Ladder To The Sky Quotes

Perhaps it would be a good idea if everyone just stopped writing for a couple of years and allowed readers to catch up.

Go higher and higher, until it becomes impossible to bring you down, I wanna use a microscope to locate you, don't even dream of coming down.

Merripen, despite his fear of heights, had often climbed a ladder to wash the second floor window for her. He had wanted her view of the outside world to be clear. He had said the sky should always be blue for her.

You’ve heard the wonderful news, I presume?” “No. Has Mr. Trump died?

Would there be no end to publishing, he wondered? Perhaps it would be a good idea if everyone just stopped writing for a couple of years, and allowed readers to catch up.

If you want the stars, I will not give you the moon. Even if it is rainy or cloudy, I will still put up a ladder to the sky to pick them for you.

The more you read, the more you write, the more the ideas will appear. They’ll fall like confetti around your head and your only difficulty will be deciding which ones to catch and which to let fall to the floor.

I had told the truth, or a version of it, anyway.

I've known a lot of whores in my life," added Gore, [...]. "Both men and women. And in general, I've always found them to be good company, with a highly evolved sense of honor. A whore will never cheat you, they have too much integrity for that. But you, Mr. Swift, you give the profession a bad name.

The acrobat practices: He steps on the edge of a chair and leaps to the floor, feeling the rush as the air flares up his face as he falls. Then he sets himself on something higher, like a table then jumps. He scales a ladder to the ceiling, climbs a tree, pole, watchtower. He keeps increasing the height until no one sees him and the fear to jump leaves him completely, layer by layer [. . .] The acrobat imagines there is a highest possible point in the sky where if he were to fall from it the fall would never end.

The people are behind him for now. He has infected them with his hatred. He demands absolute loyalty, and when anyone dares to criticize him, they lose their position. I think he will lead a great army, but what will be the result?

she couldn't feel her wings but knew they were there so she built a ladder that led to the sky and when she touched the clouds she remembered how to fly.

But my first months at Whitney Young gave me a glimpse of something that had previously been invisible—the apparatus of privilege and connection, what seemed like a network of half-hidden ladders and guide ropes that lay suspended overhead, ready to connect some but not all of us to the sky.

I think Maurice is whatever he needs to be, whenever he needs to be it. He's an operator, that's for sure.

So when the shit hits the fan, remember: all of this is your fault.

When the gods wish to punish us, they answer our prayers.

Ambition is putting a ladder against the sky.

My mom believed that you make your own luck. Over the stove she had hung these old, maroon painted letters that spell out, “MANIFEST.” The idea being if you thought and dreamed about the way you wanted your life to be -- if you just envisioned it long enough, it would come into being. But as hard as I had manifested Astrid Heyman with her hand in mine, her blue eyes gazing into mine, her lips whispering something wild and funny and outrageous in my ear, she had remained totally unaware of my existence. Truly, to even dream of dreaming about Astrid, for a guy like me, in my relatively low position on the social ladder of Cheyenne Mountain High, was idiotic. And with her a senior and me a junior? Forget it. Astrid was just lit up with beauty: shining blonde ringlets, June sky blue eyes, slightly furrowed brow, always biting back a smile, champion diver on the swim team. Olympic level. Hell, Astrid was Olympic level in every possible way.

I wanted so much when I was young. I was an endless abyss of want, of need of desperate dreams for myself that defied logic. The promise of what was to come hung like rings around the moon on clear autumn nights; the future was unmistakeable. It was always there, glistening in the dark and suggesting that life was little more than climbing a ladder into the sky, where I could reach up with one hand and secure everything that I had ever hoped for in my grasping fingers. Oh, I dreamed. And they are not easy to give up, these dreams.

Our weaponry was not dropped onto our laps one morning. It is not manna from Sinai’s skies. Since Agincourt, the White man has refined & evolved the gunpowder sciences until our modern armies may field muskets by the tens of thousands! Aha!’ you will ask, yes, ‘But why us Aryans? Why not the Unipeds of Ur or the Mandrakes of Mauritius?’ Because, Preacher, of all the world’s races, our love—or rather our rapacity—for treasure, gold, spices & dominion, oh, most of all, sweet dominion, is the keenest, the hungriest, the most unscrupulous! This rapacity yes, powers our Progress; for ends infernal or divine I know not. Nor do you know, sir. Nor do I overly care. I feel only gratitude that my Maker cast me on the winning side.

Yet there in the library, Hamish and I climbed the bright ladder of the body, as if it were sky and we a deafening. twisting flock of birds that could never fall to earth.

and

Where do [writers] get [their] ideas? And the answer is that no one knows where the come from and nobody should know. They evolve in thin air, they float down from some mysterious heaven, and we reach and grab one, to grasp in our imagination, and to make it our own. One writer might overhear a conversation in a cafe and a whole novel will be built from that moment. Another might see an article in a newspaper and a plot will suggest itself immediately. Another might hear about an unpleasant incident that happened to a friend of a friend in a supermarket . . . .

I feel completely embarrassed and remember the lock on the door and think: He knows, he knows, it shows, shows completely. “He’s out back,” Mr. Garret tells me mildly, “unpacking shipments.” Then he returns to the papers. I feel compelled to explain myself. “I just thought I’d come by. Before babysitting. You, know, at your house. Just to say hi. So . . . I’m going to do that now. Jase’s in back, then? I’ll just say hi.” I’m so suave. I can hear the ripping sound of the box cutter before I even open the rear door to find Jase with a huge stack of cardboard boxes. His back’s to me and suddenly I’m as shy with him as I was with his father. This is silly. Brushing through my embarrassment, I walk up, put my hand on his shoulder. He straightens up with a wide grin. “Am I glad to see you!” “Oh, really?” “Really. I thought you were Dad telling me I was messing up again. I’ve been a disaster all day. Kept knocking things over. Paint cans, our garden display. He finally sent me out here when I knocked over a ladder. I think I’m a little preoccupied.” “Maybe you should have gotten more sleep,” I offer. “No way,” he says. Then we just gaze at each other for a long moment. For some reason, I expect him to look different, the way I expected I would myself in the mirror this morning . . . I thought I would come across richer, fuller, as happy outside as I was inside, but the only thing that showed was my lips puffy from kisses. Jase is the same as ever also. “That was the best study session I ever had,” I tell him. “Locked in my memory too,” he says, then glances away as though embarrassed, bending to tear open another box. “Even though thinking about it made me hit my thumb with a hammer putting up a wall display.” “This thumb?” I reach for one of his callused hands, kiss the thumb. “It was the left one.” Jase’s face creases into a smile as I pick up his other hand. “I broke my collarbone once,” he tells me, indicating which side. I kiss that. “Also some ribs during a scrimmage freshman year.” I do not pull his shirt up to where his finger points now. I am not that bold. But I do lean in to kiss him through the soft material of his shirt. “Feeling better?” His eyes twinkle. “In eighth grade, I got into a fight with this kid who was picking on Duff and he gave me a black eye.” My mouth moves to his right eye, then the left. He cups the back of my neck in his warm hands, settling me into the V of his legs, whispering into my ear, “I think there was a split lip involved too.” Then we are just kissing and everything else drops away. Mr. Garret could come out at any moment, a truck full of supplies could drive right on up, a fleet of alien spaceships could darken the sky, I’m not sure I’d notice.

