“
That's very funny," says Peeta. Suddenly he lashes out at the glass in Haymitch's hand. It shatters on the floor, sending the bloodred liquid running toward the back of the train. "Only not to us.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Small minds have always lashed out at what they don't understand.
”
”
Dan Brown
“
Be leery of silence. It doesn't mean you won the argument. Often, people are just busy reloading their guns.
”
”
Shannon L. Alder
“
I used to think you were weak and just didn't fight back ... but now, honestly, I think you're actually pretty tough. It takes a hell of a lot of strength to not complain and lash out.
”
”
Richelle Mead (Bloodlines (Bloodlines, #1))
“
It had been so good to see his enemy again. Positively heartwarming.
Hallmark really needed to start up a line of revenge cards, the kind that let you reach out to those you were going to come after with a vengeance.
- Lash
”
”
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
“
The sun was out for once, and Inej had turned her face to it. Her eyes were shut, her oil-black lashes fanned over her cheeks. The harbor wind had lifted her dark hair, and for a moment Kaz was a boy again, sure that there was magic in this world.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Will-," Tessa began but it was too late, Church made a yowling noise at being woken, and lashed out with his claws. Will began to swear. Tessa left, unable to hide the slightest of smiles as she went.
”
”
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
“
Why do I feel like I can't trust you anymore?'
I wanted him to lash out. I wanted him to fight, to protest, to argue- to do anything but look deeper into my eyes and say, 'because the Gallagher Academy doesn't admit fools
”
”
Ally Carter (Don't Judge a Girl by Her Cover (Gallagher Girls, #3))
“
I'm trying to have a moment o' existential dreed here, right? Crivens, it's a puir lookout if a man canna feel the chilly winds o' fate lashing aroound his netheres wi'out folks telling him he's deid, eh?
”
”
Terry Pratchett (A Hat Full of Sky (Discworld, #32; Tiffany Aching, #2))
“
Maeve had lied. Or lied by omission. But she knew. She knew what the girl had gone through-knew she'd been a slave. That day-that day early on, he'd threatened to whip the girl, gods above. And she had lost it. He'd been such a proud fool that he'd assumed she'd lashed out because she was nothing more than a child. He should have known better-should have known that when she did react to something like that, it meant the scars went deep. And then there were the other things he'd said...
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
And so gentlemen, I learned. Oh, if you have to learn, you learn; if you’re desperate for a way out, you learn; you learn pitilessly. You stand over yourself with a whip in your hand; if there’s the least resistance, you lash yourself.
”
”
Franz Kafka (The Metamorphosis and Other Stories)
“
Goddammit!” Zane lashed out without warning and hit the water bottle, sending it skidding across the carpet and splattering at Julian’s feet. “I’m gonna end up in the fucking madhouse because of you!” He reached out and grabbed Ty’s wrist, pulling him closer. “Loving you is going to make me fucking insane! I said no, and I mean it!
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
If there are all different types of soul mates,” I told Harry one afternoon, when the two of us were sitting out on the patio with Connor, “then you are one of mine.” Harry was wearing a pair of shorts and no shirt. Connor was lying on his chest. He hadn’t shaved that morning, and his stubble was coming in. It had just the slightest gray patch under his chin. Looking at him with her, I realized how much they looked alike. Same long lashes, same pert lips. Harry held Connor to his chest with one hand and grabbed my free hand with the other. “I am absolutely positive that I need you more than I’ve ever needed another living soul,” he said. “The only exception being—” “Connor,” I said. We both smiled. For the rest of our lives, we would say that. The only exception to absolutely everything was Connor.
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
Sometimes people say terrible things when they're scared. They don't mean to, but they can't help it. They lash out because if they can see that their words hurt someone else, it makes them feel as if they aren't completely powerless.
”
”
Jonathan Maberry (Dust & Decay (Rot & Ruin, #2))
“
Just because you're an adult doesn't mean you're grown up. Growing up means being patient, holding your temper, cutting out the self-pity, and quitting with the righteous indignation.'
'Why do so many people seem to love righteous indignation?'
'Because if you can prove you're a victim, all rules are off. You can lash out at people. You don't have to be accountable for anything.
”
”
Brandon Stanton (Humans of New York)
“
What does a bigot do when he meets someone who challenges his opinions? He doesn’t give. He stays rigid. Doesn’t even try to listen, just lashes out.
”
”
Harper Lee (Go Set a Watchman)
“
His breath caught, harsh enough that she looked over her shoulder.
But his eyes weren't on her face. Or the water. They were on her bare back.
Curled as she was against her knees, he could see the whole expanse of ruined flesh, each scar from the lashing. "Who did that to you?"
It would have been easy to lie, but she was so tired, and he had saved her useless hide. So she said, "A lot of people. I spent some time in the Salt Mines of Endovier."
He was so still that she wondered if he'd stopped breathing. "How long?" he asked after a moment. She braced herself for the pity, but his face was so carefully blank-no, not blank. Calm with lethal rage.
"A year. I was there a year before... it's a long story." She was too exhausted, her throat too raw, to say the rest of it. She noticed then his arms were bandaged, and more bandages across his broad chest peeked up from beneath his shirt. She'd burned him again. And yet he had held her- had run all the way here and not let go once.
"You were a slave."
She gave him a slow nod. He opened his mouth, but shut it and swallowed, that lethal rage winking out. As if he remembered who he was talking to and that it was the least punishment she deserved.
He turned on his heel and shut the door behind him. She wished he'd slammed it-wished he'd shattered it. But he closed it with barely more than a click and did not return.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
On the whole, I do not find Christians, outside of the catacombs, sufficiently sensible of conditions. Does anyone have the foggiest idea what sort of power we so blithely invoke? Or, as I suspect, does no one believe a word of it? The churches are children playing on the floor with their chemistry sets, mixing up a batch of TNT to kill a Sunday morning. It is madness to wear ladies’ straw hats and velvet hats to church; we should all be wearing crash helmets. Ushers should issue life preservers and signal flares; they should lash us to our pews. For the sleeping god may wake someday and take offense, or the waking god may draw us out to where we can never return.
”
”
Annie Dillard
“
Daemon was sprawled on his back, one arm stretched across the space beside him and the other rested across his bare stomach. Sheets were twisted around his narrow hips. His face was almost angelic in sleep, chiselled lines softened and lips relaxed. Thick lashes fanned the top of his cheeks. He looked so much younger at rest but, in a weird way, he was even more out of my league. His kind of masculine beauty was otherworldly and intimidating. Something that existed in between the pages of the books I read. Sometimes I had a hard time convincing myself he was real.
”
”
Jennifer L. Armentrout (Opal (Lux, #3))
“
The walls weren't moving, and the room was open - gaping. No colors, but shades of darkness, of night . Only those star-flecked violet eyes were bright, full of color and light. He gave me a lazy smile before he leaned forward.
I pulled away, but his hands were like shackles. I could do nothing as his mouth met with my cheek, and he licked away a tear. His tongue was hot against my skin, so startling that I couldn't move as he licked away another path of salt water, and then another. My body went taut and loose all at once and I burned, even as chills shuddered along my limbs. It was only when his tongue danced along the damp edges of my lashes that I jerked back.
He chuckled as I scrambled for the corner of the cell. I wiped my face as I glared at him.
He smirked, sitting down against a wall. "I figured that would get you to stop crying."
"It was disgusting." I wiped my face again.
"Was it?" He quirked an eyebrow and pointed to his palm - to the place where my tattoo would be. "Beneath all your pride and stubbornness, I could have sworn I detected something that felt differently. Interesting."
"Get out."
"As usual, your gratitude is overwhelming.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
That man over there says that women need to be helped into carriages, and lifted over ditches, and to have the best place everywhere. Nobody ever helps me into carriages, or over mud-puddles, or gives me any best place! And ain't I a woman? Look at me! Look at my arm! I have ploughed and planted, and gathered into barns, and no man could head me! And ain't I a woman? I could work as much and eat as much as a man - when I could get it - and bear the lash as well! And ain't I a woman? I have borne five children, and seen most all sold off to slavery, and when I cried out with my mother's grief, none but Jesus heard me! And ain't I a woman?
”
”
Sojourner Truth
“
My skin is broken out from subconscious anxiety and tension, self-induced. Nothing is more difficult than lashing a vagrant mind suddenly into long self-imposed stints of concentration.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
People don’t believe women who fight back. When a man lashes out, people say he’s lost control of his temper or made a terrible mistake. When a woman does it, she’s a psychopath.
”
”
Amy Tintera (Listen for the Lie)
“
While this is all very amusing, the kiss that will free the girl is the kiss that she most desires,” she said. “Only that and nothing more.”
Jace’s heart started to pound. He met the Queen’s eyes with his own. “Why are you doing this?”
… “Desire is not always lessened by disgust…And as my words bind my magic, so you can know the truth. If she doesn’t desire your kiss, she won’t be free.”
“You don’t have to do this, Clary, it’s a trick—” (Simon)
...Isabelle sounded exasperated. ‘Who cares, anyway? It’s just a kiss.”
“That’s right,” Jace said. Clary looked up, then finally, and her wide green eyes rested on him. He moved toward her... and put his hand on her shoulder, turning her to face him… He could feel the tension in his own body, the effort of holding back, of not pulling her against him and taking this one chance, however dangerous and stupid and unwise, and kissing her the way he had thought he would never, in his life, be able to kiss her again. “It’s just a kiss,” he said, and heard the roughness in his own voice, and wondered if she heard it, too.
Not that it mattered—there was no way to hide it. It was too much. He had never wanted like this before... She understood him, laughed when he laughed, saw through the defenses he put up to what was underneath. There was no Jace Wayland more real than the one he saw in her eyes when she looked at him… All he knew was that whatever he had to owe to Hell or Heaven for this chance, he was going to make it count.
He...whispered in her ear. “You can close your eyes and think of England, if you like,” he said.
Her eyes fluttered shut, her lashes coppery lines against her pale, fragile skin. “I’ve never even been to England,” she said, and the softness, the anxiety in her voice almost undid him. He had never kissed a girl without knowing she wanted it too, usually more than he did, and this was Clary, and he didn’t know what she wanted. Her eyes were still closed, but she shivered, and leaned into him — barely, but it was permission enough.
His mouth came down on hers. And that was it. All the self-control he’d exerted over the past weeks went, like water crashing through a broken dam. Her arms came up around his neck and he pulled her against him… His hands flattened against her back... and she was up on the tips of her toes, kissing him as fiercely as he was kissing her... He clung to her more tightly, knotting his hands in her hair, trying to tell her, with the press of his mouth on hers, all the things he could never say out loud...
His hands slid down to her waist... he had no idea what he would have done or said next, if it would have been something he could never have pretended away or taken back, but he heard a soft hiss of laughter — the Faerie Queen — in his ears, and it jolted him back to reality. He pulled away from Clary before he it was too late, unlocking her hands from around his neck and stepping back... Clary was staring at him. Her lips were parted, her hands still open. Her eyes were wide. Behind her, Alec and Isabelle were gaping at them; Simon looked as if he was about to throw up.
...If there had ever been any hope that he could have come to think of Clary as just his sister, this — what had just happened between them — had exploded it into a thousand pieces... He tried to read Clary’s face — did she feel the same? … I know you felt it, he said to her with his eyes, and it was half bitter triumph and half pleading. I know you felt it, too…She glanced away from him... He whirled on the Queen. “Was that good enough?” he demanded. “Did that entertain you?”
The Queen gave him a look: special and secretive and shared between the two of them. “We are quite entertained," she said. “But not, I think, so much as the both of you.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Here's some advice. Stay alive," says Haymitch, and then bursts out laughing. I exchange a look with Peeta before I remember that I'm having nothing more to do with him. I'm surprised to see the hardness in his eyes. He generally seems so mild.
'That's very funny,' says Peeta. Suddenly, he lashes out at the glass in Haymitch's hand. It shatters on the floor, sending the bloodred liquid running toward the back of the train. 'Only not to us.'
Haymitch considers this a moment, then punches Peeta in the jaw, knocking him from his chair. When he turns back to reach for the spirits, I drive my knife into the table between his hand and the bottle, barely missing his fingers. I brace myself to deflect his hit, but it doesn't come. Instead, he sits back and squints at us.
'Well, what's this?' says Haymitch. 'Did I actually get a pair of fighters this year?
”
”
Suzanne Collins
“
There is a fine line between love and hate, or haven't you heard? Sometimes it's hard to decipher exactly which emotion is strongest."
I raised my chin. "I don't love you either."
He lowered his head and watched me from underneath his dark lashes. "Are you certain? Because the emotion pouring out of you every time I'm near you is certainly not disinterest."
"That doesn't mean it's love."
"It could be, I promise you. Take off that sweater and give me ten minutes, and you'll believe beyond a shadow of a doubt you're in love.
”
”
Darynda Jones (Fourth Grave Beneath My Feet (Charley Davidson, #4))
“
December 27, 11:00 p.m.
My Dear America,
I’ve never written a love letter, so forgive me if I fail now. . . .
The simple thing would be to say that I love you. But, in truth, it’s so much more than that. I want you, America. I need you.
I’ve held back so much from you out of fear. I’m afraid that if I show you everything at once, it will overwhelm you, and you’ll run away. I’m afraid that somewhere in the back of your heart is a love for someone else that will never die. I’m afraid that I will make a mistake again, something so huge that you retreat into that silent world of yours. No scolding from a tutor, no lashing from my father, no isolation in my youth has ever hurt me so much as you separating yourself from me.
I keep thinking that it’s there, waiting to come back and strike me. So I’ve held on to all my options, fearing that the moment I wipe them away, you will be standing there with your arms closed, happy to be my friend but unable to be my equal, my queen, my wife.
And for you to be my wife is all I want in the world. I love you. I was afraid to admit it for a long time, but I know it now.
I would never rejoice in the loss of your father, the sadness you’ve felt since he passed, or the emptiness I’ve experienced since you left. But I’m so grateful that you had to go. I’m not sure how long it would have taken for me to figure this out if I hadn’t had to start trying to imagine a life without you. I know now, with absolute certainty, that is nothing I want.
I wish I was as true an artist as you so that I could find a way to tell you what you’ve become to me. America, my love, you are sunlight falling through trees. You are laughter that breaks through sadness. You are the breeze on a too-warm day. You are clarity in the midst of confusion.
You are not the world, but you are everything that makes the world good. Without you, my life would still exist, but that’s all it would manage to do.
You said that to get things right one of us would have to take a leap of faith. I think I’ve discovered the canyon that must be leaped, and I hope to find you waiting for me on the other side.
I love you, America.
Yours forever,
Maxon
”
”
Kiera Cass (The One (The Selection, #3))
“
I look down at our knees, slightly touching. Jeans against jeans. Does she notice the heat transferring from her body to mine? Does she even realize what she's doing to me? I know, I know. I'm not a virgin and the slightest touch of a girl's knee is driving me insane. I don't even know what I'm feeling for Maggie, I just know that I'm feeling. It's something I've tried to avoid and deny until yesterday, when I held her in my arms while her tears spilled onto my shirt.
God, our knees touching isn't enough. I need more.
She's knotting her fingers together on her lap as if she doesn't know what to do with them. I want to touch her, but what if she pulls away like before? I've never been such a wuss with a girl in my life.
I bite my bottom lip as I slide my hand about millionth of a millimeter closer to her hand.
She doesn't seem fazed so I move closer. And closer.
When the tips of my fingers touch her wrist, she freezes. But she doesn't jerk her hand away. God, her skin is so soft, I think as my fingers trail a path from her wrist to her knuckles to her smooth, manicured nails.
I swear touching her like this is driving me nuts. It's more erotic, more intense than any other time with Kendra. I feel awkward and inexperienced as a freshman again. I look up. Everyone else is oblivious to the intensity of emotions running rampant in the back of the public bus.
When I look back down at my hand covering hers, I'm grateful she hasn't come to her senses and pulled away. As if she knows my thoughts, we both turn our hands at the same time so our hands are palm against palm...finger against finger. Her hand is dwarfed against mine. It makes her seem more delicate and petite than I'd realize. I feel a need to protect her and be her champion should she ever need one.
With a slight shift of my hand, I lace my fingers through hers.
I'm holding hands. With Maggie Armstrong.
I'm not even going to think about how wrong it is because it feels so right. She's avoided looking right at me, but now she turns her head and our eyes lock. God, how come I never noticed before how long her lashes were and how her brown eyes have specks of gold that sparkle when the sun shine on them?
The bus stops suddenly and I look out the window. It's our stop. She must have realized this because she pulls her hand away from mine and stands. I follow behind, still reeling.
”
”
Simone Elkeles (Leaving Paradise (Leaving Paradise, #1))
“
I feel like…” I caught the sob in my chest and swallowed it, suddenly embarrassed. He leaned in closer to me. “Like what?” My eyes ran over his face. The scruff on his jaw. The dark lashes around his blue eyes. “Like I’m a flame about to burn out.” My voice was so thin it sounded like I could reach out and break it with my fingers. “Like I’m going to disappear.
”
”
Adrienne Young (Sky in the Deep (Sky and Sea, #1))
“
All this time, deep in the pit of my stomach, the shadowy monster of grief and fear and anger has been in the corner where I locked it, but it’s been growing, new ropes of angry black lashing out in every direction, starving, mad with hunger.
A demon that’s going to devour me from the inside out.
”
”
Emily Henry (Book Lovers)
“
If she were (looking into my eyes), she’d have seen how absolutely floored I was the first time I finally, truly saw her. The clouds moved at just the right moment, fully lighting her face by the moon. She was dazzlingly beautiful. Underneath thick lashes were eyes blue as ice, something cool to balance out the flames in her hair. I felt a strange flutter in my chest, like the glow of a fireplace or the warmth of the afternoon. It stayed there for a moment, playing with my pulse.
”
”
Kiera Cass (The Prince (The Selection, #0.5))
“
Can I touch you?”
His lashes closed, resting on the tops of his tanned, sculpted cheeks as his smile grew broad. “You don’t have to ask.” I reached out immediately but paused within inches of contact. He must’ve sensed my hesitation because he reopened his eyes. “What’s wrong?”
I swallowed, utterly overwhelmed. “I don’t know where to start.”
Mason’s gaze warmed . He wrapped strong warm fingers around my wrist and drew my palm forward, leading me where he wanted my hand to follow. When he set it on the center of his chest, right over his heart and pressed my flesh to his as if fingerprinting my soul to his. I blinked back gratified tears.
“Start here. No one’s ever touched me here before.
”
”
Linda Kage (Price of a Kiss (Forbidden Men, #1))
“
She would figure out how to get what she wanted, what she needed, even when her long lashes failed to convince, when her body was no longer young and beautiful. She'd be more than pretty, She'd be strong.
”
”
Kass Morgan (Day 21 (The 100, #2))
“
It has always been my view that terrorism is not spawned by the poverty of money; it is spawned by the poverty of dignity. Humiliation is the most underestimated force in international relations and in human relations. It is when people or nations are humiliated that they really lash out and engage in extreme violence.
”
”
Thomas L. Friedman (The World Is Flat: A Brief History of the Twenty-first Century)
“
Ain't no good in using anger just to lash. You pray for it to blow up a storm that's going to flush out the truth.
”
”
Jesmyn Ward (Sing, Unburied, Sing)
“
I get why he's lashing out. As a privileged white dude, he's used to being able to buy whatever he wants. He lives in a country where even the presidency can be bought.
But he can't buy my love. And that frustrates the hell out of him.
”
”
Laura Steven (The Exact Opposite of Okay (Izzy O'Neill, #1))
“
I wasn’t mad at you. I just have a bad habit of lashing out at those I care about. It’s a piss poor excuse, I know, but I am sorry,” he said, enveloping me in his arms.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
Will gave a short, disbelieving laugh. "It's true," he said. "I am no hero."
"No," Tessa said. "You are a person, just like me." His eyes searched her face, mystified; she held his hand tighter, lacing her fingers with his. "Don't you see, Will? You're a person like me. You are like me. You say the things I think but never say out loud. You read the books I read. You love the poetry I love. You make me laugh with your ridiculous songs and the way you see the truth of everything. I feel like you can look inside me and see all the places I am odd or unusual and fit your heart around them. For you are odd and unusual in the same way." With the hand that was not holding his, she touched his cheek, lightly. "We are the same."
Will's eyes fluttered closed; she felt his lashes against her fingertips. When he spoke again, his voice was ragged but controlled. "Don't say those things, Tessa. Don't say them."
"Why not?"
"You said I am a good man," he said. "But I am not that good a man. And I am—I am catastrophically in love with you.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
A woman who’s lived in a cage all her life. And hates it. Bored in there, aren’t you. Waiting for life to happen. And when it finally does, it steals from you what you loved most. So take back. Explode. Lash out. Blow up
”
”
Karen Marie Moning (Burned (Fever, #7))
“
Why me?" I blurted out, and then closed my eyes briefly. "Okay. Don't answer that."
