“
I remember watching the mascara tears flood the ivories and I thought, "It's OK to be sad." I've been trained to love my darkness.
”
”
Lady Gaga
“
They felt, in fact, tremendously bucked-up, which was how Lady Ramkin would almost certainly have put it and which was definitely several letters of the alphabet away from how they normally felt.
”
”
Terry Pratchett (Guards! Guards! (Discworld, #8; City Watch, #1))
“
This may sound weird, but the first thing I thought as I watched that ten-feet-tall bronze lady plummet toward my face was, "Well, at least it can't kill me.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
The rest of my days I'm going to spend on the sea. And when I die, I'm going to die on the sea. You know what I shall die of? I shall die of eating an unwashed grape. One day out on the ocean I will die--with my hand in the hand of some nice looking ship's doctor, a very young one with a small blond moustache and a big silver watch. "Poor lady," they'll say, "The quinine did her no good. That unwashed grape has transported her soul to heaven.
”
”
Tennessee Williams (A Streetcar Named Desire)
“
Our children will be born of our actions. Our accidents will become their destinies. Oh, the actions will remain. It is a simple matter of what you will do when the chips are down, my friend. When the fat lady is singing. When the walls are falling in, and the sky is dark, and the ground is rumbling. In that moment our actions will define us. And it makes no difference whether you are being watched by Allah, Jesus, Buddah, or whether you are not. On cold days a man can see his breath, on a hot day he can't. On both occasions, the man breathes.
”
”
Zadie Smith (White Teeth)
“
I watched my life as if it were happening to someone else. My son died. And I was hurt, but I watched my hurt, and even relished it, a little, for now I could write a real death, a true loss. My heart was broken by my dark lady, and I wept, in my room, alone; but while I wept, somewhere inside I smiled.
”
”
Neil Gaiman (The Sandman, Vol. 10: The Wake)
“
Lyon knew she wasn't aware she was being watched, either. She wouldn't have eaten the leaf otherwise, or reached for another.
“Sir, which one is Princess Christina?” Andrew asked Lyon, just as Rhone started in choking on his laughter. Rhone has obviously been watching Christina, too.
“Sir?”
“The blond-headed one,” Lyon muttered, shaking his head. He watched in growing disbelief as Christina daintily popped another leaf into her mouth.
“Which blond-headed one?” Andrew persisted.
“The one eating the shrubs.
”
”
Julie Garwood (The Lion's Lady (Crown's Spies, #1))
“
Hello? This is Clary Fairchild.”
“Clary? It’s me, Emma.”
“Oh, Emma, hi! I haven’t heard from you in ages. My mom says thanks for the wedding flowers, by the way. She wanted to send a note but Luke whisked her away on a honeymoon to Tahiti.”
“Tahiti sounds nice.”
“It probably is — Jace, what are you doing with that thing? There is no way it’ll fit.”
“Is this a bad time?”
“What? No! Jace is trying to drag a trebuchet into the training room. Alec, stop helping him.”
“What’s a trebuchet?”
“It’s a huge catapult.”
“What are they going to use it for?”
“I have no idea. Alec, you’re enabling! You’re an enabler!”
“Maybe it is a bad time.”
“I doubt there’ll be a better one. Is something wrong? Is there anything I can do?”
“I think we have your cat.”
“What?”
“Your cat. Big fuzzy Blue Persian? Always looks angry? Julian says it’s your cat. He says he saw it at the New York Institute. Well, saw him. It’s a boy cat.”
“Church? You have Church? But I thought — well, we knew he was gone. We thought Brother Zachariah took him. Isabelle was annoyed, but they seemed to know each other. I’ve never seen Church actually likeanyone like that.”
“I don’t know if he likes anyone here. He bit Julian twice. Oh, wait. Julian says he likes Ty. He’s asleep on Ty’s bed.”
“How did you wind up with him?”
“Someone rang our front doorbell. Diana, she’s our tutor, went down to see what it was. Church was in a cage on the front step with a note tied to it. It said For Emma. This is Church, a longtime friend of the Carstairs. Take care of this cat and he will take care of you. —J.”
“Brother Zachariah left you a cat.”
“But I don’t even really know him. And he’s not a Silent Brother any more.”
“You may not know him, but he clearly knows you.”
“What do you think the J stands for?”
“His real name. Look, Emma, if he wants you to have Church, and you want Church, you should keep him.”
“Are you sure? The Lightwoods —“
‘They’re both standing here nodding. Well, Alec is partially trapped under a trebuchet, but he seems to be nodding.”
“Jules says we’d like to keep him. We used to have a cat named Oscar, but he died, and, well, Church seems to be good for Ty’s nightmares.”
“Oh, honey. I think, really, he’s Brother Zachariah’s cat. And if he wants you to have him, then you should.”
“Why does Brother Zachariah want to protect me? It’s like he knows me, but I don’t know why he knows me.”
“I don’t exactly know … But I know Tessa. She’s his — well, girlfriend seems not the right word for it. They’ve known each other a long, long time. I have a feeling they’re both watching over you.”
“That’s good. I have a feeling we’re going to need it.”
“Emma — oh my God. The trebuchet just crashed through the floor. I have to go. Call me later.”
“But we can keep the cat?”
“You can keep the cat.
”
”
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
“
Old lady judges watch people in pairs
Limited in sex, they dare
To push fake morals, insult and stare
While money doesn't talk, it swears
Obscenity, who really cares
Propaganda, all is phony.
”
”
Bob Dylan
“
ROSE: I love you, Jack.
JACK: No...don’t say your goodbyes, Rose. Don’t you give up. Don’t do it.
ROSE: I’m so cold.
JACK: You’re going to get out of this...you’re going to go on and you’re going to make babies and watch them grow and you’re going to die an old lady, warm in your bed. Not here...Not this night. Do you understand me?
ROSE: I can’t feel my body.
JACK: Rose, listen to me. Winning that ticket was the best thing that ever happened to me. It brought me to you. And I’m thankful, Rose. I’m thankful. You must do me this honor...promise me you will survive....that you will never give up...not matter what happens...no matter how hopeless...promise me now, and never let go of that promise.
ROSE: I promise.
JACK: Never let go.
ROSE: I promise. I will never let go, Jack. I’ll never let go.
”
”
James Cameron (" Titanic " Script Book)
“
My mother tells me
that when I meet someone I like,
I have to ask them three questions:
1. what are you afraid of?
2. do you like dogs?
3. what do you do when it rains?
of those three, she says the first one is the most important.
“They gotta be scared of something, baby. Everybody is. If they aren’t afraid of anything, then they don’t believe in anything, either.”I asked you what you were afraid of.
“spiders, mostly. being alone. little children, like, the ones who just learned how to push a kid over on the playground. oh and space. holy shit, space.”
I asked you if you liked dogs.
“I have three.”
I asked you what you do when it rains.
“sleep, mostly. sometimes I sit at the window and watch the rain droplets race. I make a shelter out of plastic in my backyard for all the stray animals; leave them food and a place to sleep.”
he smiled like he knew.
like his mom told him the same
thing.
“how about you?”
me?
I’m scared of everything.
of the hole in the o-zone layer,
of the lady next door who never
smiles at her dog,
and especially of all the secrets
the government must be breaking
it’s back trying to keep from us.
I love dogs so much, you have no idea.
I sleep when it rains.
I want to tell everyone I love them.
I want to find every stray animal and bring them home.
I want to wake up in your hair
and make you shitty coffee
and kiss your neck
and draw silly stick figures of us.
I never want to ask anyone else
these questions
ever again.
”
”
Caitlyn Siehl (What We Buried)
“
When we’re there I’ll create a distraction. You have to keep your wits about you, Lady Rogan. Watch me all the time. When I make my move, you make it with me and we run.”
I blinked owlishly, hoping I’d heard wrong. “That’s your big plan? A distraction?”
He smiled cheekily at me. “Yes. It’s good, right?”
“You’re going to get us killed.”
“Well, since you got us kidnapped in the first place, I think it’s only fair.
”
”
Samantha Young (Slumber (The Fade, #1))
“
Fighting positions, please, ladies...'
'That's debatable,' Halt said in an undertone to Will as they stood watching...
'The 'fighting' part or the 'ladies' part?' Will replied with a grin.
Halt looked at him and shook his head. 'Definitely the 'ladies,'' he said. 'There's no debate about the 'fighting.''
Will shrugged. He knew there was an edginess to the girls' relationship and that it had something to do with him. Why that should be so was beyond him.
”
”
John Flanagan (The Emperor of Nihon-Ja (Ranger's Apprentice, #10))
“
Uh, I thought DVDs werne't allowed at my sleepovers.
They're not.
Then why am i watching the Lady and the Tramp?
”
”
Lisi Harrison (Invasion of the Boy Snatchers (The Clique, #4))
“
Watch very closely as the magical angel and I are swallowed by the rainbow twister, and left stranded on the glitter way.
”
”
Lady Gaga
“
It was Carrot who'd suggested to the Patrician that hardened criminals should be given the chance to 'serve the community' by redecorating the homes of the elderly, lending a new terror to old age and, given Ankh-Morpork's crime rate, leading to at least one old lady having her front room wallpapered so many times in six months that now she could only get in sideways.
”
”
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
“
You wanted daffodils at your wedding, and suddenly I wanted to be the one beside you at the altar watching you hold them. I wanted it to be real. I wanted it all to be real.
”
”
Chloe Gong (Foul Lady Fortune (Foul Lady Fortune, #1))
“
Well, the news has got around. The Duchess of Keepsake has invited us to a ball, Sir Henry and Lady Withering have invited us to a ball, and Lord and Lady Hangfinger have invited us to... yes, a ball."
"Well, that's a lot of..."
"Don't you dare, Sam.
”
”
Terry Pratchett (Snuff (Discworld, #39; City Watch, #8))
“
Hannibal at eighteen was rooting for Mephistopheles and contemptuous of Faust, but he only half-listened to the climax. He was watching and breathing Lady Murasaki...
”
”
Thomas Harris (Hannibal Rising (Hannibal Lecter, #4))
“
It was an ocean she lived across from, ran beside everyday, but Julian knew how much it terrified her. She could force herself into it, sick and shaking, but he hated watching her do it, hated watching his strong Emma torn to shreds by the terror of something so primal and nameless she couldn't explain it even to herself.
It made him want to kill things, destroy things to keep her safe. Even though she could keep herself safe. Even though she was the bravest person he knew.
”
”
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
“
He’s got claws!” Ben shook his head, hard.
“All the better to rip into prey.” Jude took a step forward.
“What’s up with his eyes? Why are they—”
“All the better to see the asshole who doesn’t need to be attacking my lady.
”
”
Cynthia Eden (Eternal Hunter (Night Watch, #1))
“
Shame, child, is for those who fail to live up to the ideal of what they believe they should be." She waved her hand. "It was shame that drove me to my queen, to beseech her aid." Her long, delicate fingers idly moved to the streaks of white in her otherwise flawless red tresses. "But she showed me the way back to myself, through exquisite pain, and now I am here to watch over my dear godson--and the rest of you, as long as it is quite convenient."
