to me, and his voice… his voice was like a ghost. Like that part of him had already died and had come back for the rest. ‘Kid, this is worse than Topeka.’ He told me that once, in the war, he’d come upon a German soldier in the grass with his insides falling out; he was just lying there in agony. The soldier had looked up at Sergeant Leonard, and even though they didn’t speak the same language, they understood each other with just a look. The German lying on the ground; the American standing over him. He put a bullet in the soldier’s head. He didn’t do it with anger, as an enemy, but as a fellow man, one soldier helping another. ‘One soldier helping another.’ That’s how he put it.” Again, Jericho fell quiet for a moment. “He told me what he needed me to do. Told me I didn’t have to. Told me that if I did, he’d make sure God would forgive me, if that’s what I was worried about. One soldier helping another.” Jericho fell quiet. Evie held so still she thought she might break. “I found his belt in the dresser and helped him into the wheelchair. The hall was quiet on the way to the shower. I remember how clean the floor was, like a mirror. I had to make a new hole in the leather to tighten it around his neck. Even without his arms and legs, he was heavy. But I was strong. Just before, he looked at me, and I’ll never forget his face as long as I live—like he’d just realized some great secret, but it was too late to do anything about it. ‘Some craps game, this life, kid. Don’t let ’em take you without a fight,’ he said.” Silence. A dog barking in the distance. A puff of wind against the glass, wanting to be let in. “After, I took the wheelchair back and parked it in the same spot. Then I slipped under the covers and pretended to sleep until it was morning and they found him. Then I did sleep. For twelve hours straight.
Libba Bray (The Diviners (The Diviners, #1))
A Prayer for Grace and Illumination Stay with me, Lord, for it is necessary to have You present so that I do not forget You. You know how easily I abandon You. Stay with me, Lord, because I am weak and I need Your strength, that I may not fall so often. Stay with me, Lord, for You are my life, and without You, I am without fervor. Stay with me, Lord, for You are my light, and without You, I am in darkness. Stay with me, Lord, to show me Your will. Stay with me, Lord, so that I hear Your voice and follow You. Stay with me, Lord, for I desire to love You very much, and always be in Your company. Stay with me, Lord, if You wish me to be faithful to You. Stay with me, Lord, for as poor as my soul is, I wish it to be a place of consolation for You, a nest of Love. Stay with me, Jesus, for it is getting late and the day is coming to a close, and life passes, death, judgment, eternity approaches. It is necessary to renew my strength, so that I will not stop along the way and for that, I need You. It is getting late and death approaches. I fear the darkness, the temptations, the dryness, the cross, the sorrows. O how I need You, my Jesus, in this night of exile! Stay with me tonight, Jesus, in life with all its dangers, I need You. Let me recognize You as Your disciples did at the breaking of bread, so that the Eucharistic Communion be the light which disperses the darkness, the force which sustains me, the unique joy of my heart. Stay with me, Lord, because at the hour of my death, I want to remain united to You, if not by Communion, at least by grace and love. Stay with me, Jesus, I do not ask for divine consolation, because I do not merit it, but, the gift of Your Presence, oh yes, I ask this of You! Stay with me, Lord, for it is You alone I look for. Your Love, Your Grace, Your Will, Your Heart, Your Spirit, because I love You and ask no other reward but to love You more and more. With a firm love, I will love You with all my heart while on earth and continue to love You perfectly during all eternity. Amen. —Saint Padre Pio of Pietrelcina
Patrick Madrid (A Year with the Bible: Scriptural Wisdom for Daily Living)
They were brought up that way by their parents. When they came to England, they were further mesmerised. They were impressed by English language, literature and English way of life. They considered the English as divine. Let us consider a specific case. The person is not a modern Hindu but a Muslim. His name is Sayyad Ahmad. He founded the Aligad Movement and asked Muslims to be slaves of the English forever. When he lived in England in late nineteenth century he wrote a letter to his friends describing life in England at that time. In a letter of 1869 he wrote – “The English have reasons to believe that we in India are imbecile brutes. What I have seen and daily seeing is utterly beyond imagination of a native in India. All good things, spiritual and worldly which should be found in man have been bestowed by the Almighty on Europe and especially on the English.” (Ref -Nehru’s Autobiography page 461). Above letter of Sayyad Ahmad would suffice to show how mentally degenerated and devoid of any self-respect, Indians had become. I have already illustrated this point by quoting experiences of Indians from the early days of Dadabhai Naoroji till I reached London in 1906. Gandhi came to London to study Law in 1888. His behaviour was no different to that described above. He too tried to use Top Hat, Tail Coat and expensive ties. Many other Indians have described their experiences in a similar manner. Motilal Nehru, like father of Arvind Ghosh too, was impressed by the British Raj. He sent his son Jawaharlal to England in his young age, who stayed in English hostels and so anglicised he had become that after studying in Cambridge University and becoming a Barrister in 1912 he paid no attention to Indian Politics which was taking shape in Europe. Anyone can verify my statements by referring to autobiographies of Gandhi, Nehru, Charudatta, and others. When the British called Indians as Brutes, instead of becoming furious, Indians would react – “Oh yes sir. We are indeed so and that is why, by divine dispensation, the British Raj has been established over us.“ I was trying to sow seeds of armed revolution to overthrow the British rule in India. The readers can imagine how difficult, well nigh impossible was my task. I was determined .