The food arrived just then一thank God一and the conversation was deterred...for about two minutes. "I'm going to answer that question," Cam said, peering at me through his lashes.
I wanted to face-plant my stuffed chicken. "You don't have to."
"No, I think I do.
”
”
Jennifer L. Armentrout (Wait for You (Wait for You, #1))
“
With the last bit of his strength, he tore his arm free and lashed out blindly, furiously, with all his terror and rage, with all the hope that had been born and died this day. Let me make a mark on this world before I leave it.
”
”
Leigh Bardugo (The Demon in the Wood (Grishaverse, #0.1))
“
Scared people either shut down and avoid the thing they fear, or get angry at it and lash out.
”
”
Leisa Rayven (Broken Juliet (Starcrossed, #2))
“
How easily you forgive, Eleanor. How freely you
absolve the sins of others. Tell me, little one, when the
time comes, how will you absolve yours?
With the first lash of the whip Nora felt a strip of fire
burn across her back. She cried out from a pain so
ferocious she nearly choked on it.
Like this, Søren, she dared answer only in her mind.
This is how.
”
”
Tiffany Reisz (The Siren (The Original Sinners, #1))
“
Weak people always attack strong people - it's safer. It's weak people who are dangerous, who lash out uncontrollably and hurt you back. Stong people can walk away - no repercussions, you see, if you attack a stong person.
”
”
Sophie Hannah
“
Your life does matter. It always matters whether you reach out in friendship or lash out in anger. It always matters whether you live with compassion and awareness or whether you succumb to distractions and trivia. It always matters how you treat other people, how you treat animals, and how you treat yourself. It always matters what you do. It always matters what you say. And it always matters what you eat.
”
”
John Robbins (The Food Revolution: How Your Diet Can Help Save Your Life and Our World)
“
She looked angelic in sleep, dark lashes resting against pale cheeks. Her blond hair was tousled and in disarray and spread out. Over his pillow. He frowned. She'd even stolen his pillow.
”
”
Maya Banks (Never Seduce a Scot (The Montgomerys and Armstrongs, #1))
“
He was lounging in a cubicle beside an outdated computer, hands shoved into the pockets of his faded jeans. A wavy lock of hair covered his forehead, brushing against thick lashes. His lips curled into a half smile. “I was wondering if you were ever going to find me.” He made no move to clear up any space in the tiny 6x6 hole.
I dropped my bag outside the walls and hopped up on the desk opposite him. “Embarrassed someone would see you and think you’re capable of reading?”
“I do have a reputation to maintain.”
“And what a lovely reputation that is.”
He stretched out his legs so that his feet were under mine. “So what did you want to talk about”—his voice lowered to a deep, sexy whisper—“in private?”
I shivered—and it had nothing to do with the temperature. “Not what you’re hoping.”
Daemon gave me a sexy smirk.
”
”
Jennifer L. Armentrout (Onyx (Lux, #2))
“
She thought of what it would be like to grow up without the one certainty that every baby deseved - when I'm hurt or cold or scared, someone will come and care for me - and how that absence could warp you so that you'd lash out at the people you loved, driving them away when all you wanted to do was pull them closer.
”
”
Jennifer Weiner (Little Earthquakes)
“
This is the God of the gospel of grace. A God who, out of love for us, sent the only Son He ever had wrapped in our skin. He learned how to walk, stumbled and fell, cried for His milk, sweated blood in the night, was lashed with a whip and showered with spit, was fixed to a cross, and died whispering forgiveness on us all.
”
”
Brennan Manning (The Ragamuffin Gospel)
“
Water beneath me, water above me, water in me--I was water. How appropriate that the one definition of the Japanese character for my name was "rain." I, too, was precious and copious, inoffensive and deadly, silent and raucous, joyous and despicable, live-giving and corrosive, pure and grasping, patient and insidious, musical and off-key--but more than any of that, and beyond all those things, I was invulnerable.
...From the heights and depths of my diluvian life, I knew that I was rain and rain was rapture. Some realised it would be best to accept me, let me overwhelm them, let me be who I was. There was no greater luxury than to fall to earth, in sprinkles or in buckets, lashing faces and drenching countryside, swelling sources and overflowing rivers, spoiling weddings and consecrating burials, the blesssing and curse of the skies.
My rainy childhood thrived in Japan like a fish in water.
Tired of my unending passion for my element, Nishio-san would finally call to me, "Out of the lake! You'll dissolve!"
Too late. I had dissolved long before.
”
”
Amélie Nothomb
“
It is true, I suppose, that nobody finds it exactly pleasant to be criticized or shouted at, but I see in the face of the human being raging at me a wild animal in its true colors, one more horrible than any lion, crocodile or dragon. People normally seem to be hiding this true nature, but an occasion will arise (as when an ox sedately ensconced in a grassy meadow suddenly lashes out with its tail to kill the horsefly on its flank) when anger makes them reveal in a flash human nature in all its horror.
”
”
Osamu Dazai (No Longer Human)
“
Anger and fear can turn you into a different person. They mask what you’re really feeling, and they allow you to destroy something that doesn’t deserve it, something that should be cared for and protected. But being exposed, forces you to raise your defences and in doing so, you quite often lash out at the very thing you should actually be embracing.
”
”
Natalie Ward (I Love You to Death (I Love You, #1))
“
The land has a memory.
Every stream and river runs with a confession of sorts, history whispered over rocks, lifted in the beaks of birds at a stream, carried out to the sea. Buffalo thunder across plains whose soil was watered with the blood of battles long since relegated to musty books on forgotten shelves. Fields once strewn with blue and gray now flower with uneasy buds. The slave master snaps the lash, and generations later, the ancestral scars remain.
Under it all, the dead lie, remembering.
”
”
Libba Bray (Lair of Dreams (The Diviners, #2))
“
Its weak people who are dangerous, who lash out uncontrollably and hurt you back. Strong people can walk away- no repercussions, you see, if you attack a strong person.
”
”
Sophie Hannah (The Other Half Lives (Spilling CID, #4))
“
You shouldn't make friends with crows,” he'd told her.
“Why not?” she asked.
He'd looked up from his desk to answer, but whatever he'd been about to say had vanished on his tongue.
The sun was out for once, and Inej had turned her face to it. Her eyes were shut, her oil-black lashes fanned over her checks. The harbor wind had lifted her dark hair, and for a moment Kaz was a boy again, sure that there was magic in this world.
“Why not” shed repeated, eyes still closed.
He said the first thing that popped into his head. “They don't have any manners.”
“Neither do you, Kaz.” She'd laughed, and if he could have a bottled the sound and gotten drunk on it every night, he would have. It terrified him.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Feelings and stories of unworthiness and shame are perhaps the most binding element in the trance of fear. When we believe something is wrong with us, we are convinced we are in danger. Our shame fuels ongoing fear, and our fear fuels more shame. The very fact that we feel fear seems to prove that we are broken or incapable. When we are trapped in trance, being fearful and bad seem to define who we are. The anxiety in our body, the stories, the ways we make excuses, withdraw or lash out—these become to us the self that is most real.
”
”
Tara Brach
“
Down Where I Am
Too many years
Beatin' at the door--
I done beat my
Both fists sore.
Too many years
Tryin' to get up there--
Done broke my ankles down,
Got nowhere.
Too many years
Climbin' that hill,
'Bout out of breath.
I got my fill.
I'm gonna plant my feet
On solid ground.
If you want to see me,
Come down.
”
”
Langston Hughes (The Panther and the Lash)
“
Peter to Austin: “Here are the facts, Austin. You’ve been engaged four times.
You’ve cheated on every single one of them. You’re cruel
sometimes and superficial and spoiled and really fucked up
emotionally. You talk about my being inscrutable, but you treat
nothing as if it matters to you. Something terrible happens? You
make a joke and shrug it off. You feel too much? You get angry
and lash out at me. So no, I’m not in love with you. I’m fighting
it every fucking step! I just wish I could stop it.
”
”
Dani Alexander (Shattered Glass (Shattered Glass, #1))
“
Beware of turning into the enemy you most fear. All it takes is to lash out violently at someone who has done you some grievous harm, proclaiming that only your pain matters in this world. More than against that person's body, you will then, at that moment, be committing a crime against your own imagination.
”
”
Ariel Dorfman
“
For the church, the many abuses of human life, liberty, and dignity are a heartfelt suffering. The church, entrusted with the earth’s glory, believes that in each person is the Creator’s image and that everyone who tramples it offends God. As holy defender of God’s rights and of his images, the church must cry out. It takes as spittle in its face, as lashes on its back, as the cross in its passion, all that human beings suffer, even though they be unbelievers. They suffer as God’s images. There is no dichotomy between man and God’s image. Whoever tortures a human being, whoever abuses a human being, whoever outrages a human being abuses God’s image, and the church takes as its own that cross, that martyrdom.
”
”
Oscar A. Romero (The Violence Of Love)
“
What was it like?" I ask. "Being a serpent."
He hesitates. "It was like being trapped in the dark," he says. "I was alone, and my instinct was to lash out. I was perhaps not entirely an animal, but neither was I myself. I could not reason. There was only feelings--hatred and terror and the desire to destroy."
I start to speak, but he stops me with a gesture. "And you." He looks at me, his lips curving in something that's not quite a smile; it's more and less than that. "I knew little else, but I always knew you."
And when he kisses me, I feel as though I can finally breathe again.
”
”
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
“
Okay, if you have to go. I’m not sure what I’ll do with all these women around.”
Jealousy spiked in me so fast and so sharp, Reyes sucked in a breath, the air hissing through his teeth. He closed his eyes, leaned his head back, let my emotion roll over him.
I bit down, embarrassed. “Are you enjoying that?”
“No,” he said, panting. “A little. It’s like being hit with a hundred razor blades at once, each leaving a tiny cut as it passes.”
“Ouch. That sounds horridly unpleasant.”
He lowered his head, regarded me from underneath his lashes. “Someday you’ll figure out I’m not like other guys.”
“Actually, I figured that out a while back.”
“Nothing and no one interests me besides you.
”
”
Darynda Jones (Fifth Grave Past the Light (Charley Davidson, #5))
“
Without trade the world will become what it was once—a hell where only the strongest arm and the heaviest lash was law. The meek will never inherit the earth. Aye, but at least they can be protected by law to live out their lives as they wish.
”
”
James Clavell (Tai-Pan (Asian Saga, #2))
“
You see I thought love got easier over, the years so it didn’t hurt so bad when it hurt, or feel so good when it felt good. I thought it smoothed out and old people hardly noticed it. I thought it curled up and died, I guess. Now I saw it rear up like a whip and lash. She loved him. She was jealous. She mourned him like the dead. And he just smiled into the air, trapped in the seams of his mind.
”
”
Louise Erdrich (Love Medicine)
“
We should go back inside," she said, in a half whisper. She did not want to go back inside. She wanted to stay here, with Will achingly close, almost leaning into her. She could feel the heat that radiated from his body. His dark hair fell around the mask, into his eyes, tangling with his long eyelashes. "We have only a little time-"
She took a step forward-and stumbled into Will, who caught her. She froze-and then her arms crept around him, her fingers lacing themselves behind his neck. Her face was pressed against his throat, his soft hair under her fingers. She closed her eyes, shutting out the dizzying world, the light beyond the French windows, the glow of the sky. She wanted to be here with Will, cocooned in this moment, inhaling the clean sharp scent of him., feeling the beat of his heart against hers, as steady and strong as the pulse of the ocean.
She felt him inhale. "Tess," he said. "Tess, look at me."
She raised her eyes to his, slow and unwilling, braced for anger or coldness-but his gaze was fixed on hers, his dark blue eyes somber beneath their thick black lashes, and they were stripped of all their usual cool, aloof distance. They were as clear as glass and full of desire. And more than desire-a tenderness she had never seen in them before, had never even associated with Will Herondale. That, more than anything else, stopped her protest as he raised his hands and methodically began to take the pins from her hair, one by one.
This is madness, she thought, as the first pin rattled to the ground. They should be running, fleeing this place. Instead she stood, wordless, as Will cast Jessamine's pearl clasps aside as if they were so much paste jewelry. Her own long, curling dark hair fell down around her shoulders, and Will slid his hands into it. She heard him exhale as he did so, as if he had been holding his breath for months and had only just let it out. She stood as if mesmerized as he gathered her hair in his hands, draping it over one of her shoulders, winding her curls between his fingers. "My Tessa," he said, and this time she did not tell him that she was not his.
"Will," she whispered as he reached up and unlocked her hands from around his neck. He drew her gloves off, and they joined her mask and Jessie's pins on the stone floor of the balcony. He pulled off his own mask next and cast it aside, running his hands through his damp black hair, pushing it back from his forehead. The lower edge of the mask had left marks across his high cheekbones, like light scars, but when she reached to touch them, he gently caught at her hands and pressed them down.
"No," he said. "Let me touch you first. I have wanted...
”
”
Cassandra Clare
“
The tenderness in his touch lashes out and scars my heart.
”
”
Colleen Hoover (Maybe Someday (Maybe, #1))
“
When our god fails to respond in the ways we expect, we humans tend to respond in one of two ways. We either blindly intensify our acts of worship or lash out in righteous anger.
”
”
Robert Glover (No More Mr. Nice Guy: A Proven Plan for Getting What You Want in Love, Sex, and Life)
“
During an initial burst of pain, people tend to lash out either at others or at themselves, to turn the anger outward or inward.
”
”
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
“
I stood up angrily. “Look, I’m done talking to you tonight. Will you let me out of this dream? I’m not telling you where I am. And I’m not interested in hearing about how wonderful Avery is and how much better than me she is.”
“Avery would never act like a little brat,” he said. “She wouldn’t get so offended that someone actually cares enough to check on her. She wouldn’t deny me the chance to learn more about my magic because she was paranoid someone would ruin her crazy attempt to get over her boyfriend’s death."
“Don’t talk to me about being a brat,” I shot back. “You’re as selfish and
self-centered as usual. It’s always about you—even this dream is. You hold me against my will, whether I want it or not, because it amuses you.”
“Fine,” he said, voice cold. “I’ll end this. And I’ll end everything between us. I won’t be coming back.”
“Good. I hope you mean it this time.”
His green eyes were the last thing I saw before I woke up in my own bed. I sat up, gasping. My heart felt like it was breaking, and I almost thought I might cry. Adrian was right—I had been a brat. I’d lashed out at him when it wasn’t really deserved. And yet . . . I hadn’t been able to help it. I missed Lissa. I even kind of missed Adrian. And now someone else was taking my place, someone who wouldn’t just walk away like I had.
I won’t be coming back.
And for the first time ever, I had a feeling he really wouldn’t be.
”
”
Richelle Mead (Blood Promise (Vampire Academy, #4))
“
Four eyes full of gleams and radiance beneath their lashes, filling the looking-glass. Questions shooting out and then hiding again. I don't know: Gleams and radiance, gleaming from you to me, from me to you, and from me to you alone—into the mirror and out again, and never an answer about what this is, never an explanation.
”
”
Tarjei Vesaas (The Ice Palace)
“
Here’s an example. When I first met Nick Gautier it was fated that he was to get married at age thirty and have a dozen kids. As our friendship grew, I lost the ability to see how his future would play out. Then in one moment of anger, I changed his destiny by telling him he should kill himself. I didn’t mean it, but as a god of fate, such proclamations when made by me are law. Fate realigned the circumstances around him that would lead him to make a decision to take his own life. The woman he was to marry ended up dead in her store. His mother’s life was taken by a Daimon and Nick shot himself at her feet. My free will would have been to not lash out at him. Instead I did. His free will would have been to seek revenge as a human against a Daimon and not kill himself. But because of who I am, my proclamation that he kill himself outweighed his will and he didn’t really have any choice. I took his free will and I cost him everyone who was close to him. (Acheron)
”
”
Sherrilyn Kenyon (Devil May Cry (Dark-Hunter, #11))
“
We can take it slow," he said. "You can learn to be with me. Find out what I'm all about. You never know, you might like what you find."
"Don't hold your breath," she said.
He stepped toward her casually, amusement flickering around his lips. She tensed, her eyes checking for a way to run.
"Or..." His hand lashed out, grabbed her, and whipped her into his arms, where he held her tight. "We can take it fast and rough.
”
”
Annette Curtis Klause (Blood and Chocolate)
“
When she’s scared and hurt, she lashes out. Someone less stubborn than me would’ve left by now. But that’s why she’s alone—because she doesn’t have anyone in her life willing to stick it out with her.
”
”
Erin Watt (Fallen Heir (The Royals, #4))
“
Just as I am drifting off to sleep, he speak again, so softly I almost cannot be certain it is not a dream.
"I am sorry. You make me ashamed of what we are, of what little we can offer you, and I lashed out at you when what I really wanted was to punish my own dark thoughts.
”
”
Robin LaFevers (Mortal Heart (His Fair Assassin, #3))
“
You've been my teachers, clergy, my fellow students, coworkers, bosses, principals, sometimes you were a former friend or even family I once trusted. You've taken things I told you in utter confidence, & twisted them into lies to be used against me. Without cause, you have told lies against me. You have refused to see me as a human being. You have kicked me when I was up & you have kicked me when I was down. But today, you will kick me no more, I will no longer be your verbal or physical punching bag, Today, I discovered the secret that will never allow you or friends, who will one day turn on you too, to hurt me again. Today as I lay broken & bleeding in that dark place I crawl into when I think I can't take it anymore, I found something extraordinary. My humanity. As my soul screamed in bleeding agony & I wanted to die rather than live one more day in a world where you exist, I realized that my tears & ability to feel pain without lashing out to return that hurt to someone else makes me human.
”
”
Sherrilyn Kenyon (Inferno (Chronicles of Nick, #4))
“
Maybe I was wrong, and maybe someday I’ll look back and regret lashing out like that. I’m still not entirely sure why I threw myself into the fire over this specific incident. But sometimes, people kick you to the ground at recess because they think the shape of your eyes is funny. They lunge at you because they see a vulnerable body. Or a different skin color. Or a difficult name. They think that you won’t hit back—that you’ll just lower your eyes and hide. And sometimes, to protect yourself, to make it go away, you do. But sometimes, you find yourself standing in exactly the right position, wielding exactly the right weapon to hit back. So I hit. I hit fast and hard and furious. I hit with nothing but the language whispered between circuits and wire, the language that can bring people to their knees. And in spite of everything, I’d do it all over again.
”
”
Marie Lu (Warcross (Warcross, #1))
“
You keep your nerves on edge and you're always ready to lash out. You distance yourself from everyone. It's because you are afraid of people. You are the weakest person in this village
”
”
Takehiko Inoue (Vagabond, Vol. 3)
“
Some men lash out and leave marks, the black eyes and broken noses that send women to the emergency rooms and from there to the kindly social worker and the battered women’s shelter. But the real devils are the ones who hide the traces, who practice constant psychological abuse until the woman is all but destroyed.
”
”
Darcey Bell (A Simple Favor)
“
The Balrog reached the bridge. Gandalf stood in the middle of the span, leaning on the staff in his left hand, but in his other hand Glamdring gleamed, cold and white. His enemy halted again, facing him, and the shadow about it reached out like two vast wings. It raised the whip, and the thongs whined and cracked. Fire came from its nostrils. But Gandalf stood firm.
'You cannot pass,' he said. The orcs stood still, and a dead silence fell. 'I am a servant of the Secret Fire, wielder of the flame of Anor. You cannot pass. The dark fire will not avail you, flame of Udûn. Go back to the Shadow! You cannot pass.'
The Balrog made no answer. The fire in it seemed to die, but the darkness grew. It stepped forward slowly onto the bridge, and suddenly it drew itself up to a great height, and its wings were spread from wall to wall; but still Gandalf could be seen, glimmering in the gloom; he seemed small, and altogether alone: grey and bent, like a wizened tree before the onset of a storm.
From out of the shadow a red sword leaped flaming.
Glamdring glittered white in answer.
There was a ringing clash and a stab of white fire. The Balrog fell back and its sword flew up in molten fragments. The wizard swayed on the bridge, stepped back a pace, and then again stood still.
'You cannot pass!' he said.
With a bound the Balrog leaped full upon the bridge. Its whip whirled and hissed.
'He cannot stand alone!' cried Aragorn suddenly and ran back along the bridge. 'Elendil!' he shouted. 'I am with you, Gandalf!'
'Gondor!' cried Boromir and leaped after him.
At that moment Gandalf lifted his staff, and crying aloud he smote the bridge before him. The staff broke asunder and fell from his hand. A blinding sheet of white flame sprang up. The bridge cracked. Right at the Balrog's feet it broke, and the stone upon which it stood crashed into the gulf, while the rest remained, poised, quivering like a tongue of rock thrust out into emptiness.
