Large Shoes To Fill Quotes

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Movie directors often shoot funerals in the rain. The mourners stand in their dark suits under large black umbrellas, the kind you never have handy in real life, while the rain falls symbolically all around them, on grass and tombstones and the roods of cars, generating atmostphere. What they don't show you is how the legs of your suit caked with grass clippings, cling soaked to your shins, how even under umbrellas the rain still manages to find your scalp, running down your skull and past your collar like wet slugs, so that while you're supposed to be meditating on the deceased, instead you're mentally tracking the trickle of water as it slides down your back. The movies don't convey how the soaked, muddy ground will swallow up the dress shoes of the pallbearers like quicksand, how the water, seeping into the pine coffin, will release the smell of death and decay, how the large mound of dirt meant to fill the grave will be transformed into an oozing pile of sludge that will splater with each stab of the shovel and land on the coffin with an audible splat. And instead of a slow and dignified farewell, everyone just wants to get the deceased into the ground and get the hell back into their cars.
Jonathan Tropper (This is Where I Leave You)
Deciding on the right thing to do in a situation is a bit like deciding on the right thing to wear to a party. It is easy to decide on what is wrong to wear to a party, such as deep-sea diving equipment or a pair of large pillows, but deciding what is right is much trickier. It might seem right to wear a navy blue suit, for instance, but when you arrive there could be several other people wearing the same thing, and you could end up being handcuffed due to a case of mistaken identity. It might seem right to wear your favorite pair of shoes, but there could be a sudden flood at the party, and your shoes would be ruined. And it might seem right to wear a suit of armor to the party, but there could be several other people wearing the same thing, and you could end up being caught in a flood due to a case of mistaken identity, and find yourself drifting out to sea wishing that you were wearing deep-sea diving equipment after all. The truth is that you can never be sure if you have decided on the right thing until the party is over, and by then it is too late to go back and change your mind, which is why the world is filled with people doing terrible things and wearing ugly clothing, and so few volunteers who are able to stop them.
Lemony Snicket (A Series of Unfortunate Events Complete Collection: Books 1-13: With Bonus Material)
When I finally leave the market, the streets are dark, and I pass a few blocks where not a single electric light appears – only dark open storefronts and coms (fast-food eateries), broom closet-sized restaurants serving fish, meat, and rice for under a dollar, flickering candles barely revealing the silhouettes of seated figures. The tide of cyclists, motorbikes, and scooters has increased to an uninterrupted flow, a river that, given the slightest opportunity, diverts through automobile traffic, stopping it cold, spreads into tributaries that spill out over sidewalks, across lots, through filling stations. They pour through narrow openings in front of cars: young men, their girlfriends hanging on the back; families of four: mom, dad, baby, and grandma, all on a fragile, wobbly, underpowered motorbike; three people, the day’s shopping piled on a rear fender; women carrying bouquets of flapping chickens, gathered by their feet while youngest son drives and baby rests on the handlebars; motorbikes carrying furniture, spare tires, wooden crates, lumber, cinder blocks, boxes of shoes. Nothing is too large to pile onto or strap to a bike. Lone men in ragged clothes stand or sit by the roadsides, selling petrol from small soda bottles, servicing punctures with little patch kits and old bicycle pumps.
Anthony Bourdain (A Cook's Tour: Global Adventures in Extreme Cuisines)
Large-leafed plants at the edge of the jungle reflected the sun rather than soaking it up, their dark green surfaces sparkling white in the sunlight. Some of the smaller ones had literally low-hanging fruit, like jewels from a fairy tale. Behind them was an extremely inviting path into the jungle with giant white shells for stepping-stones. And rather than the muggy, disease-filled forests of books that seemed to kill so many explorers, here the air was cool and pleasant and not too moist- although Wendy could hear the distant tinkle of water splashing from a height. "Oh! Is that the Tonal Spring? Or Diamond Falls?" Wendy withered breathlessly. "Luna, let's go see!" She made herself not race ahead down the path, but moved at a leisurely, measured pace. Like an adventuress sure of herself but wary of her surroundings. (And yet, as she wouldn't realize until later, she hadn't thought to grab her stockings or shoes. Those got left in her hut without even a simple goodbye.) Everywhere she looked, Wendy found another wonder of Never Land, from the slow camosnails to the gently nodding heads of the fritillary lilies. She smiled, imagining John as he peered over his glasses and the snail faded away into the background in fear- or Michael getting his nose covered in honey-scented lily pollen as he enthusiastically sniffed the pretty flowers. The path continued, winding around a boulder into a delightful little clearing, sandy but padded here and there with tuffets of emerald green grass and clumps of purple orchids. It was like a desert island vacation of a perfect English meadow.
