Lash Fill Quotes

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I recall certain moments, let us call them icebergs in paradise, when after having had my fill of her –after fabulous, insane exertions that left me limp and azure-barred–I would gather her in my arms with, at last, a mute moan of human tenderness (her skin glistening in the neon light coming from the paved court through the slits in the blind, her soot-black lashes matted, her grave gray eyes more vacant than ever–for all the world a little patient still in the confusion of a drug after a major operation)–and the tenderness would deepen to shame and despair, and I would lull and rock my lone light Lolita in my marble arms, and moan in her warm hair, and caress her at random and mutely ask her blessing, and at the peak of this human agonized selfless tenderness (with my soul actually hanging around her naked body and ready to repent), all at once, ironically, horribly, lust would swell again–and 'oh, no,' Lolita would say with a sigh to heaven, and the next moment the tenderness and the azure–all would be shattered.
Vladimir Nabokov (Lolita)
I have lived nearly fifty years, and I have seen life as it is. Pain, misery, hunger ... cruelty beyond belief. I have heard the singing from taverns and the moans from bundles of filth on the streets. I have been a soldier and seen my comrades fall in battle ... or die more slowly under the lash in Africa. I have held them in my arms at the final moment. These were men who saw life as it is, yet they died despairing. No glory, no gallant last words ... only their eyes filled with confusion, whimpering the question, "Why?" I do not think they asked why they were dying, but why they had lived. When life itself seems lunatic, who knows where madness lies? Perhaps to be too practical is madness. To surrender dreams — this may be madness. To seek treasure where there is only trash. Too much sanity may be madness — and maddest of all: to see life as it is, and not as it should be!
Dale Wasserman (Man of La Mancha: A Musical Play)
Down Where I Am Too many years Beatin' at the door-- I done beat my Both fists sore. Too many years Tryin' to get up there-- Done broke my ankles down, Got nowhere. Too many years Climbin' that hill, 'Bout out of breath. I got my fill. I'm gonna plant my feet On solid ground. If you want to see me, Come down.
Langston Hughes (The Panther and the Lash)
Four eyes full of gleams and radiance beneath their lashes, filling the looking-glass. Questions shooting out and then hiding again. I don't know: Gleams and radiance, gleaming from you to me, from me to you, and from me to you alone—into the mirror and out again, and never an answer about what this is, never an explanation.
Tarjei Vesaas (The Ice Palace)
Now begins to rise in me the familiar rhythm; words that have lain dormant now lift, now toss their crests, and fall and rise, and fall and rise again. I am a poet, yes. Surely I am a great poet. Boats and youth passing and distant trees, "the falling fountains of the pendant trees". I see it all. I feel it all. I am inspired. My eyes fill with tears. Yet even as I feel this. I lash my frenzy higher and higher. It foams. It becomes artificial, insincere. Words and words and words, how they gallop - how they lash their long manes and tails, but for some fault in me I cannot give myself to their backs; I cannot fly with them, scattering women and string bags. There is some flaw with me - some fatal hesitancy, which, if I pass it over, turns to foam and falsity. Yet it is incredible that I should not be a great poet.
Virginia Woolf (The Waves)
If you ask all the cells in my body, they only answer your name. Follicles push the hair upwards so they may brush against your skin. Nails grow faster as well. Lungs breathe rapidly in hopes of inhaling your scent. Toes curl to smile and knees form dimples when you are near. Brain fireworks. Stomach fills with flies of butter and swallows, and swans swoon. Cattle, rhinos, and walruses too— there’s a stampede when you are near. I love you from the bottom of my liver to the tip of my lashes. One wink from you and heart stops, like a sneeze. Bless you. I cannot even begin to tell you what happens to soul, for soul is off flying with its mate.
Kamand Kojouri
I understand trying to please someone you thinks loves you. To keep that love, you keep twisting and bending yourself to become who they want you to be until you eventually break. There’s a hole in them, a hole they need filled, and they want you to become the circle that will fit into them to make them complete, even though you’re a square. It’s an awful place to be, the person responsible for someone else’s happiness, because being human, we’re going to fail. And by being human, we’ll take the lashing when we never meet expectations.
Katie McGarry (Say You'll Remember Me)
is a broken man an outlaw?" "More or less." Brienne answered. Septon Meribald disagreed. "More less than more. There are many sorts of outlaws, just as there are many sorts of birds. A sandpiper and a sea eagle both have wings, but they are not the same. The singers love to sing of good men forced to go outside the law to fight some wicked lord, but most outlaws are more like this ravening Hound than they are the lightning lord. They are evil men, driven by greed, soured by malice, despising the gods and caring only for themselves. Broken men are more deserving of our pity, though they may be just as dangerous. Almost all are common-born, simple folk who had never been more than a mile from the house where they were born until the day some lord came round to take them off to war. Poorly shod and poorly clad, they march away beneath his banners, ofttimes with no better arms than a sickle or a sharpened hoe, or a maul they made themselves by lashing a stone to a stick with strips of hide. Brothers march with brothers, sons with fathers, friends with friends. They've heard the songs and stories, so they go off with eager hearts, dreaming of the wonders they will see, of the wealth and glory they will win. War seems a fine adventure, the greatest most of them will ever know. "Then they get a taste of battle. "For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they've been gutted by an axe. "They see the lord who led them there cut down, and some other lord shouts that they are his now. They take a wound, and when that's still half-healed they take another. There is never enough to eat, their shoes fall to pieces from the marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water. "If they want new boots or a warmer cloak or maybe a rusted iron halfhelm, they need to take them from a corpse, and before long they are stealing from the living too, from the smallfolk whose lands they're fighting in, men very like the men they used to be. They slaughter their sheep and steal their chicken's, and from there it's just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don't know where they are or how to get back home and the lord they're fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad all in steel, and the iron thunder of their charge seems to fill the world... "And the man breaks. "He turns and runs, or crawls off afterward over the corpses of the slain, or steals away in the black of night, and he finds someplace to hide. All thought of home is gone by then, and kings and lords and gods mean less to him than a haunch of spoiled meat that will let him live another day, or a skin of bad wine that might drown his fear for a few hours. The broken man lives from day to day, from meal to meal, more beast than man. Lady Brienne is not wrong. In times like these, the traveler must beware of broken men, and fear them...but he should pity them as well
George R.R. Martin
When I became convinced that the Universe is natural – that all the ghosts and gods are myths, there entered into my brain, into my soul, into every drop of my blood, the sense, the feeling, the joy of freedom. The walls of my prison crumbled and fell, the dungeon was flooded with light and all the bolts, and bars, and manacles became dust. I was no longer a servant, a serf or a slave. There was for me no master in all the wide world -- not even in infinite space. I was free -- free to think, to express my thoughts -- free to live to my own ideal -- free to live for myself and those I loved -- free to use all my faculties, all my senses -- free to spread imagination's wings -- free to investigate, to guess and dream and hope -- free to judge and determine for myself -- free to reject all ignorant and cruel creeds, all the "inspired" books that savages have produced, and all the barbarous legends of the past -- free from popes and priests -- free from all the "called" and "set apart" -- free from sanctified mistakes and holy lies -- free from the fear of eternal pain -- free from the winged monsters of the night -- free from devils, ghosts and gods. For the first time I was free. There were no prohibited places in all the realms of thought -- no air, no space, where fancy could not spread her painted wings -- no chains for my limbs -- no lashes for my back -- no fires for my flesh -- no master's frown or threat – no following another's steps -- no need to bow, or cringe, or crawl, or utter lying words. I was free. I stood erect and fearlessly, joyously, faced all worlds. And then my heart was filled with gratitude, with thankfulness, and went out in love to all the heroes, the thinkers who gave their lives for the liberty of hand and brain -- for the freedom of labor and thought -- to those who fell on the fierce fields of war, to those who died in dungeons bound with chains -- to those who proudly mounted scaffold's stairs -- to those whose bones were crushed, whose flesh was scarred and torn -- to those by fire consumed -- to all the wise, the good, the brave of every land, whose thoughts and deeds have given freedom to the sons of men. And then I vowed to grasp the torch that they had held, and hold it high, that light might conquer darkness still.
Robert G. Ingersoll
Yes, he had heard it all his life, but it was only now that his ears were opened to this sound that came from darkness, that could only come from darkness, that yet bore such sure witness to the glory of the light. And now in his moaning, and so far from any help, he heard it in himself--it rose from his bleeding, his cracked-open heart. It was a sound of rage and weeping which filled the grave, rage and weeping from time set free, but bound now in eternity; rage that had no language, weeping with no voice--which yet spoke now, to John's startled soul, of boundless melancholy, of the bitterest patience, and the longest night; of the deepest water, the strongest chains, the most cruel lash; of humility most wretched, the dungeon most absolute, of love's bed defiled, and birth dishonored, and most bloody, unspeakable, sudden death. Yes, the darkness hummed with murder: the body in the water, the body in the fire, the body on the tree. John looked down the line of these armies of darkness, army upon army, and his soul whispered: Who are these? Who are they? And wondered: Where shall I go?
James Baldwin (Go Tell It on the Mountain)
She had been wrong in thinking Christ had been called up against his will to fight in a war. He didn't look - in spite of the crown of thorns - like someone making a sacrifice. Or even like someone determined to "do his bit". He looked instead like Marjorie had looked telling Polly she'd joined the Nursing Service, like Mr Humphreys had looked filling buckets with water and sand to save Saint Paul's, like Miss Laburnum had looked that day she came to Townsend Brothers with the coats. He looked like Captain Faulknor must have looked, lashing the ships together. Like Ernest Shackleton, setting out in that tiny boat across icy seas. Like Colin helping Mr Dunworthy across the wreckage. He looked ... contented. As if he was where he wanted to be, doing what he wanted to do. Like Eileen had looked, telling Polly she'd decided to stay. Like Mike must have looked in Kent, composing engagement announcements and letters to the editor. Like I must have looked there in the rubble with Sir Godfrey, my hand pressed against his heart. Exalted. Happy. To do something for someone or something you loved - England or Shakespeare or a dog or the Hodbins or history - wasn't a sacrifice at all. Even if it cost you your freedom, your life, your youth.
Connie Willis (All Clear (All Clear, #2))
I left the apartment without even bothering to close the door behind me. Once outside, I faced a world of buildings and faces that seemed strange and distant. I started to walk aimlessly, oblivious to the cold and the rain-filled wind that was starting to lash the town with the breath of a curse.
Carlos Ruiz Zafón (The Angel's Game (The Cemetery of Forgotten Books, #2))
Jacin’s fingers curled around his knife. It was torture. Jacin looked more afraid than when he’s stood on trial. More afraid than when his torso had been stripped raw from the lashings. This was the last time she would ever see him. This was her last moment. Her last breath. Suddenly, all of the politics and all of the games stopped mattering. Suddenly, she felt daring. “Jacin,” she said, with a shaky smile. “You must know. I cannot remember a time when I didn’t love you. I don’t think such a time ever existed.” His eyes filled with a thousand emotions. But before he could say whatever he would say, before he could kill her, Winter grabbed the front of his shirt with both hands and kissed him. He thawed much quicker than shed expected. Almost instantly, like he’d been waiting for this moment, he grabbed her hips and pulled her against him with a possessiveness that overwhelmed her. His lips were desperate and starved as he leaned into the kiss, pressing her against the rail. She gasped, and he deepened the kiss, threading one hand into the hair at the nape of her neck. Her head swam, muddles with heat and a lifetime of desire. Jacin’s other hand abandoned her hip. She heard the ring of steel as the knife was pulled from its scabbard. Winter shuddered and kissed him harder, filling it with every fantasy she’d ever had. Jacin’s hand slipped out of her hair. His arm encircled her. He held her against him like he couldn’t get close enough. Like he meant to absorb her body into his. Releasing his shirt, Winter found his neck, his jaw. She felt the tips of his hair on her thumbs. He made a noise and she couldn’t tell if it was desire or pain or regret or a mix of everything. His arm tensed against her back. His weight shifted as he raised the knife.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
I stared at him, baffled. But at that moment Gideon began to play, and I entirely forgot what I had been going to ask the count. Oh, my god! Maybe it was the punch—but wow! That violin was really sexy! Even the way Gideon raised it and tucked it under his chin! He didn’t have to do more than that to carry me away with him. His long lashes cast shadows on his cheeks, and a lock of hair fell over his face as he began passing the bow over the strings. The first notes filling the room almost took my breath away, they made such tender, melting music, and suddenly I was close to tears. Until now, violins had been way down on my list of favorite instruments, and I really liked them only for accompanying certain moments in films. But this was just incredibly wonderful—well, all of it was: the bittersweet melody and boy enticing it out of the instrument. All the people in the room listened with bated breath, and Gideon played on, immersed in the music as if there were no one else there. I didn’t notice that I was crying until the count touched my cheek and caught a tear gently with his finger. Then I jumped in alarm. He was smiling down at me, and I saw a warm glow in his dark brown eyes. “Nothing to be ashamed of,” he said quietly. “If it were otherwise, I’d have been very disappointed.
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
His sensitive nature was still smarting under the lashes of an undivided and squalid way of life. His soul was still disquieted and cast down by the dull phenomenon of Dublin. He had emerged from a two years' spell of revery to find himself in the midst of a new scene, every event and figure of which affected him intimately, disheartened him or allured and, whether alluring or disheartening, filled him always with unrest and bitter thoughts. All the leisure which his school life left him was passed in the company of subversive writers whose jibes and violence of speech set up a ferment in his brain before they passed out of it into his crude writings.
James Joyce (A Portrait of the Artist as a Young Man)
I see it all. I feel it all. I am inspired. My eyes fill with tears. Yet even as I feel this. I lash my frenzy higher and higher. It foams. It becomes artificial, insincere. Words and words and words, how they gallop - how they lash their long manes and tails, but for some fault in me I cannot fly with them, scattering women and string bags. There is some flaw in me - some fatal hesitancy, which, if I pass it over, turns to foam and falsity
Virginia Woolf (The Waves)
I felt myself floating between two worlds. There was the ocean, effectively infinite, falling away forever to the horizon. This morning it was placid, its grip on me loose and languorous. But I was lashed to its moods now. The attachment felt limitless, irresistible. I no longer thought of waves being carved in celestial workshops. I was getting more hardheaded. Now I knew they originated in distant storms, which moved, as it were, upon the face of the deep. But my utter absorption in surfing had no rational content. It simply compelled me; there was a deep mine of beauty and wonder in it. Beyond that, I could not have explained why I did it. I knew vaguely that it filled a psychic cavity of some kind—connected, perhaps, with leaving the church, or with, more likely, the slow drift away from my family—and that it had replaced many things that came before it. I was a sunburnt pagan now. I felt privy to mysteries.
