Late Night Conversation Quotes

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I have late night conversations with the moon; he tells me about the sun, and I tell him about you.
S.L. Gray (Skin, Bones, and Too Much Love)
I am pieces of all the places I have been, and the people I have loved. I’ve been stitched together by song lyrics, book quotes, adventure, late night conversations, moonlight, and the smell of coffee.
Brooke Hampton
You will one day experience joy that matches this pain. You will cry euphoric tears at the Beach Boys, you will stare down at a baby’s face as she lies asleep in your lap, you will make great friends, you will eat delicious foods you haven’t tried yet, you will be able to look at a view from a high place and not assess the likelihood of dying from falling. There are books you haven’t read yet that will enrich you, films you will watch while eating extra-large buckets of popcorn, and you will dance and laugh and have sex and go for runs by the river and have late-night conversations and laugh until it hurts. Life is waiting for you. You might be stuck here for a while, but the world isn’t going anywhere. Hang on in there if you can. Life is always worth it.
Matt Haig (Reasons to Stay Alive)
It seemed my whole life was composed of these disjointed fractions of time, hanging around in one public place and then another, as if I were waiting for trains that never came. And, like one of those ghosts who are said to linger around depots late at night, asking passersby for the timetable of the Midnight Express that derailed twenty years before, I wandered from light to light until that dreaded hour when all the doors closed and, stepping from the world of warmth and people and conversation overheard, I felt the old familiar cold twist through my bones again and then it was all forgotten, the warmth, the lights; I had never been warm in my life, ever.
Donna Tartt (The Secret History)
Few conversations, at any time of life, are more stimulating, more spontaneous and more genuinely original than those long ridiculous talks we all have, when we are very young, late at night about the meaning of life.
Jan Morris
So you start to take pieces of your own life. And somewhat selfishly Other people's lives And feed them to the song At what cost This wondrous creature That becomes more precious to you Than the people that you took from How awful To make human sacrifices A late night conversation A private thought All placed upon the altar But you have to satisfy the monster The monster has loved you for longer Than anyone else.
Florence Welch (Useless Magic: Lyrics and Poetry)
i am of the earth and to the earth I shall return once more life and death are old friends and I am the conversation between them i am their late-night chatter their laughter and tears what is there to be afraid of if I am the gift they give to each other this place never belonged to me anyway i have always been theirs
Rupi Kaur (The Sun and Her Flowers)
As the uneasiness and reluctance to face it cut him off more and more from all real happiness, and as habit renders the pleasures the vanity and excitement and flippancy at once less pleasant and harder to forgo...you will find that anything or nothing is sufficient to attract his wandering attention. You no longer need a good book, which he really likes, to keep him from his prayers or his work or his sleep; a column of advertisements in yesterday's paper will do. You can make him waste his time not only in conversation he enjoys with people whom he likes, but also in conversations with those he cares nothing about, on subjects that bore him. You can make him do nothing at all for long periods. You can keep him up late at night, not roistering, but staring at a dead fire in a cold room. All the healthy and outgoing activities which we want him to avoid can be inhibited and nothing given in return, so that at last he may say...'I now see that I spent most my life doing in doing neither what I ought nor what I liked.
C.S. Lewis (The Screwtape Letters)
With that right person, you can have a late-night conversation at any time of the day.
David Levithan (Are We There Yet?)
Ours is a world full of self-deceit, my friend. But it is at the same time a world full of sincere truth seeking, scientific progress and curios late night conversations about the nature of reality and existence.
Hanzi Freinacht (The Listening Society: A Metamodern Guide to Politics, Book One)
Growing up, I absolutely wanted a name that was easier to pronounce, more common, prettier. But then I grew up and understood the power of a name, the beauty that comes in understanding how your name has affected who you are. My name is indigenous to my country, it is not easy to pronounce, it takes effort to say correctly and I am absolutely in love with the sound of it and its meaning. Also, it’s not the kind of name you baby, slip into sweet talk mid sentence, late night phone conversation, whisper into the receiver kind of name, so, of that I am glad.
Warsan Shire
How could I have been so stupid? All this time, I've been certain he feels the same way about me. I was so sure that my feelings were requited that I'd convinced myself he was just getting up the courage to confess. But I was wrong. Garrett's feelings for me are nothing but friendship - plain, simple, and overwhelmingly platonic. I built his love out of thin air, I realize in horror - crafted it from e-mails and late-night conversations as if my sheer will would make it so. It was all in my head. Again!
Abby McDonald
It seemed my whole life was composed of these disjointed fractions of time, hanging around in one public place and then another, as if I were waiting for trains that never came. And, like one of those ghosts who are said to linger around depots late at night, asking passersby for the timetable of the Midnight Express that derailed twenty years before, I wandered from light to light until that dreaded hour when all the doors closed and, stepping from the world of warmth and people and conversation overhead, I felt the old familiar cold twist through my bones again and then it was all forgotten, the warmth, the lights; I had never been warm in the life, ever.
Donna Tartt (The Secret History)
Dying was such an elegant way to leave a relationship. No infidelity, no boredom, no long, complicated conversations late into the night. No “She’s still single, I hear.” No running into each other at parties and weddings. No “She’s stacked on the weight” or “She’s showing her age.” Dying was final and mysterious and gave you the last word forever.
Liane Moriarty (The Hypnotist's Love Story)
A history of nightlife!--what an interesting concept. A history of a people, told not through their daily travails and successive political upheavals, but via the changes in their nightly celebrations and unwindings. History is, in this telling, accompanied by a bottle of Malbec, some fine Argentine steak, tango music, dancing, and gossip. It unfolds through and alongside illicit activities that take place in the multitude of discos, dance parlors, and clubs. Its direction, the way people live, is determined on half-lit streets, in bars, and in smoky late-night restaurants. This history is inscribed in songs, on menus, via half-remembered conversations, love affairs, drunken fights, and years of drug abuse.
David Byrne (Bicycle Diaries)
The worst kinds of questions are the ones that don’t involve a surrender of power, that evaluate: Where did you go to college? What neighborhood do you live in? What do you do? They imply, “I’m about to judge you.” Closed questions are also bad questions. Instead of surrendering power, the questioner is imposing a limit on how the question can be answered. For example, if you mention your mother and I ask, “Were you close?,” then I’ve limited your description of your relationship with your mother to the close/distant frame. It’s better to ask, “How is your mother?” That gives the answerer the freedom to go as deep or as shallow as he wants. A third sure way to shut down conversations is to ask vague questions, like “How’s it going?” or “What’s up?” These questions are impossible to answer. They’re another way of saying, “I’m greeting you, but I don’t actually want you to answer.” Humble questions are open-ended. They’re encouraging the other person to take control and take the conversation where they want it to go. These are questions that begin with phrases like “How did you…,” “What’s it like…,” “Tell me about…,” and “In what ways…” In her book You’re Not Listening, Kate Murphy describes a focus group moderator who was trying to understand why people go to the grocery store late at night. Instead of directly asking, “Why do you go to grocery
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
In the interests of friendship, I hope you’ll forgive me what I’m about to do.” “Forgive you wha—” My sentence was cut off as he clamped his mouth over mine, kissing me deeply. ... “Ready to make a scene?” He raised an eyebrow. “Do I have a choice?” “Not really. To quote something someone said to me recently, in the interests of friendship, I hope you’ll forgive what I’m about to do.” I drew back my hand and slapped him across the face. The smack of flesh striking flesh echoed through the hall. Conversations stopped as people whipped around to stare at us. Raising my voice to something just below a shout, I snarled, “You asshole!
Seanan McGuire (Late Eclipses (October Daye, #4))
Cynthia was originally from Sierra Leone, and I loved the way those two dusky words rolled off her tongue. As we drove along I found myself fascinated with the deep “Oooooohhs” and “Aaaahhhhss” that made up her conversational speech patterns
Karl Wiggins (Grit: The Banter and Brutality of the Late-Night Cab)
Let’s say that your significant other has been paying less and less attention to you. You realize he or she has a busy job, but you still would like more time together. You drop a few hints about the issue, but your loved one doesn’t handle it well. You decide not to put on added pressure, so you clam up. Of course, since you’re not all that happy with the arrangement, your displeasure now comes out through an occasional sarcastic remark. “Another late night, huh? I’ve got Facebook friends I see more often.” Unfortunately (and here’s where the problem becomes self-defeating), the more you snip and snap, the less your loved one wants to be around you. So your significant other spends even less time with you, you become even more upset, and the spiral continues. Your behavior is now actually creating the very thing you didn’t want in the first place. You’re caught in an unhealthy, self-defeating loop.
Kerry Patterson (Crucial Conversations Tools for Talking When Stakes Are High)
His father asked Ethan in a raspy voice, “You spend time with your son?” “Much as I can,” he’d answered, but his father had caught the lie in his eyes. “It’ll be your loss, Ethan. Day’ll come, when he’s grown and it’s too late, that you’d give a kingdom to go back and spend a single hour with your son as a boy. To hold him. Read a book to him. Throw a ball with a person in whose eyes you can do no wrong. He doesn’t see your failings yet. He looks at you with pure love and it won’t last, so you revel in it while it’s here.” Ethan thinks often of that conversation, mostly when he’s lying awake in bed at night and everyone else is asleep, and his life screaming past at the speed of light—the weight of bills and the future and his prior failings and all these moments he’s missing—all the lost joy—perched like a boulder on his chest.
Blake Crouch (Pines (Wayward Pines, #1))
I wake up Late in the night Thinking of a conversation i want to have Then i remember but i haven't even met you
Ina
Online friendship is not bound by time, and late night conversation prove that, as we connect across different time zones.
medicosaurabh
I think we're the only ones in the building," he says. "Then no one will mind when I do this!" I jump onto the desk and parade back and forth. St. Clair belts out a song, and I shimmy to the sound of his voice. When he finishes,I bow with a grand flourish. "Quick!" he says. "What?" I hop off the desk. Is Nate here? Did he see? But St. Clair runs to the stairwell. He throws open the door and screams. The ehco makes us both jump, and then together we scream again at the top of our lungs. It's exhilarating. St. Clair chases me to the elevator,and we ride it to the rooftop. He hangs back but laughs as I spit off the side, trying to hit a lingerie advertisement. The wind is fierce,and my aim is off,so I race back down two flights of stairs. Our staircase is wide and steady, so he's only a few feet behind me. We reach his floor. "Well," he says. Our conversation halts for the first time in hours. I look past him. "Um.Good night." "See you tomorrow? Late breakfast at the creperie?" "That'd be nice." "Unless-" he cuts himself off. Unless what? He's hesitant, changed his mind. The moment passes. I give him one more questioning look, but he turns away. "Okay." It's hard to keep the disappointment out of my voice. "See you in the morning." I take the steps down and glance back.He's staring at me. I lift my hand and wave. He's oddly statuesque. I push through the door to my floor,shaking my head. I don't understand why things always go from perfect to weird with us. It's like we're incapable of normal human interaction. Forget about it,Anna. The stairwell door bursts open. My heart stops. St. Clair looks nervous. "It's been a good day. This was the first good day I've had in ages." He walks slowly toward me. "I don't want it to end. I don't want to be alone right now." "Uh." I can't breathe. He stops before me,scanning my face. "Would it be okay if I stayed with you? I don't want to make you uncomfortable-" "No! I mean..." My head swims. I can hardly think straight. "Yes. Yes, of course,it's okay." St. Clair is still for a moment. And then he nods. I pull off my necklace and insert my key into the lock. He waits behind me. My hand shakes as I open the door.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Late at night, when they lay together, as much of their bodies touching as possible, Anna and Parker had the conversations they could have only with each other. They tried to remember the before, when they were children and there was only one place to call home, one country, the flag billowing on windy days in front of homes up and down every street—bands of red and white, fifty stars, one nation, indivisible until it wasn’t, how quickly it all came apart.