With a terrible cry the Balrog fell forward, and its shadow plunged down and vanished. But even as it fell it swung its whip, and the thongs lashed and curled about the wizard's knees, dragging him to the brink. He staggered and fell, grasped vainly at the stone, and slid into the abyss. 'Fly, you fools!' he cried, and was gone.
”
”
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
“
Well? You just gonna stand there?” She huffed out a breath. “How does she look, Lev?”
Mina looked up at me through lowered lashes, biting the inside of her lip. She wrung her fingers together, and I wondered how it would feel to have those fingers run through my hair.
How did she look?
“Like art,” I responded sincerely.
”
”
Belle Aurora (Lev (Shot Callers, #1))
“
It's the nature of being human that, in our own blindness, we lash out and blind others.
”
”
Kimberly Kinrade (Kiss Me in Paris (Kiss Me, #1))
“
Good hearts get hurt. Good hearts get broken, Armand. And then they lash out.
”
”
Louise Penny (A Fatal Grace (Chief Inspector Armand Gamache, #2))
“
When everything is spiraling out of control, no one can dig in and hold steady. Not really. They lash out, desperate to grab onto anything. They lash out.
”
”
Dot Hutchison (The Vanishing Season (The Collector, #4))
“
She lashed out because when you hurt someone else, you’re less likely to feel your own pain.
”
”
Jodi Picoult (Mad Honey)
“
The storm lashes us, out of the confusion of grey and yellow the hail of splinters whips forth the childlike cries of the wounded, and in the night shattered life groans painfully into silence. Our hands are earth, our bodies clay and our eyes pools of rain. We do not know whether we are still alive.
”
”
Erich Maria Remarque (All Quiet on the Western Front)
“
Violet said nothing, though big pearly tears, like a child's, trembled at her lashes. She suddenly missed John very much. Into him she could pour all the inarticulate perceptions, all the knowings and unknowings she felt, which, though he couldn't understand them really, he would receive reverently, and out of him would come then the advice, the warnings, the clever decisions she could never have made.
”
”
John Crowley (Little, Big)
“
I think there are some people who are their own worst enemy. They internalize their struggles. Their minds are the biggest threat they face. The rest of us, we fuck up, and brush that shit off. Or we lash out and have to apologize later for acting like a dick. But this type of person, they get trapped in a cycle where they hurt themselves, internalizing all their pain and anger. They destroy themselves instead of lashing out at the world. They're more dangerous to themselves than to anyone else.
”
”
Jillian West (Madness (Ruined Records, #2))
“
What is this, master - the third time I've broken you out of a jail cell?”
Nathaniel coughed. “Minor misunderstandings, on both previous occasions,” he assured Elisabeth.
(....) He spoke mildly, his lashes shading his eyes. “At least you're wearing clothes this time, master.”
“I'll have you know,” Nathaniel said, “that that was an accident, and the public certainly didn't mind. One woman even sent me flowers.” To Elisabeth, he added, “Don't worry. She was forty years old, and her name was Mildred.
”
”
Margaret Rogerson (Sorcery of Thorns (Sorcery of Thorns, #1))
“
These kids spend a majority of their time in school, and if they’re not having a positive experience, they can become depressed. In some cases, they lash out, grabbing whatever weapon is available to them. It can be an assault rifle, a knife, a Molotov cocktail, poison, Indian burns or MMA. But if you take one weapon away, these kids are just going to grab the next thing available to them. Maybe they will use a gun with a smaller clip, limiting the amount of lives they can take. Or maybe they’ll get more creative, and think of something far more terrible. So taking a weapon away won’t really solve anything, and this is my point here.
”
”
Aaron B. Powell (Guns)
“
David held up his hands. "Hold it. This is going nowhere. You two are both afraid, and being afraid makes you angry, and being angry makes you lash out."
"Thank you, Dr. Laura," I said snippily.
"I'm not afraid of her," Hunter said, like a six-year-old, and I wanted to kick him under the table. Now that I knew he was actually alive, I remembered just how unpleasant he was.
”
”
Cate Tiernan (Dark Magick (Sweep, #4))
“
I don't know how to promise you that I won't overreact, or lash out, or say something I shouldn't. All I can promise, and I really think it's what I should be promising, is that I'll be honest with you about... about what's going on with me.
”
”
Alexis Hall (Boyfriend Material (London Calling, #1))
“
She had been wrong in thinking Christ had been called up against his will to fight in a war. He didn't look - in spite of the crown of thorns - like someone making a sacrifice. Or even like someone determined to "do his bit". He looked instead like Marjorie had looked telling Polly she'd joined the Nursing Service, like Mr Humphreys had looked filling buckets with water and sand to save Saint Paul's, like Miss Laburnum had looked that day she came to Townsend Brothers with the coats. He looked like Captain Faulknor must have looked, lashing the ships together. Like Ernest Shackleton, setting out in that tiny boat across icy seas. Like Colin helping Mr Dunworthy across the wreckage.
He looked ... contented. As if he was where he wanted to be, doing what he wanted to do.
Like Eileen had looked, telling Polly she'd decided to stay. Like Mike must have looked in Kent, composing engagement announcements and letters to the editor. Like I must have looked there in the rubble with Sir Godfrey, my hand pressed against his heart. Exalted. Happy.
To do something for someone or something you loved - England or Shakespeare or a dog or the Hodbins or history - wasn't a sacrifice at all. Even if it cost you your freedom, your life, your youth.
”
”
Connie Willis (All Clear (Oxford Time Travel, 4))
“
Kylie’s not thin. So what? I don’t care. She’s incredibly sexy and I love her figure. I love how lush she is and how much she adores life. Mostly, I love how giving and wonderful she is. I love how when I’m with her, she’s the most important person in the world to me, and I’m the most important to her. That’s what love is, Daphne. It’s not lashing out and then hoping they’ll stick around despite your behavior. It’s trying to be the best person you can to make the other person happy.
”
”
Jessica Clare (One Night with a Billionaire (Billionaire Boys Club, #6))
“
I let out a shy laugh, flit my eyes down to the floor, then back to him through my lashes. His neck goes a little red. Fan-bloody-tastic.
”
”
Mackenzi Lee (The Gentleman's Guide to Vice and Virtue (Montague Siblings, #1))
“
peoples, like so many beasts, have fallen into the custom of each man thinking only of his own private interests and have reached the extreme of delicacy, or better of pride, in which like wild animals they bristle and lash out at the slightest displeasure. Thus no matter how great the throng and press of their bodies, they live like wild beasts in a deep solitude of spirit and will, scarcely any two being able to agree since each follows his own pleasure and caprice.
”
”
Giambattista Vico (New Science)
“
If you carry around a lot of suppressed or repressed anger (anger you have unconsciously buried) you may lash out at people, blaming or punishing them for something someone else did a long time ago. Because you were unwilling or unable to express how you felt in the past, you may overreact in the present, damaging a relationship.
”
”
Beverly Engel (The Nice Girl Syndrome: Stop Being Manipulated and Abused -- And Start Standing Up for Yourself)
“
She put her hands on you," Mam repeated angrily. "She pushed you. She threatened you. She lashed out at you in anger. That might fly in her household, Jonathon, but it sure as hell doesn’t in mine."
I arched a brow. "Says the woman always clipping me around the ear."
"Those are clips of love," Mam corrected. "And you're missing the point.
”
”
Chloe Walsh (Keeping 13 (Boys of Tommen, #2))
“
One Kashmiri morning in the early spring of 1915, my grandfather Aadam Aziz hit his nose against a frost-hardened tussock of earth while attempting to pray. Three drops of blood plopped out of his left nostril, hardened instantly in the brittle air and lay before his eyes on the prayer-mat, transformed into rubies. Lurching back until he knelt with his head once more upright, he found that the tears which had sprung to his eyes had solidified, too; and at that moment, as he brushed diamonds contemptuously from his lashes, he resolved never again to kiss earth for any god or man. This decision, however, made a hole in him, a vacancy in a vital inner chamber, leaving him vulnerable to women and history. Unaware of this at first, despite his recently completed medical training, he stood up, rolled the prayer-mat into a thick cheroot, and holding it under his right arm surveyed the valley through clear, diamond-free eyes.
”
”
Salman Rushdie (Midnight’s Children)
“
I admit that the black man is inferior. But what is it that makes him so? It is the ignorance in which white men compel him to live; it is the torturing whip that lashes manhood out of him; it is the fierce bloodhounds of the South, and the scarcely less cruel human bloodhounds of the north, who enforce the Fugitive Slave Law. They do the work. Southern
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
Kindness is many things,” he said. “It is gentle. Tender. Tolerant. It is born of patience and faith. And sometimes, yes, it’s dangerous. Helping a wounded animal that’s likely to lash out, standing up for someone who’s being taunted by bullies... these things are all dangerous. But to try to understand another creature, to put ourselves in their place, to help them - even when it costs us - that shows strength, Sophie, not weakness.
”
”
Jennifer Donnelly (Poisoned)
“
Hey, I’m cute, too,” Dex protested as they followed Ash and Cael to the bullpen. “Why don’t I get a free drink?”
Ash flipped him off, calling out over his shoulder,“You’re not cute, Daley.”
“Screw you. I’m fucking adorable!”
Sloane leaned into Dex, whispering. “I think you’re cute.”
Dex smiled at him and batted his lashes. “Do I get a free drink?”
“No.”
“Damn.” Dex craned his neck and waved his arms. “Hey, Rosa! I have to ask you something.” He ran off and Sloane chuckled, hearing Dex calling out after her. “Where are you going? I want to ask you if you think I’m cute. You do, right? Rosa?
”
”
Charlie Cochet (Blood & Thunder (THIRDS, #2))
“
I don’t know if I can do this anymore,” Jack’s husky voice muttered sounding defeated. It was such a strange sound coming out of him.
“I know what you mean."
“I’m not sure I want to break up with Kate though."
That snapped her right out of her own pity party. Break up with Kate! Holy shit! “Uh, Jack?”
He tilted his head to look at her under his thick dark lashes. “Yes, my dear?”
“You’ve been thinking of breaking up with Kate?” She couldn’t keep the disbelief out of her voice.
He nodded choking on his own words. “Ever since I saw you like a vision on the beach the first day you got here.”
“Wh…Why would you do that?” She knew the answer. But she wanted to hear him say it.
“I thought that was quite obvious…for you.
”
”
K.A. Linde
“
There’s nothing wrong with being happy. There’s nothing wrong with enjoying something so much that it strips away all that irony and cynicism. And there’s nothing wrong with loving anything so much that it feels like it could pull your heart out of your chest and toss it on the floor. We build ourselves up to not do that, and then we build up the armor so thickly that we have trouble finding what’s underneath. We use that as an excuse to lash out at people who do feel stuff, who do like things (and I am, of course, mostly saying this about myself). It’s hard sometimes to remember that the world isn’t a place to glide through, so nothing can touch you. It’s a place to be experienced.
”
”
Emily Todd VanDerWerff
“
Thank you,” he said.
I blinked. “What?”
A funny little smile played out across his lips. “Thank you for trusting me with this.”
My mouth gaped.
“It’s a big deal.” His lashes lifted and his eyes met mine. “What we did. It was your first time. I’m honored.”
Was this real?
“So thank you.”
Jax closed the distance between us, melding our lips together in what had to have been the sweetest kiss possible, and I realized this was real. Not some orgasm-induced hallucination, and there was truly no wonder why I’d fallen for him.
”
”
J. Lynn (Stay with Me (Wait for You, #3))
“
The two biggest causes of evil are two that we think are good, and that we try to encourage in our children: high self-esteem and moral idealism. Having high self-esteem doesn’t directly cause violence, but when someone’s high esteem is unrealistic or narcissistic, it is easily threatened by reality; in reaction to those threats, people—particularly young men—often lash out violently.
”
”
Jonathan Haidt (The Happiness Hypothesis: Putting Ancient Wisdom to the Test of Modern Science)
“
fr. 2
All We as Leaves
He (following Homer) compares man's life with the leaves.
All we as leaves in the shock of it:
spring-
one dull gold bounce and you're there.
You see the sun? - I built that.
As a lad. The Fates lashing their tails in a corner.
But (let me think) wasn't it a hotel in Chicago where I had the first of those - my body walking out of the room
bent on some deadly errand
and me up on the ceiling just sort of fading out-
brainsex paintings I used to call them?
In the days when I (so to speak) painted.
Remember
that oddly wonderful chocolate we got in East
(as it was then) Berlin?
”
”
Anne Carson (Plainwater: Essays and Poetry (Vintage Contemporaries))
“
The crumpled butcherpaper mountains lay in sharp shadowfold under the long blue dusk and in the middle distance the glazed bed of a dry lake lay shimmering like the mare imbrium and herds of deer were moving north in the last of the twilight, harried over the plain by wolves who were themselves the color of the desert floor. Glanton sat his horse and looked long out upon this scene. Sparse on the mesa the dry weeds lashed in the wind like the earth's long echo of lance and spear in old encounters forever unrecorded. All the sky seemed troubled and night came quickly over the evening land and small gray birds flew crying softly after the fled sun. He chucked up the horse. He passed and so passed all into the problematical destruction of darkness.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
Hello, Celaena,” he said as calmly as he could, well aware that two Fae males behind him could hear his thundering heart. Rolfe whipped his head toward him. Because it was Celaena who sat here—for whatever purpose, it was Celaena Sardothien in this room. She jerked her chin at Rolfe. “You’ve seen better days, but considering half your fleet has abandoned you, I’d say you look decent enough.” “Get out of my chair,” Rolfe said too quietly. Aelin did no such thing. She just gave Rowan a sultry sweep from foot to face. Rowan’s expression remained unreadable, eyes intent—near-glowing. And then Aelin said to Rowan with a secret smile, “You, I don’t know. But I’d like to.” Rowan’s lips tugged upward. “I’m not on the market, unfortunately.” “Pity,” Aelin said, cocking her head as she noticed a bowl of small emeralds on Rolfe’s desk. Don’t do it, don’t— Aelin swiped up the emeralds in a hand, picking them over as she glanced at Rowan beneath her lashes. “She must be a rare, staggering beauty to make you so faithful.” Gods save them all. He could have sworn Fenrys coughed behind him. Aelin chucked the emeralds into the metal dish as if they were bits of copper, their plunking the only sound. “She must be clever”—plunk—“and fascinating”—plunk—“and very, very talented.” Plunk, plunk, plunk went the emeralds. She examined the four gems remaining in her hand. “She must be the most wonderful person who ever existed.” Another cough from behind him—from Gavriel this time. But Aelin only had eyes for Rowan as the warrior said to her, “She is indeed that. And more.
”
”
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
“
Why are you being so cruel?'
'Because you won't leave!' Jacks shouted. 'And if you stay, you will die. Chaos hasn't fed in thousands of years. I know he thinks he can control his hunger, but he can't. That's why they put the helm on him.'
'You could have just said that. If you didn't want me to say goodbye or you want me to leave, you don't have to hurt me to get me to do it.'
'I'm not- I-' Jacks broke off abruptly. His eyes were no longer just red, they were blazing with fear. She'd never seen him look so terrified before. She'd been poisoned, shot, lashed across the back, and Jacks had always kept his calm until now.
With a great deal of effort, he took a deep breath, and when he spoke again, his voice was soft but uneven. 'I'm sorry, Little Fox. I didn't want to hurt you, I just-'
He looked suddenly at a loss for words, as if whatever he said next might be the wrong thing. He's never looked at her like this before.
'Jacks, please, don't use the stones tonight. Come with me instead.'
He took a jagged breath. For a second, he looked torn. He raked a hand through his hair, his movements jagged.
Evangeline took a step closer.
He shuttered his expression and took a step back. 'This doesn't change anything. I still can't have you in my life. You and I aren't meant to be.'
'What if you're wrong?'
Evangeline had once heard a tale about a pair of doomed stars, drawn across skies toward each other's brightness, even though they knew that if they drew too close, their desire would end in a fiery explosion. This was how Jacks looked at her now. As if neither of them would survive if they drew any closer.
'Evangeline, you need to go.'
A thunderous roar poured out from the Valory, so loud it shook the arch and the angels and the ground at Evangeline's feet.
'Get out of here.' Jacks said.
She held his gaze, one final time, wishing she knew how to change his mind. 'I wish our story could have had another ending.'
'I don't want another ending,' Jacks said flatly. 'I just want you to leave.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
When yet another woman old enough to be his grandmother headed Reyes off and demanded his attention before he could get to me, I giggled at the forced smile on his face. She flirted, batted her lashes, and patted his biceps about twelve times too many for his comfort. He took out his phone and typed as the woman spoke to him, her movements exaggerated. I couldn't be certain but I had a feeling she was talking to him about how she used to be a pole dancer until her hip gave out.
My phone chimed. I took it out of the delicate clutch that matched my dress and read Reyes's text.
Aren't you going to save me?
I don't know. I'm having a lot of fun right now. Wanna sext?
He crossed an arm over his chest while holding his phone. One corner of his mouth twitched as he leaned back against the tree and typed.
Absolutely.
Sweet. What are you wearing?
His eyes sparkled with mirth.
Animal print boxers and striped socks
I burst out laughing, gaining the attention of everyone around me.
”
”
Darynda Jones (Eighth Grave After Dark (Charley Davidson, #8))
“
I wrenched the door out of my way―ridiculously eager―and there he was, my personal miracle.
Time had not made me immune to the perfection of his face, and I was sure that I would never take any aspect of him for granted. My eyes traced over his pale white features: the hard square of his jaw, the softer curve of his full lips―twisted up into a smile now, the straight line of his nose, the sharp angle of his cheekbones, the smooth marble span of his forehead―partially obscured by a tangle of rain-darkened bronze hair . . .
I saved his eyes for last, knowing that when I looked into them I was likely to lose my train of thought. They were wide, warm with liquid gold, and framed by a thick fringe of black lashes. Staring into his eyes always made me feel extraordinary―sort of like my bone were turning spongy. I was also a little lightheaded, but that could have been because I'd forgotten to keep breathing. Again.
”
”
Stephenie Meyer (Eclipse)
“
Ibn Malik snarled in anger, but Schaalman was faster. A hand lashed out and caught Ibn Malik around the throat.
You cost me any chance at happiness, Schaalman said.
Ibn Malik writhed around his fist: I gave you boundless knowledge instead.
A poor second, said Yehudah Schaalman, and squeezed.
”
”
Helene Wecker (The Golem and the Jinni (The Golem and the Jinni, #1))
“
Theirs is the customary human reaction when confronted with innovation: to flounder about attempting to adapt old responses to new situations or to simply condemn or ignore the harbingers of change--a practice refined by the Chinese emperors, who used to execute messengers bringing bad news. The new technological environments generate the most pain among those least prepared to alter their old value structures. The literati find the new electronic environment far more threatening than do those less committed to literacy as a way of life. When an individual or social group feels that its whole identity is jeopardized by social or psychic change, its natural reaction is to lash out in defensive fury. But for all their lamentations, the revolution has already taken place.
”
”
Marshall McLuhan
“
Gerti didn’t ask for help.” Miri swallowed and tried to calm her quavering voice. “It was my fault.”
“So it was. Now you all have learned that those who speak out of turn choose punishment for themselves and anyone they speak to.”
“So if I speak to you, Tutor Olana, will you get the lashes?
”
”
Shannon Hale
“
Parents with BPD may not accept responsibility for their behavior, nor he willing to listen to how they might have caused emotional or physical harm. If you try to point out their behavior, they may lash out with an abusive tirade or stone-cold silence, attempting to place blame on you instead ("If
”
”
Kimberlee Roth (Surviving a Borderline Parent: How to Heal Your Childhood Wounds and Build Trust, Boundaries, and Self-Esteem)
“
no was a bad word in my hone
no was met with the lash
erased from our vocabulary
beaten out of our backs
till we became well-behaved kids
who obediently nodded to yes to everything
when he climbed on top of me
every part of my body wanted to reject it
but i couldn't say no to save my life
when i tried to scream
all that escaped me was silence
i heard no pounding her fist
on the roof of my mouth
begging to let her out
but i had not put up the exit sign
never built the emergency staircase
there was no trapdoor for no to escape from
i want to ask all the
parents and guardians a question
what use was obedience then
when there were hands
that were not mine inside me
- how can i verbalize consent as an adult if i was never taught to as a child
”
”
Rupi Kaur (The Sun and Her Flowers)
“
I see no justice in that plan."