William Finnegan (Barbarian Days: A Surfing Life (Pulitzer Prize Winner))
Cinder." Kai pulled one leg onto the bank, turning his body so they were facing each other. He took her hands between his and her heart began to drum unexpectedly. Not because of his touch, and not even because of his low, serious tone, but because it occurred to Cinder all at once that Kai was nervous. Kai was never nervous. "I asked you once," he said, running his thumbs over her knuckles, "if you thought you would ever be willing to wear a crown again. Not as the queen of Luna, but ... as my empress. And you said that you would consider it, someday." She swallowed a breath of cool night air. "And ... this is that day?" His lips twitched, but didn't quite become a smile. "I love you. I want to be with you for the rest of my life. I want to marry you, and, yes, I want you to be my empress." Cinder gaped at him for a long moment before she whispered, "That's a lot of wanting." "You have no idea." She lowered her lashes. "I might have some idea." Kai released one of her hands and she looked up again to see him reaching into his pocket - the same that had held Wolf's and Scarlet's wedding rings before. His fist was closed when he pulled it out and Kai held it toward her, released a slow breath, and opened his fingers to reveal a stunning ring with a large ruby ringed in diamonds. It didn't take long for her retina scanner to measure the ring, and within seconds it was filling her in on far more information than she needed - inane worlds like carats and clarity scrolled past her vision. But it was the ring's history that snagged her attention. It had been his mother's engagement ring once, and his grandmother's before that. Kai took her hand and slipped the ring onto her finger. Metal clinked against metal, and the priceless gem looked as ridiculous against her cyborg plating as the simple gold band had looked on Wolf's enormous, deformed, slightly hairy hand. Cinder pressed her lips together and swallowed, hard, before daring to meet Kai's gaze again. "Cinder," he said, "will you marry me?" Absurd, she thought. The emperor of the Eastern Commonwealth was proposing to her. It was uncanny. It was hysterical. But it was Kai, and somehow, that also made it exactly right. "Yes," she whispered. "I will marry you." Those simple words hung between them for a breath, and then she grinned and kissed him, amazed that her declaration didn't bring the surge of anxiety she would have expected years ago. He drew her into his arms, laughing between kisses, and she suddenly started to laugh too. She felt strangely delirious. They had stood against all adversity to be together, and now they would forge their own path to love. She would be Kai's wife. She would be the Commonwealth's empress. And she had every intention of being blissfully happy for ever, ever after.
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
Don’t try to talk—just breathe. Another long, slow one…another. Good girl.” As Annabelle gradually recovered her breath, the panic began to fade. He was right…it was easier if she didn’t struggle. The sound of her fitful gasping was underlaid by the mesmerizing softness of his voice. “That’s right,” he murmured. “That’s the way of it.” His hand continued to move in a slow, easy rotation over her chest. There was nothing sexual in his touch—in fact, she might have been a child he was trying to soothe. Annabelle was amazed. Who would have ever dreamed that Simon Hunt could be so kind? Filled with equal parts of confusion and gratitude, Annabelle fumbled for the large hand that moved so gently on her chest. She was so feeble that the gesture required all her strength. Assuming that she was trying to push him away, Hunt began to withdraw, but as he felt her fingers curl around two of his, he went very still. “Thank you,” she whispered. The touch made Hunt tense visibly, as if the contact had sent a shock through his body. He stared not at her face but at the delicate fingers entwined with his, in the manner of a man who was trying to solve a complex puzzle. Remaining motionless, he prolonged the moment, his lashes lowering to conceal his expression.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
The icy water hit hard as earth. She thrashed on instinct, but Jacks held her tightly. His arms were unyielding, dragging her up through the crashing waves. Salt water snaked up her nose, and the cold filled her veins. She was coughing and sputtering, barely able to take down air as Jacks swam to shore with her in tow. He held her close and carried her from the ocean as if his life depended on it instead of hers. 'I will not let you die.' A single bead of water dripped from Jacks' lashes on to her lips. It was raindrop soft, but the look in his eyes held the force of a storm. It should have been too dark to his expression, but the crescent moon burned brighter with each second, lining edges of Jacks' cheekbones as he looked at her with too much intensity. The crashing ocean felt suddenly quiet in contrast to her pounding heart, or maybe it was his heart. Jacks' chest was heaving, his clothes were soaked, his hair was a mess across his face- yet in that moment, Evangeline knew he would carry her through fire if he had to, haul her from the clutches of war, from falling cities and breaking worlds. And for one brittle heartbeat, Evangeline understood why so many girls died from his lips. If Jacks hadn't betrayed her, if he hadn't set her up for murder, she might have been a little bewitched by him.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
Then there was the smell of heather crushed and the roughness of the bent stalks under her head and the sun bright on her closed eyes and all his life he would remember the curve of her throat with her head pushed back into the heather roots and her lips that moved smally and by themselves and the fluttering of the lashes on the eyes tight closed against the sun and against everything, and for her everything was red, orange gold-red from the sun on the closed eyes, and it all was that color, all of it, the filling, the possessing, the having, all of that color, all in a blindness of that color. For him it was a dark passage which led to nowhere, then to nowhere, then again to nowhere, once again to nowhere, always and forever to nowhere, heavy on the elbows in the earth to nowhere, dark, never any end to nowhere, hung on all time always to unknowing nowhere, this time and again for always to nowhere, now not to be borne once again always and to nowhere, now beyond all bearing up, up, up and into nowhere, suddenly, scaldingly, holdingly all nowhere gone and time absolutely still and they were both there, time having stopped and he felt the earth move out and away from under them.
Ernest Hemingway (For Whom the Bell Tolls)
I can't believe you're here," I hear myself say in a voice that does not sound like my voice. It is a voice filled with twinkly stars, with overly lashed cartoon eyes.
Mona Awad (Bunny)
But my eyes are quickly drawn away from the wand to her hand. It’s covered with deep, bloody lash marks that continue up her wrist and disappear beneath the sleeve of her cloak. I gasp in horror. “Holy Ancient One, what happened?” Her eyes are briefly filled with despair before they harden again, a bitter smile forming on her mouth. “I did not honor my wandfasting,” she whispers acidly.
Laurie Forest (The Black Witch (The Black Witch Chronicles, #1))
Do you prefer burned or raw?" "I'll have the burned portion, thank you." "Excellent choice. The turnips will complement them perfectly." He winked at her and filled their plates with such amused spirits that Sophia found herself watching him through her lashes. What was wrong with this man? Surely he wasn't used to such horrid meals? Yet to watch him eat with such enthusiasm, you'd think he was starving.
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
The Fall of Rome (for Cyril Connolly) The piers are pummelled by the waves; In a lonely field the rain Lashes an abandoned train; Outlaws fill the mountain caves. Fantastic grow the evening gowns; Agents of the Fisc pursue Absconding tax-defaulters through The sewers of provincial towns. Private rites of magic send The temple prostitutes to sleep; All the literati keep An imaginary friend. Cerebrotonic Cato may Extol the Ancient Disciplines, But the muscle-bound Marines Mutiny for food and pay. Caesar's double-bed is warm As an unimportant clerk Writes I DO NOT LIKE MY WORK On a pink official form. Unendowed with wealth or pity, Little birds with scarlet legs, Sitting on their speckled eggs, Eye each flu-infected city. Altogether elsewhere, vast Herds of reindeer move across Miles and miles of golden moss, Silently and very fast.
W.H. Auden
our goods and money are consumed by taxation; our land is stripped of its harvest to fill their granaries; our hands and limbs are crippled by building roads through forests and swamps under the lash of our oppressors’.
Peter Ackroyd (Foundation: The History of England Volume 1: The History of England Volume I)
What was his place? he wondered. Where was his world? He had sometimes stood on the riverbank and told himself: Deep down in the cold water is your world; a rock lashed to your feet is your clothing for that world. To enter it you need only to climb to the place above the rapids, where the pool is, where it is always calm, so it must be deep, and there bury yourself and leave a world that is not your own and find a garden, long fields already cleared and cribs already filled, a new place in which a weakness in a man is a matter for a word or chide, not a break through which the terrors of the world flow in.
John Ehle (The Land Breakers)
If you are wrong, then I am wrong too.” Cassius’s eyes widened. He found he could not breathe. Did he mean…? “Your Highness?” he whispered as he was drawn into his searing gaze filled with so much longing, Cassius’s chest ached. “I am a simple man with simple desires. Same as you.” Before Cassius could decipher what was transpiring, Prince Merrick’s mouth came down on his. It began as such a gentle press of lips that Cassius wasn’t sure it was really happening. Then Prince Merrick’s tongue lashed against Cassius’s in what felt like a plea. Cassius could not deny Merrick or himself, so he opened up, and the prince’s tongue slipped inside
Riley Hart (Ever After)
His breath was a sucking gasp that sounded more like a draining tub than a man filling his lungs with air. Then she heard him form the words “Play dead.” So Livia did. She closed her eyes as much as she dared. She could still see outlines through her lashes. She squeezed her hands against Blake’s chest. Hold on, Blake. Stay with me.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
Silence shudders and dies. Music fills my ears. My own creation. My own twisted beast. I form it from nothing but my own pain and torture. Dark, pulsing notes. Lashing chords. A song that’s all about bleeding and destruction. It twines with my heart and gives me energy when I had none before. I play until my fingers start throbbing. Then I stop. Spent.
Nelia Alarcon (The Broken Note (Redwood Kings #3))
Azami shuddered, her lips trembling, and then she consumed him as aggressively and as honestly as he did her. He felt her inside of his mind, running like lava through his veins, wrapping around his heart and filling his very bones with her. “This is madness,” she whispered against his mouth when they both came up for air. Her dark eyes searched his face. Sam didn’t have any answers. He knew she was right. They might be on opposite sides in a deadly war, yet he couldn’t let her go. She fit with him. The world around them was out of sync, not the two of them. “I know,” he admitted as he rested his forehead against hers, looking into her eyes. “What are we going to do now?” A slow smile curved his mouth. “I really expected you to kill me so I wouldn’t have to figure that part out.” She blinked, her black fan of thick silky lashes fluttering as wildly as her heart. She moistened her lips. “You’re not getting off that easily.” Sam watched the dawning smile, the way her soft mouth curved and the warmth spread to her dark eyes with absolute fascination. “Well. Damn.
Christine Feehan (Samurai Game (GhostWalkers, #10))
The woman, who belonged to the courtesan class, was celebrated for an embonpoint unusual for her age, which had earned for her the sobriquet of "Boule de Suif" (Tallow Ball). Short and round, fat as a pig, with puffy fingers constricted at the joints, looking like rows of short sausages; with a shiny, tightly-stretched skin and an enormous bust filling out the bodice of her dress, she was yet attractive and much sought after, owing to her fresh and pleasing appearance. Her face was like a crimson apple, a peony-bud just bursting into bloom; she had two magnificent dark eyes, fringed with thick, heavy lashes, which cast a shadow into their depths; her mouth was small, ripe, kissable, and was furnished with the tiniest of white teeth.
Guy de Maupassant (Complete Original Short Stories of Guy De Maupassant)
Dimitri? She tried not to influence him. It was their decision together, not just hers. She knew he would listen with an open mind to her reasons and she wanted to be able to do the same for him. His laughter was soft in her mind, filling her with an odd tingling sensation, with a small rush of heat. Skyler. That was it. Her name. She sent him a look from under her lashes, one she usually reserved for Josef. Are you mocking me? Teasing you. Just a little. We’re getting the wolf pups. How could I possibly say no to a gift like that? You would never stop arguing with me. Discussing. I was totally prepared to be reasonable and listen to you and then show you all the reasons you were absolutely wrong if you disagreed. Dimitri burst out laughing.
Christine Feehan (Dark Wolf (Dark, #22))
ODE TO A HAGGIS Fair fa’ your honest, sonsie face, Great Chieftan o’ the Puddin-race! Aboon them a’ ye tak your place, Painch, tripe, or thairm: Weel are ye wordy of a grace As lang’s my arm The groaning trencher there ye fill, Your hurdies like a distant hill, You pin wad help to mend a mill In time o’need While thro’ your pores the dews distil Like amber bead His knife see Rustic-labour dight, An’ cut you up wi’ ready slight, Trenching your gushing entrails bright Like onie ditch; And then, O what a glorious sight, Warm-reeking, rich! Then, horn for horn they stretch an’ strive, Deil tak the hindmost, on they drive, Till a’ their weel-swall’d kytes belyve Are bent like drums; Then auld Guidman, maist like to rive Bethankit hums Is there that owre his French ragout, Or olio that wad staw a sow, Or fricassee wad mak her spew Wi’ perfect sconner, Looks down wi’ sneering, scornfu’ view On sic a dinner? Poor devil! see him owre his trash, As feckless as a wither’d rash His spindle-shank a guid whip-lash, His nieve a nit; Thro’ bluidy flood or field to dash, O how unfit! But mark the Rustic, haggis-fed, The trembling earth resounds his tread, Clap in his walie nieve a blade, He’ll mak it whissle; An’ legs, an’ arms an’ heads will sned, Like taps o’ thrissle Ye pow’rs wha mak mankind your care, An’ dish them out their bill o’fare, Auld Scotland wants nae skinking ware That jaups in luggies; But, if ye wish her gratefu’ pray’r, Gie her a Haggis!
Robert Burns
By love, I mean filling herself with small right intentions. By life, I mean she looks at you from the railings. A kind of dare is in her, her tail curled like a bass clef, or mutant fern. You won't catch her. She's scrolling from scent to sound to slightest motion. However the light moves might be ruin, or rich enough to rob. The way she ransacks, hoards, loses, lashes, bluffs the crouched cat, the unleashed dog, her death, a dozen times a day, is what I mean by hopeless how she loves this life.