Anonymous
What a contrast between the course of Isaac and that pursued by the youth of our time, even among professed Christians! Young people too often feel that the bestowal of their affections is a matter in which self alone should be consulted—a matter that neither God nor their parents should in any wise control. Long before they have reached manhood or womanhood they think themselves competent to make their own choice, without the aid of their parents. A few years of married life are usually sufficient to show them their error, but often too late to prevent its baleful results. For the same lack of wisdom and self-control that dictated the hasty choice is permitted to aggravate the evil, until the marriage relation becomes a galling yoke. Many have thus wrecked their happiness in this life and their hope of the life to come. If there is any subject which should be carefully considered and in which the counsel of older and more experienced persons should be sought, it is the subject of marriage; if ever the Bible was needed as a counselor, if ever divine guidance should be sought in prayer, it is before taking a step that binds persons together for life.
Ellen Gould White (Patriarchs and Prophets)
MARCH 22 Eostre RENEWAL Eostre (YO-ster) is the Germanic goddess of spring. She is also called Ostara or Eastre, and her name is the origin of the word Easter, the name of the only feast day in the Christian calendar that is still tied to the moon. Eostre is a goddess of dawn, rebirth, and new beginnings. Her festival is celebrated on the first day of spring, when she is invoked at dawn with ritual fire, quickening the land, while the full moon symbolically sets behind her. Eostre’s return each spring warms the ground, preparing for a new cycle of growth. One year the goddess was late, and a little girl found a bird near death from the cold. The child turned to Eostre for help. In response a rainbow bridge appeared and Eostre came, clothed in her red robe of vibrant sunlight, melting the snows. Because the creature was wounded beyond repair, Eostre changed it into a snow hare, who then brought gifts of rainbow eggs. Hares and rainbows are sacred to her, as is the full moon, since the ancients saw the image of a hare in its markings. CONTEMPLATION Sometimes, old forms must be surrendered gracefully in order for life to be reborn in new and higher forms.
Julie Loar (Goddesses for Every Day: Exploring the Wisdom and Power of the Divine Feminine around the World)
Your life is not an episode of Skins. Things will never look quite as good as they do in a faded, sun-drenched Polaroid; your days are not an editorial from Lula. Your life is not a Sofia Coppola movie, or a Chuck Palahniuk novel, or a Charles Bukowski poem. Grace Coddington isn’t your creative director. Bon Iver and Joy Division don’t play softly in the background at appropriate moments. Your hysterical teenage diary isn’t a work of art. Your room probably isn’t Selby material. Your life isn’t a Tumblr screencap. Every word that comes out of your mouth will not be beautiful and poignant, infinitely quotable. Your pain will not be pretty. Crying till you vomit is always shit. You cannot romanticize hurt. Or sadness. Or loneliness. You will have homework, and hangovers and bad hair days. The train being late won’t lead to any fateful encounters, it will make you late. Sometimes your work will suck. Sometimes you will suck. Far too often, everything will suck - and not in a Wes Anderson kind of way. And there is no divine consolation - only the knowledge that we will hopefully experience the full spectrum - and that sometimes, just sometimes, life will feel like a Coppola film.
Anonymous
In fifth–sixth-century Athens, philosophy appears more and more as a systematic whole, its study guided by a canon of authoritative works, including both Aristotle and Plato. The peak of the philosophical curriculum is no longer metaphysics, but theology, i.e.,a philosophical discourse about the divine principles, whose sources lie first and foremost in the revelations of late paganism and then in Plato’s dialogues, allegorically interpreted as conveying his theological doctrine. […] Both the Platonic Theology and the Elements of Theology begin with the One, the First Principle. Departing from Plotinus, who was convinced that the suprasensible causes were but three – the One-Good, Intellect, and Soul – the two Proclean works expound the procession of multiplicity from the One as the derivation of a series of intermediate principles, first between the One and the intelligible being, then between the intelligible being and the divine Intellect (and intellects), and then between the divine Intellect and the divine Soul (and souls). For Proclus, an entire hierarchy of divine principles lies both outside the visible universe and within it, and the human soul, fallen into the world of coming-to-be and passing away, can return to the First Principle only through the “appropriate mediations.” [...] Philosophy, insofar as it celebrates the truly divine principles of the visible cosmos, is prayer.