"Who said," lashed out Isaac Penn, "that you, a man, can always perceive justice? Who said that justice is what you imagine? Can you be sure that you know it when you see it, that you will live long enough to recognize the decisive thunder of its occurrence, that it can be manifest within a generation, within ten generations, within the entire span of human existence? What you are talking about is common sense, not justice. Justice is higher and not as easy to understand -- until it presents itself in unmistakable splendor. The design of which I speak is far above our understanding. But we can sometimes feel its presence.
"No choreographer, no architect, engineer, or painter could plan more thoroughly and subtly. Every action and every scene has its purpose. And the less power one has, the closer he is to the great waves that sweep through all things, patiently preparing them for the approach of a future signified not by simple human equity (a child could think of that), but by luminous and surprising connections that we have not imagined, by illustrations terrifying and benevolent -- a golden age that will show not what we wish, but some bare awkward truth upon which rests everything that ever was and everything that ever will be. There is justice in the world, Peter Lake, but it cannot be had without mystery.
”
”
Mark Helprin (Winter's Tale)
“
The embroidery came later, in the retelling, as the story was told again and again by the men, taking on its own character as it passed over camp.
The Prince had ridden out, with only one soldier. Deep in the mountains, he had chased down the rats responsible for these killings. Had ripped them out of their hiding holes and fought them, thirty to one, at least. Had brought them back thrashed, lashed and subdued. That was their Prince for you, a twisty, vicious fiend who you should never, ever cross, unless you wanted your gullet handed to you on a platter. Why, he once rode a horse to death just to beat Torveld of Patras to the mark.
In the men's eyes the feat was reflected as the wild, impossible thing it was--their Prince vanishing for two days, then appearing out of the night with a sackful of prisoners thrown over his shoulder, tossing them at the feet of his troop and saying: You wanted them? Here they are.
”
”
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
“
In plainer terms", Baumeister and Bushman write, "it is not so much the people who regard themselves as superior beings who are the most dangerous but, rather those who have a strong desire to regard themselves as superior beings....People who are preoccupied with validating a grandiose self-image apparently find criticism highly upsetting and lash out against the source of it.
”
”
Lulu Miller (Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life)
“
The manner in which we speak is exceedingly important. An ancient sage once said, “A soft answer turns away anger.” When your spouse is angry and upset and lashing out words of heat, if you choose to be loving, you will not reciprocate with additional heat but with a soft voice. You will receive what he is saying as information about his emotional feelings. You will let him tell you of his hurt, anger, and perception of events. You will seek to put yourself in his shoes and see the event through his eyes and then express softly and kindly your understanding of why he feels that way. If you have wronged him, you will be willing to confess the wrong and ask forgiveness. If your motivation is different from what he is reading, you will be able to explain your motivation kindly. You will seek understanding and reconciliation, and not to prove your own perception as the only logical way to interpret what has happened. That is mature love—love to which we aspire if we seek a growing marriage.
”
”
Gary Chapman (The 5 Love Languages: The Secret to Love That Lasts)
“
Listen closely, Sebastien Newcombe, ... I will only say this once. I understand the despair coursing through you. I understand the rage that is eating away at your insides like acid. If you want to lash out at me, you are welcome to do so...But if you ever give me reason to believe you have been anything less than kind to the woman who resides here, I will strike your head from your body and you will go down in history as the only immortal I have ever killed. Nod your head that you understand me.
”
”
Dianne Duvall (Darkness Dawns (Immortal Guardians, #1))
“
Whatever you think or do regularly becomes a habit, a strongly conditioned pathway in the brain. The more you think about what can go wrong, the more your mind is primed to anticipate trouble. The more you lash out in anger, the more your body and mind are geared toward aggression. The more you think about how you might help others, the more your mind and heart are inclined to be generous. Just as weight lifting builds muscles, the way you direct your attention can strengthen anxiety, hostility, and addiction, or it can lead you to healing and awakening.
”
”
Tara Brach (True Refuge: Finding Peace and Freedom in Your Own Awakened Heart)
“
I do not believe in the government of the lash, if any one of you ever expects to whip your children again, I want you to have a photograph taken of yourself when you are in the act, with your face red with vulgar anger, and the face of the little child, with eyes swimming in tears and the little chin dimpled with fear, like a piece of water struck by a sudden cold wind. Have the picture taken. If that little child should die, I cannot think of a sweeter way to spend an autumn afternoon than to go out to the cemetery, when the maples are clad in tender gold, and little scarlet runners are coming, like poems of regret, from the sad heart of the earth—and sit down upon the grave and look at that photograph, and think of the flesh now dust that you beat. I tell you it is wrong; it is no way to raise children! Make your home happy. Be honest with them. Divide fairly with them in everything.
”
”
Robert G. Ingersoll (The Liberty of Man, Woman and Child)
“
Alec’s eyes glittered for a moment, bright blue under coal-black lashes. He stood up and came over to where Clary was standing by the door. “Wise girl,” he said.
“You didn’t always think I was wise.”
“No, I thought you were a pest, but I know better now.” He dropped a kiss on top of her head and went out the door, still carrying his tulip.
”
”
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
“
Shhh,” he murmurs, kissing away the droplets clinging to my cheeks. “We’re together now.”
I shake my head, rejecting an answer that promises only one moment in time. “I have to know that the next time you get like that, we deal with it together, no matter what that means, Chris. I have to know.”
“I won’t get—”
His denial spikes through me and I try to push away from him, but he holds me. “Sara, wait.”
“You will go there again. You will. I’m not about to pretend otherwise. It’s all or nothing, Chris. All the dark, hated places you go, you go with me. You have to trust me enough to love that part of you as much as I do the rest.”
“You don’t know what you’re asking.”
“It’s not a question. It’s not even close to a request. This is how it has to be.” His lashes lower; his struggle is palpable, and I soften instantly, hurting as he hurts. My fingers find his hair, stroking tenderly. “Let me love what you hate. Let me do that for you.”
He presses his cheek to mine, his whiskers a welcome rasp on my cheek. “God, woman. I can’t lose you.”
I close my eyes and whisper, “I’m not going anywhere.
”
”
Lisa Renee Jones (Being Me (Inside Out, #2))
“
When I became convinced that the Universe is natural – that all the ghosts and gods are myths, there entered into my brain, into my soul, into every drop of my blood, the sense, the feeling, the joy of freedom. The walls of my prison crumbled and fell, the dungeon was flooded with light and all the bolts, and bars, and manacles became dust. I was no longer a servant, a serf or a slave. There was for me no master in all the wide world -- not even in infinite space. I was free -- free to think, to express my thoughts -- free to live to my own ideal -- free to live for myself and those I loved -- free to use all my faculties, all my senses -- free to spread imagination's wings -- free to investigate, to guess and dream and hope -- free to judge and determine for myself -- free to reject all ignorant and cruel creeds, all the "inspired" books that savages have produced, and all the barbarous legends of the past -- free from popes and priests -- free from all the "called" and "set apart" -- free from sanctified mistakes and holy lies -- free from the fear of eternal pain -- free from the winged monsters of the night -- free from devils, ghosts and gods. For the first time I was free. There were no prohibited places in all the realms of thought -- no air, no space, where fancy could not spread her painted wings -- no chains for my limbs -- no lashes for my back -- no fires for my flesh -- no master's frown or threat – no following another's steps -- no need to bow, or cringe, or crawl, or utter lying words. I was free. I stood erect and fearlessly, joyously, faced all worlds.
And then my heart was filled with gratitude, with thankfulness, and went out in love to all the heroes, the thinkers who gave their lives for the liberty of hand and brain -- for the freedom of labor and thought -- to those who fell on the fierce fields of war, to those who died in dungeons bound with chains -- to those who proudly mounted scaffold's stairs -- to those whose bones were crushed, whose flesh was scarred and torn -- to those by fire consumed -- to all the wise, the good, the brave of every land, whose thoughts and deeds have given freedom to the sons of men. And then I vowed to grasp the torch that they had held, and hold it high, that light might conquer darkness still.
”
”
Robert G. Ingersoll
“
You might make people uncomfortable,
even those you love them most and it will hurt.
The masses will likely misunderstand you and as a result they will judge you and even lash out at you and you may have to walk alone sometimes.
Your joy, your freedom and your magic will infuriate those who feel trapped in a life they secretly hate.
When your truth threatens someones belief system, they will come at you like a storm and you will have to stand and let them roar all around you.
If you're creating change, the people benefiting from the current system will likely try to stop you. Be brave. Stand. Hold space for change.
Keep writing. Keep dancing. Keep singing. Keep shining your light on the world.
We need your beauty and your truth.
We need you- the real you!
”
”
Brooke Hampton
“
Have you ever been kissed, love?” Pandora’s stomach suddenly went very light, as if she were falling. She stared up at him mutely. Her entire vocabulary had collapsed. Her head was nothing but a box of loose moveable type. Gabriel smiled slightly at her dumbstruck silence. “I’ll assume that means no.” His lashes lowered as his gaze fell to her mouth. “Take a breath, or you might faint from lack of oxygen and miss the whole thing.” Pandora obeyed jerkily. Fact #15 she would write in her book later. Today I found out why chaperones were invented.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
I closed my eyes and I thought of the lash of her skirt snapping around her as she danced one evening in a bar on the South Side to a jukebox that was playing “Barefootin’,” of the downy slope of her neck and the declivity in her nightgown as she bent to wash her face in the bathroom sink, of a tuna salad sandwich she’d handed me one windy afternoon as we sat at a picnic table in Lucia, California, and looked out for the passage of whales, and I felt that I loved Emily insofar as I loved those things – beyond reason, and with a longing that made me want to hang my head – but it was a love that felt an awful lot like nostalgia.
”
”
Michael Chabon (Wonder Boys)
“
Bright flashes of memory sparked through Kaz’s mind. A cup of hot chocolate in his mittened hands, Jordie warning him to let it cool before he took a sip. Ink drying on the page as he’d signed the deed to the Crow Club. The first time he’d seen Inej at the Menagerie, in purple silk, her eyes lined with kohl. The bone-handled knife he’d given her. The sobs that had come from behind the door of her room at the Slat the night she’d made her first kill. The sobs he’d ignored. Kaz remembered her perched on the sill of his attic window, sometime during that first year after he’d brought her into the Dregs. She’d been feeding the crows that congregated on the roof.
“You shouldn’t make friends with crows,” he’d told her.
“Why not?” she asked.
He’d looked up from his desk to answer, but whatever he’d been about to say had vanished on his tongue.
The sun was out for once, and Inej had turned her face to it. Her eyes were shut, her oil-black lashes fanned over her cheeks. The harbor wind had lifted her dark hair, and for a moment Kaz was a boy again, sure that there was magic in this world.
“Why not?” she’d repeated, eyes still closed.
He said the first thing that popped into his head. “They don’t have any manners.”
“Neither do you, Kaz.” She’d laughed, and if he could have bottled the sound and gotten drunk on it every night, he would have. It terrified him.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
How long have you been standing here?"
"Only a moment." I fluttered my lashes. I am as innocent as a baby bird, I tried to say with my eyes.
"Really." He spoke it as a statement, and frowned. "You know, eavesdropping is most unladylike."
My jaw dropped. "Eavesdropping? I was doing no such thing."
"No?"
"Certainly not, Mr. Wilcox. And false accusations are most un...most un-manly-like." The retort was a stuttered failure, but I puffed out my chest anyway. "What were you doing outside?"
"Getting fresh air."
My eyebrows shot up as if to say "Really?" He squinted at me, and I glowered back.
”
”
Susan Dennard (Something Strange and Deadly (Something Strange and Deadly, #1))
“
For half an hour, the machine that regulates my feeding tube has been beeping out into the void. I cannot imagine anything so inane or nerve-racking as this piercing beep beep beep pecking away at my brain. As a bonus, my sweat has unglued the tape that keeps my right eyelid closed, and the stuck-together lashes are tickling my pupil unbearably. And to crown it all, the end of my urinary catheter has become detached and I am drenched. Awaiting rescue, I hum an old song by Henri Salvador: "Don't you fret baby, it'll be all right.
”
”
Jean-Dominique Bauby (The Diving Bell and the Butterfly: A Memoir of Life in Death)
“
In fact, you couldn't even be sure that everything you had assumed to be an expression of your black, unfettered self-- the humor, the song, the behind-the-back pass-- had been freely chosen by you. At best, these things were a refuge; at worst, a trap. Following this maddening logic, the only thing you could choose as your own was withdrawal into a smaller and smaller coil of rage, until being black meant only the knowledge of your own powerlessness, of your own defeat. And the final irony: Should you refuse this defeat and lash out at your captors, they would have a name for that, too, a name that could cage you just as good. Paranoid. Militant. Violent. Nigger.
”
”
Barack Obama (Dreams from My Father: A Story of Race and Inheritance)
“
No," Foyle roared. "Let them hear this. Let them hear everything."
"You're insane, man. You've handed a loaded gun to children."
"Stop treating them like children and they'll stop behaving like children. Who the hell are you to play monitor?"
"What are you talking about?"
"Stop treating them like children. Explain the loaded gun to them. Bring it all out into the open." Foyle laughed savagely. "I've ended the last star-chamber conference in the world. I've blown that last secret wide open. No more secrets from now on.... No more telling the children what's best for them to know.... Let 'em all grow up. It's about time."
"Christ, he is insane."
"Am I? I've handed life and death back to the people who do the living and the dying. The common man's been whipped and led long enough by driven men like us.... Compulsive men... Tiger men who can't help lashing the world before them. We're all tigers, the three of us, but who the hell are we to make decisions for the world just because we're compulsive? Let the world make its own choice between life and death. Why should we be saddled with the responsibility?"
"We're not saddled," Y'ang-Yeovil said quietly. "We're driven. We're forced to seize responsibility that the average man shirks."
"Then let him stop shirking it. Let him stop tossing his duty and guilt onto the shoulders of the first freak who comes along grabbing at it. Are we to be scapegoats for the world forever?"
"Damn you!" Dagenham raged. "Don't you realize that you can't trust people? They don't know enough for their own good."
"Then let them learn or die. We're all in this together. Let's live together or die together."
"D'you want to die in their ignorance? You've got to figure out how to get those slugs back without blowing everything wide open."
"No. I believe in them. I was one of them before I turned tiger. They can all turn uncommon if they're kicked awake like I was.
”
”
Alfred Bester (The Stars My Destination)
“
...often referred to herself as a bitch. It was a way of insulting herself and asserting herself simultaneously. She acted like a bitch when she was threatened. It was the only effective self-defense she had learned. The more frightened ... felt, the harder she lashed out. It was her offense and her defense. ...the bitch was also ... the poet. She was a very sensitively constructed sending and receiving mechanism, extremely vulnerable and extremely wary.
”
”
Ruth Harris (Decades (20th Century, #1))
“
Jacin’s fingers curled around his knife. It was torture. Jacin looked more afraid than when he’s stood on trial. More afraid than when his torso had been stripped raw from the lashings. This was the last time she would ever see him. This was her last moment. Her last breath. Suddenly, all of the politics and all of the games stopped mattering. Suddenly, she felt daring.
“Jacin,” she said, with a shaky smile. “You must know. I cannot remember a time when I didn’t love you. I don’t think such a time ever existed.”
His eyes filled with a thousand emotions. But before he could say whatever he would say, before he could kill her, Winter grabbed the front of his shirt with both hands and kissed him. He thawed much quicker than shed expected. Almost instantly, like he’d been waiting for this moment, he grabbed her hips and pulled her against him with a possessiveness that overwhelmed her. His lips were desperate and starved as he leaned into the kiss, pressing her against the rail. She gasped, and he deepened the kiss, threading one hand into the hair at the nape of her neck. Her head swam, muddles with heat and a lifetime of desire.
Jacin’s other hand abandoned her hip. She heard the ring of steel as the knife was pulled from its scabbard. Winter shuddered and kissed him harder, filling it with every fantasy she’d ever had. Jacin’s hand slipped out of her hair. His arm encircled her. He held her against him like he couldn’t get close enough. Like he meant to absorb her body into his.
Releasing his shirt, Winter found his neck, his jaw. She felt the tips of his hair on her thumbs. He made a noise and she couldn’t tell if it was desire or pain or regret or a mix of everything. His arm tensed against her back. His weight shifted as he raised the knife.
”
”
Marissa Meyer (Winter (The Lunar Chronicles, #4))
“
Ivar grabbed hold of my shoulders, swung me into a strung-up fishing net, and then smashed me into a set of shelves. Clutter rained down on me, and I fought my way to the surface, clawing free of the net. Ivar's fingers curled around my shirt and lifted me until I was eye level with her.
"I'm going to enjoy killing you," she sneered. "And when you come back, I'll enjoy killing you again. If the Enshi doesn't eat your soul, I'll gladly eat your heart."
Instead of replying, I stabbed her in the gut with a Khopesh. Her eyes bulged and she dropped me. I pulled the flaming sword out and slashed, but she caught my wrist before my blade could catch her skin, and she hissed, pulling her lips back viciously.
"Wrong move." Her flesh healed shut with only an ugly marbled scar left behind. She lashed her black power at me, striking me across the chest like a whip, and I staggered back. I shook off the blow and saw her lunge for me through the smoky remains of her attack. My own power detonated in a deafening explosion of white and collided with her. It blew her through the cabin, and she crashed through the wall and flew back out on the other side of the deck in a storm of fiberglass and steel.
”
”
Courtney Allison Moulton (Angelfire (Angelfire, #1))
“
Caution is often a virtue, but in your case you carry it too far. It’s a little flaw in your character and it shows in a multitude of ways. In your wary approach to problems in your work, for instance—you are always too apprehensive, proceeding fearfully step by step when you should be plunging boldly ahead. You keep seeing dangers when there aren’t any—you’ve got to learn to take a chance, to lash out a bit. As it is, you are confined to a narrow range of activity by your own doubts.
”
”
James Herriot (All Creatures Great and Small (All Creatures Great and Small, #1))
“
Hang the boy, can't I never learn anything? Ain't he played tricks on me enough like that for me to be looking out for him by this time? But old fools is the biggest fools there is. Can;t learn an old dog new tricks, as the saying is. But my goodness, he never plays them alike, two days, and how is a body to know what's coming? He 'pears to know just how long he can torment me before I get my dander up and he knows if he can make out to put me off for a minute or make me laugh, it's all down again and I can't hit him a lick. I ain't doing my duty by that boy, and that's the Lord's truth, goodness knows. Spare the rod and spile the child, as the Good Book says. I'm a-laying up sin and suffering for the both of us, I know. He's full of the Old Scratch, but laws-a-me! he's my own dead sister's boy, poor thing, and I ain't got the heart to lash him, somehow. Every time I let him off, my conscience does hurt me so, and every time I hit him my old heart almost breaks. Well-a-well, man that is born of woman is of few days and full of trouble, as the Scripture says, and I reckon it's so. He'll play hooky this evening, and I'll just be obleeged to make him work tomorrow, to punish him. It's mighty hard to make him work Saturdays, when all the boys is having holiday, but he hates work more than he hates anything else, and I've got to do some of my duty by him, or I'll be the ruination of the child.
”
”
Mark Twain (The Adventures of Tom Sawyer)
“
I have never battled a gargoyle before.” Zacharel shook his head, a dark lock of hair tumbling into one emerald eye. Damp from the melting snow, the hair stuck to his skin. He didn’t seem to notice. “But I am certain these will murder Paris before willingly carrying him inside.”
As if he were the only intelligent life form left in existence, William splayed his arms. “And the problem with that? He’ll still be inside, exactly where he wants to be. And by the way,” he added, blinking at Paris with lashes so long they should have belonged to a girl. “Your new permanent eyeliner is very pretty. You’ll make a good-looking corpse.”
Do not react. He did, and the teasing about his ash/ambrosia tattoos would never end. “Thanks.”
“I prefer the lip liner, though. A nice little feminine touch that really makes your eyes pop.”
“Again, thanks,” he gritted.
He wants us!
Stupid demon.
William grinned. “Maybe we can make out later. I know you want me.”
Tell him yes!
Not another word out of you, or—
“Paris? Warrior?” Zacharel said. “Are you
listening to me?”
“No.”
Zach nodded, apparently not the least offended. “I enjoy your honesty, though I believe you suffer from what the humans call ADD.”
“Oh, yeah. I definitely have attention deficient demon.
”
”
Gena Showalter (The Darkest Seduction (Lords of the Underworld, #9))
“
The place is deserted except for my classmate Asterid March, who’s arranging tiny bottles on a shelf behind the counter. A long blond braid falls down her back, but the damp heat has brought out tendrils of hair that frame her perfect face. Asterid’s the town beauty and rich by District 12 standards. I used to hold that against her, but she showed up one night in the Seam, alone, to treat a neighbor woman who’d been whipped for back-talking a Peacekeeper. She brought some ointment she’d concocted herself, then slipped away, never mentioning payment. Since then, she’s who people turn to for help when a loved one goes under the lash. I guess Asterid has more substance than her pack of snooty town friends suggests. Besides, Burdock’s nuts about her, so I try to be nice even though he’s got about as much chance with her as a mockingjay with a swan. Town girls don’t marry Seam boys, not unless something really goes haywire.