Max Garland (The Word We Used For It (Wisconsin Poetry Series))
His breath fell in a warm, even rhythm on the curve of her cheek. “Some people think of the bee as a sacred insect,” he said. “It’s a symbol of reincarnation.” “I don’t believe in reincarnation,” she muttered. There was a smile in his voice. “What a surprise. At the very least, the bees’ presence in your home is a sign of good things to come.” Her voice was buried in the fine wool of his coat. “Wh-what does it mean if there are thousands of bees in one’s home?” He shifted her higher in his arms, his lips curving gently against the cold rim of her ear. “Probably that we’ll have plenty of honey for teatime. We’re going through the doorway now. In a moment I’m going to set you on your feet.” Amelia kept her face against him, her fingertips digging into the layers of his clothes. “Are they following?” “No. They want to stay near the hive. Their main concern is to protect the queen from predators.” “She has nothing to fear from me!” Laughter rustled in his throat. With extreme care, he lowered Amelia’s feet to the floor. Keeping one arm around her, he reached with the other to close the door. “There. We’re out of the room. You’re safe.” His hand passed over her hair. “You can open your eyes now.” Clutching the lapels of his coat, Amelia stood and waited for a feeling of relief that didn’t come. Her heart was racing too hard, too fast. Her chest ached from the strain of her breathing. Her lashes lifted, but all she could see was a shower of sparks. “Amelia … easy. You’re all right.” His hands chased the shivers that ran up and down her back. “Slow down, sweetheart.” She couldn’t. Her lungs were about to burst. No matter how hard she worked, she couldn’t get enough air. Bees … the sound of buzzing was still in her ears. She heard his voice as if from a great distance, and she felt his arms go around her again as she sank into layers of gray softness. After what could have been a minute or an hour, pleasant sensations filtered through the haze. A tender pressure moved over her forehead. The gentle brushes touched her eyelids, slid to her cheeks. Strong arms held her against a comfortingly hard surface, while a clean, salt-edged scent filled her nostrils. Her lashes fluttered, and she turned into the warmth with confused pleasure. “There you are,” came a low murmur. Opening her eyes, Amelia saw Cam Rohan’s face above her. They were on the hallway floor—he was holding her in his lap. As if the situation weren’t mortifying enough, the front of her bodice was gaping, and her corset was unhooked. Only her crumpled chemise was left to cover her chest. Amelia stiffened. Until that moment she had never known there was a feeling beyond embarrassment, that made one wish one could crumble into a pile of ashes. “My … my dress…” “You weren’t breathing well. I thought it best to loosen your corset.” “I’ve never fainted before,” she said groggily, struggling to sit up. “You were frightened.” His hand came to the center of her chest, gently pressing her back down. “Rest another minute.” His gaze moved over her wan features. “I think we can conclude you’re not fond of bees.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
See, birds of every varied voice Around us in the woods rejoice, On creeper, shrub, and plant alight, Or wing from tree to tree their flight. Each bird his kindly mate has found, And loud their notes of triumph sound, Blending in sweetest music like The distant warblings of the shrike. See how the river banks are lined With birds of every hue and kind. Here in his joy the Koïl sings, There the glad wild-cock flaps his wings. The blooms of bright Aśokas526where The song of wild bees fills the air, And the soft whisper of the boughs Increase my longing for my spouse. The vernal flush of flower and spray Will burn my very soul away. What use, what care have I for life If I no more may see my wife Soft speaker with the glorious hair, And eyes with silken lashes fair? Now is the time when all day long The Koïls fill the woods with song. And gardens bloom at spring's sweet touch Which my beloved loved so much. Ah me, Sumitrá's son, the fire Of sorrow, sprung from soft desire, Fanned by the charms the spring time shows, Will burn my heart and end my woes, Whose sad eyes look on each fair tree,
Vālmīki (The Rámáyan of Válmíki)
It was slow at first, dead things slowly mouldering away. The flies in the corners, the dried flowers in their clay pots. The stuffed bird Alfie bought, only because he was both fascinated and disgusted by it in equal measures, was molting on it's perch. It's feathers falling like leaves then laying, parched and cracking dry. The sea shells I kept on my windowsill turned slowly back into sand and the wind filtering through the curtains blew the pieces into the creases of my bedsheets. When I pulled them over my head at night they felt like waves crashing against my ears. It made my thoughts sodden and heavy like impalpable clay, they dredged through my mind like half-forgotten things. Wave: a face, a feeling, the ghost of a name balancing on my teeth and ready to- crash: and now gone, like a dream I once tried to remember though it was already evaporating quick from my morning-shaking fingers. I started dreaming of crumbling sandcastles and the ocean lapping at my feet. I woke in waves and lay, rocking, until I got up to place my feet in the quiet carpet and watch through my down-turned, dream-filled lashes, as it exhaled dust at every step.
KI (The Dust Book)
Then there was the smell of heather crushed and the roughness of the bent stalks under her head and the sun bright on her closed eyes and all his life he would remember the curve of her throat with her head pushed back into the heather roots and her lips that moved smally and by themselves and the fluttering of the lashes on the eyes tight closed against the sun and against everything, and for her everything was red, orange, gold-red from the sun on the closed eyes, and it all was that color, all of it, the filling, the possessing, the having, all of that color, all in a blindness of that color. For him it was a dark passage which led to nowhere, then to nowhere, then again to nowhere, once again to nowhere, always and forever to nowhere, heavy on the elbows in the earth to nowhere, dark, never any end to nowhere, hung on all time always to unknowing nowhere, this time and again for always to nowhere, now not to be borne once again always and to nowhere, now beyond all bearing up, up, up and into nowhere, suddenly, scaldingly, holdingly all nowhere gone and time absolutely still and they were both there, time having stopped and he felt the earth move out and away from under them.
Ernest Hemingway (For Whom the Bell Tolls)
Crouching over her, St. Vincent teased and fondled until he felt her hips rising tentatively against his hand. "I want to be inside you," he whispered, kissing the side of her neck. "I want to go deep into your body... I'll be so gentle, love... let me turn you over, and... God, you're so lovely..." He pressed her on her back, and settled between her widespread thighs, his whisper becoming frayed and unsteady. "Touch me, sweetheart... put your hand there..." He sucked in a quick breath as her fingers curved gently around the hard length of his sex. Evie stroked him hesitantly, understanding from the quickening of his breath that the caress gave him pleasure. His eyes closed, the thick lashes trembling slightly against his cheeks, his lips parting from the force of his sharp respirations. Awkwardly, she gripped the heavy shaft and guided it between her thighs. The head of it slipped against the wetness of her sex, and St. Vincent groaned as if in pain. Trying again, Evie positioned him uncertainly. Once in place, he nudged strongly into the vulnerable cove. It burned far more than when he had put his fingers in her, and Evie tensed against the pain. Cradling her body in his arms, St. Vincent moved in a powerful thrust, and another, and then he was all the way inside. She writhed with the impulse to escape the hurtful invasion, but it seemed that each movement only drew him deeper. Filled and stretched and opened, Evie forced herself to lie still in his arms. She held on to his shoulders, her fingertips digging into the hard quilting of muscle and sinew, and she let him soothe her with his mouth and hands. His brilliant eyes were heavy-lidded as he bent to kiss her. Welcoming the warm sleekness of his tongue, she drew it into her mouth with eager, awkward suction. He made a low sound of surprise, shuddering, and his shaft jerked violently inside her in a series of rhythmic spasms.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
wanted to hear the legendary songs, but he didn’t want to kill himself and his crew. So he hatched a plan. He knew that when he heard the music, he would be unable to resist steering toward the island’s rocks. The problem wasn’t the present rational Ulysses, but instead the future, illogical Ulysses – the person he’d become when the Sirens came within earshot. So Ulysses ordered his men to lash him securely to the mast of the ship. They filled their ears with beeswax so as not to hear the Sirens, and they rowed under strict orders to ignore any of his pleas and cries and writhing. Ulysses knew that his future self would be in no position to make good decisions. So
David Eagleman (The Brain: The Story of You)
The air was steeped with the heady fragrance of roses, as if the entire hall had been rinsed with expensive perfume. "Good Lord!" she exclaimed, stopping short at the sight of massive bunches of flowers being brought in from a cart outside. Mountains of white roses, some of them tightly furled buds, some in glorious full bloom. Two footmen had been recruited to assist the driver of the cart, and the three of them kept going outside to fetch bouquet after bouquet wrapped in stiff white lace paper. "Fifteen dozen of them," Marcus said brusquely. "I doubt there's a single white rose left in London." Aline could not believe how fast her heart was beating. Slowly she moved forward and drew a single rose from one of the bouquets. Cupping the delicate bowl of the blossom with her fingers, she bent her head to inhale its lavish perfume. Its petals were a cool brush of silk against her cheek. "There's something else," Marcus said. Following his gaze, Aline saw the butler directing yet another footman to pry open a huge crate filled with brick-sized parcels wrapped in brown paper. "What are they, Salter?" "With your permission, my lady, I will find out." The elderly butler unwrapped one of the parcels with great care. He spread the waxed brown paper open to reveal a damply fragrant loaf of gingerbread, its spice adding a pungent note to the smell of the roses. Aline put her hand over her mouth to contain a bubbling laugh, while some undefinable emotion caused her entire body to tremble. The offering worried her terribly, and at the same time, she was insanely pleased by the extravagance of it. "Gingerbread?" Marcus asked incredulously. "Why the hell would McKenna send you an entire crate of gingerbread?" "Because I like it," came Aline's breathless reply. "How do you know this is from McKenna?" Marcus gave her a speaking look, as if only an imbecile would suppose otherwise. Fumbling a little with the envelope, Aline extracted a folded sheet of paper. It was covered in a bold scrawl, the penmanship serviceable and without flourishes. No miles of level desert, no jagged mountain heights, no sea of endless blue Neither words nor tears, nor silent fears will keep me from coming back to you. There was no signature... none was necessary. Aline closed her eyes, while her nose stung and hot tears squeezed from beneath her lashes. She pressed her lips briefly to the letter, not caring what Marcus thought. "It's a poem," she said unsteadily. "A terrible one." It was the loveliest thing she had ever read. She held it to her cheek, then used her sleeve to blot her eyes. "Let me see it." Immediately Aline tucked the poem into her bodice. "No, it's private." She swallowed against the tightness of her throat, willing the surge of unruly emotion to recede. "McKenna," she whispered, "how you devastate me.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
A museum employee walked through interrupting the conversation; he nodded to the couple before disappearing again. Nora hooks her arm with his leading him to a new painting. Stopping before a portrait of a young girl, she identifies this as the one she restored for the Art Academy. Oss glanced around ensuring their privacy then squeezed her elbow. She looked up at him from beneath feathered lashes and the outside world ceased to exist. Brushing his lips to hers, the fresh scent of her fragrance filled his mind. Raids, mobsters and crooked cops receded to distance recesses in his mind. Soft lips caressed his, his mind exploded in color. Two lonely people were falling in love; only the girl in the portrait bore witness to this extraordinary event. ~ The love story of Oss and Nora
Caroline Walken (Reggie's No Limit (The Willows #2))
The Fall of Rome - 1907-1973 The piers are pummelled by the waves; In a lonely field the rain Lashes an abandoned train; Outlaws fill the mountain caves. Fantastic grow the evening gowns; Agents of the Fisc pursue Absconding tax-defaulters through The sewers of provincial towns. Private rites of magic send The temple prostitutes to sleep; All the literati keep An imaginary friend. Cerebrotonic Cato may Extol the Ancient Disciplines, But the muscle-bound Marines Mutiny for food and pay. Caesar's double-bed is warm As an unimportant clerk Writes I DO NOT LIKE MY WORK On a pink official form. Unendowed with wealth or pity, Little birds with scarlet legs, Sitting on their speckled eggs, Eye each flu-infected city. Altogether elsewhere, vast Herds of reindeer move across Miles and miles of golden moss, Silently and very fast.
W.H. Auden
Don’t act like you know the first thing about the continent,” I snapped. “It isn’t as though you’ve ever visited.” He flinched, silent for a moment. “Have you?” “No,” I admitted. “But I very likely would have if you hadn’t kidnapped me.” “I didn’t kidnap you,” Tristan said, his voice filled with irritation. “Your friend Luc did.” “He wouldn’t have done so, if not for you. And he isn’t my friend.” “That might be the case, but I don’t doubt that he’d have substituted an equivalently dastardly deed in its place.” He pointed a finger at me. “Mark my words, the boy was of a vile sort.” “Then you are two of a kind,” I snapped. “Ha ha,” Tristan snorted. “How dreadfully clever. And speaking of clever, is this to be your bid for escape?” He contemplated my clothing. “In a dressing gown and bare feet? Now tell me, if I go put on nightclothes and slippers, might I join you, or is this a solo adventure?” My eyes stung. “You think this is all exceedingly funny, don’t you? I’m nothing but a joke to you.” His brow creased in a frown. “If you’re a joke, it isn’t an especially humorous one.” I threw up my hands in frustration. “You are the most intolerable individual I’ve ever met.” He bowed. “Why, thank you, Cécile. Always a pleasure to have one’s accomplishments recognized.” “You are the last person in the world I’d choose to marry,” I hissed. “I don’t entirely relish the idea myself,” Tristan said, “but sometimes we must do the unthinkable.” “Why must I?” Tristan tipped his head slightly, expression considering. “Because you have no choice,” he finally said. “Just as I have no choice. There is no way for you to escape Trollus, Cécile, and if you were caught in the attempt…” His eyes closed, black lashes resting against his cheeks. “My father’s anger is a formidable thing, and I do not wish to see you harmed for aggravating him.