Peter S. Adamson (The Cambridge Companion to Arabic Philosophy (Cambridge Companions to Philosophy))
(Murmurs) The ghostly words that I hear from the ones that speak to me are saying something like- ‘Look out for the stars that shine for you in hope. But- be aware to not fall into the deception. Do not mistake a star for a black hole, in the days of days, and the times of time, where the banners will be the red blood your loved one will have to shed. This will show the light upon the fault line. When their vials break free upon you and them. This may pull you around while looking at the ground. If you see this coming it is already too late for them to run, your loved one will be under the rains of fire, with the fight of freedom, and honor, with dust and sun. Remember you will have some loss indoors, yet the footprints have been made, and the boots will bring you and them home. Think of keeping the angels near. Yet always look up even when you are knocked down by life. The stars that we know, and love may just fall to us in a cloud of white dust, and life as we know it may not be here, and surely nothing will be clear.’ I do not know what it means- do you? Should I be scared? What are they telling me? Is this in my future? (Spirit and evil life) It is interesting how you can find your Angel, and how they can find you. I still believe it is a blessing to be able to see an angel. However, the sisters must have heard the voices of hope and how they have spoken down on me, and they are going to try to reverse it and use it against me like a hex like they have been doing all these days in the past. This makes me believe, they have dark powers for themselves… for them to know my abilities, which come from the divine. They must have some kind of inkling or something. As I said, I think the sisters and the clan took things way too far, and it got out of hand. They were in the moment of high ecstasy with their erotic acts, they had complete authority over their meek victim.
Marcel Ray Duriez (Nevaeh The Lusting Sapphire Blue Eyes)
Most of the mortgaged farmers. Most of the white-collar workers who had been unemployed these three years and four and five. Most of the people on relief rolls who wanted more relief. Most of the suburbanites who could not meet the installment payments on the electric washing machine. Such large sections of the American Legion as believed that only Senator Windrip would secure for them, and perhaps increase, the bonus. Such popular Myrtle Boulevard or Elm Avenue preachers as, spurred by the examples of Bishop Prang and Father Coughlin, believed they could get useful publicity out of supporting a slightly queer program that promised prosperity without anyone's having to work for it. The remnants of the Kuklux Klan, and such leaders of the American Federation of Labor as felt they had been inadequately courted and bepromised by the old-line politicians, and the non-unionized common laborers who felt they had been inadequately courted by the same A.F. of L. Back-street and over-the-garage lawyers who had never yet wangled governmental jobs. The Lost Legion of the Anti-Saloon League—since it was known that, though he drank a lot, Senator Windrip also praised teetotalism a lot, while his rival, Walt Trowbridge, though he drank but little, said nothing at all in support of the Messiahs of Prohibition. These messiahs had not found professional morality profitable of late, with the Rockefellers and Wanamakers no longer praying with them nor paying. Besides these necessitous petitioners, a goodish number of burghers who, while they were millionaires, yet maintained that their prosperity had been sorely checked by the fiendishness of the bankers in limiting their credit. These were the supporters who looked to Berzelius Windrip to play the divine raven and feed them handsomely when he should become President, and from such came most of the fervid elocutionists who campaigned for him through September and October.
Sinclair Lewis (It Can't Happen Here)
Many people today acquiesce in the widespread myth, devised in the late 19th century, of an epic battle between ‘scientists’ and ‘religionists’. Despite de unfortunate fact that some members of both parties perpetuate the myth by their actions today, this ‘conflict’ model has been rejected by every modern historian of science; it does not portray the historical situation. During the 16th and 17th centuries and during the Middle Ages, there was not a camp of ‘scientists’ struggling to break free of the repression of ‘religionists’; such separate camps simply did not exist as such. Popular tales of repression and conflict are at best oversimplified or exaggerated, and at worst folkloristic fabrications. Rather, the investigators of nature were themselves religious people, and many ecclesiastics were themselves investigators of nature. The connection between theological and scientific study rested in part upon the idea of the Two Books. Enunciated by St. Augustine and other early Christian writers, the concept states that God reveals Himself to human beings in two different ways – by inspiring the sacred writers to pen the Book of Scripture, and by creating the world, the Book of Nature. The world around us, no less than the Bible, is a divine message intended to be read; the perceptive reader can learn much about the Creator by studying the creation. This idea, deeply ingrained in orthodox Christianity, means that the study of the world can itself be a religious act. Robert Boyle, for example, considered his scientific inquiries to be a type of religious devotion (and thus particularly appropriate to do on Sundays) that heightens the natural philosopher’s knowledge and awareness of God through the contemplation of His creation. He described the natural philosopher as a ‘priest of nature’ whose duty it was to expound and interpret the messages written in the Book of Nature, and to gather together and give voice to all creation’s silent praise of its Creator.
