Lands End Bag Quotes

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This life is a hospital in which each patient is possessed by the desire to change beds. One wants to suffer in front of the stove and another believes that he will get well near the window. It always seems to me that I will be better off there where I am not, and this question of moving about is one that I discuss endlessly with my soul "Tell me, my soul, my poor chilled soul, what would you think about going to live in Lisbon? It must be warm there, and you'll be able to soak up the sun like a lizard there. That city is on the shore; they say that it is built all out of marble, and that the people there have such a hatred of the vegetable, that they tear down all the trees. There's a country after your own heart -- a landscape made out of light and mineral, and liquid to reflect them!" My soul does not reply. "Because you love rest so much, combined with the spectacle of movement, do you want to come and live in Holland, that beatifying land? Perhaps you will be entertained in that country whose image you have so often admired in museums. What do you think of Rotterdam, you who love forests of masts and ships anchored at the foot of houses?" My soul remains mute. "Does Batavia please you more, perhaps? There we would find, after all, the European spirit married to tropical beauty." Not a word. -- Is my soul dead? Have you then reached such a degree of torpor that you are only happy with your illness? If that's the case, let us flee toward lands that are the analogies of Death. -- I've got it, poor soul! We'll pack our bags for Torneo. Let's go even further, to the far end of the Baltic. Even further from life if that is possible: let's go live at the pole. There the sun only grazes the earth obliquely, and the slow alternation of light and darkness suppresses variety and augments monotony, that half of nothingness. There we could take long baths in the shadows, while, to entertain us, the aurora borealis send us from time to time its pink sheaf of sparkling light, like the reflection of fireworks in Hell!" Finally, my soul explodes, and wisely she shrieks at me: "It doesn't matter where! It doesn't matter where! As long as it's out of this world!
Charles Baudelaire (Paris Spleen)
Eddie saw great things and near misses. Albert Einstein as a child, not quite struck by a run-away milk-wagon as he crossed a street. A teenage boy named Albert Schweitzer getting out of a bathtub and not quite stepping on the cake of soap lying beside the pulled plug. A Nazi Oberleutnant burning a piece of paper with the date and place of the D-Day Invasion written on it. He saw a man who intended to poison the entire water supply of Denver die of a heart attack in a roadside rest-stop on I-80 in Iowa with a bag of McDonald’s French fries on his lap. He saw a terrorist wired up with explosives suddenly turn away from a crowded restaurant in a city that might have been Jerusalem. The terrorist had been transfixed by nothing more than the sky, and the thought that it arced above the just and unjust alike. He saw four men rescue a little boy from a monster whose entire head seemed to consist of a single eye. But more important than any of these was the vast, accretive weight of small things, from planes which hadn’t crashed to men and women who had come to the correct place at the perfect time and thus founded generations. He saw kisses exchanged in doorways and wallets returned and men who had come to a splitting of the way and chosen the right fork. He saw a thousand random meetings that weren’t random, ten thousand right decisions, a hundred thousand right answers, a million acts of unacknowledged kindness. He saw the old people of River Crossing and Roland kneeling in the dust for Aunt Talitha’s blessing; again heard her giving it freely and gladly. Heard her telling him to lay the cross she had given him at the foot of the Dark Tower and speak the name of Talitha Unwin at the far end of the earth. He saw the Tower itself in the burning folds of the rose and for a moment understood its purpose: how it distributed its lines of force to all the worlds that were and held them steady in time’s great helix. For every brick that landed on the ground instead of some little kid’s head, for every tornado that missed the trailer park, for every missile that didn’t fly, for every hand stayed from violence, there was the Tower. And the quiet, singing voice of the rose. The song that promised all might be well, all might be well, that all manner of things might be well.