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
Outside, the floorboards creaked from the weight of a person walking, as if complete silence were a cloak the enemy could wear and discard at will. The treading of heavy boots came closer and closer. The doorway filled, blacking out the faint light from the hall, and a tall, incredibly tall, figure stepped inside. A thin line of blood trickled from its throat, as if it had been beheaded and glued back together. A dress of green silk billowed underneath the wound. Its face was a white mask, and its eyes were monstrous streaks of red. Trembling, Kuji raised his blade. He moved so slowly it felt like he was swimming through mud. The creature watched him swing his sword, its eyes on the metal, and somehow, he knew it was fully capable of putting a stop to the action. If it cared to. The edge of the dao bit into his opponent’s shoulder. There was a snapping noise, and a sudden pain lashed his cheek. The sword had broken, the top half bouncing back in Kuji’s face. It was a spirit. It had to be. It was a spirit that could pass through walls, a ghost that could float over floors, a beast impervious to blades. Kuji dropped the handle of the useless sword. His mother had told him once that invoking the Avatar could safeguard him from evil. He’d known as a child she was making up stories. But that didn’t mean he couldn’t decide to believe them right now. Right now, he believed harder than he believed anything in his life. “The Avatar protect me,” he whispered while he could still speak. He fell on his behind and scrambled to the corner of the room, blanketed completely by the spirit’s long shadow. “Yangchen protect me!” The spirit woman followed him and lowered her red-and-white face to his. A human would have passed some kind of judgment on Kuji as he cowered like this. The cold disregard in her eyes was worse than any pity or sadistic amusement. “Yangchen isn’t here right now,” she said in a rich, commanding voice that would have been beautiful had she not held such clear indifference for his life. “I am.
F.C. Yee (Avatar: The Shadow of Kyoshi (The Kyoshi Novels, #2))
What’s more, if the Varden lose, Eragon and I can be together as brothers ought to be. But if they win, it’ll mean the death of Thorn and me. It’ll have to.” “Oh? And what of me?” she asked. “If Galbatorix wins, shall I become his slave, to order about as he wills?” Murtagh refused to answer, but she saw the tendons on the back of his hands tighten. “You can’t give up, Murtagh.” “What other choice do I have!” he shouted, filling the room with echoes. She stood and stared down at him. “You can fight! Look at me…Look at me!” He reluctantly lifted his gaze. “You can find ways to work against him. That’s what you can do! Even if your oaths will allow only the smallest of rebellions, the smallest of rebellions might still prove to be his undoing.” She restated his question for effect. “What other choice do you have? You can go around feeling helpless and miserable for the rest of your life. You can let Galbatorix turn you into a monster. Or you can fight!” She spread her arms so that he could see all of the burn marks on her. “Do you enjoy hurting me?” “No!” he exclaimed. “Then fight, blast you! You have to fight or you will lose everything you are. As will Thorn.” She held her ground as he sprang to his feet, lithe as a cat, and moved toward her until he was only a few inches away. The muscles in his jaw bunched and knotted while he glowered at her, breathing heavily through his nostrils. She recognized his expression, for it was one she had seen many times before. His was the look of a man whose pride had been offended and who wanted to lash out at the person who had insulted him. It was dangerous to keep pushing him, but she knew she had to, for she might never get the chance again. “If I can keep fighting,” she said, “then so can you.” “Back to the stone,” he said in a harsh voice. “I know you’re not a coward, Murtagh. Better to die than to live as a slave to one such as Galbatorix. At least then you might accomplish some good, and your name might be remembered with a measure of kindness after you’re gone.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
I recall certain moments, let us call them icebergs in paradise, when after having had my fill of her—after fabulous, insane exertions that left me limp and azure-barred—I would gather her in my arms with, at last, a mute moan of human tenderness (her skin glistening in the neon light coming from the paved court through the slits in the blind, her soot-black lashes matted, her grave gray eyes more vacant than ever—for all the world a little patient still in the confusion of a drug after a major operation)—and the tenderness would deepen to shame and despair, and I would lull and rock my lone light Lolita in my marble arms, and moan in her warm hair, and caress her at random and mutely ask her blessing, and at the peak of this human agonized selfless tenderness (with my soul actually hanging around her naked body and ready to repent), all at once, ironically, horribly, lust would swell again—and “oh, no” Lolita would say with a sigh to heaven, and the next moment the tenderness and the azure—all would be shattered
Vladimir Nabokov (Lolita)
Villiam wondered at the bleeding eye sockets. The horse blinked its long lashes, neighed, then seemed to stare deeply at Villiam, who kissed it on its dry black nose. The feeling of the chapped skin against his lips elicited a thought—a revelation. ‘This horse is a revelation!’ he exclaimed. Then he snapped his fingers and demanded the stableboys do a little dance for him. He clapped along to the rhythm of their feet. Villiam felt very happy. Of all those at the manor, he was the only one to appreciate that the horse had found its way home without sight. That was loyalty. Forget Dibra. She, like Luka, would get what she deserved. Villiam would not lament his wife’s disappearance. No, he would celebrate. Something good was coming. Villiam believed this in his heart as much as he believed himself to be at the heart of all things. ‘Hallelujah!’ And just like that, thunder clapped, and the sky filled with black clouds. ‘You see?’ Villiam cried. He kissed the blind horse’s snout again and trudged back up to the manor, just in time to stay out of the rain.
Ottessa Moshfegh (Lapvona)
Beneath the bed of the river, below silts almost a storey thick, rested the remains of almost sixteen thousand citizens of Letheras. Their bones filled ancient wells that had been drilled before the river’s arrival – before the drainage course from the far eastern mountains changed cataclysmically, making the serpent lash its tail, the torrent carving a new channel, one that inundated a nascent city countless millennia ago. Letherii engineers centuries past had stumbled upon these submerged constructs, wondering at the humped corridors and the domed chambers, wondering at the huge, deep wells with their clear, cold water. And baffled to explain how such tunnels remained more or less dry, the cut channels seeming to absorb water like runners of sponge. No records existed any more recounting these discoveries – the tunnels and chambers and wells were lost knowledge to all but a chosen few. And of the existence of parallel passages, the hidden doors in the walls of corridors, and the hundreds of lesser tombs, not even those few were aware. Certain secrets belonged exclusively to the gods.
Steven Erikson (Reaper's Gale (Malazan Book of the Fallen, #7))
Look at me," she ordered softly as she leaned her head against the wall behind her. Slowly, he obeyed. Lifting his lashes, he gazed into her eyes. "Keep looking at me, Rohan." She held his stare as he continued making love to her. "I love you. God, I love you, past all reason." She felt him trembling with emotion, but she needed him to know here and now that this was not a liaison with just anyone. This time, he was with someone who loved him beyond the point of all reckoning. A woman who'd fight for him, who, she feared, would even die for him, gladly, if it came down to it. "Yes," she breathed as she petted him, soothing away his grief. "Give it all to me, darling. I can take it. I know who you are." She saw the torment and the heavy haze of pleasure in his eyes, still holding his stormy gaze as he reached his climax. He held her in a crushing embrace, looking helplessly into her eyes as he filled her body with the life-giving liquid of his seed. His massive thrusts in release caressed her core so deeply that she, too, achieved her climax, succumbing to the mind-melting wonder of their total union.
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
Silence stretched, filling the room, and then he said. 'Can I... can I just hold you?' he asked, and I'd never heard him sound so uncertain. 'There are things I should be doing, and I know we're not in public, and I know that what we shared doesn't change anything, but... can I... can we just pretend?' My heart thumped heavily again, and I didn't know if it was the effect of the feeding or what we'd done afterward. Or if it was the softness of his request, the vulnerability of it, and the feeling that things had shifted even more between us. It could've been all those things that led me to say, 'You can.' Casteel's exhale was ragged, but he didn't move. When I looked over my shoulder, his eyes were closed, his lips parted. I wondered if he was all right. 'Casteel?' Think lashes swept up, revealing extraordinarily bright amber eyes. 'I... I didn't think you'd let me.' Lying my head back down, I wet my lips. 'Should I have not?' 'Yes? No? I don't know.' Casteel moved then, slipping one arm under me and the other around me. He tugged me close, sealing my back to his chest. 'Not takebacks now, though.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
Good morning, I’m Anne Ryan,” she said, producing the driver’s license. The receptionist stood up, nodding. She was wearing latex gloves. And before the woman formerly known as Myfanwy Thomas could say a word, the receptionist wound up and punched her in the face. She flew backward, the pain in her eyes flaring, and shrieked like a train whistle. Through the stars floating in her vision, she could see three men entering the room and shutting the doors behind them. They surrounded her, and one of the men leaned over her with a hypodermic needle in one hand. Filled with a sudden rage, she swung her leg up and kicked him hard between the legs. Squealing, he doubled over, and she lashed out with a fist, catching him hard on the chin. He staggered back onto one of the other men, and she swung herself up, teeth bared, panic rising as she realized that she had no idea how to fight. Still, certain things were obvious. She shoved the man she’d kicked hard, sending him and his friend against the wall. The remaining man and the woman stood back, seeming almost hesitant to touch her. She noticed that the men were also wearing latex gloves. The woman flicked a questioning look to the standing man.
Daniel O'Malley (The Rook (The Checquy Files, #1))
Carrying her over to his bed, he slowly laid her on it. She sank into the mattress with a dreamy murmur of a sigh. Though the protective impulse he had felt toward her earlier had returned full force, the soft and sensual moan from her lips filled him with a moment's blinding lust. Dear God. A tremor of hunger ran through him. His stare traveled over her lax face and down her white neck to her creamy chest. He swallowed hard, gazing at her breasts. Somehow, he became fixated on them again. Heart pounding, he moved slowly and with caution sat on the edge of the bed. Desire slammed through his veins, but he only meant to look. She was a harlot, she wouldn't care, as long as he had money, which he did, lots of it. Yet it amazed him that such beauty could be purchased for the taking. She was exquisite, with the dusky fringe of her lashes fanned above her cheeks in sleep. The thick and wavy cloud of her satiny brown hair flowed back from the pale oval of her face and spilled across his pillow. He marveled at the creamy shimmer of her complexion in the firelight, her flushed cheeks like delicate pink-tinted porcelain. His gaze traveled over her smooth forehead, the delicate twin arches of her light brown eyebrows, and her small, prettily formed nose. He would not have guessed her any common sort of wench. Then his attention strayed to her pink lips in ever-growing desire, a gathering smolder darkening his eyes. She had a very charming chin, slightly pronounced, and hinting at a firm stubbornness of character. He wanted to nibble its smooth rounded curve.
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
Lillian’s lashes lowered as she let him ease her closer, his hand sliding over the length of her spine. Her breasts and waist felt swollen within the insulating grip of her corset, and she suddenly longed to be rid of it. Taking as deep a breath as the stays would allow, she became aware of a sweetly spicy scent in the air. “What is that?” she murmured, drawing in the fragrance. “Cinnamon and wine…” Turning in the circle of his arms, she looked around the spacious bedroom, past the poster bed to the small table that had been set near the window. There was a covered silver dish on the table, from which a few traces of sweet-scented steam were still visible. Perplexed, she twisted back to look at Marcus. “Go and find out,” he said. Curiously Lillian went to investigate. Taking hold of the cover’s handle, which had been wrapped with a linen napkin, she lifted the lid, letting a soft burst of intoxicating fragrance into the air. Momentarily puzzled, Lillian stared at the dish, and then burst out laughing. The white porcelain dish was filled with five perfect pears, all standing on end, their skin gleaming and ruby-red from having been poached in wine. They sat in a pool of clear amber sauce that was redolent of cinnamon and honey. “Since I couldn’t obtain a pear from a bottle for you,” came Marcus’s voice from behind her, “this was the next best alternative.” Lillian picked up a spoon and dug into one of the melting-soft pears, lifting it to her lips with relish. The bite of warm, wine-soaked fruit seemed to dissolve in her mouth, the spiced honey sauce causing a tingle in the back of her throat. “Mmmm…” She closed her eyes in ecstasy. Looking amused, Marcus turned her to face him. His gaze fell to the corner of her lips, where a stray drop of honey sauce glittered. Ducking his head, he kissed and licked away the sticky drop, the caress of his mouth causing a new pleasurable ache deep inside her. “Delicious,” he whispered, his lips settling more firmly, until she felt as if her blood were flowing in streams of white-hot sparks. She dared to share the taste of wine and cinnamon with him, tentatively exploring his mouth with her tongue, and his response was so encouraging that she wrapped her arms around his neck and pressed herself closer. He was delicious, the taste of his mouth clean and sweet, the feel of his lean, solid body immeasurably exciting. Her lungs expanded with shaky-hot breaths, restrained by the clench of her corset stays, and she broke the kiss with a gasp. “I can’t breathe.” Wordlessly Marcus turned her around and unfastened the gown. Reaching her corset, he untied the laces and loosened them with a series of expert tugs, until the stays expanded and Lillian gulped in relief. “Why did you lace so tightly?” she heard him ask. “Because the dress wouldn’t fasten otherwise. And because, according to my mother, Englishmen prefer their women to be narrow-waisted.” Marcus snorted as he eased her back to face him. “Englishmen prefer women to have larger waists in lieu of fainting from lack of oxygen. We’re rather practical that way.” Noticing that the sleeve of her unfastened gown had slipped over her white shoulder, he lowered his mouth to the smooth curve.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
If Nixon set out to be the man who redefined the Republican political center in the post–New Deal, post–Fair Deal age, he did not, nor did any other young Republican politician, dare campaign by suggesting a return to the America that had existed before the New Deal. The phrase “creeping socialism” was about as close as they got to attacking the New Deal on its domestic reforms. Rather, the catchphrases were about a need to return to Americanism. It was better to attack Communism and speak of domestic treason than it was to be specific about reversing the economic redistribution of the New Deal. In fact, Nixon’s essential response to all issues was to raise the specter of Communism: “The commies,” Nixon told the Chicago Tribune’s Seymour Korman during his harsh 1950 senatorial campaign against Helen Gahagan Douglas, “don’t like it when I smash into Truman for his attempted cover-up of the Hiss case ... but the more the commies yell, the surer I am that I’m waging an honest American campaign.” He was, he liked to say, the number one target of the Communists in America. In those early campaigns, he was, it seemed, a man who needed an enemy and who seemed almost to feel that he functioned best when the world was against him. Such men, almost surely, eventually do get the enemies they so desperately want. If the leaders of a nation as powerful as the United States needed, above all, personal confidence—Oliver Wendell Holmes once said of the young Franklin Roosevelt that he had a third-rate intellect but a first-rate temperament—Nixon was ill-prepared for his long journey in American politics. Emotional strength and self-confidence were missing from him. Everything with Nixon was personal. When others disagreed with him, it was as if they wanted to strip away his hard-won veneer of success and reduce him to the unhappy boy he had once been. In political terms that had bitter consequences: He would lash out at others in attacks that seemed to go far beyond the acceptable norms of partisanship; if others struck back at him, he saw himself as a victim. Just beneath the surface of this modern young politician was a man who, in Bob Taft’s phrase, seemed “to radiate tension and conflict.” He was filled with the resentments of class one would have expected in a New Deal Democrat.