Lawrence M. Principe (Scientific Revolution: A Very Short Introduction)
We are the music makers, And we are the dreamers of dreams, Wandering by lone sea-breakers, And sitting by desolate streams; — World-losers and world-forsakers, On whom the pale moon gleams: Yet we are the movers and shakers Of the world for ever, it seems. With wonderful deathless ditties We build up the world's great cities, And out of a fabulous story We fashion an empire's glory: One man with a dream, at pleasure, Shall go forth and conquer a crown; And three with a new song's measure Can trample a kingdom down. We, in the ages lying, In the buried past of the earth, Built Nineveh with our sighing, And Babel itself in our mirth; And o'erthrew them with prophesying To the old of the new world's worth; For each age is a dream that is dying, Or one that is coming to birth. A breath of our inspiration Is the life of each generation; A wondrous thing of our dreaming Unearthly, impossible seeming — The soldier, the king, and the peasant Are working together in one, Till our dream shall become their present, And their work in the world be done. They had no vision amazing Of the goodly house they are raising; They had no divine foreshowing Of the land to which they are going: But on one man's soul it hath broken, A light that doth not depart; And his look, or a word he hath spoken, Wrought flame in another man's heart. And therefore to-day is thrilling With a past day's late fulfilling; And the multitudes are enlisted In the faith that their fathers resisted, And, scorning the dream of to-morrow, Are bringing to pass, as they may, In the world, for its joy or its sorrow, The dream that was scorned yesterday. But we, with our dreaming and singing, Ceaseless and sorrowless we! The glory about us clinging Of the glorious futures we see, Our souls with high music ringing: O men! it must ever be That we dwell, in our dreaming and singing, A little apart from ye. For we are afar with the dawning And the suns that are not yet high, And out of the infinite morning Intrepid you hear us cry — How, spite of your human scorning, Once more God's future draws nigh, And already goes forth the warning That ye of the past must die. Great hail! we cry to the comers From the dazzling unknown shore; Bring us hither your sun and your summers; And renew our world as of yore; You shall teach us your song's new numbers, And things that we dreamed not before: Yea, in spite of a dreamer who slumbers, And a singer who sings no more.
Arthur O'Shaughnessy (Music And Moonlight: Poems And Songs)
[T]he great decided effective Majority is now for the Republic," he told Jefferson in late October 1792, but whether it would endure for even six months "must depend on the Form of Government which shall be presented by the Convention" and whether it could "strike out that happy Mean which secures all the Liberty which Circumstances will admit of combin'd with all the Energy which the same Circumstances require; Whether they can establish an Authority which does not exist, as a Substitute (and always a dangerous Substitute) for that Respect which cannot be restor'd after so much has been to destroy it; Whether in crying down and even ridiculing Religion they will be able on the tottering and uncertain Base of metaphisic Philosophy to establish a solid Edifice of morals, these are Questions which Time must solve." At the same time he predicted to Rufus King that "we shall have I think some sharp struggles which will make many men repent of what they have done when they find with Macbeth that they have but taught bloody Instructions which return to plague the Inventor." . . . In early December, he wrote perhaps his most eloquent appraisal of the tragic turn of the [French] Revolution, to Thomas Pinckney. "Success as you will see, continues to crown the French Arms, but it is not our Trade to judge from Success," he began. "You will soon learn that the Patriots hitherto adored were but little worthy of the Incense they received. The Enemies of those who now reign treat them as they did their Predecessors and as their Successors will be treated. Since I have been in this Country, I have seen the Worship of many Idols and but little [illegible] of the true God. I have seen many of those Idols broken, and some of them beaten to Dust. I have seen the late Constitution in one short Year admired as a stupendous Monument of human Wisdom and ridiculed as an egregious Production of Folly and Vice. I wish much, very much, the Happiness of this inconstant People. I love them. I feel grateful for their Efforts in our Cause and I consider the Establishment of a good Constitution here as the principal Means, under divine Providence, of extending the blessings of Freedom to the many millions of my fellow Men who groan in Bondage on the Continent of Europe. But I do not greatly indulge the flattering Illusions of Hope, because I do not yet perceive that Reformation of Morals without which Liberty is but an empty Sound." . . . [H]e believed religion was "the only solid Base of Morals and that Morals are the only possible Support of free governments." He described the movement as a "new Religion" whose Votaries have the Superstition of not being superstitious. They have with this as much Zeal as any other Sect and are as ready to lay Waste the World in order to make Proselytes.
Melanie Randolph Miller (Envoy to the Terror: Gouverneur Morris and the French Revolution)
I have been negligent this month past, in these three things: I have not been watchful enough over my appetites, in eating and drinking; in rising too late in the morning; and in not applying myself with sufficient application to the duty of secret prayer.
Jonathan Edwards (The Complete Works of Jonathan Edwards: Christ Exalted, Sinners in the Hands of the Angry God, A Divine and Supernatural Light, Christian Knowledge, On ... (59 Books With Active Table of Contents))
Notice I have not used the word vulnerable to describe Olson or McRaven. The concept of vulnerability has been made popular by the talented author Brené Brown. This has become a buzzword in corporate training as of late. But telling SEALs or any military operators to be vulnerable is like advising them to expose their back to the enemy. It makes far more sense to me that leaders be authentic—open to being wrong, open to other people’s ideas and perspectives, and courageous in connecting to their heart and connecting at a heart level with their teammates.