”
”
Suzanne Collins (Sunrise on the Reaping (The Hunger Games))
“
The wounds the women held so close that they had to clamp their mouths shut for fear of it slipping out. I saw the hurt and the anger seeping from their pores, making them lash out of the women around them. Jealous of their daughters. Jealous of the wind that could move over the cliffs without a care in the world... A heart with walls so tall that it slowly suffocates, choking on its own secrets. But here, in this room, my mother and my sisters gathered around me, I understand there's so much more to us... a world hidden in the tiny gestures that I could never see before. They were there all along
”
”
Kim Liggett (The Grace Year)
“
After the boy at the supermarket had called her those names, Evelyn Couch had felt violated. Raped by words. Stripped of everything. She had always tried to keep this from happening to her, always been terrified of displeasing men, terrified of the names she would be called if she did. She had spent her life tiptoeing around them like something lifting her skirt stepping through a cow pasture. She had always suspected that if provoked, those names were always close to the surface, ready to lash out and destroy her.
”
”
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
“
Which on am I?" I drew my left eyebrow in a high, puzzled arch.
"Which what?" Crack reached for her makeup kit. "Bottom or fool?" She pulled out a tiny mirror and put another layer of mascara on her giant fake lashes. She used a special oversized mascara brush for her oversized lashes, carried in a big tube.
"No. Trixie, Twinkie, or Bubbles?" I asked. "Who, in the show?"
She shrugged. "What ever you want, Sugar. Makes no diff to me. A name's just another kind of package. Marketing. Starts the day you're born" p.136
”
”
Monica Drake (Clown Girl)
“
You are in difficulty,” she observed. “He will not come,” Kraznys said. “There is a reason. A dragon is no slave.” And Dany swept the lash down as hard as she could across the slaver’s face. Kraznys screamed and staggered back, the blood running red down his cheeks into his perfumed beard. The harpy’s fingers had torn his features half to pieces with one slash, but she did not pause to contemplate the ruin. “Drogon,” she sang out loudly, sweetly, all her fear forgotten. “Dracarys.” The black dragon spread his wings and roared.
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
Bouncing hurt. Our ego is the part of us that cares about our status and what people think, about always being better than and always being right. I think of my ego as my inner hustler. It’s always telling me to compare, prove, please, perfect, outperform, and compete. Our inner hustlers have very little tolerance for discomfort or self-reflection. The ego doesn’t own stories or want to write new endings; it denies emotion and hates curiosity. Instead, the ego uses stories as armor and alibis. The ego has a shame-based fear of being ordinary (which is how I define narcissism). The ego says, “Feelings are for losers and weaklings.” Avoiding truth and vulnerability are critical parts of the hustle. Like all good hustlers, our egos employ crews of ruffians in case we don’t comply with their demands. Anger, blame, and avoidance are the ego’s bouncers. When we get too close to recognizing an experience as an emotional one, these three spring into action. It’s much easier to say, “I don’t give a damn,” than it is to say, “I’m hurt.” The ego likes blaming, finding fault, making excuses, inflicting payback, and lashing out, all of which are ultimate forms of self-protection. The ego is also a fan of avoidance—assuring the offender that we’re fine, pretending that it doesn’t matter, that we’re impervious. We adopt a pose of indifference or stoicism, or we deflect with humor and cynicism. Whatever. Who cares?
”
”
Brené Brown (Rising Strong: The Reckoning. The Rumble. The Revolution.)
“
Mine was something along the lines of 'This is who I am, and this is the level at which I'm going to present myself, I feel fine, and if you don't like it then you're more than welcome to look away, thank you very much.' I decided, quite simply, not to care very much at all. As long as my rear-end and stomach were hidden from the public gaze, then I considered any outfit a roaring success.
People are either going to like the look of me, or they're not. And apart from remaining vaguely clean and healthy, there's not very much I can do to control that. Is an eye-lash tint, a facial and the right handbag really going to make all that much difference?
With this decision, I think I've spared myself a lot of misery. You may look at me and see a slightly frayed, wool-clad woman with an inexplicably hefty rucksack, but I look in the mirror and simply give thanks for all I've opted out of.
”
”
Miranda Hart (Is It Just Me?)
“
I stared at him, baffled. But at that moment Gideon began to play, and I entirely forgot what I had been going to ask the count. Oh, my god! Maybe it was the punch—but wow! That violin was really sexy! Even the way Gideon raised it and tucked it under his chin! He didn’t have to do more than that to carry me away with him. His long lashes cast shadows on his cheeks, and a lock of hair fell over his face as he began passing the bow over the strings. The first notes filling the room almost took my breath away, they made such tender, melting music, and suddenly I was close to tears. Until now, violins had been way down on my list of favorite instruments, and I really liked them only for accompanying certain moments in films. But this was just incredibly wonderful—well, all of it was: the bittersweet melody and boy enticing it out of the instrument. All the people in the room listened with bated breath, and Gideon played on, immersed in the music as if there were no one else there.
I didn’t notice that I was crying until the count touched my cheek and caught a tear gently with his finger. Then I jumped in alarm.
He was smiling down at me, and I saw a warm glow in his dark brown eyes. “Nothing to be ashamed of,” he said quietly. “If it were otherwise, I’d have been very disappointed.
”
”
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
“
His sensitive nature was still smarting under the lashes of an undivided and squalid way of life. His soul was still disquieted and cast down by the dull phenomenon of Dublin. He had emerged from a two years' spell of revery to find himself in the midst of a new scene, every event and figure of which affected him intimately, disheartened him or allured and, whether alluring or disheartening, filled him always with unrest and bitter thoughts. All the leisure which his school life left him was passed in the company of subversive writers whose jibes and violence of speech set up a ferment in his brain before they passed out of it into his crude writings.
”
”
James Joyce (A Portrait of the Artist as a Young Man)
“
Okay, where’s the camera icon?” Setne fumbled with his phone. “We have to get a picture together before I destroy you.” “Destroy me?” demanded the cobra goddess. She lashed out at Setne, but a sudden gust of rain and wind pushed her back. I was ten feet away from Annabeth. Riptide’s blade glowed as I dragged it through the mud. “Let’s see.” Setne tapped his phone. “Sorry, this is new to me. I’m from the Nineteenth Dynasty. Ah, okay. No. Darn it. Where did the screen go? Ah! Right! So what do modern folks call this…a snappie?” He leaned in toward the cobra goddess, held out his phone at arm’s length, and took a picture. “Got it!” “WHAT IS THE MEANING OF THIS?” Wadjet roared. “YOU DARE TAKE A SELFIE WITH THE COBRA GODDESS?” “Selfie!” said the magician. “That’s right! Thanks. And now I’ll take your crown and consume your essence. Hope you don’t mind.
”
”
Rick Riordan (The Crown of Ptolemy (Demigods & Magicians, #3))
“
My life only has a meaning insofar as I lack one: oh, but let me be mad! Make something of all this he who is able to, understand it he who is dying, and there the living self is, knowing not why, its teeth chattering in the lashing wind: the immensity, the night engulfs it and, all on purpose, that living self is there just in order … ‘not to know’. But as for GOD? What have you got to say, Monsieur Rhetorician? And you, Monsieur Godfearer? — GOD, if He knew, would be a swine. I said ‘GOD, if He knew, would be a swine.’ He (He would I suppose be, at that particular moment, somewhat in disorder, his peruke would sit all askew) would entirely grasp the idea … but what would there be of the human about him? Beyond, beyond everything … and yet farther, and even farther still … HIMSELF, in an ecstasy, above an emptiness … And now? I TREMBLE. O Thou my Lord [in my distress, I call out unto my heart], O deliver me, make them blind! The story — how shall I go on with it?
But I am done.
From out of the slumber which for so short a space kept us in the taxi, I awoke, the first to open his eyes … The rest is irony, long, weary waiting for death …
”
”
Georges Bataille (Madame Edwarda seguido de El muerto)
“
The suppression of ecstasy and condemnation of pleasure by patriarchal religion have left us in a deep, festering morass. The pleasures people seek in modern times are superficial, venal, and corrupt. This is deeply unfortunate, for it justifies the patriarchal condemnation of pleasure that rotted out our hedonistic capacities in the first place! Narcissism is rampant, having reached a truly global scale. It now appears to have entered the terminal phase known as “cocooning,” the ultimate state of isolation. Dissociation from the natural world verges on complete disembodiment, represented in Archontic ploys such as “transhumanism,” cloning, virtual reality, and the uploading of human consciousness into cyberspace. The computer looks due to replace the cross as the primary image of salvation. It is already the altar where millions worship daily. If the technocrats prevail, artificial intelligence and artificial life will soon overrule the natural order of the planet.
”
”
John Lamb Lash
“
Caution is often a virtue, but in your case you carry it too far. It's a little flaw in your character and it shows in a multitude of ways. In your wary approach to problems in your work for instance, you are always too apprehensive, proceeding fearfully step by step when you should be plunging boldly ahead. You keep seeing dangers when there aren't any, you've got to learn to take a chance, to lash out a bit. As it is, you are confined to a narrow range of activity by your own doubts.
”
”
James Herriot (All Creatures Great and Small (All Creatures Great and Small #1-2))
“
Over my opponent's shoulder, I saw Other Ash block an upward strike, then lash out with a kick that sent Puck sprawling onto his back. The reflection stepped forward, raising his sword, but Puck reached back, grabbed a handful of twigs and flung it at his assailant. They turned into a swarm of yellow jackets, buzzing around the fake prince, until a vicious burst of cold sent them plummeting to the ground, coated in frost.
"Hey!" Other Puck stabbed forward viciously, making me keep back to avoid him. "The fight's here, ice-boy. Don't worry about your boyfriend, worry about yourself.
”
”
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
“
As long as we share our stories, as long as our stories reveal our strengths and vulnerabilities to each other, we reinvigorte our understanding and tolerance for the little quirks of personality that in other circumstances would drive us apart. When we live in a family, a community, a country where we know each other's true stories, we remember our capacity to lean in and love each other into wholeness.
I have read the story of a tribe in southern Africa called the Babemba in which a person doing something wrong, something that destroys this delicate social net, brings all work in the village to a halt. The people gather around the "offender," and one by one they begin to recite everything he has done right in his life: every good deed, thoughtful behavior, act of social responsibility. These things have to be true about the person, and spoken honestly, but the time-honored consequence of misbehavior is to appreciate that person back into the better part of himself. The person is given the chance to remember who he is and why he is important to the life of the village.
I want to live under such a practice of compassion. When I forget my place, when I lash out with some private wounding in a public way, I want to be remembered back into alignment with my self and my purpose. I want to live with the opportunity for reconciliation. When someone around me is thoughtless or cruel, I want to be given the chance to respond with a ritual that creates the possibility of reconnection. I want to live in a neighborhood where people don't shoot first, don't sue first, where people are Storycatchers willing to discover in strangers the mirror of themselves.
”
”
Christina Baldwin (Storycatcher: The Power of Story to Change Our Lives)
“
What do you suppose it means?' he asked. ' "Do what you wish." That must mean I can do anything I feel like. Don't you think so?
All at once Grograman's face looked alarmingly grave, and his eyes glowed.
'No,' he said in his deep rumbling voice. 'It means that you must do what you really and truly want. And nothing is more difficult.' ... 'It's your own deepest secret and you don't know it.'
'How can I find out?'
'By going the way of your wishes, fro one to another, from first to last. It will take you to what you really and truly want.'
'That doesn't sound so hard,' said Bastian.
'It is the most dangerous of all journeys.'
'Why? Bastian asked. 'I'm not afraid.'
'That isn't it,' Grograman rumbled. 'It requires the greatest honesty and vigilance, because there's no other journey on which it's so easy to lose yourself forever.'
'Do you mean because our wishes aren't always good?' Bastian asked.
The lion lashed the sand he was lying on with his tail. His ears lay flat, he screwed up his nose, and his eyes flashed fire. Involuntarily Bastian ducked when Grograman's voice once again made the earth tremble: 'What do you know about wishes? How would you know what's good and what isn't?' In the days that followed Bastian thought a good deal about what the Many-Colored Death had said. There are some things, however, that we cannot fathom by thinking about them, but only by experience.
”
”
Michael Ende (The Neverending Story)
“
It's my belief that Dahmer didn't have to wind up a monster, that all those people didn't have to die horribly, if only the adults in his life hadn't been so inexplicably, unforgivably, incomprehensibly clueless and/or indifferent. Once Dahmer kills, however - and I can't stress this enough - my sympathy for him ends. He could have turned himself in after that first murder. He could have put a gun to his head. Instead he, and he alone, chose to become a serial killer and spread misery to countless people. There are a surprising number out there who view Jeffery Dahmer as some kind of anti-hero, a bullied kid who lashed back at the society that rejected him, This is nonsense. Dahmer was a twisted wretch whose depravity was almost beyond comprehension. Pity him, but don't empathize with him.
”
”
Derf Backderf (My Friend Dahmer: A Graphic Novel)
“
The Devil's Rose
You would never take a rose from a beast.
If his callous hand were to hold out a scarlet flower, his grip unaffected by pricking thorns, you would shrink from the gift and refuse it. I know that is what you would do.
But the cunning beast will have his beauty.
He hunts not in hopeless pursuit, for fear would have you sprint all the day long. Thus, he turns toward the shadows and clutches the rosebud, crunching and twisting until every delicate petal is detached. One falls not far from your feet, and you notice the red spot in the snow.
The color sparkles in the sunlight, catching your curious eye. No beast stands in sight; there is nothing to fear, so you dare retrieve the lone petal. The touch of temptation is velvet against your thumb. It carries a scent you bring to your nose, and both eyes close to float on a cloud of perfume.
As your lashes lift, another scarlet drop stains the snow at a near distance. A glance around perceives no danger, and so your footprints scar the snowflakes to retrieve another rosy leaflet as soft and sweet as the first. Your eyes shine with flecks of golden greed at the discovery of more discarded petals, and you blame the wind for scattering them mere footprints apart. All you want is a few, so you step and snatch, step and snatch, step and snatch.
Soon, there is enough velvet to rub against your cheek like a silken kerchief. Your collection of one-plus-one-more reeks of floral essence.
Distracted, you jump at the sight of the beast in your path. He stands before his lair, grinning without love. His callous hands grip at thorns on a single naked stem, and you look down at your own hands that now cup his rose. But how can it be? You would never take a rose from a beast. You would shrink from the gift and refuse it. He knows that is what you would do.
”
”
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
“
True ease in writing comes from art, not chance,
As those move easiest who have learn'd to dance.
'Tis not enough no harshness gives offence,
The sound must seem an echo to the sense.
Soft is the strain when Zephyr gently blows,
And the smooth stream in smoother numbers flows;
But when loud surges lash the sounding shore,
The hoarse, rough verse should like the torrent roar.
When Ajax strives some rock's vast weight to throw,
The line too labours, and the words move slow;
Not so, when swift Camilla scours the plain,
Flies o'er th' unbending corn, and skims along the main.
Hear how Timotheus' varied lays surprise,
And bid alternate passions fall and rise!
While, at each change, the son of Libyan Jove
Now burns with glory, and then melts with love;
Now his fierce eyes with sparkling fury glow,
Now sighs steal out, and tears begin to flow:
Persians and Greeks like turns of nature found,
And the world's victor stood subdu'd by sound!
The pow'r of music all our hearts allow,
And what Timotheus was, is Dryden now.
”
”
Alexander Pope (An Essay On Criticism)
“
My mother once told me that trauma is like Lord of the Rings. You go through this crazy, life-altering thing that almost kills you (like say having to drop the one ring into Mount Doom), and that thing by definition cannot possibly be understood by someone who hasn’t gone through it. They can sympathize sure, but they’ll never really know, and more than likely they’ll expect you to move on from the thing fairly quickly. And they can’t be blamed, people are just like that, but that’s not how it works.
Some lucky people are like Sam. They can go straight home, get married, have a whole bunch of curly headed Hobbit babies and pick up their gardening right where they left off, content to forget the whole thing and live out their days in peace. Lots of people however, are like Frodo, and they don’t come home the same person they were when they left, and everything is more horrible and more hard then it ever was before. The old wounds sting and the ghost of the weight of the one ring still weighs heavy on their minds, and they don’t fit in at home anymore, so they get on boats go sailing away to the Undying West to look for the sort of peace that can only come from within. Frodos can’t cope, and most of us are Frodos when we start out.
But if we move past the urge to hide or lash out, my mother always told me, we can become Pippin and Merry. They never ignored what had happened to them, but they were malleable and receptive to change. They became civic leaders and great storytellers; they we able to turn all that fear and anger and grief into narratives that others could delight in and learn from, and they used the skills they had learned in battle to protect their homeland. They were fortified by what had happened to them, they wore it like armor and used it to their advantage.
It is our trauma that turns us into guardians, my mother told me, it is suffering that strengthens our skin and softens our hearts, and if we learn to live with the ghosts of what had been done to us, we just may be able to save others from the same fate.
”
”
S.T. Gibson
“
It is true, I suppose, that nobody finds it exactly pleasant to be criticized or shouted at, but I see in the face of the human being raging at me a wild animal in its true colors, one more horrible than any lion, crocodile or dragon. People normally seem to be hiding this true nature, but an occasion will arise (as when an ox sedately ensconced in a grassy meadow suddenly lashes out with its tail to kill the horsefly on its flank) when anger makes them reveal in a flash human nature in all its horror. Seeing this happen has always induced in me a fear great enough to make my hair stand on end, and at the thought that this nature might be one of the prerequisites for survival as a human being, I have come close to despairing of myself.
”
”
Osamu Dazai (No Longer Human)
“
There was a man here, lashed himself to a spar as his ship went down, and for seven days and seven nights he was on the sea, and what kept him alive while others drowned was telling himself stories like a madman, so that as one ended another began. On the seventh day he had told all the stories he knew and that was when he began to tell himself as if he were a story, from the earliest beginnings to his green and deep misfortune. The story he told was of a man lost and found, not once, but many times, as he choked his way out of the waves. And the night fell, he saw the Cape Wrath light, only lit a week it was, but it was, and he knew that if he became the story of the light, he might be saved. With his last strength he began to paddle towards it, arms on either side of the spar, and in his mind the light became a shining rope, pulling him in. He took hold of it, tied it round his waist, and at that moment, the keeper saw him, and ran for the rescue boat.
”
”
Jeanette Winterson (Lighthousekeeping)
“
Mist swirled and the Spartoi closed in on the defenseless Niten. Lightning fast, one lashed out at him, catching him a blow on the thigh, and he fell to the bridge with a grunt of pain. He lay flat on his back, looked up at the lizard-like creatures and realized that he was going to die. The immortal felt just the vaguest pang of regret: He had always wanted to die in his beloved Japan and he had made Aoife promise that if he fell in some foreign country or shadowrealm, she would bring his body back to Reigando in the southwest of his country. But Aoife was gone. He would never be able to fulfill his promise to rescue her. And he would never rest in his home soil.
”
”
Michael Scott (The Enchantress (The Secrets of the Immortal Nicholas Flamel, #6))
“
It was pitiful for a person born in a wholesome free atmosphere to listen to their humble and hearty outpourings of loyalty toward their king and Church and nobility; as if they had any more occasion to love and honor king and Church and noble than a slave has to love and honor the lash, or a dog has to love and honor the stranger that kicks him! Why, dear me, ANY kind of royalty, howsoever modified, ANY kind of aristocracy, howsoever pruned, is rightly an insult; but if you are born and brought up under that sort of arrangement you probably never find it out for yourself, and don't believe it when somebody else tells you. It is enough to make a body ashamed of his race to think of the sort of froth that has always occupied its thrones without shadow of right or reason, and the seventh-rate people that have always figured as its aristocracies -- a company of monarchs and nobles who, as a rule, would have achieved only poverty and obscurity if left, like their betters, to their own exertions...
The truth was, the nation as a body was in the world for one object, and one only: to grovel before king and Church and noble; to slave for them, sweat blood for them, starve that they might be fed, work that they might play, drink misery to the dregs that they might be happy, go naked that they might wear silks and jewels, pay taxes that they might be spared from paying them, be familiar all their lives with the degrading language and postures of adulation that they might walk in pride and think themselves the gods of this world. And for all this, the thanks they got were cuffs and contempt; and so poor-spirited were they that they took even this sort of attention as an honor.
”
”
Mark Twain
“
Cinder." Kai pulled one leg onto the bank, turning his body so they were facing each other. He took her hands between his and her heart began to drum unexpectedly. Not because of his touch, and not even because of his low, serious tone, but because it occurred to Cinder all at once that Kai was nervous.