Spooky death Sidhe lady," Molly said. "Now upgraded to spooky, crazy death Sidhe lady.
”
”
Jim Butcher (Changes (The Dresden Files, #12))
“
I watch some kids ask the cafeteria ladies to sign their books. What do they write: "Hope your chicken patties never bleed?" Or, maybe, "May your Jell-O always wiggle?
”
”
Laurie Halse Anderson (Speak)
“
He is a man of the Night's Watch, She thought, as he sang about some stupid lady throwing herself off some stupid tower because her stupid prince was dead. The lady should go kill the ones who killed her prince. Arya Stark (page 514)
”
”
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
“
...how sorry she felt for white people, who couldn't do any of this (sit talking with friends and growing melons) and who were always dashing around and worrying themselves over things that were going to happen anyway. What use was it having all the money if you could never sit still or just watch your cattle, and yet they did not know it. Every so often you met a white person who understood, who realized how things really were; but these people were few and far between and the other white people often treated them with suspicion.
”
”
Alexander McCall Smith (The No. 1 Ladies' Detective Agency (No. 1 Ladies' Detective Agency, #1))
“
Once more, I am watching the most powerful men in the kingdom bring their power to bear on a woman who has done nothing worse than live to the beat of her own heart, see with her own eyes; but this is not their tempo nor their vision and they cannot tolerate any other.
”
”
Philippa Gregory (The Lady of the Rivers (The Plantagenet and Tudor Novels, #1))
“
I cast a look at where Rhys still remained sprawled on the cushions, watching us with raised brows. “For someone who was just dead,” I said tightly, “you seem remarkably relaxed.”
Rhys smirked. “I’m glad you’re bouncing back to your usual spirits, Feyre darling.”
Drakon snorted, and took my hands, squeezing them as tightly as his mate had. “What he doesn’t want to tell you, my lady, is that he’s so damn old he can’t stand up right now.”
I whirled to Rhys. “Are you—”
“Fine, fine,” Rhys said, waving a hand, even as he groaned a bit. “Though perhaps now you see why I didn’t bother visiting these two for so long. They’re terribly cruel to me.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
Oh, she doth teach the torches to burn bright!
It seems she hangs upon the cheek of night
Like a rich jewel in an Ethiope’s ear,
Beauty too rich for use, for earth too dear.
So shows a snowy dove trooping with crows
As yonder lady o'er her fellows shows.
The measure done, I’ll watch her place of stand,
And, touching hers, make blessèd my rude hand.
Did my heart love till now? Forswear it, sight!
For I ne'er saw true beauty till this night.
”
”
William Shakespeare
“
Whatever happened to me in my life, happened to me as a writer of plays. I'd fall in love, or fall in lust. And at the height of my passion, I would think, 'So this is how it feels,' and I would tie it up in pretty words. I watched my life as if it were happening to someone else. My son died. And I was hurt, but I watched my hurt, and even relished it, a little, for now I could write a real death, a true loss. My heart was broken by my dark lady, and I wept, in my room, alone; but while I wept, somewhere inside I smiled. For I knew I could take my broken heart and place it on the stage of The Globe, and make the pit cry tears of their own.
”
”
Neil Gaiman (The Sandman, Vol. 10: The Wake)
“
He smiles but rarely and watches other men to see when they laugh and then does the same.
”
”
Susanna Clarke (The Ladies of Grace Adieu and Other Stories)
“
Is that the drink with the vodka? Because- "
"No," said Lady Margolotta quietly. "This, I am afraid, is the other kind. Still, ve have that in common, don't ve? Neither of us drinks...alcohol. I believe you vere an alcoholic, Sir Samuel."
"No," said Vimes, completely taken aback. "I was a drunk. You have to be richer than I was to be an alcoholic.
”
”
Terry Pratchett (The Fifth Elephant (Discworld, #24; City Watch, #5))
“
Ronan merely invested a look with as much contempt as he could muster. A lady reached over the top of Noah to pat Matthew's head fondly before continuing down the aisle. She didn't seem to care that he was fifteen, which was all right, because he didn't, either. Both Ronan and Declan observed this interaction with the pleased expressions of parents watching their prodigy at work.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
We're in Des Moines, Iowa today, were in Omaha, Nebraska yesterday and Boise, Idaho the day before. When we landed at the airport in Boise, from Portland, Oregon this lady from our plane came up from behind as we walked down the terminal. She approached me and said "Taylor, I just love your song and want to wish you great things in you career." I looked and her and said "Well, THANK YOU!" and then said " who did you talk to?". (and then pointed to my Mom and the Label rep we were traveling with) I was convinced that one of them had talked to the lady on the plane and told her about me and my song. The lady said "neither one" and then I said "Well, how did you know who I was?" and the lady said "because I listen to radio and I watched your video". This was the first time someone had actually KNOWN who I was and MY NAME. wow. I just walked over and hugged her, and said ...."You're the first person who's ever done that, thankyou." It was an amazing moment to remember, and I always will.
”
”
Taylor Swift
“
<…>"No, Ty, you drew it when one second you had your tongue in my mouth, your hands on me and me on my back in your bed and swear to God, swear to God, that was all you had to do, I was this close," she lifted a hand and held her thumb and forefinger an inch apart, "to climax just with that and the next second you took it all away from me. All of it and you fucking know exactly what I'm talking about because the next second I was standing on my feet, you were two feet away but you might as well still have been in fucking California and then I watched you shut down."<…>
”
”
Kristen Ashley (Lady Luck (Colorado Mountain, #3))
“
But her attention was on the prince across from her, who seemed utterly ignored by his father and his own court, shoved down near the end with her and Aedion.
He ate so beautifully, she thought, watching him cut into his roast chicken. Not a drop moved out of place, not a scrap fell on the table. She had decent manners, while Aedion was hopeless, his plate littered with bones and crumbs scattered everywhere, even some on her own dress. She’d kicked him for it, but his attention was too focused on the royals down the table.
So both she and the Crown Prince were to be ignored, then. She looked at the boy again, who was around her age, she supposed. His skin was from the winter, his blue-black hair neatly trimmed; his sapphire eyes lifted from his plate to meet hers.
“You eat like a fine lady,” she told him.
His lips thinned and color stained his ivory cheeks. Across from her, Quinn, her uncle’s Captain of the Guard, choked on his water.
The prince glanced at his father—still busy with her uncle—before replying. Not for approval, but in fear. “I eat like a prince,” Dorian said quietly.
“You do not need to cut your bread with a fork and knife,” she said. A faint pounding started in her head, followed by a flickering warmth, but she ignored it. The hall was hot, as they’d shut all the windows for some reason.
“Here in the North,” she went on as the prince’s knife and fork remained where they were on his dinner roll, “you need not be so formal. We don’t put on airs.”
Hen, one of Quinn’s men, coughed pointedly from a few seats down. She could almost hear him saying, Says the little lady with her hair pressed into careful curls and wearing her new dress that she threatened to skin us over if we got dirty.
She gave Hen an equally pointed look, then returned her attention to the foreign prince. He’d already looked down at his food again, as if he expected to be neglected for the rest of the night. And he looked lonely enough that she said, “If you like, you could be my friend.” Not one of the men around them said anything, or coughed.
Dorian lifted his chin. “I have a friend. He is to be Lord of Anielle someday, and the fiercest warrior in the land.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
Watching my father plan and strategize for the resistance has taught me about trust.” She leaned forward. “Personal trust is very different from political trust, my lady. The first thrives on faith. The second requires proof, whether it be upfront or covert.” Awkwardly, she patted my hand. “His Majesty has always been a powerful man. Perhaps he has never had to distinguish between the two.
”
”
Alison Goodman (Eona: The Last Dragoneye (Eon, #2))
“
Raven made a face at the blood that now stained her fingertips. She wiped her hand on his jeans until the blood was all gone.
Gabriel watched her with narrowed eyes and said, "You look old."
Heather's mouth fell open.
Good God. Don't anger the crazy lady.
Raven slapped him, hard. "That's what happens when your supply of fountain water starts to run out and you have to dilute it. You age. Magic can only do so much."
"Sucks to be you," Gabriel said.
Clearly, he did not value his life.
”
”
Chelsea Fine (Avow (The Archers of Avalon, #3))
“
If Marion Hawthorne doesn't watch out, she's going to grow up into a lady Hitler.
”
”
Louise Fitzhugh (Harriet the Spy)
“
Zoe—" I said.
"Stars," she whispered. "I can see the stars again, my lady."
A tear trickled down Artemis's cheek. "Yes, my brave one. They are beautiful tonight."
"Stars," Zoe repeated. Her eyes fixed on the night sky. And she did not move again.
Thalia lowered her head. Annabeth gulped down a sob, and her father put his hands on her shoulders. I watched as Artemis cupped her hand above Zoe's mouth and spoke a few words in Ancient Greek. A silvery wisp of smoke exhaled from Zoe's lips and was caught in the hand of the goddess. Zoe's body shimmered and disappeared.
Artemis stood, said a kind of blessing, breathed into her cupped hand and released the silver dust to the sky. It flew up, sparkling, and vanished.
For a moment I didn't see anything different. Then Annabeth gasped. Looking up in the sky, I saw that the stars were brighter now. They made a pattern I had never noticed before—a gleaming constellation that looked a lot like a girl's figure—a girl with a bow, running across the sky.
"Let the world honor you, my Huntress," Artemis said. "Live forever in the stars.
”
”
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
“
Think of me if you will as the Lady of Shalott . . . who chooses to watch diligently the bright colours of her Web - to ply an industrious shuttle - to make - something - to close the Shutters and the Peephole too -
”
”
A.S. Byatt (Possession)
“
His body was urgent against her, and she didn't have the heart anymore to fight...She saw his eyes, tense and brilliant, fierce, not loving. But her will had left her. A strange weight was on her limbs. She was giving way. She was giving up...she had to lie down there under the boughs of the tree, like an animal, while he waited, standing there in his shirt and breeches, watching her with haunted eyes...He too had bared the front part of his body and she felt his naked flesh against her as he came into her. For a moment he was still inside her, turgid there and quivering. Then as he began to move, in the sudden helpless orgasm, there awoke in her new strange thrills rippling inside her. Rippling, rippling, rippling, like a flapping overlapping of soft flames, soft as feathers, running to points of brilliance, exquisite and melting her all molten inside. It was like bells rippling up and up to a culmination. She lay unconscious of the wild little cries she uttered at the last. But it was over too soon, too soon, and she could no longer force her own conclusion with her own activity. This was different, different. She could do nothing. She could no longer harden and grip for her own satisfaction upon him. She could only wait, wait and moan in spirit and she felt him withdrawing, withdrawing and contracting, coming to the terrible moment when he would slip out of her and be gone. Whilst all her womb was open and soft, and softly clamouring, like a sea anenome under the tide, clamouring for him to come in again and make fulfillment for her. She clung to him unconscious in passion, and he never quite slipped from her, and she felt the soft bud of him within her stirring, and strange rhythms flushing up into her with a strange rhythmic growing motion, swelling and swelling til it filled all her cleaving consciousness, and then began again the unspeakable motion that was not really motion, but pure deepening whirlpools of sensation swirling deeper and deeper through all her tissue and consciousness, til she was one perfect concentric fluid of feeling, and she lay there crying in unconscious inarticulate cries.