Stephen King (Wolves of the Calla (The Dark Tower, #5))
They arrived home again to a most peculiar sight. The small garden at the front of the Banana House had been transformed. A tidal wave of cushions, beanbags, quilts, hearth rugs, and sleeping bags appeared to have swept up the lawn and broken at the wall. From Indigo's window a multicolored rope of knotted bedsheets came snaking out and ended among the cushions. As Micheal and Caddy watched, a mattress emerged and fell to the ground, followed by a rain of pillows. "Indigo!" shouted Caddy, jumping out of the car. Indigo's and Rose's heads appeared in the window above. "It's all right, Caddy!" Indigo called cheerfully. "We've been doing it all the time you've been gone." "We keep finding more stuff to land on!" added Rose. "Look!
Hilary McKay (Saffy's Angel (Casson Family, #1))
to Russell Vernon Hunter New York Spring 1932 My dear Vernon Hunter Your letter gives me such a vivid picture of some thing I love in space — love almost as passionately as I can love a person — that I am almost tempted to pack my little bag and go — but I will not go to it right this morning — No matter how much I love it — There is some thing in me that must finish jobs once started — when I can —. So I am here — and what you write of me is there The cockscomb is here too — I put it in much cold water and it came to life from a kind of flatness it had in the box when I opened it — tho it was very beautiful as it lay in the box a bit wilted when I opened it —. I love it — Thank you. I must confess to you — that I even have the desire to go into old Mexico — that I would have gone — undoubtedly — if it were only myself that I considered — You are wise — so wise — in staying in your own country that you know and love — I am divided between my man and a life with him — and some thing of the outdoors — of your world — that is in my blood — and that I know I will never get rid of — I have to get along with my divided self the best way I can —. So give my greetings to the sun and the sky — and the wind — and the dry never ending land —Sincerely Georgia O'Keeffe
Georgia O'Keeffe
Nature, who has played so many queer tricks upon us, making us so unequally of clay and diamonds, of rainbow and granite, and stuffed them into a case, often of the most incongruous, for the poet has a butcher’s face and the butcher a poet’s; nature, who delights in muddle and mystery, so that even now (the first of November 1927) we know not why we go upstairs, or why we come down again, our most daily movements are like the passage of a ship on an unknown sea, and the sailors at the mast-head ask, pointing their glasses to the horizon; Is there land or is there none? to which, if we are prophets, we make answer ‘Yes’; if we are truthful we say ‘No’; nature, who has so much to answer for besides the perhaps unwieldy length of this sentence, has further complicated her task and added to our confusion by providing not only a perfect rag-bag of odds and ends within us — a piece of a policeman’s trousers lying cheek by jowl with Queen Alexandra’s wedding veil — but has contrived that the whole assortment shall be lightly stitched together by a single thread.
Virginia Woolf (Orlando)
My dad, a wise spiritual teacher and public speaker, responded, “Well, in a lot of ways, it’s very similar. There will be great storms and lightning and thunder, and the skies will open up. Down from a hole in the clouds doesn’t come a city or Jesus or anything but rather a bunch of bags of cement. Some shovels and hammers. Bricks and mortar and nails and lumber. And finally, at the very end, a note floats down on the breeze and lands on top of all the supplies. It reads: ‘Kingdom of God on Earth: Build-It-Yourself Kit.
Rainn Wilson (Soul Boom: Why We Need a Spiritual Revolution)
Mom was often asked to give speeches about why she felt so committed to the cause of refugees. She would say, “Just imagine that you are awakened tonight by someone in your family who says to you, ‘Put the things you treasure most in one small bag that you can carry. And be ready in a few minutes. We have to leave our home and we will have to make it to the nearest border.’ What mountains would you need to cross? How would you feel? How would you manage? Especially if across the border was a land where they didn’t speak your language, where they didn’t want you, where there was no work, and where you were confined to camps for months or years.” And
Will Schwalbe (The End of Your Life Book Club)
from Labor Day through Halloween, the place is almost unbearably beautiful. The air during these weeks seems less like ether and more like a semisolid, clear and yet dense somehow, as if it were filled with the finest imaginable golden pollen. The sky tends toward brilliant ice-blue, and every thing and being is invested with a soft, gold-ish glow. Tin cans look good in this light; discarded shopping bags do. I’m not poet enough to tell you what the salt marsh looks like at high tide. I confess that when I lived year-round in Provincetown, I tended to become irritable toward the end of October, when one supernal day after another seemed to imply that the only reasonable human act was to abandon your foolish errands and plans, go outside, and fall to your knees.