Kai was never nervous.
"I asked you once," he said, running his thumbs over her knuckles, "if you thought you would ever be willing to wear a crown again. Not as the queen of Luna, but ... as my empress. And you said that you would consider it, someday."
She swallowed a breath of cool night air. "And ... this is that day?"
His lips twitched, but didn't quite become a smile. "I love you. I want to be with you for the rest of my life. I want to marry you, and, yes, I want you to be my empress."
Cinder gaped at him for a long moment before she whispered, "That's a lot of wanting."
"You have no idea."
She lowered her lashes. "I might have some idea."
Kai released one of her hands and she looked up again to see him reaching into his pocket - the same that had held Wolf's and Scarlet's wedding rings before. His fist was closed when he pulled it out and Kai held it toward her, released a slow breath, and opened his fingers to reveal a stunning ring with a large ruby ringed in diamonds.
It didn't take long for her retina scanner to measure the ring, and within seconds it was filling her in on far more information than she needed - inane worlds like carats and clarity scrolled past her vision. But it was the ring's history that snagged her attention. It had been his mother's engagement ring once, and his grandmother's before that.
Kai took her hand and slipped the ring onto her finger. Metal clinked against metal, and the priceless gem looked as ridiculous against her cyborg plating as the simple gold band had looked on Wolf's enormous, deformed, slightly hairy hand.
Cinder pressed her lips together and swallowed, hard, before daring to meet Kai's gaze again.
"Cinder," he said, "will you marry me?"
Absurd, she thought.
The emperor of the Eastern Commonwealth was proposing to her. It was uncanny. It was hysterical.
But it was Kai, and somehow, that also made it exactly right.
"Yes," she whispered. "I will marry you."
Those simple words hung between them for a breath, and then she grinned and kissed him, amazed that her declaration didn't bring the surge of anxiety she would have expected years ago. He drew her into his arms, laughing between kisses, and she suddenly started to laugh too. She felt strangely delirious.
They had stood against all adversity to be together, and now they would forge their own path to love. She would be Kai's wife. She would be the Commonwealth's empress. And she had every intention of being blissfully happy for ever, ever after.
”
”
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
“
I’ve been queen for ages and ages,” Sunny went on. She strutted across the cave floor. “No one dares challenge me for my throne! I am the strongest SandWing queen who ever lived!” “Don’t forget the treasure,” Tsunami hissed, pointing at a pile of loose rocks. “Oh, right,” Sunny said. “It’s probably because of all my treasure! I have so much treasure because I’m such an important queen!” She swept the rocks toward her and gathered them between her talons. “Did someone say treasure?” Clay bellowed, leaping out from behind a large rock formation. Sunny yelped with fright. “No!” Tsunami called. “You’re not scared! You’re Queen Oasis, the big, bad queen of the sand dragons.” “R-right,” Sunny said. “Rargh! What is this tiny scavenger doing in the Kingdom of Sand? I am not afraid of tiny scavengers! I shall go out there and eat him in one bite!” Glory started giggling so hard she had to lie down and cover her face with her wings. Even Tsunami was making faces like she was trying not to laugh. Clay swung his stalagmite in a circle. “Squeak squeak squeak!” he shouted. “And other annoying scavenger noises! I’m here to steal treasure away from a magnificent dragon!” “Not from me, you won’t,” Sunny said, bristling. She stamped forward, spread her wings, and raised her tail threateningly. Without the poisonous barb other SandWings had, Sunny’s tail was not very menacing. But nobody pointed that out. “Yaaaaaaah!” Clay shouted, lunging forward with his rock claw. Sunny darted out of the way, and they circled each other, feinting and jabbing. This was Clay’s favorite part. When Sunny forgot about trying to act queenly and focused on the battle, she was fun to fight. Her small size made it easy for her to dodge and slip under his defenses. But in the end Queen Oasis had to lose — that was how the story went. Clay drove Sunny back against the wall of the cave and thrust the fake claw between her neck and her wing, pretending it went right through her heart. “Aaaaaaaargh,” Sunny howled. “Impossible! A queen defeated by a lowly scavenger! The kingdom will fall apart! Oh, my treasure … my lovely treasure . . .” She collapsed to the ground and let her wings flop lifelessly on either side of her. “Ha ha ha!” Clay said. “And squeak squeak! The treasure is mine!” He scooped up all the rocks and paraded away, lashing his tail proudly.
”
”
Tui T. Sutherland (The Dragonet Prophecy (Wings of Fire, #1))
“
It’s only sixteen ninety-five," I say with a flutter of my lashes.
"You’re serious."
I prop my hands on my waist and stick out a hip, striking a pose worthy of a supermodel. "Look at me. Don’t I look serious?"
She collapses into the chair outside the dressing room in a fit of giggles so cute they make my insides fizz. "No! You must be stopped," she says.
"Why?" I strut down an aisle of yellowed lingerie, swiveling my hips, batting bras with flicks of my fingers. "I will be the king of the disco. I will be—" I spin and strike another pose. "An inspiration."
She sniffs and swipes at her eyes. "The real Dylan would die before he’d be seen in public in something like that."
"The real Dylan is boring." I brace my hands on the arms of her chair and lean down until our faces are a whisper apart. "And he’s not one fourth the kisser I am."
"Is that right?" Her lips quirk.
"You know it is."
Her smile melts, and her breath comes faster. "Yeah. I do.
”
”
Stacey Jay (Romeo Redeemed (Juliet Immortal, #2))
“
You will go there again. You will. I’m not about to pretend otherwise. It’s all or nothing, Chris. All the dark, hated places you go, you go with me. You have to trust me enough to love that part of you as much as I do the rest.” “You don’t know what you’re asking.” “It’s not a question. It’s not even close to a request. This is how it has to be.” His lashes lower; his struggle is palpable, and I soften instantly, hurting as he hurts. My fingers find his hair, stroking tenderly. “Let me love what you hate. Let me do that for you.” He presses his cheek to mine, his whiskers a welcome rasp on my cheek. “God, woman. I can’t lose you.” I close my eyes and whisper, “I’m not going anywhere.
”
”
Lisa Renee Jones (Being Me (Inside Out, #2))
“
Nick laughed and gave in to the urge to brush Perry’s fair hair out of his eyes ‑‑ his fingertips sensitive to the silky texture of eyebrows and hair, warm skin, eyelashes.
Perry’s lashes fluttered down, concealing his eyes.
“Hey,” Nick said huskily.
Perry gave him an uncertain look.
It was a mistake, of course. A huge mistake. But suddenly, urgently Nick wanted to taste Perry’s mouth, so he bent his head. Perry’s eyes widened, then their faces bumped, and his mouth found Perry’s.
It was a gentle kiss, because Nick was thinking what a stupid thing this was to do, and that Perry, being inexperienced, would probably expect songbirds and firecrackers.
Perry tasted like hot chocolate and something warm and young and male. It was unexpectedly erotic. He responded sweetly, opening right up, and Nick’s heart turned over in his chest.
”
”
Josh Lanyon (The Ghost Wore Yellow Socks (The Ghost Wore Yellow Socks, #1))
“
in 1851, an aged black woman, who had been born a slave in New York, tall, thin, wearing a gray dress and white turban, listened to some male ministers who had been dominating the discussion. This was Sojourner Truth. She rose to her feet and joined the indignation of her race to the indignation of her sex: That man over there says that woman needs to be helped into carriages and lifted over ditches. . . . Nobody ever helps me into carriages, or over mud-puddles or gives me any best place. And a’nt I a woman? Look at my arm! I have ploughed, and planted, and gathered into barns, and no man could head me! And a’nt I a woman? I would work as much and eat as much as a man, when I could get it, and bear the lash as well. And a’nt I a woman? I have borne thirteen children and seen em most all sold off to slavery, and when I cried out with my mother’s grief, none but Jesus heard me! And a’nt I a woman? Thus were women beginning to resist, in the 1830s and 1840s and 1850s, the attempt to keep them in their “woman’s sphere.” They were taking part in all sorts of movements, for prisoners, for the insane, for black slaves, and also for all women.
”
”
Howard Zinn (A People's History of the United States: 1492 to Present)
“
Then there was the smell of heather crushed and the roughness of the bent stalks under her head and the sun bright on her closed eyes and all his life he would remember the curve of her throat with her head pushed back into the heather roots and her lips that moved smally and by themselves and the fluttering of the lashes on the eyes tight closed against the sun and against everything, and for her everything was red, orange gold-red from the sun on the closed eyes, and it all was that color, all of it, the filling, the possessing, the having, all of that color, all in a blindness of that color. For him it was a dark passage which led to nowhere, then to nowhere, then again to nowhere, once again to nowhere, always and forever to nowhere, heavy on the elbows in the earth to nowhere, dark, never any end to nowhere, hung on all time always to unknowing nowhere, this time and again for always to nowhere, now not to be borne once again always and to nowhere, now beyond all bearing up, up, up and into nowhere, suddenly, scaldingly, holdingly all nowhere gone and time absolutely still and they were both there, time having stopped and he felt the earth move out and away from under them.
”
”
Ernest Hemingway (For Whom the Bell Tolls)
“
Then what’s wrong?”
He couldn’t be that obtuse. “You’re kidding, right?”
“Ah, yeah, gotcha. Modesty issue, huh?” He drove in a deceptively relaxed way. “Look, yours isn’t the first tail I’ve ever seen, okay?”
Fury stole Priss’s breath. She reacted without thinking, slugging his hard in the shoulder.
“Ow!” He grabbed her wrist and tossed her hand back at her. “I was trying to comfort you, woman.”
“Comfort!” He couldn’t be serious. No man could be that dense. “You’re a . . . a Neanderthal!”
“Am not.”
Flattened by his careless attitude, Priss stared at him in disbelief. He was a gorgeous guy, but still a jerk. Shaggy blond hair, darker and more unkempt than Trace’s, piercing green eyes, a strong jaw and . . . she peeked at his naked chest . . . Built.
Her chin lifted. “Where in the world did they even find you?” It had to be under a rock. Or deep in a cave.
He glared at her. “They who?”
“Trace and Dare.”
Giving her a cautious frown, Jackson rubbed at one bloodshot, swollen eye. “That’s top secret.”
That’s top secret, she mouthed, making fun of him, lashing out in her embarrassment.
He went rigid with affront. “Goddamn it, woman, you blinded me, nutted me, and damn near clubbed me to death. Now you have to ridicule me, too?”
He dared to complain to her? “You snuck into my bathroom. You saw me naked!”
“Yeah.” His mouth twitched. He nodded just a little. “Yeah, I did.” As he turned on his headlights and pulled onto the street, he said in an aside, “Sorry ’bout that.”
He did not sound sorry, not in the least.
“Didn’t mean to stare.”
He’d been staring? She should kill him. She really shoulder. But . . . she might need him for protection. And Trace probably wouldn’t like it if she offed one of his operatives.
“Naked woman and all.” Jackson gestured lamely. “It’s instinct, ya know? Guy’s gotta look.
”
”
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
“
I let go of him and remain standing. I promised myself I would do this, if I ever had the chance again.. I promised I would do this the first moment I could.
'I love you,' I say, the words coming out in an unintelligible rush.
Cardan looks taken aback. Or possibly I spoke so fast he's not even sure what I said. 'You need not say it out of pity,' he says finally, with great deliberateness. 'Or because I was under a curse. I have asked you to lie to me in the past, in this very room, but I would beg you not to lie now.'
My cheeks heat at the memory of those lies.
'I have not made myself easy to love,' he says, and I hear the echo of his mother's words in his.
When I imagined telling him, I thought I would say the words, and it would be like pulling off a bandage- painful and swift. But I didn't think he would doubt me. 'I first started liking you when we went to talk to the rulers of the low Courts,' I say. 'You were funny, which was weird. And when we went to Hollow Hall, you were clever. I kept remembering how you'd been the one to get us out of the brugh after Dain's coronation, right before I put the knife to your throat.'
He doesn't try to interrupt, so I have to choice but to barrel on.
'After I tricked you into being High King,' I say. 'I thought once you hated me, I could go back to hating you. But I didn't. And I felt so stupid. I thought I would get my heart broken. I thought it was a weakness that you would use against me. But then you saved me from the Undersea when it would have been much more convenient to just leave me to rot. After that, I started to hope my feelings were returned. But then there was the exile-' I take a ragged breath. 'I hid a lot, I guess. I thought if I didn't, if I let myself love you, I would burn up like a match. Like the whole matchbook.'
'But now you've explained it,' he says. 'And you do love me.'
'I love you,' I confirm.
'Because I am clever and funny,' he says, smiling. 'You didn't mention my handsomeness.'
'Or your deliciousness,' I say. 'Although those are both good qualities.'
He pulls me to him, so that we're both lying on the couch. I look down at the blackness of his eyes and the softness of his mouth. I wipe a fleck of dried blood from the top of one pointed ear. 'What was it like?' I ask. 'Being a serpent.'
He hesitates. 'It was like being trapped in the dark,' he says. 'I was alone, and my instinct was to lash out. I was perhaps not entirely an animal, but neither was I myself. I could not reason. There was only feelings- hatred and terror and the desire to destroy.'
I start to speak, but he stops me with a gesture. 'And you.' He looks at me, his lips curving in something that's not quite a smile; it's more and less than that. 'I knew little else, but I always knew you.'
And when he kisses me, I feel as though I can finally breathe again.
”
”
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
“
I saw how he looked at you,” he said. “I like how he looks at me!” I practically shouted. He shook his head, that bitter smile still playing on his lips. I wanted to smack it right off his face. “Just admit it,” he sneered. “He owns you.” “He owns you, too, Mal,” I lashed back. “He owns us all.” That wiped away his smile. “No he doesn’t,” Mal said fiercely. “Not me. Not ever.” “Oh really? Don’t you have someplace to be, Mal? Don’t you have orders to follow?” Mal stood up straight, his face cold. “Yes,” he said. “Yes, I do.” He turned sharply and walked out the door. For a moment, I stood there, quivering with anger, and then I ran to the doorway. I got all the way down the steps before I stopped myself. The tears that had been threatening to overflow finally did, coursing down my cheeks. I wanted to run after him, to take back what I’d said, to beg him to stay, but I’d spent my life running after Mal. Instead, I stood in silence and let him go.
”
”
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
“
For those who have walked through the fires of hell and rather than fall to its flames, have emerged battered, but victorious. In the immortal words of Ovid: Quin ninc quoque frigidus artus, dum loquor, horror habet, parsque est meminisse doloris- Even now while I tell it, cold horror envelops me and my pains return the minute I think of it. We can never escape the pain of our pasts, or the flashbacks that assault us when we dare to let our thoughts drift unattended, but we can choose to not let it ruin the future we, alone, can build for ourselves.
And for those who are currently trapped in a bad situation. May you find the resolute strength it takes to free yourself, and to finally see the beauty that lives inside you. You are resplendent, and you deserve respect and love. Don't let the minions of hatred or cruelty define you, or steal away your own humanity. When our compassion and ability to love and appreciate others go, then our bullies and oppressors have truly won, for it is not they who are harmed, but rather we who lose our souls and hearts to the same miserable bitterness that causes them to lash out against us. The cycle can be broken- it must be broken, even though the path is never easy or without cost. Yet victory is made sweeter when you know it came from within you, without violent retribution. The best revenge is to leave them mired in their hateful misery while you learn to bask in the warmth of self-esteem and happiness. Never forget that broken wings can and do heal in time, and that those scarred wings can carry the eagle to the top of the highest mountain.
”
”
Sherrilyn Kenyon (Born of Silence (The League: Nemesis Rising, #5))
“
Have I ever told you how beautiful you are?”
“You might’ve mentioned it once or twice before,”
“That’s right. I did mention it before. I remember telling you how amazing you are. I think we were in front of a mirror.”
“Does that sound familiar?”
“Um, yeah. That seems vaguely familiar.”
“Vaguely? Maybe I didn’t pound it into you hard enough.”
“Oh, I think you pounded it in plenty hard.”
“Maybe I should’ve taken the time to give you a good tongue-lashing, too, then.”
“Oh, I think the form of communication you used was very effective.”
“So it’s all coming back to you now?”
“Yes, it’s all coming back to me.”
“If you’re lying, I could sweat it out of you, you know.”
“I’m not lying. It’s etched into my memory. Permanently.”
“Maybe we should revisit it, just so you’re clear on everything we discussed. I want to make sure it’s in there. Nice and deep. So you never forget it.”
“I doubt there’s anything you could do to get it in there any deeper.”
“Oh, I can think of one or two things. The only way we’ll know for sure, though, is to try. And I don’t know about you, but I’m committed to this. Invested. And I’m nothing if not thorough.
”
”
M. Leighton (Up to Me (The Bad Boys, #2))
“
She looked around the room, glanced over him and Micah waited.
Her Gaze passed him, then again. On the third pass she lingered as she continued to watch her, allowing his gaze to memorize those features just before her eyes met his.
A jolt od power flashed through him. Her ligth blue eyes flickered with interest, fear, then interest again, as though she wasn't certain which she should feel.
He let his gaze continue to hers, let his mind reach out to her, soothe her, ease her. He used his eyes rather than his expression to calm the fear that he knew he would be rising within her.
Micah knew the power of a look. When two people touched from across a distance, that touch could be frightening, wary, or a stroke of gentleness. He stroked her gently. He never let his eyes dip below her chin; rather, he let himself take in every nuance of expression, every shift of each facial motion, the flicker of her lashes, the shadows in her eyes, the tension in her small body.
She was like a little bird ready to fly. Poised at the edge of her seat.her body stiff and prepared to run.
Easy, little bird, he thought, letting his thoughts touch his gaze. There is no pain here; there is no fear.
”
”
Lora Leigh (Maverick (Elite Ops, #2))
“
One day, I wish to find a man like in my
books. He has to be just like in one of my books.
And he has to love me, love me more than anything
in the world. Most important of all, he has
to think I’m beautiful.”
“Lily, I need to tell you something.” Fazire
was going to tell her about Becky’s wish and his
mistake and let her look forward to something, let
her look forward to the incomparable beauty she
was going to be.
Most of all, he had to stop her wish now. He
didn’t want her wasting it on some fool idea. He
wanted it to be special, perfect, to make her world
better like she had made Becky and Will’s and,
indeed, his.
But again she didn’t hear him. Her eyes were
bright and they were steady on his.
“He has to be tall, very tall and dark and
broad-shouldered and narrow-hipped.”
Fazire stared. He didn’t even know what
“narrow-hipped” meant.
“And he has to be handsome, unbelievably
handsome, impossibly handsome with a strong,
square jaw and powerful cheekbones and tanned
skin and beautiful eyes with lush, thick lashes.
He has to be clever and very wealthy but hardworking.
He has to be virile, fierce, ruthless and
rugged.”
Now she was getting over his head. He didn’t
think there was such a thing as impossibly handsome.
How cheekbones could be powerful,
Fazire didn’t know. He was even thinking he
might have to look up “virile” in the dictionary
Sarah had given him.
“And he has to be hard and cold and maybe a
little bit forbidding, a little bit bad with a broken
heart I have to mend or one encased in ice I have
to melt or better yet… both!”
Fazire thought this was getting a bit ridiculous.
It was the most complicated wish he’d ever
heard.
But she wasn’t yet finished.
“We have to go through some trials and tribulations.
Something to test our love, make it strong
and worthy. And… and… he has to be daring and
very masculine. Powerful. People must respect
him, maybe even fear him. Graceful too and lithe,
like a… like a cat! Or a lion. Or something like
that.”
She was losing steam and Fazire had to admit
he was grateful for it.
“And he has to be a good lover.” Lily shocked
Fazire by saying. “The best, so good, he could almost
make love to me just by using his eyes.”
Fazire felt himself blush. Perhaps he should
have a look at these books she was reading and
show them to Becky. Lily was a very sharp girl,
sharp as a tack (another one of Sarah’s sayings,
although Fazire couldn’t imagine a tack ever being
as clever as Lily) but she was too young to
be reading about any man making love to her
with his eyes. Fazire had never made love, never
would, genies just didn’t. But he was pretty certain
fourteen year old girls shouldn’t be thinking
about it.
Though, he was wrong about that, or at least
Becky would tell him that later.
Then Fazire realised she’d stopped talking.
“Is that it?” he asked.
She thought for a bit, clearly not wanting to
leave anything out.
Then she nodded.
