Late Reply Quotes

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Instead of replying, Alec reached down and took Magnus's hands. Magnus let Alec pull him to his feet, a questioning look in his eyes. Before he could say anything, Alec drew him closer and kissed him. Magnus made a soft, pleased sound, and gripped the back of Alec's shirt, rucking it up, his fingers cool on Alec's spine. Alec leaned into him, pinning Magnus between the table and his own body. Not that Magnus seemed to mind. 'Come on,' Alec said against Magnus's ear. 'It's late. Let's go to bed.
Cassandra Clare
Shut up!" Henry says, "You're going to wake up Jerry Rice." "Jerry Rice?" Carter says, covering his mouth with a hand. I don't think I've ever seen Carter laugh so hard. "Carter, would you like to be the godfather?" Henry asks. "You know, in case anything happens to me and Woods this week?" "Charming," Carter says. "I''d be honored. Does JJ get to be godmother?" "Obviously," I say. "Can I hold Jerry Rice?" JJ asks. "He''s so cute." "No way, man," I reply. "I don't want to wake that thing up before practice. We'll be late if we have to feed it." "What does it eat?" Carter asks. "I have to breast-feed, cause I'm the mom," Henry says, continuing to push the stroller toward the locker room. "Actually," I say, "It eats a metal rod, made out of, like, lead. So basically, we're learning how to poison babies." "Radical," JJ says as we approach the gym,
Miranda Kenneally (Catching Jordan (Hundred Oaks, #1))
One moment," she said, stealing toward the door. Carefully, she tested the doorknob. It was unlocked. She wrenched it open in a sudden rush of courage, only to promptly slam it shut again in Nathaniel's face. She had recalled, too late, that she was wearing only her shift. "I'm not decent," she explained, hugging her arms to her chest. "That's all right," he replied. "I hardly ever am, myself.
Margaret Rogerson (Sorcery of Thorns (Sorcery of Thorns, #1))
In the ill-judged execution of the well-judged plan of things the call seldom produces the comer, the man to love rarely coincides with the hour for loving. Nature does not often say 'See!' to her poor creature at a time when seeing can lead to happy doing; or reply 'Here!' to a body's cry of 'Where?' till the hide-and-seek has become an irksome, outworn game. We may wonder whether at the acme and summit of the human progress these anachronisms will be corrected by a finer intuition, a close interaction of the social machinery than that which now jolts us round and along; but such completeness is not to be prophesied, or even conceived as possible. Enough that in the present case, as in millions, it was not the two halves of a perfect whole that confronted each other at the perfect moment; part and counterpart wandered independently about the earth in the stupidest manner for a while, till the late time came. Out of which maladroit delay sprang anxieties, disappointments, shocks, catastrophes -- what was called a strange destiny.
Thomas Hardy (Tess of the D’Urbervilles)
Do you know that an Irishman always respond to a question with another?" And the Irish guy replies "Who told you that?
Cathy Kelly (Never Too Late)
Long Time. The famous seventeenth-century Ming painter Chou Yung relates a story that altered his behavior forever. Late one winter afternoon he set out to visit a town that lay across the river from his own town. He was bringing some important books and papers with him and had commissioned a young boy to help him carry them. As the ferry neared the other side of the river, Chou Yung asked the boatman if they would have time to get to the town before its gates closed, since it was a mile away and night was approaching. The boatman glanced at the boy, and at the bundle of loosely tied papers and books—“Yes,” he replied, “if you do not walk too fast.” As they started out, however, the sun was setting. Afraid of being locked out of the town at night, prey to local bandits, Chou and the boy walked faster and faster, finally breaking into a run. Suddenly the string around the papers broke and the documents scattered on the ground. It took them many minutes to put the packet together again, and by the time they had reached the city gates, it was too late. When you force the pace out of fear and impatience, you create a nest of problems that require fixing, and you end up taking much longer than if you had taken your time.
Robert Greene (The 48 Laws of Power)
I couldn't make any judgment on the Summa, except to say this: I read it for about twenty minutes every night before I go to bed. If my mother were to come in during this process and say, 'Turn off that light. It's late,' I with a lifted finger and broad bland beatific expression, would reply, 'On the contrary, I answer that the light, being eternal and limitless, cannot be turned off. Shut your eyes,' or some such thing.
Flannery O'Connor (The Habit of Being: Letters of Flannery O'Connor)
Do you want to know why you don't meet my standards?" he asked. She shook her head in mortification. "Too late," he replied. "Here's my most important rule: Never have intercourse when one of the parties is in love with the other. It won't end well." She gasped. "You arrogant cad! I'm not in love with you." "I know." He didn't look away from her. "Isn't that what I said? Only one of us is in love, and it isn't you." Violet stared at him. Her ears appeared to be working; her brain seemed to function. Tentatively, she added two and three and verified that they still made five.
Courtney Milan (The Countess Conspiracy (Brothers Sinister, #3))
How is everyone doing tonight!" the singer shrieks into the crowd. Amid the screaming replies, I allow myself to say out loud, "I actually haven't been feeling well lately.
Emily Austin (Everyone in This Room Will Someday Be Dead)
The youthful stationmaster wore a Blue Spot on his uniform and remonstrated with the driver that the train was a minute late, and that he would have to file a report. The driver retorted that since there could be no material differene between a train that arrived at a station and a station that arrived at a train, it was equally the staionmaster's fault. The stationmaster replied that he could not be blamed, because he had no control over the speed of the station; to which the engine driver replied that the stationmaster could control its placement, and that if it were only a thousand yards closer to Vermillion, the problem would be solved. To this the stationmaster replied that if the driver didn't accept the lateness as his fault, he would move the station a thousand yards farther from Vermillion and make him not just late, but demeritably overdue.
Jasper Fforde (Shades of Grey (Shades of Grey, #1))
I’ve gotten my Phosphor to work at last.” Henry proudly brandished the object. “It functions on the principle of witchlight but is five times more powerful. Merely press a button, and you will see a blaze of light the like of which you have never imagined.” There was a silence. “So,” said Will finally, “it’s a very, very bright witchlight, then?” “Exactly,” Henry said. “Is that useful, precisely?” Jem inquired. “After all, witchlight is just for illumination. It’s not as if it’s dangerous… .” “Wait till you see it!” Henry replied. He held up the object. “Watch.” Will moved to object, but it was too late; Henry had already pressed the button. There was a blinding flare of light and a whooshing sound, and the room was plunged into blackness. Tessa gave a yelp of surprise, and Jem laughed softly. “Am I blind?” Will’s voice floated out of the darkness, tinged with annoyance. “I’m not going to be at all pleased if you’ve blinded me, Henry.” “No.” Henry sounded worried. “No, the Phosphor seems to— Well, it seems to have turned all the lights in the room off.” “It’s not supposed to do that?” Jem sounded mild, as always. “Er,” said Henry, “no.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
His low voice breaks the stillness. “You didn’t say what you were doing out this late.” “I couldn’t sleep either,” I reply. Not a lie. His mouth curves. “So we’re perfect for each other. A pair of insomniacs.” Perfect for each other. I grin a mad, stupid smile.
Sophie Jordan (Firelight (Firelight, #1))
Hello, James,” Deven replied mildly. “Had any consensual sex lately?
Dianne Sylvan (Shadow's Fall (Shadow World, #3))
Some say we’re already damned,” Nathanial replied coolly, sitting back in his chair. “So you’re too late to send him to Hell.” -- BLOOD KNOT
Tracy Cooper-Posey
I should have written you a letter, it was too late to make the deaths of my brothers an excuse. Since they died, I wrote a book; why not a letter? A mysterious but truthful answer is that while I can gear myself up to do a novel, letters, real-life communications, are too much for me. I used to rattle them off easily enough; why is the challenge of writing to friends and acquaintances too much for me now? Because I have become such a solitary, and not in the Aristotelian sense: not a beast, not a god. Rather, a loner troubled by longings, incapable of finding a suitable language and despairing at the impossibility of composing messages in a playable key--as if I no longer understood the codes used by the estimable people who wanted to hear from me and would have so much to reply if only the impediments were taken away.
Saul Bellow
In a low voice, Blue asked meaningfully, “Seen enough?” “Of — oh, Orla?” “Yeah.” The question annoyed him. It judged him, and in this case, he didn’t feel he’d done anything to deserve it. He was not Blue’s business, not in that way. “What care is it of yours,” he asked, “what I think of Orla?” This felt dangerous, for some reason. He possibly shouldn’t have asked it. In retrospect, it wasn’t the question itself at fault. It was the way that he’d asked it. His thoughts had been far away, and he hadn’t been minding how he looked on the outside, and now, too late, he heard the dip of his own words. How the inflection seemed to contain a dare. Come on, Gansey, he thought. Don’t ruin things. Blue held his gaze, unflinching. Crisp, she replied, “None at all.” And it was a lie.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
And which blight on society would that be?" I asked. “Donald Thumpkin,” Fonthill replied. “The property developer. He and his folks have been skulking around here lately.
Annabel Chase (Outclassed (Warden of the West, #2; Spellslingers Academy of Magic, #2))
So this is Canada,” I said, looking outside my car door. “For the last time, it’s not Canada,” Sydney replied, rolling her eyes. “It’s northern Michigan.” I glanced around, seeing nothing but enormous trees in every direction. Despite it being a late August afternoon, the temperature could’ve easily passed for something in autumn. Craning my head, I just barely caught a glimpse of gray waters beyond the trees to my right: Lake Superior, according to the map I’d seen. “Maybe it’s not Canada,” I conceded. “But it’s exactly how I always imagined Canada would look. Except I thought there’d be more hockey.
Richelle Mead (The Ruby Circle (Bloodlines, #6))
You don't need the makeup." Sabrina felt like her face is on fire. He knew about her late-night beauty sessions. And, if she had heard him correctly, he was also admitting that he thought she was pretty. She looks over at him and found he was looking at her. "I kind of wish I hadn't said that," he said. "Me, too," she replied. "Would it help if I said you were stinky, muck-covered toad-face?" Sabrina nodded and edged as far away as she could on the trampoline. Puck did the same.
Michael Buckley (Tales From the Hood (The Sisters Grimm, #6))
With a curse, Zaynab followed. "If I've not said it lately, I think I hate you." "You know, for a magical being, you have a terrible sense of adventure," Nahri replied, touching one of the eddies of paint, a blue swell that looked like a wave.
S.A. Chakraborty (The Kingdom of Copper (The Daevabad Trilogy, #2))
were having a big argument at breakfast. He shouted at her, "You aren't so good in bed either!" then stormed off to work. By mid-morning, he decided he'd better make amends and called home. "What took you so long to answer?" he asked. "I was in bed," she replied. "What were you doing in bed this late?" "Getting a second
Various (101 Dirty Jokes - sexual and adult's jokes)
I appreciate the scientific rigor with which you’ve approached this project, Anna,” said Christopher, who had gotten jam on his sleeve. “Though I don’t think I could manage to collect that many names and also pursue science. Much too time-consuming.” Anna laughed. “How many names would you want to collect, then?” Christopher tilted his head, a brief frown of concentration crossing his face, and did not reply. “I would only want one,” said Thomas. Cordelia thought of the delicate tracery of the compass rose on Thomas’s arm, and wondered if he had any special person in mind. “Too late for me to only have one,” declared Matthew airily. “At least I can hope for several names in a carefully but enthusiastically selected list.” “Nobody’s ever tried to seduce me at all,” Lucie announced in a brooding fashion. “There’s no need to look at me like that, James. I wouldn’t say yes, but I could immortalize the experience in my novel.” “It would be a very short novel, before we got hold of the blackguard and killed him,” said James. There was a chorus of laughter and argument. The afternoon sun was sinking in the sky, its rays catching the jeweled hilts of the knives in Anna’s mantelpiece. They cast shimmering rainbow patterns on the gold-and-green walls. The light illuminated Anna’s shabby-bright flat, making something in Cordelia’s heart ache. It was such a homey place, in a way that her big cold house in Kensington was not. “What about you, Cordelia?” said Lucie. “One,” said Cordelia. “That’s everyone’s dream, isn’t it, really? Instead of many who give you little pieces of themselves—one who gives you everything.” Anna laughed. “Searching for the one is what leads to all the misery in this world,” she said. “Searching for many is what leads to all the fun.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
These are the real puzzles that will face humanity. There is, he claims, a single theory that will explain not only why the queue you choose at a supermarket is always the slowest but why trains always leave on time when you are late and leave late when you are on time.” “There isn’t an answer to those,” murmured Madeleine doubtfully. “It just happens.” “That’s what they used to say about lightning,” replied Pandora, “and rainbows.
Jasper Fforde (The Big Over Easy (Nursery Crime, #1))
I have only one memory of getting here, and even that is just a single image: black ink curling around the side of a neck, the corner of a tattoo, and the gentle sway that could only mean he was carrying me. He turns off the bathroom light and gets an ice pack from the refrigerator in the corner of the room. As he walks toward me, I consider closing my eyes and pretending to be asleep,but then our eyes meet and it's too late. "Your hands," I croak. "My hands are none of your concern," he replies. He rests his knee on the mattress and leans over me,slipping the ice pack under my head. Before he pulls away,I reach out to touch the cut on the side of his lip but stop when I realize what I am about to do, my hand hovering. What do you have to lose? I ask myself. I touch my fingertips lightly to his mouth. "Tris," he says, speaking against my fingers. "I'm all right." "Why were you there?" I ask, letting my hand drop. "I was coming back from the control room. I heard a scream." "What did you do to them?" I say. "I deposited Drew at the infirmary a half hour ago," he says. "Peter and Al ran. Drew claimed they were just trying to scare you.At least,I think that's what he was trying to say." "He's in bad shape?" "He'll live," he replies. He adds bitterly, "In what condition, I can't say." It isn't right to wish pain on other people just because they hurt me first. But white-hot triumph races through me at the thought of Drew at the infirmary, and I squeeze Four's arm. "Good," I say.My voice sounds tight and fierce.Anger builds inside me, replacing my blood with bitter water and filling me, consuming me.I wantt o break something,or hit something, but I am afraid to move,so I start crying instead. Four crouches by the side of the bed, and watches me. I see no sympathy in his eyes.I would have been disappointed if I had. He pulls his wrist free and, to my surprise, rests his hand on the side of my face, his thumb skimming my cheekbone.His fingers are careful. "I could report this," he says. "No," I reply. "I don't want them to think I'm scared." He nods.He moves his thumb absently over my cheekbone, back and forth. "I figured you would say that." "You think it would be a bad idea if I sat up?" "I'll help you." Four grips my shoulder with one hand and holds my head steady with the other as I push myself up.Pain rushes through my body in sharp bursts,but I try to ignore it,stifling a groan. He hands me the ice pack. "You can let yourself be in pain," he says. "It's just me here.