Michael Cunningham (Land's End: A Walk in Provincetown)
He had a fresh change of clothes in a battered TWA flightbag; he had planned to change after making love tot he fancy cunt. No he hurled the bag across the shop. It bounced off the far wall and landed on top of a dresser. He walked across to it and batted it aside. He drop-kicked as it came down, and it hit the ceiling before falling on its side like a dead woodchuck. Then he simply stood, breathing hard, inhaling the heavy smells, staring vacantly at three chairs he had promised to cane by the end of the week. His thumbs were jammed into his belt. His fingers were curled into fists. His lower lip was pooched out. He looked like a kid sulking after a bawling-out. "CHEAP-SHIT!" he breathed, and went after the flightbag. He made as if to kick it again, then changed his mind and picked it up.
Stephen King (Cujo)
So this summer, this first summer when he was allowed to have “visitation rights” with his father, with the divorce only one month old, Brian was heading north. His father was a mechanical engineer who had designed or invented a new drill bit for oil drilling, a self-cleaning, self-sharpening bit. He was working in the oil fields of Canada, up on the tree line where the tundra started and the forests ended. Brian was riding up from New York with some drilling equipment—it was lashed down in the rear of the plane next to a fabric bag the pilot had called a survival pack, which had emergency supplies in case they had to make an emergency landing—that had to be specially made in the city, riding in the bushplane with the pilot named Jim or Jake or something who had turned out to be an all right guy, letting him fly and all.
Gary Paulsen (Hatchet (Hatchet, #1))
upon us, making us so unequally of clay and diamonds, of rainbow and granite, and stuffed them into a case, often of the most incongruous, for the poet has a butcher’s face and the butcher a poet’s; nature, who delights in muddle and mystery, so that even now (the first of November 1927) we know not why we go upstairs, or why we come down again, our most daily movements are like the passage of a ship on an unknown sea, and the sailors at the mast-head ask, pointing their glasses to the horizon; Is there land or is there none? to which, if we are prophets, we make answer ‘Yes’; if we are truthful we say ‘No’; nature, who has so much to answer for besides the perhaps unwieldy length of this sentence, has further complicated her task and added to our confusion by providing not only a perfect rag-bag of odds and ends within us — a piece of a policeman’s trousers lying cheek by jowl with Queen Alexandra’s wedding veil — but has contrived that the whole assortment shall be lightly stitched together by a single thread. Memory is the seamstress, and a capricious one at that.
Virginia Woolf (Orlando : Illustrated Book by Virginia Woolf)
What ensued was a game of Coyote and Roadrunner that dragged on for more than a decade. Sixty letters went back and forth among Beaumont, St. Martin, and various contacts at the American Fur Company who had located St. Martin and tried to broker a return. It was a seller’s market with a fevered buyer. With each new round of communications—St. Martin holding out for more or making excuses, though always politely and with “love to your family”—Beaumont raised his offer: $250 a year, with an additional $50 to relocate the wife and five children (“his live stock,” as Beaumont at one point refers to them). Perhaps a government pension and a piece of land? His final plan was to offer St. Martin $500 a year if he’d leave his family behind, at which point Beaumont planned to unfurl some unspecified trickery: “When I get him alone again into my keeping I will take good care to control him as I please.” But St. Martin—beep, beep!—eluded his grasp. In the end, Beaumont died first. When a colleague, years later, set out to bag the fabled stomach for study and museum display, St. Martin’s survivors sent a cable that must have given pause to the telegraph operator: “Don’t come for autopsy, will be killed.