”
”
Kristen Ashley (Three Wishes)
“
The world, he now perceived, was in fact a great, flat wheel with a myriad spokes of water, trees and grass, for ever turning and turning beneath the sun and moon. At each spoke was an animal-all the animals and birds he had ever known-horses, dogs, chaffinches, mice, hedgehogs,rabbits, cows, sheep, rooks and many more which he did not recognize-a huge, striped cat, and a monstrous fish spurting water in a fountain to the sky. At the centre, on the axle itself, stood a man, who ceaselessly lashed and lashed the creatures with a whip to make them drive the wheel round. Some shrieked aloud as they bled and struggled, others silently toppled and were trodden down beneath their comrades' stumbling feet. And yet, as he himself could see, the man had misconceived his task, for in fact the wheel turned of itself and all he needed to do was to keep it balanced upon its delicate axle by adjusting, as might be necessary, the numbers of animals upon this side and that. The great fish poured blood as the man pierced it with a flying spear which exploded within its body. The striped cat melted, diminishing slowly to the size of a mouse; and a great, grey beast with a long trunk cried piteously as the man tore its white tusks out of its face. Still on towards the wheel he circled, and between him and the wheel Mr. Ephraim called him silently to fellowship with the dead.
”
”
Richard Adams
“
With a sudden flash of anger, she blurted, "Lash wasn't impotent, all right? He wasn't ... impotent-"
The temperature in the room plummeted so fast and so far, her breath came out in clouds.
And what she saw in the mirror made her swing around and take a step back from John: His blue eyes glowed with an unholy light and his upper lip curled up to reveal fangs that were sharp and so long they looked like daggers.
Objects all around the room began to vibrate: the lamps on the bed stands, the clothes on their hangers, the mirror on the wall. The collective rattling crescendoed to a dull roar and she had to steady herself on the bureau or run the risk of being knocked on her ass.
The air was alive. Supercharged. Electric.
Dangerous.
And John was the center of the raging energy, his hands cranking into fists so tight his forearms trembled, his thighs grabbing onto his bones as he sank down into fighting stance.
John's mouth stretched wide as his head shot forward on his spine... and he let out a war cry-
Sound exploded all around her, so loud she had to cover her ears, so powerful she felt the blast against her face.
For a moment, she thought he'd found his voice- except it wasn't vocal cords making that bellowing noise.
The glass in the sliders blew out behind him, the sheets shattering into thousands of shards that blasted free of the house, the fragments bouncing on the slate and catching the light like raindrops...
Or like tears.
”
”
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
“
Lilichka! (Instead of a letter)"
Tobacco smoke eats the air away.
The room,--
a chapter from Kruchenykh's Inferno.
Recall,--
by the window,
that day,
I caressed you ecstatically, with fervor.
Here you sit now,
with your heart in iron armor.
In a day,
you'll scold me perhaps
and tell me to leave.
Frenzied, the trembling arm in the gloomy parlor
will hardly be able to fit the sleeve.
I'll rush out
and hurl my body into the street,--
distraught,
lashed by despair
and sadness.
There's no need for this,
my darling,
my sweet.
Let's part tonight and end this madness.
Either way,
my love is
an arduous weight,
hanging on you
wherever you flee.
Let me bellow out in the final complaint
all of my heartbroken misery.
A laboring bull, if he had enough,
will leave
and find cool water to lie in.
But for me,
there's no sea
except for your love,--
from which even tears won't earn me some quiet.
If an elephant wants to relax, he'll lie,
pompous, outside in the sun-baked dune,
Except for your love,
there's no sun
in the sky
and I don't even know where you are and with whom.
If you thus tormented another poet,
he
would trade in his love for money and fame.
But
nothing sounds as precious to me
as the ringing sound of your darling name.
I won't drink poison,
or jump to demise,
or pull the trigger to take my own life.
Except for your eyes,
no blade can control me,
no sharpened knife.
Tomorrow you'll forget
that it was I who crowned you,
who burned out the blossoming soul with love
and the days will form a whirling carnival
that will ruffle my manuscripts and lift them above...
Will the dry autumn leaves of my sentences
cause you to pause,
breathing hard?
Let me
pave a path with the final tenderness
for your footsteps as you depart.
(1916)
”
”
Vladimir Mayakovsky (Backbone Flute: Selected Poetry)
“
Our eyes finally meet—he’s still staring at me, lips parted. And I can’t get a read on his expression. As the moments stretch on, a bud of nervousness blooms in my stomach, its vine wrapping around my vocal chords.
“I…I wasn’t sure what you had planned for tonight. You didn’t tell me.”
Those long lashes blink, but he doesn’t say anything. I raise my hand toward the kitchen.
“I can go change if this isn’t—”
“No.” Nicholas steps forward, his hand up. “No, don’t change a thing. You’re…absolutely perfect.”
And he’s looking at me like he never wants to stop.
“I didn’t expect…I mean, you’re lovely…b-but…”
“Wasn’t there a movie about a king who stuttered?” I tease him. “Was he a relative of yours?”
He chuckles. And call me crazy, but I swear Nicholas’s cheeks go slightly pink.
“No, stuttering doesn’t run in my family.” He shakes his head. “You just knocked me on my arse.”
And now I’m beaming.
“Thank you. You look pretty great too, Prince Charming.”
“I actually know a Prince Charming. He’s first-class prick.”
“Well. Now that you’ve tarnished a precious piece of my childhood, this better be some date,” I tease.
“It will be.”
He holds out his hand to me.
“Shall we?
”
”
Emma Chase (Royally Screwed (Royally, #1))
“
He stalks toward me, close enough that I can feel his breath stirring my hair. ¨Are you commanding me?¨
¨No¨ I say, startled and unable to meet his gaze. ¨Of course not.¨ His fingers come to my chin, tilting my head so I am looking up into his black eyes, the rage in them as hot as coals. ¨You just think I ought to. That I can. That i be good at it. Very well, Jude. Tell me how its done. Do you think she´d like it if i came to her like this, if i looked deeply into her eyes?¨ My whole body is alert, alive with sick desire, embarassing in its intensity. He knows. I know he knows. ¨Probably,¨ I say, my voice coming out a little shakily. ¨Whatever it is you usually do.¨ ¨Oh, come now,¨ he says, his voice full of barely controlled fury. ¨If you want me to play the bawd, at least give me the benefit on your advice.¨ His beringed fingers trace over my cheek, trace the line of my lip and down my throat. I feel dizzy and overwhelmed. ¨Should I touch her like this?¨ he asks, lashes lowered. The shadows limn his face, casting his cheekbones into stark relief. ¨I dont know,¨ I say, but my voice betrays me. It´s all wrong, high and breathless. He presses his mouth to my ear, kissing me there. His hands skim over my shoulders, making me shiver. ¨And then like this? Is this how I ought to seduce her? I can feel his mouth shape the light words against my skin. ¨Do you think it would work?¨ I dig my fingernails into the meat of my palm to keep from moving against him. My whole body is trembling with tension. ¨Yes.¨ Then his mouth is against mine, and my lips part. I close my eyes against what im about to do. My fingers reach up to tangle in the black curls of his hair. He doesnt kiss me as though hes angry; his kiss is soft, yearning. Everything slows, goes liquid and hot. I can barely think. Ive wanted this and feared it, and now its happening, I dont know how i will ever want anything else. We stumble back to the low couch. He leans me against the cushions, and I pull him down over me. His expression mirrors my own, suprise and a little horror.
Page 143-144
”
”
Holly Black (The Wicked King (The Folk of the Air, #2))
“
However, society is only composed of weak persons and strong; well, if the pact must perforce displease both weak and strong, there is great cause to suppose it will fail to suit society, and the previously existing state of warfare must appear infinitely preferable, since it permitted everyone the free exercise of his strength and his industry, whereof he would discover himself deprived by a society's unjust pact which takes too much from the one and never accords enough to the other; hence, the truly intelligent person is he who, indifferent to the risk of renewing the state of war that reigned prior to the contract, lashes out in irrevocable violation of that contract, violates it as much and often as he is able, full certain that what he will gain from these ruptures will always be more important than what he will lose if he happens to be a member of the weaker class; for such he was when he respected the treaty; by breaking it he may become one of the stronger; and if the laws return him to the class whence he wished to emerge, the worst that can befall him is the loss of his life, which is a misfortune infinitely less great than that of existing in opprobrium and wretchedness.
There are then two positions available to us: either crime, which renders us happy, or the noose, which prevents us from being unhappy. I ask whether there can be any hesitation, lovely Therese, and where will your little mind find an argument able to combat that one?
”
”
Marquis de Sade
“
I didn’t feel guilty about cheating on you back then,” he said quietly. “Or all the times I promised not to do it again and talked you into taking me back.” He paused, glancing at me.
I clenched my jaw, resisting the urge to lash out at him, but I said I’d hear him out, so I kept my mouth shut. Tightly shut.
He cleared his throat. “It was the last time that did my conscience in. Maybe it was some long overdue maturity, maybe it was because it was the longest we’d gone without getting back together after breaking up, but it started eating at me. The longer it went on, the more I missed you, and the more I realized I’d done you horribly wrong from the start.” He closed his eyes for a second. His Adam’s apple bobbed once and then he went on. “When I realized what I’d lost, I was scared to come back and even try to apologize because I was afraid the one time I really, really meant it—” His voice cracked, and he paused, clearing his throat again before continuing. “I was afraid that would be the one time you’d finally had enough and told me to fuck off for the last time. Which I certainly deserved at that point, I just…” He looked at me. “I didn’t think I could face you again because I finally knew just how much I’d hurt you and just how much you had every right to hate me.
”
”
L.A. Witt (A.J.'s Angel (Wilde's, #3))
“
And it was in that moment of distress and confusion that the whip of terror laid its most nicely calculated lash about his heart. It dropped with deadly effect upon the sorest spot of all, completely unnerving him. He had been secretly dreading all the time that it
would come - and come it did.
Far overhead, muted by great height and distance, strangely thinned and wailing, he heard the crying voice of Defago, the guide.
The sound dropped upon him out of that still, wintry sky with an effect of dismay and terror unsurpassed. The rifle fell to his feet. He stood motionless an instant, listening as it were with his whole body, then staggered back against the nearest tree for support, disorganized hopelessly in mind and spirit. To him, in that moment, it seemed the most shattering and dislocating experience he had ever known, so that his heart emptied itself of all feeling whatsoever as by a sudden draught.
'Oh! oh! This fiery height! Oh, my feet of fire! My burning feet of fire...' ran in far, beseeching accents of indescribable appeal this voice of anguish down the sky. Once it called - then silence through all the listening wilderness of trees.
And Simpson, scarcely knowing what he did, presently found himself running wildly to and fro, searching, calling, tripping over roots and boulders, and flinging himself in a frenzy of undirected pursuit after the Caller. Behind the screen of memory and emotion with which experience veils events, he plunged, distracted and half-deranged, picking up false lights like a ship at sea, terror in his eyes and heart and soul. For the Panic of the Wilderness had called to him in that far voice - the Power of untamed Distance - the Enticement of the Desolation that destroys. He knew in that moment all the pains of someone hopelessly and irretrievably lost, suffering the lust
and travail of a soul in the final Loneliness. A vision of Defago, eternally hunted, driven and pursued across the skyey vastness of those ancient forests fled like a flame across the dark ruin of his thoughts...
It seemed ages before he could find anything in the chaos of his disorganized sensations to which he could anchor himself steady for a moment, and think...
The cry was not repeated; his own hoarse calling brought no response; the inscrutable forces of the Wild had summoned their victim beyond recall - and held him fast.
("The Wendigo")
”
”
Algernon Blackwood (Monster Mix)
“
I lean toward him, expecting him to unconsciously move away. To be repulsed. But he only watches me curiously.
As I draw closer, his eyes widen a little.
'Wren,' he whispers. I am not sure if it's a warning or not. I hate that I don't know.
At every moment, I expect him to flinch or pull back as I put one hand on his shoulder, then go up on my toes, and kiss him.
This is ridiculous. Kissing him is profane. It gives me all the horrible satisfaction of smashing a crystal goblet.
It's quick. Just the quick press of my dry mouth against his lips. A brief senses of softness, the warmth of breath, and then I pull away, my heart thrumming with fear, with the expectation that he will be disgusted.
With the certainty that I have well and truly punished him for trying to flirt with me.
The angry, feral part of me feels so close to the surface that I can almost scent its blood-clotted fur. I want to lick the scratches I made.
He doesn't look alarmed, though. He's studying my face, as though he's trying to work something out.
After a moment, his eyes close, pale lashes against his cheek, and he dips foward to press his mouth to mine again. He goes slower, one of his hands cupping my head. A shivery feeling courses down my spine, a flush coming up on my skin.
When he draws back, he is not wearing his usual complicated smile. Instead, he looks as though someone just slapped him. I wonder if a kiss from me is like being clawed on the cheek.
Did he force himself to go through with it? For the sake of keeping me on this quest? For the sake of his father and his plans?
I thought to punish him, but all I have succeeded in doing is punishing myself.
”
”
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
“
Some poor creatures have been so brutalized by the lash that they will sneak out of the way to give their masters free access to their wives and daughters. Do you think this proves the black man to belong to an inferior order of beings? What would you be, if you had been born and brought up a slave, with generations of slaves for ancestors? I admit that the black man is inferior. But what is it that makes him so? It is the ignorance in which white men compel him to live; it is the torturing whip that lashes manhood out of him; it is the fierce bloodhounds of the South, and the scarcely less cruel human bloodhounds of the north, who enforce the Fugitive Slave Law. They do the work.
Southern gentlemen indulge in the most contemptuous expressions about the Yankees, while they, on their part, consent to do the vilest work for them, such as the ferocious bloodhounds and the despised negro-hunters are employed to do at home. When southerners go to the north, they are proud to do them honor; but the northern man is not welcome south of Mason Dixon's line, unless he suppresses every thought and feeling at variance with their "peculiar institution." Nor is it enough to be silent. The masters are not pleased, unless they obtain a greater degree of subservience than that; and they are generally accommodated. Do they respect the northerner for this? I trow not. Even the slaves despise "a northern man with southern principles;" and that is the class they generally see. When northerners go to the south to reside, they prove very apt scholars. They soon imbibe the sentiments and disposition of their neighbors, and generally go beyond their teachers. Of the two, they are proverbially the hardest masters.
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
How kind of you to pay us a call, Uncle,” came the biting lash of Sebastian’s voice. “Come to offer us felicitations, have you?”
“I’ve come to collect my niece,” Peregrine snarled. “She is promised to my son. Your illicit marriage will not stand!”
“She’s mine,” Sebastian snapped. “Surely you can’t be so dim-witted as to think I would simply let her go without a protest.”
“I will have the marriage annulled,” Peregrine assured him.
“That would only be possible if the marriage hasn’t been consummated. And I assure you, it has.”
“We have a physician who has promised to testify that her maidenhead is still intact.”
“Like hell,” Sebastian said with chilling pleasantness. “Do you know what kind of reflection that would have on me? I’ve worked too hard to cultivate my reputation— I’ll be damned if I’ll allow any suggestion of impotence to mar it.” He shrugged out of his coat and tossed it to Cam, who caught it in one fist. Sebastian’s lethal gaze never left Peregrine’s livid features. “Has it occurred to you that I may have made her pregnant by now?”
“If so, that will be remedied.”
Not fully comprehending what her uncle meant, Evie shrank back into Cam’s protective hold. His arms tightened, even as he regarded Peregrine with a rare flash of hatred in his golden eyes. “Don’t worry, sweetheart,” he whispered to Evie.
Sebastian’s color rose at Peregrine’s words, making his eyes appear like splintered glass. “Charming,” he said. “I would kill her myself before I’d let you have her.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
For in their interflowing aggregate, those grand fresh-water seas of ours,--Erie, and Ontario, and Huron, and Superior, and Michigan,--possess an ocean-like expansiveness, with many of the ocean's noblest traits; with many of its rimmed varieties of races and climes. They contain round archipelagoes of romantic isles, even as the Polynesian water do; in large part, are shored by two great contrasting nations, as the Atlantic is; they furnish long maritime approaches to our numerous territorial colonies from the East, dotted all round their banks; here and there are frowned upon by batteries, and by the goat-like craggy guns of Mackinaw; they have heard the fleet thunderings of naval victories; at intervals, they have yield their beaches to wild barbarians, whose red painted faces flash from out their pelty wigwams; for leagues and leagues are flanked by ancient and unentered forests, where the gaunt pines stand like serried lines of kings in Gothic genealogies; those same woods harboring wild Afric beasts of prey, and silken creatures whose exported furs gives robes to Tartar Emperors; they mirror the paved capitals of Buffalo and Cleveland, as well as Winnebago villages; they float alike the full-rigged merchant ship, the armed cruiser of the State, the steamer, and the birch canoe; they are swept by Borean and dismasting blasts as direful as any that lash the salted wave; they know what shipwrecks are, for out of sight of land, however inland, they have drowned full many a midnight ship with all its shrieking crew.
”
”
Herman Melville (Moby Dick)
“
Open the so-called body and spread out all its surfaces: not only the skin with each of its folds, wrinkles, scars, with its great velvety planes, and contiguous to that, the scalp and its mane of hair, the tender pubic fur, nipples, nails, hard transparent skin under the heel, the light frills of the eyelids, set with lashes - but open and spread, expose the labia majora, so also the labia minora with their blue network bathed in mucus, dilate the diaphragm of the anal sphincter, longitudinally cut and flatten out the black conduit of the rectum, then the colon, then the caecum, now a ribbon with its surface all striated and polluted with shit ; as though your dress maker' s scissors were opening the leg of an old pair of trousers, go on, expose the small intestines' alleged interior, the jejunum, the ileum, the duodenum, or else, at the other end, undo the mouth at its corners, pull out the tongue at its most distant roots and split it, spread out the bats' wings of the palate and its damp basements, open the trachea and make it the skeleton of a boat under construction; armed with scalpels and tweezers, dismantle and lay out the bundles and bodies of the encephalon; and then the whole network of veins and arteries, intact, on an immense mattress, and then the lymphatic network, and the fine bony pieces of the wrist, the ankle, take them apart and put them end to end with all the layers of nerve tissue which surround the aqueous humours and the cavernous body of the penis, and extract the great muscles, the great dorsal nets, spread them out like smooth sleeping dolphins. Work as the sun does when you're sunbathing or taking grass.
”
”
Jean-François Lyotard (Libidinal Economy)
“
I was not alone. The room was the same, unchanged in any way since I came into it. I could see along the floor, in the brilliant moonlight, my own footsteps marked where I had disturbed the long accumulation of dust. In the moonlight opposite me were three young women, ladies by their dress and manner. I thought at the time that I must be dreaming when I saw them, they threw no shadow on the floor. They came close to me, and looked at me for some time, and then whispered together. Two were dark, and had high aquiline noses, like the Count, and great dark, piercing eyes, that seemed to be almost red when contrasted with the pale yellow moon. The other was fair, as fair as can be, with great masses of golden hair and eyes like pale sapphires. I seemed somehow to know her face, and to know it in connection with some dreamy fear, but I could not recollect at the moment how or where. All three had brilliant white teeth that shone like pearls against the ruby of their voluptuous lips. There was something about them that made me uneasy, some longing and at the same time some deadly fear. I felt in my heart a wicked, burning desire that they would kiss me with those red lips. It is not good to note this down, lest some day it should meet Mina’s eyes and cause her pain, but it is the truth. They whispered together, and then they all three laughed, such a silvery, musical laugh, but as hard as though the sound never could have come through the softness of human lips. It was like the intolerable, tingling sweetness of waterglasses when played on by a cunning hand. The fair girl shook her head coquettishly, and the other two urged her on. One said, “Go on! You are first, and we shall follow. Yours is the right to begin.” The other added, “He is young and strong. There are kisses for us all.” I lay quiet, looking out from under my eyelashes in an agony of delightful anticipation. The fair girl advanced and bent over me till I could feel the movement of her breath upon me. Sweet it was in one sense, honey-sweet, and sent the same tingling through the nerves as her voice, but with a bitter underlying the sweet, a bitter offensiveness, as one smells in blood. I was afraid to raise my eyelids, but looked out and saw perfectly under the lashes. The girl went on her knees, and bent over me, simply gloating. There was a deliberate voluptuousness which was both thrilling and repulsive, and as she arched her neck she actually licked her lips like an animal, till I could see in the moonlight the moisture shining on the scarlet lips and on the red tongue as it lapped the white sharp teeth. Lower and lower went her head as the lips went below the range of my mouth and chin and seemed to fasten on my throat. Then she paused, and I could hear the churning sound of her tongue as it licked her teeth and lips, and I could feel the hot breath on my neck. Then the skin of my throat began to tingle as one’s flesh does when the hand that is to tickle it approaches nearer, nearer. I could feel the soft, shivering touch of the lips on the super sensitive skin of my throat, and the hard dents of two sharp teeth, just touching and pausing there. I closed my eyes in languorous ecstasy and waited, waited with beating heart.