Veronica Roth (Divergent (Divergent, #1))
Procrastinators will weigh you down. Action is the prescription for moving forward. Action will eliminate boredom. Procrastinators are waiting, and they often create more excuses to continue waiting: It isn’t the right time; I’m going to wait until it’s sunny outside; I got up late; I called them and they didn’t pick up the phone; they didn’t reply to my email. Procrastinators are going nowhere. Do not let them impede your journey to success.
Steve Harvey (Act Like a Success, Think Like a Success: Discovering Your Gift and the Way to Life's Riches)
I cleared my throat. “What are you doing here?” “I was going to ask you the same thing,” he replied. “That’s not an answer.” “It wasn’t meant to be one.” “Okay…Are you stalking me? That’s what this feels like.” “No. When I saw that your car was still here, I knew you’d be working late, and I brought dinner on the off chance you’d still be here.” “Wouldn’t you have felt silly if I wasn’t?” “Thanks for saving me from an awkward moment with myself.” He grinned.
Sajni Patel (The Trouble with Hating You (The Trouble with Hating You, #1))
Thurman asked, “Are you born again?” Reacher said, “Once was enough for me.” “I’m serious.” “So am I.” “You should think about it.” “My father used to say, ‘Why be born again when you can just grow up?’” “Is he no longer with us?” “He died a long time ago.” “He’s in the other place then, with an attitude like that.” “He’s in a hole in the ground in Arlington Cemetery.” “Another veteran?” “Marine.” “Thank you for his service.” “Don’t thank me, I had nothing to do with it.” Thurman said, “You should think about getting your life in order, you know, before it’s too late. Something might happen. The Book of Revelations says ‘The time is at hand.’” “As it has every day since it was written nearly 2000 years ago. Why would it be true now, when it wasn’t before?” “There are signs,” Thurman said, “And the possibility of precipitating events.” He said it primly and smugly, and with a degree of certainty, as if he had regular access to privilieged, insider information. Reacher said nothing in reply. They drove on past a small group of tired men, wrestling with a mountain of tangled steel. Their backs were bent and their shoulders were slumped. Not yet 8 o’clock in the morning, Reacher thought. More than 10 hours still to go. “God watches over them.” “You sure?” “He tells me so.” “Does he watch over you, too?” “He knows what I do.” “Does he approve?” “He tells me so.” “Then why is there a lightning rod on your church?
Lee Child (Nothing to Lose (Jack Reacher, #12))
Mr F.'s Aunt, who had eaten her pie with great solemnity, and who had been elaborating some grievous scheme of injury in her mind since her first assumption of that public position on the Marshal's steps, took the present opportunity of addressing the following Sibyllic apostrophe to the relict of her late nephew. 'Bring him for'ard, and I'll chuck him out o' winder!' Flora tried in vain to soothe the excellent woman by explaining that they were going home to dinner. Mr F.'s Aunt persisted in replying, 'Bring him for'ard and I'll chuck him out o' winder!' Having reiterated this demand an immense number of times, with a sustained glare of defiance at Little Dorrit, Mr F.'s Aunt folded her arms, and sat down in the corner of the pie-shop parlour; steadfastly refusing to budge until such time as 'he' should have been 'brought for'ard,' and the chucking portion of his destiny accomplished.
Charles Dickens (Little Dorrit)
We meet again, Spider-Man she said. And I replied How many people have you saved today, Girl M. She pretended to count on her fingers. Nine hundred and thirty-seven she shrugged. It's been a quiet day. We started to giggle. How about you, Spider-Man. I scratched my head. Eight hundred and thirteen I said. But I started late and finished early. We exploded into laughter. We do the same joke every single day and it never ever gets boring.
Annabel Pitcher (My Sister Lives on the Mantelpiece)
When she says margarita she means daiquiri. When she says quixotic she means mercurial. And when she says, "I'll never speak to you again," she means, "Put your arms around me from behind as I stand disconsolate at the window." He's supposed to know that. When a man loves a woman he is in New York and she is in Virginia or he is in Boston, writing, and she is in New York, reading, or she is wearing a sweater and sunglasses in Balboa Park and he is raking leaves in Ithaca or he is driving to East Hampton and she is standing disconsolate at the window overlooking the bay where a regatta of many-colored sails is going on while he is stuck in traffic on the Long Island Expressway. When a woman loves a man it is one ten in the morning she is asleep he is watching the ball scores and eating pretzels drinking lemonade and two hours later he wakes up and staggers into bed where she remains asleep and very warm. When she says tomorrow she means in three or four weeks. When she says, "We're talking about me now," he stops talking. Her best friend comes over and says, "Did somebody die?" When a woman loves a man, they have gone to swim naked in the stream on a glorious July day with the sound of the waterfall like a chuckle of water rushing over smooth rocks, and there is nothing alien in the universe. Ripe apples fall about them. What else can they do but eat? When he says, "Ours is a transitional era," "that's very original of you," she replies, dry as the martini he is sipping. They fight all the time It's fun What do I owe you? Let's start with an apology Ok, I'm sorry, you dickhead. A sign is held up saying "Laughter." It's a silent picture. "I've been fucked without a kiss," she says, "and you can quote me on that," which sounds great in an English accent. One year they broke up seven times and threatened to do it another nine times. When a woman loves a man, she wants him to meet her at the airport in a foreign country with a jeep. When a man loves a woman he's there. He doesn't complain that she's two hours late and there's nothing in the refrigerator. When a woman loves a man, she wants to stay awake. She's like a child crying at nightfall because she didn't want the day to end. When a man loves a woman, he watches her sleep, thinking: as midnight to the moon is sleep to the beloved. A thousand fireflies wink at him. The frogs sound like the string section of the orchestra warming up. The stars dangle down like earrings the shape of grapes.
David Lehman (When a Woman Loves a Man: Poems)
That's what she gets, if she gets anything at all," Stevie said. "All of this starts in late May and goes on through June. What dose this suggest?" "Morning sickness," Nate said, his eyes widening. "Morning sickness," Stevie replied, smiling. "You terrify me," Nate said quietly.
Maureen Johnson (The Hand on the Wall (Truly Devious, #3))
I exile Jude Duarte to the mortal world. Until and unless she is pardoned by the crown, let her not step one foot in Faerie or forfeit her life.' 'I gasp. 'But you can't do that!' He looks at me for a long moment, but his gaze is mild, as though he's expecting me to be fine with exile. As though I am nothing more than one of his petitioners. As though I am nothing at all. 'Of course I can,' he replies. ... Our eyes meet, and the odd smile on his face is clearly meant for me. I remember what it was to hate him with the whole of my heart, but I've remembered too late.
Holly Black (The Wicked King (The Folk of the Air, #2))
If I am to understand that you are enquiring whether I am of Jewish origin, I can only reply that I regret that I appear to have no ancestors of that gifted people. My great-great-grandfather came to England in the eighteenth century from Germany: the main part of my descent is therefore purely English, and I am an English subject—which should be sufficient. I have been accustomed, nonetheless, to regard my German name with pride, and continued to do so throughout the period of the late regrettable war, in which I served in the English army. I cannot, however, forbear to comment that if impertinent and irrelevant inquiries of this sort are to become the rule in matters of literature, then the time is not far distant when a German name will no longer be a source of pride.
J.R.R. Tolkien
It's very tragic," Louisa said. "They had just moved to a new mansion in Bath with fifty-nine bedrooms. Unfortunately, the two of them got lost on their way to breakfast. Their servants didn't find them until it was too late - they had wasted away." "How awful," Beatrice said, leaning forward. "Do the inspectors suspect foul play?" "No birds were involved. The Croaksworths were simply terrible with directions," Louisa replied.
Julia Seales (A Most Agreeable Murder (Beatrice Steele, #1))
¨Hear my judgment,¨ Cardan says, authority ringing in his voice. ¨I exile Jude Duarte to the mortal world. Until and unless she is pardoned by the crown, let her not step one foot in Faerie or forfeit her life.¨ I gasp. ¨But you cant do that!¨ He looks at me for a long moment, but his gaze is mild, as though hes expecting me to be fine with exile. As though I am nothing more than one of his petitioners. As though i am nothing at all. ¨Of course I can,¨ he replies. ¨But im the Queen of Faerie,¨ I shout, and for a moment, there is silence. Then everyone around me begins to laugh. I can feel my cheeks heat. Tears of frustration and fury prick my eyes as, a beat too late, Cardan laughs with them. At that moment, knights clap their hands on my wrists, Sir Rannoch pulls me down from the horse. For a mad moment i consider fighting him as though two dozen knights arent around us. ¨Deny it, then,¨ I yell. ¨Deny me!¨ He cannot, of course, so he does not. Page 316-317
Holly Black (The Wicked King (The Folk of the Air, #2))
Hey,Nik." I turned around to see Cole, dressed head to toe in black. Black suit, black shirt,black tie hanging loose around his neck. He looked me up and down. His gaze paused briefly on my legs, and his mouth opened slightly. I folded my arms. "Um...you...look beautiful," he said. "You look black," I replied. "Thank you.That's the look I was going for." He held a hand out. "C'mon. Let's dance." I didn't move. "What were you going to show me?" "Dance with me first." I shook my head. "Look,Nik, I know you don't like public scrutiny lately. If you stand off to the side,all mopey and such, without a date,you'll stick out like a nun at a strip club." He leaned in. "Trust me, I've seen one. A nun at a strip club, that is.Everyone was staring at her.
Brodi Ashton (Everneath (Everneath, #1))
That maybe I’m the answer,’ I blurted. ‘To healing your heart. I could … you know, be your boyfriend. As Lester. If you wanted. You and me. You know, like … yeah.’ I was absolutely certain that up on Mount Olympus, the other Olympians all had their phones out and were filming me to post on Euterpe-Tube. Reyna stared at me long enough for the marching band in my circulatory system to play a complete stanza of ‘You’re a Grand Old Flag’. Her eyes were dark and dangerous. Her expression was unreadable, like the outer surface of an explosive device. She was going to murder me. No. She would order her dogs to murder me. By the time Meg rushed to my aid, it would be too late. Or worse – Meg would help Reyna bury my remains, and no one would be the wiser. When they returned to camp, the Romans would ask, What happened to Apollo? Who? Reyna would say. Oh, that guy? Dunno, we lost him. Oh, well! the Romans would reply, and that would be that. Reyna’s mouth tightened into a grimace. She bent over, gripping her knees. Her body began to shake. Oh, gods, what had I done? Perhaps I should comfort her, hold her in my arms. Perhaps I should run for my life. Why was I so bad at romance? Reyna made a squeaking sound, then a sort of sustained whimper. I really had hurt her! Then she straightened, tears streaming down her face, and burst into laughter. The sound reminded me of water rushing over a riverbed that had been dry for ages. Once she started, she couldn’t seem to stop. She doubled over, stood upright again, leaned against a tree and looked at her dogs as if to share the joke. ‘Oh … my … gods,’ she wheezed. She managed to restrain her mirth long enough to blink at me through the tears, as if to make sure I was really there and she’d heard me correctly. ‘You. Me? HA-HA-HA-HA-HA-HA-HA.
Rick Riordan (The Tyrant's Tomb (The Trials of Apollo, #4))
What rhymes with insensitive?” I tap my pen on the kitchen table, beyond frustrated with my current task. Who knew rhyming was so fucking difficult? Garrett, who’s dicing onions at the counter, glances over. “Sensitive,” he says helpfully. “Yes, G, I’ll be sure to rhyme insensitive with sensitive. Gold star for you.” On the other side of the kitchen, Tucker finishes loading the dishwasher and turns to frown at me. “What the hell are you doing over there, anyway? You’ve been scribbling on that notepad for the past hour.” “I’m writing a love poem,” I answer without thinking. Then I slam my lips together, realizing what I’ve done. Dead silence crashes over the kitchen. Garrett and Tucker exchange a look. An extremely long look. Then, perfectly synchronized, their heads shift in my direction, and they stare at me as if I’ve just escaped from a mental institution. I may as well have. There’s no other reason for why I’m voluntarily writing poetry right now. And that’s not even the craziest item on Grace’s list. That’s right. I said it. List. The little brat texted me not one, not two, but six tasks to complete before she agrees to a date. Or maybe gestures is a better way to phrase it... “I just have one question,” Garrett starts. “Really?” Tuck says. “Because I have many.” Sighing, I put my pen down. “Go ahead. Get it out of your systems.” Garrett crosses his arms. “This is for a chick, right? Because if you’re doing it for funsies, then that’s just plain weird.” “It’s for Grace,” I reply through clenched teeth. My best friend nods solemnly. Then he keels over. Asshole. I scowl as he clutches his side, his broad back shuddering with each bellowing laugh. And even while racked with laughter, he manages to pull his phone from his pocket and start typing. “What are you doing?” I demand. “Texting Wellsy. She needs to know this.” “I hate you.” I’m so busy glaring at Garrett that I don’t notice what Tucker’s up to until it’s too late. He snatches the notepad from the table, studies it, and hoots loudly. “Holy shit. G, he rhymed jackass with Cutlass.” “Cutlass?” Garrett wheezes. “Like the sword?” “The car,” I mutter. “I was comparing her lips to this cherry-red Cutlass I fixed up when I was a kid. Drawing on my own experience, that kind of thing.” Tucker shakes his head in exasperation. “You should have compared them to cherries, dumbass.” He’s right. I should have. I’m a terrible poet and I do know it. “Hey,” I say as inspiration strikes. “What if I steal the words to “Amazing Grace”? I can change it to…um…Terrific Grace.” “Yup,” Garrett cracks. “Pure gold right there. Terrific Grace.” I ponder the next line. “How sweet…” “Your ass,” Tucker supplies. Garrett snorts. “Brilliant minds at work. Terrific Grace, how sweet your ass.” He types on his phone again. “Jesus Christ, will you quit dictating this conversation to Hannah?” I grumble. “Bros before hos, dude.” “Call my girlfriend a ho one more time and you won’t have a bro.” Tucker chuckles. “Seriously, why are you writing poetry for this chick?” “Because I’m trying to win her back. This is one of her requirements.” That gets Garrett’s attention. He perks up, phone poised in hand as he asks, “What are the other ones?” “None of your fucking business.” “Golly gee, if you do half as good a job on those as you’re doing with this epic poem, then you’ll get her back in no time!” I give him the finger. “Sarcasm not appreciated.” Then I swipe the notepad from Tuck’s hand and head for the doorway. “PS? Next time either of you need to score points with your ladies? Don’t ask me for help. Jackasses.” Their wild laughter follows me all the way upstairs. I duck into my room and kick the door shut, then spend the next hour typing up the sorriest excuse for poetry on my laptop. Jesus. I’m putting more effort into this damn poem than for my actual classes.