Amelia and Poppy both glanced at their younger sister quizzically. “Do you know what we’re talking about, Bea?” Amelia asked. “Yes, of course. Merripen’s in love with her. I knew it a long time ago, from the way he washed her window.” “Washed her window?” both older sisters asked at the same time. “Yes, when we lived in the cottage at Primrose Place. Win’s room had a casement window that looked out onto the big maple tree— do you remember? After the scarlet fever, when Win couldn’t get out of bed for the longest time and she was too weak to hold a book, she would just lie there and watch a birds’ nest on one of the tree limbs. She saw the baby swallows hatch and learn to fly. One day she complained that the window was so dirty, she could barely see through it, and it made the sky look grayish. So from then on Merripen always kept the glass spotless. Sometimes he climbed a ladder to wash the outside, and you know how afraid of heights he is. You never saw him do that?” “No,” Amelia said with difficulty, her eyes stinging. “I didn’t know he did that.” “Merripen said the sky should always be blue for her,” Beatrix said. “And that was when I knew he … are you crying, Poppy?” Poppy used a napkin to dab at the corners of her eyes. “No. I just inh-haled some pepper.” “So did I,” Amelia said, blowing her nose.

Revenge is a color, a color that never fades. A beautiful color. It is the color of the sky at dawn when lovers are hauled out of their beds and garroted in the middle of the street; the color of the ancient sea when Noah’s Ark has been breached below the water line; the color of Jacob’s Ladder as it collapses while Jacob has climbed only half-way to heaven. But it is more than that, much more. It contains the pigment that colors the eyes of the lovers that betray you.

Heaven is not gained at a single bound; But we build the ladder by which we rise From the lowly earth to the vaulted skies, And we mount to its summit round by round.

Trace Montgomery would’ve recognized Monique’s curves anywhere, but to have them literally drop out of the sky from a ladder shocked him senseless.

How competitive everyone is in expressing their outrage

Dude, you were looking at her like she—what do they say? Hung the moon? You were looking at her like that. Like she climbed up on a ladder and put it in the sky just for you.

Would there be no end to publishing? he wondered. Perhaps it would be a good idea if everyone just stopped writing for a couple of years and allowed readers to catch up.

İkimiz de savaş ihtimalinden bahsetmedik. O zamanlar Almanya'da iki çeşit genç vardı: savaşın başlamasını sabırsızlıkla bekleyenler ve sanki bu gerçeği görmezden gelirsek önleyebilirmişiz gibi yok sayanlar.

And, you'll forgive me for sounding immodest, but i know that i'm good-looking. Throughout my life, both men and women have made their interest in me obvious. But I can't control any of that. It was simply the way I was born. Ultimately, it means nothing. I could have a heart of stone for all they know. I could be a psychopath or a sociopath. Not all monsters look like the Elephant Man, and not everyone who looks like the Elephant Man is a monster.

Scaling little ladders with glue pots and pails of lysol. I crawl like an ant in mourning over the weedy acres of your brow to mend the immense skull-plates and clear the bald, white tumuli of your eyes. A blue sky out of Oresteia....

Jim climbed a short ladder to the palisade. He perched his elbows on the top of the wall, gazing toward the Big Horn Mountains. With his eyes he traced again a deep canyon that seemed to penetrate the mountain’s very core. Did it? He smiled at the infinite prospect of what might lay up the canyon, of what might lay on the mountaintops, of what might lay beyond. He raised his eyes to a horizon carved from snowy mountain peaks, virgin white against the frigid blue sky. He could climb up there if he wanted. Climb up there and touch the horizon, jump across and find the next.

A choking dry-ice smog of disappointment, pooling in the drops and troughs of suddenly uncertain ground. Mudyards, wit here and there the smoking wrecks of ideologies, their wheels and radios gone. River of litter rustling in a swollen course below the sky's black drag and in the ditches mustard gas, a mulch of sodden colouring books, imploded television sets. These are the fretful margins of twentieth century, the boomtowns ragged edge, out past the sink estates, the human landfill, where the wheelchair access paving quakes, gives way like sphagnum moss beneath our feet. It’s 1999, less like date than like a number we restore to in emergencies. pre-packaged in its national front hunting. It’s millennial mummy-wraps. The zeitgeist yawns, as echoing and hollow as the Greenwich dome. It’s April 10th; we find ourselves in red lion square....caught in the crosshairs of geography and time like sitting ducks, held always by surface tension of the instant, by the sensory dazzle. Constant play of light on neural ripples. Fluttering attention pinned to where and when and who we are. The honey-trap of our personal circumstance, of our familiar bodies restless in these chairs.

From his beach bag the man took an old penknife with a red handle and began to etch the signs of the letters onto nice flat pebbles. At the same time, he spoke to Mondo about everything there was in the letters, about everything you could see in them when you looked and when you listened. He spoke about A, which is like a big fly with its wings pulled back; about B, which is funny, with its two tummies; or C and D, which are like the moon, a crescent moon or a half-full moon; and then there was O, which was the full moon in the black sky. H is high, a ladder to climb up trees or to reach the roofs of houses; E and F look like a rake and a shovel; and G is like a fat man sitting in an armchair. I dances on tiptoes, with a little head popping up each time it bounces, whereas J likes to swing. K is broken like an old man, R takes big strides like a soldier, and Y stands tall, its arms up in the air, and it shouts: help! L is a tree on the river's edge, M is a mountain, N is for names, and people waving their hands, P is asleep on one paw, and Q is sitting on its tail; S is always a snake, Z is always a bolt of lightning, T is beautiful, like the mast on a ship, U is like a vase, V and W are birds, birds in flight; and X is a cross to help you remember.

Dinner proceeded as if no raid were occurring. After the meal, Biddle told Churchill that he would like to see for himself “the strides which London had made in air-raid precautions.” At which point Churchill invited him and Harriman to accompany him to the roof. The raid was still in progress. Along the way, they put on steel helmets and collected John Colville and Eric Seal, so that they, too, as Colville put it, could “watch the fun.” Getting to the roof took effort. “A fantastic climb it was,” Seal said in a letter to his wife, “up ladders, a long circular stairway, & a tiny manhole right at the top of a tower.” Nearby, anti-aircraft guns blasted away. The night sky filled with spears of light as searchlight crews hunted the bombers above. Now and then aircraft appeared silhouetted against the moon and the starlit sky. Engines roared high overhead in a continuous thrum. Churchill and his helmeted entourage stayed on the roof for two hours. “All the while,” Biddle wrote, in a letter to President Roosevelt, “he received reports at various intervals from the different sections of the city hit by the bombs. It was intensely interesting.” Biddle was impressed by Churchill’s evident courage and energy. In the midst of it all, as guns fired and bombs erupted in the distance, Churchill quoted Tennyson—part of an 1842 monologue called Locksley Hall, in which the poet wrote, with prescience: Heard the heavens fill with shouting, and there rain’d a ghastly dew From the nations’ airy navies grappling in the central blue.

And, to tell finally my greatest service, I've kept him from a thousand vicious acts, for low and vile things could never serve to give him satisfaction (a young many shy and modest in his acts and thoughts) once he'd become her slave and vassal; she made so deep a mark upon his heart, that he must emulate her... "Again, and this is what I'll finish with, I gave him wings to fly beyond the skies by means of mortal things, which make a ladder to our Maker, rightly used...

This was my new world. It’s not to say that everyone at the school was rich or overly sophisticated, because that wasn’t the case. There were plenty of kids who came from neighborhoods just like mine, who struggled with far more than I ever would. But my first months at Whitney Young gave me a glimpse of something that had previously been invisible—the apparatus of privilege and connection, what seemed like a network of half-hidden ladders and guide ropes that lay suspended overhead, ready to connect some but not all of us to the sky.

Where do [writers] get [their] ideas? And the answer is that no one knows where they come from and nobody should know. They evolve in the air, they float down from some mysterious heaven and we reach and grab one, to grasp in our imagination, and to make it our own. One writer might overhear a conversation in a cafe and a whole novel will be built from that moment. Another might see an article in a newspaper and a plot will suggest itself immediately. Another might hear about an unpleasant incident that happened to a friend of a friend in a supermarket . . . .