Mary Roach (Gulp: Adventures on the Alimentary Canal)
The rock came loose, but Jake’s satisfied grunt turned into a howl of outraged pain as a set of huge teeth in the next stall clamped into Jake’s ample rear end. “You vicious bag of bones,” he shouted, jumping to his feet and throwing himself half over the rail in an attempt to land a punch on Attila’s body. As if the horse anticipated retribution, he sidled to the edge of his stall and regarded Jake from the corner of his eye with an expression that looked to Jake like complacent satisfaction. “I’ll get you for that,” Jake promised, and he started to shake his fist when he realized how absurd it was to threaten a dumb beast. Rubbing his offended backside, he turned to Mayhem and carefully put his own rump against the outside wall of the barn. He checked the hoof to make certain it was clean, but the moment his fingers touched the place where the rock had been lodged the chestnut jerked in pain. “Bruised you, did it?” Jake said sympathetically. “It’s not surprisin’, considering the size and shape of the rock. But you never gave a sign yesterday that you were hurtin’,” he continued. Raising his voice and infusing it with a wealth of exaggerated admiration, the patted the chestnut’s flank and glanced disdainfully at Attila while he spoke to Mayhem. “That’s because you’re a true aristocrat and a fine, brave animal-not a miserable, sneaky mule who’s not fit to be your stallmate!” If Attila cared one way or another for Jake’s opinion, he was disappointingly careful not to show it, which only made Jake’s mood more stormy when he stomped into the cottage. Ian was sitting at the table, a cup of steaming coffee cradled between his palms. “Good morning,” he said to Jake, studying the older man’s thunderous frown. “Mebbe you think so, but I can’t see it. Course, I’ve spent the night freezin’ out there, bedded down next to a horse that wants to make a meal of me, and who broke his fast with a bit of my arse already this mornin’. And,” he finished irately as he poured coffee from the tin pot into an earthenware mug and cast a quelling look at his amused friend, “your horse is lame!” Flinging himself into the chair beside Ian, he gulped down the scalding coffee without thinking what he was doing; his eyes bulged, and sweat popped out on his forehead. Ian’s grin faded. “He’s what?” “Picked up a rock, and he’s favoring his left foreleg.” Ian’s chair legs scraped against the wooden floor as he shoved his chair back and started to go to the barn. “There’s no need. It’s just a bruise.
Judith McNaught (Almost Heaven (Sequels, #3))
In my youth . . . my sacred youth . . . in eaves sole sparowe sat not more alone than I . . . in my youth, my saucer-deep youth, when I possessed a mirror and both a morning and an evening comb . . . in my youth, my pimpled, shame-faced, sugared youth, when I dreamed myself a fornicator and a poet; when life seemed to be ahead somewhere like a land o’ lakes vacation cottage, and I was pure tumescence, all seed, afloat like fuzz among the butterflies and bees; when I was the bursting pod of a fall weed; when I was the hum of sperm in the autumn air, the blue of it like watered silk, vellum to which I came in a soft cloud; O minstrel galleons of Carib fire, I sang then, knowing naught, clinging to the tall slim wheatweed which lay in a purple haze along the highway like a cotton star . . . in my fumbling, lubricious, my uticated youth, when a full bosom and a fine round line of Keats, Hart Crane, or Yeats produced in me the same effect—a moan throughout my molecules—in my limeade time, my uncorked innocence, my jellybelly days, when I repeated Olio de Oliva like a tenor; then I would touch the page in wonder as though it were a woman, as though I were blind in my bed, in the black backseat, behind the dark barn, the dim weekend tent, last dance, date's door, reaching the knee by the second feature, possibly the thigh, my finger an urgent emissary from my penis, alas as far away as Peking or Bangkok, so I took my heart in my hand, O my love, O my love, I sighed, O Christina, Italian rose; my inflated flesh yearning to press against that flesh becoming Word—a word—words which were wet and warm and responsive as a roaming tongue; and her hair was red, long, in ringlets, kiss me, love me up, she said in my anxious oral ear; I read: Milton! thou shouldst be living at this hour; for I had oodles of needs, if England didn't; I was nothing but skin, pulp, and pit, in my grapevine time, during the hard-on priesthood of the poet; because then—in my