Elle Kennedy (The Mistake (Off-Campus, #2))
And yet there are other days, when I’m downtrodden or morose, when I find myself at my desk late at night, unable to sleep, flipping through (of all things) Oscar’s dog-eared copy of Watchmen. One of the few things that he took with him on the Final Voyage that we recovered. The original trade. I flip through the book, one of his top three, without question, to the last horrifying chapter: “A Stronger Loving World.” To the only panel he’s circled. Oscar—who never defaced a book in his life—circled one panel three times in the same emphatic pen he used to write his last letters home. The panel where Adrian Veidt and Dr. Manhattan are having their last convo. After the mutant brain has destroyed New York City; after Dr. Manhattan has murdered Rorschach; after Veidt’s plan has succeded in “saving the world.” Veidt says: “I did the right thing, didn’t I? It all worked out in the end.” And Manhattan, before fading from our Universe, replies: “In the end? Nothing ends, Adrian. Nothing ever ends.
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
People don’t have anniversaries for the day they fall in love.” “They should. I remember every day and every moment that was special with you. Love is fragile... a gift. And when you love someone, you should be the caretaker of their heart.” “Loving you has been the greatest gift I’ve ever been given. You know that, right?” Xuan nodded and then pulled me close to him as if to reply. The feel of his lips on my neck was like an electric shock, making the little hairs stand. “Stay still or I’ll ruin your makeup,” he whispered in my ear. “I don’t mind being fashionably late,” I suggested.
Kayla Cunningham (Fated to Love You (Chasing the Comet Book 1))
The king sent word, at odd intervals, inquiring as to Meralda's progress. She would scrawl hasty replies in return, often suppressing the impulse to add notes such as "Abandoning spellwork to continue this fascinating correspondence," or "Slept late, long breakfast, taking the day off for a stroll in the park.
Frank Tuttle (All the Paths of Shadow (Paths of Shadow, #1))
Rosie and Mary had taken only a 10 percentage of this privilege - they were three minutes late leaving their room and took the second bus that went past rather than the first just so they could feel themselves standing at a bus stop in Manhattan, New York, surrounded by people who were short, dark and voluble rather than tall, blond and silent. The fatal part was the bus they got on. They, of course stood, because they had been taught to do so, out of respect to everyone else in the whole world - they were from the Midwest and deference was their habit and their training. ......."Did you see that?" "What?" replied Mary "That woman." "God, she was rude," said Mary. And from that statement Rosalind knew that Mary would live the rest of her life in the Midwest, which she did.
Jane Smiley
Royce eyed Hadrian with a skeptical expression. “He’ll never manage the climb.” “Climb?” Hadrian asked. “The treasure room is at the top of the Crown Tower,” Arcadius explained. Even Hadrian had heard of that. Even farmers in Hintindar knew of the Crown Tower. Supposedly it was the leftover corner of some ancient but legendary castle. “I’m in good shape. A few stairs aren’t going to kill me.” “The tower is heavily guarded in every way, except against a person climbing up the outside,” Royce replied, his eyes fixed on the long fang he continued to twirl. “Isn’t that because … well, I’ve heard it’s sort of tall.” “The tallest surviving structure built by man,” Arcadius said. “Should I bring a lunch?” “Considering we’ll begin after dusk and climb all night, I’d suggest a late dinner,” Royce replied. “I was joking.” “I wasn’t. But I only ask one thing.” “What’s that?” “When you fall to your death, do so quietly.
Michael J. Sullivan (The Crown Tower (The Riyria Chronicles, #1))
Imagine yourself taking a stroll through Manhattan, somewhere north of 68th street, deep inside Central Park, late at night. It would be nice to meet someone friendly, but you know that the park is dangerous at night. That's when the monsters come out. There's always a strong undercurrent of drug dealings, muggings, and occasional homicides. It is not easy to distinguish the good guys from the bad guys. They dress alike, and the weapons are concealed. The only difference is intent, and you can't read minds. Stay in the dark long enough and you may hear an occasional distance shriek or blunder across a body. How do you survive the night? The last thing you want to do is shout, "I'm here!" The next to last thing you want to do is reply to someone who shouts, "I'm a friend!" What you would like to do is find a policeman, or get out of the park. But you don't want to make noise or move towards a light where you might be spotted, and it is difficult to find either a policeman or your way out without making yourself known. Your safest option is to hunker down and wait for daylight, then safely walk out. There are, of course, a few obvious differences between Central Park and the universe. There is no policeman. There is no way out. And the night never ends.
Charles Pellegrino (The Killing Star)
Why is my mother texting me about how hot you are?" "Weird. Think it has anything to do with the fact I just went to the bookstore in nothing but a patent leather trench coat?" Charlie replies with a screenshot of some texts between him and his mom. "Cottage guest is very pretty", Sally writes, then separately, "No ring." Charlie replied: "Oh? Thinking of leaving Dad?" She ignored his comment and instead said, "Tall. You always liked tall girls." "What are you talking about" Charlie wrote back, no question mark. "Remember your homecoming date? Lilac Walter-Hixton? She was practically a giant" "That was the eighth-grade formal" he said "it was before my growth spurt." "Well this girl's very pretty and tall but not too tall." "Tall but not TOO tall," I tell Charlie, "can also be added to my headstone. He says "I'll make a note." I say, "She told me you would bring wood over to the cottage for me." He says "Please swear to me you didn't make a 'too late for that' joke.
Emily Henry (Book Lovers)
I already knew what I’d research. I wrote the words ‘Courtly love’ on my notepad in swirly script, then caught Hayden peering at it. ‘Courtly love? Sorry, Aurora, but I think I’ve already got that one in the bag.’ ‘I think you’d better think again, because I’ve already claimed it,’ I replied. ‘You just said you’re not the Mills & Boon type and, technically, courtly love could be considered historical romance.’ He grinned. ‘As you don’t want to pollute your mind with any clichéd topics, you should probably leave that one to me.’ ‘You, discussing romance? Ha!’ Hayden put on a hurt face. ‘I think I might be alright at it. After all, I’ve been doing a lot of observing lately.’ He gave me a significant look. ‘Observing?’ I repeated, curiosity getting the better of me. ‘Well, you keep accusing me of spying on your dates,’ he said, and shrugged. ‘So, technically, I guess I’m learning about romance firsthand. It seems kind of brutal, judging from the goodnight ritual I saw last night.’ My blood wasn’t boiling, but it was pretty warm. Despite that, I was not going to lose my temper. I was determined that this year Hayden Paris wasn’t going to destroy my composure.
Tara Eglington
As you can see,” Daisy said, “one glass is filled with soap water, one with clear, and one with blue laundry water. The other, of course, is empty. The glasses will predict what kind of man you will marry.” They watched as Evie felt carefully for one of the glasses. Dipping her finger into the soap water, Evie waited for her blindfold to be drawn off, and viewed the results with chagrin, while the other girls erupted with giggles. “Choosing the soap water means she will marry a poor man,” Daisy explained. Wiping off her fingers, Evie exclaimed good-naturedly, “I s-suppose the fact that I’m going to be m-married at all is a good thing.” The next girl in line waited with an expectant smile as she was blindfolded, and the glasses were repositioned. She felt for the vessels, nearly overturning one, and dipped her fingers into the blue water. Upon viewing her choice, she seemed quite pleased. “The blue water means she’s going to marry a noted author,” Daisy told Lillian. “You try next!” Lillian gaveher a speaking glance. “You don’t really believe in this, do you?” “Oh, don’t be cynical—have some fun!” Daisy took the blindfold and rose on her toes to tie it firmly around Lillian’s head. Bereft of sight, Lillian allowed herself to be guided to the table. She grinned at the encouraging cries of the young women around her. There was the sound of the glasses being moved in front of her, and she waited with her hands half raised in the air. “What happens if I pick the empty glass?” she asked. Evie’s voice came near her ear. “You die a sp-spinster!” she said, and everyone laughed. “No lifting the glasses to test their weight,” someone warned with a giggle. “You can’t avoid the empty glass, if it’s your fate!” “At the moment I want the empty glass,” Lillian replied, causing another round of laughter. Finding the smooth surface of a glass, she slid her fingers up the side and dipped them into the cool liquid. A general round of applause and cheering, and she asked, “Am I marrying an author, too?” “No, you chose the clear water,” Daisy said. “A rich, handsome husband is coming for you, dear!” “Oh, what a relief,” Lillian said flippantly, lowering the blindfold to peek over the edge. “Is it your turn now?” Her younger sister shook her head. “I was the first to try. I knocked over a glass twice in a row, and made a dreadful mess.” “What does that mean? That you won’t marry at all?” “It means that I’m clumsy,” Daisy replied cheerfully. “Other than that, who knows? Perhaps my fate has yet to be decided. The good news is that your husband seems to be on the way.” “If so, the bastard is late,” Lillian retorted, causing Daisy and Evie to laugh.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Long after the celebrations were over, as she was fixing him a late-night snack in her lodge—their lodge, she asked without looking at him, “Are you sure you’re okay with being a member of both packs? I mean, you don’t feel like you’ve betrayed Trey?” It would be stupid, but she could understand it. From his seat at the kitchen table, he replied, “Hmm.” He had no idea what she’d asked. Come on, did she really expect him to understand a word she said when she was strolling around in nothing but a tank top and a pair of boy shorts? It was one of the hottest things ever and gave him little peaks of that ass he loved. It didn’t matter that he’d been inside her only twenty minutes ago. He could never get enough of her. Confused by his response, she looked over her shoulder . . . and rolled her eyes. “Could you stop ogling my ass for just one second?” “Hmm.
Suzanne Wright (Dark Instincts (The Phoenix Pack, #4))
There's a wonderful, perhaps apocryphal story that people tell about Daniel Patrick Moynihan, the brilliant, prickly, and iconoclastic late senator from New York. Apparently, Moynihan was in a heated argument with one of his colleagues over an issue, and the other senator, sensing he was on the losing side of the argument, blurted out: 'Well, you may disagree with me, Pat, I'm entitled to my own opinion." To which Moynihan frostily replied, "You are entitled to you own opinion, but you are not entitled to you own facts.
Barack Obama (The Audacity of Hope: Thoughts on Reclaiming the American Dream)
Halt glared at his friend as the whistling continued. 'I had hoped that your new sense of responsibly would put an end to that painful shrieking noise you make between your lips' he said. Crowley smiled. It was a beautiful day and he was feeling at peace with the world. And that meant he was more than ready to tease Halt 'It's a jaunty song' 'What's jaunty about it?' Halt asked, grim faced. Crowley made an uncertain gesture as he sought for an answer to that question. 'I suppose it's the subject matter' he said eventually. 'It's a very cheerful song. Would you like me to sing it for you?' 'N-' Halt began but he was too late, as Crowley began to sing. He had a pleasant tenor voice, in fact, and his rendering of the song was quite good. But to Halt it was as attractive as a rusty barn door squeaking. 'A blacksmith from Palladio, he met a lovely lady-o' 'Whoa! Whoa!' Halt said 'He met a lovely lady-o?' Halt repeated sarcastically 'What in the name of all that's holy is a lady-o?' 'It's a lady' Crowley told him patiently. 'Then why not sing 'he met a lovely lady'?' Halt wanted to know. Crowley frowned as if the answer was blatantly obvious. "Because he's from Palladio, as the song says. It's a city on the continent, in the southern part of Toscana.' 'And people there have lady-o's, instead of ladies?' Asked Halt 'No. They have ladies, like everyone else. But 'lady' doesn't rhyme with Palladio, does it? I could hardly sing, 'A blacksmith from Palladio, he met his lovely lady', could I?' 'It would make more sense if you did' Halt insisted 'But it wouldn't rhyme' Crowley told him. 'Would that be so bad?' 'Yes! A song has to rhyme or it isn't a proper song. It has to be lady-o. It's called poetic license.' 'It's poetic license to make up a word that doesn't exist and which, by the way, sound extremely silly?' Halt asked. Crowley shook his head 'No. It's poetic license to make sure that the two lines rhyme with each other' Halt thought for a few seconds, his eyes knitted close together. Then inspiration struck him. 'Well then couldn't you sing 'A blacksmith from Palladio, he met a lovely lady, so...'?' 'So what?' Crowley challenged Halt made and uncertain gesture with his hands as he sought more inspiration. Then he replied. 'He met a lovely lady, so...he asked her for her hand and gave her a leg of lamb.' 'A leg of lamb? Why would she want a leg of lamb?' Crowley demanded Halt shrugged 'Maybe she was hungry
John Flanagan (The Tournament at Gorlan (Ranger’s Apprentice: The Early Years, #1))
Mitterrand was a bold man,” Langdon replied, splitting the difference. The late French president who had commissioned the pyramid was said to have suffered from a “Pharaoh complex.” Singlehandedly responsible for filling Paris with Egyptian obelisks, art, and artifacts, François Mitterrand had an affinity for Egyptian culture that was so all-consuming that the French still referred to him as the Sphinx.
Dan Brown (The da Vinci Code (Robert Langdon, #2))
I could only reply that I think---I theorise--that something--something else--happens to the memory over time. For years you survive with the same loops, the same facts and the same emotions...The events reconfirm the emotions--resentment, a sense of injustice, relief--and vice versa. There seems no way of accessing anything else; the case is closed. But what if, even at a late stage, your emotions relating to those long-ago events and people change? That ugly letter of mine provoked remorse in me...I felt a new sympathy for them--and her. Then, not long afterwards, I began remembering forgotten things.
Julian Barnes (The Sense of an Ending)
At the end of the presentation someone asked whether he thought they should do some market research to see what customers wanted. “No,” he replied, “because customers don’t know what they want until we’ve shown them.” Then he pulled out a device that was about the size of a desk diary. “Do you want to see something neat?” When he flipped it open, it turned out to be a mock-up of a computer that could fit on your lap, with a keyboard and screen hinged together like a notebook. “This is my dream of what we will be making in the mid-to late eighties,” he said. They were building a company that would invent the future.