Mark Divine (Staring Down the Wolf: 7 Leadership Commitments That Forge Elite Teams)
and recrimination.  late 17th cent.: from early modern Dutch (denoting a mythical whirlpool supposed to exist in the Arctic Ocean, west of Norway), from maalen 'grind, whirl' + stroom 'stream'. mae·nad   n. (in ancient Greece) a female follower of Bacchus, traditionally associated with divine possession and frenzied rites.   mae·nad·icadj.  late 16th cent.: via Latin from Greek Mainas, Mainad-, from mainesthai 'to rave'. ma·es·to·so [MUSIC]   adv. & adj. (esp. as a direction) in a majestic manner.   n. (pl.-sos) a movement or passage marked to be performed in this way.  Italian, 'majestic', based on Latin majestas 'majesty'. maes·tro   n. (pl.maes·tri or maes·tros) a distinguished musician, esp. a conductor of classical music.  a great or distinguished figure in any sphere: a movie maestro.  early 18th cent.: Italian, 'master', from Latin magister.
Oxford University Press (The New Oxford American Dictionary)
The heyday of conspiracy theories had been the reaction to the French Revolution. Like a virus, they would come to life every time that society was led into a state of anxiety and fears. But in the Modern Era they turned into a true secular religion. The surge of these theories in the Modern Era reflected the need to explain the collapse of a seemingly unshakeable ancien régime. This collapse was so unexpected, the break with medieval civilization so inevitable, and the upheaval so profound and so fraught with far-reaching economic, social, and political consequences that it needed an explanation. But the level of a patriarchal society's political culture changed too little, and the earlier one remained the explanatory matrix. Hence Divine Providence did not disappear, but a new fetish came to replace God: humans will and reason. In this respect, conspiracy is a sort of replacement of Revelation for an ill-defined, immature patriarchal consciousness disintegrating under the pressure of the Enlightenment, already having lost the integrity of faith but not yet having gained a basis in reason. Conspiracy gives the masses who have been cast out of the traditional matrices of thought explanations of the world missing outside of religion. Hence it contains elements of both religion (a parallel reality fitted to a ready-made picture of the world, teleologism) and rationalism (total logicalization, the search for cause-and-effect links and the hidden reasons for a phenomena lying within the interests of agents, and fitting the world into a logically interconnected system). This drama that burst onto Europe after the French Revolution finally arrived in Russia, with a century's delay.
Evgeny Dobrenko (Late Stalinism: The Aesthetics of Politics)
MOST PEOPLE IN the West spend their time waiting for Godot, but of course he never comes. They also wait for the Messiah, but we know he always arrives a day too late. What is everyone waiting for? Divine intervention? The Deus ex machina that solves every problem? Don’t you get it? – no one’s ever coming. Ever. The world-historic figures, the men and women of destiny, aren’t waiting. They’re out doing things, being active, making things happen.
Adam Weishaupt (The Triune Brain, Hypnosis and the Evolution of Consciousness)
I look at the augusteum and I think that perhaps my life has not actually been so chaotic after all it is merely this world that is chaotic b ringing changes to us all threat nobody could have anticipated. The augusteum warns me not to get attached to any obsolete ideas about who i am what i represent whom i belong to or what function I may once have intended to serve. Yesterday i might have been a glorious monument to somebody, true enough but tomorrow i could be a firework's depository, even in the eternal city says the silent augusteum . one must always be prepared for riotous and endless waves of transformation. pizzaeria da michele Passato remoto In her world the roman forum is not remote nor is it past. It is exactly as present and close to her as i am. The bhagavata Gita that ancient Indian yogic test says that it is better to live your own destiny imperfectly than to live an imitation of somebody else's life with perfection. So now i have started living my own life, perfected clumsy as it may look it is resembling me now thoroughly. It was in a bathtub back in new York reading Italian words aloud from a dictionary that i first started mending my soul. My life had gone to bits, and I was so unrecognizable to myself that i probably couldn't have picked me out of a police lineup. But i felt a glimmer of happiness when i started studying Italian, and when you sense a faint potentiality for happiness after such dark times you must grip onto the ankles of that happiness and not let go until it drags you face first out of the dirt this is not selfishness but obligation you were given life it is your duty and also your entitlement as a human being to find somehtign beautiful within life no mattter how slight But i do know that i have collected me of late through the enjoyment of harmless pleasures into somebody much more intact . I have e put on weight I exist more now than i did four months ago. I will leave Italy noticeably bigger than when i arrived here. And i will leave with the hope that the expansion of one person the magnification of one life is indeed an act of worth in this world, Even if that life, just this one time, happens to be nobody s but my own . Hatha yoga one limb of the philosophy the ancients developed these physical stretches not for personal fitness but to loosen up their muscles and minds in order to prepare them for meditation, Yoga can also mean trying to find God through meditation through scholarly study. The yogic path is about disentangling the built-in glitches of the human condition which i[m going to very simply define here as the heartbreaking inability to sustain contentment. Taoists call it imbalance Buddhism calls it ignorance Islam blames our misery on rebellion against god and the jedio Christian tradition attributes all our suffering to original sin, Graduands say that unhappiness is that inevitable result of the clash between our natural drives and civilization needs and my friend Deborah the psychologist explains it desire is the design flaw the yogis however say that human discontentment is a simple case of mistaken identity we're miserable because we think that we are mere individuals alone with our fears and flaws an d resentment sand mortality we wrongly believe that our limited little egos constitute our whole entire nature, We have failed to recognize our deeper divine character we don't realize that somewhere within us all there does exist a supreme self is our true identity universal and divine . you bear God within your poor wretch and know it not.