”
”
D.H. Lawrence (Lady Chatterley's Lover)
“
And they told me to keep watch over a ‘lady.’”
I couldn’t help but smirk. A lady.
I lunged and defeated her guard.
I was a war mage.
”
”
Rachel E. Carter (Candidate (The Black Mage, #3))
“
Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
”
”
David Mitchell (The Thousand Autumns of Jacob de Zoet)
“
To be pleasant, gentle, calm and self-possessed: this is the basis of good taste and charm in a woman. No matter how amorous or passionate you may be, as long as you are straightforward and refrain from causing others embarrassment, no one will mind. But women who are too vain and act pretentiously, to the extent that they make others feel uncomfortable, will themselves become the object of attention; and once that happens, people will find fault with whatever they say or do; whether it be how they enter a room, how they sit down, how they stand up or how they take their leave. Those who end up contradicting themselves and those who disparage their companions are also carefully watched and listened to all the more. As long as you are free from such faults, people will surely refrain from listening to tittle-tattle and will want to show you sympathy, if only for the sake of politeness.
I am of the opinion that when you intentionally cause hurt to another, or indeed if you do ill through mere thoughtless behavior, you fully deserve to be censured in public. Some people are so good-natured that they can still care for those who despise them, but I myself find it very difficult. Did the Buddha himself in all his compassion ever preach that one should simply ignore those who slander the Three Treasures? How in this sullied world of ours can those who are hard done by be expected to reciprocate in kind?
”
”
Murasaki Shikibu (The Diary of Lady Murasaki)
“
She stared at him for long minutes, the unusual paleness of his face, the brows still scrunched with worry, as if he fretted for her even in his sleep. The sun gilded his dark hair and shone through his wings, bringing out undertones of reds and golds in both.
Like a knight guarding his lady. She couldn't stop the image, sprung from the pages of her childhood books. Like a warrior-prince, with those tattoos and that muscle-bound chest. Her throat tightened unbearably, her eyes stinging.
She would not let herself cry, not for herself or for the sight of him keeping watch beside her bed all night.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
The city wasa, wasa, wasa wossname. Thing. Woman. Thass what it was. Woman. Roaring, ancient, centuries old. Strung you along, let you fall in thingy, love, with her, then kicked you inna, inna, thingy. Thingy, in your mouth. Tongue. Tonsils. Teeth. That's what it, she, did. She wasa...thing, you know, lady dog. Puppy. Hen. Bitch.
”
”
Terry Pratchett (Guards! Guards! (Discworld, #8; City Watch, #1))
“
Sorry,” she said, “I got out as fast as I could, but I had to stay and socialize. Protocol, you know.”
“Explain protocol,” Nell said. This was how she always talked to the Primer.
“At the place we’re going, you need to watch your manners. Don’t say ‘explain this’ or ‘explain that.’”
“Would it impose on your time unduly to provide me with a concise explanation of the term protocol?” Nell said.
Again Rita made that nervous laugh and looked at Nell with an expression that looked like poorly concealed alarm.
”
”
Neal Stephenson (The Diamond Age: Or, a Young Lady's Illustrated Primer)
“
But Siegfried held up a restraining hand. “Just one moment,” he slurred. “The windscreen is very dirty. I’ll give it a rub for you.” The ladies watched him silently as he weaved round to the back of the car and began to rummage in the boot. The love light had died from their eyes. I don’t know why he took the trouble; possibly it was because, through the whisky mists, he felt he must re-establish himself as a competent and helpful member of the party. But the effort fell flat; the effect was entirely spoiled. He was polishing the glass with a dead hen.
”
”
James Herriot (All Creatures Great and Small (All Creatures Great and Small, #1-2))
“
Usually, very early in the morning. German laborers were going to work. They would stop and look at us without surprise. One day when we had come to a stop, a worker took a piece of bread out of his bag and threw it into a wagon. There was a stampede. Dozens of starving men fought desperately over a few crumbs. The worker watched the spectacle with great interest. Years later, I witnessed a similar spectacle in Aden. Our ship’s passengers amused themselves by throwing coins to the “natives,” who dove to retrieve them. An elegant Parisian lady took great pleasure in this game. When I noticed two children desperately fighting in the water, one trying to strangle the other, I implored the lady: “Please, don’t throw any more coins!” “Why not?” said she. “I like to give charity…
”
”
Elie Wiesel (Night)
“
Where do you think they've gone?' he said.
'Where what?' said Lady Ramkin, temporarily halted.
'The dragons. You know. Errol and his wi - female.'
'Oh, somewhere isolated and rocky, I should imagine,' said Lady Ramkin. 'Favourite country for dragons.'
'But it - she's a magical animal,' said Vimes. 'What'll happen when the magic goes away?'
Lady Ramkin gave him a shy smile.
'Most people seem to manage,' she said.
She reached across the table and touched his hand.
”
”
Terry Pratchett (Guards! Guards! (Discworld, #8; City Watch, #1))
“
Very well," he said now. "Fighting positions, please, ladies..."
"That's debatable," Halt said in an undertone to Will as they stood watchingn. A number of the off-duty crew had gathered to watch as well. There was a certain enjoyment to be had in watching two extremely attractive girls trying to split each other's skulls open with wooden swords.
"The 'fighting' part or the 'ladies' part?" Will replied with a grin. Halt looked at him and shook his head. "Definitely the 'ladies,'" he said. "There's no debate about the fighting.'"
~Halt & Will about Evanlyn and Alyss
”
”
John Flanagan (The Emperor of Nihon-Ja (Ranger's Apprentice, #10))
“
There's a power struggle going on across Europe these days. A few cities are competing against each other to see who shall emerge as the great 21st century European metropolis. Will it be London? Paris? Berlin? Zurich? Maybe Brussels, center of the young union? They all strive to outdo one another culturally, architecturally, politically, fiscally. But Rome, it should be said, has not bothered to join the race for status. Rome doesn't compete. Rome just watches all the fussing and striving, completely unfazed. I am inspired by the regal self-assurance of this city, so grounded and rounded, so amused and monumental, knowing she is held securely in the palm of history. I would like to be like Rome when I am an old lady.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
KING (to Sakuntala): O fair lady!
The tear drop that once stood
trembling on your lower lip
-and I watched uncaring, lost in delusion-
while it still clings to your gently-curving lashes,
I shall now wipe away, my beloved,
to free myself of remorse.
”
”
Kālidāsa (The Loom of Time: A Selection of His Plays and Poems)
“
Very good, Monique. Perfect as always. Next time, Sidheag, smaller handkerchief. A lady carries embroidered muslin, not-what on earth is that? A square of tweed? Really, girl! Dimity, watch your balance, and red? Dear, not read. You're not ready for red. Red is only for the advanced deployment of handkerchiefs.
”
”
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
“
I let you sleep, Sam," said Lady Sybil. "You didn't get in this morning until after three."
"Everyone's double-shifting, dear," said Sam, daring Carrot and Sally to even think about telling anyone they'd seen the boss wearing a blue shawl covered in ducks. "I've got to set a good example."
"I'm sure you intend to, Sam, but you look like a horrible warning," said Sybil.
”
”
Terry Pratchett (Thud! (Discworld, #34; City Watch, #7))
“
I looked at my watch. Nine fifty-four. Time to go home and get your slippers on and play over a game of chess. Time for a tall cool drink and a long quiet pipe. Time to sit with your feet up and think of nothing. Time to start yawning over your magazine. Time to be a human being, a householder, a man with nothing to do but rest and suck in the night air and rebuild the brain for tomorrow.
”
”
Raymond Chandler (The Lady in the Lake (Philip Marlowe, #4))
“
We fall into the great continuing circle of dancers. Some leave the floor, tired but giddy; others have only just arrived. They are eager to wear their new status as ladies, to be paraded about and lauded until they see themselves with new eyes. The fathers beam at their daughters, thinking them perfect flowers in need of their protection, while the mothers watch from the margins, certain this moment is their doing. We create illusions we need to go on. And one day, when they no longer dazzle or comfort, we tear them down, brick by glittering brick, until we are left with nothing but the bright light of honesty. The light is liberating. Necessary. Terrifying. We stand naked and emptied before it. Adn when it is too much for our eyes to take, we build a new illusion to shield us from its relentless truth.
But the girls! Their eyes glow with the fever dream of all they might become. They tell themselves this is the beginning of everything. And who am I to say it isn't?
”
”
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
“
Who are they?” I whispered, as we took seats opposite each other.
Scout glanced up as she pulled notebooks and books from her bag. “The dragon ladies. They monitor lights-out, watch us while we study, and generally make sure that nothing fun occurs on their watch.”
“Awesome,” I said, flipping open my trig book. “I’m a fun hater myself.
”
”
Chloe Neill (Firespell (The Dark Elite, #1))
“
As I grow in age, I value women who are over forty most of all. Here are just a few reasons why: A woman over forty will never wake you in the middle of the night to ask, “What are you thinking?” She doesn’t care what you think.
If a woman over forty doesn’t want to watch the game, she doesn’t sit around whining about it. She does something she wants to do. And, it’s usually something more interesting.
A woman over forty knows herself well enough to be assured in who she is, what she is, what she wants and from whom. Few women past the age of forty give a hoot what you might think about her or what she’s doing.
Women over forty are dignified. They seldom have a screaming match with you at the opera or in the middle of an expensive restaurant. Of course, if you deserve it, they won’t hesitate to shoot you, if they think they can get away with it.
Older women are generous with praise, often undeserved. They know what it’s like to be unappreciated.
A woman over forty has the self-assurance to introduce you to her women friends. A younger woman with a man will often ignore even her best friend because she doesn’t trust the guy with other women. Women over forty couldn’t care less if you’re attracted to her friends because she knows her friends won’t betray her.
Women get psychic as they age. You never have to confess your sins to a woman over forty. They always know.
A woman over forty looks good wearing bright red lipstick. This is not true of younger women. Once you get past a wrinkle or two, a woman over forty is far sexier than her younger counterpart.
Older women are forthright and honest. They’ll tell you right off if you are a jerk, if you are acting like one! You don’t ever have to wonder where you stand with her.
Yes, we praise women over forty for a multitude of reasons. Unfortunately, it’s not reciprocal. For every stunning, smart, well-coiffed hot woman of forty-plus, there is a bald, paunchy relic in yellow pants making a fool of himself with some twenty-two-year-old waitress.
Ladies, I apologize.
For all those men who say, “Why buy the cow when you can get the milk for free,” here’s an update for you. Now 80 percent of women are against marriage, why? Because women realize it’s not worth buying an entire pig, just to get a little sausage.