Walter Isaacson (Steve Jobs)
Several seconds later, my mother squeezed her way through to us. Great. He called; she came. They were awfully chummy lately. I hoped Lissa remained the only one with a surprise sibling. "Who are these people?" my mother asked. "Guess," replied Abe flatly. "Who would be foolish enough to break into Court after escaping it?" My mom's eyes widened. "How—" "No time," Abe said. The sharp look he got in return said she didn't like being interrupted . Maybe no siblings after all. Mead, Richelle (2010-12-07). Last Sacrifice: A Vampire Academy Novel (Kindle Locations 6646-6650). Penguin Young Readers Group. Kindle Edition.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
I write this sitting in the kitchen sink. That is, my feet are in it; the rest of me is on the draining-board, which I have padded with our dog's blanket and the tea-cosy. I can't say that I am really comfortable, and there is a depressing smell of carbolic soap, but this is the only part of the kitchen where there is any daylight left. And I have found that sitting in a place where you have never sat before can be inspiring - I wrote my very best poem while sitting on the hen-house. Though even that isn't a very good poem. I have decided my best poetry is so bad that I mustn't write any more of it. Drips from the roof are plopping into the water-butt by the back door. The view through the windows above the sink is excessively drear. Beyond the dank garden in the courtyard are the ruined walls on the edge of the moat. Beyond the moat, the boggy ploughed fields stretch to the leaden sky. I tell myself that all the rain we have had lately is good for nature, and that at any moment spring will surge on us. I try to see leaves on the trees and the courtyard filled with sunlight. Unfortunately, the more my mind's eye sees green and gold, the more drained of all colour does the twilight seem. It is comforting to look away from the windows and towards the kitchen fire, near which my sister Rose is ironing - though she obviously can't see properly, and it will be a pity if she scorches her only nightgown. (I have two, but one is minus its behind.) Rose looks particularly fetching by firelight because she is a pinkish person; her skin has a pink glow and her hair is pinkish gold, very light and feathery. Although I am rather used to her I know she is a beauty. She is nearly twenty-one and very bitter with life. I am seventeen, look younger, feel older. I am no beauty but I have a neatish face. I have just remarked to Rose that our situation is really rather romantic - two girls in this strange and lonely house. She replied that she saw nothing romantic about being shut up in a crumbling ruin surrounded by a sea of mud. I must admit that our home is an unreasonable place to live in. Yet I love it. The house itself was built in the time of Charles II, but it was grafted on to a fourteenth-century castle that had been damaged by Cromwell. The whole of our east wall was part of the castle; there are two round towers in it. The gatehouse is intact and a stretch of the old walls at their full height joins it to the house. And Belmotte Tower, all that remains of an even older castle, still stands on its mound close by. But I won't attempt to describe our peculiar home fully until I can see more time ahead of me than I do now. I am writing this journal partly to practise my newly acquired speed-writing and partly to teach myself how to write a novel - I intend to capture all our characters and put in conversations. It ought to be good for my style to dash along without much thought, as up to now my stories have been very stiff and self-conscious. The only time father obliged me by reading one of them, he said I combined stateliness with a desperate effort to be funny. He told me to relax and let the words flow out of me.
Dodie Smith (I Capture the Castle)
In the winter you could see them sitting on the benches by the war memorial. The cold couldn't touch them in those days. They drank mulled wine from thermos flasks and smoked their cigarettes hastily, as if they might warm them up. Tamara doesn't know when the cold took hold of them. They feel it much more quickly now, the whine more, and if anyone asks them why, they reply that the world is getting colder and colder. They could also answer that they'd got older, but that would be too honest, you don't say that until you're forty and you can look back. In your late twenties you go through your very private climate disaster and hope for better times.
Zoran Drvenkar (Sorry)
We must not eat dripping any more,’ warned Mma Makutsi from behind a healthy living magazine. ‘We must give up such things, Mma.’ This advice had been accompanied by a stern look in Mma Ramotswe’s direction. Mma Ramotswe had not taken that lying down. ‘Soon they will be telling us not to eat anything,’ she countered. ‘They will say that only air is good for you. Air and water.’ Mma Makutsi had not approved. ‘You cannot fight science, Mma. Science is telling us that many of the things we like to eat in this country are not good for us. They say that these things are making us too large.’ ‘I am not fighting science, Mma,’ replied Mma Ramotswe. ‘I am just saying that we have to have some things that we like, otherwise we shall be very unhappy. And if you are very unhappy you can die – we all know that.’ She allowed that to sink in before she continued. ‘There are many people who have been thinking a lot about science who are now late. It would have been better for them to spend more time being happy while they had the chance. That is well known, Mma – it is very well known.’ Mma Makutsi had become silent.
Alexander McCall Smith (The Woman Who Walked in Sunshine (No. 1 Ladies' Detective Agency, #16))
The journey consumed two days. With the road crowded, progress was slow and dusty. At New Brunswick the inn was so full, Adams and Franklin had to share the same bed in a tiny room with only one small window. Before turning in, when Adams moved to close the window against the night air, Franklin objected, declaring they would suffocate. Contrary to convention, Franklin believed in the benefits of fresh air at night and had published his theories on the question. “People often catch cold from one another when shut up together in small close rooms,” he had written, stressing “it is the frowzy corrupt air from animal substances, and the perspired matter from our bodies, which, being long confined in beds not lately used, and clothes not lately worn . . . obtains that kind of putridity which infects us, and occasions the colds observed upon sleeping in, wearing, or turning over, such beds [and] clothes.” He wished to have the window remain open, Franklin informed Adams. “I answered that I was afraid of the evening air,” Adams would write, recounting the memorable scene. “Dr. Franklin replied, ‘The air within this chamber will soon be, and indeed is now worse than that without doors. Come, open the window and come to bed, and I will convince you. I believe you are not acquainted with my theory of colds.’ ” Adams assured Franklin he had read his theories; they did not match his own experience, Adams said, but he would be glad to hear them again. So the two eminent bedfellows lay side-by-side in the dark, the window open, Franklin expounding, as Adams remembered, “upon air and cold and respiration and perspiration, with which I was so much amused that I soon fell asleep.
David McCullough (John Adams)
But we have no time!” Molly pleaded. Schmendrick nudged her, but she rushed on, stepping close to the skull and appealing directly to its uninhabited eyes. “We have no time. We may be too late now.” “I have time,” the skull replied reflectively. “It’s really not so good to have time. Rush, scramble, desperation, this missed, that left behind, those others too big to fit into such a small space—that’s the way life was meant to be. You’re supposed to be too late for some things. Don’t worry about it.
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
The telephone to Shadow's apartment was silent and dead. He thought about getting it connected, but could think of no one he wanted to call. Late one night he picked it up and listened, and was convinced he could hear a wind blowing and a distant conversation between a group of people talking in voiced too low to properly make out. He said, "hello?" and "who's there?" but there was no reply, only a sudden silence and then the faraway sound of laughter, so faint he was not certain he was not imagining it.
Neil Gaiman (American Gods (American Gods, #1))
If he doesn’t get here soon, I’m going to fall asleep, Susan grumbled. He loved hearing her voice in his head even when she was cranky. The thought made him smile. I’ve been keeping you up too late. Not really, she replied. I’ve always been a night owl. I just haven’t been sleeping late the way I usually do. And had had one scare after another whilst awake. Did I mention I’m still sore from digging your handsome ass up? He laughed. It was totally worth it, of course, she went on.But if we find out you’re single, I might hit you up for a nice long massage. He cursed when his body immediately responded to the image of her naked and laid out before him, waiting for him to run his hands all over her body. Now who’s flirting? Ooh, she purred. That’s so cool. Even in your thoughts, your voice deepens and gets all growly when you’re turned on. Before he could respond, she made a sound of impatience.Damn it. Now I’m turned on. He laughed, delighted that she inspired him to do so even in such grim circumstances.
Dianne Duvall (Awaken the Darkness (Immortal Guardians #8))
I told him: “I have been inside for two years and seven months. I have had a job to do here. Lately I have had no instructions. Now the Germans have shipped out our best people with whom I’ve been working. I would have to start from scratch. I can see no further point in staying here. Therefore, I’m going to leave.” Captain 159 [Stanisław Machowski] looked at me in some surprise and said: “Yes. I can see that, but can one pick and choose when one wants to come to Auschwitz and when one wants to leave?” I replied: “One can.
Witold Pilecki (The Auschwitz Volunteer: Beyond Bravery)
We’ve made a beautiful mess of things lately, haven’t we?” He flashed that sexycrooked smile at me, which made my heart flutter.I nodded, agreeing with him.“But it’s our crazy story,” he stated. “It’s been ours, only ours. There’s been a lot of romance, sometimes way too much drama…” He raised his eyebrows and smirked. “Verymemorable comedy, a few pulse-racing action scenes...”He shrugged and sighed.“We’ve also had our fair share of suspense and raw terror, and unfortunately gut-wrenching heartache too.“I think we’ve covered it all, everything except for being captured by aliens!”I couldn’t help but chuckle.“But through it all you’ve loved me, unconditionally, and I know how fortunate I amto have your love.“I don’t want to live without you, not for one more minute, not for one more second.I want to spend the rest of my days living my story with you… only you.”He walked to the edge and jumped off the table, landing in front of me.“It is here that I fell in love with you,” Ryan whispered, taking my hands in his.He dropped down on one knee.“And as fate would have it, it is here that I humbly kneel before you and ask you to be my wife.“Taryn Lynn Mitchell, will you marry me?” His glistening eyes, so blue, so full of emotion, gazed up at me… waiting patiently for my reply.Only one word rang through my heart.“Yes!” I nodded emphatically. My salted tears dripped across my lips. I said yes over and over again.
Tina Reber (Love Unscripted (Love, #1))
But a further question arises: Is passion different from reason also, or only a kind of reason; in which latter case, instead of three principles in the soul, there will only be two, the rational and the concupiscent; or rather, as the State was composed of three classes, traders, auxiliaries, counsellors, so may there not be in the individual soul a third element which is passion or spirit, and when not corrupted by bad education is the natural auxiliary of reason? Yes, he said, there must be a third. Yes, I replied, if passion, which has already been shown to be different from desire, turn out also to be different from reason. But that is easily proved:—We may observe even in young children that they are full of spirit almost as soon as they are born, whereas some of them never seem to attain to the use of reason, and most of them late enough. Excellent,
Plato (The Republic)
The moon seemed to veil herself before the bold looks of Satan. The night was cold. All the doors were closed, all the windows darkened. and the streets deserted. From their appearance, one would have imagined that, for a long time past no foot had traversed those silent streets. Everything around us bore a death-like aspect. It seemed as if, when day came, no one would open their doors; that no head, of woman or of child, would look out of those dark, dull windows; that no step would break the silence which fell, like a pall, upon all around. I seemed to be walking in a city which had been buried some ages. In truth, the town seemed to have been depopulated, and the cemetery to have grown full. Still we went forward, without hearing a murmur, or meeting even with a shadow. The street stretched for a long way across this fearful city of silence and repose. At last we reached my house. 'You remember it?' said the fiend. 'Yes,' replied I, sullenly, 'let us enter.' 'First,' said he, 'we must open the door. It is I, by the way, who invented the science of opening doors without breaking them in. In fact, I have a second key to all doors and gates - with one exception - that of Paradise!
James Hain Friswell
As one sat in the aeroplane amidst all the noise, smoking and loud talking, most unexpectedly, the sense of immensity and that extraordinary benediction which was felt at il L., that imminent feeling of sacredness, began to take place. The body was nervously tense because of the crowd, noise, etc. but in spite of all this, it was there. The pressure and the strain were intense and there was acute pain at the back of the head. There was only this state and there was no observer. The whole body was wholly in it and the feeling of sacredness was so intense that a groan escaped from the body and passengers were sitting in the next seats. It went on for several hours, late into the night. It was as though one was looking, not with eyes only but with a thousand centuries; it was altogether a strange occurrence. The brain was completely empty, all reaction had stopped; during all those hours, one was not aware of this emptiness but only in writing it is the thing known, but this knowledge is only descriptive and not real. That the brain could empty itself is an odd phenomenon. As the eyes were closed, the body, the brain seemed to plunge into unfathomable depths, into states of incredible sensitivity and beauty. The passenger in the next seat began to ask something and having replied, this intensity was there; there was no continuity but only being. And dawn was coming leisurely and the clear sky was filling with light - As this is being written late in the day, with sleepless fatigue, that sacredness is there. The pressure and the strain too.
J. Krishnamurti (Krishnamurtis Notebook)
It is precisely to prevent us from thinking too much that society pressurizes us all to get out of bed. In 1993, I went to interview the late radical philosopher and drugs researcher Terence McKenna. I asked him why society doesn’t allow us to be more idle. He replied: I think the reason we don’t organise society in that way can be summed up in the aphorism, “idle hands are the devil’s tool.” In other words, institutions fear idle populations because an Idler is a thinker and thinkers are not a welcome addition to most social situations. Thinkers become malcontents, that’s almost a substitute word for idle, “malcontent.” Essentially, we are all kept very busy . . . under no circumstances are you to quietly inspect the contents of your own mind. Freud called introspection “morbid”—unhealthy, introverted, anti-social, possibly neurotic, potentially pathological. Introspection could lead to that terrible thing: a vision of the truth, a clear image of the horror of our fractured, dissonant world. The
Tom Hodgkinson (How to Be Idle: A Loafer's Manifesto)
The one thought Conan had on the spot about the half hour at 11:35 was that it would likely exacerbate the problem he already had with Leno. 'So at least now, Jay does his show, but there's the break of the news, and that's kind of the reset button,' Conan said to Gaspin and Graboff. 'At 11:35 Jay's going to come out and do twenty jokes. And then what's he going to do?' When they replied that it seemed likely he would have only one guest, Conan said, 'OK. And then I come out and do what?' The NBC guys didn't really have an answer for that other than what Conan had already been doing: his own monologue. That this now seemed like a late-night pileup - three shows with monologues lined up end to end - was the implication no one had really addressed. Finally Conan did have something he really wanted to say, something that had almost burned a hole in his chest. 'What does Jay have on you?' Conan asked, his voice still low, his tone still even. 'What does this guy have on you people? What the hell is it about Jay?
Bill Carter (The War for Late Night: When Leno Went Early and Television Went Crazy)
Tristan: I had to leave early to help a friend move this morning and I didn't want to wake you. I was almost late, though. I couldn't stop staring at you. Who knew you’re so cute when you’re not yelling at me. A huge smile breaks across my face. He didn't run from me. He wanted to stay with me. Remy: Might want to figure that out before Jax gets home today. He might not appreciate you ogling his sister. His reply comes almost immediately, which sends another burst of happiness through my chest. Tristan: No promises. When you’re yelling, all I can think about is how much I want to bend you over and hear you make that breathy little sound right before you come all over my cock.