Elizabeth Gilbert
It is in the Dionysian mysteries where I have noted the most tantalizing hints of a Proto-Indo-European creation story in Ancient Greece. Specifically, we see similar narratives in association with the Orphic mysteries, a secretive cult which was supposedly initiated by the poet Orpheus. Orphic beliefs are difficult to pin down with specificity, but there is a widely attested Orphic belief that humans were created from the bodies of titans. Either their limbs, ashes, or blood. The specific variant quoted from Olympiodorus is one of the latest and best known. In his narrative, the Titans attack Dionysus, who turns into a bull to try to escape them. The titans then tear him (still in the form of a bull) limb from limb and devour him, thus symbolically performing the sacrificial Dionysian rite of Omophagia. Later, Zeus incinerates the titans and mankind is created from their ashes.10 According to the late Roman writer Olympiodorus, the implication is that humans have some “titanic” essence in them, but also some Dionysian essence.11 Thus, humans are the product of a sacrificial rite involving a divine bull-man.
T. D. Kokoszka (Bogowie: A Study of Eastern Europe's Ancient Gods)
Indeed, queens are traditionally heads of state because they’re the creative arm of faerie. In essence, what’s more divine than creativity? Nothing. That’s how all religious stories begin. With an introduction to the all-powerful describing how he or she created the world.
Victoria Danann (Midlife Mojo (Not Too Late, #3))
WE ARE THE ARTISTS AS WELL AS THE ART As far-fetched as this idea may sound to many people, it is precisely at the crux of some of the greatest controversies among some of the most brilliant minds in recent history. In a quote from his autobiographical notes, for example, Albert Einstein shared his belief that we’re essentially passive observers living in a universe already in place, one in which we seem to have little influence: “Out yonder there was this huge world,” he said, “which exists independently of us human beings and which stands before us like a great, eternal riddle, at least partially accessible to our inspection and thinking.”2 In contrast to Einstein’s perspective, which is still widely held by many scientists today, John Wheeler, a Princeton physicist and colleague of Einstein, offers a radically different view of our role in creation. In terms that are bold, clear, and graphic, Wheeler says, “We had this old idea, that there was a universe out there, [author’s emphasis] and here is man, the observer, safely protected from the universe by a six-inch slab of plate glass.” Referring to the late-20th-century experiments that show us how simply looking at something changes that something, Wheeler continues, “Now we learn from the quantum world that even to observe so minuscule an object as an electron we have to shatter that plate glass: we have to reach in there…. So the old word observer simply has to be crossed off the books, and we must put in the new word participator.”3 What a shift! In a radically different interpretation of our relationship to the world we live in, Wheeler states that it’s impossible for us to simply watch the universe happen around us. Experiments in quantum physics, in fact, do show that simply looking at something as tiny as an electron—just focusing our awareness upon what it’s doing for even an instant in time—changes its properties while we’re watching it. The experiments suggest that the very act of observation is an act of creation, and that consciousness is doing the creating. These findings seem to support Wheeler’s proposition that we can no longer consider ourselves merely onlookers who have no effect on the world that we’re observing.
Gregg Braden (The Divine Matrix: Bridging Time, Space, Miracles, and Belief)
The wings and snakes may have been late additions to the portrayal of Medusa, but they are nonetheless a natural concomitant of the ferocious death Goddess. Wings were added to Medusa’s iconography ca. 800 BCE, by the Greeks; later on, she was described as winged in text as well. In the portrayal of the Medusa from Miletus, Medusa is associated with snakes but she is not snaky herself. Nonetheless, she accrued the iconography of the Neolithic bird and snake Goddess, the Great Goddess of birth, death, and regeneration.
Miriam Robbins Dexter (Re-visioning Medusa: from Monster to Divine Wisdom)
In Aramaic “Mar” means “Lord.” “Maran” means “Our Lord.” Maranatha can be translated as either, “Our Lord, Come” (Marana tha) or “Our Lord has come” (Maran atha). Those who argue that Jesus spoke only Hebrew admit that Maranatha is indeed Aramaic but then state that when Paul uses it he “is writing to his non-Israelite, non-Hebrew-speaking audience.”  But Corinth is between Athens and Sparta! This was a Greek and not an Aramaic-speaking region. Paul uses the “Maranatha” prayer because it is a prayer of the Aramaic speaking mother-church in Jerusalem. The Maranatha prayer has greater significance than just a prophetic significance. Ben Witherington III notes the importance of the Maranatha prayer in his book The Brother of Jesus, “In concluding his letter, Paul, in 1 Corinthians 16:22 offers up a prayer in Aramaic, “Maranatha”, which means “Come, Lord.” In other words, Jesus is already called Lord by Aramaic speaking Jewish-Christians, and he is prayed to. Now, early Jews did not pray to people who were merely revered dead rabbis, teachers, or even prophets. They might well pray for a rabbi to be raised on the last day, but they would not pray to him and implore him to come. Yet, that is what Paul is doing here, and he is probably echoing a prayer he heard offered in the Jerusalem church, where such prayers were spoken in Aramaic. The dramatic importance of such a prayer should not be underestimated. Jews were forbidden to pray to someone other than God. This prayer strongly suggests that Jesus was included within the earliest Aramaic Jewish Christians understanding of God. In other words, Jesus was already viewed very early on as divine by his earliest followers, and this included James [the Just]. The notion that seeing Jesus as a divine figure was added only late in the first century and was done so only by Gentiles  is simply not true.