unclean, foreskinned, and prurient youth—I devoutly believed in Later Life, in Passion, in Poetry, the way I thought only fools felt about God, prayer, heaven, foreknowledge, sin; for what was a poem if not a divine petition, a holy plea, a prophecy: [...] a stranger among strangers, myself the strangest because I could never bring myself to enter adolescence, but kept it about like a bit of lunch you think you may eat later, and later come upon at the bottom of a bag, dry as dust, at the back of the refrigerator, bearded with mold, or caked like sperm in the sock you've fucked, so that gingerly, then, you throw the mess out, averting your eyes, just as Rainer complained he never had a childhood—what luck!—never to have suffered birthpang, nightfear, cradlecap, lake in your lung; never to have practiced scales or sat numb before the dentist's hum or picked your mother up from the floor she's bled and wept and puked on; never to have been invaded by a tick, sucked by a leech, bitten by a spider, stung by a bee, slimed on by a slug, seared by a hot pan, or by paper or acquaintance cut, by father cuffed; never to have been lost in a crowd or store or parking lot or left by a lover without a word or arrogantly lied to or outrageously betrayed—really what luck!—never to have had a nickel roll with slow deliberation down a grate, a balloon burst, toy break; never to have skinned a knee, bruised a friendship, broken trust; never to have had to conjugate, keep quiet, tidy, bathe; to have lost the chance to be hollered at, bullied, beat up (being nothing, indeed, to have no death), and not to have had an earache, life's lessons to learn, or sums to add reluctantly right up to their bitter miscalculated end—what sublime good fortune, the Greek poet suggested—because Nature is not accustomed to life yet; it is too new, too incidental, this shiver in the stone, never altogether, and would just as soon (as Culp prefers to say) cancer it; erase, strike, stamp it out— [...]
William H. Gass (The Tunnel)
D’you mind not offending the only people who believe me?” Harry asked Hermione as they made their way into class. “Oh, for heaven’s sake, Harry, you can do better than her,” said Hermione. “Ginny’s told me all about her, apparently she’ll only believe in things as long as there’s no proof at all. Well, I wouldn’t expect anything else from someone whose father runs The Quibbler.” Harry thought of the sinister winged horses he had seen on the night he had arrived and how Luna had said she could see them too. His spirits sank slightly. Had she been lying? But before he could devote much more thought to the matter, Ernie Macmillan had stepped up to him. “I want you to know, Potter,” he said in a loud, carrying voice, “that it’s not only weirdos who support you. I personally believe you one hundred percent. My family have always stood firm behind Dumbledore, and so do I.” “Er — thanks very much, Ernie,” said Harry, taken aback but pleased. Ernie might be pompous on occasions like these, but Harry was in a mood to deeply appreciate a vote of confidence from somebody who was not wearing radishes in their ears. Ernie’s words had certainly wiped the smile from Lavender Brown’s face and, as he turned to talk to Ron and Hermione, Harry caught Seamus’s expression, which looked both confused and defiant. To nobody’s surprise, Professor Sprout started their lesson by lecturing them about the importance of O.W.L.s. Harry wished all the teachers would stop doing this; he was starting to get an anxious, twisted feeling in his stomach every time he remembered how much homework he had to do, a feeling that worsened dramatically when Professor Sprout gave them yet another essay at the end of class. Tired and smelling strongly of dragon dung, Professor Sprout’s preferred brand of fertilizer, the Gryffindors trooped back up to the castle, none of them talking very much; it had been another long day. As Harry was starving, and he had his first detention with Umbridge at five o’clock, he headed straight for dinner without dropping off his bag in Gryffindor Tower so that he could bolt something down before facing whatever she had in store for him. He had barely reached the entrance of the Great Hall, however, when a loud and angry voice said, “Oy, Potter!” “What now?” he muttered wearily, turning to face Angelina Johnson, who looked as though she was in a towering temper. “I’ll tell you what now,” she said, marching straight up to him and poking him hard in the chest with her finger. “How come you’ve landed yourself in detention for five o’clock on Friday?