The sixteenth-century artist Albrecht Dürer famously depicted Melancholy as a downcast angel surrounded by symbols of creativity, knowledge, and yearning: a polyhedron, an hourglass, a ladder ascending to the sky. The nineteenth-century poet Charles Baudelaire could “scarcely conceive of a type of beauty” in which there is no melancholy. This romantic vision of melancholia has waxed and waned over time; most recently, it’s waned. In an influential 1918 essay, Sigmund Freud dismissed melancholy as narcissism, and ever since, it’s disappeared into the maw of psychopathology. Mainstream psychology sees it as synonymous with clinical depression.[*1]

A table of excellencies hangeth over every people. Lo! it is the table of their triumphs; lo! it is the voice of their Will to Power. It is laudable, what they think hard; what is indispensable and hard they call good; and what relieveth in the direct distress, the unique and hardest of all – they extol as holy. Whatever maketh them rule and conquer and shine, to the dismay and envy of their neighbours, they regard as the high and foremost thing, the test and the meaning of all else. Verily, my brother, if thou knewest but a people’s need, its land, its sky, and its neighbour, then wouldst thou divine the law of its surmounts, and why it climbeth up that ladder to its hope.

Has anyone had a look at Merripen's shoulder?" Amelia asked, glancing at Win. "It's probably time for the dressing to be changed." "I'll do it," Win said at once. "And I'll take up a supper tray." "Beatrix will accompany you," Amelia advised. "I can manage the tray," Win protested. "It's not that... I meant it's not proper for you to be alone with Merripen in his room." Win looked surprised, and made a face. "I don't need Beatrix to come. It's only Merripen, after all." After Win left the dining hall, Poppy looked at Amelia. "Do you think that Win really doesn't know how he-" "I have no idea. And I've never dared to broach the subject, because I don't want to put ideas into her head." "I hope she doesn't know," Beatrix ventured. "It would be dreadfully sad if she did." Amelia and Poppy both glanced at their younger sister quizzically. "Do you know what we're talking about, Bea?" Amelia asked. "Yes, of course. Merripen's in love with her. I knew it a long time ago, from the way he washed her window." "Washed her window?" both older sisters asked at the same time. "Yes, when we lived in the cottage at Primrose Place. Win's room had a casement window that looked out onto the big maple tree- do you remember? After the scarlet fever, when Win couldn't get out of bed for the longest time and she was too weak to hold a book, she would just lie there and watch a birds' nest on one of the other tree limbs. She saw the baby swallows hatch and learn to fly. One day she complained that the window was so dirty, she could barely see through it, and it made the sky look so grayish. So from then on Merripen always kept the glass spotless. Sometimes he climbed a ladder to wash the outside, and you know how afraid of heights he is. You never saw him do that?" "No," Amelia said with difficulty, her eyes stinging. "I didn't know he did that." "Merripen said the sky should always be blue for her," Beatrix said. "And that was when I knew he... are you crying, Poppy?" Poppy used a napkin to dab at the corners of her eyes. "No, I just inh-haled some pepper." "So did I," Amelia said, blowing her nose.

The Leaving" My father said I could not do it, but all night I picked the peaches. The orchard was still, the canals ran steadily. I was a girl then, my chest its own walled garden. How many ladders to gather an orchard? I had only one and a long patience with lit hands and the looking of the stars which moved right through me the way the water moved through the canals with a voice that seemed to speak of this moonless gathering and those who had gathered before me. I put the peaches in the pond’s cold water, all night up the ladder and down, all night my hands twisting fruit as if I were entering a thousand doors, all night my back a straight road to the sky. And then out of its own goodness, out of the far fields of the stars, the morning came, and inside me was the stillness a bell possesses just after it has been rung, before the metal begins to long again for the clapper’s stroke. The light came over the orchard. The canals were silver and then were not. and the pond was–I could see as I laid the last peach in the water–full of fish and eyes.

(from Lady of the Lake) The western waves of ebbing day Rolled o’er the glen their level way; Each purple peak, each flinty spire, Was bathed in floods of living fire. But not a setting beam could glow Within the dark ravines below, Where twined the path in shadow hid, Round many a rocky pyramid, Shooting abruptly from the dell Its thunder-splintered pinnacle; Round many an insulated mass, The native bulwarks of the pass, Huge as the tower which builders vain Presumptuous piled on Shinar’s plain. The rocky summits, split and rent, Formed turret, dome, or battlement, Or seemed fantastically set With cupola or minaret, Wild crests as pagod ever decked, Or mosque of Eastern architect. Nor were these earth-born castles bare, Nor lacked they many a banner fair; For, from their shivered brows displayed, Far o’er the unfathomable glade, All twinkling with the dewdrop sheen, The brier-rose fell in streamers green, And creeping shrubs, of thousand dyes, Waved in the west-wind’s summer sighs. Boon nature scattered, free and wild, Each plant or flower, the mountain’s child. Here eglantine embalmed the air, Hawthorn and hazel mingled there; The primrose pale, and violet flower, Found in each cliff a narrow bower; Fox-glove and night-shade, side by side, Emblems of punishment and pride, Grouped their dark hues with every stain The weather-beaten crags retain. With boughs that quaked at every breath, Gray birch and aspen wept beneath; Aloft, the ash and warrior oak Cast anchor in the rifted rock; And, higher yet, the pine-tree hung His shattered trunk, and frequent flung, Where seemed the cliffs to meet on high, His boughs athwart the narrowed sky. Highest of all, where white peaks glanced, Where glist’ning streamers waved and danced, The wanderer’s eye could barely view The summer heaven’s delicious blue; So wondrous wild, the whole might seem The scenery of a fairy dream. Onward, amid the copse ’gan peep A narrow inlet, still and deep, Affording scarce such breadth of brim As served the wild duck’s brood to swim. Lost for a space, through thickets veering, But broader when again appearing, Tall rocks and tufted knolls their face Could on the dark-blue mirror trace; And farther as the hunter strayed, Still broader sweep its channels made. The shaggy mounds no longer stood, Emerging from entangled wood, But, wave-encircled, seemed to float, Like castle girdled with its moat; Yet broader floods extending still Divide them from their parent hill, Till each, retiring, claims to be An islet in an inland sea. And now, to issue from the glen, No pathway meets the wanderer’s ken, Unless he climb, with footing nice A far projecting precipice. The broom’s tough roots his ladder made, The hazel saplings lent their aid; And thus an airy point he won, Where, gleaming with the setting sun, One burnished sheet of living gold, Loch Katrine lay beneath him rolled, In all her length far winding lay, With promontory, creek, and bay, And islands that, empurpled bright, Floated amid the livelier light, And mountains, that like giants stand, To sentinel enchanted land. High on the south, huge Benvenue Down to the lake in masses threw Crags, knolls, and mountains, confusedly hurled, The fragments of an earlier world; A wildering forest feathered o’er His ruined sides and summit hoar, While on the north, through middle air, Ben-an heaved high his forehead bare.