Stephen Andrew Missick (The Language of Jesus: Introducing Aramaic)
There are those who discover their purpose later in life. Therefore, it is never too late for you to find yours now. Do not count yourself out. You are a child of the Most High, with greater things to achieve in life.
Gift Gugu Mona (Your Life, Your Purpose: 365 Motivational Quotes)
Your success will not happen at the same time as that of others. However, being late does not mean you have failed. If you discover your purpose later in life, it is still okay. Even though it might have taken a while, at least you would have discovered why you were born.
Gift Gugu Mona (Your Life, Your Purpose: 365 Motivational Quotes)
The first time I saw you were mine, It was a late evening such as this. …and your smile was equally divine, and you've held our future in your fist. And your grip was, so overly tight, For a moment, rather crushed then held, Like a rose. When your words took flight, Fragrance fell - right beside my bed. It bled out. Like all things forsaken, With a knife, like everything so dear - At once ripped. Like the vows we've taken, Forgotten, began to disappear. Disillusioned. Isn't it so funny? Illusions take most space in our hearts. Your smile - it's like milk and honey, And poetry... Poetry is art.
Aleksandra Ninković
She came over and tried to comfort him. However, he lost the reason in the moment of rage and completely lost control of himself. He just flung up his sleeve and threw the child out like a doll; by the time his mind realized what he has done and tried to rush and protect her, it was too late. He watched helplessly as she bumped into the stone wall like a broken porcelain doll. How did this happen?! At that moment, the teenager who had been sitting for many days, finally jumped up in surprise, ran to her and picked her up, then rushed out of the cave with the dying child in his arms; jumped onto the divine bird, and flew desperately to Menghua Peak in the northwest, completely forgetting the anger and hatred that engulfed his heart a moment ago.
沧月 (Zhuyan (With Prequel of Mirror) 朱颜(附镜子上卷镜前传))
Blind impatience is equally evident in the fruit section. Our ancestors might have delighted in the occasional handful of berries found on the underside of a bush in late summer, viewing it as a sign of the unexpected munificence of a divine creator, but we became modern when we gave up on awaiting sporadic gifts from above and sought to render any pleasing sensation immediately and repeatedly available.
Alain de Botton (The Pleasures and Sorrows of Work: t/c (Vintage International))
The most important mystery of ancient Egypt was presided over by a priesthood. That mystery concerned the annual inundation of the Nile flood plain. It was this flooding which made Egyptian agriculture, and therefore civilisation, possible. It was the centre of their society in both practical and ritual terms for many centuries; it made ancient Egypt the most stable society the world has ever seen. The Egyptian calendar itself was calculated with reference to the river, and was divided into three seasons, all of them linked to the Nile and the agricultural cycle it determined: Akhet, or the inundation, Peret, the growing season, and Shemu, the harvest. The size of the flood determined the size of the harvest: too little water and there would be famine; too much and there would be catastrophe; just the right amount and the whole country would bloom and prosper. Every detail of Egyptian life was linked to the flood: even the tax system was based on the level of the water, since it was that level which determined how prosperous the farmers were going to be in the subsequent season. The priests performed complicated rituals to divine the nature of that year’s flood and the resulting harvest. The religious elite had at their disposal a rich, emotionally satisfying mythological system; a subtle, complicated language of symbols that drew on that mythology; and a position of unchallenged power at the centre of their extraordinarily stable society, one which remained in an essentially static condition for thousands of years. But the priests were cheating, because they had something else too: they had a nilometer. This was a secret device made to measure and predict the level of flood water. It consisted of a large, permanent measuring station sited on the river, with lines and markers designed to predict the level of the annual flood. The calibrations used the water level to forecast levels of harvest from Hunger up through Suffering through to Happiness, Security and Abundance, to, in a year with too much water, Disaster. Nilometers were a – perhaps the – priestly secret. They were situated in temples where only priests were allowed access; Herodotus, who wrote the first outsider’s account of Egyptian life the fifth century BC, was told of their existence, but wasn’t allowed to see one. As late as 1810, thousands of years after the nilometers had entered use, foreigners were still forbidden access to them. Added to the accurate records of flood patters dating back centuries, the nilometer was an essential tool for control of Egypt. It had to be kept secret by the ruling class and institutions, because it was a central component of their authority. The world is full of priesthoods. The nilometer offers a good paradigm for many kinds of expertise, many varieties of religious and professional mystery. Many of the words for deliberately obfuscating nonsense come from priestly ritual: mumbo jumbo from the Mandinka word maamajomboo, a masked shamanic ceremonial dancer; hocus pocus from hoc est corpus meum in the Latin Mass. On the one hand, the elaborate language and ritual, designed to bamboozle and mystify and intimidate and add value; on the other the calculations that the pros make in private. Practitioners of almost every métier, from plumbers to chefs to nurses to teachers to police, have a gap between the way they talk to each other and they way they talk to their customers or audience. Grayson Perry is very funny on this phenomenon at work in the art world, as he described it in an interview with Brian Eno. ‘As for the language of the art world – “International Art English” – I think obfuscation was part of its purpose, to protect what in fact was probably a fairly simple philosophical point, to keep some sort of mystery around it. There was a fear that if it was made understandable, it wouldn’t seem important.