”
”
Andy Rooney
“
There is no greater torture than being forced to watch as your love, your reason for living, breathing, and existing, sinks into oblivion. Your heart stops no matter how you try to get to her, she just gets farther and farther away." ~Fane from 'Beyond the Vail'
"Attention shoppers, just a brief announcement, crazy ass werewolf on isle three. Those with abundance of testosterone, don't touch their lady merchandise and you might walk out of here intact." ~Jen from 'Fate and Fury'.
"In the event of some sort of gathering, if one of the bossy, overbearing, possessive fur balls has not flipped his switch and attacked some poor young pup in some misguided attempt to protect his woman's virtue, then the night is not over.
”
”
Quinn Loftis (Beyond the Veil (The Grey Wolves, #5))
“
The next night I went back to the sea dressed in 1950s silk travel scarves – Paris with the Eiffel tower and ladies in hats and pink poodles, Venice with bronze horses and gondoliers, New York in celestial blue and silver. I brought candles and lit the candles, all the candles, in a circle around the lifeguard stand and put a tape in my boom box. I came down the ramp with the sea lapping at my feet and the air like a scarf of warm silk and the stars like my tiara. And my angel was sitting there solemnly in the sand, sitting cross-legged like a buddha, with sand freckling his brown limbs and he watched me the way no boy had ever watched me before, with so much tenderness and also a tremendous sorrow, which was what my dances were about just as much, the sorrow of not being loved the way my womb, rocking emptily inside of me, insisted I be loved, the sorrow of never finding the thing I had been searching for.
”
”
Francesca Lia Block (Echo)
“
Not at all. It's why people come. They say it's about looking smart, or beautiful, or professional, but it's not. Gray-haired ladies try to recapture their former brunette. Brunettes want to go blond. Other women go for colors that don't arise in
nature. Each group thinks it's completely different than the others, but I don't see it that way. I've watched them looking at themselves in the mirror, and they're not interested in conforming or rebelling, they just want to walk out of here feeling like themselves again.
”
”
Antony John (Five Flavors of Dumb)
“
The skin around my eyes was becoming, even as I watched, a mass of wrinkles; chin and jowls were sagging, neck like a turkey, marionette lines rushing from my mouth to my chin in manner of Angela Merkel. As I stared I could almost seamy hair turning into a tight grey perm. It had finally happened. I was an old lady.
”
”
Helen Fielding (Mad About the Boy (Bridget Jones, #3))
“
The things of your life arrived in their own time, like a train you had to catch. Sometimes this was easy, all you had to do was step onto it, the train was plush and comfortable and full of people smiling at you in a hush, and a conductor who punched your ticket and tousled your head with his big hand, saying, Ain’t you pretty, ain’t you the prettiest girl now, lucky lady taking a big train trip with your daddy, while you sank into the dreamy softness of your seat and sipped ginger ale from a can and watched the world float in magical silence past your window, the tall buildings of the city in the crisp autumn light and then the backs of the houses with laundry flapping and a crossing with gates where a boy was waving from his bicycle, and then the woods and fields and a single cow eating grass.......
.....Because sometimes it was one way, easy, and sometimes it was the other, not easy; the things of your life roared down to you and it was all you could do to grab hold and hang on. Your old life ended, and the train took you away to another...
”
”
Justin Cronin (The Passage (The Passage, #1))
“
Steve looked through the scope. The house was quiet now. Thin trickles of smoke leaked from the windows. As he watched, Mrs McGillicutty staggered outside. She was bloody and dazed, but very much alive. “Hey, there’s the old lady! What’s that she’s holding?”
Carolyn took the scope and looked for herself, then handed it back. “Muffins. She’s got muffins.
”
”
Scott Hawkins (The Library at Mount Char)
“
That evening, as I watched the sunset’s pinwheels of apricot and mauve slowly explode into red ribbons, I thought: The sensory misers will inherit the earth, but first they will make it not worth living on. When you consider something like death, after which (there being no news flash to the contrary) we may well go out like a candle flame, then it probably doesn’t matter if we try too hard, are awkward sometimes, care for one another too deeply, are excessively curious about nature, are too open to experience, enjoy a nonstop expense of the senses in an effort to know life intimately and lovingly. It probably doesn’t matter if, while trying to be modest and eager watchers of life’s many spectacles, we sometimes look clumsy or get dirty or ask stupid questions or reveal our ignorance or say the wrong thing or light up with wonder like the children we all are. It probably doesn’t matter if a passerby sees us dipping a finger into the moist pouches of dozens of lady’s slippers to find out what bugs tend to fall into them, and thinks us a bit eccentric. Or a neighbor, fetching her mail, sees us standing in the cold with our own letters in one hand and a seismically red autumn leaf in the other its color hitting our sense like a blow from a stun gun, as we stand with a huge grin, too paralyzed by the intricately veined gaudiness of the leaf to move.
”
”
Diane Ackerman (A Natural History of the Senses)
“
I thought, in Nature, the defeated animal just rolls on its back in submission and that's the end of it,' said Vimes, as they clattered after the disappearing swamp dragon.
'Wouldn't work with dragons,' said Lady Ramkin. 'Some daft creature rolls on its back, you disembowel it. That's how they look at it. Almost human, really.
”
”
Terry Pratchett (Guards! Guards! (Discworld, #8; City Watch, #1))
“
is a broken man an outlaw?"
"More or less." Brienne answered.
Septon Meribald disagreed. "More less than more. There are many sorts of outlaws, just as there are many sorts of birds. A sandpiper and a sea eagle both have wings, but they are not the same. The singers love to sing of good men forced to go outside the law to fight some wicked lord, but most outlaws are more like this ravening Hound than they are the lightning lord. They are evil men, driven by greed, soured by malice, despising the gods and caring only for themselves. Broken men are more deserving of our pity, though they may be just as dangerous. Almost all are common-born, simple folk who had never been more than a mile from the house where they were born until the day some lord came round to take them off to war. Poorly shod and poorly clad, they march away beneath his banners, ofttimes with no better arms than a sickle or a sharpened hoe, or a maul they made themselves by lashing a stone to a stick with strips of hide. Brothers march with brothers, sons with fathers, friends with friends. They've heard the songs and stories, so they go off with eager hearts, dreaming of the wonders they will see, of the wealth and glory they will win. War seems a fine adventure, the greatest most of them will ever know.
"Then they get a taste of battle.
"For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they've been gutted by an axe.
"They see the lord who led them there cut down, and some other lord shouts that they are his now. They take a wound, and when that's still half-healed they take another. There is never enough to eat, their shoes fall to pieces from the marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water.
"If they want new boots or a warmer cloak or maybe a rusted iron halfhelm, they need to take them from a corpse, and before long they are stealing from the living too, from the smallfolk whose lands they're fighting in, men very like the men they used to be. They slaughter their sheep and steal their chicken's, and from there it's just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don't know where they are or how to get back home and the lord they're fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad all in steel, and the iron thunder of their charge seems to fill the world...
"And the man breaks.
"He turns and runs, or crawls off afterward over the corpses of the slain, or steals away in the black of night, and he finds someplace to hide. All thought of home is gone by then, and kings and lords and gods mean less to him than a haunch of spoiled meat that will let him live another day, or a skin of bad wine that might drown his fear for a few hours. The broken man lives from day to day, from meal to meal, more beast than man. Lady Brienne is not wrong. In times like these, the traveler must beware of broken men, and fear them...but he should pity them as well
”
”
George R.R. Martin
“
Vix watched you like a lion watches a lioness.”
“And how does a lion watch a lioness?” Sabina didn’t even try to pretend nonchalance this time.
“He doesn’t need to tend her, because she hunts her own prey. He doesn’t need to shield her, because she kills her own enemies. He doesn’t need to look for her, because she’s always at his side.
”
”
Kate Quinn (Lady of the Eternal City (The Empress of Rome, #4))
“
since I started the Saint Remi Auxiliary for the orphanage. The other auxiliary ladies babble on about Louis—how steadfast, gentle, and loyal he was, never once mentioning his failing wool and wine business. I’ve given them all Etiquette for Ladies. Their words drift to the ceiling with the candle smoke, as my fingers examine the gift Louis gave me last year for my thirty-ninth birthday. I’d hoped for canvas and paints, but he gave me a chatelaine. “Everything you ever need hanging from your belt.” He’d demonstrated each item with such pride, I hid my disappointment. “Thimble, watch, scissors, and measuring tape for your needlework, a funnel for your oils, a pencil, a pantry key, a wax letter seal, and a vial of smelling salts. Uncorking the
”
”
Rebecca Rosenberg (Madame Pommery, Creator of Brut Champagne)
“
<…>His body shook as his grin spread to a smile. Then he asked, "You honestly think you can tackle me?"
"I didn't say it would be a successful tackle."
And then my husband burst out laughing.
And I watched.
He didn't give this to me often but I always watched. This time it was way better because he was doing it while still inside me.
Then his laughter died to a chuckle, he dropped his forehead to mine and his hand came up and curled around the side of my neck.
And when he did the last, the laughter died, his eyes held mine and he whispered, "Is my mama home?"
I swallowed but I still knew my eyes got bright and my voice was husky when I whispered back, "Yes."
He closed his eyes, shifted the lower half of his face and touched his mouth to mine. Then he lifted his head away, opened his eyes and I felt his thumb stroke my jaw.
His gaze again locked with mine, he told me gently, "Missed you, baby."
I swallowed again and my arms and legs tightened around him. "Me too."<…>
”
”
Kristen Ashley
“
Life, of course, never gets anyone's entire attention. Death always remains interesting, pulls us, draws us. As sleep is necessary to our physiology, so depression seems necessary to our psychic economy. In some secret way, Thanatos nourishes Eros as well as opposes it. The two principles work in covert concert; though in most of us Eros dominates, in none of us is Thanatos completely subdued. However-and this is the paradox of suicide-to take one's life is to behave in a more active, assertive, "erotic" way than to helplessly watch as one's life is taken away from one by inevitable mortality. Suicide thus engages with both the death-hating and the death-loving parts of us: on some level, perhaps, we may envy the suicide even as we pity him. It has frequently been asked whether the poetry of Plath would have so aroused the attention of the world if Plath had not killed herself. I would agree with those who say no. The death-ridden poems move us and electrify us because of our knowledge of what happened. Alvarez has observed that the late poems read as if they were written posthumously, but they do so only because a death actually took place. "When I am talking about the weather / I know what I am talking about," Kurt Schwitters writes in a Dada poem (which I have quoted in its entirety). When Plath is talking about the death wish, she knows what she is talking about. In 1966, Anne Sexton, who committed suicide eleven years after Plath, wrote a poem entitled "Wanting to Die," in which these startlingly informative lines appear: But suicides have a special language.
Like carpenters they want to know which tools.
They never ask why build.
When, in the opening of "Lady Lazarus," Plath triumphantly exclaims, "I have done it again," and, later in the poem, writes, Dying Is an art, like everything else.