build it had to be carried by wagon many miles. There were four walls, a floor and a roof, which made one room; and this room contained a rusty looking cookstove, a cupboard for the dishes, a table, three or four chairs, and the beds. Uncle Henry and Aunt Em had a big bed in one corner, and Dorothy a little bed in another corner. There was no garret at all, and no cellar--except a small hole dug in the ground, called a cyclone cellar, where the family could go in case one of those great whirlwinds arose, mighty enough to crush any building in its path. It was reached by a trap door in the middle of the floor, from which a ladder led down into the small, dark hole. When Dorothy stood in the doorway and looked around, she could see nothing but the great gray prairie on every side. Not a tree nor a house broke the broad sweep of flat country that reached to the edge of the sky in all directions. The sun had baked the plowed land into a gray mass, with little cracks running through it. Even the grass was not green, for the sun had burned the tops of the long blades until they were the same gray color to be seen everywhere. Once the house had been painted, but the sun blistered the paint and the rains washed it away, and now the house was as dull and gray as everything else. When Aunt Em came there to live she was a young, pretty wife. The sun and wind had changed her, too. They had taken the sparkle from her eyes and left them a sober gray; they had taken the red from her cheeks and lips, and they were gray also. She was thin and gaunt, and never smiled now. When Dorothy, who was an orphan, first came to her, Aunt Em had been so startled by the child's laughter that she would scream and press her hand upon her heart whenever Dorothy's merry voice reached her ears; and she still looked at the little girl with wonder that she could find anything to laugh at. Uncle Henry never laughed. He worked hard from morning till night and did not know what joy was. He was gray also, from his long beard to his rough boots, and he looked stern and solemn, and rarely spoke. It was Toto that made Dorothy laugh, and saved her from growing as gray as her other surroundings. Toto was not gray; he was a little black dog, with long silky hair and small black eyes that twinkled merrily on either side of his funny, wee nose. Toto played all day long, and Dorothy played with him, and loved him dearly. Today, however, they were not playing. Uncle Henry sat upon the doorstep and looked anxiously at the sky, which was even grayer than usual. Dorothy stood in the door with Toto in her arms, and looked at the sky too. Aunt Em was washing the

She ran into a problem at the tunnel exit, though. Her father chose one of the exits with a ladder up to the sky, where a Wingwatcher stood guard at the bottom. Ivy crouched behind a bench carved out of the rock. Her heart was pounding. She’d never been this close to this exit before — certainly never without permission. It smelled different here. She didn’t think she was imagining that. “Hello, Holly!” Heath boomed cheerfully as he approached the bottom of the ladder. “It’s Foxglove, sir,” the Wingwatcher said. Ivy didn’t know her very well, although Foxglove had left school only a couple of years ago to train with the Wingwatchers. Her hair was shaved into a close dark fuzz over her head and her forest-green uniform was neat and unwrinkled. Most interestingly, Foxglove’s expression was hard to read. It wasn’t the usual adoring gaze Ivy’s father got all over Valor. She looked calm, focused … unimpressed. Ivy smushed her face around, trying to imitate her. Violet and Daffodil would be so startled if Ivy could make a cool “I don’t care” expression like that. “Any dragon sightings today?” Heath asked, ignoring the name correction. “No, sir.” “Too bad, too bad.” He cracked his knuckles. “Can’t wait to meet another dragon with the pointy end of this guy.” He patted the sword at his waist with a grin. Foxglove raised her eyebrows but said nothing. “Well, I’ll be back soon,” Heath said. He put one hand on the ladder.

Do you think that Win really doesn’t know how he—” “I have no idea. And I’ve never dared to broach the subject, because I don’t want to put ideas into her head.” “I hope she doesn’t know,” Beatrix ventured. “It would be dreadfully sad if she did.” Amelia and Poppy both glanced at their younger sister quizzically. “Do you know what we’re talking about, Bea?” Amelia asked. “Yes, of course. Merripen’s in love with her. I knew it a long time ago, from the way he washed her window.” “Washed her window?” both older sisters asked at the same time. “Yes, when we lived in the cottage at Primrose Place. Win’s room had a casement window that looked out onto the big maple tree—do you remember? After the scarlet fever, when Win couldn’t get out of bed for the longest time and she was too weak to hold a book, she would just lie there and watch a birds’ nest on one of the tree limbs. She saw the baby swallows hatch and learn to fly. One day she complained that the window was so dirty, she could barely see through it, and it made the sky look grayish. So from then on Merripen always kept the glass spotless. Sometimes he climbed a ladder to wash the outside, and you know how afraid of heights he is. You never saw him do that?” “No,” Amelia said with difficulty, her eyes stinging. “I didn’t know he did that.” “Merripen said the sky should always be blue for her,” Beatrix said. “And that was when I knew he … are you crying, Poppy?” Poppy used a napkin to dab at the corners of her eyes. “No. I just inh-haled some pepper.” “So did I,” Amelia said, blowing her nose.

Mrs. Barnstable took her to a beautiful room with windows overlooking the gardens. “This is yours,” the housekeeper said. “No one has occupied it before.” The bed was made of light blue upholstered panels, the bedclothes of white linen. There was a graceful lady’s writing desk in the corner, and a satin maple wardrobe with a looking glass set in the door. “Mr. Merripen personally selected the wallpaper,” Mrs. Barnstable said. “He nearly drove the interior architect mad with his insistence on seeing hundreds of samples until he found this pattern.” The wallpaper was white, with a delicate pattern of flowering branches. And at sparse intervals, there was the motif of a little robin perched on one of the twigs. Slowly Win went to one of the walls and touched one of the birds with her fingertips. Her vision blurred. During her long recuperation from the scarlet fever, when she had grown tired of holding a book in her hands and no one had been available to read to her, she had stared out the window at a robin’s nest in a nearby maple tree. She had watched the fledglings hatch from their blue eggs, their bodies pink and veined and fuzzy. She had watched their feathers grow in, and she had watched the mother robin working to fill their ravenous beaks. And Win had watched as, one by one, they had flown from the nest while she remained in bed. Merripen, despite his fear of heights, had often climbed a ladder to wash the second-floor window for her. He had wanted her view of the outside world to be clear. He had said the sky should always be blue for her. “You’re fond of birds, Miss Hathaway?” the housekeeper asked. Win nodded without looking around, afraid that her face was red with unexpressed emotion. “Robins especially,” she half-whispered.

If you pass on through the meadows with their thousand flowers of every color imaginable, from bright red to yellow and purple, and their bright green grass washed clean by last night’s rain, rich and verdant—again without a single movement of the machinery of thought—then you will know what love is. To look at the blue sky, the high full-blown clouds, the green hills with their clear lines against the sky, the rich grass and the fading flower—to look without a word of yesterday; then, when the mind is completely quiet, silent, undisturbed by any thought, when the observer is completely absent—then there is unity. Not that you are united with the flower, or with the cloud, or with those sweeping hills; rather there is a feeling of complete non-being in which the division between you and another ceases. The woman carrying those provisions which she bought in the market, the big black Alsatian dog, the two children playing with the ball—if you can look at all these without a word, without a measure, without any association, then the quarrel between you and another ceases. This state, without the word, without thought, is the expanse of mind that has no boundaries, no frontiers within which the I and the not-I can exist. Don’t think this is imagination, or some flight of fancy, or some desired mystical experience; it is not. It is as actual as the bee on that flower or the little girl on her bicycle or the man going up a ladder to paint the house—the whole conflict of the mind in its separation has come to an end. You look without the look of the observer, you look without the value of the word and the measurement of yesterday. The look of love is different from the look of thought. The one leads in a direction where thought cannot follow, and the other leads to separation, conflict, and sorrow. From this sorrow, you cannot go to the other. The distance between the two is made by thought, and thought cannot by any stride reach the other. As you walk back by the little farmhouses, the meadows, and the railway line, you will see that yesterday has come to an end: life begins where thought ends.