Roxane Gay (Difficult Women)
Hi there, cutie." Ash turned his head to find an extremely attractive college student by his side. With black curly hair, she was dressed in jeans and a tight green top that displayed her curves to perfection. "Hi." "You want to go inside for a drink? It's on me." Ash paused as he saw her past, present, and future simultaneously in his mind. Her name was Tracy Phillips. A political science major, she was going to end up at Harvard Med School and then be one of the leading researchers to help isolate a mutated genome that the human race didn't even know existed yet. The discovery of that genome would save the life of her youngest daughter and cause her daughter to go on to medical school herself. That daughter, with the help and guidance of her mother, would one day lobby for medical reforms that would change the way the medical world and governments treated health care. The two of them would shape generations of doctors and save thousands of lives by allowing people to have groundbreaking medical treatments that they wouldn't have otherwise been able to afford. And right now, all Tracy could think about was how cute his ass was in leather pants, and how much she'd like to peel them off him. In a few seconds, she'd head into the coffee shop and meet a waitress named Gina Torres. Gina's dream was to go to college herself to be a doctor and save the lives of the working poor who couldn't afford health care, but because of family problems she wasn't able to take classes this year. Still Gina would tell Tracy how she planned to go next year on a scholarship. Late tonight, after most of the college students were headed off, the two of them would be chatting about Gina's plans and dreams. And a month from now, Gina would be dead from a freak car accident that Tracy would see on the news. That one tragic event combined with the happenstance meeting tonight would lead Tracy to her destiny. In one instant, she'd realize how shallow her life had been, and she'd seek to change that and be more aware of the people around her and of their needs. Her youngest daughter would be named Gina Tory in honor of the Gina who was currently busy wiping down tables while she imagined a better life for everyone. So in effect, Gina would achieve her dream. By dying she'd save thousands of lives and she'd bring health care to those who couldn't afford it... The human race was an amazing thing. So few people ever realized just how many lives they inadvertently touched. How the right or wrong word spoken casually could empower or destroy another's life. If Ash were to accept Tracy's invitation for coffee, her destiny would be changed and she would end up working as a well-paid bank officer. She'd decide that marriage wasn't for her and go on to live her life with a partner and never have children. Everything would change. All the lives that would have been saved would be lost. And knowing the nuance of every word spoken and every gesture made was the heaviest of all the burdens Ash carried. Smiling gently, he shook his head. "Thanks for asking, but I have to head off. You have a good night." She gave him a hot once-over. "Okay, but if you change your mind, I'll be in here studying for the next few hours." Ash watched as she left him and entered the shop. She set her backpack down at a table and started unpacking her books. Sighing from exhaustion, Gina grabbed a glass of water and made her way over to her... And as he observed them through the painted glass, the two women struck up a conversation and set their destined futures into motion. His heart heavy, he glanced in the direction Cael had vanished and hated the future that awaited his friend. But it was Cael's destiny. His fate... "Imora thea mi savur," Ash whispered under his breath in Atlantean. God save me from love.
Sherrilyn Kenyon (Dark Side of the Moon (Dark-Hunter, #9; Were-Hunter, #3))
The long matrimonial haul was accomplished in cycles. One cycle of bad breath, one cycle of renewed desire, a third cycle of breakdown and small avoidances, still another of plays and dinners that spurred a conversation between them late at night that reminded her of their like minds and the pleasure they took in each other's talk. And then back to hating him for not taking out the garbage on Wednesday. That was the struggle. Sickness and death, caretaking, the martyrdom of matrimony--that was fluff stuff. When the vows kick in, you don't even blink. You just do. She had to be up for it.
Joshua Ferris (The Unnamed)
On occasion Jobs would use the semi-abandoned Woodside home, especially its swimming pool, for family parties. When Bill Clinton was president, he and Hillary Clinton stayed in the 1950s ranch house on the property on their visits to their daughter, who was at Stanford. Since both the main house and ranch house were unfurnished, Powell would call furniture and art dealers when the Clintons were coming and pay them to furnish the houses temporarily. Once, shortly after the Monica Lewinsky flurry broke, Powell was making a final inspection of the furnishings and noticed that one of the paintings was missing. Worried, she asked the advance team and Secret Service what had happened. One of them pulled her aside and explained that it was a painting of a dress on a hanger, and given the issue of the blue dress in the Lewinsky matter they had decided to hide it. (During one of his late-night phone conversations with Jobs, Clinton asked how he should handle the Lewinsky issue. “I don’t know if you did it, but if so, you’ve got to tell the country,” Jobs told the president. There was silence on the other end of the line.)
Walter Isaacson (Steve Jobs)
Many people are without vital interests and are hungry to hear what other people are doing. They are usually the ones who keep the radio turned on from early morning till late at night. They must be entertained every minute. Their own affairs do not hold enough interest. A woman once said to me: “I love other people’s affairs.” She lived on gossip. Her conversation consisted of, “I was told,” “I was given to understand,” or “I heard.” It is needless to say she is now paying her Karmic debt. A great unhappiness has overtaken her and everyone knows about her affairs. It is dangerous to neglect your own affairs and to take an idle curiosity in what others are doing. We should all be busily engaged in perfecting ourselves, but take a kindly interest in others.
Florence Scovel Shinn (The Power of the Spoken Word)
It seemed my whole life was composed of these disjointed fractions of time, hanging around in one public place and then another, as if I were waiting for trains that never came. And, like one of those ghosts who are said to linger around depots late at night, asking passersby for the timetable of the Midnight Express that derailed twenty years before, I wandered from light to light until that dreaded hour when all the doors closed and, stepping from the world of warmth and people and conversation overhead, I felt the old familiar cold twist through my bones again and then it was all forgotten, the warmth, the lights; I had never been warm in my life, ever.
Donna Tartt (The Secret History)
One day it’s 12:27 am, and you’re sad. Not because of how life is treating you or anything. It’s just because you want someone next to you. Someone, who at the end of the day, will look at you and smile, asking what you want to have for dinner. You’ll realize that you are longing for love, a comfortable and simple love; one that gives you a reason to shut off the computer and just have a conversation. You want a companion who will be there, who will be willing to give you space and who will also keep you close. It’s hard, because as you think, the clock slowly turns to 12:30am, and you are just tired of trying, and you just want it to happen. But it will, and you’ll look back at these late nights, and smile; wishing you could tell your single self that it’s going to be okay, that all the “No’s” were leading you to a beautiful yes. So, as it gets later, you just need to remember that your sadness will be replaced with an overwhelming gratitude that you are loved; and that will be better than all the missed opportunities and made up dreams that you had.
T.B. LaBerge (Unwritten Letters to You)
In a universe devoid of life, any life at all would be immensely meaningful. We ARE that meaning. “And what we see, “says the poet Mary Oliver, “is the world that cannot cherish us, but which we cherish.” As though life itself is the great, universal, unrequited love of all time. But there is even more to this. Deep mystery. We are the universe aware of itself. We let the miracle get lost in distractions. On a planet so rich with living companions, much of humanity sentences itself to solitary confinement. Late at night, I used to lie in my boat listening to radio calls from ships to families ashore. There was only one conversation, and it boils down to, “I love you and I miss you: come home safe.” Connections make us individuals. Ironic, isn’t it? The more connected, the more unique our life becomes…
Carl Safina (The View from Lazy Point: A Natural Year in an Unnatural World)
And now, these books. This. He touched PHYSIOGNOMONIE. The secrets of the individual's character as found on his face. Were Jim and Will, then, featured all angelic, pure, half-innocent, peering up through the sidewalk at marching terror? Did the boys represent the ideal for your Woman, Man, or Child of Excellent Bearing, Color, Balance, and Summer Disposition? Converserly...Charles Halloway turned a page...did the scurrying freaks, the Illustrated Marvel, bear the foreheads of the Irascible, the Cruel, the Covetous, the mouths of the Lewd and Untruthful? the teeth of the Crafty, the Unstable, the Audacious, the Vainglorious, and your Marvelous Beast? No. The book slipped shut. If faces were judged, the freaks were no worse than many he'd been slipping from the liberty late nights in his long career. There was only one thing sure. Two lines of Shakespeare said it. He should write them in the middle of the clock of books, to fix the heart of his apprehension: By the pricking of my thumbs, Something wicked this way comes. So vague yet so immense. He did not want to live with it. Yet he knew that, during this night, unless he lived with it very well, he might have to live with it for all the rest of his life. At the window he looked out and thought Jim, Will, are you coming? will you get here? Waiting, his flesh took paleness from his bones.
Ray Bradbury (Something Wicked This Way Comes)
I wrote these letters in the mornings before work, in the library, during my sessions of prolonged loitering in Commons, where I remained every evening until asked to leave by the janitor. It seemed my whole life was composed of these disjointed fractions of time, hanging around in one public place and then another, as if I were waiting for trains that never came. And, like one of those ghosts who are said to linger around depots late at night, asking passersby for the timetable of the Midnight Express that derailed twenty years before, I wandered from light to light until that dreaded hour when all the doors closed and, stepping from the world of warmth and people and conversation overheard, I felt the old familiar cold twist through my bones again and then it was all forgotten, the warmth, the lights; I had never been warm in my life, ever.
Donna Tartt
Sometimes, I guess, an over-valent idea enters the mind as a problem, or imaginary problem. This is not so rare. You are getting ready for bed, late at night, and all of a sudden the idea comes into your mind that you did not shut off your car lights. You look out the window at your car-which is parked in your driveway in plain sight-and you can see that it shows no lights. But then you think: Maybe I left the lights on and they stayed on so long that they ran the battery down. So to be sure, I must go out and check. You put on your robe and go out, unlock the car door, get in and pull on the headlight switch. The lights come on. You turn them off, get out, lock up the car and return to the house. What has happened is that you have gone crazy; you have become psychotic. Because you have discounted the testimony of your senses; you could see out the window that the car lights were not on, yet you went out to check anyhow. This is the cardinal factor: you saw but you did not believe. Or, conversely, you did not see something but you believed it anyhow. Theoretically, you could travel between your bedroom and the car forever, trapped in an eternal closed loop of unlocking the car, trying the light switch, returning to the house-in this regard you herewith are a machine. You are no longer human.
Philip K. Dick (The Transmigration of Timothy Archer)
Humble questions are open-ended. They’re encouraging the other person to take control and take the conversation where they want it to go. These are questions that begin with phrases like “How did you…,” “What’s it like…,” “Tell me about…,” and “In what ways…” In her book You’re Not Listening, Kate Murphy describes a focus group moderator who was trying to understand why people go to the grocery store late at night. Instead of directly asking, “Why do you go to grocery stores late,” which can sound accusatory, she asked, “Tell me about the last time you went to the store after 11:00 p.m.
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
Tolstoy wrote, 'The sole meaning of life is to serve humanity.' He understood this service as a religious duty. For me, I understand it as a fact of life, as THE fact of life. What we do for each other is what survives. My sister is dead, but everything she did for me while she was alive is still going strong. I can still feel her hand reaching across the backseat of our car in Berlin, and I still hear her voice, our conversations going late into the night.
Nina Sankovitch (Tolstoy and the Purple Chair: My Year of Magical Reading)
One of your greatest spiritual gifts as a single person is your yes. Yes to a random phone conversation. Yes to coffee. Yes to help with the move. Yes to stepping in when someone’s sick. Yes to a late-night movie or the special event downtown. You have the unbelievable freedom to say yes when married people can’t even ask the question. When
Marshall Segal (Not Yet Married: The Pursuit of Joy in Singleness and Dating)
With the right person, you can have a late-night conversation at any time of the day. But it helps to have it late at night.
David Levithan (Are We There Yet?)
Late night talks with online friends are a reminder that even in the darkest of hours, we are not alone.
medicosaurabh
In the quiet of the night, online friendship speaks the loudest, as we share our stories and bond over our experiences.
medicosaurabh
OrI just want out. Out of my existence. I find myself wishing that a lot lately. Not be dead. Or kill myself. Or any of that kind of stupid shit. It’s more that I can’t help thinking that if I’d never been born in the first place, I wouldn’t be facing those sixty-seven nights, I wouldn’t be right here, right now, having just endured that conversation with her.
