Dan Campbell Quotes

No matter how good things are, there will always be solitary nights you spend in your bedroom or car or in a party full of your closest friends when it feels like the walls are caving in.

We must be willing to get rid of the life we’ve planned, so as to have the life that is waiting for us. —JOSEPH CAMPBELL

The whole world wants you to be miserable. It wants you to put your head down, sigh to yourself, and give up on being happy, and I know just as well as anyone that sometimes, giving up seems like the only option, but if you take one thing from this, I hope it’s this: Don’t give those mother-fuckers an inch. Stand your ground every chance you get because everybody deserves a chance to be happy.

We must be willing to get rid of the life we’ve planned, so as to have the life that is waiting for us. —JOSEPH CAMPBELL

If I could go back in time to when I wrote sad little poems, I’d punch myself right in the fucking face because it gets worse man. It gets much, much worse and the sooner we realize that, the sooner we can just start dying and I know. I know—blahblahblah, nobody gives a fuck about your broken heart, but you know something? Most days, I’m not even sure what I’m upset about.

Debemos estar dispuestos a renunciar a la vida que hemos planeado para poder disfrutar de la vida que nos espera. JOSEPH CAMPBELL

As for my faith: I've become my father's son-that is, I've become the kind of believer that Pastor Merrill used to be. Doubt one minute, faith the next-sometimes inspired, sometimes in despair. Canon Campbell taught me to ask myself a question when the latter state settles upon me. Whom do I know who's alive whom I love? Good question-one that can bring you back to life. These days, I love Dan Needham and the Rev. Katherine Keeling; I know I love them because I worry about them-Dan should lose some weight, Katherine should gain some! What I feel for Hester isn't exactly love; I admire her-she's certainly been a more heroic survivor than I've been, and her kind of survival is admirable. And then there are those distant, family ties that pass for love-I'm talking about Noah and Simon, about Aunt Martha and Uncle Alfred. I look forward to seeing them every Christmas.

Failure is a good teacher, and Bill learned from these experiences that loyalty and commitment are easy when you are winning and much harder when you are losing. But that’s, as Dan’s story highlights, when loyalty, commitment, and integrity are even more important. When things are going badly, teams need even more of those characteristics from their leaders.

A door to a long-awaited game-world has opened for those who found its key. This includes Dan Harvester, a guy who lives in a run-down apartment with his cat and runs a gaming channel. He's almost through playing and testing VR games, but is this his one last chance to - really - level-up? What can it promise to him, and its first 'Beta-pioneers'? 'Fountellion' is a nature-world full of artificial life that mimics the laws of 'the Source', our own nature with its force of evolution. It promises to be more than a 'survival experience', for there are six 'Insights' scattered and every player can find their own path to them. How much will Dan be changed? There is only one way to find out: experience and tune in to his 'avalogs'. For only by completing them together with fragments from its development, can you too discover the vision and legacy of 'Fountellion'.

I've been a marketing director for nearly ten years. I know quite a bit. My promotions pulled results; bosses and clients loved me. But I was not aware of how much I didn't know! If Dan Kennedy required my next-born child in exchange for the information he has given, I'd pay to have a reversal of my tubal ligation.” — Bridget Campbell Marketing Director, Idaho