But sleep tha pondereth and is not to be and there oh may my weary spirit dwell apart forms heaven's eternity and yet how far from hell. other friends have flown before on the morrow he will leave me as my hopes have flown before the bird said nevermore. leave my loneliness unbroken. how dark a woe yet how sublimes a hope. And the fever called living is conquered at last. I stand amid the roar of a surf tormented shore and i hold within my hand grains of the golden sand how few yet how they creep through my fingers to the deep while i weep while i weep o god can i not grasp them with a tighter clasp o god can i not save one from the pitiless wave is all that we see or seem but a dream within a dream. Hell rising form a thousand thrones shall do it reverence. It was the dead who groaned within lest the dead who is forsaken may not be happy now. even for thy woes i love thee even for thy woes thy beauty and thy woes think of all that is airy and fairy like and all that is hideous and unwieldy. hast thou not dragged Diana from her car. I care not though it perishes with a thought i then did cherish. For on its wing was dark alley and as it fluttered fell an essence powerful to destroy a soul that knew it well. (Talking about death) the intense reply of hers to our intelligence. Then all motion of whatever nature creates most writers poets in especial prefer having it understood that they compose by a species of fine frenzy an ecstatic intuition and would positively shudder at letting the public take a peep behind the scenes at the elaborate and vacillating crudities of thought at the true purposes seized only at the last moment at the innumerable glimpses of idea that arrived not at the maturity of full view at the fully matured fancies discarded in despair as unmanageable at the cautions selection and rejections at the painful erasures and interpolations in a word at the wheels and pinions the tackle for scene shifting the steep ladders and demon traps the cock[s feathers a the red pain and the black patches which in ninety nine cases out of the hundred constitute the properties of the literary _histiro. Wit the Arabians there is a medium between heaven and hell where men suffer no punishment but yet do not attain that tranquil and even happiness which they supposed to be characteristic of heavenly enjoyment. If i could dwell where israfel hath dwelt and he where i he might not sing so wildly well mortal melody, while a bolder note than this might swell form my lyre within the sky. And i am drunk with love of the dead who is my bride. And so being young and dipt in folly , I feel in love with melancholy. I could not love except where death was mingling his with beauty's breath or hymen, Time, and destiny were stalking between her and me. Yet that terror was not friegt but a tremulous delight a feeling not the jeweled mine could teach or bribe me to define nor love although the love were thine. Whose solitary soul could make an Eden of that dim lake. that my young life were a lasting dream my spirit not awakening till the beam of an eternity should bring the morrow. An idle longing night and day to dream my very life away. As others saw i could not bring my passions from a comman spring from the sam source i have not taken my sorrow and all i loved i loved alone La solitude est une belle chose; mais il faut quelqu'un pour vous dire que la solitude estune belle chose impulse upon the ether the source of all motion is thought and the source of all thought. Be of heart and fear nothing your allotted days of stupor have expired and tomorrow i will myself induct you into the full joys and wonders of your novel existence. unknown now known of the speculative future merged in the august and certain present.

Let your ladder of success be high and your steps be many, let your dreams be big and aspirations touch the sky, let your plans be best and you be committed to them.

Hail to the herbs within you! Welcome is the pure to me Utterance 304 Antechamber, North Wall The king climbs to the sky on a ladder

It's not to say that everyone at the school was rich or overly sophisticated, because that wasn't the case. There were plenty of kids who came from neighborhoods just like mine, who struggled with far more than I ever would. But my first months at Whitney Young gave me a glimpse of something that had previously been invisible-- the apparatus of privilege and connection, what seemed like a network of half-hidden ladders and guide ropes that lay suspended over-head, ready to connect some but not all of us to the sky.

the same sorcery that had defeated the attempts of Senar and a handful of other Guardians to punch through the gates of the titan fortress in Karalat two years ago. Memories of that day came back to him: shoving Luker Essendar aside so he could be first up the ladder to the battlements, arrows flitting through an evening sky shot through with bronze

Tinkling sounds came from outside, of hammering and chiselling, as labourers worked like bees, and seven- or eight-storeyed buildings rose in the place of ancestral mansions that had been razed cruelly to the ground, climbing up like ladders through screens of dust. An old mansion opposite the veranda had been repainted white, to its last banister and pillar, so that it looked like a set of new teeth. ... In another sphere altogether, birds took off from a tree or parapet, or the roof of some rich Marwari’s house, startling and speckling the neutral sky. Not a moment was still or like another moment. In a window in a servants’ outhouse attached to a mansion – both the master’s house and the servants’ lost in a bond now anachronistic and buried – a light shone even at this time of the day, beacon of winter.

is it i, who have dragged the latter of linger from the shadows the smell of death from the pits; the footprints where no one steps the pitiful thoughts of nostalgia, hate? the love for another, hate for myself, of human feeling? is it i? falling from the skies was the son of God, or his enemy? constantly torn between sun and shade, the good and not weighing scales of justice, the path to good grace living a lie for a heaven only dreamed; the preacher man's belly sweet wine and sour, deceit before the holy bible, of the preacher man's tongue testaments of old and new, what to follow for truth, what is new to old laws laws of the land, of the people, laws broken, held against ourselves is it i? to think of Christ Jesus, or His Father in Heaven, or the holy spirit solemn: my thoughts running wild, the second coming of who we love who we do not; who we believe in; who we want to follow; or not is it i? who is afraid, or the voices in my head? of Jacob's ladder? buried in myself; afraid of the light, afraid of change. is it i? in low, bottomless pits,holds the crucifix in high esteem; soar lips preaching testaments in disbelief? of what we have become, what we are, what we live to not see is it i? who have dragged myself to this? or this bottomless thoughts?

My ladder is not vertical but in opposite direction turned into the horizontal sky.

Since the speed of objects going around in geostationary orbit is basically perfectly synchronized with the rotation of the Earth, for all appearances, it never moves from that one spot in the sky above the Earth. Just as the name says, it’s stationary. Thus…” The line coming straight down from the square—the station in geostationary orbit—hit the Earth. “If you attach the end of the cable to the Earth, you get a tower like this. Or rather, a ladder that reaches from the Earth to space.

...I found myself an unusual feeling: wanting to do something for solely the pure reasons that I wanted to do it. Not because I thought I ought to or because other people wanted me to do it or because it felt like the right age to be doing things or because it would lead me up the ladder.

Lavender, at one snuff party, said she dreamed of growing flowers that soared to the sky, titan delphiniums, for if her mother was "up there," in the place called heaven, those tall blue blooming spires might form a ladder, allowing her mother to step down for a visit to earth.

For now, Rien could distract herself with the texture of an alien night and the cold trees, ice and snow and the stars smeared behind a frosty sky.

I will see you again, is one of the names for blue-- A color beyond the human sky of mind-- One third up the ladder of blue is where we sit for grief--

Last night, when he had been showing her how to refasten the bowline, she had feigned incompetence at the simple knot. It was a schoolgirl’s trick, but the poor, honest man had been completely deceived. He’d stood behind her, with her in the circle of his arms and take her hands to guide them through the easy motions. Heat had flushed through her, and her knees had actually trembled at his closeness. A wave of dizziness had washed through her; she had wanted to collapse on the deck and pull him down on top of her. She’d gone still in his loose embrace, praying to every god she’d ever heard of that he would know what she so hotly desired and act on it. This, this was what she was supposed to feel about the man she was joined to, and had never felt at all! “Do you understand it now?” he’d asked her huskily. His hands on hers pulled the knot firm. “I do,” she’d replied. “I understand it completely now.” She hadn’t been speaking of knots at all. She’d dared herself to take half a step backward and press her body to his. She dared herself to turn in the circle of his arms and look up into his whiskery beloved face. Cowardice paralyzed her. She could not even form words. For a time that was infinitely brief and forever, he stood there, enclosing her in a warm, safe place. All around her, the night sounds of the Rain Wilds made a soft music of water and bird and insect calls. She could smell him, a male musky smell, “sweaty” as Sedric would have mocked it, but incredibly masculine and attractive to her. Enclosed by his embrace, she felt a part of his world. The deck under her feet, the railing of the ship, the night sky above her, and the man at her back connected her to something big and wonderful, something that was untamed and yet home to her. Then he had dropped his arms and stepped back from her. The night was warm and muggy, the insects chirred and buzzed, and she heard the night call of a gnat-chaser. But it had all seemed separate from her then. Last night, as now, she knew herself for the mousy, scholarly little Bingtown woman she undoubtedly was. She’d sold herself to Hest, prostituted out her ability to bear a child for the security and position that he had offered. She’d made the deal and signed on it. A Trader was only as good as his word, so the saying went. She’d given her word. What was it worth? Even if she took it back now, even if she broke it faithlessly, she’d still be a mousy, little Bingtown woman, not what she longed to be. She could scarcely bear to consider what she longed to be, not only because it was so far beyond her but because it seemed a childishly extravagant dream. In the dark circle of her arms, she closed her eyes and thought of Althea, wife to the captain of the Paragon. She’d seen that woman dashing about the deck barefoot, wearing loose trousers like a man. She’d seen her standing by her ship’s figurehead, the wind stirring her hair and a smile curving her lips as she exchanged some sort of jest with the ship’s boy. And then Captain Trell had bounded up the short ladder to the foredeck to join them there. She and the captain had moved without even looking at each other, like a needle drawn to a magnet, their arms lifting as if they were the halves of the god Sa becoming whole again. She’d thought her heart would break with envy. What would it be like, she wondered, to have a man who had to embrace you when he saw you, even if you’d just risen from a shared bed a few hours earlier? She tried to imagine herself as free as that Althea woman, running barefoot on the decks of the Tarman.