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
I remember one time, when members of a particular sect of Christian Protestant came to our house on a Sunday afternoon, my father asked them to describe their concept of the kingdom of heaven. A well-groomed man with a Ned Flanders mustache said, sipping some coffee, “Well, sometime in the near future, there will be a great rumbling from above, lightning will strike, and there will be terrible storms. The sky will open up, and down will come Jesus Christ on a cloud with a great trumpet blast. There will be an incredibly beautiful city with gold and silver turrets that descends with angels on it, and this is the kingdom of God. The good Christians will get into the city, and it will float away with Jesus to be with God, the Father, and the rest of the people will be left behind, left on earth to perish.” And then he politely responded with something to the effect of, “What is the Baha’i concept?” My dad, a wise spiritual teacher and public speaker, responded, “Well, in a lot of ways, it’s very similar. There will be great storms and lightning and thunder, and the skies will open up. Down from a hole in the clouds doesn’t come a city or Jesus or anything but rather a bunch of bags of cement. Some shovels and hammers. Bricks and mortar and nails and lumber. And finally, at the very end, a note floats down on the breeze and lands on top of all the supplies. It reads: ‘Kingdom of God on Earth: Build-It-Yourself Kit.
Rainn Wilson (Soul Boom: Why We Need a Spiritual Revolution)
Dearly beloved, we’re gathered here today – um – I don’t actually know how that’s supposed to go. Let me start over.” I took a deep breath. “The life of a wild animal, even a little Tilikum squirrel, is hard and fraught with danger. Although this small creature met its end, we appreciate its role in nature. May it rest in a land of abundant nuts.” Josiah cracked a smile. I about died right there. I didn’t even care that he was smiling at an unintended nuts joke like a twelve-year-old boy. That smile could be my undoing. “Go ahead and put it in its final resting place.” He tossed the bag into the dumpster.
Claire Kingsley (Obsession Falls (The Haven Brothers, #1))
Excerpted From Chapter One “Rock of Ages” floated lightly down the first floor corridor of the Hollywood Hotel’s west wing. It was Sunday morning, and Hattie Mae couldn’t go to church because she had to work, so she praised the Lord in her own way, but she praised Him softly out of consideration for the “Do Not Disturb” placards hanging from the doors she passed with her wooden cart full of fresh linens and towels. Actually Sundays were Hattie Mae’s favorite of the six days she worked each week. For one thing, her shift ended at noon on Sundays. For another, this was the day Miss Lillian always left a “little something” in her room to thank Hattie Mae for such good maid service. Most of the hotel’s long-term guests left a little change for their room maids, but in Miss Lillian’s case, the tip was usually three crinkly new one dollar bills. It seemed like an awful lot of money to Hattie Mae, whose weekly pay was only nineteen dollars. Still, Miss Lillian Lawrence could afford to be generous because she was a famous actress in the movies. She was also, Hattie Mae thought, a very fine lady. When Hattie Mae reached the end of the corridor, she knocked quietly on Miss Lillian’s door. It was still too early for most guests to be out of their rooms, but Miss Lillian was always up with the sun, not like some lazy folks who laid around in their beds ‘til noon, often making Hattie Mae late for Sunday dinner because she couldn’t leave until all the rooms along her corridor were made up. After knocking twice, Hattie Mae tried Miss Lillian’s door. It opened, so after selecting the softest towels from the stacks on her cart, she walked in. With the curtains drawn the room was dark, but Hattie Mae didn’t stop to switch on the overheard light because her arms were full of towels. The maid’s eyes were on the chest of drawers to her right where Miss Lillian always left her tip, so she didn’t see the handbag on the floor just inside the door. Hattie Mae tripped over the bag and fell headlong to the floor, landing inches from the dead body of Lillian Lawrence. In the dim light Hattie Mae stared into a pale face with a gaping mouth and a trickle of blood from a small red dot above one vacant green eye. Hattie Mae screamed at the top of her lungs and kept on screaming.
H.P. Oliver (Silents!)