Nikki Castle (5 Rounds (The Fight Game, #1))
FATHER FORGETS W. Livingston Larned Listen, son: I am saying this as you lie asleep, one little paw crumpled under your cheek and the blond curls stickily wet on your damp forehead. I have stolen into your room alone. Just a few minutes ago, as I sat reading my paper in the library, a stifling wave of remorse swept over me. Guiltily I came to your bedside. There are the things I was thinking, son: I had been cross to you. I scolded you as you were dressing for school because you gave your face merely a dab with a towel. I took you to task for not cleaning your shoes. I called out angrily when you threw some of your things on the floor. At breakfast I found fault, too. You spilled things. You gulped down your food. You put your elbows on the table. You spread butter too thick on your bread. And as you started off to play and I made for my train, you turned and waved a hand and called, “Goodbye, Daddy!” and I frowned, and said in reply, “Hold your shoulders back!” Then it began all over again in the late afternoon. As I came up the road I spied you, down on your knees, playing marbles. There were holes in your stockings. I humiliated you before your boyfriends by marching you ahead of me to the house. Stockings were expensive—and if you had to buy them you would be more careful! Imagine that, son, from a father! Do you remember, later, when I was reading in the library, how you came in timidly, with a sort of hurt look in your eyes? When I glanced up over my paper, impatient at the interruption, you hesitated at the door. “What is it you want?” I snapped. You said nothing, but ran across in one tempestuous plunge, and threw your arms around my neck and kissed me, and your small arms tightened with an affection that God had set blooming in your heart and which even neglect could not wither. And then you were gone, pattering up the stairs. Well, son, it was shortly afterwards that my paper slipped from my hands and a terrible sickening fear came over me. What has habit been doing to me? The habit of finding fault, of reprimanding—this was my reward to you for being a boy. It was not that I did not love you; it was that I expected too much of youth. I was measuring you by the yardstick of my own years. And there was so much that was good and fine and true in your character. The little heart of you was as big as the dawn itself over the wide hills. This was shown by your spontaneous impulse to rush in and kiss me good night. Nothing else matters tonight, son. I have come to your bedside in the darkness, and I have knelt there, ashamed! It is a feeble atonement; I know you would not understand these things if I told them to you during your waking hours. But tomorrow I will be a real daddy! I will chum with you, and suffer when you suffer, and laugh when you laugh. I will bite my tongue when impatient words come. I will keep saying as if it were a ritual: “He is nothing but a boy—a little boy!” I am afraid I have visualized you as a man. Yet as I see you now, son, crumpled and weary in your cot, I see that you are still a baby. Yesterday you were in your mother’s arms, your head on her shoulder. I have asked too much, too much.
Dale Carnegie (How To Win Friends and Influence People)
The alternative to soul-acceptance is soul-fatigue. There is a kind of fatigue that attacks the body. When we stay up too late and rise too early; when we try to fuel ourselves for the day with coffee and a donut in the morning and Red Bull in the afternoon; when we refuse to take the time to exercise and we eat foods that clog our brains and arteries; when we constantly try to guess which line at the grocery store will move faster and which car in which lane at the stoplight will move faster and which parking space is closest to the mall, our bodies grow weary. There is a kind of fatigue that attacks the mind. When we are bombarded by information all day at work . . . When multiple screens are always clamoring for our attention . . . When we carry around mental lists of errands not yet done and bills not yet paid and emails not yet replied to . . . When we try to push unpleasant emotions under the surface like holding beach balls under the water at a swimming pool . . . our minds grow weary. There is a kind of fatigue that attacks the will. We have so many decisions to make. When we are trying to decide what clothes will create the best possible impression, which foods will bring us the most pleasure, which tasks at work will bring us the most success, which entertainment options will make us the most happy, which people we dare to disappoint, which events we must attend, even what vacation destination will be most enjoyable, the need to make decisions overwhelms us. The sheer length of the menu at Cheesecake Factory oppresses us. Sometimes college students choose double majors, not because they want to study two fields, but simply because they cannot make the decision to say “no” to either one. Our wills grow weary with so many choices.
John Ortberg (Soul Keeping: Caring For the Most Important Part of You)
Glancing around the entrance hall, she realized the crate was no longer in the corner. The twins must have raced downstairs the moment it had been mentioned. Clutching it on either side, they lugged it furtively toward the receiving room. "Girls," Kathleen said sharply, "bring that back here at once!" But it was too late. The receiving room's double doors closed, accompanied by the click of a key turning in the lock. Kathleen stopped short, her jaw slackening. West and Helen staggered together, overcome with hilarity. "I'll have you know," Mrs. Church said in amazement, "it took our two stoutest footmen to bring that crate into the house. How did two young ladies manage to carry it away so quickly?" "Sh-sheer determination," Helen wheezed. "All I want in this life," West told Kathleen, "is to see you try to pry that crate away from those two." "I wouldn't dare," she replied, giving up. "They would do me bodily harm.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
My dear girl, would you care to explain how all of this came about?” King Garron asked, with a concerned tone. “The usual way Father. Is that not what you said to me when I asked how you and Lady Ellos came to be involved? I am happy for you Father, I wish you to be happy for me as well. Goodnight, I am glad to be home,” Laurel said in a quiet but resolute voice, as she kissed her father and Phineas goodnight and walked up the stairs. “I honestly do not know what to say Phineas,” King Garron spoke in a defeated tone, as he watched Laurel walk out of sight. “There is nothing to say Sire. Your daughter has grown up, and captured the heart of her Prince,” Phineas replied with a warm smile, putting his hand on King Garron’s shoulder. “She will hold the Heart of Heathwin. I will be damned, Milna was right,” King Garron said in a whisper, his eyes filling with tears, at remembering something his beloved late wife had told him.
MT Magee
I used to think one day we'd tell the story of us ; How we met, and the sparks flew instantly. People would say have said they're the lucky ones. I used to know my place was a spot next to you and then it went to me searching the room for an empty seat 'Cause lately I don't even know what page you're on Oh, a simple complication, Miscommunications lead to fall out. So many things that I wish you knew oh and So many walls up, I can't break through Now I'm back again on this website after five years And I'm dying to know does it still hurt you like it hurts me? I don't know what to say since a twist of fate, when it all broke down and the story of us looks a lot like a tragedy now How'd we end up this way? With both of us deleting our accounts and going our separate ways So, today I'm telling the story of us of how I was losing my mind when I saw you had deleted the account and gone away without a goodbye and no I miss yous leaving me with just your quotes on Goodreads How you held your pride like you should've held me Why did we pretend this is nothing? I'd tell you I miss you, but I don't know how I never heard silence quite this loud Now I'm standing alone in a crowded room in a UK library reminiscing about the days when I was 15 and you were a 16 California boy; how we fell for each and how we fought both too immature to realize what we were setting up in flames How I still recall your replies and my singing heart and shining eyes. Didn't tell you back then and now I'm saying I liked it better when you were on my side So many things that you wish I knew ; So many that I wish I had told you But the story of us has broken, burned and ended Now I'm standing alone in a crowded room And we're not speaking : And I'm dying to know Is it killing you like it's killing me? But I don't know what to say Since a twist of fate, when it all broke down And the story of us looks a lot like a tragedy now.
Hearts Can Break and Never Make a Sound
two men appeared out of nowhere, a few yards apart in the narrow, moonlit lane. For a second they stood quite still, wands directed at each other’s chests; then, recognizing each other, they stowed their wands beneath their cloaks and started walking briskly in the same direction. “News?” asked the taller of the two. “The best,” replied Severus Snape. The lane was bordered on the left by wild, low-growing brambles, on the right by a high, neatly manicured hedge. The men’s long cloaks flapped around their ankles as they marched. “Thought I might be late,” said Yaxley, his blunt features sliding in and out of sight as the branches of overhanging trees broke the moonlight. “It was a little trickier than I expected. But I hope he will be satisfied. You sound confident that your reception will be good?” Snape nodded, but did not elaborate. They turned right, into a wide driveway that led off the lane. The high hedge curved with them, running off into the distance beyond the pair of impressive wrought-iron gates barring the men’s way. Neither
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Lost,” the captain repeated. “I am surely that.” “Yet you and I, Lull, we are lost late in our lives. Look upon the children, and despair.” “How to answer this? I must know, Duiker, else I go mad.” “Sleight of hand,” the historian said. “What?” “Think of the sorcery we’ve seen in our lives, the vast, unbridled, deadly power we’ve witnessed unleashed. Driven to awe and horror. Then think of a trickster—those you saw as a child—the games of illusion and artifice they could play out with their hands, and so bring wonder to your eyes.” The captain was silent, motionless. Then he rose. “And there’s my answer?” “It’s the only one I can think of, friend. Sorry if it’s not enough.” “No, old man, it’s enough. It has to be, doesn’t it?” “Aye, that it does.” “Sleight of hand.” The historian nodded. “Ask for nothing more, for the world—this world—won’t give it.” “But where will we find such a thing?” “Unexpected places,” Duiker replied, also rising. Somewhere ahead, shouts rose and the convoy resumed its climb once more. “If you fight both tears and a smile, you’ll have found one.
Steven Erikson (Deadhouse Gates (Malazan Book of the Fallen, #2))
THE WOMAN AND THE FARMER A Woman, who had lately lost her husband, used to go every day to his grave and lament her loss. A Farmer, who was engaged in ploughing not far from the spot, set eyes upon the Woman and desired to have her for his wife: so he left his plough and came and sat by her side, and began to shed tears himself. She asked him why he wept; and he replied, "I have lately lost my wife, who was very dear to me, and tears ease my grief." "And I," said she, "have lost my husband." And so for a while they mourned in silence. Then he said, "Since you and I are in like case, shall we not do well to marry and live together? I shall take the place of your dead husband, and you, that of my dead wife." The Woman consented to the plan, which indeed seemed reasonable enough: and they dried their tears. Meanwhile, a thief had come and stolen the oxen which the Farmer had left with his plough. On discovering the theft, he beat his breast and loudly bewailed his loss. When the Woman heard his cries, she came and said, "Why, are you weeping still?" To which he replied, "Yes, and I mean it this time.
Aesop (Aesop's Fables)
Colby’s resourceful, I’ll give him that.” “You used to be good friends.” “We were, until he started hanging around Cecily,” came the short reply. “I’m not as angry at him as I was. But it seems that he has to have a woman to prop him up.” “Not necessarily,” Matt replied. “Sometimes a good woman can save a bad man. It’s an old saying, but fairly true from time to time. Colby was headed straight to hell until Cecily put him on the right track. It’s gratitude, but I don’t think he can see that just yet. He’s in between mourning his ex-wife and finding someone to replace her.” He leaned back again. “I feel sorry for him. He’s basically a one-woman man, but he lost the woman.” Tate packed back to the wing chair and sat down on the edge. “He’s not getting Cecily. She’s mine, even if she doesn’t want to admit it.” Matt stared at him. “Don’t you know anything about women in love?” “Not a lot,” the younger man confessed. “I’ve spent the better part of my life avoiding them.” “Especially Cecily,” Matt agreed. “She’s been like a shadow. You didn’t miss her until you couldn’t see her behind you anymore.” “She’s grown away from me,” Tate said. “I don’t know how to close the gap. I know she still feels something for me, but she wouldn’t stay and fight for me.” He lifted his gaze to Matt’s hard face. “She’s carrying my child. I want both of them, regardless of the adjustments I have to make. Cecily’s the only woman I’ve ever truly wanted.” Matt spread his hands helplessly. “This is one mess I can’t help you sort out,” he said at last. “If Cecily loves you, she’ll give in sooner or later. If it were me, I’d go find her and tell her how I really felt. I imagine she’ll listen.” Tate stared at his shoes. He couldn’t find the right words to express what he felt. “Tate,” his father said gently, “you’ve had a lot to get used to lately. Give it time. Don’t rush things. I’ve found that life sorts itself out, given the opportunity.” Tate’s dark eyes lifted. “Maybe it does.” He searched the other man’s quiet gaze. “It’s not as bad as I thought it was, having a foot in two worlds. I’m getting used to it.” “You still have a unique heritage,” Matt pointed out. “Not many men can claim Berber revolutionaries and Lakota warriors as relatives.
Diana Palmer (Paper Rose (Hutton & Co. #2))
How long have you known that you also fancy men?” Merrick’s breath hitched as he dropped his head, panting heavily as the sponge stroked across his nape. He attempted to get his jumbled thoughts in order. Was this Cassius’s attempt to understand him? To form an amicable connection with him? “Not also,” he replied. “Only. I only fancy men.” For of that he was certain, and saying it out loud made it ring even clearer in his head. “I’ve known for as long as I can remember. When Marjorie played with her dolls, I felt an uncomfortable tightness in my chest as she pretended the male was courting the female. I would change the script in my head and…and have the gentleman court another gentleman.” The silence was nearly deafening in the room, the only sounds their harsh breaths and the water dripping off the sponge. “And you?” Merrick asked, clearing his throat. “It’s taken me a bit longer to know…to understand. I thought something was wrong with me, or that perhaps I was a late bloomer. My life has always been about my family…not about friends, nor anyone I ever fancied. When I finally took time to look inside myself, to allow myself pleasure, women had never figured into the equation
Riley Hart (Ever After)
Once there was and once there was not a devout, God-fearing man who lived his entire life according to stoic principles. He died on his fortieth birthday and woke up floating in nothing. Now, mind you, floating in nothing was comforting, light-less, airless, like a mother’s womb. This man was grateful. But then he decided he would love to have sturdy ground beneath his feet, so he would feel more solid himself. Lo and behold, he was standing on earth. He knew it to be earth, for he knew the feel of it. Yet he wanted to see. I desire light, he thought, and light appeared. I want sunlight, not any light, and at night it shall be moonlight. His desires were granted. Let there be grass. I love the feel of grass beneath my feet. And so it was. I no longer wish to be naked. Only robes of the finest silk must touch my skin. And shelter, I need a grand palace whose entrance has double-sided stairs, and the floors must be marble and the carpets Persian. And food, the finest of food. His breakfast was English; his midmorning snack French. His lunch was Chinese. His afternoon tea was Indian. His supper was Italian, and his late-night snack was Lebanese. Libation? He had the best of wines, of course, and champagne. And company, the finest of company. He demanded poets and writers, thinkers and philosophers, hakawatis and musicians, fools and clowns. And then he desired sex. He asked for light-skinned women and dark-skinned, blondes and brunettes, Chinese, South Asian, African, Scandinavian. He asked for them singly and two at a time, and in the evenings he had orgies. He asked for younger girls, after which he asked for older women, just to try. The he tried men, muscular men, skinny men. Then boys. Then boys and girls together. Then he got bored. He tried sex with food. Boys with Chinese, girls with Indian. Redheads with ice cream. Then he tried sex with company. He fucked the poet. Everybody fucked the poet. But again he got bored. The days were endless. Coming up with new ideas became tiring and tiresome. Every desire he could ever think of was satisfied. He had had enough. He walked out of his house, looked up at the glorious sky, and said, “Dear God. I thank You for Your abundance, but I cannot stand it here anymore. I would rather be anywhere else. I would rather be in hell.” And the booming voice from above replied, “And where do you think you are?
Rabih Alameddine
A week later Mrs. Blythe, coming up from the village late in the afternoon, paused at the gate of Ingleside in an amazement which temporarily bereft her of the power of motion. An extraordinary sight met her eyes. Round the end of the kitchen burst Mr. Pryor, running as stout, pompous Mr. Pryor had not run in years, with terror imprinted on every lineament—a terror quite justifiable, for behind him, like an avenging fate, came Susan, with a huge, smoking iron pot grasped in her hands, and an expression in her eye that boded ill to the object of her indignation, if she should overtake him. Pursuer and pursued tore across the lawn. Mr. Pryor reached the gate a few feet ahead of Susan, wrenched it open, and fled down the road, without a glance at the transfixed lady of Ingleside. "Susan," gasped Anne. Susan halted in her mad career, set down her pot, and shook her fist after Mr. Pryor, who had not ceased to run, evidently believing that Susan was still full cry after him. "Susan, what does this mean?" demanded Anne, a little severely. "You may well ask that, Mrs. Dr. dear," Susan replied wrathfully. "I have not been so upset in years. That—that—that pacifist has actually had the audacity to come up here and, in my own kitchen, to ask me to marry him. HIM!" Anne choked back a laugh. "But—Susan!