As they gazed at the moon and the bright stars in the sky, Wang Kuei-sheng said that if he could use his family's gold bars to build a ladder to the heavens he would climb up and pluck the crescent moon to pin in Snow Beauty's hair. Yin Hsueh-yen just smiled, without a word to him, as she extended her dainty orchid-like hand and slowly conveyed the crescent-shape canapés of black caviar into her mouth.

Springtime is over Don't head for home Creep up the ladder And steal over stone No time to forget this World's in your eyes Sway in the cloud blur And light up the sky Cast off the colour And tune in to black The moon touches your shoulder And brings the day back And touches your window And touches your window And touches your window And touches your window And touches your

The original ceiling illustrated a simple theme shared by many synagogues: a night sky, filled with golden stars. This scene is reminiscent of Jacob’s dream while sleeping under the stars (Genesis 28:11–19) shortly after fleeing his father’s house. It was then that Jacob had a vision of “a ladder with angels ascending and descending,” and it was that spot that he named Beit-El, the House of God.

Around our pillows golden ladders rise, And up and down the skies, With winged sandals shod, The angels come, and go, the Messengers of God! -Richard Henry Stoddard

The howl, Doc, not the silence of the lambs, the howl stays with me, I hear it, I scream, I raise my arms to the sky, I try, Doc, I try to defend myself, to protect my soul. Auntie Badeea used to say that jackals have howled at the innocent moon for aeons because they mourn the fact that they are not eternal, that when Death with his pale eyes comes for them they will be no more, unlike us who climb up Jacob's ladder to Heaven in God's embrace or fall to Satan's fiery Hell. I don't think so, Doc, I disagree. Jackals howl because we don't. The howl has been traveling for thousands of years, from the beginning of time, when Adam and Eve tasted the fruit and Satan triumphed and his son, Death, was born, when loss became our intimate, across deserts and seas the howl moves, loaded with dust and grime and brine, searching for souls to remind them to grieve, but we pay little attention, always avoiding, always moving forward, our souls filled with termite holes that the howl passes through, only whistling. Lost we are, so the jackals and coyotes, the wolves red and gray, howl for us, howl at the baby-faced moon.

The two- or three-story houses have ground-floor walls made out of whitewashed stone or mud, and upper levels of mud and wood. The narrow windows with their scalloped tops have sliding wooden slats to let in light and shut out the rain or the cold. The exterior walls are decorated with elaborate paintings, in faded blues and reds, of lotus flowers, deer, birds, and giant stylized phalluses (“to ward off evil spirits,” Rita says). Ladder steps lead to heavy wooden doors with irregular latches and locks. The roofs are covered with stone slates, or wooden shingles held down by large stones.

In what is one of the most bizarre and ecologically damaging episodes of the Great Leap Forward, the country was mobilised in an all-out war against the birds. Banging on drums, clashing pots or beating gongs, a giant din was raised to keep the sparrows flying till they were so exhausted that they simply dropped from the sky. Eggs were broken and nestlings destroyed; the birds were also shot out of the air. Timing was of the essence, as the entire country was made to march in lockstep in the battle against the enemy, making sure that the sparrows had nowhere to escape. In cities people took to the roofs, while in the countryside farmers dispersed to the hillsides and climbed trees in the forests, all at the same hour to ensure complete victory. Soviet expert Mikhail Klochko witnessed the beginning of the campaign in Beijing. He was awakened in the early morning by the bloodcurdling screams of a woman running to and fro on the roof of a building next to his hotel. A drum started beating, as the woman frantically waved a large sheet tied to a bamboo pole. For three days the entire hotel was mobilised in the campaign to do away with sparrows, from bellboys and maids to the official interpreters. Children came out with slings, shooting at any kind of winged creature.77 Accidents happened as people fell from roofs, poles and ladders. In Nanjing, Li Haodong climbed on the roof of a school building to get at a sparrow’s nest, only to lose his footing and tumble down three floors. Local cadre He Delin, furiously waving a sheet to scare the birds, tripped and fell from a rooftop, breaking his back. Guns were deployed to shoot at birds, also resulting in accidents. In Nanjing some 330 kilos of gunpowder were used in a mere two days, indicating the extent of the campaign. But the real victim was the environment, as guns were taken to any kind of feathered creature. The extent of damage was exacerbated by the indiscriminate use of farm poison: in Nanjing, bait killed wolves, rabbits, snakes, lambs, chicken, ducks, dogs and pigeons, some in large quantities.

The ritual of uniting the Ka and Ba together is termed: se-akh 'to awaken', which is resembled by Seb who gets embraced by the Children of Horus (aka the Embracers of the Akh) who form a great celestial ladder for the revived Osiris to ascend. Seb (being one of the gods who watch the weighing of the heart of the deceased in the Judgment Hall) has the secret gates which he guards and are close by the Balance of Ra. The righteous were enabled to escape Earth wherein their hearts were laid, but the heavy-hearted were held fast by Seb. Seb (aka great Cackler) produces the great Egg whence the Sungod sprang in the form of a Phoenix, which flies and eventually lands on the Great Pyramid Benben stone; just like the Ba, but instead of being for a king, it is stemming right from the heart of a god. Seb was the god of Earth where the work of creation began from his Egg and as soon as the Sungod appeared in the sky, he sent forth his rays onto Earth where Seb occupies his position. The dead receives Horus' ba to his North and to the West is Thoth and his ka is now behind him and his soul looks upon the spirit of flame and passes through the lake of fire and takes his seat in the sky with his back towards Seb. In the Pyramid Texts, we read that Unas and his Ka are taken to the Great House for judgement; which alludes to the Great Pyramid and to his movement direction away from Ba.

And if only the windows had been normal. But they were long and narrow, Lilian. Everything is changed when you look at it through long and narrow windows. It’s as if the sky itself were compressed, limited. To me the were the windows of a prison.

And if only the windows had been normal. But they were long and narrow, Lilian. Everything is changed when you look at it through long and narrow windows. It’s as if the sky itself were compressed, limited. To me they were the windows of a prison.

A ladder did not descend from the sky, nor did a magical beanstalk sprout from the earth, but something just as unlikely occurred

Stop thinking about it and get a good night’s sleep. If anything is troubling you, tell me; you don’t have to bear everything alone.” This seemed to strike a nerve in Chang Geng. He turned to look at Gu Yun. “You’ll help me no matter what?” Gu Yun considered for a moment. “The natural order and the laws of ethics come first, but those aside, if you asked for the stars, I wouldn’t fetch you the moon. Rain or shine, I’d climb a ladder to pluck them from the sky. How’s that for you?