David Halberstam (The Fifties)
When I Want to Be More Like Jesus Whoever keeps His word, truly the love of God is perfected in him. By this we know that we are in Him. He who says he abides in Him ought himself also to walk just as He walked. 1 JOHN 2:5-6 NOTHING REVEALS to a woman how close or far away she is from being like Jesus than the relationship she has with her husband. The way she thinks, talks, acts, and reacts around him—or in response to him—shows her how far she has to go in order to become all that God wants her to be. Marriage is one of the true testing grounds for what is in all of us. Any selfishness, inconsideration, or lack of love in either a husband or wife will be revealed as they live together day after day, year after year. But if ever a woman doesn’t like what she sees happening in herself with regard to her marriage relationship, she can seek to be more like Jesus, so that His love, selflessness, and kindness will grow in her and be revealed to those around her—especially her husband. (A man can and should do the same thing, of course, but this is about you right now.) Ask God to help you walk as Jesus walked. The only way to actually do that is by the power of the Holy Spirit. If you have received Jesus, then you have His Holy Spirit in you, and you can live God’s way because the Holy Spirit enables you to do so. The way to have the perfect love of Jesus grow in you is to be daily in God’s Word so you can hear from Him about how to live, and you can read about the way Jesus lived, and you can let the Word live in you so you can be led by God’s Spirit to make the right choices about how to live your life. The Bible says if we say we know God and do not keep His commandments, we have no truth in us (1 John 2:4). Thank God that you have the mind of Christ and therefore all you need to become more Christlike. Ask the Holy Spirit to lead you and teach you and enable you to have the same compassion, selflessness, forgiveness, mercy, and love toward your husband that Jesus has toward you. Ask Him to fill you with His truth. My Prayer to God LORD, help me to think like You, act like You, and talk like You—with compassion, love, grace, and mercy. Take away everything in me that is not of You—all anger, bitterness, criticism, and lack of love. Remove every tendency in me to function in the flesh and lash out with my words or actions. Take away any desire in me to withdraw from my husband, whether physically, emotionally, or mentally. I know that holding myself apart from him is not what You want me to do, for Your nature is to have us draw close to each other as You draw close to us, and I want to imitate You. Lead me in Your ways, Lord. Teach me what Your unconditional love means and help me to display it. Fill me so full of Your love and forgiveness that it overflows from me to my husband. Mold my heart into the way You want it to be. Change me every time I read Your Word. Help me to be so sold out to You that I cannot move or speak apart from the love You put in my heart. Lord, You are beautiful, kind, gentle, faithful, true, unselfish, wise, lovely, peaceful, good, and holy. You are light and life. Enable me to be more like You. In Jesus’ name I pray.
Stormie Omartian (The Power of a Praying Wife Devotional)
Before taking the discipline for the first time, Brother Martin spent considerable time in prayer. Then he lashed himself with an iron chain armed with hooks of steel until the blood flowed copiously; to increase the pain and at the same time to staunch the flow of blood, he rubbed the wounds with salt and vinegar, in this way hoping to make reparation for his faults and failings. Then Martin would spend a long period of time in the chapter room, meditating on the sufferings of Our Divine Lord, with his eyes often fixed upon the crucifix. Filled with a longing to participate in the sorrows and pains endured by Christ, Martin made preparations for the second nightly flagellation by ripping off his garments, which were matted with blood and glued fast to his shoulders. The instrument of torture now was a leather whip, and Martin inflicted an even more severe punishment upon his back and shoulders, begging Almighty God to take pity upon sinners and especially to open wide the gates of heaven by the conversion of infidels. It was zeal for souls, for those for whom Christ had shed His own Precious Blood, that urged Blessed Martin to lash himself mercilessly with this leather whip. He was only too happy to share in the bitter Passion of Christ, on the details of which he had just lovingly meditated; and he would only too gladly endure any physical pain, any agony however terrifying, if only thereby he could win souls to Christ. Martin now permitted his weary body to snatch brief rest which we have mentioned previously. With the approach of dawn, before four o'clock, he arose and ran to the bell tower, where he greeted the dawn in honor of the Mother of God, as was his regular custom. It was at this time that the holy Negro took the third and most severe of his scourgings. Again, it was preceded by prayer and the cruel removal of the rough tunic which was stuck fast to his flesh. This third scourging was administered with the branch of a wild quince tree, and sometimes Martin would enlist the assistance of an Indian or a Negro in whom he could confide and who was indebted to Blessed Martin for some outstanding kindness. Mercilessly the lash was applied by strong and powerful hands. In the midst of his sufferings Martin would urge on his friend to greater vigor and to be utterly brutal in applying this instrument for penance. This third and last scourging was for the relief of the Poor Souls abandoned in the fires of Purgatory.
J.C. Kearns (The Life of Blessed Martin de Porres: Saintly American Negro and Patron of Social Justice)
Anger’s Cruel Harvest As churning the milk produces butter, and as twisting the nose produces blood, so stirring up anger produces strife. Have you ever asked yourself why God takes anger so seriously and urges us to cast it out of our lives? One reason is because of what it does to other people. When we lash out at someone in anger, we hurt them and create conflict with them—and that is wrong. God loves them just as much as He loves us, and when our anger hurts someone, we are harming someone God loves. God also hates our anger because of what it does to us. Anger cuts us off from others; no one likes to be around someone who may explode at any moment. Anger also hurts us by turning us into resentful, bitter, unloving people. Most of all, anger cuts us off from God, because anger makes us preoccupied with our own problems rather than God’s will for our lives. Commit your anger to God and seek His forgiveness. Then ask Him to fill you with His patience and love. “The fruit of the Spirit is...patience
Billy Graham
She cupped her hand, caught the gleaming flow of water and drank again. Royce did the same. She was right, he had never tasted water more satisfying. When he had drunk, he took a deep breath and felt his lungs fill with the mingled scent of lemons and jasmine, the perfume he already knew, for it clung to her skin. That satiny smooth skin. Would it feel cool to his touch as it had earlier or would she be warm now here in the cradle of the earth? He had to know. His fingers brushed over the curve of her cheek, lingered…Her lashes drifted down, so long and soft, up again, and he found himself gazing into fathomless eyes. “Royce-“ “Hush,” he said and gathered her to him. She was slim and strong in his arms, her body molding to his. Her lips parted, accepting the hard thrust of his tongue as he tasted her deeply. He wanted to go slowly, knew he should, and found the effort entirely beyond him. He had waited so long…not mere weeks but lifetimes it seemed…time without beginning or end, stretching out endlessly yet coming finally to this moment. Surely, he was not alone in believing they had been coming to this moment since that fog-draped morning in London when he first set eyes on her? Her hands were on his shirt, pulling it loose. Shock roared through him. He had not expected this. She was gently reared, a virgin, he had thought to go very slowly-heaven help him-always mindful of her innocence. But her passion seemed to match his own and she was fire in his arms, in his hands, in his dreams. “Sweet heaven,” she said, gasping softly. “I want you so much!” Somewhere on the planet there was a man who could withstand such words from a beautiful woman in his arms. Of course, that poor fellow was a eunuch, which absolutely did not bear thinking about. Royce groaned in relief, offered thanks to any and all deities who might feel they were due, and lowered her gently to the ground. Far in the back of his mind, he knew what he was doing was momentous. Kassandra was as far from a casual encounter as it was possible for a woman to be. He knew that and accepted it. Indeed, the depth of his feeling for her transformed pleasure into something vastly more.
Josie Litton (Kingdom Of Moonlight (Akora, #2))
JANUARY 26 Praying for the Persecutor “You have heard that it was said, ‘Love your neighbor and hate your enemy.’ But I tell you, love your enemies and pray for those who persecute you, that you may be children of your Father in heaven.” MATTHEW 5:43–45 NIV “I can’t believe she threw me under the bus that way,” Sherri told a friend at work. “My boss stood up in the meeting with the president and senior leadership and told everyone how I had botched the budget presentation.” The truth was Sherri had done everything correctly. She had every right to hate her boss at that moment. Instead, she prayed for her. What allowed her to pray for her boss was a love that was inhumanly possible. What situations have you been in where it would have been much easier (and perhaps more fulfilling) to lash out against someone who had wronged you? At those moments, we should ask the Holy Spirit to fill us with love so we can pray blessings over those who hate us. That is the love of Christ—to love each person, not because of her actions but because of her humanity. Loving Father, please help me to pray for those who wrong me. Please fill me with Your agape love, so I can look past my personal hurt and ask for blessings. Only in this way can I truly exemplify the love You have for people. In Jesus’ name, I pray. Amen.
Anonymous (Daily Wisdom for Women - 2014: 2014 Devotional Collection)
Praying for the Persecutor “You have heard that it was said, ‘Love your neighbor and hate your enemy.’ But I tell you, love your enemies and pray for those who persecute you, that you may be children of your Father in heaven.” MATTHEW 5:43–45 NIV “I can’t believe she threw me under the bus that way,” Sherri told a friend at work. “My boss stood up in the meeting with the president and senior leadership and told everyone how I had botched the budget presentation.” The truth was Sherri had done everything correctly. She had every right to hate her boss at that moment. Instead, she prayed for her. What allowed her to pray for her boss was a love that was inhumanly possible. What situations have you been in where it would have been much easier (and perhaps more fulfilling) to lash out against someone who had wronged you? At those moments, we should ask the Holy Spirit to fill us with love so we can pray blessings over those who hate us. That is the love of Christ—to love each person, not because of her actions but because of her humanity. Loving Father, please help me to pray for those who wrong me. Please fill me with Your agape love, so I can look past my personal hurt and ask for blessings. Only in this way can I truly exemplify the love You have for people. In Jesus’ name, I pray. Amen.
Anonymous (Daily Wisdom for Women - 2014: 2014 Devotional Collection)
What care I that some millions of wretched Israelites died under Pharaoh’s lash or Egypt’s sun? It was well that they died that I might have the pyramids to look on, or to fill a musing hour with wonderment.
James Willsher (The Dedalus Book of English Decadence: Vile Emperors and Elegant Degenerates (Dedalus Anthologies 0))
What is it ye hope to gain from sharing my bed?” His voice stopped her. “You already have a bairn.” The creak of a stall door followed his question. Footsteps whispered on the packed-dirt floor. With her eyes adjusted to the dark, she saw him as a towering shadow emerging into the broad aisle of the barn. He must have been checking on Rand. She frowned at his question. He made it sound like she had some ulterior motive besides being attracted to him. “I’m not sure what you mean,” she hedged. “You want to couple with me. Why?” She rolled her eyes; she’d understood that much of the question. It was the part where he seemed to have a problem with “sharing a bed” with her she didn’t get. Tamping down her offense was getting old. If he was going to be bold, she would be, too. “You’re easy on the eyes,” she clipped. “I’m attracted to you, and we’re married, so why not, right? Am I missing something here? Shouldn’t I be the one asking you why you don’t want to ‘couple’? Oh, wait, I did. And you wouldn’t give me a straight answer.” He moved closer, stopping a foot away, which meant his voice now came from high above her. “Are you a wanton woman?” The question had been dark. Dangerous. And it kicked her offense into full-on anger. “I’m knocked up and I want sex with my husband. If that makes a girl wanton, then I suppose I am. What of it?” She lifted her chin in challenge. “I’ll ask again. What is it ye hope to gain? The truth, Melanie.” Her heart sank to hear him call her by her given name, and this sudden edge of hostility confused her. It felt like he was accusing her of something, but what? She was also insanely aroused. Not only had her eyes adjusted to the dark well enough to see his serious and seriously handsome face, but his looming presence filled her with an irrational sense of security. Add to that his scent of leather and man, and her lips trembled for another kiss. She didn’t want to lash out any more. Anger released itself to the night like steam from a mug of cocoa. “Pleasure,” she whispered, her breasts reaching for him with her quickening breath. “That’s the truth. I want to feel your body under my hands. I want to feel you inside me as you make me your wife in more than just name. And I want pleasure for you, too. Especially for you. You’ve given up almost everything for me. Giving you pleasure is the only way I can think of to thank you.” He blinked with surprise. “I dinna expect your thanks. ’Tis not why I stole ye away from Steafan.” She rolled her eyes, but this time with affection instead of annoyance. “Duh, I know that. You’re so darned honorable you’d never do anything for something as paltry as my thanks. It’s not just about thanks. I love you, you stubborn Highlander.” She cupped her hand over her mouth. The ornery thing had just blurted that which she had yet to fully admit to herself. Considering how much it hurt to have Darcy reject her physical advances, she was in no mood to bear his inevitable rejection of her heart. Mortified, she turned to run away. But his arms went around her. He hadn’t lied when he’d claimed to be quicker. “Do ye mean that, lass?” he asked, bending over her back, holding her. “No,” she lied, trying to pry his arms away. “I’m out of my mind. Don’t listen to a thing I say. Let me go.” “No. I willna. And I think a confession spoken in ire is more trustworthy than one spoken in calm.” He turned her around and lifted her face to his. “I love you, too, lass.” He kissed her.
Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))
She told herself it was the dry night wind and lashing hair, the way her eyes filled when her lonely race finished, but it was always the same whether the air was dry or not, whether her hair was down or up, so she knew. For those few minutes running across the city, she could be and was herself, purely and truly herself, finding herself in those moments only to lose herself once more when she slowed, falling behind as her true self ran free somewhere ahead in the empty night—
Robert Crais (The Watchman (Elvis Cole, #11; Joe Pike, #1))
His control lasted long enough for Larn to exit the room. As soon as the door closed behind him, Barson headed to the corner where a sand-filled potato sack was hanging from the ceiling. His hands clenched into massive fists, red-hot jealousy filling every inch of his body. Unable to contain himself any longer, he lashed out, punching the bag over and over again, until his knuckles were sore and sweat ran down his back. Pausing, he ripped off his tunic, and then continued, venting his rage with furious blows.