I do it exceptionally well.
I do it so it feels like hell.
I do it so it feels real.
I guess you could say I've a call, we can only share her elation. We know we are in the presence of a master builder.
”
”
Janet Malcolm (The Silent Woman: Sylvia Plath and Ted Hughes)
“
Dorian looked down at the book. "This isn't one of the books that I sent you! I don't even own books like these!" She laughed weakly and took the tea from the servant as she approached.
"Of course you don't, Dorian. I had the maids send for a copy today."
"Sunset's Passions," he read, and opened the book to a random page to read aloud. "'His hands gently caressed her ivory, silky br-'" His eyes widened. "By the Wyrd! Do you actually read this rubbish? What happened to Symbols and Power and Eyllwe Customs and Culture?"
She finished her drink, the ginger tea easing her stomach. "You may borrow it when I'm done. If you read it, you literary experience will be complete. And," she added with a coy smile, "it will give you some creative ideas of things to do with your lady friends."
He hissed through his teeth.
"I will not read this."
She took the book from his hands, leaning back. "Then I suppose you're just like Chaol."
"Chaol?" he asked, falling into the trap. "You asked Chaol to read this?"
"He refused, of course," she lied. "He said it wasn't right for him to read this sort of material if I gave it to him."
Dorian snatched the book from her hands. "Give me that, you demon-woman. I'll not have you matching us against each other." He glanced once more at the novel, then turned it over, concealing the title. She smiled, and resumed watching the falling snow.
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
“
Darlin’, do me a favour here, all you ladies in the crowd tonight have gotta appreciate the fact that I’m a one woman type of bloke and I love my girl; I’ve loved my girl since the very first day I set eyes on her and back then she was just a girl… but I have had the pleasure these past few years of watching her grow into an absolutely beautiful young woman and as much as I love touring and playing in front of you lot every night, I’m counting down the days till I’m back in England and in her arms.
”
”
Lesley Jones (The Story of Us (Carnage, #1))
“
Be not defeated by the rain, Nor let the wind prove your better.
Succumb not to the snows of winter. Nor be bested by the heat of summer.
Be strong in body. Unfettered by desire. Not enticed to anger. Cultivate a quiet joy.
Count yourself last in everything. Put others before you.
Watch well and listen closely. Hold the learned lessons dear.
A thatch-roof house, in a meadow, nestled in a pine grove's shade.
A handful of rice, some miso, and a few vegetables to suffice for the day.
If, to the East, a child lies sick: Go forth and nurse him to health.
If, to the West, an old lady stands exhausted: Go forth, and relieve her of burden.
If, to the South, a man lies dying: Go forth with words of courage to dispel his fear.
If, to the North, an argument or fight ensues:
Go forth and beg them stop such a waste of effort and of spirit.
In times of drought, shed tears of sympathy.
In summers cold, walk in concern and empathy.
Stand aloof of the unknowing masses:
Better dismissed as useless than flattered as a "Great Man".
This is my goal, the person I strive to become.
”
”
Kenji Miyazawa (雨ニモマケズ [Ame ni mo makezu])
“
Exactly what am I supposed to care about? That we were just getting to the fun stuff? That my hand was on your breasts, and your hands were all over my chest, and both of us were having a good time? Damn right I care about that. I wasn’t finished. But don’t expect me to care that a little old lady looked in the window and watched. Why should I care what people are going to say about that? People have talked about me since the day I was born. I stopped caring a long time ago.
”
”
Rachel Gibson (Truly Madly Yours (Truly, Idaho, #1))
“
As she uttered the words of the prayer, she glanced up at him as if he were God Himself. He watched her with growing pleasure. In front of him was kneeling the directress, being humiliated by a subordinate; in front of him a naked revolutionary was being humiliated by prayer; in front of him a praying lady was being humiliated by her nakedness.
This threefold image of degradation intoxicated him and something unexpected suddenly happened: his body revoked its passive resistance. Edward was excited!
As the directress said, 'And lead us not into temptation,' he quickly threw off all his clothes. When she said, 'Amen,' he violently lifted her off the floor and dragged her onto the couch.
”
”
Milan Kundera (Laughable Loves)
“
Tink looked over at Ren. “Wait. Have you two stopped fighting? Oh my Queen Mab, you guys are in love again!”
My eyes widened as I glanced around, seeing that several of the strangers were watching us with detached interest. “Tink . . .”
“We were never not together,” Ren said, dropping his arm over my shoulders.
The blue and red bag slipped to the floor as he clapped his hands like an overexcited seal. “You guys are! This is amazing.”
“Tink,” I said again, this time with a little more force behind his name.
“Thank the faery lords and ladies, I will not be a product of a split home.”
“For the last time, we are not your parents, Tink.” I shook my head as I started to turn but stopped. “Pick up your bag.”
Ren leaned in as Tink snatched the bag off the floor. “You sound like his mom.”
“Shut up,” I hissed.
”
”
Jennifer L. Armentrout (Brave (Wicked Trilogy, #3))
“
My mother tells me
that when I meet someone I like,
I have to ask them three questions:
1. what are you afraid of?
2. do you like dogs?
3. what do you do when it rains?
of those three, she says the first one is the most important.
“They gotta be scared of something, baby. Everybody is. If they aren’t afraid of anything, then they don’t believe in anything, either.”
I asked you what you were afraid of.
“spiders, mostly. being alone. little children, like, the ones who just learned how to push a kid over on the playground. oh and space. holy shit, space.”
I asked you if you liked dogs.
“I have three.”
I asked you what you do when it rains.
“sleep, mostly. sometimes I sit at the window and watch the rain droplets race. I make a shelter out of plastic in my backyard for all the stray animals; leave them food and a place to sleep.”
he smiled like he knew.
like his mom told him the same
thing.
“how about you?”
me?
I’m scared of everything.
of the hole in the o-zone layer,
of the lady next door who never
smiles at her dog,
and especially of all the secrets
the government must be breaking
it’s back trying to keep from us.
I love dogs so much, you have no idea.
I sleep when it rains.
I want to tell everyone I love them.
I want to find every stray animal and bring them home.
I want to wake up in your hair
and make you shitty coffee
and kiss your neck
and draw silly stick figures of us.
I never want to ask anyone else
these questions
ever again.
”
”
Caitlyn Siehl (What We Buried)
“
We've been chatting about our men and wedding stuff. Terah says, "God, sometimes I look at Jon and think 'how the Hell did I manage to get you?' We're so lucky."
Mom adds, "They are very handsome."
Terah and I scoff. Shaking my head, I say, "Handsome is something. And Nox is handsome most times. But, by God, he is hot. Hotter than Hell, Mom. I never thought I could love someone so much. I can hardly keep my hands off him."
Mom chastises on a gasp, "Lily! That's inappropriate! You're a lady and ladies do not speak that way."
Terah chuckles, "Screw being a lady. I love my special cuddle time with Jon."
Mom covers her ears, but barks out an embarrassed laugh, "I cannot hear this! You girls can clean the rest up while I powder my nose."
Terah and I chuckle, watching her leave.
”
”
Belle Aurora (Willing Captive)
“
Earlier in the shower made me realize I’ve gone fucking soft on you, Blake. Know why?” He doesn’t let me answer. “Because you cried. Because another man tried to hurt you. That’s what I’m trying to protect you from. I should be your biggest threat. But instead, I’m falling in love with you.” My heart hammers, and the blood rushes in my ears. I don’t want his words to faze me, but they do. “Ryat …” “I’ve been taught since I was young that obedience is important.” He goes on as if he didn’t just admit to loving me. “That power and humiliation go hand and hand. I’ve watched Lords break their chosen ones or their Ladies to keep them in line. And you? You cry a few tears, and I go fucking soft.
”
”
Shantel Tessier (The Ritual (L.O.R.D.S., #1))
“
An old lady had an Alderney cow, which she looked upon as a daughter. ....The whole town knew and kindly regarded Miss Betsy Barker's Alderney, therefore great was the sympathy and regret when, in an unguarded moment, the poor cow fell into a lime-pit. She moaned so loudly that she was soon heard and rescued; but meanwhile the poor beast had lost most of her hair and came out looking naked, cold and miserable, in a bare skin. Everybody pitied the animal, though a few could not restrain their smiles at her droll appearance. Miss Betsy Barker absolutely cried with sorrow and dismay; and it was said she thought of trying a bath of oil. This remedy, perhaps, was recommended by some one of the number whose advice she asked; but the proposal, if ever it was made, was knocked on the head by Captain Brown's decided "Get her a flannel waistcoat and flannel drawers, ma'am, if you wish to keep her alive, But my advice is, kill the poor creature at once."
Miss Betsy Barker dried her eyes, and thanked the Captain heartily; she set to work, and by-and-by all the town turned out to see the Alderney meekly going to her pasture, clad in dark grey flannel.I have watched her myself many a time. Do you ever see cows dressed in grey flannel in London?
”
”
Elizabeth Gaskell (Cranford)
“
Ladies and Gentlemen, I'd planned to speak to you tonight to report on the state of the Union, but the events of earlier today have led me to change those plans. Today is a day for mourning and remembering. Nancy and I are pained to the core by the tragedy of the shuttle Challenger. We know we share this pain with all of the people of our country. This is truly a national loss.
Nineteen years ago, almost to the day, we lost three astronauts in a terrible accident on the ground. But we've never lost an astronaut in flight. We've never had a tragedy like this. And perhaps we've forgotten the courage it took for the crew of the shuttle. But they, the Challenger Seven, were aware of the dangers, but overcame them and did their jobs brilliantly. We mourn seven heroes: Michael Smith, Dick Scobee, Judith Resnik, Ronald McNair, Ellison Onizuka, Gregory Jarvis, and Christa McAuliffe. We mourn their loss as a nation together.
For the families of the seven, we cannot bear, as you do, the full impact of this tragedy. But we feel the loss, and we're thinking about you so very much. Your loved ones were daring and brave, and they had that special grace, that special spirit that says, "Give me a challenge, and I'll meet it with joy." They had a hunger to explore the universe and discover its truths. They wished to serve, and they did. They served all of us.
We've grown used to wonders in this century. It's hard to dazzle us. But for twenty-five years the United States space program has been doing just that. We've grown used to the idea of space, and, perhaps we forget that we've only just begun. We're still pioneers. They, the members of the Challenger crew, were pioneers.
And I want to say something to the schoolchildren of America who were watching the live coverage of the shuttle's take-off. I know it's hard to understand, but sometimes painful things like this happen. It's all part of the process of exploration and discovery. It's all part of taking a chance and expanding man's horizons. The future doesn't belong to the fainthearted; it belongs to the brave. The Challenger crew was pulling us into the future, and we'll continue to follow them.
I've always had great faith in and respect for our space program. And what happened today does nothing to diminish it. We don't hide our space program. We don't keep secrets and cover things up. We do it all up front and in public. That's the way freedom is, and we wouldn't change it for a minute.