Stop thinking about it and get a good night’s sleep. If anything is troubling you, tell me; you don’t have to bear everything alone.” This seemed to strike a nerve in Chang Geng. He turned to look at Gu Yun. “You’ll help me no matter what?” Gu Yun considered for a moment. “The natural order and the laws of ethics come first, but those aside, if you asked for the stars, I wouldn’t fetch you the moon. Rain or shine, I’d climb a ladder to pluck them from the sky. How’s that for you?

Magazine Street was a sea of green. Piper reveled in the pleasure and satisfaction of having finished the scene in her first feature film as she made her way through the crowds and watched the floats decorated by New Orleans marching clubs. The float riders threw carrots, potatoes, moon pies, and beads to the onlookers gathered on the sidewalk. Pets joined in the festivities as well, sporting leprechaun attire and green-tinted fur. Under a bright sun and a clear blue sky, families and friends were gathered for the opportunity to celebrate one of the biggest street parties of the year. Some set up ladders along the parade route, climbing atop for the best views. Others scaled trees and found perches among the branches. "Hey, mister, throw me something!" yelled a man next to Piper. Waving hands rose in the air as a head of cabbage came hurtling from the float. Everyone in the crowd lunged for it. The person who snagged it was roundly congratulated for the catch. "What's with the cabbage?" Piper asked the man standing next to her. "They aren't supposed to throw them, just hand them out. Somebody could get hurt by one of those things." The man shrugged. "But the tradition is to cook them for dinner on St. Patrick's Day night.

When you take a picture of a sunset and it doesn’t look good you don’t say, ‘Eww the sky is ugly.’ You know it is the camera that can’t capture the beauty of the sunset. Yet when you take a selfie and it doesn’t look good you very quickly say, ‘Eww, I’m ugly,’ when in fact it is the camera that can’t capture your beauty.

Imagine if trees wore concealer cause they don’t like their reflection in the lake If the sun didn’t show up at dawn insecure to rise after scrolling her night awake Imagine if the sky used the Juno filter to make itself look paler and smooth out imperfections If earth went online shopping for clay masks to cleanse its pores and other obstructions Imagine birds attaching engines to their wings to fly higher and faster, leaving trails in our springs And now think about the child at the bottom of your eyes about all the other children that you expect to grow wise Do you really want to tell them this is all about their looks? Maybe after some scrolling put their nose into books

He told me that I must internalize for myself the belief that the sky is the limit. I must work hard—not to climb the ladder, but to do important work.

The purple and blue prism has eyes behind my high sky Ladder.

A blue-white sky, a simple web, backing for feathery detail: brief arcs, a pale-green broken wheel, a few palms, swarthy, squat, but delicate; and perching there in profile, beaks agape, the big symbolic birds keep quiet, each showing only half his puffed and padded, pure-colored or spotted breast. Still in the foreground there is Sin: five sooty dragons near some massy rocks. The rocks are worked with lichens, grey moonbursts splattered and overlapping, threatened from underneath by moss in lovely hell-green flames, attacked from above by scaling-ladder vines, oblique and neat, “one leaf yes and one leaf no” (in Portuguese).

As Lauren Bruner raced up the same ladder I had taken, a Zero fixed its sights on him. A blast from its guns, and bullets bit metal. One of those shots struck flesh, hitting the back of Lauren’s lower leg. He limped onto the sky platform, a trail of blood following him. The others of our team came after him, spilling into the metal enclosure, called the “director,” where we directed the antiaircraft guns—Harold Kuhn, Russell Lott, Earl Riner, George Hollowell, Alvin Dvorak, Fred Zimmerman, and Frank Lomax.

Holding the Sky We saw a town by the track in Colorado. Cedar trees below has sifted the air, Snow water foamed the torn river there, And a lost road went climbing the slope like a ladder. We were traveling between a mountain and Thursday, Holding pages back on the calendar, Remembering every turn in the roadway: We hold that sky, we said, and remember. On the western slope we crashed into Thursday. So long, you said when the train stopped there. Snow was falling, touching in the air. Those dark mountains have never wavered.

Human bodies, exhausted rocks, gray sacks on the seashore, you always understand that life never ends-it just inherits itself. You endlessly repeated bodies roll out every morning like a slow and disenchanted wave. Human flesh forever, no light! Always rolled from over there, from a sourceless ocean that sends out wave on wave, the swells, the tired bodies, the borders of a sea that never quits, that gasps on its shores, forever. All of you, innumerable, cloned, over and over, heaping up your flesh, your lives, without hope, all monotonously the same under the sullen skies that feel nothing and repeat. That sea never ceases pouring out the bodies, and they break here, roundly, and lie dying on the beaches. And no one sees that swift ship; no one sees it, the quick sail whose steel bow could slant and slice and open up the luminous blood and then race off into the deep horizon, toward the last source of life, the boundary of the eternal sea that pours out these gray human corpses. Toward the light, toward that rising ladder of bright things that climbs from a loving breast to a mouth, ascending, to some huge, full eyes that watch us, to some silent, bounded hands that make a prison where we’re still being born, charged with energy, always tired.

Now I’m no art critic, but in a time seen as a bridge between the late middle ages and the early renaissance, where the church played such a substantial part in the day to day running of people's lives, Bosch’s Garden of Earthly Delights, which is painted on oak with a square middle panel flanked by two doors that close over the centre like shutters, is rather racy. When the outer shutters are folded over they show a grisaille painting of the earth during creation. But it’s the three scenes of the inner triptych that fascinate me. If you’re unfamiliar with the painting, I’ll do my best to describe it for you. Apologies in advance if I miss anything out. It’s regular sort of stuff, you know, naked women being fondled by demons, a bloke being kissed by a pig dressed as a nun, another bloke being eaten by some kind of story book character while loads of blackbirds fly out of his arse, a couple locked in a glass sphere and – let’s not beat about the Bosch here – locked in each other’s embrace as well. There are loads of people feeding each other fruit, doing handstands, hatching out of eggs, climbing up ladders to get inside the bodies of other people and looking at demon’s arses. There’s a couple getting caught shagging by giant birds, and a white bloke and a black Rastafarian with ‘locks (400 years before the Rastafari movement was founded) about to have a snog. You’ve got God giving Eve to a very puny-looking, limp-dicked Adam, and there’s a bunch of people sitting around a table inside the body of another bloke while an old woman fills up on wine from a decent-sized barrel while a kind of giant metal face pukes out loads of naked blokes who go running into a trumpet and another bloke being fed a cherry by a giant bird while a white bloke shows a black lady something in the sky. It’s all going on! There's loads of those ‘living dead’ mateys walking about, and a bloke carrying giant grapes past a topless girl with, it has to be said, pretty decent tits. She’s balancing a giant dice on her head while doing something strange to another bloke’s arse while a rabbit in clothes walks past. You can’t see what she’s doing because there’s a table in the way but beside them is a serpent-type creature with just one massive boob and a pretty pert nipple. One huge tit the size of his chest! Of all things, he’s holding a backgammon board up in the air. I’d say Bosch was a tit man, wouldn’t you? But there’s more. There’s a crowd of naked girls – black & white - in a water pool, all balancing cherries on their heads; read into that what you will. There are just LOADS of naked women in this water pool, including one of the black girls who’s balancing a peacock on her head. There are dozens of nudists riding horses around them in a circle. Some are sharing the same horse, so I must admit that in places it appears to be a little intimate. And now what have we got! There’s a couple cavorting inside a giant shell which is being carried on the back of another bloke. Why doesn’t he just put it down and climb in and have a threes-up? There are people with wings, creatures reading books and just more and more nudists. There’s a naked woman lying back, and this other bloke with his face extremely close to her nether regions! What on earth does the blighter think he’s playing at? There’s loads of grey half men-half fish, some balancing red balls on their heads like seals, and another fellow doing a handstand underwater while holding onto his nuts. You’ve got a ball in a river with people climbing all over it, while a bloke inside the ball is touching a lady in what appears to be a very inappropriate manner! There’s a kind of platypus-type fish reading a book underground and Theresa May triggering Article 50 of Brexit (just kidding about the Theresa May bit).