Gayle Forman (If I Stay (If I Stay, #1))
So, what do you go for in a girl?” He crows, lifting a lager to his lips Gestures where his mate sits Downs his glass “He prefers tits I prefer ass. What do you go for in a girl?” I don’t feel comfortable The air left the room a long time ago All eyes are on me Well, if you must know I want a girl who reads Yeah. Reads. I’m not trying to call you a chauvinist Cos I know you’re not alone in this but… I want a girl who reads Who needs the written word & uses the added vocabulary She gleans from novels and poetry To hold lively conversation In a range of social situations I want a girl who reads Who’s heart bleeds at the words of Graham Greene Or even Heat magazine Who’ll tie back her hair while reading Jane Eyre And goes cover to cover with each water stones three for two offer but I want a girl who doesn’t stop there I want a girl who reads Who feeds her addiction for fiction With unusual poems and plays That she hunts out in crooked bookshops for days and days and days She’ll sit addicted at breakfast, soaking up the back of the cornflakes box And the information she gets from what she reads makes her a total fox Cos she’s interesting & unique & her theories make me go weak at the knees I want a girl who reads A girl who’s eyes will analyze The menu over dinner Who’ll use what she learns to kick my ass in arguments so she always ends the winner But she’ll still be sweet and she’ll still be flirty Cos she loves the classics and the classics are dirty So late at night she’d always have me in a stupor As she paraphrases the raunchier moments from the works of Jilly Cooper See, some guys prefer asses Some prefer tits And I’m not saying that I don’t like those bits But what’s more important What supersedes Is a girl with passion, wit and dreams So I’d like a girl who reads.
Mark Grist
He looks up. Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes. He is no longer St. Clair, everyone's pal, everyone's friend. He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend. He is so much more. Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect. My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs. "Whoa," he says. But I don't think he means me falling. I blush and blame it on clumsiness. "Yeesh,that could've been bad." Phew.A steady voice. He looks dazed. "Are you all right?" I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!" "Hey,Anna. How was your break?" John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank. We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?" The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs. "I have something for you." He pulls me back down by my sleeve. "A late Christmas present." "For me? But I didn't get you anything!" He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited." "Ooo,what is it?" "I saw it when I was out with Mum, and it made me think of you-" "Etienne! Come on!" He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand." Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned. "Whoops," I say. He tilts his head at me. "I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal. Where is it? What is it? "Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too. It's a glass bead.A banana. He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..." I close my hand around the bead. "Thank you." "Mum wondered why I wanted it." "What did you tell her?" "That it was for you,of course." He says this like, duh. I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I liked her immediately. She had one of those friendly faces that promised late nights, wine, and entertaining conversation. Under different circumstances, Montse and I could’ve become close friends.
Lorena Hughes (The Spanish Daughter)
I’m talking to the only one who’ll listen About the lonely nights and all that I’m missin Haven’t seen you lately but I heard your doin fine I’m In between two places Where my words didn’t come to you in time
Eric Overby (February Rain: Lyrics of a Lonely Traveler)
My Dearest, Can you forgive me? In a world that I seldom understand, there are winds of destiny that blow when we least expect them. Sometimes they gust with the fury of a hurricane, sometimes they barely fan one’s cheek. But the winds cannot be denied, bringing as they often do a future that is impossible to ignore. You, my darling, are the wind that I did not anticipate, the wind that has gusted more strongly than I ever imagined possible. You are my destiny. I was wrong, so wrong, to ignore what was obvious, and I beg your forgiveness. Like a cautious traveler, I tried to protect myself from the wind and lost my soul instead. I was a fool to ignore my destiny, but even fools have feelings, and I’ve come to realize that you are the most important thing that I have in this world. I know I am not perfect. I’ve made more mistakes in the past few months than some make in a lifetime. I was wrong to deny what was obvious in my heart: that I can’t go on without you. You were right about everything. I tried to deny the things you were saying, even though I knew they were true. Like one who gazes only backward on a trip across the country, I ignored what lay ahead. I missed the beauty of a coming sunrise, the wonder of anticipation that makes life worthwhile. It was wrong of me to do that, a product of my confusion, and I wish I had come to understand that sooner. Now, though, with my gaze fixed toward the future, I see your face and hear your voice, certain that this is the path I must follow. It is my deepest wish that you give me one more chance. For the first few days after you left, I wanted to believe that I could go on as I always had. But I couldn’t. I knew in my heart that my life would never be the same again. I wanted you back, more than I imagined possible, yet whenever I conjured you up, I kept hearing your words in our last conversation. No matter how much I loved you, I knew it wasn’t going to be possible unless we—both of us—were sure I would devote myself fully to the path that lay ahead. I continued to be troubled by these thoughts until late last night when the answer finally came to me. Oh, I am sorry, so very sorry, that I ever hurt you. Maybe I’m too late now. I don’t know. I love you and always will. I am tired of being alone. I see children crying and laughing as they play in the sand, and I realize I want to have children with you. I am sick and sad without you. As I sit here in the kitchen, I am praying that you will let me come back to you, this time forever.
Nicholas Sparks (Message in a Bottle)
He ran the back of his fingers along her cheek. “Being with you this weekend made me realize how much I actually missed you. And not just sexually. I miss your smile. Your laugh. Your presence. Our late night conversations while we lie in bed and I hold you. The way you raise your right eyebrow when you think I’m being an idiot. The way you know exactly what I’m thinking or what I need without me having to even say it. It just hit me hard that I truly miss you.
Jessica Jayne (More Than Friends)
I had the urge to tell her I was reading Pride and Prejudice. The boring, weird cousin, Mr. Collins, had just visited their home. I had read late into the night, laughing to myself as Lizzy maneuvered the awkward conversation with him.
Stephanie Archer (The Wrong Mr. Right (Queen's Cove, #2))
People complain about the obscurity of poetry, especially if they're assigned to write about it, but actually poetry is rather straightforward compared to ordinary conversation with people you don't know well which tends to be jumpy repartee, crooked, coded, allusive to no effect, firmly repressed, locked up in irony, steadfastly refusing to share genuine experience--think of conversation at office parties or conversation between teenage children and parents, or between teenagers themselves, or between men, or between bitter spouces: rarely in ordinary conversation do people speak from the heart and mean what they say. How often in the past week did anyone offer you something from the heart? It's there in poetry. Forget everything you ever read about poetry, it doesn't matter--poetry is the last preserve of honest speech and the outspoken heart. All that I wrote about it as a grad student I hereby recant and abjure--all that matters about poetry to me is directness and clarity and truthfulness. All that is twittery and lit'ry: no thanks, pal. A person could perish of entertainment, especially comedy, so much of it casually nihilistic, hateful, glittering, cold, and in the end clueless. People in nusing homes die watching late-night television and if I were one of them, I'd be grateful when the darkness descends. Thank God if the pastor comes and offers a psalm and a prayer, and they can attain a glimmer of clarity at the end.
Garrison Keillor
humility calls us to realize that what is toxic for us may not be toxic for others. If you have a toxic experience with someone that leaves you frustrated and discouraged, rethinking conversations late at night, finding your blood pressure rising, and (especially this!) seeing it keep you from being present with loved ones long after the toxic interaction is over, then for you that relationship isn’t healthy. But I’m reluctant to too hastily apply the label “toxic” in an absolutist sense.
Gary L. Thomas (When to Walk Away: Finding Freedom from Toxic People)
The telephone to Shadow's apartment was silent and dead. He thought about getting it connected, but could think of no one he wanted to call. Late one night he picked it up and listened, and was convinced he could hear a wind blowing and a distant conversation between a group of people talking in voiced too low to properly make out. He said, "hello?" and "who's there?" but there was no reply, only a sudden silence and then the faraway sound of laughter, so faint he was not certain he was not imagining it.
Neil Gaiman (American Gods (American Gods, #1))
He said, "We’ll get the knitting club onto it." "I beg your pardon?" "We've got a dozen vampires with not enough to do, who can go out at night. They can eavesdrop on conversations, get talking to people in pubs late at night. Think of them as your Baker Street irregulars.
Nancy Warren (The Vampire Knitting Club (Vampire Knitting Club, #1))
Sometimes, the most unexpected connections can become the strongest bonds. Through the serendipitous meeting on WhatsApp, our online friendship has stood the test of time, proving that distance is no match for the power of genuine connection and the beauty of chance encounters.
medicosaurabh
My mum, her sister and my late grandmother were all nurses. Until fairly recently, nursing was one of the few occupations available to bright Australian women of modest means. Conditioned by years of night duty, sleep - and lack of sleep - was a constant topic of family conversation.
Fleur Anderson (On Sleep)
For as long as I can remember, this has been one of my favorite feelings. To be alone in public, wandering at night, or lying close to the earth, anonymous, invisible, floating. To be ‘a man of the crowd,’ or, conversely, alone with Nature or your god. To make your claims on public space even as you feel yourself disappearing into its largesse, into its sublimity. To practice for death by feeling completely empty, but somehow still alive. It’s a sensation that people have tried, in various times and places, to keep women from feeling. Many still try. You’ve been told a million times that to be alone and female and in public late at night is to court disaster, so it’s impossible to know if you’re being bold and free or stupid and self-destructive. And sometimes practicing for death is just practicing for death. As a teenager I liked to take baths in the dark with coins placed over my eyes.
Maggie Nelson (The Red Parts)
Sometimes, late at night, the words are only whispers– Lord Jesus Christ, Son of God. The quiet is kindness and gratitude and calm–Have mercy on me, a sinner. And I fall asleep like that, the words of the Jesus Prayer melting from English to Greek– Kyrie Iesou Christe. Floating around me– Yie tou Theou. Swimming apart from me– Eleison me.
Angela Doll Carlson (Nearly Orthodox: On being a modern woman in an ancient tradition)
Two men deep in conversation could be seen disappearing along the opposite pavement towards Mortlake, their shadows cast huge and filmily onto the brewery walls by the kind of late-night city light that, while failing to relieve the darkness in any way, seems to pour in from every direction at once. Otherwise Wharf Terrace presented itself with only minute differences from his usual point of view. He had expected more.
M. John Harrison (The Sunken Land Begins to Rise Again)
The Word says that we ought to commit our plans to the Lord and He will cause them to succeed.  So I pray on every single thing in my life.  Nothing is too small or too big for God.  He cares about our quick conversations, just like He cares about life-altering endeavors.  He’ll even care about my finding a parking space in Harlem late at night if I ask Him to.” Paulo smiled with the tenderness of a man admiring his Dad.  “I can go to my God about anything and He’ll answer if it pleases Him.
Vacirca Vaughn (The Makeover)
The mood is on me to-night only becuase I have listened to several hours of intelligent conversation and I am not a very brilliant person. Sometimes here on Pequod Island and back again on Beacon Street, I have the most curious delusion that our world may be a little narrow. I cannot avoid the impression that something has gone out of it (what, I do not know), and that our little world moves in an orbit of its own, a gain one of those confounded circles, or possibly an ellipse. Do you suppose that it moves without any relation to anything else? That it is broken off from some greater planet like the moon? We talk of life, we talk of art, but do we actually know anything about either? Have any of us really lived? Sometimes I am not entirely sure; sometimes I am afraid that we are all amazing people, placed in an ancestral mould. There is no spring, there is no force. Of course you know better than this, you who plunge every day in the operating room of the Massachusetts General, into life itself. Come up here and tell me I am wrong.
John P. Marquand (The Late George Apley)
Word from the outside, whether it arrived in a mail sack or a news report, seldom overshadowed the facts of our lives. We talked in facts -- work and weather, the logistics of this fence, that field -- but stories were how we spoke. A good story rose to the surface of a conversation like heavy cream, a thing to be savored and served artfully. Stored in dry wit, wrapped in dark humor, tied together with strings of anecdote, these stories told the chronology of a family, the history of a piece of land, the hardships of a certain year or a span of years, a series of events that led without pause to the present. If the stories were recent, they filtered through the door to my room late at night, voices hushed around the kitchen table as they sorted out this day and held it against others, their laughter sharp and sad and slow to come. Time was the key. Remember the time...and something in the air caught like a whisper. Back when. Back before a summer too fresh and real to talk about, a year's work stripped in a twenty-minute hailstorm; a man's right hand mangled in the belts of a combine, first day of harvest; an only son buried alive in a grain bin, suffocated in a red avalanche of wheat.