BOOKS THAT GREATLY INSPIRED ME AND THAT YOU SHOULD CONSIDER READING (in no particular order) Beyond the Culture of Contest by Michael Karlberg A New Earth: Awakening to Your Life’s Purpose by Eckhart Tolle Black Elk Speaks by John G. Neihardt The Family Virtues Guide by Linda Kavelin Popov, Dan Popov, and John Kavelin The Second Mountain by David Brooks High Conflict by Amanda Ripley The Myth of Normal: Trauma, Illness, and Healing in a Toxic Culture by Gabor Maté and Daniel Maté Zen and the Art of Saving the Planet by Thich Nhat Hanh The Seven Mysteries of Life by Guy Murchie Viral Justice by Ruha Benjamin The More Beautiful World Our Hearts Know Is Possible by Charles Eisenstein The Story of Our Time by Robert Atkinson Global Unitive Healing by Dr. Elena Mustakova What the Buddha Taught by Walpola Rahula The Road Less Traveled by M. Scott Peck How Should We Live? by Roman Krznaric The God Equation by Michio Kaku Einstein’s God by Krista Tippett What We Talk About When We Talk About God by Rob Bell Team Human by Douglas Rushkoff Help, Thanks, Wow by Anne Lamott See No Stranger by Valarie Kaur Plays Well with Others by Eric Barker Narrow Road to the Interior by Matsuo Bashō The Soul’s Code by James Hillman The Experience of God: Being, Consciousness, Bliss by David Bentley Hart The Power of Myth by Joseph Campbell New Seeds of Contemplation by Thomas Merton The Awakened Brain by Lisa Miller, PhD The Hidden Words by Baha’u’llah

The unpardonable sin is the sin of inadvertence, of not being alert, not quite awake. —Joseph Campbell

banjo. A plucked, fretted lute where a thin skin diaphragm is stretched over a circular metal frame amplifying the sound of the strings. The instrument is believed to have evolved from various African and African-American prototypes. Four- and 5-stringed versions of the banjo are popular, each associated with specific music genres; the 5-stringed banjo, plucked and strummed with the fingers, is associated with Appalachian, old-time and bluegrass music, while the four-stringed versions (both the “plectrum” banjo, which is an identical 22-fret banjo, just like the 5-string instrument but without the fifth string and played with a plectrum, and the tenor banjo which has fewer frets [17 or 19], a shorter neck, is tuned in fifths and is played with a plectrum) is associated with vaudeville, Dixieland jazz, ragtime and swing, as well as Irish folk and traditional music. The first Irish banjo player to record commercially was James Wheeler, in the U.S. in 1916, for the Columbia label; as part of The Flanagan Brothers duo, Mick Flanagan recorded during the 1920s and 1930s as did others in the various dance bands popular in the U.S. at the time. Neil Nolan, a Boston-based banjo player originally from Prince Edward Island, recorded with Dan Sullivan’s Shamrock Band; the collaboration with Sullivan led to him also being included in the line-up for the Caledonia and Columbia Scotch Bands, alongside Cape Breton fiddlers; these were recorded for 78s in 1928. In the 1930s The Inverness Serenaders also included a banjo player (Paul Aucoin). While the instrument was not widely used in Cape Breton, a few notable players were Packie Haley and Nellie Coakley, who were involved in the Northside Irish tradition of the 1920s and 1930s; Ed MacGillivray played banjo with Tena Campbell; and the Iona area had some banjo players, such as the “Lighthouse” MacLeans. The banjo was well known in Cape Breton’s old-time tradition, especially in the 1960s, but was not really introduced to the Cape Breton fiddle scene until the 1970s when Paul Cranford, a 6-string banjo player, arrived from Toronto. He has since replaced the banjo with fiddle. A few fiddlers have dabbled with the instrument but it has had no major presence within the tradition.

McGARRY AND HIS MOUSE, comedy detective drama. BROADCAST HISTORY: June 26–Sept. 25, 1946, NBC. 30m, Wednesdays at 9. Summer substitute for Eddie Cantor. Jan. 6–March 31, 1947, Mutual. 30m, Mondays at 8. General Foods. CAST: Wendell Corey (1946) as Detective Dan McGarry, a stumblebum hero, whose friend and companion, Kitty Archer, was known as “the Mouse.” Roger Pryor and Ted de Corsia also as McGarry. Peggy Conklin as Kitty Archer. Shirley Mitchell and Patsy Campbell also as Kitty. Betty Garde as Kitty’s mother. ANNOUNCER: Bert Parks. MUSIC: Peter Van Steeden (NBC).

¿Cómo hemos llegado a una situación en la que las empresas que se benefician de nuestras enfermedades son las mismas que nos dan consejos para estar sanos y las compañías cuyos ingresos se basan en los alimentos que elegimos son las que nos indican qué debemos comer;