Towards the end of the year, he had heard whispers about a group of Palestinians who had set up base in an old villa in one of the quieter suburbs, where they were said to have an arsenal of explosives and sophisticated electronic equipment in the basement. These were the big boys: well-trained professional freedom fighters, or terrorists, depending on your particular ‘bag’. In the circles Dark was now hovering around, the Palestinians were most people’s bag.
Jeremy Duns (Spy Out the Land)
The enlightened wrestling fan has likely spent significant amounts of time explaining to nonviewers that even though wrestling is staged, it's not fake-that no amount of planning, no amount of scripting, no amount of physical trickery or assisted landing, no amount of ring elasticity or floor mat cushion can remotely assuage the physical assault of an average wrestling match. Every night on the road ends with ice bags or painkillers or just plain old pain, the unrelenting kind, the "you sit down in your rental car and electric voltage shoots up your spine" kind of pain, and so what, you get in your car anyway and drive to the next town and work another match tomorrow night and the fans cheer but they don't _know_. And you get two or three days off after tomorrow or the next day, and let's hope to God that's enough to get you right, because then it starts all over again. And then again next week, and then for months, and if you're _lucky_-imagine that word, here of all places-if you're _lucky_ it'll keep going for years. And there's no off-season, no prolonged downtime unless, God forbid, you're seriously injured. That's reality.
David Shoemaker (The Squared Circle: Life, Death, and Professional Wrestling)
While Diana and her mother started planning guest lists, wardrobe requirements and the other details for the wedding of the year, the media vainly attempted to discover her hiding-place. The one man who did know was the Prince of Wales. As the days passed, Diana pined for her Prince and yet he never telephoned. She excused his silence as due to the pressure of his royal duties. Finally she called him only to find that he was not in his apartment at Buckingham Palace. It was only after she called him that he telephoned her. Soothed by that solitary telephone call, Diana’s ruffled pride was momentarily mollified when she returned to Coleherne Court. There was a knock on the door and a member of the Prince’s staff appeared with a large bouquet of flowers. However there was no note from her future husband and she concluded sadly that it was simply a tactful gesture by his office. These concerns were forgotten a few days later when Diana rose at dawn and travelled to the Lambourn home of Nick Gaselee, Charles’s trainer, to watch him ride his horse, Allibar. As she and his detective observed the Prince put the horse through its paces on the gallops Diana was seized by another premonition of disaster. She said that Allibar was going to have a heart attack and die. Within seconds of her uttering those words, 11-year-old Allibar reared its head back and collapsed to the ground with a massive coronary. Diana leapt out of the Land Rover and raced to Charles’s side. There was nothing anyone could do. The couple stayed with the horse until a vet officially certified its death and then, to avoid waiting photographers, Diana left the Gaselees in the back of the Land Rover with a coat over her head. It was a miserable moment but there was little time to reflect on the tragedy. The inexorable demands of royal duty took Prince Charles on to wales, leaving Diana to sympathize with his loss by telephone. Soon they would be together forever, the subterfuge and deceit ended. It was nearly time to let the world into their secret. The night before the engagement announcement, which took place on February 24, 1981, she packed a bag, hugged her loyal friends and left Coleherne Court forever. She had an armed Scotland Yard bodyguard for company, Chief Inspector Paul Officer, a philosophical policeman who is fascinated by runes, mysticism and the after-world. As she prepared to say goodbye to her private life, he told her: “I just want you to know that this is the last night of freedom in your life so make the most of it.” Those words stopped her in her tracks. “They felt like a sword through my heart.
Andrew Morton (Diana: Her True Story in Her Own Words)
She thought of Robin, if he was at school now, if Shelly was with him. It took all she had not to break from her path, return and fall to her knees and take him in her arms. She’d kept one photograph, him smiling, a year back when his hair was longer. She took it from her bag as she climbed the old porch steps and sat on the swinging seat. There was a board back on the gates, SULLIVAN REALTY, there would be an auction one day in the future and someone else would move in, take care of the land, run the same tired circle. In the distance Duchess watched elk, clustered like always at the foot of the hills. The fields needed tending. She thought of Hal out there, a lifetime alone.
Chris Whitaker (We Begin at the End)
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