My father said I could not do it, but all night I picked the peaches. The orchard was still, the canals ran steadily. I was a girl then, my chest its own walled garden. How many ladders to gather an orchard? I had only one and a long patience with lit hands and the looking of the stars which moved right through me the way the water moved through the canals with a voice that seemed to speak of this moonless gathering and those who had gathered before me. I put the peaches in the pond's cold water, all night up the ladder and down, all night my hands twisting fruit as if I were entering a thousand doors, all night my back a straight road to the sky. And then out of its own goodness, out of the far fields of the stars, the morning came, and inside me was the stillness a bell possesses just after it has been rung, before the metal begins to long again for the clapper's stroke. The light came over the orchard. The canals were silver and then were not. and the pond was--I could see as I laid the last peach in the water--full of fish and eyes.

Ten Things I Need to Know" The brightest stars are the first to explode. Also hearts. It is important to pay attention to love’s high voltage signs. The mockingbird is really ashamed of its own feeble song lost beneath all those he has to imitate. It’s true, the Carolina Wren caught in the bedroom yesterday died because he stepped on a glue trap and tore his wings off. Maybe we have both fallen through the soul’s thin ice already. Even Ethiopia is splitting off from Africa to become its own continent. Last year it moved 10 feet. This will take a million years. There’s always this nostalgia for the days when Time was so unreal it touched us only like the pale shadow of a hawk. Parmenedes transported himself above the beaten path of the stars to find the real that was beyond time. The words you left are still smoldering like the cigarette left in my ashtray as if it were a dying star. The thin thread of its smoke is caught on the ceiling. When love is threatened, the heart crackles with anger like kindling. It’s lucky we are not like hippos who fling dung at each other with their ridiculously tiny tails. Okay, that’s more than ten things I know. Let’s try twenty five, no, let’s not push it, twenty. How many times have we hurt each other not knowing? Destiny wears her clothes inside out. Each desire is a memory of the future. The past is a fake cloud we’ve pasted to a paper sky. That is why our dreams are the most real thing we possess. My logic here is made of your smells, your thighs, your kiss, your words. I collect stars but have no place to put them. You take my breath away only to give back a purer one. The way you dance creates a new constellation. Off the Thai coast they have discovered a new undersea world with sharks that walk on their fins. In Indonesia, a kangaroo that lives in a tree. Why is the shadow I cast always yours? Okay, let’s say I list 33 things, a solid symbolic number. It’s good to have a plan so we don’t lose ourselves, but then who has taken the ladder out of the hole I’ve dug for myself? How can I revive the things I’ve killed inside you? The real is a sunset over a shanty by the river. The keys that lock the door also open it. When we shut out each other, nothing seems real except the empty caves of our hearts, yet how arrogant to think our problems finally matter when thousands of children are bayoneted in the Congo this year. How incredible to think of those soldiers never having loved. Nothing ever ends. Will this? Byron never knew where his epic, Don Juan, would end and died in the middle of it. The good thing about being dead is that you don’t have to go through all that dying again. You just toast it. See, the real is what the imagination decants. You can be anywhere with the turn of a few words. Some say the feeling of out-of-the-body travel is due to certain short circuits in parts of the brain. That doesn’t matter because I’m still drifting towards you. Inside you are cumulous clouds I could float on all night. The difference is always between what we say we love and what we love. Tonight, for instance, I could drink from the bowl of your belly. It doesn’t matter if our feelings shift like sands beneath the river, there’s still the river. Maybe the real is the way your palms fit against my face, or the way you hold my life inside you until it is nothing at all, the way this plant droops, this flower called Heart’s Bursting Flower, with its beads of red hanging from their delicate threads any breeze might break, any word might shatter, any hurt might crush. Superstition Reviews issue 2 fall 2008

The Eagle Has Landed The airlock swings open - Behold! A new world: obsidian black sky lit by the sun's fierce glare. Inch Down the ladder - The first man on the moon!* Look! The first footprint. Listen! The first word splitting the still dead silence. Dead dust dead rock dead black sky A dead dead world. Zombie in a moontrance I* trip stumble fall rise before the slow dust settles. Adrian Rumble

The apparatus of privilege and connection, what seemed like a network of half-hidden ladders and guide ropes that lay suspended over-head, ready to connect some but not all of us to the sky.

the apparatus of privilege and connection, what seemed like a network of half-hidden ladders and guide ropes that lay suspended overhead, ready to connect some but not all of us to the sky.

Once upon a time," Finnan had told her, "there weren't any gods at all. Just human beings that lived and died and dreamed up foolish little fireside tales to make themselves feel a little warmer in the cold night. They looked out to the sunset and they thought to themselves, why that's so beautiful there must be something out there. They buried their dead in the ground and couldn't bear to think of them just rotting, so they told themselves there was a land under the earth where all the dead live on like us. Or maybe it was in the far north, or at the source of some great river, in the mountains, in the sky, wherever. But for all the adventurers and explorers that went wandering over the face of the earth, did any of them ever find anything but people, painted up and draped in skins and dancing like loonies to the moon, but people nonetheless? Did that stop them, though? No. Why, they says, if there's no Heaven then we'll fookin build one. If there's no gods out there, we'll raise ourselves up by our bootstraps, grab a star out of the sky and wear it as a fookin crown and we'll be gods our fookin selves. So they built themselves a language for a ladder and clambered up over their own words till they did it. Only they took so many stars out of the sky, ye seee, they left it full of holes, too weak to hold itself up, and so eventually, one day, the sky came crashing down on them so hard and heavy that it drove them right down into the earth, so deep that the only thing left of them sticking out was those crowns on their heads. Sure, there's those who somehow manage to stick their necks up out of the shite and look up into the ruins of Babel, read a few words written on the rubble, but at the end of the day, that's what we were and this what we are now, up to our necks in history, in humanity, and with no more choice about it than the poor dead bastards buried in the earth by all our ancestors.

We took the wrong ladder to reach the sky and enjoy the beauty of our blue planet.

the night of 13 October, two hours before take-off, Heyser began donning his pressure suit and painstakingly assembling his equipment. He finally climbed the ladder into his cockpit at Edwards half an hour ahead of midnight. After lifting into the night sky for the ‘Brassknob’ mission designated #3101, he maintained radio silence throughout the long run to Cuba, breathing 100 per cent oxygen. ‘He met the sun over the Gulf of Mexico, and flew over the Yucatán Channel before turning north to penetrate denied territory,’ wrote

A Jacob’s Ladder,” I said with no hint of doubt in my voice. “A rainbow one.” He stared at me with his dark green eyes shining with mirth. “You sure about that? The whole fucking cock?

If the eyes are the windows to the soul, then a bay window must be the keys to all opportunity, while one's heart is the pathway to imagination, which galaxies are born of. I thought to myself today as I battled over the sounds of the outside world - is one's imagination the opportunity of love or is love the opportunity for imagination of the heart's desires? Perhap, the latter.. The ladder of which becomes a stairway to heaven. Which then begs another question: Where is heaven? Theoretically, the sky, yes, but everyone has a "heaven." Some have argued that heaven is a place on earth, that it is, in fact, the cure. However, I can tell you it's not in the traffic on the 405. We can rule that out. You dedicate your entire life to having a better understanding of the why, who, how, where, and what during this human experience. We swim in this idea of love, lovers, heaven, and the heaven shared between two people. They say you know when you know, but knowing takes the ability to trust, not knowing. Love is all about trust, trusting yourself, and being truly trustworthy to other people. Loving someone enough to face your fears because sometimes that's where the deepest love is... right around the corner of fear. Maybe love is the subconscious synchronicity that plagues us in the worst or most bizarre ways... Today, the earth shook.