”
”
Bram Stoker (Dracula (Annotated))
“
His fingers come to my chin, tilting my head so I am looking up into his black eyes, the rage in them as hot as coals. 'You just think I ought to. That I can. That's I'd be good at it. Very well, Jude. Tell me how it's done. Do you think she'd like it if I came to her like this, if I looked deeply in to her eyes?'
My whole body is alert, alive with sick desire, embarrassing in its intensity.
He knows, I know he knows.
'Probably,' I say, my voice coming out a little shakily. 'Whatever it is you usually do.'
'Oh, come now,' he says, his voice full of barely controlled fury. 'If you want me to play the bawd, at least give me the benefit of your advice.'
His beringed fingers trace over my cheek, trace the line of my lip and down my throat. I feel dizzy and overwhelmed. 'Should I took her like this?' he asks, lashes lowered. The shadows limn his face, casting his cheekbones in to stark relief.
'I don't know,' I say, but my voice betrays me. It's all wrong, high and breathless.
He presses his mouth to my ear, kissing me there. His hands skim over my shoulders, making me shiver. 'And then like this? Is this how I ought to seduce her?' I can feel his mouth shape the light words against my skin. 'Do you think it would work?'
I dig my fingernails in to the meat of my palm to keep from moving against him. My whole body is trembling with tension. 'Yes.'
Then his mouth is against mine, and my lips part. I close my eyes against what I'm about to do. My fingers reach up to tangle in the black curls of his hair. He doesn't kiss me as though he's angry; his kiss is soft, yearning.
Everything slows, goes liquid and hot. I can barely think.
I've wanted this and feared it, and now that it's happening, I don't know how I will ever want anything else.
”
”
Holly Black (The Wicked King (The Folk of the Air, #2))
“
There were twenty-three females on the Keltar estate--not counting Gwen, Chloe, herself, or the cat--Gabby knew, because shortly after Adam had become visible last night, she'd met each and every one, from tiniest tot to tottering ancient.
It had begun with a plump, thirtyish maid popping in to pull the drapes for the evening and inquire if the MacKeltars "were wishing aught else?" The moment her bespectacled gaze had fallen on Adam, she'd begun stammering and tripping over her own feet. It had taken her a few moments to regain a semblance of coordination, but she'd managed to stumble from the library, nearly upsetting a lamp and a small end table in her haste.
Apparently it had been haste to alert the forces, for a veritable parade had ensued: a blushing curvaceous maid had come offering a warm-up of tear (they'd not been having any), followed by a giggling maid seeking a forgotten dust cloth (which--was anyone surprised?--was nowhere to be found), then a third one looking for a waylaid broom (yeah, right--they swept castles at midnight in Scotland--who believed that?), then a fourth, fifth, and sixth inquiring if the Crystal Chamber would do for Mr. Black (no one seemed to care what chamber might do for her; she half-expected to end up in an outbuilding somewhere). A seventh, eighth, and ninth had come to announce that his chamber was ready would he like an escort? A bath drawn? Help undressing? (Well, okay, maybe they hadn't actually asked the last, but their eyes certainly had.)
Then a half-dozen more had popped in at varying intervals to say the same things over again, and to stress that they were there to provide "aught, aught at all Mr. Black might desire."
The sixteenth had come to extract two tiny girls from Adam's lap over their wailing protests (and had stayed out of his lap herself only because Adam had hastily stood), the twenty-third and final one had been old enough to be someone's great-great-grandmother, and even she'd flirted shamelessly with the "braw Mr. Black," batting nonexistent lashes above nests of wrinkles, smoothing thin white hair with a blue-veined, age-spotted hand.
And if that hadn't been enough, the castle cat, obviously female and obviously in heat, had sashayed in, tail straight up and perkily curved at the tip, and would her furry little self sinuously around Adam's ankles, purring herself into a state of drooling, slanty-eyed bliss.
Mr. Black, my ass, she'd wanted to snap (and she liked cats, really she did; she'd certainly never wanted to kick one before, but please--even cats?), he's a fairy and I found him, so that him my fairy. Back off.
”
”
Karen Marie Moning (The Immortal Highlander (Highlander, #6))
“
I ask him if he tried to rape Nyla.
“Laws are silent in times of war,” Tactus drawls.
“Don’t quote Cicero to me,” I say. “You are held to a higher standard than a marauding centurion.”
“In that, you’re hitting the mark at least. I am a superior creature descended from proud stock and glorious heritage. Might makes right, Darrow. If I can take, I may take. If I do take, I deserve to have. This is what Peerless believe.”
“The measure of a man is what he does when he has power,” I say loudly.
“Just come off it, Reaper,” Tactus drawls, confident in himself as all like him are. “She’s a spoil of war. My power took her. And before the strong, bend the weak.”
“I’m stronger than you, Tactus,” I say. “So I can do with you as I wish. No?”
He’s silent, realizing he’s fallen into a trap.
“You are from a superior family to mine, Tactus. My parents are dead. I am the sole member of my family. But I am a superior creature to you.”
He smirks at that.
“Do you disagree?” I toss a knife at his feet and pull my own out. “I beg you to voice your concerns.” He does not pick his blade up. “So, by right of power, I can do with you as I like.”
I announce that rape will never be permitted, and then I ask Nyla the punishment she would give. As she told me before, she says she wants no punishment. I make sure they know this, so there are no recriminations against her. Tactus and his armed supporters stare at her in surprise. They don’t understand why she would not take vengeance, but that doesn’t stop them from smiling wolfishly at one another, thinking their chief has dodged punishment. Then I speak.
“But I say you get twenty lashes from a leather switch, Tactus. You tried to take something beyond the bounds of the game. You gave in to your pathetic animal instincts. Here that is less forgivable than murder; I hope you feel shame when you look back at this moment fifty years from now and realize your weakness. I hope you fear your sons and daughters knowing what you did to a fellow Gold. Until then, twenty lashes will serve.”
Some of the Diana soldiers step forward in anger, but Pax hefts his axe on his shoulder and they shrink back, glaring at me. They gave me a fortress and I’m going to whip their favorite warrior. I see my army dying as Mustang pulls off Tactus’s shirt. He stares at me like a snake. I know what evil thoughts he’s thinking. I thought them of my floggers too.
I whip him twenty brutal times, holding nothing back. Blood runs down his back. Pax nearly has to hack down one of the Diana soldiers to keep them from charging to stop the punishment.
Tactus barely manages to stagger to his feet, wrath burning in his eyes.
“A mistake,” he whispers to me. “Such a mistake.”
Then I surprise him. I shove the switch into his hand and bring him close by cupping my hand around the back of his head.
“You deserve to have your balls off, you selfish bastard,” I whisper to him. “This is my army,” I say more loudly. “This is my army. Its evils are mine as much as yours, as much as they are Tactus’s. Every time any of you commit a crime like this, something gratuitous and perverse, you will own it and I will own it with you, because when you do something wicked, it hurts all of us.”
Tactus stands there like a fool. He’s confused.
I shove him hard in the chest. He stumbles back. I follow him, shoving.
“What were you going to do?” I push his hand holding the leather switch back toward his chest.
“I don’t know what you mean …” he murmurs as I shove him.
“Come on, man! You were going to shove your prick inside someone in my army. Why not whip me while you’re at it? Why not hurt me too? It’ll be easier. Milia won’t even try to stab you. I promise.”
I shove him again. He looks around. No one speaks. I strip off my shirt and go to my knees. The air is cold. Knees on stone and snow. My eyes lock with Mustang’s. She winks at me and I feel like I can do anything.
”
”
Pierce Brown (Red Rising (Red Rising Saga, #1))
“
...kissing Locke never felt the way that kissing Cardan does, like taking a dare to run over knives, live an adrenaline strike of lightning, like the moment when you've swum too far out in the sea and there is no going back, only cold black water closing over your head.
Cardan's cruel mouth is surprisingly soft, and for a long moment after our lips touch, he's still as a statue. His eyes close, lashes brushing my cheek. I shudder, as you're supposed to when someone walks over your grave. Then his hands come up, gentle as they glide over my arms. If I didn't know better, I'd say his touch was reverent, but I do know better. HIs hands are moving slowly because he is trying to stop himself. He doesn't want this. He doesn't want to want this.
He tastes like sour wine.
I can feel the moment he gives in and gives up, pulling me to him despite the threat of the knife. He kisses me hard, with a kind of devouring desperation, fingers digging in to my hair. Our mouths slide together, teeth over lips over tongues. Desire hits me like a kick to the stomach. It's like fighting, except what we're fighting for is to crawl inside each other's skin.
That's the moment when terror seizes me. What kind of insane revenge is there in exulting in his revulsion? And worse, far worse, I like this. I like everything about kissing him- the familiar buzz of fear, the knowledge I am punishing him, the proof he wants me.
The knife in my hand is useless. I throw it at the desk, barely registering as the point sinks in to the wood. He pulls back from me at the sound, startled. HIs mouth is pink, his eyes dark. He sees the knife and barks out a startled laugh.
Which is enough to make me stagger back. I want to mock him, to show up his weakness without revealing mine, but I don't trust my face not to show too much.
'Is that what you imagined?' I ask, and am relieved to find that my voice sounds harsh.
'No,' he said tonelessly.
'Tell me,' I say.
He shakes his head, somewhere chagrined. 'Unless you're really going to stab me, I think I won't. And I might not tell you even if you were going to stab me.'
I get up on Dain's desk to put some distance between us. My skin feels too tight, and the room seems suddenly too small. He almost made me laugh there.
”
”
Holly Black (The Cruel Prince (The Folk of the Air, #1))
“
When Elizabeth finally descended the stairs on her way to the dining room she was two hours late. Deliberately.
“Good heavens, you’re tardy, my dear!” Sir Francis said, shoving back his chair and rushing to the doorway where Elizabeth had been standing, trying to gather her courage to do what needed to be done. “Come and meet my guests,” he said, drawing her forward after a swift, disappointed look at her drab attire and severe coiffure. “We did as you suggested in your note and went ahead with supper. What kept you abovestairs so long?”
“I was at prayer,” Elizabeth said, managing to look him straight in the eye.
Sir Francis recovered from his surprise in time to introduce her to the three other people at the table-two men who resembled him in age and features and two women of perhaps five and thirty who were both attired in the most shockingly revealing gowns Elizabeth had ever seen.
Elizabeth accepted a helping of cold meat to silence her protesting stomach while both women studied her with unhidden scorn. “That is a most unusual ensemble you’re wearing, I must say,” remarked the woman named Eloise. “Is it the custom where you come from to dress so…simply?”
Elizabeth took a dainty bite of meat. “Not really. I disapprove of too much personal adornment.” She turned to Sir Francis with an innocent stare. “Gowns are expensive. I consider them a great waste of money.”
Sir Francis was suddenly inclined to agree, particularly since he intended to keep her naked as much as possible. “Quite right!” he beamed, eyeing the other ladies with pointed disapproval. “No sense in spending all that money on gowns. No point in spending money at all.”
“My sentiments exactly,” Elizabeth said, nodding. “I prefer to give every shilling I can find to charity instead.”
“Give it away?” he said in a muted roar, half rising out of his chair. Then he forced himself to sit back down and reconsider the wisdom of wedding her. She was lovely-her face more mature then he remembered it, but not even the black veil and scraped-back hair could detract from the beauty of her emerald-green eyes with their long, sooty lashes. Her eyes had dark circles beneath them-shadows he didn’t recall seeing there earlier in the day. He put the shadows down to her far-too-serious nature. Her dowry was creditable, and her body beneath that shapeless black gown…he wished he could see her shape. Perhaps it, too, had changed, and not for the better, in the past few years.
“I had hoped, my dear,” Sir Francis said, covering her hand with his and squeezing it affectionately, “that you might wear something else down to supper, as I suggested you should.”
Elizabeth gave him an innocent stare. “This is all I brought.”
“All you brought?” he uttered. “B-But I definitely saw my footmen carrying several trunks upstairs.”
“They belong to my aunt-only one of them is mine,” she fabricated hastily, already anticipating his next question and thinking madly for some satisfactory answer.
“Really?” He continued to eye her gown with great dissatisfaction, and then he asked exactly the question she’d expected: “What, may I ask, does your one truck contain if not gowns?”
Inspiration struck, and Elizabeth smiled radiantly. “Something of great value. Priceless value,” she confided.
All faces at the table watched her with alert fascination-particularly the greedy Sir Francis. “Well, don’t keep us in suspense, love. What’s in it?”
“The mortal remains of Saint Jacob.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
The heartwood," Rob murmured, looking at me. "You wanted to marry me in the heart of Major Oak." I beamed at him grateful that he understood. "And Scar," he whispered. I leaned in close. "Are you wearing knives to our wedding?" Nodding, I laughed, telling him, "I was going to get you here one way or another, Hood."
He laughed, a bright, merry sound. Standing in the heart of the tree, he reached again for my hand, fingers sliding over mine. Touching his hand, a rope of lightening lashed round my fingers, like it seared us together. Now, and for always. His fingers moved on mine, rubbing over my hand before capturing it tight and turning me to the priest.
The priest looked over his shoulder, watching as the sun began to dip. He led us in prayer, he asked me to speak the same words I'd spoken not long past to Gisbourne, but that whole thing felt like a bad dream, like I were waking and it were fading and gone for good. "Lady Scarlet." he asked me with a smile, "known to some as Lady Marian of Huntingdon, will thou have this lord to thy wedded husband, will thou love him and honour him, keep him and obey him, in health and in sickness, as a wife should a husband, forsaking all others on account of him, so long as ye both shall live?"
I looked at Robin, tears burning in my eyes. "I will," I promised. "I will, always."
Rob's face were beaming back at me, his ocean eyes shimmering bright. The priest smiled.
"Robin of Locksley, will thou have this lady to thy wedded wife, will thou love her and honor her, keep her and guard her, in health and in sickness, as a husband should a wife, forsaking all others on account of her, so long as ye both shall live?" the priest asked.
"Yes," Rob said. "I will."
"You have the rings?" the priest asked Rob.
"I do," I told the priest, taking two rings from where Bess had tied them to my dress. I'd sent Godfrey out to buy them at market without Rob knowing. "I knew you weren't planning on this," I told him.
Rob just grinned like a fool at me, taking the ring I handed him to put on my finger. Laughs bubbled up inside of me, and I felt like I were smiling so wide something were stuck in my cheeks and holding me open. More shy and proud than I thought I'd be, I said. "I take you as me wedded husband, Robin. And thereto I plight my troth." I pushed the ring onto his finger.
He took my half hand in one of his, but the other- holding the ring- went into his pocket. "I may not have known I would marry you today Scar," he said. "But I did know I would marry you." He showed me a ring, a large ruby set in delicate gold. "This," he said to me, "was my mother's. It's the last thing I have of hers, and when I met you and loved you and realized your name was the exact colour of the stone- " He swallowed, and cleared his throat, looking at me with the blue eyes that shot right through me. "This was meant to be Scarlet. I was always meant to love you. To marry you."
The priest coughed. "Say the words, my son, and you will marry her."
Rob grinned and I laughed, and Rob stepped closer, cradling my hand. "I take you as my wedded wife, Scarlet. And thereto I plight my troth." He slipped the ring on my finger and it fit. "Receive the Holy Spirit," the priest said, and kissed Robin on the cheek. Rob's happy grin turned a touch wolflike as he turned back to me, hauling me against him and angling his mouth over mine. I wrapped my arms around him and my head spun- I couldn't tell if we were spinning, if I were dizzy, if my feet were on the ground anymore at all, but all I knew, all I cared for, were him, his mouth against mine, and letting the moment we became man and wife spin into eternity.
”
”
A.C. Gaughen (Lion Heart (Scarlet, #3))
“
His breath fell in a warm, even rhythm on the curve of her cheek. “Some people think of the bee as a sacred insect,” he said. “It’s a symbol of reincarnation.”
“I don’t believe in reincarnation,” she muttered.
There was a smile in his voice. “What a surprise. At the very least, the bees’ presence in your home is a sign of good things to come.”
Her voice was buried in the fine wool of his coat. “Wh-what does it mean if there are thousands of bees in one’s home?”
He shifted her higher in his arms, his lips curving gently against the cold rim of her ear. “Probably that we’ll have plenty of honey for teatime. We’re going through the doorway now. In a moment I’m going to set you on your feet.”
Amelia kept her face against him, her fingertips digging into the layers of his clothes. “Are they following?”
“No. They want to stay near the hive. Their main concern is to protect the queen from predators.”
“She has nothing to fear from me!”
Laughter rustled in his throat. With extreme care, he lowered Amelia’s feet to the floor. Keeping one arm around her, he reached with the other to close the door. “There. We’re out of the room. You’re safe.” His hand passed over her hair. “You can open your eyes now.”
Clutching the lapels of his coat, Amelia stood and waited for a feeling of relief that didn’t come. Her heart was racing too hard, too fast. Her chest ached from the strain of her breathing. Her lashes lifted, but all she could see was a shower of sparks.
“Amelia … easy. You’re all right.” His hands chased the shivers that ran up and down her back. “Slow down, sweetheart.”
She couldn’t. Her lungs were about to burst. No matter how hard she worked, she couldn’t get enough air. Bees … the sound of buzzing was still in her ears. She heard his voice as if from a great distance, and she felt his arms go around her again as she sank into layers of gray softness.
After what could have been a minute or an hour, pleasant sensations filtered through the haze. A tender pressure moved over her forehead. The gentle brushes touched her eyelids, slid to her cheeks. Strong arms held her against a comfortingly hard surface, while a clean, salt-edged scent filled her nostrils. Her lashes fluttered, and she turned into the warmth with confused pleasure.
“There you are,” came a low murmur.
Opening her eyes, Amelia saw Cam Rohan’s face above her. They were on the hallway floor—he was holding her in his lap. As if the situation weren’t mortifying enough, the front of her bodice was gaping, and her corset was unhooked. Only her crumpled chemise was left to cover her chest.
Amelia stiffened. Until that moment she had never known there was a feeling beyond embarrassment, that made one wish one could crumble into a pile of ashes. “My … my dress…”
“You weren’t breathing well. I thought it best to loosen your corset.”
“I’ve never fainted before,” she said groggily, struggling to sit up.
“You were frightened.” His hand came to the center of her chest, gently pressing her back down. “Rest another minute.” His gaze moved over her wan features. “I think we can conclude you’re not fond of bees.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
He was beautiful.
Whatever else he was, Sage was by far the most magnetic man I had ever seen. I had felt it in my dreams, and it was even more true in real life. I welcomed the chance to study him without his knowledge.
He glanced up, and I quickly closed my eyes, feigning sleep. Had he seen me? The scratching stopped. He was looking at me, I knew it. I held my breath and willed my eyes not to pop open and see if he was staring.
Finally the scratching started up again. I forced myself to slowly count to ten before I opened my eyelids the tiniest bit and peeked through my lashes.
Good-he wasn’t looking at me.
I opened my eyes a little wider. What was he doing? Moving only my eyes, I glanced down at the dirt floor in front of him…
…and saw a picture of me, fast asleep.
It was incredible. I could see his tools laid out beside the picture: rocks in several sizes and shapes, a couple of twigs…the most rudimentary materials, and yet what he was etching into the floor wouldn’t look out of place on an art gallery wall. It was beautiful…far more beautiful than I thought I actually looked in my sleep. Is that how he saw me?
Sage lifted his head again, and I shut my eyes. I imagined him studying me, taking careful note of my features and filtering them through his own senses. My heartbeat quickened, and it took all my willpower to remain still.
“You can keep pretending to be asleep if you’d like, but I don’t see a career for you as an actress,” he teased.
My eyes sprang open. Sage’s head was again bent over his etching, but a grin played on his face as he worked.
“You knew?” I asked, mortified.
Sage put a finger to his lips, glancing toward Ben. “About two minutes before you woke up, I knew,” he whispered. “Your breathing hanged.” He bent back over the drawing, then impishly asked, “Pleasant dreams?”
My heart stopped, and I felt myself blush bright crimson as I remembered our encounter in the bottom of the rowboat. I sent a quick prayer to whoever or whatever might be listening that I hadn’t re-enacted any of it in my sleep, then said as nonchalantly as possible, “I don’t know, I can’t remember what I dreamed about. Why?”
He swapped out the rock in his hand for one with a thinner edge and worked for another moment. “No reason…just heard my name.”
I hoped the dim moonlight shadowed the worst of my blush. “Your name,” I reiterated. “That’s…interesting. They say dreams sort out things that happen when we’re awake.”
“Hmm. Did you sort anything out?” he asked.
“Like I said, I can’t remember.”
I knew he didn’t believe me. Time to change the subject. I nodded to the etching. “Can I come look?
”
”
Hilary Duff (Elixir (Elixir, #1))