Dima Zales (The Sorcery Code (The Sorcery Code, #1))
She stood before him in a pale green dress, her hair unbound and tumbling down her back, her smile –the one he should have seen days ago –was enough to light up the darkest night. His mouth had suddenly become dry and paralyzed, as if he’d been born without the ability to speak. Or swallow. Or think any coherent thought. Graeme felt all at once foolish, immature and unworthy. He was about to turn and run away like a boy, when Josephine all but flung herself into his embrace, twining her slender arms around his waist and resting her head against his chest. “Graeme,”she said, a note of glee in her voice. “I’ve waited a very long time for you.” The sensation of feeling foolish, immature and unworthy fell away as he wrapped his own arms around her. Why did I resist this for all these years? She pushed away slightly to look up at him. He studied every inch of her lovely face. Josephine was quite beautiful, with her creamy skin and oval shaped face. Her green eyes reminded him at once of the summer grass that lined a French countryside. Dark lashes surrounded those eyes –eyes that were sparkling with joy and excitement as they looked into his. A pert, little nose and deliciously looking full, pink lips, which he was quite certain would feel as soft as a whisper against his own. He wondered then if anyone would object if he married her now. This very day. This very moment. “Ye’re beautiful,”he said. Those cream colored cheeks turned a lovely shade of pink when he gave her the compliment. “Jose—”he stopped himself. “Joie, I ken I am wholly unworthy of ye, but would ye do me the distinct honor of marryin’me?” Josephine had already agreed to such, more than four years ago. She had learned, however, through his letters, that it had been quite important to Graeme that he be able to marry a woman of his own choosing. Her heart felt close to bursting from her chest. He was choosing her of his own free will. A joy-filled smile curved on her face and she flung her arms around his neck. “Aye, Graeme MacAulay, I will marry you.
Suzan Tisdale (Isle of the Blessed)
I told Adaos he could study me and I would share everything I know about the virus and my species with him if he would share something with me,” Eliana admitted. Dagon crossed his arms over his chest. “And what might that be?” Pink crept up her neck and filled her cheeks as she shuffled her feet, looking sheepish as srul, and muttered something he couldn’t hear. “What?” Emitting a growl of her own, she spoke louder. “Information on Segonian courtship rituals and the societal do's and don'ts that surround them." She peeked up at him through long dark lashes as though trying to gauge his reaction. Everything within him went still. “Segonian courtship rituals?” he repeated softly. “Why would you wish to know more about that?” She sighed. “Because I couldn’t find anything about it in your informational databases, and I’ve been wanting to do this for a long time.” Reaching up, she rested her small hands on his stubbled cheeks, then rose onto her toes and drew him down for a kiss. His heart stuttered to a halt, then began to slam against his ribs. The first gentle brush of her lips hit him like an electrical current. His breath caught. Hers did, too. She drew back a fraction to stare up at him with wide eyes that acquired an amber glow. Then Dagon slid his arms around her and locked her against him. Dipping his head, he claimed her lips with greater urgency, letting her feel the heat that had been flaying him inside ever since she had walked onto his bridge, fully recovered from her wounds, and drawn him into a hug.
Dianne Duvall (The Segonian (Aldebarian Alliance, #2))
He strode out of the bathroom naked. Lisa’s eyes widened when she saw him, then swiftly shut. He grinned as pink once more filled her cheeks. The mattress dipped beneath his weight as he sat on it. Her eyes flew open as her side of the mattress tilted up and rolled her toward him. Taelon rested a hand on her shoulder to steady her, then slipped beneath the covers and lay down. Silence fell. “Would you tell me about your planet?” she asked softly as she studied him in the dim light. He rolled onto his side to face her and eased forward until their heads shared the same pillow. “Of course.” He hoped one day to show it to her. If he succeeded in contacting Ari’k… Well, he wouldn’t leave Lisa here on this barbaric planet where more men and women like those at the base would hunt her. He just needed to convince her to take a leap of faith and join him when he departed. To that end, he began to describe the beauty of his world. Lasara, the moons that orbited it, his people, the other populated planets in his solar system. He kept his voice low, his words carefully modulated. And soon her long lashes lowered until they rested upon her cheeks. Her breathing changed, deepening as sleep claimed her. He gently brushed her soft hair back from her face, tucking it behind one delicate ear. Even her ears were cute. But the dark circles beneath her eyes were not. She needed this rest. Leaning forward, he pressed a kiss to her forehead. “Sleep, Lisa.
Dianne Duvall (The Lasaran (Aldebarian Alliance, #1))
The party of technocrats and consultants—of calculating triangulators and fans of the smoke-filled rooms—must eventually give way to the populism that we must have. Thus will the Democratic Party learn once again to breathe hope into those who despair. The populism I am describing is not formless anger that might lash out in any direction. It is not racism. It is not resentment. It is not demagoguery. It is, instead, to ask the most profound question of them all: “For whom does America exist?” I take that question from the culture critic Gilbert Seldes, who saw it as the great unanswered demand of the 1890s Populist revolt. The question was raised again in 1936, the year when Seldes wrote those words. It came up again in the 1960s. And here we are, asking it again today.8 For whom does America exist? Its billionaires? Its celebrities? Its tech companies? Are we the people just a laboring, sweating instrument for the bonanza paydays of our betters? Are we just glorified security guards, obeying orders to protect their holdings? Are we nothing more than a vast test market to be tracked and probed and hopefully sold on airline tickets, fast food, or Hollywood movies featuring some awesome new animation technology?
Thomas Frank (The People, No: The War on Populism and the Fight for Democracy)
Then a weather front would move in off the Channel, a howling south-westerly accompanied by punishing rain that would drum on the empty tables and lash the windows of boutiques filled with mannequins in beachwear, as if mocking anyone who dared to pretend that England ever actually had a summer.
Peter James (Looking Good Dead (Roy Grace, #2))
The ideal woman, in other words, is always optimizing. SHe takes advantage of technology, both in the way she broadcasts her image and in the meticulous improvement of that image itself. Her hair looks expensive. She spends lots of money taking care of her skin, a process that has taken on the holy aspect of a spiritual ritual and the mundane regularity of setting a morning alarm. The work formerly carried out by makeup has been embedded directly into her face: her cheekbones or lips have been plumped up or some lines filled in, and her eyelashes are lengthened every four weeks by a professional wielding individual lashes and glue. The same is true of her body, which no longer requires the traditional enhancements of clothing or strategic underwear; it has been pre-shaped by exercise that ensures there is little to conceal or rearrange. Everything about this woman has been preemptively controlled ot th epinit that she can afford the impression of spontaneity and, more important, the sensation of it
Jia Tolentino (Trick Mirror: Reflections on Self-Delusion)
What’s this?” he asks, sitting forward. I remove the top off the box and take out a pile of pictures. I hand him one. “This is Jacob,” I say. My eyes fill with tears, and I don’t even try to blink them back. I let them fall over my lashes and onto my cheeks. Paul brushes them away, but I really don’t want him to. I want to feel all of this because I have forced myself not to feel it for so very long. “This is when he was born.” I point to the squirmy little ball of red skin and dark hair. Paul looks from me to it. “He looks like you,” he says. I shake my head. “He looks more like his dad, I think.” These fucking tears keep falling. I’m not crying. It’s like someone opened an emotional dam in me and I can’t get it to close. I don’t want it to. “What happened to his dad?” Paul asks. “He died,” I say. I have to stop and clear my throat. “Drug overdose a few years after Jacob was born. I read about it in the paper.” “I’m so sorry.” I sniff. “I am, too.” I feel like I need to explain, and for the first time ever, I want to. “We were young, and we played around with marijuana and stuff. But I cut it all out when I found out I was pregnant with Jacob. He didn’t. He wasn’t able. It was really sad when I couldn’t be with him anymore. I didn’t have anyone else. But I didn’t really have him, either. The drugs had him, you know?” He nods. I hand him more pictures, and he flips through them. I have looked at them so much that they’re dog-eared in places. He holds one up from when Jacob was about three. “You can’t tell me he doesn’t look like you. Look at those eyes! He’s so handsome.” My eyes fill with tears again, but I smile through them. He is perfect. And I should be able to hear someone say so. “Look at that smirk!” Paul cries when he sees the most recent one. “That is so you!” I grin. I guess he’s right. “Where is your family, Friday?” he asks. “I don’t know,” I tell him. I lay my head on his shoulder and watch as he takes in the photos over and over, poring through the stack so he can point out ways that Jacob looks like me. “They kicked me out when I got pregnant. Terminated their rights.” Paul presses his lips to my forehead and doesn’t say anything. “I thought I knew everything back then.” I laugh and wipe my eyes with the hem of my dress. “Turns out I didn’t know shit.” “Do you ever think about looking for them?” I shake my head. “No. Never.” I point to special pictures of my son. “His mom—her name is Jill—she sometimes sends me special milestone pictures. This is his first tooth he got and the first tooth he lost. And this one is from his first step. That wasn’t even part of the agreement. She just does it because she wants me to know how he’s doing.” I try to grin through the tears. “He’s doing so great. He’s smart. And they can send him to college and to special schools. He takes piano, and he plays sports. And Jill says he likes to paint.” My voice cracks, and I don’t hate that it does. I just let it. “Of course, he does. You’re his mother.” “I just wanted to do what was best for him, you know?” This time, I use Paul’s sleeve to wipe my eyes. I blink hard trying to clear my vision. “That’s what parents do. We do what’s in the best interest of our children.” He kisses me softly. “Thank you for showing me these.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
Loretta’s shoulders slumped in defeat. With numb hands she lowered the rifle to the dirt. A nasty grin twisted Hunter’s mouth. “So it is a trade? You are my woman?” For once, she was glad she couldn’t talk. “You can make sign language, herbi.” His eyes locked with hers, glinting, watchful. Amy cried, “No, Loretta, no, don’t do it!” Lifting an eyebrow, the Comanche waited. The tension mounted, reminding Loretta of the lull right before a storm, thick, heavy, unnaturally quiet. She caught the inside of her cheek between her teeth and forced herself to nod. His eyes flickered with satisfaction. Nudging his mount forward, he closed the distance between them and leaned down to encircle her waist with a steely arm. With little effort he lifted her onto his horse, positioning her sideways in front of him so her shoulder pressed against his chest, her bottom wedged between him and the ridge of his stallion’s neck. Never had she felt such quivering, helpless fear. He was going to take her. The reality of it sank home now that he had her on his horse. “Tani-har-ro,” he said softly. She turned her head to find that he was sniffing her hair, his expression quizzical. The moment their eyes met, her insides tightened. Up close, his face seemed even harsher than it had the night before, features chiseled, lips narrowed to an uncompromising line, his skin baked brown by the sun. She could see in minute detail the tiny cracks in his grease paint, the thick sweep of his lashes, the knife scar that slashed his cheek. His eyes were without question the darkest blue she had ever seen and seemed to cut right through her. If she had been entertaining the thought of pleading with him, it fled her mind now. She remembered what he had said to her that first day. Look at me and know the face of your master. She supposed, by his standards, he had a right to smell her hair since he had paid dearly for every strand. A flush slid up her neck. In nothing but a nightgown, she would have been embarrassed in front of any man; with Hunter her humiliation was tenfold. He swept his gaze over her with no sign of guilt, no hesitation, his attention lingering on whatever drew his interest. When he traced her collarbone with a fingertip and gave her arm a squeeze, she felt like a head of beef at auction. “You are too skinny. Your father should feed you more.” Catching hold of her chin, he tipped her head back and forced her mouth open to check her teeth. “Hmph-hh,” he grunted, returning his arm to her waist. “This Comanche paid too many horses. Without your pitsikwina to cover you, you are all bones.” She flashed him a glare, only to discover that his eyes were filled with laughter. He slid a hand up her side, his fingers firm and warm where they hugged the curve of her ribs. She stiffened when he cupped the underside of her breast, but she didn’t resist his touch. “Maybe not all bones. What do you have there, herbi? Do you try to hide the sweet places your mother promised me?” He watched her for a moment, as if trying to predict what her reaction might be to such outrageous familiarity. Then his mouth twisted in a mocking smile. “You do not spit when your sister may suffer my wrath. I should keep her, I think. She is a brave warrior, no?
Catherine Anderson (Comanche Moon (Comanche, #1))
Do you deny that your song says your yellow-hair must come to you? You took me home and taught me how to walk back to you in your footsteps!” Her voice rose, turning shrill. “You gave me a fine horse to ride! Do you deny that?” Confusion welled inside him. “You are angry because I teach you and give you gifts?” At last she wrenched her head around, her tear-filled eyes sparkling with contempt. “Like your medallion? ‘Wear it for always,’ you said. But it wasn’t as a remembrance! It was to mark me, so your filthy friend Santos wouldn’t steal the wrong yellow-hair. You knew how much I love Amy. You struck where I was most vulnerable, knowing I’d do anything to save her. I trusted you. You spoke of songs in our hearts and remembering for always. And I--” Her voice broke and trailed off into a squeak. For a moment he thought she might strike him, so deep went her pain, but then her face crumpled and the fight drained from her. She looked so forsaken, so frightened, that all he wanted was to hold her and soothe away her hurts. “I believed you, Hunter. Do you know how difficult that was for me? After what Comanches did to my parents? I betrayed their memory, trusting you. I turned my back on everything.” Hunter’s heart caught at the bruised, aching intensity he heard in her voice. Two large tears slipped over her bottom lashes and washed onto her cheeks, trailing in silver ribbons to her chin. He ran his hand into her cloud of tangled hair and drew her toward him, ignoring her resistance, pressing her face into the curve of his neck. She lay rigid against him, shaking violently. He dipped his head, the last traces of his anger dying.
Catherine Anderson (Comanche Moon (Comanche, #1))
Nerissa, mo grá,” he said weakly, from where he had been dragged to a corner and propped up against someone’s jacket. “Mo cróga, bean laoch álainn.” He was still in the bloodied breeches, a clean band of linen wound just above one knee. “My brave, beautiful warrior woman.” His eyes, deep and bottomless in the lantern-lit darkness, looked up at her through their absurdly long lashes, and she reached a hand, still smelling of gunpowder, down to touch his bristled cheek. He closed his eyes and held it there, reluctant to ever let her go, and she reveling in the warmth of his skin beneath hers, the knowledge that his heart still pumped his lifeblood beneath her hand. “I could not let you die,” she breathed, kneeling down beside him and offering him the strength of her own slim, lithe body. His face was ghostly from loss of blood, and she could see that it was an effort for him to even keep his eyes open, let alone press her hand to his cheek. She sat down on the hard, blood-stained planking and gently gathered him in her arms, stroking his heavy curls as he rested his forehead against her shoulder. “Tá tú mo banlaoch,” he whispered. “My heroine. My savior….” “Sleep, Ruaidri. The ship is back in your men’s hands and you, my love, are safe in mine.” She threaded her fingers up through his hair and gently caressed his scalp, wincing at the hard swelling she found there. She did not want to think about how he must have received it. She did not want to think of him being hurt, she did not want to think of anything but how grateful she was that he was alive and safely in her arms. Hadley… the Royal Navy… Lucien. Strength and a hard, ruthless confidence filled her heart. She had come this far. She could deal with all of them. Ruaidri’s forehead grew heavy against her collarbone. He murmured something unintelligible and, with her hand still quietly caressing him, finally gave himself up to the demands of his body and slept.