Judy Blunt (Breaking Clean)
before he went back to helping the boy. Missing from the Warrior tent were Kalona and Aurox. For obvious reasons, Thanatos had decided the Tulsa community wasn’t ready to meet either of them. I agreed with her. I wasn’t ready for … I mentally shook myself. No, I wasn’t going to think about the Aurox/Heath situation now. Instead I turned my attention to the second of the big tents. Lenobia was there, keeping a sharp eye on the people who clustered like buzzing bees around Mujaji and the big Percheron mare, Bonnie. Travis was with her. Travis was always with her, which made my heart feel good. It was awesome to see Lenobia in love. The Horse Mistress was like a bright, shining beacon of joy, and with all the Darkness I’d seen lately, that was rain in my desert. “Oh, for shit’s sake, where did I put my wine? Has anyone seen my Queenies cup? As the bumpkin reminded me, my parents are here somewhere, and I’m going to need fortification by the time they circle around and find me.” Aphrodite was muttering and pawing through the boxes of unsold cookies, searching for the big purple plastic cup I’d seen her drinking from earlier. “You have wine in that Queenies to go cup?” Stevie Rae was shaking her head at Aphrodite. “And you’ve been drinkin’ it through a straw?” Shaunee joined Stevie Rae in a head shake. “Isn’t that nasty?” “Desperate times call for desperate measures,” Aphrodite quipped. “There are too many nuns lurking around to drink openly without hearing a boring lecture.” Aphrodite cut her eyes to the right of us where Street Cats had set up a half-moon display of cages filled with adoptable cats and bins of catnip-filled toys for sale. The Street Cats had their own miniature version of the silver and white tents, and I could see Damien sitting inside busily handling the cash register, but except for him, running every aspect of the feline area were the habit-wearing Benedictine nuns who had made Street Cats their own. One of the nuns looked my way and I waved and grinned at the Abbess. Sister Mary Angela waved back before returning to the conversation she was having with a family who were obviously falling in love with a cute white cat that looked like a giant cottonball. “Aphrodite, the nuns are cool,” I reminded her. “And they look too busy to pay any attention to you,” Stevie Rae said. “Imagine that—you may not be the center of everyone’s attention,” Shaylin said with mock surprise. Stevie Rae covered her giggle with a cough. Before Aphrodite could say something hateful, Grandma limped up to us. Other than the limp and being pale, Grandma looked healthy and happy. It had only been a little over a week since Neferet had kidnapped and tried to kill her, but she’d recovered with amazing quickness. Thanatos had told us that was because she was in unusually good shape for a woman of her age. I knew it was because of something else—something we both shared—a special bond with a goddess who believed in giving her children free choice, along with gifting them with special abilities. Grandma was beloved of the Great Mother,
P.C. Cast (Revealed (House of Night #11))
The worst kinds of questions are the ones that don’t involve a surrender of power, that evaluate: Where did you go to college? What neighborhood do you live in? What do you do? They imply, “I’m about to judge you.” Closed questions are also bad questions. Instead of surrendering power, the questioner is imposing a limit on how the question can be answered. For example, if you mention your mother and I ask, “Were you close?,” then I’ve limited your description of your relationship with your mother to the close/distant frame. It’s better to ask, “How is your mother?” That gives the answerer the freedom to go as deep or as shallow as he wants. A third sure way to shut down conversations is to ask vague questions, like “How’s it going?” or “What’s up?” These questions are impossible to answer. They’re another way of saying, “I’m greeting you, but I don’t actually want you to answer.” Humble questions are open-ended. They’re encouraging the other person to take control and take the conversation where they want it to go. These are questions that begin with phrases like “How did you…,” “What’s it like…,” “Tell me about…,” and “In what ways…” In her book You’re Not Listening, Kate Murphy describes a focus group moderator who was trying to understand why people go to the grocery store late at night. Instead of directly asking, “Why do you go to grocery stores late,” which can sound accusatory, she asked, “Tell me about the last time you went to the store after 11:00 p.m.
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
..when Anne stopped and talked to me for the first time. I can't remember what we said, maybe our names and where we came from. at the end of the conversation I invited her to dinner at my house that night. It was Christmastime, or nearly, and I made a pizza and bought a bottle of wine. We talked until very late. That was when Anne told me she'd been to Mexico several times. Overall, her adventures were very similar to mine. Anne thought this was because the lives or the youths of any two individuals would be fundamentally alike, in spite of the obvious or even glaring differences. I preferred to think that somehow she and I had both explored the same map, fought the same doomed campaigns, received a common sentimental education. At five in the morning, or perhaps later, we went to med and made love.
Roberto Bolaño
I’d go with him. We’d be old enough. We’d make a whole new life together, a normal one. Ever since that bus ride, I’d been carrying my love for him around in my pocket. I should have handed it to him then and there in exchange for the gloves, but the briars and brickles of shame had been too sharp. By the time they receded, it felt stupid to bring it up. Then that faded, and all I could do was wait for an opening, some situation where he and I were hanging out and shooting love darts at each other. When it arrived, I’d say, all joshing, Hey, you remember when you thought I needed gloves? Yeah, he’d laugh. I’ve wanted to give you my paper airplane necklace ever since. And our relationship would bloom from there. Every day, I looked for this opening. It could be tomorrow. “Time to go,” Dad said, finally. His face was glistening. Me and Sephie’s pops and quarters were long gone and our stomachs were growling. We’d been sitting near the door, wishing Dad would take the hint and leave, but he’d kept up at that hot conversation with Bauer. We followed him outside. “Keep your friends close and your enemies closer,” Dad said when we finally slid inside the van, his voice full of bravado. Except I could tell he was scared. Mom wasn’t going to be happy that we were out so late on a school night and that Dad was driving drunk, but that wasn’t it. No, he looked jumping-ghost scared, and that made me uneasy. It did even worse to Sephie. It must have. That’s the only explanation for why she broke the rule about inviting conversation with Dad when he’d been drinking. “Are you okay, Daddy?” She hardly ever called him that anymore. I didn’t think he was going to respond, but he finally did, his voice all bluster. “As okay as a man can be in a country where nothing’s sacred.” I wondered what he meant. He and Bauer had talked about so many things. Well, I wasn’t going to
Jess Lourey (Unspeakable Things)
This was 1991, remember. We didn't have the Internet. So, as teenagers, we lived on the phone. There was no webcamming, no social networking. We dreamt simply of having our own personal phone lines one day, along with uninterrupted hours to talk, and we rarely got that. No matter who we were talking to, no matter how private the conversation, parents picked up the phone accidentally, siblings demanded their time. The introduction of call waiting made all of this even worse, as it allowed aunts and uncles and people you didn't even know to butt in. This is part of why we talked so late in the night, Lindy and I, all of us teens. This is why we looked so pale in our grunge clothes. These night hours were the only times we felt we could tell the truth without danger, the only times we could live separately from our parents while still inside of their homes. There were no cell phones. No private text messages. It was simple one on one conversation and, if it was any good at all, you had to whisper.
M.O. Walsh
Two hours later there was no call, and still no answer when I tried his cell phone. Around midnight, the clock and I had a conversation, I told the clock I wanted to wait another fifteen minutes before my new life began, the life in which Karl had been killed in a plane crash. I requested fifteen minutes more in this world—which I was quickly coming to see as the past—before figuring out who to call, who to wake up. You’ll remember this feeling when the phone rings, I told myself. You’ll remember how scared you were when he calls to tell you he’s fine. And it was true. As many times as I’ve been in exactly this situation, I never forget it, and it never fails to shock me, the flood of adrenaline that does not serve for fight or flight but drowns me. At twelve-thirty I shifted my perspective again, from wondering what it would be like if he were dead to the knowledge that he was dead, and I decided I could wait another fifteen minutes. He would be dead forever, so what difference did it make if I have myself a little more time? I still had no idea what I was supposed to do. After I had extended the final cutoff two more times, he walked in the door. That’s how these stories always end, of course, except for the one time they don’t. I saw the headlights against the garage door and went outside in the rain to meet him with my love and my rage and my sick relief. I wanted to kill him because he had not been killed. I wanted to step into his open jacket and stay there for the rest of my life. How had he not called? “I did call. I called you from Kentucky.” “But you never told me you’d left Kentucky.” “It took a long time to get the transponder fixed.” “Then why didn’t you call to say you’d landed?” “It was too late.” In the house, he went to the refrigerator and poured himself a glass of orange juice. He was dead tired but not dead. “I didn’t want to wake you up.” He might as well have said, I thought you were sleeping because I have no idea who you are, or who any normal people. I stayed awake for what was left of the night to watch him, just to make sure he was really there.
Ann Patchett (These Precious Days: Essays)
The studio was immense and gloomy, the sole light within it proceeding from a stove, around which the three were seated. Although they were bold, and of the age when men are most jovial, the conversation had taken, in spite of their efforts to the contrary, a reflection from the dull weather without, and their jokes and frivolity were soon exhausted. In addition to the light which issued from the crannies in the stove, there was another emitted from a bowl of spirits, which was ceaselessly stirred by one of the young men, as he poured from an antique silver ladle some of the flaming spirit into the quaint old glasses from which the students drank. The blue flame of the spirit lighted up in a wild and fantastic manner the surrounding objects in the room, so that the heads of old prophets, of satyrs, or Madonnas, clothed in the same ghastly hue, seemed to move and to dance along the walls like a fantastic procession of the dead; and the vast room, which in the day time sparkled with the creations of genius, seemed now, in its alternate darkness and sulphuric light, to be peopled with its dreams. Each time also that the silver spoon agitated the liquid, strange shadows traced themselves along the walls, hideous and of fantastic form. Unearthly tints spread also upon the hangings of the studio, from the old bearded prophet of Michael Angelo to those eccentric caricatures which the artist had scrawled upon his walls, and which resembled an army of demons that one sees in a dream, or such as Goya has painted; whilst the lull and rise of the tempest without but added to the fantastic and nervous feeling which pervaded those within. Besides this, to add to the terror which was creeping over the three occupants of the room, each time that they looked at each other they appeared with faces of a blue tone, with eyes fixed and glittering like live embers, and with pale lips and sunken cheeks; but the most fearful object of all was that of a plaster mask taken from the face of an intimate friend but lately dead, which, hanging near the window, let the light from the spirit fall upon its face, turned three parts towards them, which gave it a strange, vivid, and mocking expression. All people have felt the influence of large and dark rooms, such as Hoffmann has portrayed and Rembrandt has painted; and all the world has experienced those wild and unaccountable terrors - panics without a cause - which seize on one like a spontaneous fever, at the sight of objects to which a stray glimpse of the moon or a feeble ray from a lamp gives a mysterious form; nay, all, we should imagine, have at some period of their lives found themselves by the side of a friend, in a dark and dismal chamber, listening to some wild story, which so enchains them, that although the mere lighting of a candle could put an end to their terror, they would not do so; so much need has the human heart of emotions, whether they be true or false. So it was upon the evening mentioned. The conversation of the three companions never took a direct line, but followed all the phases of their thoughts; sometimes it was light as the smoke which curled from their cigars, then for a moment fantastic as the flame of the burning spirit, and then again dark, lurid, and sombre as the smile which lit up the mask from their dead friend's face. At last the conversation ceased altogether, and the respiration of the smokers was the only sound heard; and their cigars glowed in the dark, like Will-of-the-wisps brooding o'er a stagnant pool. It was evident to them all, that the first who should break the silence, even if he spoke in jest, would cause in the hearts of the others a start and tremor, for each felt that he had almost unwittingly plunged into a ghastly reverie. ("The Dead Man's Story")
James Hain Friswell
As Mollie said to Dailey in the 1890s: "I am told that there are five other Mollie Fanchers, who together, make the whole of the one Mollie Fancher, known to the world; who they are and what they are I cannot tell or explain, I can only conjecture." Dailey described five distinct Mollies, each with a different name, each of whom he met (as did Aunt Susan and a family friend, George Sargent). According to Susan Crosby, the first additional personality appeared some three years after the after the nine-year trance, or around 1878. The dominant Mollie, the one who functioned most of the time and was known to everyone as Mollie Fancher, was designated Sunbeam (the names were devised by Sargent, as he met each of the personalities). The four other personalities came out only at night, after eleven, when Mollie would have her usual spasm and trance. The first to appear was always Idol, who shared Sunbeam's memories of childhood and adolescence but had no memory of the horsecar accident. Idol was very jealous of Sunbeam's accomplishments, and would sometimes unravel her embroidery or hide her work. Idol and Sunbeam wrote with different handwriting, and at times penned letters to each other. The next personality Sargent named Rosebud: "It was the sweetest little child's face," he described, "the voice and accent that of a little child." Rosebud said she was seven years old, and had Mollie's memories of early childhood: her first teacher's name, the streets on which she had lived, children's songs. She wrote with a child's handwriting, upper- and lowercase letters mixed. When Dailey questioned Rosebud about her mother, she answered that she was sick and had gone away, and that she did not know when she would be coming back. As to where she lived, she answered "Fulton Street," where the Fanchers had lived before moving to Gates Avenue. Pearl, the fourth personality, was evidently in her late teens. Sargent described her as very spiritual, sweet in expression, cultured and agreeable: "She remembers Professor West [principal of Brooklyn Heights Seminary], and her school days and friends up to about the sixteenth year in the life of Mollie Fancher. She pronounces her words with an accent peculiar to young ladies of about 1865." Ruby, the last Mollie, was vivacious, humorous, bright, witty. "She does everything with a dash," said Sargent. "What mystifies me about 'Ruby,' and distinguishes her from the others, is that she does not, in her conversations with me, go much into the life of Mollie Fancher. She has the air of knowing a good deal more than she tells.