We'll continue our quest in space. There will be more shuttle flights and more shuttle crews and, yes, more volunteers, more civilians, more teachers in space. Nothing ends here; our hopes and our journeys continue.
I want to add that I wish I could talk to every man and woman who works for NASA, or who worked on this mission and tell them: "Your dedication and professionalism have moved and impressed us for decades. And we know of your anguish. We share it."
There's a coincidence today. On this day three hundred and ninety years ago, the great explorer Sir Francis Drake died aboard ship off the coast of Panama. In his lifetime the great frontiers were the oceans, and a historian later said, "He lived by the sea, died on it, and was buried in it." Well, today, we can say of the Challenger crew: Their dedication was, like Drake's, complete.
The crew of the space shuttle Challenger honored us by the manner in which they lived their lives. We will never forget them, nor the last time we saw them, this morning, as they prepared for their journey and waved goodbye and "slipped the surly bonds of earth" to "touch the face of God."
Thank you.
”
”
Ronald Reagan
“
There was a scrape and crunch of shoes, then a small, smooth hand slid toward her. But it was not Chaol or Sam or Nehemia who lay across from her, watching her with those sad turquoise eyes. Her cheek against the moss, the young princess she had been—Aelin Galathynius—reached a hand for her. “Get up,” she said softly. Celaena shook her head. Aelin strained for her, bridging that rift in the foundation of the world. “Get up.” A promise—a promise for a better life, a better world. The Valg princes paused. She had wasted her life, wasted Marion’s sacrifice. Those slaves had been butchered because she had failed—because she had not been there in time. “Get up,” someone said beyond the young princess. Sam. Sam, standing just beyond where she could see, smiling faintly. “Get up,” said another voice—a woman’s. Nehemia. “Get up.” Two voices together—her mother and father, faces grave but eyes bright. Her uncle was beside them, the crown of Terrasen on his silver hair. “Get up,” he told her gently. One by one, like shadows emerging from the mist, they appeared. The faces of the people she had loved with her heart of wildfire. And then there was Lady Marion, smiling beside her husband. “Get up,” she whispered, her voice full of that hope for the world, and for the daughter she would never seen again.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
Between the roof of the shed and the big plant that hangs over the fence from the house next door I could see the constellation Orion. People say that Orion is called Orion because Orion was a hunter and the constellation looks like a hunter with a club and a bow and arrow, like this:
But this is really silly because it is just stars, and you could join up the dots in any way you wanted, and you could make it look like a lady with an umbrella who is waving, or the coffeemaker which Mrs. Shears has, which is from Italy, with a handle and steam coming out, or like a dinosaur.
And there aren't any lines in space, so you could join bits of Orion to bits of Lepus or Taurus or Gemini and say that they were a constellation called the Bunch of Grapes or Jesus or the Bicycle (except that they didn't have bicycles in Roman and Greek times, which was when they called Orion Orion). And anyway, Orion is not a hunter or a coffeemaker or a dinosaur. It is just Betelgeuse and Bellatrix and Alnilam and Rigel and 17 other stars I don't know the names of. And they are nuclear explosions billions of miles away. And that is the truth.
I stayed awake until 5:47. That was the last time I looked at my watch before I fell asleep. It has a luminous face and lights up if you press a button, so I could read it in the dark. I was cold and I was frightened Father might come out and find me. But I felt safer in the garden because I was hidden. I looked at the sky a lot. I like looking up at the sky in the garden at night. In summer I sometimes come outside at night with my torch and my planisphere, which is two circles of plastic with a pin through the middle. And on the bottom is a map of the sky and on top is an aperture which is an opening shaped in a parabola and you turn it round to see a map of the sky that you can see on that day of the year from the latitude 51.5° north, which is the latitude that Swindon is on, because the largest bit of the sky is always on the other side of the earth.
And when you look at the sky you know you are looking at stars which are hundreds and thousands of light-years away from you. And some of the stars don't even exist anymore because their light has taken so long to get to us that they are already dead, or they have exploded and collapsed into red dwarfs. And that makes you seem very small, and if you have difficult things in your life it is nice to think that they are what is called negligible, which means that they are so small you don't have to take them into account when you are calculating something.
I didn't sleep very well because of the cold and because the ground was very bumpy and pointy underneath me and because Toby was scratching in his cage a lot. But when I woke up properly it was dawn and the sky was all orange and blue and purple and I could hear birds singing, which is called the Dawn Chorus. And I stayed where I was for another 2 hours and 32 minutes, and then I heard Father come into the garden and call out, "Christopher...? Christopher...?
”
”
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
“
What's the use of crying, and retching, and belching, all day long, like your lady downstairs? Life has its sad side, and we must take the rough with the smooth. Why, maids have died on their marriage eve, or, what's worse, bringing their first baby into the world, and the world's wagged on all the same. Life's sad enough, in all conscience, but there's nothing to be frightened about in it or to turn one's stomach. I was country-bred, and as my old granny used to say, "There's no clock like the sun and no calendar like the stars." And why? Because it gets one used to the look of Time. There's no bogey from over the hills that scares one like Time. But when one's been used all one's life to seeing him naked, as it were, instead of shut up in a clock, like he is in Lud, one learns that he is as quiet and peaceful as an old ox dragging the plough. And to watch Time teaches one to sing. They say the fruit from over the hills makes one sing. I've never tasted so much as a sherd of it, but for all that I can sing.
”
”
Hope Mirrlees (Lud-in-the-Mist)
“
on the continent
I'm soft. I
dream too.
I let myself dream. I dream of
being famous. I dream of
walking the streets of London and
Paris. I dream of
sitting in cafes
drinking fine wines and
taking a taxi back to a good
hotel.
I dream of
meeting beautiful ladies in the hall
and
turning them away because
I have a sonnet in mind
that I want to write
before sunrise. at sunrise
I will be asleep and there will be a
strange cat curled up on the
windowsill.
I think we all feel like this
now and then.
I'd even like to visit
Andernach, Germany, the place where
I began, then I'd like to
fly on to Moscow to check out
their mass transit system so
I'd have something faintly lewd to
whisper into the ear of the mayor of
Los Angeles upon to my return to this
fucking place.
it could happen.
I'm ready.
I've watched snails crawl over
ten foot walls
and vanish.
you mustn't confuse this with
ambition.
I would be able to laugh at my
good turn of the cards -
and I won't forget you.
I'll send postcards and
snapshots, and the
finished sonnet.
”
”
Charles Bukowski (Love Is a Dog from Hell)
“
Dearest Mac,
I love you. I will always love you.
But I can live with you no longer. I've tried to be strong for you, for three years I have tried. I have failed. You tried to remake me in your image, dear Mac, and I tried to be what you wanted, but I no longer can. I am sorry.
I want to write that my heart is breaking, but it is not. It broke some time ago, and I have just now realised that I can leave me heartbreak behind and go on.
The decision to live without you was a painful one and not lightly made. I realise you can legally cause me much harm for taking this step, and I ask you, for the love we once shared, not to. It could be that I will not need to leave forever, but I know that I need time apart, alone, to heal.
You have explained that you sometimes leave me for my own good, so I will have a chance to recover from life with you. Now I am doing the same, leaving so that both of us have a chance to breath, a chance to cool. Living with you is like being with a shooting star, one that burns so brightly that it scorches me. And I am watching the star burn out. In the end, Mac, I fear there will be nothing left of you.
I know you will be angry when you read this, because you can grow so angry! But when you stop being angry, you will realize that my decision is sound. Together, we are destroying each other. Apart, I can remember my love for you. But you are burning me. You have exhausted me, and I have nothing left to give.
Ian has agreed to bring this letter to you, and he will inform me of what steps you decide to take. I trust Ian to help us through. Please do not try to seek me yourself.
I love you, Mac. I will always love you.
Please be well.
Isabella
”
”
Jennifer Ashley (Lady Isabella's Scandalous Marriage (MacKenzies & McBrides, #2))
“
Bob,” she said, “offerings burned in the mortal world appear on this altar, right?” Bob frowned uncomfortably, like he wasn’t ready for a pop quiz. “Yes?” “So what happens if I burn something on the altar here?” “Uh…” “That’s all right,” Annabeth said. “You don’t know. Nobody knows, because it’s never been done.” There was a chance, she thought, just the slimmest chance that an offering burned on this altar might appear at Camp Half-Blood. Doubtful, but if it did work… “Annabeth?” Percy said again. “You’re planning something. You’ve got that I’m-planning-something look.” “I don’t have an I’m-planning-something look.” “Yeah, you totally do. Your eyebrows knit and your lips press together and—” “Do you have a pen?” she asked him. “You’re kidding, right?” He brought out Riptide. “Yes, but can you actually write with it?” “I—I don’t know,” he admitted. “Never tried.” He uncapped the pen. As usual, it sprang into a full-sized sword. Annabeth had watched him do this hundreds of times. Normally when he fought, Percy simply discarded the cap. It always appeared in his pocket later, as needed. When he touched the cap to the point of the sword, it would turn back into a ballpoint pen. “What if you touch the cap to the other end of the sword?” Annabeth said. “Like where you’d put the cap if you were actually going to write with the pen.” “Uh…” Percy looked doubtful, but he touched the cap to the hilt of the sword. Riptide shrank back into a ballpoint pen, but now the writing point was exposed. “May I?” Annabeth plucked it from his hand. She flattened the napkin against the altar and began to write. Riptide’s ink glowed Celestial bronze. “What are you doing?” Percy asked. “Sending a message,” Annabeth said. “I just hope Rachel gets it.” “Rachel?” Percy asked. “You mean our Rachel? Oracle of Delphi Rachel?” “That’s the one.” Annabeth suppressed a smile. Whenever she brought up Rachel’s name, Percy got nervous. At one point, Rachel had been interested in dating Percy. That was ancient history. Rachel and Annabeth were good friends now. But Annabeth didn’t mind making Percy a little uneasy. You had to keep your boyfriend on his toes. Annabeth finished her note and folded the napkin. On the outside, she wrote: Connor, Give this to Rachel. Not a prank. Don’t be a moron. Love, Annabeth She took a deep breath. She was asking Rachel Dare to do something ridiculously dangerous, but it was the only way she could think of to communicate with the Romans—the only way that might avoid bloodshed. “Now I just need to burn it,” she said. “Anybody got a match?” The point of Bob’s spear shot from his broom handle. It sparked against the altar and erupted in silvery fire. “Uh, thanks.” Annabeth lit the napkin and set it on the altar. She watched it crumble to ash and wondered if she was crazy. Could the smoke really make it out of Tartarus? “We should go now,” Bob advised. “Really, really go. Before we are killed.” Annabeth stared at the wall of blackness in front of them. Somewhere in there was a lady who dispensed a Death Mist that might hide them from monsters—a plan recommended by a Titan, one of their bitterest enemies. Another dose of weirdness to explode her brain. “Right,” she said. “I’m ready.” ANNABETH LITERALLY STUMBLED over the second Titan.