L.M. Montgomery (Rilla of Ingleside (Anne of Green Gables, #8))
Even today, every night of the year, the Queen’s Keys are carried in great ceremony to lock up the gates of the Tower. The Chief Yeoman Warder at 9:53 meets his escort warders and they walk to the gates. They arrive at 10:00 p.m. exactly and are challenged by a sentry with a bayonet who cries loudly, “Who comes here?” The reply by the Chief is, “The Keys.” “Whose keys?” “Queen Elizabeth’s keys.” “Pass, Queen Elizabeth’s keys, and all is well.” The party passes through the Bloody Tower Archway into the fortress and halts at the Broadway Steps. At the top of the stairs, the Tower Guard presents arms and the Chief Warder raises his hat and proclaims, “God preserve Queen Elizabeth.” The sentry replies, “Amen!” Afterward, the keys are taken to the Queen’s House for safekeeping and the Last Post is sounded. This ancient ceremony was interrupted only once since the 14th century. During World War II there was an air raid on London. Bombs fell on the Victorian guardroom just as the party was coming through the Bloody Tower Archway. The noise knocked down the Chief Yeoman and one of the Warder escorts. In the Tower is a letter from the Officer of the Guard in which he apologizes to King George VI for the ceremony finishing late, as well as a reply from the King which states that the officer is not to be punished since the delay was due to enemy action.
Debra Brown (Castles, Customs, and Kings: True Tales by English Historical Fiction Authors)
It’s dark as a tomb in here,” she said, unable to see more than shadows. “Will you light the candles, please,” she asked, “assuming there are candles in here?” “Aye, milady, right there, next to the bed.” His shadow crossed before her, and Elizabeth focused on a large, oddly shaped object that she supposed could be a bed, given its size. “Will you light them, please?” she urged. “I-I can’t see a thing in here.” “His lordship don’t like more’n one candle lit in the bedchambers,” the footman said. “He says it’s a waste of beeswax.” Elizabeth blinked in the darkness, torn somewhere between laughter and tears at her plight. “Oh,” she said, nonplussed. The footman lit a small candle at the far end of the room and left, closing the door behind him. “Milady?” Berta whispered, peering through the dark, impenetrable gloom. “Where are you?” “I’m over here,” Elizabeth replied, walking cautiously forward, her arms outstretched, her hands groping about for possible obstructions in her path as she headed for what she hoped was the outside wall of the bedchamber, where there was bound to be a window with draperies hiding its light. “Where?” Berta asked in a frightened whisper, and Elizabeth could hear the maid’s teeth chattering halfway across the room. “Here-on your left.” Berta followed the sound of her mistress’s voice and let out a terrified gasp at the sight of the ghostlike figure moving eerily through the darkness, arms outstretched. “Raise your arm,” she said urgently, “so I’ll know ‘tis you.” Elizabeth, knowing Berta’s timid nature, complied immediately. She raised her arm, which, while calming poor Berta, unfortunately caused Elizabeth to walk straight into a slender, fluted pillar with a marble bust upon it, and they both began to topple. “Good God!” Elizabeth burst out, wrapping her arms protectively around the pillar and the marble object upon it. “Berta!” she said urgently. “This is no time to be afraid of the dark. Help me, please. I’ve bumped into something-a bust and its stand, I think-and I daren’t let go of them until I can see how to set them upright. There are draperies over here, right in front of me. All you have to do is follow my voice and open them. Once we do, ‘twill be bright as day in here.” “I’m coming, milady,” Berta said bravely, and Elizabeth breathed a sigh of relief. “I’ve found them!” Berta cried softly a few minutes later. “They’re heavy-velvet they are, with another panel behind them.” Berta pulled one heavy panel back across the wall, and then, with renewed urgency and vigor, she yanked back the other and turned around to survey the room. “Light as last!” Elizabeth said with relief. Dazzling late-afternoon sunlight poured into the windows directly in front of her, blinding her momentarily. “That’s much better,” she said, blinking. Satisfied that the pillar was quite sturdy enough to stand without her aid, Elizabeth was about to place the bust back upon it, but Berta’s cry stopped her. “Saints preserve us!” With the fragile bust clutched protectively to her chest Elizabeth swung sharply around. There, spread out before her, furnished entirely in red and gold, was the most shocking room Elizabeth had ever beheld: Six enormous gold cupids seemed to hover in thin air above a gigantic bed clutching crimson velvet bed draperies in one pudgy fist and holding bows and arrows in the other; more cupids adorned the headboard. Elizabeth’s eyes widened, first in disbelief, and a moment later in mirth. “Berta,” she breathed on a smothered giggle, “will you look at this place!
Judith McNaught (Almost Heaven (Sequels, #3))
Risking a glance at the dignified young man beside her- what was his name?- Mr. Arthurson, Arterton?- Pandora decided to try her hand at some small talk. "It was very fine weather today, wasn't it?" she said. He set down his flatware and dabbed at both corners of his mouth with his napkin before replying. "Yes, quite fine." Encouraged, Pandora asked, "What kind of clouds do you like better- cumulus or stratocumulus?" He regarded her with a slight frown. After a long pause, he asked, "What is the difference?" "Well, cumulus are the fluffier, rounder clouds, like this heap of potatoes on my plate." Using her fork, Pandora spread, swirled, and dabbed the potatoes. "Stratocumulus are flatter and can form lines or waves- like this- and can either form a large mass or break into smaller pieces." He was expressionless as he watched her. "I prefer flat clouds that look like a blanket." "Altostratus?" Pandora asked in surprise, setting down her fork. "But those are the boring clouds. Why do you like them?" "They usually mean it's going to rain. I like rain." This showed promise of actually turning into a conversation. "I like to walk in the rain, too," Pandora exclaimed. "No, I don't like to walk in it. I like to stay in the house." After casting a disapproving glance at her plate, the man returned his attention to eating. Chastened, Pandora let out a noiseless sigh. Picking up her fork, she tried to inconspicuously push her potatoes into a proper heap again. Fact #64 Never sculpt your food to illustrate a point during small talk. Men don't like it. As Pandora looked up, she discovered Phoebe's gaze on her. She braced inwardly for a sarcastic remark. But Phoebe's voice was gentle as she spoke. "Henry and I once saw a cloud over the English Channel that was shaped in a perfect cylinder. It went on as far as the eye could see. Like someone had rolled up a great white carpet and set it in the sky." It was the first time Pandora had ever heard Phoebe mention her late husband's name. Tentatively, she asked, "Did you and he ever try to find shapes in the clouds?" "Oh, all the time. Henry was very clever- he could find dolphins, ships, elephants, and roosters. I could never see a shape until he pointed it out. But then it would appear as if by magic." Phoebe's gray eyes turned crystalline with infinite variations of tenderness and wistfulness. Although Pandora had experienced grief before, having lost both parents and a brother, she understood that this was a different kind of loss, a heavier weight of pain. Filled with compassion and sympathy, she dared to say, "He... he sounds like a lovely man." Phoebe smiled faintly, their gazes meeting in a moment of warm connection. "He was," she said. "Someday I'll tell you about him." And finally Pandora understood where a little small talk about the weather might lead.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
You were just in South Dakota a couple of weeks ago,” he pointed out. “Why didn’t you get it then?” “It wasn’t available then.” She brushed back a tiny strand of loose hair. “Don’t cross-examine me, okay? It’s been a long day.” He ran a hand around the back of his neck, under his braid of hair, and stared at her own hair in the tight bun at her nape as she replaced the errant strand. “I thought you took it down at night.” “At bedtime,” she corrected. His eyes narrowed. “Lucky Colby,” he said deliberately. She wasn’t going to give him any rope to hang her with. She just smiled. He glared at her. “He won’t change,” he said flatly. “I don’t care,” she said. “I appreciate all you’ve done for me, Tate, but my private life is my own business, not yours.” “That’s a hell of a way to talk to me.” “That works both ways,” she replied, eyes narrowing. “What gives you the right to ask questions about the men I date?” Her words made him mad. His lips compressed until they made a straight line. He looked like his father when he was angry. He finished his coffee in a tense silence and got to his feet. He glanced at his watch. “I’ve got to go. I just wanted to see how you were.” “You just wanted to see if Colby was here,” she corrected and smiled mirthlessly when he blinked. “You know I don’t approve of Colby,” he told her. “Like I care?” she said. He took a step toward her. His black eyes glittered with conflicting emotions. She aroused him more lately than any woman he’d ever known. Just looking at her sent him over the edge. On some level she recognized the tension in him, the need that he was denying. He was upset about Matt Holden pulling him out of the security work, not because of the money, but rather because it seemed nothing more than spite. Actually Holden was saving them both from a political upheaval because he could have been accused of nepotism. But deeper than that was a frustration because he wanted a woman he couldn’t have. Cecily knew that at some level. He was trying to start a fight. She couldn’t let him. “Colby is a sweet man,” she said gently. “He’s good company and he doesn’t drink around me, ever.” “He’s an alcoholic,” he said quietly, trying to control the anger. “I told you before, he’s in therapy,” she said. “He’s trying, Tate.” “So you expect me not to worry about you? After what my own father put me and my mother through?
Diana Palmer (Paper Rose (Hutton & Co. #2))
Temperance Dews stood with quiet confidence, a respectable women who lived in the sewer that was St. Giles. Her eyes had widened at the sight of Lazarus, but she made no move to flee. Indeed, finding a strange man in her pathetic sitting room seemed not to frighten her at all. Interesting. “I am Lazarus Huntington, Lord Caire,” he said. “I know. What are you doing here?” He tilted his head, studying her. She knew him, yet did not recoil in horror? Yes, she’d do quite well. “I’ve come to make a proposition to you, Mrs. Dews.” Still no sign of fear, though she eyed the doorway. “You’ve chosen the wrong woman, my lord. The night is late. Please leave my house.” No fear and no deference to his rank. An interesting woman indeed. “My proposition is not, er, illicit in nature,” he drawled. “In fact, it’s quite respectable. Or nearly so.” She sighed, looked down at her tray, and then back up at him. “Would you like a cup of tea?” He almost smiled. Tea? When had he last been offered something so very prosaic by a woman? He couldn’t remember. But he replied gravely enough. “Thank you, no.” She nodded. “Then if you don’t mind?” He waved a hand to indicate permission. She set the tea tray on the wretched little table and sat on the padded footstool to pour herself a cup. He watched her. She was a monochromatic study. Her dress, bodice, hose, and shoes were all flat black. A fichu tucked in at her severe neckline, an apron, and cap—no lace or ruffles—were all white. No color marred her aspect, making the lush red of her full lips all the more startling. She wore the clothes of a nun, yet had the mouth of a sybarite. The contrast was fascinating—and arousing. “You’re a Puritan?” he asked. Her beautiful mouth compressed. “No.
Elizabeth Hoyt (Wicked Intentions (Maiden Lane, #1))
You’re as beautiful as you were the night we made our son,” she whispered, bending to kiss him tenderly. His fingers traced her dark eyebrows, her cheeks, her mouth. “I wish we could have another baby,” he said heavily. “So do I. But I’m too old,” she said sadly. She lay her cheek against his broad, damp chest and stroked the silver-tipped hair that covered it. “We’ll have to hope for grandchildren, if he ever forgives us.” He held her tightly, as if by holding her he could keep her safe. What he felt for her was ferociously protective. She misunderstood the tightening of his arms. She smiled and sighed. “We can’t, again. Cecily will think we’ve deserted her.” His hand smoothed her long hair. “She probably knows exactly what we’re doing,” he said on a chuckle. “She loves you.” “She likes you. Maybe we could adopt her.” “Better if our son marries her.” She grinned. “We can hope.” She sat up and stretched, liking the way he watched her still-firm breasts. “The last time I felt like this was thirty-six years ago,” she confided. “The same is true for me,” he replied. She searched his eyes, already facing her departure. She would have to go back to the reservation, home. He could still read her better than she knew. He drew her hand to his mouth. “It’s too late, but I want to marry you. This week. As soon as possible.” She was surprised. She didn’t know what to say. “I love you,” he said. “I never stopped. Forgive me and say yes.” She considered the enormity of what she would be agreeing to do. Be his hostess. Meet his friends. Go to fund-raising events. Wear fancy clothes. Act sophisticated. “Your life is so different from mine,” she began. “Don’t you start,” he murmured. “I’ve seen what it did to Cecily when Tate used that same argument with her about all the differences. It won’t work with me. We love each other too much to worry about trivial things. Say yes. We’ll work out all the details later.” “There will be parties, benefits…” He pulled her down into his arms and kissed her tenderly. “I don’t know much about etiquette,” she tried again. He rolled her over, pinning her gently. One long leg inserted itself between both of hers as he kissed her. “Oh, what the hell,” she murmured, and wrapped her legs around his, groaning as the joints protested. “Arthritis?” he asked. “Osteoarthritis.” “Me, too.” He shifted, groaning a little himself as he eased down. “We’ll work on new positions one day. But it’s…too late…now. Leta…!” he gasped. She didn’t have enough breath to answer him. He didn’t seem to notice that she hadn’t. Bad joints notwithstanding, they managed to do quite a few things that weren’t recommended for people their ages. And some that weren’t in the book at all.
Diana Palmer (Paper Rose (Hutton & Co. #2))
But then jJax said, "Yet don't we always go looking for danger?" "And we have a Metal to save," Robb added. Talle shook her head. "Who is now a brainwashed murdering robot who wants to KILL us." "But he didn't," Ana argued, painfully aware of the wound in her stomach. If he had wanted to kill her, he could have. He knew how. She didn't tell them what Di had whispered before he plunged the blade into her, wishing to have let her burn. That was not Di. So, she kept it to herself, a secret between her and her new scars. And that means the HIVE didn't take everything. The HIVE WON'T take everything. The Iron Kingdom isn't mine--it's ours. We're the outcasts, the rebels, the refugees--" "And the royalty," said Jax. "And the royalty," she agreed. "We're part of the Iron Kingdom. We're the parts no one remembers, so they'll never see us coming. Who's with me?" Jax and Robb raised their hands without hesitation, and then Lenda, and Talle. The captain pursed her lips, blinking the stray tears out of her eyes, and then she nodded because Ana knew she just wanted to keep her safe--but now it was Ana's turn to save people. "To the ends of the universe, darling," Siege finally replied. Ana's heart swelled. She held tightly to Di's memory core, a lifeline glowing with hope in the dark. Once, she had not known who she could be without Di, and once she couldn't have fathomed the thought. But now she knew she carried Di with her, and Barger, and Wick, and Riggs--and Siege, and Talle, and Lenda and Robb and Jax, and Machivalle and Wynn, and Viera, and her late parents and lost brothers, tucked within the steady thrum of her heart. They were the sum of her parts that made her whole. She was Ananke Armorov. She was the heir to the Iron Kingdom. She was a girl born in fire and raised in the stars, and she would burn against the darkness--and drive it away.