Michelle Stacey (The Fasting Girl: A True Victorian Medical Mystery)
But we may fairly say that they alone are engaged in the true duties of life who shall wish to have Zeno, Pythagoras, Democritus, and all the other high priests of liberal studies, and Aristotle and Theophrastus, as their most intimate friends every day. No one of these will be "not at home," no one of these will fail to have his visitor leave more happy and more devoted to himself than when he came, no one of these will allow anyone to leave him with empty hands; all mortals can meet with them by night or by day. No one of these will force you to die, but all will teach you how to die; no one of these will wear out your years, but each will add his own years to yours; conversations with no one of these will bring you peril, the friendship of none will endanger your life, the courting of none will tax your purse. From them you will take whatever you wish; it will be no fault of theirs if you do not draw the utmost that you can desire. What happiness, what a fair old age awaits him who has offered himself as a client to these! He will have friends from whom he may seek counsel on matters great and small, whom he may consult every day about himself, from whom he may hear truth without insult, praise without flattery, and after whose likeness he may fashion himself. We are wont to say that it was not in our power to choose the parents who fell to our lot, that they have been given to men by chance; yet we may be the sons of whomsoever we will. Households there are of noblest intellects; choose the one into which you wish to be adopted; you will inherit not merely their name, but even their property, which there will be no need to guard in a mean or niggardly spirit; the more persons you share it with, the greater it will become. These will open to you the path to immortality, and will raise you to a height from which no one is cast down. This is the only way of prolonging mortality—nay, of turning it into immortality. Honours, monuments, all that ambition has commanded by decrees or reared in works of stone, quickly sink to ruin; there is nothing that the lapse of time does not tear down and remove. But the works which philosophy has consecrated cannot be harmed; no age will destroy them, no age reduce them; the following and each succeeding age will but increase the reverence for them, since envy works upon what is close at hand, and things that are far off we are more free to admire. The life of the philosopher, therefore, has wide range, and he is not confined by the same bounds that shut others in. He alone is freed from the limitations of the human race; all ages serve him as if a god. Has some time passed by? This he embraces by recollection. Is time present? This he uses. Is it still to come? This he anticipates. He makes his life long by combining all times into one. But those who forget the past, neglect the present, and fear for the future have a life that is very brief and troubled; when they have reached the end of it, the poor wretches perceive too late that for such a long while they have been busied in doing nothing.
Seneca
Oh,Ella. I wish you'd had a better time at the ball." "Fuhgeddaboudit," I muttered. Greaseball. Freddy. Freak. "It's not like she and I were ever going to be BFFs." "I wasn't just referring to Amanda." Of course he wasn't. "I'll try," I moaned into the crook of my elbow. "Oh, Lord.I'll try to carry on." "That sounds rather dramatic, even for you." "It's Styx," I told him. "After your time, before mine. I don't know all the words,but those work for the moment. And for the record, I'm being ironic, not dramatic." "If you say so." I ignored him. "I have had my last flutter over Alex Bainbridge. I mean it. Frankie was right.How many signs do I need that we are never, ever going to have...anything...before I get it? Obviously, it doesn't matter that we realte to the same schizo seventies songs. Or that we can discuss antique Japanese woodblock prints. Or that when he sits next to me, he kinda takes my breath away. You would think that would count for a lot,wouldn't you?" Edward gets the concept of rhetorical questions, so I went on. "I wouldn't even want to hazard a guess about what makes Amanda's pulse go all skittery, but I would bet anything it's not Alex. And he's still with her. He doesn't belong with her, but apparently he feels he belongs to her. Explain that,please." "Oh,Ella.We men are not always the best at looking beyond the...er..." "Boobs,Edward. You can say it. Amanda Alstead has boobs and blonda hair. Beyond that, I can't see a single thing that's special about her." "Because there isn't a single thing. Beyond the...er, obvious. You,on the other hand,are a creature of infinite charms. Shall I list them alphabetically or from the top down?" I scowled up at him. "Y'know, you are beginning to sound a little too much like Frankie and Sadie,my deluded Greek chorus." "yes,well,I rather thought that's what friends are for." "You're not supposed to be my friend," I muttered. "You're supposed to be my Prince Charming." "Ahem." Edward's sculpted lips compressed into a grim line. "Have you looked at me lately? I am supposed to be startling and even a bit scary." "Nope.Neither." I rested my chin on my forearm. "To me,you are perfect. You are loyal and reliable and completely lacking in surprises." "That is a good thing?" "Absolutely," I said. "It's an excellent thing.I don't want any more surprises, over." "Hardly an admirable goal,that." "Maybe not," I agreed, "but pleasant. Among all the other bizarreness tonight, I found something new to be afraid of. Evil girlfriends." "Now,Ella. You can't go on being afraid forever." "Oh,yes,I can. As far as Amanda Alstead is concerned, I can." Edward tilted his head and studied me for a moment. He looked annoyed. "Why do you insist on having these conversations with me when you ignore everything I have to say?" It was a pretty good question. "Fine." I sat up straight and folded my hands in my lap. Home Truth time. "Go ahead. On this night when we celebrate the mysteries of life and death..Say something profound, something startling." There was a long silence. Then, "Boo," Edward said. "Thank you,Mr. Willing." "Don't mention it, Miss Marino. I am yours to command.
Melissa Jensen (The Fine Art of Truth or Dare)
In a physician's office in Kearny Street three men sat about a table, drinking punch and smoking. It was late in the evening, almost midnight, indeed, and there had been no lack of punch. The gravest of the three, Dr. Helberson, was the host—it was in his rooms they sat. He was about thirty years of age; the others were even younger; all were physicians. "The superstitious awe with which the living regard the dead," said Dr. Helberson, "is hereditary and incurable. One needs no more be ashamed of it than of the fact that he inherits, for example, an incapacity for mathematics, or a tendency to lie." The others laughed. "Oughtn't a man to be ashamed to lie?" asked the youngest of the three, who was in fact a medical student not yet graduated. "My dear Harper, I said nothing about that. The tendency to lie is one thing; lying is another." "But do you think," said the third man, "that this superstitious feeling, this fear of the dead, reasonless as we know it to be, is universal? I am myself not conscious of it." "Oh, but it is 'in your system' for all that," replied Helberson; "it needs only the right conditions—what Shakespeare calls the 'confederate season'—to manifest itself in some very disagreeable way that will open your eyes. Physicians and soldiers are of course more nearly free from it than others." "Physicians and soldiers!—why don't you add hangmen and headsmen? Let us have in all the assassin classes." "No, my dear Mancher; the juries will not let the public executioners acquire sufficient familiarity with death to be altogether unmoved by it." Young Harper, who had been helping himself to a fresh cigar at the sideboard, resumed his seat. "What would you consider conditions under which any man of woman born would become insupportably conscious of his share of our common weakness in this regard?" he asked, rather verbosely. "Well, I should say that if a man were locked up all night with a corpse—alone—in a dark room—of a vacant house—with no bed covers to pull over his head—and lived through it without going altogether mad, he might justly boast himself not of woman born, nor yet, like Macduff, a product of Cæsarean section." "I thought you never would finish piling up conditions," said Harper, "but I know a man who is neither a physician nor a soldier who will accept them all, for any stake you like to name." "Who is he?" "His name is Jarette—a stranger here; comes from my town in New York. I have no money to back him, but he will back himself with loads of it." "How do you know that?" "He would rather bet than eat. As for fear—I dare say he thinks it some cutaneous disorder, or possibly a particular kind of religious heresy." "What does he look like?" Helberson was evidently becoming interested. "Like Mancher, here—might be his twin brother." "I accept the challenge," said Helberson, promptly. "Awfully obliged to you for the compliment, I'm sure," drawled Mancher, who was growing sleepy. "Can't I get into this?" "Not against me," Helberson said. "I don't want your money." "All right," said Mancher; "I'll be the corpse." The others laughed. The outcome of this crazy conversation we have seen.
Ambrose Bierce (The Collected Works of Ambrose Bierce Volume 2: In the Midst of Life: Tales of Soldiers and Civilians)
You invest so much in it, don't you? It's what elevates you above the beasts of the field, it's what makes you special. Homo sapiens, you call yourself. Wise Man. Do you even know what it is, this consciousness you cite in your own exaltation? Do you even know what it's for? Maybe you think it gives you free will. Maybe you've forgotten that sleepwalkers converse, drive vehicles, commit crimes and clean up afterwards, unconscious the whole time. Maybe nobody's told you that even waking souls are only slaves in denial. Make a conscious choice. Decide to move your index finger. Too late! The electricity's already halfway down your arm. Your body began to act a full half-second before your conscious self 'chose' to, for the self chose nothing; something else set your body in motion, sent an executive summary—almost an afterthought— to the homunculus behind your eyes. That little man, that arrogant subroutine that thinks of itself as the person, mistakes correlation for causality: it reads the summary and it sees the hand move, and it thinks that one drove the other. But it's not in charge. You're not in charge. If free will even exists, it doesn't share living space with the likes of you. Insight, then. Wisdom. The quest for knowledge, the derivation of theorems, science and technology and all those exclusively human pursuits that must surely rest on a conscious foundation. Maybe that's what sentience would be for— if scientific breakthroughs didn't spring fully-formed from the subconscious mind, manifest themselves in dreams, as full-blown insights after a deep night's sleep. It's the most basic rule of the stymied researcher: stop thinking about the problem. Do something else. It will come to you if you just stop being conscious of it. Every concert pianist knows that the surest way to ruin a performance is to be aware of what the fingers are doing. Every dancer and acrobat knows enough to let the mind go, let the body run itself. Every driver of any manual vehicle arrives at destinations with no recollection of the stops and turns and roads traveled in getting there. You are all sleepwalkers, whether climbing creative peaks or slogging through some mundane routine for the thousandth time. You are all sleepwalkers. Don't even try to talk about the learning curve. Don't bother citing the months of deliberate practice that precede the unconscious performance, or the years of study and experiment leading up to the gift- wrapped Eureka moment. So what if your lessons are all learned consciously? Do you think that proves there's no other way? Heuristic software's been learning from experience for over a hundred years. Machines master chess, cars learn to drive themselves, statistical programs face problems and design the experiments to solve them and you think that the only path to learning leads through sentience? You're Stone-age nomads, eking out some marginal existence on the veldt—denying even the possibility of agriculture, because hunting and gathering was good enough for your parents. Do you want to know what consciousness is for? Do you want to know the only real purpose it serves? Training wheels. You can't see both aspects of the Necker Cube at once, so it lets you focus on one and dismiss the other. That's a pretty half-assed way to parse reality. You're always better off looking at more than one side of anything. Go on, try. Defocus. It's the next logical step. Oh, but you can't. There's something in the way. And it's fighting back.