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
I have one memory that catches in me like a nasty clump of blood. Marian was dead about two years, and my mother had a cluster of friends over for afternoon drinks. One of them brought a baby. For hours, the child was cooed over, smothered with red-lipstick kisses, tidied up with tissues, then lipstick smacked again. I was supposed to be reading in my room, but I sat at the top of the stairs watching.
My mother finally was handed the baby, and she cuddled it ferociously. Oh, how wonderful it is to hold a baby again! Adora jiggled it on her knee, walked it around the rooms, whispered to it, and I looked down from above like a spiteful little god, the back of my hand placed against my face, imagining how it felt to be cheek to cheek with my mother.
When the ladies went into the kitchen to help tidy up the dishes, something changed. I remember my mother, alone in the living room, staring at the baby almost lasciviously. She pressed her lips hard against the baby's apple slice of a cheek. Then she opened her mouth just slightly, took a tiny bit of flesh between her teeth, and gave it a little bite.
The baby wailed. The blotch faded as Adora snuggled the child, and told the other women it was just being fussy. I ran to Marian's room and got under the covers.
”
”
Gillian Flynn (Sharp Objects)
“
My lord?”
Nick turned at the tentative, feminine voice, to find two young women standing nearby, watching him eagerly. Nick spoke, wary.
“Yes? ”
“We—” one of them began to speak, then stopped, uncertain. The other nudged her toward him.
“Yes?”
“We are fans.”
Nick blinked. “Of?”
“Of yours.”
“Of mine.”
“Indeed!” The second girl smiled broadly and stepped closer, holding out what looked suspiciously like—
Nick swore under his breath.
“Would you be willing to autograph our magazine? ”
Nick held up a hand. “I would, girls, but you’ve got the wrong brother.” He pointed to Gabriel. “That is Lord Nicholas.”
Rock snorted as the two shifted their attention to the Marquess of Ralston, a dazzlingly handsome copy of their prey, and tittered their excitement.
Gabriel instantly eased into his role, turning a brilliant smile on the girls. “I would be happy to autograph your magazine.” He took the journal and the pen they proffered and said, “You know, I must confess, this is the first time I’ve ever drawn the attention of ladies when in the company of my brother. Ralston has always been considered the more handsome of us.”
“No!” the girls protested.
Nick rolled his eyes.
“Indeed. Ask anyone. They’ll tell you it’s the marquess who is the best specimen. Surely you’ve heard that.” He looked up at them with a winning smile. "You can admit it, girls. My feelings shan’t be hurt."
Gabriel held up the magazine, displaying the cover, which boasted: Inside! London’s Lords to Land! “Yes … there’s no question that this is going to do wonders for my reputation. I’m so happy to see that it’s getting around that I’m on the hunt for a wife!”
The girls nearly expired from delight.
”
”
Sarah MacLean (Ten Ways to Be Adored When Landing a Lord (Love By Numbers, #2))
“
Everyday I rewrite her name across my ribcage
so that those who wish to break my heart
will know who to answer to later
She has no idea that I’ve taught my tongue to make pennies,
and every time our mouths are to meet
I will slip coins to the back of her throat and make wishes
I wish
that someday
my head on her belly might be like home
like doubt to doubt resuscitation
because time is supposed to mean more than skin
She doesn’t know that I have taught my arms to close around her clocks
so they can withstand the fallout from her Autumn
She is so explosive,
volcanoes watch her and learn
terrorists want to strap her to their chests
because she is a cause worth dying for
Maybe someday
time will teach me to pick up her pieces
put her back together
and remind her to click her heels
but she doesn’t need a wizard to tell her that I was here all along
Lady
let us catch the next tornado home
let us plant cantaloupe trees in our backyard
then maybe together we will realize that we don’t like cantaloupe
and they don’t grow on trees
we can laugh about it
then we can plant things we’ve never heard of
I’ve never heard of a woman
who can make flawed look so beautiful
the way you do
The word smitten is to how I feel about you
what a kiss is to romance
so maybe my lips to yours could be the penance to this confession
because I am the only one preaching your defunct religion
sitting alone at your altar, praising you out of faith
I cannot do this hard-knock life alone
You are all the softness a rock dreams of being
the mistakes the rain makes at picnics
when Mother Nature bears witness in much better places
So yes
I will gladly take on your ocean
just to swim beneath you
so I can kiss the bends of your knees
in appreciation for the work they do
keeping your head above water
”
”
Mike McGee
“
But Charlie and I have a very special relationship and I wanted to let her know I was home. Don't worry, I'm not one of those crazy cat ladies. I just like my favorite cat to know I'm home so we can talk, have dinner together, and watch Hoarders.
I assumed she was in our master bathroom because that's where the cats like to hang out when we're not home. They record most of their "cute kitty with loofah" YouTube videos in there.
Now, in order to let her know I was home I could have walked to the bathroom or yelled for her, which is what I usually do. But for some reason in that day I did something else. We have an intercom where I can push a button and talk to someone in another room. Sometimes it's fun to use when we have company. I'll get on it from a different part of the house and whisper stuff like, "Is there anything you ever really wanted to tell God? I'm listening." Oh, we have fun.
Anyway, I got on the intercom and I said, "Charlie, I'm home! Charlie!" and I hung up and I waited for Charlie to come running. I didn't think anything of it until I looked over and Portia was staring at me.
She said, "Did you just intercom the cat?"
And I looked at her and I had no choice but to say, "Yes. I did just intercom the cat."
In my defense, I was very tired and if I wanted to walk all the way to the bathroom to find Charlie I would have had to get on my Segway, ride it to the escalator, take the escalator to the third floor, cross the champagne fountain, get my retina scanned, and deactivate dozens of laser beams.
Okay, that isn't true. I would have had to walk down the hall.
”
”
Ellen DeGeneres (Seriously... I'm Kidding)
“
Tom felt that it was time to wake up; this sort of life might be romantic enough, in his blighted condition, but it was getting to have too little sentiment and too much distracting variety about it. So he thought over various plans for relief, and finally hit pon that of professing to be fond of Pain-killer. He asked for it so often that he became a nuisance, and his aunt ended by telling him to help himself and quit bothering her. If it had been Sid, she would have had no misgivings to alloy her delight; but since it was Tom, she watched the bottle clandestinely. She found that the medicine did really diminish, but it did not occur to her that the boy was mending the health of a crack in the sitting-room floor with it.
One day Tom was in the act of dosing the crack when his aunt's yellow cat came along, purring, eying the teaspoon avariciously, and begging for a taste. Tom said:
"Don't ask for it unless you want it, Peter."
But Peter signified that he did want it.
"You better make sure."
Peter was sure.
"Now you've asked for it, and I'll give it to you, because there ain't anything mean about me; but if you find you don't like it, you mustn't blame anybody but your own self."
Peter was agreeable. So Tom pried his mouth open and poured down the Pain-killer. Peter sprang a couple of yards in the air, and then delivered a war-whoop and set off round and round the room, banging against furniture, upsetting flower-pots, and making general havoc. Next he rose on his hind feet and pranced around, in a frenzy of enjoyment, with his head over his shoulder and his voice proclaiming his unappeasable happiness. Then he went tearing around the house again spreading chaos and destruction in his path. Aunt Polly entered in time to see him throw a few double summersets, deliver a final mighty hurrah, and sail through the open window, carrying the rest of the flower-pots with him. The old lady stood petrified with astonishment, peering over her glasses; Tom lay on the floor expiring with laughter.
”
”
Mark Twain (The Adventures of Tom Sawyer)
“
I wiped my eyes on my sleeve and jumped when I turned and found Ren’s brother standing behind me as a man.
Ren got up, alert, and watched him carefully, suspicious of Kishan’s every move. Ren’s tail twitched back and forth, and a deep grumble issued from his chest.
Kishan look down at Ren, who had crept even closer to keep an eye on him, and then looked back at me. He reached out his hand, and when I placed mine in it, he lifted it to his lips and kissed it, then bowed deeply with great aplomb. “May I ask your name?”
“My name is Kelsey. Kelsey hayes.”
“Kelsey. Well, I, for one, appreciate all the efforts you have made on our behalf. I apologize if I frightened you earlier. I am,” he smiled, “out of practice in conversing with young ladies. These gifts you will be offering to Durga. Would you kindly tell me more about them?”
Ren growled unhappily.
I nodded. “Is Kishan your given name?”
“My full name is actually Sohan Kishan Rajaram, but you can call me Kishan if you like.” He smiled a dazzling white smile, which was even more brilliant due to the contrast with his dark skin. He offered an arm. “Would you please sit and talk with me, Kelsey?”
There was something very charming about Kishan. I surprised myself by finding I immediately trusted and liked him. He had a quality similar to his brother. Like Ren, he had the ability to set a person completely at ease. Maybe it was their diplomatic training. Maybe it was how their mother raised them. Whatever it was made me respond positively. I smiled at him.
“I’d love to.”
He tucked my arm under his and walked with me over to the fire. Ren growled again, and Kishan shot a smirk in his direction. I noticed him wince when he sat, so I offered him some aspirin.
“Shouldn’t we be getting you two to a doctor? I really think you might need stitches and Ren-“
“Thank you, but no. You don’t need to worry about our minor pains.”
“I wouldn’t exactly call your wounds minor, Kishan.”
“The curse helps us to heal quickly. You’ll see. We’ll both recover swiftly enough on our own. Still, it was nice to have such a lovely young woman tending to my injuries.”
Ren stood in front of us and looked like he was a tiger suffering from apoplexy.
I admonished, “Ren, be civil.”
Kishan smiled widely and waited for me to get comfortable. Then he scooted closer to me and rested his arm on the log behind my shoulders. Ren stepped right between us, nudged his brother roughly aside with his furry head, creating a wider space, and maneuvered his body into the middle. He dropped heavily to the ground and rested his head in my lap.
Kishan frowned, but I started talking, sharing the story of what Ren and I had been through. I told him about meeting Ren at the circus and about how he tricked me to get me to India. I talked about Phet, the Cave of Kanheri, and finding the prophecy, and I told him that we were on our way to Hampi.
As I lost myself in our story, I stroked Ren’s head. He shut his eyes and purred, and then he fell asleep. I talked for almost an hour, barely registering Kishan’s raised eyebrow and thoughtful expression as he watched the two of us together. I didn’t even notice when he’d changed back into a tiger.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Disillusioned words like bullets bark
As human gods aim for their marks
Made everything from toy guns that sparks
To flesh-colored Christs that glow in the dark
It's easy to see without looking too far
That not much
Is really sacred.
While preachers preach of evil fates
Teachers teach that knowledge waits
Can lead to hundred-dollar plates
Goodness hides behind its gates
But even the President of the United States
Sometimes must have
To stand naked.
An' though the rules of the road have been lodged
It's only people's games that you got to dodge
And it's alright, Ma, I can make it.
Advertising signs that con you
Into thinking you're the one
That can do what's never been done
That can win what's never been won
Meantime life outside goes on
All around you.
Although the masters make the rules
For the wise men and the fools
I got nothing, Ma, to live up to.