Danelle Harmon (The Wayward One (The de Montforte Brothers, #5))
I have four pets,’ Bjørnar Nicolaisen tells me at 69.31°N, ‘two cats and two sea eagles. I feed them all together on the shore, there by the throne, with the best fish in the world!’ He gives a huge laugh, and points east through the window of his living room: snow-filled fields sloping away to a rocky beach that borders a fjord several miles in width. Steel-blue water in the fjord, choppy where the currents are running. Far across the fjord, ranks of smooth-snowed peaks gleam in the late sunlight. They are shaped more wildly than any mountains I have ever seen before. Witches’ hats and shark fins and jabbing fingers, all polished white as porcelain. I cannot see a throne on the shore, though. ‘Here, try these.’ He hands me a pair of binoculars. Black leather-clad barrels, weathered in places to brown. Polished eye-pieces – and a Nazi eagle engraved into the left-hand barrel-back. ‘Wehrmacht-issue,’ says Bjørnar. ‘Beautiful lenses. An officer’s. When my father was dying, he asked me what I wanted from his possessions. “One thing only,” I told him, “the binoculars you took from the Germans.”‘ I lift the binoculars and the shoreline leaps to my eyes, close enough to touch. Calibrated cross-hairs float in my vision. I pan right along the beach. Nothing. I switch back left. Yes, there, a chair of some kind – but six or seven feet tall, built from driftwood lashed and nailed together. It looks like something the ironborn of Westeros might have made. ‘I take the eagles a cod or a saithe whenever I come back from a good day’s fishing. I feed them by my chair, there.’ ‘Bjørnar, you are the only person I know who counts sea eagles among his pets.’ ‘I am more of a cat person,’ Bjørnar replies. ‘Than a dog person or than an eagle person?’ ‘Than a people person!’ Bjørnar laughs and laughs – a deep, explosive laugh coming from far inside his chest.
Robert Macfarlane (Underland: A Deep Time Journey)
In the deepest optic I love how the sun highlights your eyes Those iridescent, mesmerizing, brown eyes Flecked with gold and impossibly long lashes Getting lost in them will be my relish So intimate yet so elusive Scantly clad a while ago Now completely bare and trembling Once more, I gazed into those deep eyes Your long, fixed look consumed me Full of intent, oh so intense Held my breath Plunged into the abysmal depth Your waves, void of warmth Sent panic throughout my body Struggles now futile in overcoming With your current dragging me further Battered, I sank even more Throttled by the weight of your emotions My body descended at the deepest Murky and filled with floating specks I think I ran out of luck Everything started to hurt Writhing around, I breathed more My chest felt like it was on fire It’s as if I’m being burned alive I struggled no more and closed my eyes Although your thoughts surround me I didn’t find myself in them Even a makeshift place in your mind I occupy nothing
adazcuna
The Vackna rang loud, Waking-horn bold and blaring, In the hills ringing as red sun was rising, Filling all Vigrið, This Battle-Plain, This land of ash, This land of ruin. Gods stirred from slumber deep, Fell Snaka, the slitherer shed his skin, that slayer of souls. Wolf-waking, hard-howling Ulfrir, the breaker of chains ran roaring, Racing to the Guðfalla, The gods-fall. Orna, eagle-winged came shrieking, wings beating, talons rending, beak biting, flesh tearing. Deep-cunning dragon, Lik-Rifa, Corpse-tearer from Dark-of-Moon Hills, tail lashing as she swept low. Berser raging, jaws frothing, claws ripping. Gods in their war glory, Brave Svin, mischievous Tosk, deceitful Rotta, Gods and kin, their warriors willing, Blood-tainted offspring, waging their war, all came to the Battle-Plain. Death was dealt, Red ran the rivers, Land laden with slaughter’s reek. There they fought, There they fell, Berser pierced, Orna torn, Ulfrir slain. Cunning Lik-Rifa laid low, chained in chamber deep, Beneath boughs of Oskutreð, the great Ash Tree. And Snaka fell, serpent ruin, venom burning, land-tearing, mountain breaking, cracked the slopes of Mount Eldrafell. Frost and fire, Flame and snow, Vaesen clambered from the pit, And the world ended… And was born anew… A silence settled, all staring at the skáld, though
John Gwynne (The Shadow of the Gods (The Bloodsworn Saga, #1))
A face in the window, she thought suddenly. Perhaps not just from somewhere in this world, but from another plane of existence altogether. She probed harder with her magic, trying to break through to whatever was out there, to generate a response that would reveal something more. Her efforts were rewarded almost at once. Something small and dark appeared at the edges of the light, like a wraith come out of the netherworld, not altogether shapeless, but lacking any clear definition. It slid in and out of the light like a child playing hide and seek, first here, then there, never quite revealing itself altogether, never quite showing what it was. Kermadec was whispering hurriedly, anxiously, telling her to back away, to give herself more space. It wasn’t safe to be so close, he was saying. She ignored him; she was caught up in the link she had established between the foreign magic and her own. Something was there, quick and insubstantial, just out of reach. And then all at once it wasn’t hiding anymore. It was there, right in front of her, it’s face turned full into hers, edges and angles caught in the light. She caught her breath in spite of herself. The face was vaguely human, but in no other way recognizable. Malevolence marked it’s features in a way she had not thought possible, so darkly threatening, so hate-filled and remorseless, that even in her time as the Ilse Witch, she had not experienced its like. Dark shadows draped it like strands of thick hair, shifting with the light, changing the look of it from instant to instant. Eyes glimmered like blue ice, cool and appraising. There was recognition in those eyes; whoever was there, hiding in the light, knew who she was. Grianne lashed out at the face with ferocious intent, surprising even herself with her vehemence. She felt such loathing, such rage, that she could not stop herself from reacting, and the deed was done before she could think the better of it. Her magic exploded into the face, which disappeared instantly, taking with it the flashes and the burning air, leaving only darkness and the lingering smell of expended magic. She compressed her lips tightly, fighting back the snarl forming on them, consumed by the feelings this thing had generated. It was all she could do to pull herself together and turn back to an obviously unnerved Kermadec. ‘Are you all right?’ he asked at once. She nodded. ‘But I wasn’t for a moment, old bear. That thing radiated such evil that I think letting it come even that near was a serious mistake. If I didn’t know better, I would say it lured me here.
Terry Brooks (Jarka Ruus (High Druid of Shannara, #1))
I tried to date, like a normal twenty-something, but it didn’t work out. There’s something off about you when you’ve been abused, when you’re damaged, broken. You’re different. Men can sniff out the pain in you, like dogs picking up on a scent. I’d put my makeup on, wear my nicest dresses, go on dates and try to be on my best behaviour but they never bought it. They could see the cracks in my eyes, the holes in my soul, the emptiness waiting to be filled. Men aren’t knights in shining armour – that’s fairytale bullshit. They’re not looking for someone to save. Men like simple girls. Off-the-shelf girls. Ready to go. Easy company. Decent hearts. They’re not there to heal you or rescue you. I thought my looks would help. A bat of my lashes will make a man do a favour for me, but it won’t make a good guy fall for me. My pretty face isn’t valuable enough currency to make up for the scars. The men I dated picked up on the trauma, the voids, the hurt, and they didn’t want it in their lives. They didn’t want it in their homes. They didn’t want its legacy in their children.
Zoe Rosi (Pretty Evil)
She lifted her head and gazed at him, studying him like a map. He submitted to it without blinking, lost momentarily in the lovely complexity of her eyes. All those colors. Like the pond dappled in morning light, those eyes were, the shifting play of green and gold,; tears had made spikes of her chestnut lashes. It was all he could not to brush a thumb across them, taste the salt of them, to run the cool back of his hand against her flushed cheek, soothing it. He wondered why it had begun to seem more unnatural not to touch her... than to touch her. At that thought, something kicked sharply inside him, once. And then it unfurled, slowly, slowly, filling him with an ache both unutterably sweet... and as old as time. It occurred to him then: She might very well be right. She might just be a little dangerous after all.
Julie Anne Long (Beauty and the Spy (Holt Sisters Trilogy #1))
You were master of your own ship at eighteen,” Amanda whispered, filled with admiration for him. “I am almost eighteen.” “You are a woman,” he said as if reminded her. “There have been women pirates.” He was clearly aghast. “Don’t even think it!” She began to smile, pleased that he remained so concerned for her. “Why not? You can see that I am a skilled seaman and a skilled swordsman. Why couldn’t I have my own ship? Then I could give up this farce of trying to be a lady.” She didn’t mean a single word. “You are trying to provoke me,” he said, flushed in the starlight. “I am onto your game! You could not control a crew and we both know it.” “I was trying to provoke you,” she admitted, “and it was very easy to do.” She glanced at him through her lashes. It had been ridiculously easy, in fact. Just as it had been so easy to get him to lust after her with a little bit of swordplay.
Brenda Joyce (A Lady At Last (deWarenne Dynasty, #7))
This is where you take back your life and give a giant fuck you to that dipshit of an ex-husband. And that hot piece of man meat out there in the audience who has no idea what’s about to hit him.” My eyes start to burn as they fill with tears, and I quickly blink them back before they ruin the perfect cat-eye eyeliner and false lashes she applied for me in the dressing room an hour ago. “That was the sweetest thing you’ve ever said to me,” I tell her with a sniffle. “Just think: Instead of having that giant pole up your ass, you’ll have it in the palm of your hands and be swinging on it in about forty-five seconds,” she says with a smirk. “And then you go and completely ruin it,” I mutter with a shake of my head,
Tara Sivec (At the Stroke of Midnight (The Naughty Princess Club, #1))
Game of Thrones - Feast for Crows. “Ser? My lady?" said Podrick. "Is a broken man an outlaw?" "More or less," Brienne answered. Septon Meribald disagreed. "More less than more. There are many sorts of outlaws, just as there are many sorts of birds. A sandpiper and a sea eagle both have wings, but they are not the same. The singers love to sing of good men forced to go outside the law to fight some wicked lord, but most outlaws are more like this ravening Hound than they are the lightning lord. They are evil men, driven by greed, soured by malice, despising the gods and caring only for themselves. Broken men are more deserving of our pity, though they may be just as dangerous. Almost all are common-born, simple folk who had never been more than a mile from the house where they were born until the day some lord came round to take them off to war. Poorly shod and poorly clad, they march away beneath his banners, ofttimes with no better arms than a sickle or a sharpened hoe, or a maul they made themselves by lashing a stone to a stick with strips of hide. Brothers march with brothers, sons with fathers, friends with friends. They've heard the songs and stories, so they go off with eager hearts, dreaming of the wonders they will see, of the wealth and glory they will win. War seems a fine adventure, the greatest most of them will ever know. "Then they get a taste of battle. "For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they've been gutted by an axe. "They see the lord who led them there cut down, and some other lord shouts that they are his now. They take a wound, and when that's still half-healed they take another. There is never enough to eat, their shoes fall to pieces from the marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water. "If they want new boots or a warmer cloak or maybe a rusted iron halfhelm, they need to take them from a corpse, and before long they are stealing from the living too, from the smallfolk whose lands they're fighting in, men very like the men they used to be. They slaughter their sheep and steal their chickens, and from there it's just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don't know where they are or how to get back home and the lord they're fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad all in steel, and the iron thunder of their charge seems to fill the world . . . "And the man breaks. "He turns and runs, or crawls off afterward over the corpses of the slain, or steals away in the black of night, and he finds someplace to hide. All thought of home is gone by then, and kings and lords and gods mean less to him than a haunch of spoiled meat that will let him live another day, or a skin of bad wine that might drown his fear for a few hours. The broken man lives from day to day, from meal to meal, more beast than man. Lady Brienne is not wrong. In times like these, the traveler must beware of broken men, and fear them . . . but he should pity them as well.
G R R Martin
I inhale a breath through the small part in our lips, needing to fill my lungs with oxygen.  He rests his forehead on mine, whispering his desperate question once more. “Do you still love me, Stevie?” I look up through my lashes. “Of course, I do. I’ve always loved you. I just wanted you to let me.
Liz Tomforde (Mile High (Windy City, #1))
I sat beside a blazing fire, drawing the same face that had always haunted me. Full, youthful lips that were familiar to me. Feline eyes I’d become intimate with. Every empty space was filled with delicate jawlines, lashes, and cheekbones I’d never touched yet somehow known—a collection of a girl who lived in my mind and my mind alone.
Nicole Fiorina (Bone Island: Book of Danvers (Tales of Weeping Hollow, #2))
Typos drove him wild. He might lash out for days when he found one, or when someone else, more likely, pointed out a mess-up in a letter or document prepared under his name—the infuriated concern of someone thinking somebody else’s laziness might reveal his own weaknesses. He was spitting furious now because the legal brief was filled with botches, the second time in a week this had happened—the Unites States! In the first line! A violent overthrown!
Michael Wolff (Landslide: The Final Days of the Trump Presidency)
Plunk, plunk, plunk. We all immediately threw blocks down all around the crimson-eyed monster, making a messy and random cobblestone shell around its fat, hairy body and many struggling legs. The spider hissed and lashed out with its fangs in protest, and when we were safe enough, we took the time to fill in the gaps, entombing the creature entirely. “Wow,
Skeleton Steve (Diary of Skeleton Steve, the Noob Years, Season 3 (Diary of Skeleton Steve, the Noob Years #13-18))
I want you, Cami-bear. I’ve only ever wanted you.” I lift her hand and rest it over my heart. “You were in here long before I even realized what it meant.” She gasps, her eyes filling with tears. “I’m sorry for all the bullshit. I’m sorry for all the pain I caused you. I was lashing out at my bullshit life, and I targeted it at the person I loved the most.” “You... you love me?” “I’ve loved you since the first moment I saw you, Cami. It was always meant to be us.