Peter Watts
Which is actually good because we’re doing an AP Euro study group this week at the library—I mean good that it got canceled, not good that someone died—so I was wondering too if maybe I can use the car, so you won’t have to come pick me up super late every night?” Alma had been a wildly clingy kid, but now she is a mostly autonomous and wholly inscrutable seventeen-year-old; she is mean and gorgeous and breathtakingly good at math; she has inside jokes with her friends about inexplicable things like Gary Shandling and avocado toast, paints microscopic cherries on her fingernails and endeavors highly involved baking ventures, filling their fridge with oblong bagels and six-layer cakes. “I’m asking now because last time you told me I didn’t give you enough notice,” she says. She has recently begun speaking conversationally to Julia and Mark again after nearly two years of brooding silence, and now it’s near impossible to get her to stop. She regales them with breathless incomprehensible stories at the dinner table; she delivers lengthy recaps of midseason episodes of television shows they have never seen; she mounts elaborate and convincing defenses of things she wants them to give her, or give her permission to do. Conversing with her is a mechanical act requiring the constant ability to shift gears, to backpedal or follow inane segues or catapult from the real world to a fictional one without stopping to refuel. There’s not a snowball’s chance in hell that she won’t be accepted next month to several of the seventeen exalted and appallingly expensive colleges to which she has applied, and because Julia would like the remainder of her tenure at home to elapse free of trauma, she responds to her daughter as she did when she was a napping baby, tiptoeing around her to avoid awakening unrest. The power dynamic in their household is not unlike that of a years-long hostage crisis.
Claire Lombardo (Same As It Ever Was)
He called the next morning at seven. I was sound asleep, still dreaming about the kiss that had rocked my existence the night before. Marlboro Man, on the other hand, had been up since five and, he would explain, had waited two hours before calling me, since he reckoned I probably wasn’t the get-up-early type. And I wasn’t. I’d never seen any practical reason for any normal person to get out of bed before 8:00 A.M., and besides that, the kiss had been pretty darn earth shattering. I needed to sleep that thing off. “Good morning,” he said. I gasped. That voice. There it was again. “Oh, hi!” I replied, shooting out of bed and trying to act like I’d been up for hours doing step aerobics and trimming my mom’s azalea bushes. And hiking. “You asleep?” he asked. “Nope, nope, not at all!” I replied. “Not one bit.” My voice was thick and scratchy. “You were asleep, weren’t you?” I guess he knew a late sleeper than he heard one. “No, I wasn’t--I get up really early,” I said. “I’m a real morning person.” I concealed a deep, total-body yawn. “That’s strange--your voice sounds like you were still asleep,” Marlboro Man persisted. He wasn’t letting me off the hook. “Oh…well…it’s just that I haven’t talked to anyone yet today, plus I’ve kind of been fighting a little sinus trouble,” I said. That was attractive. “But I’ve been up for quite a while.” “Yeah? What have you been doing?” he asked. He was enjoying this. “Oh, you know. Stuff.” Stuff. Good one, Ree. “Really? Like, what kind of stuff?” he asked. I heard him chuckle softly, the same way he’d chuckled when he’d caught me the night before. That chuckle could quiet stormy waters. Bring about world peace. “Oh, just stuff. Early morning stuff. Stuff I do when I get up really early in the morning…” I tried again to sound convincing. “Well,” he said, “I don’t want to keep you from your ‘early morning stuff.’ I just wanted to tell you…I wanted to tell you I had a really good time last night.” “You did?” I replied, picking sleepy sand from the corner of my right eye. “I did,” he said. I smiled, closing my eyes. What was happening to me? This cowboy--this sexy cowboy who’d suddenly galloped into my life, who’d instantly plunged me into some kind of vintage romance novel--had called me within hours of kissing me on my doorstep, just to tell me he’d had a good time. “Me, too,” was all I could say. Boy, was I on a roll. You know, stuff, and Me, too, all in the same conversation. This guy was sure to be floored by my eloquence. I was so smitten, I couldn’t even formulate coherent words. I was in trouble.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Every Monday and Friday night, leaving us with awful suppers to reheat, our mum didn’t work late shifts at the printworks. She went to an office in Shoreditch. And from there, by radio, by note, by telephone and letters, she exchanged messages with Miss Carter and Mrs. Henderson and Queenie and others like them on what she called ‘humanitarian war work’. She’d never met any of them in person. ‘I can’t tell you any more details. It’s secret work. How you know even this much is really quite beyond me,’ she admitted. ‘I worked most of it out myself,’ I told her. She might’ve hidden it from me all this time, but I wasn’t stupid. ‘Sounds like Sukie did too.’ ‘Your sister spied on me,’ Mum replied bitterly. ‘She stole paperwork, listened in to private conversations. She was very foolish to get caught up in something she knew nothing about.’ ‘She did know about it, though. What Hitler’s doing really got to her. She was desperate to do something about it. All that post from Devon? It wasn’t from Queenie. Those were letters from the lighthouse, written by Ephraim, who feels the same about the Jewish people as Sukie does.’ ‘It was stupid, impulsive behaviour,’ Mum argued, ‘of the sort your sister’s very good at.’ Yet to me she had missed a vital point. ‘You know Sukie wanted to help you, don’t you? She saw how ill you’d got over Dad. By standing in for you on this job, she was making sure you’d get some rest, like the doctor said you should.’ ‘I might’ve known you’d stick up for your sister,’ Mum remarked. ‘But it didn’t help me – it worried me sick!’ ‘It did help thirty-two refugees, though,’ I reminded her. ‘She was lucky she didn’t get arrested straight away.’ Mum went on as if she hadn’t heard me. ‘When I found out that night what she’d done, I was all for going after her, hauling her back and locking her in her bedroom, till this frightful war was over if I had to. But it was too late by then. She was already halfway to France.’ ‘You knew the night she disappeared?’ I couldn’t believe what I was hearing. ‘Why didn’t you tell me?’ ‘And admit that I do undercover work and Sukie was doing it too?’ Mum cried. ‘Good grief, Olive, it’s secret business. It was too dangerous to tell you. There’s a war on, remember!’ ‘People always use that excuse,’ I muttered. It stunned me that Mum had known all this time. But then, hadn’t there been signs? The looks in our kitchen between her and Gloria, the refusal to talk about Sukie, the bundling us off out of the way – to here, the very place Sukie might, with any luck, show up. It was a clever way of making sure we knew the moment she set foot on British soil again.
Emma Carroll (Letters from the Lighthouse)
I landed a bit too fast and stumbled in my unlaced sneakers before slamming face first into Darius’s chest as he lurched forward to catch me. “Sorry,” I laughed as I looked up at him with a grin and he fell still as he helped me steady myself. “What?” I asked, trying to blink the sleep out of my eyes. “You’ve never smiled at me like that before,” he said in a rough voice, reaching out to brush some tangled strands of black hair out of my face. “Shut up, I smile at you all the time,” I replied as heat touched my cheeks and I tried to run my fingers through my knotty hair. Really should have taken a minute to brush it dumbass. Let’s hope he assumes it’s from flying. “Not like that you don’t,” Darius countered, a smile tugging at the corner of his mouth too as his gaze ran over me. “You look…cute.” “I don’t know what you mean. And I don’t do cute.” Darius snorted at me. “You look like you got dressed in the dark…” “Gee thanks, any more observations, Sherlock?” I asked, rolling my eyes at him but I was still grinning so there wasn’t much bite with my snark. “Well… You’re not wearing any makeup.” “I…woke up late, so-” “I like it,” he said, his smile growing as he looked me over. “You look all sleepy and innocent. I could almost imagine you just woke up in my bed.” I was definitely goddamn blushing now and thanks to my lack of bronzer he was clearly well aware of it. The sky was darkening overhead already as we lingered, but I fought the stars for just another moment. “If I’d spent the night in your bed, there wouldn’t have been anything innocent about it,” I taunted to get him back onto safer, less mortifying topics of conversation. Like sex. “As much as I ache for the feeling of your body against mine – and I really fucking do – I think if I was allowed a single cheat against this curse that keeps us apart, I’d just want to be able hold you in my arms,” he replied. “Just to wake up with you there, knowing you were safe.” My heart pounded at his words, but a crash of thunder from the heavens stopped me from replying. I offered him a frustrated smile and turned away from him as I began my run. Darius followed behind me, far enough back to allow the clouds to scatter again and I tried not to dwell on the disappointment that lingered in me as I upped my pace. Did I just shoot over here at the speed of light without brushing my hair or putting any makeup on rather than risk missing out on our run? I shook my head at myself as I tried to figure out what was going on here. I’d been purposefully ignoring this question up until now, but I seriously needed to consider what I was doing. Running with him every morning, messaging him every night. Exchanging little looks whenever we ended up in the same place and thinking about him way too often. This felt a hell of a lot like the start of something instead of the end of it, but that wasn’t possible. Even if he wanted it. Even if I wanted it. We couldn’t have it. The damn stars wouldn’t allow it. My mind twisted around and around as we ran on and I cursed the stars out with everything I had. But why was I doing that? Hadn’t I made my mind up about this? Hadn’t I already made the only decision I could? Darius might have been showing me more of himself now, he might have stopped hurting me and be trying to change but had he done enough to make up for all the pain he’d caused me? When I really thought about it, I still wasn’t sure. But I was sure that he made me smile when he messaged me, that I looked for him whenever I arrived in a room, that he seemed to be trying to do everything he could to set things right. And that I fantasised about him more than I had about any man in all my life. Even Tom Hardy. Even. Tom. Hardy. Fuck it. We ran around Aqua Lake, circling the shore and heading on into The Wailing Wood. Darius kept pace behind me in silence like always, but I decided to drop back. (Tory)
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
It became illegal to sell ice-cream sodas on a Sunday in the American town of Evanston during the late 19th century. To get around the problem some traders replaced the soda with syrup and called the dessert an “Ice Cream Sunday.” Today, we cherish them as “Sundaes”.
Tyler Backhause (1,000 Random Facts Everyone Should Know: A collection of random facts useful for the bar trivia night, get-together or as conversation starter.)
The party for Rihaku would start at six in Tadasu no Mori, so I had arranged to meet with her for coffee beforehand at four. To make sure I wasn’t late, I had to leave at two. In order to do that, I had to wake up at seven. Why? I needed a couple of hours to wash and dry my clothes, an hour to shower and dry my hair, five minutes to brush my teeth, thirty minutes to style my hair, and a few hours to rehearse potential conversations. I’d been extremely busy.
Tomihiko Morimi (The Night Is Short, Walk on Girl)
One more scary story, especially if you’re lucky enough to hear it on Halloween night, or late around a dying campfire, is about the innocent man who picks up a young hitchhiker who turns out to be a ghost. The man saw a thin figure hitchhiking at a dark corner near the local cemetery on his way home late one night. He stopped to give the person a ride, and the figure got in quietly beside him. It was raining hard, and despite his attempts at conversation, the hitchhiker only said, “10 Capen Street, please,” in a soft, sad voice. When the man stopped at a traffic light, he could see the soft features of a 12-year-old girl, he guessed, staring straight ahead. She might have been crying, the man thought, or her face was wet from the rain. After he dropped her off at 10 Capen Street at a house surrounded by spooky-looking pine trees that swayed in the wind, he went home, only to find that his rider had left her hooded sweatshirt in the car. The next night after work, the man swung by the unlit house at 10 Capen Street. He waited a good long while at the front door after ringing the doorbell. Finally, a frowning older woman answered, and the man offered the sweatshirt that the girl had mistakenly left in his car. The woman looked suddenly shocked, and said, “This belongs to my granddaughter who was hit by a car a year ago while walking near the cemetery!
