Last Crusade Best Quotes

And then there was Nationalism -- the theory that the state you happen to be subject to is the only true god, and that all other states are false gods; that all these gods, true as well as false, have the mentality of juvenile delinquents; and that every conflict over prestige, power or money is a crusade for the Good, the True and the Beautiful. The fact that such theories came, at a given moment of history, to be universally accepted is the best proof of Belial's existence, the best proof that at long last He'd won the battle.

.. The slaughter lasted the best part of two days. When it was over, the crusade leaders went in solemn procession to the church of the Holy Sepulchre to give thanks to God'' !!

Okay," she murmured. "I love you." "I love you too." She looked up at Holgar and realized that he didn't understand. She could feel her heartbeat speeding up, and she shook her head. His smile began to fade. "Not as a friend, or as a partner. Holgar, I—I love you, and I want to be with you." His smile faded, and his eyes took on a strange look. She could feel herself beginning to panic. He doesn't feel the same way. That's okay. At least I told him. "Like a mate?" he asked. She almost started laughing. A mate was British slang for a best friend. But that's not what Holgar was likely referencing. He was a werewolf, and they called their spouses mates. "Like a mate," she said, managing not to giggle at the unexpected language barrier. He still looked confused and a little lost. "For helvede," she said, using his favourite curse word. And then she leaned forward and kissed him. She tasted surprise on his lips for just a moment, and then he wrapped his arms around her and crushed her to him. she would have to do a healing spell on her bruised ribs later, but at the moment she didn't care. All she cared about was the passion, the yearning, she felt from him. When at last they broke apart, she whispered again, "I love you." "I love you too," he said. And looking into his eyes this time, she knew that they were talking about the same thing. "So, do we want to give us a shot?" she asked, breathless. He looked at her, confusion again returning to his eyes. "You love me, ja?" "Yes, ja," she said. He grinned at her. His eyes danced. "Then marry me.

Ron Gilbert, took inspiration from Sierra games like King’s Quest and Leisure Suit Larry but, more than just the game, what Maniac Mansion (and Ron) gave LucasArts was the underlying engine created for the game, SCUMM‡. This would form the backbone of future hits for the company such as Zak McKracken and the Alien Mindbenders, Maniac Mansion sequel Day of the Tentacle, two Indiana Jones games (one based on The Last Crusade, the other an original adventure called The Fate of Atlantis), Sam & Max Hit the Road and, most famously, The Secret of Monkey Island. Humour permeates all these games successfully in a way it rarely has before or since. Monkey Island’s ‘insult’ sword-fight is perhaps the best-known example, but there are many more. The jokes even operate between games;

Bruce realizes that in all his months and years interviewing addicts about their lives, they had been telling him the answer all along. “People explained over and over before I got it,” Bruce tells me. Before they became junkies, these young people were sitting in a room alone, cut off from meaning. Most of them could hope at best for a McJob with a shrinking minimum wage—a lifelong burger-flip punctuated by watching TV and scrimping for minor consumer objects. “My job was basically to say—why don’t you stop taking drugs?” Bruce says. “And one guy explained to me very beautifully. He said, ‘Well, think about that for a minute. What would I do if I stopped taking drugs? Maybe I could get myself a job as a janitor or something like that.’ ” Compare that, he said, to “what I’m doing right now, which is really exciting. Because I’ve got friends down here and we do exciting things like rob stores and hang around with hookers.” Suddenly you are part of a world where, together with other addicts, you are embarked on a crusade—a constant frenetic crusade to steal enough to buy the drugs, dodge the police, keep out of jail, and stay alive. If your problem is being chronically starved of social bonds, then part of the solution is to bond with the heroin itself and the relief it gives you. But a bigger part is to bond with the subculture that comes with taking heroin—the tribe of fellow users all embarked on the same mission and facing the same threats and risking death every day with you. It gives you an identity. It gives you a life of highs and lows, instead of relentless monotony. The world stops being indifferent to you, and starts being hostile—which is at least proof that you exist, that you aren’t dead already. The heroin helps users deal with the pain of being unable to form normal bonds with other humans. The heroin subculture gives them bonds with other human beings.