Tracy Lorraine (Paine (Rosewood High, #2))
Any memories of other women were banished permanently from his mind... there was only Evie, her red hair streaming and curling over his stomach and thighs, her playful fingers and frolicsome mouth causing him an agony of pleasure like nothing he had ever felt before. When he could no longer hold back his groans, she climbed over him carefully, straddling him, crawling up his body slowly like a sun-warmed lioness. He had one glimpse of her flushed face before she sought his mouth with teasing, sucking kisses. The rosy tips of her breasts dragged through the hair on his chest... she rubbed herself against him, purring with satisfaction at the hard warmth of the male body beneath her. His breath snagged in his throat as he felt her hand slip between their hips. He was so aroused that she had to gently pull his sex away from his stomach before she could fit it between her thighs. The crisp red curls of her mound tickled his exquisitely sensitive skin as she guided him between the hot folds of her body. "No," Sebastian managed, recalling the bet. "Not now. Evie, no---" "Oh, stop protesting. I didn't make nearly this much of a fuss after our wedding, and I was a virgin." "But I don't want---oh God. Holy Mother of God---" She had pushed the head of his sex into her entrance, the sweet flesh so snug and soft that it took his breath away. Evie writhed a little, her hand still grasping the length of his organ as she tried to guide him deeper. Seeing the difficulty she was having in accommodating him caused him to swell even harder, his entire body flushed with prickling excitement. And then came the slow, miraculous slide, hardness within softness. Sebastian's head fell back to the pillow, his eyes drowsy with intense desire as he stared up into her face. Evie made a little satisfied hum in her throat, her eyes tightly closed as she concentrated on taking him deeper. She moved carefully, too inexperienced to find or sustain a rhythm. Sebastian had always been relatively quiet in his passion, but as her lush body lifted and settled, deepening his penetration, and his cock was gripped and stroked by her wet depths, he heard himself muttering endearments, pleas, sex words, love words. Somehow he coaxed her to lean farther over him, resting more of her body against his, adjusting the angle between them. Evie resisted briefly, fearing she would hurt him, but he took her head in his hands. "Yes," he whispered shakily. "Do it this way. Sweetheart. Move on me... yes..." As Evie felt the difference in their position, the increased friction against the tingling peak of her sex, her eyes widened. "Oh," she breathed, and then inhaled sharply. "Oh, that's so---" She broke off as he set a rhythm, nudging deeper, filling her with steady strokes. The entire world dwindled to the place where he invaded her, their most sensitive flesh joined. Evie's long auburn lashes lowered to her cheeks, concealing her unfocused gaze. Sebastian watched a pink flush creep over her face. He was suspended in wonder, suffused with vehement tenderness as he used his body to pleasure hers. "Kiss me," he said in a guttural whisper, and guided her swollen lips to his, slowly ravishing her mouth with his tongue. She sobbed and shuddered with release, her hips bearing greedily against his as she took his full length. The rim of her sex clamped tightly around him, and Sebastian gave himself up to the squeezing, enticing, pulsing flesh, letting her pull the ecstasy from him in great voluptuous surges. As she relaxed over him, trying to catch her breath, he drew his hands over her damp back, his fingertips gently inquiring as they traveled to the plump curve of her bottom. To his delight, she squirmed and tightened around him in helpless response. If he had his usual strength... oh, the things he would have done to her...
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
He slammed his fist into the obnoxious bully’s stomach as hard as he could. Aaron doubled over, all the air driven from him by the force of the blow, his arms instinctively wrapping protectively around his middle. He straightened up again slowly, eyes wide, and stared down at Ben. “You’re dead,” he managed to gasp, the words coming out as barely a wheeze. “I don’t think so,” Ben replied. “I think you’re the one in trouble here, not me.” He raised his fist as he stepped in close again. Aaron tried to back up, but he was already up against the cell bars. “Back off!” he demanded, but his words lacked power and his eyes were filled with fear. He lashed out and Ben stepped nimbly back, easily avoiding the clumsy blow. Aaron had never been big on doing his own dirty work, whereas Ben had never had a problem with diving right in. “When I tell them what you’ve done,” Aaron blustered, “you’ll be finished here. You’ll be declared an outlaw and a traitor, just like your parents.” That had been the wrong thing to say. Even though the treason charges had been dropped, the accusation still stung, and Ben straightened, his blood boiling. “My parents would die to protect this school and the rest of the kingdoms,” he blurted out, spitting the words at Aaron with such force the bully recoiled as if physically struck. “What would you die for?” There must have been something in his eyes then, because his tormentor turned pale. “Don’t hurt me,” he begged, cowering and raising both hands to shield his face. “You’ve had this coming since I met you,” Ben declared, and with a quick but powerful move, punched the arrogant bully full in the jaw. Aaron’s head whipped back from the force of the blow, and his whole body sagged as he collapsed, unconscious.
Victor Kloss (The High Council (Royal Institute of Magic, #6))
Rain in Ireland had been a gentle blessing from the heavens. Here the deluge poured from the skies over Pine Creek Farm as though driven by the devil himself. Whipped by wind, studded with ice, the storm lashed between the mountain peaks, filling him with reckless exhilaration.
Alice Valdal (The Man for Her (Prospect Book 1))
Starting in 1847, workers were imported from China to Cuba, to replace the rebelling black slaves in the sugar fields. It was just three years before, in the Year of the Lash, that an uprising of black slaves had been suppressed in what was known as the Conspiracy of the Ladder (Conspiración de La Escalera). The abolition of slavery in 1886 left many plantations and industries with a labor shortage. To fill this deficiency during the decades that followed, additional hundreds of thousands of Chinese were brought into Cuba. Since the overwhelming majority of these workers were men, they cohabitated with both white and black women, leaving very few pure Chinese behind. The majority of these workers had eight-year contracts but most of them continued on as settlers. Many moved to Barrio Chino de La Habana, Havana’s Chinatown, although in recent years the ghetto has diminished in size as its inhabitants continued to intermingle and assimilate with the general Cuban population.
Hank Bracker
The hallway outside the courtroom was as crowded as ever, filled with people who were at some stage of “growing into their guilt.” This refers to a concept very similar to the five stages of grief developed by Dr. Elisabeth Kübler-Ross: First, a criminal defendant denies; he claims to be innocent. Second, he gets angry at the system, lashing out at the cops or the judge or his attorney. Third, he bargains, searching for a plea deal that will keep him out of jail or prison. Fourth and fifth come depression, and, ultimately, acceptance. The
J.D. Trafford (Little Boy Lost)
My husband is dead," she said tightly. A small muscle twitched high in his lean cheek. "I'll make you believe me." He reached for her swiftly, both hands wrapping around the back of her skull, gently gripping as he brought his mouth to hers. Ignoring her cry of alarm, he kissed her as she had never been kissed before. Her hands came up to his muscle-roped wrists, trying in vain to pry herself free. The sensation of his mouth, incendiary, delicious, stunned her. He used his teeth and lips and tongue, seducing her in a blaze of sensuality. She floundered for purchase until he let go of her head and gathered her against the hard surface of his body. She was held tight and secure in his embrace, thoroughly possessed... utterly desired. Her nostrils were filled with the scent of him: earth and air and the mild, pleasant bite of sandalwood. His lips slid downward, finding the sensitive place on the side of her neck. He took a deep, luxurious breath and fanned it over her skin, and pressed his face close until she felt the sweep of his lashes against her cheek. She had never been held like this, touched and tasted as if she were some exotic spice to be savored.
Lisa Kleypas (Stranger in My Arms)
I gave a quick knock on the bathroom door before slipping inside. The water was running, filling the room with steam as Lay poked her head out from behind the curtain. I raised my eyebrows in silent request. “Absolutely not, Chester. Don’t you dare.” I laughed. “Aww come on, Lay-Lay. You’re no fun.” “I mean it. Please don’t.” It’s not like I really thought she’d invite me in for godsakes; I was totally teasing. “Fine. I’ll just wait out here until you’re done.” “Promise?” She looked so adorable, her brown eyes pleading from under her wet lashes, sexy and shy all at once. “Yeah, I promise. But at least give me the play-by-play of what I’m missing out on in there.” She stifled a giggle in response and I figured that was that. I picked up one of the decorative soaps when suddenly, a sultry vixen piped up from behind the curtain. “Wellll, the water is so hot and it’s so steamy in here. God, I’m so wet and it feels so good.” My dick immediately sprang to attention. The rest of me froze in shock. “Now I’m soaping myself down, running my hands allll over my body...” Of course my mind was envisioning her slick soapy hands touching every inch of her gorgeous naked self. Oh Jesus. She chose that moment to peek her head out and check out her handiwork. I was staring at her speechless, my jaw slack, disbelieving. “Layla, what the fuck?
T. Torrest (Trip)
Everyone in my family loves novels,” Poppy finally said, pushing the conversation back into line. “We gather in the parlor nearly every evening, and one of us reads aloud. Win is the best at it—she invents a different voice for each character.” “I’d like to hear you read,” Harry said. Poppy shook her head. “I’m not half as entertaining as Win. I put everyone to sleep.” “Yes,” Harry said. “You have the voice of a scholar’s daughter.” Before she could take offense, he added, “Soothing. Never grates. Soft . . .” He was extraordinarily tired, she realized. So much that even the effort to string words together was defeating him. “I should go,” he muttered, rubbing his eyes. “Finish your sandwiches first,” Poppy said authoritatively. He picked up a sandwich obediently. While he ate, Poppy paged through the book until she found what she wanted . . . a description of walking through the countryside, under skies filled with fleecy clouds, past almond trees in blossom and white campion nestled beside quiet brooks. She read in a measured tone, occasionally stealing a glance at Harry while he polished off the entire plate of sandwiches. And then he settled deeper into the corner, more relaxed than she had ever seen him. She read a few pages more, about walking past hedges and meadows, through a wood dressed with a counterpane of fallen leaves, while soft pale sunshine gave way to a quiet rain . . . And when she finally reached the end of the chapter, she looked at Harry once more. He was asleep. His chest rose and fell in an even rhythm, his long lashes fanned against his skin. One hand was palm down against his chest, while the other lay half open at his side, the strong fingers partially curled. “Never fails,” Poppy murmured with a private grin.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
Water Sports Package in Goa: Though you can enjoy individual rides like Parasailing , jet-ski etc according to your liking it is always profitable to opt for a complete package. The Full complete watersports package in Goa can cost effective and enjoyable. The Watersports package we provide includes – Parasailing, Jet-ski Ride, Bumper Ride,Banana Boat Ride and a Speed Boat Prasailing Explore Parasailing in Goa, one of the most fabulous water activities in Goa. Parasailing or para-ascending is an entertaining water sport with two significant instruments- parachute and speedboat. The speedboats speed ahead while the parachute is tied up to the speedboat. The parasail harness is at one end while the speedboat zooms ahead. Eventually the parachute flies high as the speedboat moves ahead. Imagine enjoying the feeling of flying in the sky with wonderful view of the sea. Banana ride Banana Boat Ride is one of the most fun-filled water sport activities and very popular with youngsters. If you are the sporty kinds and looking for adventure and thrill than definitely, you should try Banana Ride in Goa. The banana boat which is a bright yellow Banana shaped swinging ship attached to another speedboat and is pulled inside the water, lashing against waves, and the rider tries to turn it upside down. Banana Boat Ride is a great fun sport that will test your team spirit and stamina. For safety reasons every person willing to go for banana boat ride are supposed to wear a life jacket. Jet Ski Jet skiing in Goa is one of the most exciting and thrilling water sports done in Goa. Jet skiing is one of the perfect vacation activity with the friends and family. The average power of the jet skis is 100-135 hp, It is very easy to operate a jet ski, though you are usually accompanied by an instructor. Jet skiing should surely thrill you in Goa. Bumper Boat Ride A Bumper Boat ride is a very popular water sport activity in Goa. Suitable for all age groups, it's an exhilarating addition to the world of water sports. We provide one round of 500 meter or 600 meter max. Bumper ride is fun and captivating ride, in which a round pipe boat is coupled with a rate boat. As the speed of the boat increases, the bumper pipe jumps on the surface of the standard water. This is a totally amazing bumpy ride but the passengers get to almost fly on the waves. The joy filled shrieks are part and parcel of the bumper ride fun in Goa. Speed Boat Ride Most popular speed boat rides in Goa. The speed and the wind blowing against one's face gives a spine chilling experience. Breaking through the waves in a speed boat and feeling the whistling wind on your face is an exceptional experience. Cruising at more than 50 mph is like tearing the waves of the sea away, Speed Boat rides are sure to increase your heart beat and people find this activity very exciting so most of the tourists in Goa are attracted to speed boat rides. Location - Calangute, Baga, Candolim, Anjuna Timing - 10am - 5 pm Price - 1799/- Per Person Goa Waters[prts Activities +91 8432325222 /6222 Timming:10:00 AM-5:00PM
goa travel
Mikhail paced beside her, studied her averted face. “You are going in the wrong direction, Raven.” He put his hand at the small of her back to guide her. Raven stiffened, and then twisted away from him. “Maybe I don’t want to go back, Mikhail. Maybe I don’t really know who you are at all.” There was more hurt than anger in her voice. Mikhail sighed heavily and reached for her, his grip unbreakable iron. “We will talk in the warmth and comfort of our home, not here where your body is like ice.” Without waiting for her consent, he lifted her easily and moved with a burst of speed. Raven clung to him, her face buried against his shoulder, her slender body shaking with cold and more than a little fear of him, of her future, or what she herself had become. Mikhail took her directly to the bedchamber, lit the fire with a lift of his hand, and placed her on the bed. “You could at least have worn shoes.” Raven drew his cloak around her protectively, looking up at him from under long lashes. “Why? And I’m not asking about shoes.” He lit candles and crushed a variety of herbs to fill their chamber with soothing, healing sweetness. “I am a Carpathian male. I have the blood of the earth flowing in my veins. I have waited centuries for my lifemate. Carpathian men do not like other men near their women. I am struggling with unfamiliar emotions, Raven. They are not easy to control. You do not behave as a Carpathian woman would.
Christine Feehan (Dark Prince (Dark, #1))