Nathan Snyder (Scary Stories for Kids: Spine-Tingling Tales for Brave Kids Who Like Spooky Stories)
Sometimes, late in the night, he imagines elaborate conversations with Julia. Exchanges where he says everything that has been festering all these years in his heart--the pain, the anger, the love--and then listens as she does the same. A clearing of air to the point where he finally understands her and she understands him. But in person, it never feels right. He can't bring himself to say what's in his heart, which always feels clenched and locked up, encased in scar tissue. The awkwardness doesn't bother him like it used to. He has made peace with the idea that part of life is facing your failures, and sometimes those failures are people you once loved.
Blake Crouch (Recursion)
It was that fear, finally, that left her awake and tearless at her window late at night. She wasn’t falling behind, slipping into some sort of widow’s stupor; she was moving ahead, beyond reach. Her own daughter had suddenly made her realize it by quietly usurping her right to have a child. It was Emma’s turn to have children, but what was it her turn to do? It had taken her daughter’s pregnancy to make her realize how nearly impregnable she herself had become—impregnable in a variety of ways. Let her get a little stronger, a little older, a little more set in her ways, with a few more barricades of habit and routine, and no one would ever break in. Her ways would be her house and her garden and Rosie and one or two old friends, and Emma and the children she would have. Her delights would be conversation and concerts, the trees and the sky, her meals and her house, and perhaps a trip or two now and then to the places she liked best in the world. Such things were all very well, yet the thought that such things were going to be her life for as far ahead as she could see made her sad and restless—almost as restless as Vernon, except that her fidgets were mostly internal and seldom caused her to do anything more compulsive than twisting her rings. As she sat at the window, looking out, her sense of the wrongness of it was deep as bone. It was not just wrong to go on so, it was killing. Her energies, it seemed to her, had always flowed from a capacity for expectation, a kind of hopefulness that had persisted year after year, in defiance of all difficulties. It was hopefulness, the expectation that something nice was bound to happen to her, that got her going in the morning and brought her contentedly to bed at night. For almost fifty years some secret spring inside her had kept feeding hopefulness into her bloodstream, and she had gone through her days expectantly, always eager for surprises and always finding them. Now the stream seemed dry—probably there would be no more real surprises. Men had taken to fleeing before her, and soon her own daughter would have a child. She had always lived close to people; now, thanks to her own strength or her own particularity and the various quirks of fate, she was living at an intermediate distance from everybody, in her heart. It was wrong; she didn’t want it to go on. She was forgetting too much—soon she would be unable to remember what she was missing. Even sex, she knew, would eventually relocate itself and become an appetite of the spirit. Perhaps it had already happened, but if it hadn’t it soon would.
McMurtry, Larry
Times for drinking tea: In idle moments When bored with poetry Thoughts confused Beating time to songs When music stops Living in seclusion Enjoying scholarly pastimes Conversing late at night Studying on a sunny day In the bridal chamber Detaining favored guests Playing host to scholars or pretty girls Visiting friends from far away In perfect weather When skies are overcast Watching boats glide past on the canal Midst trees and bamboos When flowers bud and birds chatter On hot days by the lotus pond Burning incense in the courtyard After tipsy guests have left When the youngsters have gone out On visits to secluded temples When viewing springs and scenic rocks
Hsu Tze-shu, Ch'a Shu quoted by Laura C Martin
Speaking to our mother, we realized that any conversation might be our last, and because of that, we wanted to say something important. What could one say that hadn't already been printed on millions of greeting cards and helium balloons? "I love you," I said at the end of one our late night phone calls. "I'm going to pretend I didn't hear that," she said. ..... And then she hung up.
David Sedaris (Naked)
You will cry euphoric tears at the Beach Boys, you will stare down at a baby’s face as she lies asleep in your lap, you will make great friends, you will eat delicious foods you haven’t tried yet, you will be able to look at a view from a high place and not assess the likelihood of dying from falling. There are books you haven’t read yet that will enrich you, films you will watch while eating extra-large buckets of popcorn, and you will dance and laugh and have sex and go for runs by the river and have late-night conversations and laugh until it hurts. Life is waiting for you. You might be stuck here for a while, but the world isn’t going anywhere. Hang on in there if you can. Life is always worth it.
Matt Haig (Reasons to Stay Alive)
We have company", Estelle said. The twin, Justin saw when he looked over his shoulder. Standing at the end of the bridge, looking steadily at them. "Tell me," Watley said. "Is this a very late-night walk or an early- morning pilgrimage to watch the sunrise?" His room was next to Estelle's. And they had that odd twin connection even though they were not identical... "Tell me," Justin said. "In what way is the answer to that any of of your business?" Estelle gave a little huff of what might have been laughter. "It is not," Watley said amiably. "I just thought it was a more original conversation opener than a comment upon weather." "Was any conversation opener necessary?" Justin said. "Have you ever heard the one about three being a crowd?" Rather than look abashed, Watley grinned. "You are going to have to get used to it, old chap", he said. "That is my twin whose hands you have trapped against your chest. Whom you were about to kiss, if I'm not much mistaken. In what is now broad daylight. For every servant and house guest to see.
Mary Balogh (Someone Perfect (Westcott, #9))
Gabs, can we talk a second?” He clears his throat. Nothing good ever follows that statement. I brace myself for what’s sure to be an awkward conversation. “I just want to apologize for our… misunderstanding freshman year.” I’m silent for a moment, but the rush of anger that spikes my pulse has me responding before I think better of it. “You’d call it a misunderstanding, huh?” I roll my eyes. “Funny, I didn’t think I misunderstood anything, but if you want to mansplain it to me now, go for it.” Why make this easy for him? It’s always been difficult for me to make friends, but for some reason, Rider slipped through my defenses. I was assigned to tutor him in English. I remember meeting him in the library, and the shy smile he gave me. He was embarrassed to need help. It was the most endearing thing I’d ever seen, and I swear when he leveled me with those big gray eyes, the ground fell out beneath me. I’m a practical girl, but foster care made me cynical, and ending up with my aunt did nothing to help my outlook on life. But Rider was funny and sweet, not to mention ridiculously good-looking, and I went over faster than a felled log in a forest. This was before he was the golden boy of the football team. When he was just this guy Rider from some speck-of-dust small Texas town like me. Even though he rode the bench, I went to all of his games, and we’d grab pizza afterward and talk until late in the night. Although he didn’t outright say it, I knew he had a rough home life. He mentioned that his father was an ass. I wanted to wrap my arms around him and make it better. And I thought I meant something to him. That what we had was special. Until he became the starting quarterback.
Lex Martin (The Varsity Dad Dilemma (Varsity Dads #1))
Over the years, Lavender had learned many different ways to love. There was the love of a friend, good conversation late at night. The love of a party, whiskey in the moonlight. The love of sex, tinged magenta—for a few years, there had been a woman named Joy. And Lavender had finally learned how to love the stretch of her own limbs, first thing in the morning.
Danya Kukafka (Notes on an Execution)
I have late night conversations with the moon, she tells me about the sun and I tell her about you.
S.L. Grey
Let’s take a moment to think of how that implicit bias plays a role in an interaction between an inexperienced white cop in a confrontation with a Black teenager late at night. It’s a matter of state-dependent functioning. Under threat, the reasoning part of the brain starts to shut down, and the more reactive, emotional parts of the brain take over. Say you’re the white cop and you feel threatened and you have a gun. If the lower, more reactive parts of your brain start to dominate your cognitions and behaviors when you feel under threat, and your brain has a whole catalog of Black men as threatening criminals, you are much more likely to engage in fear-based behavior—yelling, escalating, pulling a trigger—with a Black teen than with a white teen. Your brain isn’t filled with a catalog of threatening white teens.
Bruce D. Perry (What Happened to You?: Conversations on Trauma, Resilience, and Healing)
You’re twelve years old. One horrible day your best friend’s family moves to another town. You speak to your friend on the telephone now and then, but telephone conversations just aren’t the same as those late-night sessions with the flashlights blinking out Morse code. Your second-best friend, who lives in the house next door to yours, eventually becomes your new best friend. It’s time to teach your new best friend some Morse code and get the late-night flashlights blinking again.
Charles Petzold (Code: The Hidden Language of Computer Hardware and Software)
Her thighs felt slippery and her bottom could easily slide against the lining of her dress. Outside, her silken folds remained undisturbed. There was a woman on the stage straddling a cello, swaying herself behind it. Playing the cello or viola da gamba seemed to Martha at that moment to be about something else entirely than creating a sequence of sounds. “Yes, very much,” she said to Jeanne who shared her enthusiasm for the type of wine being served. The evening went on, the conversations picked up where they were abandoned, but Martha’s physical excitement persisted like a drone that only she could hear. When there was no release, her body went on elated. She must not look at Petra. When her breast accidentally touched the edge of the table, she moved her chair further back. Edges were risky, air was safe. How could they fail to see how searing she is inside? Maybe nobody saw anything because she blinded them. This propelled her through the evening and late into the night and still further on the ride back home.
Lydia Perović (Incidental Music)
And this,' Astrid says, gesturing at a wiry gentleman wearing eyeglasses and a houndstooth suit in need of pressing, standing a little distance away from the rest of the group, looking slightly uncomfortable, 'is Dexter Palmer, and he's a—what?' 'I,' says Dexter Palmer. 'Um.' 'He's a novelist,' Astrid brays, and Harold looks at Dexter, at his right arm rubbing his threadbare left elbow. Harold sees the oaken trunk in the corner of Dexter's filthy downtown loft with an enormous padlock on it, sees the tens of thousands of pages of handwritten manuscript that fill it. He sees the stub of the tallow candle on Dexter's rickety wooden desk, purchased for a dollar-fifty at a rummage sale. He sees the short leg of the desk propped up with a seven-hundred page study of phrenology, printed during the age of miracles. He sees Dexter's eyes going bad by candlelight, a whole diopter lost with each late night. 'Zounds, I am working on my masterpiece,' Dexter Palmer yells hoarsely, disturbing the neighbors. He slings a cup half-full of tepid chamomile tea at the wall, where it shatters. 'Dexter's writing a novel,' Astrid says brightly. After a few minutes of introductory cross-talk, the group of five splits into separate conversations: Harold talks with his sister and Charmaine, while Marlon ends up with Dexter. To Harold, Marlon looks cornered—Harold can't hear what Dexter's saying, but whatever he's talking about, he's clearly going on about it at length and in fine detail. Maybe Marlon is getting to hear all about the novel. Every once in a while Marlon will look at Harold and theatrically roll his eyes and sigh, but Dexter, who's frantically gesticulating, wrapped up in whatever he's chattering about, doesn't notice.
Dexter Palmer (The Dream of Perpetual Motion)
What’s your type, anyway? I mean, I know you’ve moved on from gangly old Jeremy.” “Nora.” Luce gave her a little shove. “You are not allowed to bring him up all the time. That was late-night roommate private conversation. What happens in pajamas stays in pajamas.