Liz Braswell (Straight On Till Morning)
By the time Thomson put the shoes down on the floor, he could see his face in the leather shine. ​Jean trundled downstairs half an hour later, pulled a frying pan from the cupboard and put it on the gas stove. She threw a large chunk of lard in the pan and, as soon as it had melted, filled it with bacon, eggs, tomatoes and half a slice of bread. She wouldn’t be eating any of it herself. It was too greasy for her liking. She’d just make herself a slice of toast. But for Thomson, it was part of a ritual. It was the same breakfast he’d eaten every day since he joined the army as a boy soldier at the tender age of fifteen, always washed down with a cup of sweet tea. ​Jean scraped the food out of the pan with a spatula, piled it on a plate and placed it in front of her husband. As he ate, Jean chatted away to him about the latest gossip from Warrington. Her sister Margaret had been evicted
Andy Greenaway (THE BOMB MAN: The IRA wants to kill him. He has other ideas.)
medical playroom she was now intimately acquainted with, there was a room with floor-to-ceiling mirrors covering every wall, a suspension rack hanging from the ceiling, a cache of impact toys nearby. Another room contained a tall, narrow slave cage and a hanging leather sex sling, along with a bin of sex toys, each in its own presumably sterile plastic bag. Yet another room had a polished wooden St. Andrew’s cross, a full rack of more beautiful impact toys waiting at the ready. There was a tiled room, a converted bathroom, with a suspension rig hung over the tub. There was a stack of plump towels on the nearby counter, along with a basket of ear and nose plugs. Next to that was a room filled with doorless wardrobes stuffed with gowns, lingerie and high heeled shoes in various sizes, including some clearly meant for a man’s larger foot. Along a counter beneath a large mirror there were wig stands with wigs of varying lengths and colors, as well as a tray filled with makeup, creams and powders. There were several more playrooms with numerous and varied restraint devices, plenty of impact toys and lots of delicious rope and chain.
Claire Thompson (Masters Club Box Set (Masters Club Series))
The marks and wounds from the attack on the 8th of January were changing colors over time. There was still a large graze on my lower back or hip, caused either by flying backwards and falling on the asphalt or possibly a kick or another. I wasn't sure. Over the course of a few weeks, I saw the bruise change colors from purple to black to blue to green, yellow. I sent a picture of it to Martina, along with a depiction of how skinny and sad I had become. I had lost my appetite and had no desire to eat. Since months. I was filled with thoughts of wanting to end all this, unable to imagine living without her, without us, our joy. I struggled to eat, live, and breathe without our love. To this day. My depression (was and is) severe, and I looked like a survivor from a death camp. Just like today. A Prisoner of War. Marked for Death. And I knew Martina was not looking any better, „Missing.” „In Action.” Her words were echoing in my head, in the apartment full of death and violence, (Satan) with invisible marks in plain sight, (Evil Eye) everywhere. One such mark of terror (Hell) and the one-sided wars, all the violence and foolish hatred, (Psychopathy) was the missing glass from the bedroom door, broken by Martina, (Golem) which was why I could clearly hear the couple having sex in our bedroom even with the doors closed. Even near the washing machine, at the other end of the apartment. In the kitchen, I noticed a small bouquet of flowers I had bought for Martina on the first days. I had purchased it from a very old lady in the underground near the Universitat metro station. As I looked at it, still stuck to the wall, I realized it had been there for a year. I sent her a picture of it and, to my surprise, she replied. She told me she loved me and wanted us to be happy. She said we should get a cat and that she wanted to see me and have me bring her the tiny bouquet of flowers. Not her blender from the kitchen, not her shoes, not her bathrobe, not the large images on the wall. Just the tiny flower. It seemed fishy that once again, I wouldn't come back home alive if I went to see her and give her those tiny flowers. And I was Vincent van Gogh now.
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
Peloton with a large monitor and spin shoes hanging on the back. Yoga mat. Weights. It all screams of an aging Olympian going soft around the middle, losing his edge, and worrying about it. This fills me with a sadistic spurt of pleasure.
Loreth Anne White (The Maid's Diary)
But here’s the thing: Martin Luther King was not the “MLK” of his time, not the “MLK” of legend. Martin Luther King was public enemy number one. Seen as an even greater threat by our government, and a large portion of society, than Malcolm X was. Because what Martin Luther King Jr and Malcolm X fought for was the same: freedom from oppression. At times they used different words and different tactics, but it was their goal that was the threat. Their goal of freedom from racial oppression was and is a direct threat to the system of White Supremacy. And for all of Martin’s actions of peace and love, he was targeted with violence, harassed, arrested, blackmailed, followed by the FBI, and eventually murdered. For all of the pedestals MLK is now put on, far above the reach of ordinary black Americans, Martin was in his life viewed as the most dangerous man in America. Martin was the black man who asked for too much, too loudly. Martin was why white America couldn’t support equality. Because no matter what we ask for, if it threatens the system of White Supremacy, it will always be seen as too much. When we were slaves nursing their babies, we were not nice enough. When we were maids cleaning their homes we were not nice enough. When we were porters shining their shoes we were not nice enough. And when we danced and sang for their entertainment we were not nice enough. For hundreds of years we have been told that the path to freedom from racial oppression lies in our virtue, that our humanity must be earned. We simply don’t deserve equality yet. So when people say that they don’t like my tone, or when they say they can’t support the “militancy” of Black Lives Matter, or when they say that it would be easier if we just didn’t talk about race all the time—I ask one question: Do you believe in justice and equality? Because if you believe in justice and equality you believe in it all of the time, for all people. You believe in it for newborn babies, you believe in it for single mothers, you believe in it for kids in the street, you believe in justice and equality for people you like and people you don’t. You believe in it for people who don’t say please. And if there was anything I could say or do that would convince someone that I or people like me don’t deserve justice or equality, then they never believed in justice and equality in the first place. Yes, I am a Malcolm. And Martin, and Angela, Marcus, Rosa, Biko, Baldwin, Assata, Harriet, and Nina. I’m fighting for liberation. I’m filled with righteous anger and love. I’m shouting, as all before me have in their way. And I’m a human being who was born deserving justice and equality, and that is all you should need to know in order to stand by my side.
Ijeoma Oluo (So You Want to Talk About Race)