For them that must obey authority
That they do not respect in any degree
Who despite their jobs, their destinies
Speak jealously of them that are free
Cultivate their flowers to be
Nothing more than something
They invest in.
While some on principles baptized
To strict party platforms ties
Social clubs in drag disguise
Outsiders they can freely criticize
Tell nothing except who to idolize
And then say God Bless him.
While one who sings with his tongue on fire
Gargles in the rat race choir
Bent out of shape from society's pliers
Cares not to come up any higher
But rather get you down in the hole
That he's in.
Old lady judges, watch people in pairs
Limited in sex, they dare
To push fake morals, insult and stare
While money doesn't talk, it swears
Obscenity, who really cares
Propaganda, all is phony.
While them that defend what they cannot see
With a killer's pride, security
It blows the minds most bitterly
For them that think death's honesty
Won't fall upon them naturally
Life sometimes
Must get lonely.
And if my thought-dreams could been seen
They'd probably put my head in a guillotine
But it's alright, Ma, it's life, and life only.
”
”
Bob Dylan
“
THE FORTRESS
Under the pink quilted covers
I hold the pulse that counts your blood.
I think the woods outdoors
are half asleep,
left over from summer
like a stack of books after a flood,
left over like those promises I never keep.
On the right, the scrub pine tree
waits like a fruit store
holding up bunches of tufted broccoli.
We watch the wind from our square bed.
I press down my index finger --
half in jest, half in dread --
on the brown mole
under your left eye, inherited
from my right cheek: a spot of danger
where a bewitched worm ate its way through our soul
in search of beauty. My child, since July
the leaves have been fed
secretly from a pool of beet-red dye.
And sometimes they are battle green
with trunks as wet as hunters' boots,
smacked hard by the wind, clean
as oilskins. No,
the wind's not off the ocean.
Yes, it cried in your room like a wolf
and your pony tail hurt you. That was a long time ago.
The wind rolled the tide like a dying
woman. She wouldn't sleep,
she rolled there all night, grunting and sighing.
Darling, life is not in my hands;
life with its terrible changes
will take you, bombs or glands,
your own child at
your breast, your own house on your own land.
Outside the bittersweet turns orange.
Before she died, my mother and I picked those fat
branches, finding orange nipples
on the gray wire strands.
We weeded the forest, curing trees like cripples.
Your feet thump-thump against my back
and you whisper to yourself. Child,
what are you wishing? What pact
are you making?
What mouse runs between your eyes? What ark
can I fill for you when the world goes wild?
The woods are underwater, their weeds are shaking
in the tide; birches like zebra fish
flash by in a pack.
Child, I cannot promise that you will get your wish.
I cannot promise very much.
I give you the images I know.
Lie still with me and watch.
A pheasant moves
by like a seal, pulled through the mulch
by his thick white collar. He's on show
like a clown. He drags a beige feather that he removed,
one time, from an old lady's hat.
We laugh and we touch.
I promise you love. Time will not take away that.
”
”
Anne Sexton (Selected Poems)
“
He sighs and wiggles around in his chair to get comfortable-it's going to be a long night. Watching humans play pretend for two hours doesn't exactly flip his fin. But he can tell Emma's getting restless. And so is he.
Just as he nods off, a loud noise pops from the screen. Emma latches onto his arm as if he's dangling her over a cliff. She presses her face into his biceps and moans. "Is it over yet?" she whispers.
"The movie?"
"No. The thing that jumped out at her. Is it gone?"
Galen chuckles and pries his arm from her grasp, then wraps it around her. "No. You should definitely stay there until I tell you it's clear."
She whips her head up, but there's an almost-smile in her eyes. "I might take you up on that, pretend date or no. I hate scary movies."
"Why didn't you tell me that? Everyone at school was practically salivating over this movie."
The lady next to her leans over. "Shhh!" she whisper-yells.
Emma nestles into the crook of his arm and buries her face in his chest, where she returns frequently as the movie goes on. Galen admits to himself that humans can make everything look pretty real. Still, he can't understand how Emma can be afraid when she knows they're only actors on the screen getting paid to scream like boiling lobsters. But who is he to complain? Their convincing performance keeps Emma in his arms for almost two solid hours.
When the movie is over, he pulls the car to the curb and opens the door for her just as Rachel instructed. Emma accepts his hand as he helps her in.
"What should we call our new little game?" he says on the way home.
"Game?"
"You know, 'Have some Lemonheads, sweet lips!'"
"Oh, right." She laughs. "How about...Upchuck?"
"Sounds appropriate. You realize it's your turn, right? I was thinking of making you eat a live crab."
She leans over him. He almost swerves off the road when her lips brush his ear. "Where will you get a live crab? All I have to do is poke my head in the water and tell them to scatter."
He grins. She's been getting more comfortable with her Gift. Yesterday, she sent some dolphins chasing after him.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
At first Alexander could not believe it was his Tania. He blinked and tried to refocus his eyes. She was walking around the table, gesturing, showing, leaning forward, bending over. At one point she straightened out and wiped her forehead. She was wearing a short-sleeved yellow peasant dress. She was barefoot, and her slender legs were exposed above her knee. Her bare arms were lightly tanned. Her blonde hair looked bleached by the sun and was parted into two shoulder-length braids tucked behind her ears. Even from a distance he could see the summer freckles on her nose. She was achingly beautiful. And alive. Alexander closed his eyes, then opened them again. She was still there, bending over the boy’s work. She said something, everyone laughed loudly, and Alexander watched as the boy’s arm touched Tatiana’s back. Tatiana smiled. Her white teeth sparkled like the rest of her. Alexander didn’t know what to do. She was alive, that was obvious. Then why hadn’t she written him? And where was Dasha? Alexander couldn’t very well continue to stand under a lilac tree. He went back out onto the main road, took a deep breath, stubbed out his cigarette, and walked toward the square, never taking his eyes off her braids. His heart was thundering in his chest, as if he were going into battle. Tatiana looked up, saw him, and covered her face with her hands. Alexander watched everyone get up and rush to her, the old ladies showing unexpected agility and speed. She pushed them all away, pushed the table away, pushed the bench away, and ran to him. Alexander was paralyzed by his emotion. He wanted to smile, but he thought any second he was going to fall to his knees and cry. He dropped all his gear, including his rifle. God, he thought, in a second I’m going to feel her. And that’s when he smiled. Tatiana sprang into his open arms, and Alexander, lifting her off her feet with the force of his embrace, couldn’t hug her tight enough, couldn’t breathe in enough of her. She flung her arms around his neck, burying her face in his bearded cheek. Dry sobs racked her entire body. She was heavier than the last time he felt her in all her clothes as he lifted her into the Lake Ladoga truck. She, with her boots, her clothes, coats, and coverings, had not weighed what she weighed now. She smelled incredible. She smelled of soap and sunshine and caramelized sugar. She felt incredible. Holding her to him, Alexander rubbed his face into her braids, murmuring a few pointless words. “Shh, shh…come on, now, shh, Tatia. Please…” His voice broke. “Oh, Alexander,” Tatiana said softly into his neck. She was clutching the back of his head. “You’re alive. Thank God.” “Oh, Tatiana,” Alexander said, hugging her tighter, if that were possible, his arms swaddling her summer body. “You’re alive. Thank God.” His hands ran up to her neck and down to the small of her back. Her dress was made of very thin cotton. He could almost feel her skin through it. She felt very soft. Finally he let her feet touch the ground. Tatiana looked up at him. His hands remained around her little waist. He wasn’t letting go of her. Was she always this tiny, standing barefoot in front of him? “I like your beard,” Tatiana said, smiling shyly and touching his face. “I love your hair,” Alexander said, pulling on a braid and smiling back. “You’re messy…” He looked her over. “And you’re stunning.” He could not take his eyes off her glorious, eager, vivid lips. They were the color of July tomatoes— He bent to her—
”
”
Paullina Simons
“
Her pretty name of Adina seemed to me to have somehow a mystic fitness to her personality.
Behind a cold shyness, there seemed to lurk a tremulous promise to be franker when she knew you better.
Adina is a strange child; she is fanciful without being capricious.
She was stout and fresh-coloured, she laughed and talked rather loud, and generally, in galleries and temples, caused a good many stiff British necks to turn round.
She had a mania for excursions, and at Frascati and Tivoli she inflicted her good-humoured ponderosity on diminutive donkeys with a relish which seemed to prove that a passion for scenery, like all our passions, is capable of making the best of us pitiless.
Adina may not have the shoulders of the Venus of Milo...but I hope it will take more than a bauble like this to make her stoop.
Adina espied the first violet of the year glimmering at the root of a cypress. She made haste to rise and gather it, and then wandered further, in the hope of giving it a few companions. Scrope sat and watched her as she moved slowly away, trailing her long shadow on the grass and drooping her head from side to side in her charming quest. It was not, I know, that he felt no impulse to join her; but that he was in love, for the moment, with looking at her from where he sat. Her search carried her some distance and at last she passed out of sight behind a bend in the villa wall.
I don't pretend to be sure that I was particularly struck, from this time forward, with something strange in our quiet Adina. She had always seemed to me vaguely, innocently strange; it was part of her charm that in the daily noiseless movement of her life a mystic undertone seemed to murmur "You don't half know me! Perhaps we three prosaic mortals were not quite worthy to know her: yet I believe that if a practised man of the world had whispered to me, one day, over his wine, after Miss Waddington had rustled away from the table, that there was a young lady who, sooner or later, would treat her friends to a first class surprise, I should have laid my finger on his sleeve and told him with a smile that he phrased my own thought. .."That beautiful girl," I said, "seems to me agitated and preoccupied."
"That beautiful girl is a puzzle. I don't know what's the matter with her; it's all very painful; she's a very strange creature. I never dreamed there was an obstacle to our happiness--to our union. She has never protested and promised; it's not her way, nor her nature; she is always humble, passive, gentle; but always extremely grateful for every sign of tenderness. Till within three or four days ago, she seemed to me more so than ever; her habitual gentleness took the form of a sort of shrinking, almost suffering, deprecation of my attentions, my petits soins, my lovers nonsense. It was as if they oppressed and mortified her--and she would have liked me to bear more lightly. I did not see directly that it was not the excess of my devotion, but my devotion itself--the very fact of my love and her engagement that pained her. When I did it was a blow in the face. I don't know what under heaven I've done! Women are fathomless creatures. And yet Adina is not capricious, in the common sense...
.So these are peines d'amour?" he went on, after brooding a moment. "I didn't know how fiercely I was in love!"
Scrope stood staring at her as she thrust out the crumpled note: that she meant that Adina--that Adina had left us in the night--was too large a horror for his unprepared sense...."Good-bye to everything! Think me crazy if you will. I could never explain. Only forget me and believe that I am happy, happy, happy! Adina Beati."...
Love is said to be par excellence the egotistical passion; if so Adina was far gone. "I can't promise to forget you," I said; "you and my friend here deserve to be remembered!
”
”
Henry James (Adina)