Lauren Kate (Rapture (Fallen, #4))
Looking at him like he’d grown another head, she raised her hands up as she asked, “Don’t you have some other girl you want to harass? Maybe a girl who would actually appreciate it?” “Nope. You are the only girl I want to harass.” Which was the truth. Since he’d met Deanna, no other woman had existed for him. If he wasn’t with her, he was thinking about her. When he was with her, he wanted to stay with her, get to know her—and not only in the biblical sense, but that was definitely on top of his list. More attendees started filing out of the double doors, and Deanna’s head fell back as she let out a small groan. She might not have meant for the gesture to be or sound sexual, but that’s exactly what it’d been. He wanted to lean forward and press his lips to the soft skin on her neck, slide his hands up her dress and find out if she was wearing lace panties, silk panties, or no panties… “You win.You can drive me home.” She sounded anything but happy at her acquiescence, but Lucky was happy…Very happy. Well, this night had gone from bad, to worse, to horrible, to just plain humiliating. As Lucky opened the passenger side door to his SUV and held her hand while she got in, she immediately sent up a silent prayer that he didn’t notice the way a shiver ran up her arm from the touch of his large, rough hands. Deanna took a deep breath and pushed down the frustration and panic that was battling inside of her for top billing. Once he shut the door, she tugged her skirt down. When he got in, the entire left side of her body broke out in goosebumps from the intense stare he directed at her, but she kept her eyes trained ahead, looking out the windshield. She sat with her jaw set, her hands folded in her lap, and her back straight, hoping to convey that she just wanted to go home. “You’re quiet,” Lucky observed as they drove out of the parking lot. Proving his point, Deanna continued focusing out the window, at the moonlight dancing off the river. She knew she was being rude. She was a little too emotional and didn’t trust herself to speak. Especially considering the six glasses of wine she’d had this evening. Loose lips sank ships, and alcohol made her one Chatty Cathy capable of taking down an armada of ocean liners. “How was your evening tonight, Lucky?” he asked himself before answering his own question. “Oh, it was great, actually. Thanks for asking.” Deanna bit her lips to keep from smiling. She should’ve been annoyed at his adolescent behavior, and if it were any other guy, she was sure she would’ve been. But this was Lucky. And, whether she liked it or not (which, for the record, she didn’t), what should’ve been annoying or irritating on him always landed in the charming and amusing columns. “Of course!” he replied enthusiastically, still talking to himself. “I’m so glad you had a good time! What was the highlight of your evening, if you don’t mind me asking?” If he kept going, she was going to start cracking up, so she worked to maintain her composure. She didn’t want to give him the satisfaction. Which she was fully aware made her behavior even more adolescent than his. She was being ridiculous. Still, trying to disguise her amusement, Deanna sighed. “Fine. You win again. What do you want to talk about?” Lucky shook his head as he clicked his tongue. “Sorry, Pop-Tart. You had your chance.” Pop-Tart? Had he seriously just called her Pop-Tart!? Before she was able to form an appropriately indignant response, he continued the conversation he was having with himself. “Wow. Highlight of my evening…” He hissed through his teeth. “That’s a tough one. I’m going to have to go with the dance that I had with this smokin’-hot brunette.” Her cheeks burned at his description. Then she tried to remind herself that he was joking around, but the message got to her head and, she feared, her heart too late.
Melanie Shawn
When the call ended, Haley went back into the bedroom where Falon was lying in bed with an arm over her eyes. “That was Cindy, right?” Falon asked. “Yes, and my parents are driving her crazy. I have to call them. If you want a laugh, listen to my half of the conversation.” Haley climbed into the bed next to Falon and leaned her back against the headboard. She blew out a breath and pressed a button on her phone. “Hey, Dad, I’m… I am fine… yes, I can hear you both… Well, I’m sorry… I am fine,” Haley said forcefully. “No… no… I mean it, no. I’m a grown—late tonight. No… no… absolutely not. Neither of you drive at night—no. I said no. I’m fine… I am fine… no.” She grinned at Falon when she laughed softly. “I’m not alone… no. Another ship passenger—female. No… I know. I’m a grown woman! Yes, I realize that—no! Well, this is why…. no. Yes, but don’t show up before dawn. No. That doesn’t make any sense, no. This call is a dollar a minute… no. Yes, you can bring breakfast. Yes, I will do that—I just said I would do that. Yes… no. Yes. I love you, too, bye.” “That was exhausting,” Falon said with a laugh when Haley released a heavy breath and dropped her phone into her lap.
Robin Alexander (Fearless)
I was an I, an opera of feeling with a very small audience, a writer of articles about culture but with no real voice, living in a tiny one-bedroom apartment in the Crown Heights section of Brooklyn, a dream of love growing ever more expansive because it was impossible, especially in the gay bars I sometimes frequented in Manhattan, where AIDS loved everyone up the wrong way, or in a way some people weren’t surprised by, particularly by those gay men who were too indifferent to be sad — in any case night sweats were a part of the conversation people weren’t having in those bars, in any case, taking your closest friend in because he was shunned by his family was part of the conversation people weren’t having, still, there was this to contend with: that friend’s shirt collars getting bigger, still, there was this to contend with: his coughing and wheezing in the little room off your bedroom in Brooklyn because TB was catching, your friends didn’t want you to catch it, loving a man was catching, your friends didn’t want you to get it; his skin was thin as onionskin, there was a lesion, he couldn’t control his shit, not to mention the grief in his eyes, you didn’t want to catch that; those blue eyes filled with why? Causing one’s sphincter to contract, your heart to look away, a child’s question you couldn’t answer, what happened to our plans, why was the future happening so fast? You didn’t want to catch that, nor the bitterness of the sufferer’s family after death, nor the friends competing for a bigger slice of the death pie after the sufferer’s death, you certainly didn’t want to catch what it left: night sweats, but in your head, and all day, the running to a pay phone to share a joke, but that number’s disconnected, your body forgets, or rushes toward the love you remember, but it’s too late, he’s closer to the earth now than you are, and you certainly don’t want to catch any of that.
Hilton Als (White Girls)
Freed of the burden I had been carrying, I moved on, this time circling east. Under an overpass at Nogizaka, north of Roppongi-dori, I saw a half-dozen chinpira, gaudy in sleek racing leathers, squatting in a tight semicircle, their low-slung metal motorcycles parked on the footpath alongside them. Fragments of their conversation skipped off the concrete wall to my right, the words unintelligible but the notes tuned as tight as the tricked-out exhaust pipes of their machines. They were probably jacked on kakuseizai, the methamphetamine that has been the Japanese drug of choice since the government distributed it to soldiers and workers during World War II, and of which these chinpira were doubtless both purveyors and consumers. They were waiting for the drug-induced hum in their muscles and brains to hit the right pitch, for the hour to grow suitably late and the night more seductively dark, before emerging from their concrete lair and answering the neon call of Roppongi. I watched them take notice of me, a solitary figure approaching from the southern end of what was in effect a narrow tunnel. I considered crossing the street, but a metal divider made that maneuver unfeasible. I might simply have backed up and taken a different route. My failure to do so made it more difficult for me to deny that I was indeed heading toward the cemetery.
Barry Eisler (A Lonely Resurrection (John Rain #2))
8 Ways to Work Smarter and Improve Productivity We as a whole have a similar measure of time in a day, and there is no real way to get a greater amount of it. It doesn't make a difference how effective or well off one is - we are altogether topped at 24 hours for every day. We need to subtract some to sleep, eating, driving and simply living everyday lives - the time left for entrepreneurial undertakings is once in a while enough. However, there is an approach to expand that time, and it includes working more brilliant - not harder. Utilize the eight hints beneath and you will accomplish more in a shorter timeframe. 1. Ensure you cherish what you do 100 percent. This is entirely basic. When you completely adore what you do, it doesn't feel like work. It sounds so buzzword, yet it's flawless. I adore what I do, and I get up each morning energized for what is coming down the road. A late night or long travel day doesn't make a difference - I hop up out of bed each morning without a wake up timer. When you are really enthusiastic about what you are doing you remain laser centered, which normally brings about high profitability. In the event that you are hopeless and abhor what you are doing, paying little mind to how much cash you are making, you won't be energized and your profitability will go directly down the deplete. 2. Grasp innovation. In the event that you decline to grasp innovation you will put yourself at a noteworthy weakness. There are program augmentations, applications and robotization programming to help practically every part of your business and everyday duties. Quite a while back, it wound up noticeably conceivable to maintain your whole business in a hurry from your portable workstation. Today, the same is conceivable from your cell phone. We have mind boggling apparatuses accessible to us that give us finish area opportunity. Thump out errands while driving, doing cardio at the exercise center or sitting tight for a flight - having your whole business readily available can radically build your profitability. 3. Use your systems administration connections. Think about the time and exertion you burn through systems administration - being dynamic via web-based networking media, going to meetings and conversing with everybody. Set aside the opportunity to truly make a strong system and really use the quality of others to help your business. You need to give before you can hope to get, so make it a point to help however many individuals as could be expected under the circumstances. The connections you assemble while doing this can prove to be useful down the line, and when you have a system of experts to help you in specific zones, you gain from the best, as well as don't need to do all the truly difficult work alone. 4. Measure accomplishment in assignments finished, not hours worked. Many people are hung up on the quantity of hours works. Disregard saying "I worked 12 hours today" and rather concentrate on the quantity of assignments you finished. When you are a business person, hours worked amount to nothing - you aren't checking in. Assignments finished, not number of hours, manage achievement. As you figure out how to thump out errands speedier, you accomplish more. Most business people are normally aggressive, so make an individual rivalry and attempt to up your execution as far as every day assignments finished. Do this and watch your profitability shoot through the rooftop. 5. Delegate your shortcomings. I was always wore out until the point when I figured out how to appoint. Now and then, we think we are superhuman and can do everything, except that is basically not the situation.
Chasehuges
Reggie had always been a quiet kid, even with her own family, and part of the reason for this was that she never knew the right thing to say. Words didn’t come easily to her, they were stumbling blocks rather than lines of connection. And only later, after the fact, when she was replaying conversations in her head late at night, did the right words come—a cruel joke, too little, too late.
Jennifer McMahon (The One I Left Behind)
What made you come back?” Kitty jerked at his sudden question. She sputtered for a moment then laughed. “What made me come back? What do you mean?” He shrugged with one shoulder, never moving his gaze away from her. “At Eliza’s and Thomas’s wedding last year you were convinced that returning to Boston and living with your aunt was the best course to take. But it appears you have changed your mind. So, what made you come back?” “Is that why you followed me? To ask me that?” Her face burned, but she feigned composure and looked at him with as much ease as she could marshal. “Boston is too dangerous, you know that.” “’Tis true, I am well aware of what Boston and its residents suffer. But I cannot believe that was the only reason you returned.” Training her mouth to reveal nothing more than a slight grin, she strained to keep her pulse quiet. She stepped toward the fire, resting her hand atop the chair, acting more casual than she felt. “If there were any other reason, do you think that I would share such information with you? Surely, Nathaniel, I cannot share all my secrets.” “Secrets? Well, now I am curious.” Kitty rubbed the lace on her gloves and emitted a warm, genuine laugh that eased the strain in her voice. She offered an impish smile. “I came back for several reasons, if you must know. As I mentioned, ‘twas for matters of safety that Henry Donaldson insisted I return as well as—”  “Donaldson?” Kitty peered over her shoulder, hiding the grin that surged at the undeniable question in Nathaniel’s eyes. Could he be... nay, not possible. She kept her focus. “Aye, Henry Donaldson. You remember him, do you not?” “Aye, of course. I just... I just hadn’t known he was still... around. He was always a good friend and I admire him, despite his poor choice of allegiances.” Nathaniel’s interested expression stayed lifted, but the light in his eyes went flat. “Are you... have you been seeing much of him of late?” “I have,” she said. “He’s a close friend and I admire him very much.” Nathaniel’s expression didn’t change, but his Adam’s apple bobbed and he cleared his throat. “I see.”  She once again toyed with the fabric of her gloves, unsure what else to do with her hands. Quickly focusing on the subject of their conversation, she stared back into the fire. “Henry said it was too dangerous for me to stay despite my protestations. With Father gone and Eliza here—and since our home was destroyed that December… well, my home is here now.” The scent of smoke wafting from the fireplace in front of her snatched the horrid vision from its hiding place in her mind. Instantly she witnessed anew the roaring flames that devoured her treasured childhood home, taking with it all her cherished memories and replacing them with ash. She turned to Nathaniel, his face drawn as if he too relived the tragedy. The bond they’d shared that night had forged a friendship that could never be shaken.  Nathaniel stepped forward, the look of tenderness so rich in his eyes it wound around her shoulders like a warm cloak. “I can well understand that, Kitty. Donaldson was right in advising you to return.” Then, as if the heaviness were too much, he shrugged and sighed with added gaiety to his tone. “Well, I will admit that Sandwich didn’t feel the same with you gone, that’s for certain.” She tipped her head with a smirk. “You pined for my return?”  “With the pains of an anguished soul.” “Lying is a sin, Nathaniel,” she teased. Nathaniel laughed, his broad smile exposing his straight teeth. “All right, if you want the truth I pined more for your cooking, and more specifically for your carrot pudding. Are you satisfied?” “I knew it.
Amber Lynn Perry (So True a Love (Daughters of His Kingdom #2))