Ashley Poston (Heart of Iron (Heart of Iron, #1))
I don't require any more sleep than you do, sir. If you stay up late, I am capable of doing the same. I also have work to do." His brows lowered in a forbidding scowl. "Go to bed, Miss Sydney." Sophia did not flinch. "Not until you do." "My bedtime has nothing to do with yours," he said curtly, "unless you are suggesting that we go to bed together." Clearly, the remark was meant to intimidate her into silence. A reckless reply came to mind, one so bold that she bit her tongue to keep from speaking. And then she thought, Why not? It was time to declare her sexual interest in him... time to advance her plan of seduction one more step. "All right," she said quickly. "If that is what it takes to make you get the rest you require- so be it." His dark face went blank. The lengthy silence that ensued was evidence of how greatly she had surprised him. My God, she thought in a flutter of panic. Now I've done it. She could not predict how Sir Ross would respond. Being a gentleman- a notoriously celibate one- he might refuse her proposition. However, there was something in his expression- a flicker in his gray eyes- that made her wonder if he might not accept the impulsive invitation. And if he did, she would have to carry it out and sleep with him. The thought jarred her very soul. This was what she had planned, what she had wanted to achieve, but she was suddenly terrified. Terrified by the realization of how much she wanted him. Slowly Sir Ross approached, following as she backed away one step, then another, until her spine was flattened against the door. His alert gaze did not move from her flushed face as he braced his hands on the door, placing them on either side of her head. "My bedroom or yours?" he asked softly. Perhaps he expected her to back down, stammer, run away. Her hands curled into balls of tension. "Which would you prefer?" she parried. His head tilted as he studied her, his eyes oddly caressing. "My bed is bigger.
Lisa Kleypas (Lady Sophia's Lover (Bow Street Runners, #2))
A Woman’s Only Flaw Author Unknown “When God created Woman, he was working late on the sixth day. An Angel came by and asked, ‘Why spend so much time on her?’ The Lord answered, ‘Have you seen all the specifications I have to meet to shape her?’”  “‘She must function in all kinds of situations.  She must be able to embrace several kids at the same time, have a hug that can heal anything from a bruised knee to a broken heart.  She must do all this with only two hands. She cures herself when sick and can work 18 hours a day.’”   “The Angel was impressed. ‘Just two hands? Impossible!  And this is the standard model?’  The Angel came closer and touched the woman.  ‘But you have made her so soft, Lord.’ ‘She is soft,’ said the Lord, ‘but I have made her strong.  You can’t imagine what she can endure and overcome.’” “‘Can she think?’ the Angel asked. The Lord answered, ‘Not only can she think, she can reason and negotiate.’  The Angel touched her cheeks.  ‘Lord, it seems this creation is leaking!  You have put too many burdens on her.’  ‘She is not leaking.  It is a tear,’ the Lord corrected the Angel.  ‘What’s it for?’ asked the Angel. The Lord said, ‘Tears are her way of expressing her grief, her doubts, her love, her loneliness, her suffering, and her pride.’” “This made a big impression on the Angel.  ‘Lord, you are a genius.  You thought of everything.  A woman is indeed marvelous.’  The Lord said, ‘Indeed she is.  She has strength that amazes a man.  She can handle trouble and carry heavy burdens.  She holds happiness, love, and opinions.  ‘She smiles when she feels like screaming.  She sings when she feels like crying, cries when happy and laughs when afraid.  She fights for what she believes in. ‘Her love is unconditional.  Her heart is broken when a next-of-kin or a friend dies, but she finds strength to get on with life.  “The Angel asked, ‘So she is a perfect being?’ The Lord replied, ‘No. She has just one drawback.’ ‘She often forgets what she is worth.
Leslie Braswell (Bitch Up! Expect More, Get More: A Woman’s Guide to Maintaining Her Power and Sanity After a Breakup)
What are you doing?” “Coming to pick you up in a little bit,” he said. I loved it when he took charge. It made my heart skip a beat, made me feel flushed and excited and thrilled. After four years with J, I was sick and tired of the surfer mentality. Laid-back, I’d discovered, was no longer something I wanted in a man. And when it came to his affection for me, Marlboro Man was anything but that. “I’ll be there at five.” Yes, sir. Anything you say, sir. I’ll be ready. With bells on. I started getting ready at three. I showered, shaved, powdered, perfumed, brushed, curled, and primped for two whole hours--throwing on a light pink shirt and my favorite jeans--all in an effort to appear as if I’d simply thrown myself together at the last minute. It worked. “Man,” Marlboro Man said when I opened the door. “You look great.” I couldn’t focus very long on his compliment, though--I was way too distracted by the way he looked. God, he was gorgeous. At a time of year when most people are still milky white, his long days of working cattle had afforded him a beautiful, golden, late-spring tan. And his typical denim button-down shirts had been replaced by a more fitted dark gray polo, the kind of shirt that perfectly emphasizes biceps born not from working out in a gym, but from tough, gritty, hands-on labor. And his prematurely gray hair, very short, was just the icing on the cake. I could eat this man with a spoon. “You do, too,” I replied, trying to will away my spiking hormones. He opened the door to his white diesel pickup, and I climbed right in. I didn’t even ask him where we were going; I didn’t even care. But when we turned west on the highway and headed out of town, I knew exactly where he was taking me: to his ranch…to his turf…to his home on the range. Though I didn’t expect or require a ride from him, I secretly loved that he drove over an hour to fetch me. It was a throwback to a different time, a burst of chivalry and courtship in this very modern world. As we drove we talked and talked--about our friends, about our families, about movies and books and horses and cattle.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
His expression was perturbed, as if he’d been reminded of something he had wanted to forget. But as his gaze slid over her bewildered face, his mouth curved a little, and he settled into the cradle of her body with an insolent familiarity that temporarily robbed her of breath. “Mr. Rohan … how … why … what are you doing here?” He replied without moving, as if he were planning to lie there and converse all day. His infinitely polite tone was an unsettling contrast to the intimacy of their position. “Miss Hathaway. What a pleasant surprise. As it happens, I’m visiting friends. And you?” “I live here.” “I don’t think so. This is Lord Westcliff’s estate.” Her heart thundered in her breast as her body absorbed the details of him. “I didn’t mean precisely here, I meant over there, on the other side of the woods. The Ramsay estate. We’ve just taken up residence.” She couldn’t seem to stop herself from chattering in the aftermath of nerves and fright. “What was that noise? What were you doing? Why do you have that tattoo on your arm? It’s a pooka—an Irish creature—isn’t it?” That last question earned her an arrested stare. Before Rohan could reply, the other two men approached. From her prone position, Amelia had an upside-down view of them. Like Rohan, they were in their shirtsleeves, with waistcoats left unbuttoned. One of them was a portly old gentleman with a shock of silver hair. He held a small wood-and-metal sextant, which had been strung around his neck on a lanyard. The other, black-haired man looked to be in his late thirties. He wasn’t as tall as Rohan, but he had an air of authority tempered with aristocratic arrogance. Amelia made a helpless movement, and Rohan lifted away from her with fluid ease. He helped her stand, his arm steadying her. “How far did it go?” he asked the men. “Devil take the rocket,” came a gravelly reply. “What is the woman’s condition?” “Unharmed.” The silver-haired gentleman remarked, “Impressive, Rohan. You covered a distance of fifty yards in no more than five or six seconds.” “I would hardly miss a chance to leap on a beautiful woman,” Rohan said, causing the older man to chuckle.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
How is my English?” Tatiana asked Alexander in English. “It’s good,” Alexander replied in English. It was late morning. They were walking through the dense deciduous riverbank woods a few kilometers from home, with two buckets for blueberries, and they were supposed to be talking only in English, but Tatiana backtracked and said in Russian, “I’m reading much better than I’m talking, I think. John Stuart Mill is simply unreadable now instead of unintelligible.” Alexander smiled. “That’s a fine distinction.” He yanked up a couple of mushrooms. “Tania, can we eat these?” Taking them out of his hands and throwing them back on the ground, Tatiana said, “Yes. But we will only be able to eat them once.” Alexander laughed. She said, “I have to teach you how to pick mushrooms, Shura. You can’t just rip them out of the ground like that.” “I have to teach you how to speak English, Tania,” said Alexander. In English, Tatiana continued, “This is my new husband, Alexander Barrington.” And in English, Alexander replied with a smile of pleasure on his face, “And this is my young wife, Tatiana Metanova.” He kissed the top of her braided head and in Russian said, “Tatiana, now say the other words I taught you.” She turned the color of a tomato. “No,” she stated firmly, in English. “I am not saying them.” “Please.” “No. Look for blueberries.” Still in English. She saw that Alexander couldn’t have been less interested in blueberries. “What about later? Will you say them later?” he asked. “Not now, not later,” Tatiana replied bravely. But she was not looking at him. Alexander drew her to him. “Later,” he continued in English, “I will insist that you please me by using your English-speaking tongue in bed with me.” Struggling slightly against him, Tatiana said in English, “It is good I am not understand what you say to me.” “I will show you what I mean,” said Alexander, putting down his bucket. “Later, later,” she acquiesced. “Now, pick up your backet. Collect blueberries.” “All right,” he said in English, not letting go of her. “And it’s bucket. Come on, Tania. Say the other words.” He held her. “Your shyness is an aphrodisiac to me. Say them.” Tatiana, breathless inside and out, said, “All right,” in English. “Pick up your bucket. Let us go house. I will practice love with you.” Alexander laughed. “Make love to you, Tania. Make love to you.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
I brushed my teeth like a crazed lunatic as I examined myself in the mirror. Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots. The boots were in my bedroom by now, and so was the gravelly voice attached to them. “Hey,” I heard him say. I patted an ice-cold washcloth on my face and said ten Hail Marys, incredulous that I would yet again find myself trapped in the prison of a bathroom with Marlboro Man, my cowboy love, on the other side of the door. What in the world was he doing there? Didn’t he have some cows to wrangle? Some fence to fix? It was broad daylight; didn’t he have a ranch to run? I needed to speak to him about his work ethic. “Oh, hello,” I responded through the door, ransacking the hamper in my bathroom for something, anything better than the sacrilege that adorned my body. Didn’t I have any respect for myself? I heard Marlboro Man laugh quietly. “What’re you doing in there?” I found my favorite pair of faded, soft jeans. “Hiding,” I replied, stepping into them and buttoning the waist. “Well, c’mere,” he said softly. My jeans were damp from sitting in the hamper next to a wet washcloth for two days, and the best top I could find was a cardinal and gold FIGHT ON! T-shirt from my ‘SC days. It wasn’t dingy, and it didn’t smell. That was the best I could do at the time. Oh, how far I’d fallen from the black heels and glitz of Los Angeles. Accepting defeat, I shrugged and swung open the door. He was standing there, smiling. His impish grin jumped out and grabbed me, as it always did. “Well, good morning!” he said, wrapping his arms around my waist. His lips settled on my neck. I was glad I’d spritzed myself with Giorgio. “Good morning,” I whispered back, a slight edge to my voice. Equal parts embarrassed at my puffy eyes and at the fact that I’d slept so late that day, I kept hugging him tightly, hoping against hope he’d never let go and never back up enough to get a good, long look at me. Maybe if we just stood there for fifty years or so, wrinkles would eventually shield my puffiness. “So,” Marlboro Man said. “What have you been doing all day?” I hesitated for a moment, then launched into a full-scale monologue. “Well, of course I had my usual twenty-mile run, then I went on a hike and then I read The Iliad. Twice. You don’t even want to know the rest. It’ll make you tired just hearing about it.” “Uh-huh,” he said, his blue-green eyes fixed on mine. I melted in his arms once again. It happened any time, every time, he held me. He kissed me, despite my gold FIGHT ON! T-shirt. My eyes were closed, and I was in a black hole, a vortex of romance, existing in something other than a human body. I floated on vapors. Marlboro Man whispered in my ear, “So…,” and his grip around my waist tightened. And then, in an instant, I plunged back to earth, back to my bedroom, and landed with a loud thud on the floor. “R-R-R-R-Ree?” A thundering voice entered the room. It was my brother Mike. And he was barreling toward Marlboro Man and me, his arms outstretched. “Hey!” Mike yelled. “W-w-w-what are you guys doin’?” And before either of us knew it, Mike’s arms were around us both, holding us in a great big bear hug. “Well, hi, Mike,” Marlboro Man said, clearly trying to reconcile the fact that my adult brother had his arms around him. It wasn’t awkward for me; it was just annoying. Mike had interrupted our moment. He was always doing that.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Unfortunately, the Hospital Fund Raising Committee, to which Elizabeth was assigned, spent most of its time mired down in petty trivialities and rarely made a decision on anything. In a fit of bored frustration, Elizabeth finally asked Ian to step into their drawing room one day, while the committee was meeting there, and to give them the benefit of his expertise. “And,” she laughingly warned him in the privacy of his study when he agreed to join them, “no matter how they prose on about every tiny, meaningless expenditure-which they will-promise me you won’t point out to them that you could build six hospitals with less effort and time.” “Could I do that?” he asked, grinning. “Absolutely!” She sighed. “Between them, they must have half the money in Europe, yet they debate about every shilling to be spent as if it were coming out of their own reticules and likely to send them to debtors’ gaol.” “If they offend your thrifty sensibilities, they must be a rare group,” Ian teased. Elizabeth gave him a distracted smile, but when they neared the drawing room, where the committee was drinking tea in Ian’s priceless Sevres china cups, she turned to him and added hastily, “Oh, and don’t comment on Lady Wiltshire’s blue hat.” “Why not?” “Because it’s her hair.” “I wouldn’t do such a thing,” he protested, grinning at her. “Yes, you would!” she whispered, trying to frown and chuckling instead. “The dowager duchess told me that, last night, you complimented the furry dog Lady Shirley had draped over her arm.” “Madam, I was following your specific instructions to be nice to the eccentric old harridan. Why shouldn’t I have complimented her dog?” “Because it was a new fur muff of a rare sort, of which she was extravagantly proud.” “There is no fur on earth that mangy, Elizabeth,” he replied with an impenitent grin. “She’s hoaxing the lot of you,” he added seriously. Elizabeth swallowed a startled laugh and said with an imploring look, “Promise me you’ll be very nice, and very patient with the committee.” “I promise,” he said gravely, but when she reached for the door handle and opened the door-when it was too late to step back and yank it closed-he leaned close to her ear and whispered, “Did you know a camel is the only animal invented by a committee, which is why it turned out the way it has?” If the committee was surprised to see the formerly curt and irascible Marquess of Kensington stroll into their midst wearing a beatific smile worth of a choir boy, they were doubtlessly shocked to see his wife’s hands clamped over her face and her eyes tearing with mirth.