John Lanchester (How to Speak Money: What the Money People Say — And What It Really Means)
She [the late Countess Spencer, Diana’s paternal grandmother] looks after me in the spirit world. I know that for a fact. Used to stay at Park House with us. She was sweet and wonderful and special. Divine really.
Andrew Morton (Diana: Her True Story in Her Own Words)
Your divine detour is meant to build your character. To refine you. To prompt you to get back into the driver’s seat of your life. To understand that you are never too old, and it is never too late to start afresh.
Dana Arcuri (Intuitive Guide: How to Trust Your Gut, Embrace Divine Signs, & Connect with Heavenly Messengers)
three basic versions of this experience: the Buddhist version—selfless void; the Hindu version and the German Idealist version (late Fichte and especially Schelling)—the direct unity of subject and object, of the Ego and the Divine; and Husserl’s version—pure Ego.
Slavoj Žižek (Sex and the Failed Absolute)
Her face and the garden Her face is like a summer garden, By divine beauty tended and by grace never forsaken, There bloom roses many, and lilies too, And I keep looking at it, for in spell bound state what else can I do, Yesterday she was a garden of roses, Last year she was the entire spring, where once in bloom, the beauty’s flower never closes, This year she has transformed into a garden blooming with new flowers, Daisies, daffodils, and sunflowers standing like beauty’s radiant towers, Rendered more radiant in the never ending splendour of her eyes, And the garden of beautiful roses growing all over her, even time defies, While I watch the garden of beauty grow over her face, My heart beats assume a new and lovely pace, That draw my mind into this world of endless beauty, And I know not whether it obeys my heart’s yearnings or it too has grown fond of her pure serenity, The summer has found a permanent residence in her face, infact within her, Because I still see the roses blooming over her face although it is late November, And when sometimes she brushes her hair with her fingers, The roses peek from her face to feel her finger tips and their magical wonders, And when she rests her eyelids upon her eyes, The pollen dust of million flowers, upon her waiting eyelashes, a perfect sheen applies, That neither sparkles nor glows, But in the garden of her face it simply in its splendour grows, And when the winter sun gets tired and retires finally, The lilies apply the mask of radiance on her tenderly, While the violets and narcissus seep deep into her brow, And what a wonder she is to look at now, A beauty with no end, where waves of summer flow interminably, As she rests her head on the pillow and closes her eyes slowly, The morning glory turns into the night glory, And then begins our own love story, Where the lovely and winding creepers grow all over us, over her and over me too, Finally the garden of beauty grows all over us, and now it shall be so, no matter what you do, I in the garden of her beauty where flowers bloom everywhere, And then my heart confesses, “Irma, let us hide in this garden somewhere, To be never found by time, and never felt by any season, Because finally we have found love in each other that defies every reason,” And this is how it has been for many years now, I and my every feeling of love sinking deep into her beauty’s eternal brow!
Javid Ahmad Tak (They Loved in 2075!)
The new world-conception.—The world exists; it is not something that becomes, not something that passes away. Or rather: it becomes, it passes away, but it has never begun to become and never ceased from passing away—it maintains itself in both.— It lives on itself: its excrements are its food. We need not worry for a moment about the hypothesis of a created world. The concept "create" is today completely indefinable, unrealizable; merely a word, a rudimentary survival from the ages of superstition; one can explain nothing with a mere word. The last attempt to conceive a world that had a beginning has lately been made several times with the aid of logical procedures—generally, as one may divine, with an ulterior theological motive. Lately one has sought several times to find a contradiction in the concept "temporal infinity of the world in the past" (regressus in infinitum): one has even found it, although at the cost of confusing the head with the tail. Nothing can prevent me from reckoning backward from this moment and saying "I shall never reach the end"; just as I can reckon forward from the same moment into the infinite. Only if I made the mistake—I shall guard against it—of equating this correct concept of a regressus in infinitum with an utterly unrealizable concept of a finite progressus up to this present, only if I suppose that the direction (forward or backward) is logically a matter of indifference, would I take the head—this moment—for the tail: I shall leave that to you, my dear Herr Dühring!—
Friedrich Nietzsche