During my stay here in your city [Chicago] I have been visited by several groups of your people—all of whom have recited the story of the wrongs and injustices heaped upon the race; all of them appealing to me to denounce these outrages to the world. I have asked each delegation 'What are you doing to help yourselves?' Each group gave the same answer, namely, that they are so divided in church, lodges, etc., that they have not united their forces to fight the common enemy. At last I got mad, and said, 'You people have not been lynched enough! You haven't been lynched enough to drive you together! You say you are only ten millions in this country, with ten times that number against you—all of whom you say are solidly united by race prejudice against your progress. All of you by your own confession stand as individual units striving against a united band to fight or hold your own. Any ten-year-old child knows that a dozen persons fighting as one can make better headway against ten times its number than if each were fighting singlehanded and alone.' What you need in each community is a solid organization to fight race prejudice wherever shown. That organization should be governed by a council of your best men and women. All matters affecting your race welfare should be passed on by that council and loyally obeyed and supported by all members of your race. Until you do that much, it is useless to appeal to others to do for you what you can best do for yourselves.

Darren McGrady Darren McGrady was personal chef to Princess Diana until her tragic accident. He is now a private chef in Dallas, Texas, and a board member of the Pink Ribbons Crusade: A Date with Diana. His cookbook, titled Eating Royally: Recipes and Remembrances from a Palace Kitchen, will be released in August 2007 by Rutledge Hill Press. His website is located at theroyalchef. I knew Princess Diana for fifteen years, but it was those last four years after I became a part of her everyday life that I really got to know her. For me, one of the benefits of being a Buckingham Palace chef was the chance to speak to “Lady Di.” I had seen her in the newspapers; who hadn’t? She was beautiful. The whole world was in love with her and fascinated by this “breath of fresh air” member of the Royal Family. The first time I met her, I just stood and stared. As she chatted away with the pastry chef in the Balmoral kitchen, I thought she was even more beautiful in real life than her pictures in the daily news. Over the years, I’ve read account after account of how the Princess could light up a room, how people would become mesmerized by her natural beauty, her charm, and her poise. I couldn’t agree more. In time, I became a friendly face to the Princess and was someone she would seek out when she headed to the kitchens. At the beginning, she would pop in “just for a glass of orange juice.” Slowly, her visits became more frequent and lasted longer. We would talk about the theater, hunting, or television; she loved Phantom of the Opera and played the CD in her car. After she and Prince Charles separated, I became her private chef at Kensington Palace, and our relationship deepened as her trust in me grew. It was one of the Princess’s key traits; if she trusted you, then you were privy to everything on her mind. If she had been watching Brookside--a UK television soap opera--then we chatted about that. If the Duchess of York had just called her with some gossip about “the family,” she wanted to share that, too. “You’ll never believe what Fergie has just told me,” she would announce, bursting into the kitchen with excitement. She loved to tell jokes, even crude ones, and would laugh at the shock on my face--not so much because of the joke, but because it was the Princess telling it. Her laughter was infectious.

Before they became junkies, these young people were sitting in a room alone, cut off from meaning. Most of them could hope at best for a McJob with a shrinking minimum wage—a lifelong burger-flip punctuated by watching TV and scrimping for minor consumer objects. “My job was basically to say—why don’t you stop taking drugs?” Bruce says. “And one guy explained to me very beautifully. He said, ‘Well, think about that for a minute. What would I do if I stopped taking drugs? Maybe I could get myself a job as a janitor or something like that.’ ” Compare that, he said, to “what I’m doing right now, which is really exciting. Because I’ve got friends down here and we do exciting things like rob stores and hang around with hookers.” Suddenly you are part of a world where, together with other addicts, you are embarked on a crusade—a constant frenetic crusade to steal enough to buy the drugs, dodge the police, keep out of jail, and stay alive. If your problem is being chronically starved of social bonds, then part of the solution is to bond with the heroin itself and the relief it gives you. But a bigger part is to bond with the subculture that comes with taking heroin—the tribe of fellow users all embarked on the same mission and facing the same threats and risking death every day with you. It gives you an identity. It gives you a life of highs and lows, instead of relentless monotony. The world stops being indifferent to you, and starts being hostile—which is at least proof that you exist, that you aren’t dead already.