Judith McNaught (Almost Heaven (Sequels, #3))
Marlboro Man’s call woke me up the next morning. It was almost eleven. “Hey,” he said. “What’s up?” I hopped out of bed, blinking and stumbling around my room. “Who me? Oh, nothing.” I felt like I’d been drugged. “Were you asleep?” he said. “Who, me?” I said again, trying to snap out of my stupor. I was stalling, trying my darnedest to get my bearings. “Yes. You,” he said, chuckling. “I can’t believe you were asleep!” “I wasn’t asleep! I was…I just…” I was a loser. A pathetic, late-sleeping loser. “You’re a real go-getter in the mornings, aren’t you?” I loved it when he played along with me. I rubbed my eyes and pinched my own cheek, trying to wake up. “Yep. Kinda,” I answered. Then, changing the subject: “So…what are you up to today?” “Oh, I had to run to the city early this morning,” he said. “Really?” I interrupted. The city was over two hours from his house. “You got an early start!” I would never understand these early mornings. When does anyone ever sleep out there? Marlboro Man continued, undaunted. “Oh, and by the way…I’m pulling into your driveway right now.” Huh? I ran to my bathroom mirror and looked at myself. I shuddered at the sight: puffy eyes, matted hair, pillow mark on my left cheek. Loose, faded pajamas. Bag lady material. Sleeping till eleven had not been good for my appearance. “No. No you’re not,” I begged. “Yep. I am,” he answered. “No you’re not,” I repeated. “Yes. I am,” he said. I slammed my bathroom door and hit the lock. Please, Lord, please, I prayed, grabbing my toothbrush. Please let him be joking. I brushed my teeth like a crazed lunatic as I examined myself in the mirror. Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots. The boots were in my bedroom by now, and so was the gravelly voice attached to them. “Hey,” I heard him say. I patted an ice-cold washcloth on my face and said ten Hail Marys, incredulous that I would yet again find myself trapped in the prison of a bathroom with Marlboro Man, my cowboy love, on the other side of the door. What in the world was he doing there? Didn’t he have some cows to wrangle? Some fence to fix? It was broad daylight; didn’t he have a ranch to run? I needed to speak to him about his work ethic. “Oh, hello,” I responded through the door, ransacking the hamper in my bathroom for something, anything better than the sacrilege that adorned my body. Didn’t I have any respect for myself? I heard Marlboro Man laugh quietly. “What’re you doing in there?” I found my favorite pair of faded, soft jeans. “Hiding,” I replied, stepping into them and buttoning the waist. “Well, c’mere,” he said softly.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
In a physician's office in Kearny Street three men sat about a table, drinking punch and smoking. It was late in the evening, almost midnight, indeed, and there had been no lack of punch. The gravest of the three, Dr. Helberson, was the host—it was in his rooms they sat. He was about thirty years of age; the others were even younger; all were physicians. "The superstitious awe with which the living regard the dead," said Dr. Helberson, "is hereditary and incurable. One needs no more be ashamed of it than of the fact that he inherits, for example, an incapacity for mathematics, or a tendency to lie." The others laughed. "Oughtn't a man to be ashamed to lie?" asked the youngest of the three, who was in fact a medical student not yet graduated. "My dear Harper, I said nothing about that. The tendency to lie is one thing; lying is another." "But do you think," said the third man, "that this superstitious feeling, this fear of the dead, reasonless as we know it to be, is universal? I am myself not conscious of it." "Oh, but it is 'in your system' for all that," replied Helberson; "it needs only the right conditions—what Shakespeare calls the 'confederate season'—to manifest itself in some very disagreeable way that will open your eyes. Physicians and soldiers are of course more nearly free from it than others." "Physicians and soldiers!—why don't you add hangmen and headsmen? Let us have in all the assassin classes." "No, my dear Mancher; the juries will not let the public executioners acquire sufficient familiarity with death to be altogether unmoved by it." Young Harper, who had been helping himself to a fresh cigar at the sideboard, resumed his seat. "What would you consider conditions under which any man of woman born would become insupportably conscious of his share of our common weakness in this regard?" he asked, rather verbosely. "Well, I should say that if a man were locked up all night with a corpse—alone—in a dark room—of a vacant house—with no bed covers to pull over his head—and lived through it without going altogether mad, he might justly boast himself not of woman born, nor yet, like Macduff, a product of Cæsarean section." "I thought you never would finish piling up conditions," said Harper, "but I know a man who is neither a physician nor a soldier who will accept them all, for any stake you like to name." "Who is he?" "His name is Jarette—a stranger here; comes from my town in New York. I have no money to back him, but he will back himself with loads of it." "How do you know that?" "He would rather bet than eat. As for fear—I dare say he thinks it some cutaneous disorder, or possibly a particular kind of religious heresy." "What does he look like?" Helberson was evidently becoming interested. "Like Mancher, here—might be his twin brother." "I accept the challenge," said Helberson, promptly. "Awfully obliged to you for the compliment, I'm sure," drawled Mancher, who was growing sleepy. "Can't I get into this?" "Not against me," Helberson said. "I don't want your money." "All right," said Mancher; "I'll be the corpse." The others laughed. The outcome of this crazy conversation we have seen.
Ambrose Bierce (The Collected Works of Ambrose Bierce Volume 2: In the Midst of Life: Tales of Soldiers and Civilians)
The panel delivery truck drew up before the front of the “Amsterdam Apartments” on 126th Street between Madison and Fifth Avenues. Words on its sides, barely discernible in the dim street light, read: LUNATIC LYNDON … I DELIVER AND INSTALL TELEVISION SETS ANY TIME OF DAY OR NIGHT ANY PLACE. Two uniformed delivery men alighted and stood on the sidewalk to examine an address book in the light of a torch. Dark faces were highlighted for a moment like masks on display and went out with the light. They looked up and down the street. No one was in sight. Houses were vague geometrical patterns of black against the lighter blackness of the sky. Crosstown streets were always dark. Above them, in the black squares of windows, crescent-shaped whites of eyes and quarter moons of yellow teeth bloomed like Halloween pumpkins. Suddenly voices bubbled in the night. “Lookin’ for somebody?” The driver looked up. “Amsterdam Apartments.” “These is they.” Without replying, the driver and his helper began unloading a wooden box. Stenciled on its side were the words: Acme Television “Satellite” A.406. “What that number?” someone asked. “Fo-o-six,” Sharp-eyes replied. “I’m gonna play it in the night house if I ain’t too late.” “What ya’ll got there, baby?” “Television set,” the driver replied shortly. “Who dat getting a television this time of night?” The delivery man didn’t reply. A man’s voice ventured, “Maybe it’s that bird liver on the third storey got all them mens.” A woman said scornfully, “Bird liver! If she bird liver I’se fish and eggs and I got a daughter old enough to has mens.” “… or not!” a male voice boomed. “What she got ’ill get television sets when you jealous old hags is fighting over mops and pails.” “Listen to the loverboy! When yo’ love come down last?” “Bet loverboy ain’t got none, bird liver or what.” “Ain’t gonna get none either. She don’t burn no coal.” “Not in dis life, next life maybe.” “You people make me sick,” a woman said from a group on the sidewalk that had just arrived. “We looking for the dead man and you talking ’bout tricks.” The two delivery men were silently struggling with the big television box but the new arrivals got in their way. “Will you ladies kindly move your asses and look for dead men sommers else,” the driver said. His voice sounded mean. “ ’Scuse me,” the lady said. “You ain’t got him, is you?” “Does I look like I’m carrying a dead man ’round in my pocket?” “Dead man! What dead man? What you folks playing?” a man called down interestedly. “Skin?” “Georgia skin? Where?” “Ain’t nobody playing no skin,” the lady said with disgust. “He’s one of us.” “Who?” “The dead man, that’s who.” “One of usses? Where he at?” “Where he at? He dead, that’s where he at.” “Let me get some green down on dead man’s row.” “Ain’t you the mother’s gonna play fo-o-six?” “Thass all you niggers thinks about,” the disgusted lady said. “Womens and hits!” “What else is they?” “Where yo’ pride? The white cops done killed one of usses and thass all you can think about.” “Killed ’im where?” “We don’t know where. Why you think we’s looking?” “You sho’ is a one-tracked woman. I help you look, just don’t call me nigger is all.
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
Listen, son: I am saying this as you lie asleep, one little paw crumpled under your cheek and the blond curls stickily wet on your damp forehead. I have stolen into your room alone. Just a few minutes ago, as I sat reading my paper in the library, a stifling wave of remorse swept over me. Guiltily I came to your bedside. There are the things I was thinking, son: I had been cross to you. I scolded you as you were dressing for school because you gave your face merely a dab with a towel. I took you to task for not cleaning your shoes. I called out angrily when you threw some of your things on the floor. At breakfast I found fault, too. You spilled things. You gulped down your food. You put your elbows on the table. You spread butter too thick on your bread. And as you started off to play and I made for my train, you turned and waved a hand and called, ‘Goodbye, Daddy!’ and I frowned, and said in reply, ‘Hold your shoulders back!’ Then it began all over again in the late afternoon. As I came up the road I spied you, down on your knees, playing marbles. There were holes in your stockings. I humiliated you before your boyfriends by marching you ahead of me to the house. Stockings were expensive – and if you had to buy them you would be more careful! Imagine that, son, from a father! Do you remember, later, when I was reading in the library, how you came in timidly, with a sort of hurt look in your eyes? When I glanced up over my paper, impatient at the interruption, you hesitated at the door. ‘What is it you want?’ I snapped. You said nothing, but ran across in one tempestuous plunge, and threw your arms around my neck and kissed me, and your small arms tightened with an affection that God had set blooming in your heart and which even neglect could not wither. And then you were gone, pattering up the stairs. Well, son, it was shortly afterwards that my paper slipped from my hands and a terrible sickening fear came over me. What has habit been doing to me? The habit of finding fault, of reprimanding – this was my reward to you for being a boy. It was not that I did not love you; it was that I expected too much of youth. I was measuring you by the yardstick of my own years. And there was so much that was good and fine and true in your character. The little heart of you was as big as the dawn itself over the wide hills. This was shown by your spontaneous impulse to rush in and kiss me good night. Nothing else matters tonight, son. I have come to your bedside in the darkness, and I have knelt there, ashamed! It is a feeble atonement; I know you would not understand these things if I told them to you during your waking hours. But tomorrow I will be a real daddy! I will chum with you, and suffer when you suffer, and laugh when you laugh. I will bite my tongue when impatient words come. I will keep saying as if it were a ritual: ‘He is nothing but a boy – a little boy!’ I am afraid I have visualized you as a man. Yet as I see you now, son, crumpled and weary in your cot, I see that you are still a baby. Yesterday you were in your mother’s arms, your head on her shoulder. I have asked too much, too much. Instead of condemning people, let’s try to understand them. Let’s try to figure out why they do what they do. That’s a lot more profitable and intriguing than criticism; and it breeds sympathy, tolerance and kindness. ‘To know all is to forgive all.
Dale Carnegie (How to Win Friends and Influence People)
Mindy runs to the DVD player and delicately places the disk in the holder and presses play. “Will you sit in this chair, please, Princess Mindy?” I ask, bowing deeply at the waist. Mindy giggles as she replies, ”I guess so.” After Mindy sits down, I take a wide-tooth comb and start gently combing out her tangles. Mindy starts vibrating with excitement as she blurts, “Mr. Jeff, you’re gonna fix my hair fancy, ain’t you?” “We’ll see if a certain Princess can hold still long enough for me to finish,” I tease. Immediately, Mindy becomes as still as a stone statue. After a couple of minutes, I have to say, “Mindy, sweetheart, it’s okay to breathe. I just can’t have you bouncing, because I’m afraid it will cause me to pull your hair.” Mindy slumps down in her chair just slightly. “Okay Mr. Jeff, I was ascared you was gonna stop,” she whispers, her chin quivering. I adopt a very fake, very over-the-top French accent and say, “Oh no, Monsieur Jeff must complete Princess Mindy’s look to make the Kingdom happy. Mindy erupts with the first belly laugh I’ve heard all day as she responds, “Okay, I’ll try to be still, but it’s hard ‘cause I have the wiggles real bad.” I pat her on the shoulder and chuckle as I say, “Just try your best, sweetheart. That’s all anyone can ask.” Kiera comes screeching around the corner in a blur, plunks her purse on the table, and says breathlessly, “Geez-O-Pete, I can’t believe I’m late for the makeover. I love makeovers.” Kiera digs through her purse and produces two bottles of nail polish and nail kit. “It’s time for your mani/pedi ma’am. Would you prefer Pink Pearl or Frosted Creamsicle? Mindy raises her hand like a schoolchild and Kiera calls on her like a pupil, “I want Frosted Cream toes please,” Mindy answers. “Your wish is my command, my dear,” Kiera responds with a grin. For the next few minutes, Mindy gets the spa treatment of her life as I carefully French braid her hair into pigtails. As a special treat, I purchased some ribbons from the gift shop and I’m weaving them into her hair. I tuck a yellow rose behind her ear. I don my French accent as I declare, “Monsieur Jeffery pronounces Princess Mindy finished and fit to rule the kingdom.” Kiera hands Mindy a new tube of grape ChapStick from her purse, “Hold on, a true princess never reigns with chapped lips,” she says. Mindy giggles as she responds, “You’re silly, Miss Kiera. Nobody in my kingdom is going to care if my lips are shiny.” Kiera’s laugh sounds like wind chimes as she covers her face with her hands as she confesses, “Okay, you busted me. I just like to use it because it tastes yummy.” “Okay, I want some, please,” Mindy decides. Kiera is putting the last minute touches on her as Mindy is scrambling to stand on Kiera’s thighs so she can get a better look in the mirror. When I reach out to steady her, she grabs my hand in a death grip. I glance down at her. Her eyes are wide and her mouth is opening and closing like a fish. I shoot Kiera a worried glance, but she merely shrugs. “Holy Sh — !” Mindy stops short when she sees Kiera’s expression. “Mr. Jeff is an angel for reals because he turned me into one. Look at my hair Miss Kiera, there are magic ribbons in it! I’m perfect. I can be anything I want to be.” Spontaneously, we all join together in a group hug. I kiss the top of her head as I agree, “Yes, Mindy, you are amazing and the sky is the limit for you.
Mary Crawford (Until the Stars Fall from the Sky (Hidden Beauty #1))