Lace Harding Quotes

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His hands lay flat on either side of him, his arms at his sides. He seemed barely to be breathing; she wasn't sure she was breathing herself. She slid her own hand across the bedsheet, just far enough that their fingers touched-so lightly that she would have probably hardly been aware of it had she been touching anyone but Jace; as it was, the nerve endings in her fingertips pricked softly, as if she were holding them over a low flame. She felt him tense beside her and then relax. He had shut his eyes, and his lashes cast fine shadows against the curve of his cheekbones. His mouth curled into a smile as if he sensed her watching him, and she wondered how he would look in the morning, with his hair messed and sleep circles under his eyes. Despite everything, the thought gave her a jolt of happiness. She laced her fingers through his. "Good night," she whispered. With their hands clasped like children in a fairy tale, she fell asleep beside him in the dark.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Zane swallowed hard as he slid his hand to take Ty’s and lace their fingers together. “Are you feeling this, too?” he asked, echoing what they’d asked each other months ago, only to have it pushed aside. But not forgotten.
Abigail Roux (Cut & Run (Cut & Run, #1))
Your cold mornings are filled with the heartache about the fact that although we are not at ease in this world, it is all we have, that it is ours but that it is full of strife, so that all we can call our own is strife; but even that is better than nothing at all, isn't it? And as you split the frost-laced wood with numb hands, rejoice that your uncertainty is God's will and His grace toward you that that is beautiful, and a part of a greater certainty, as your own father always said in his sermons and to you at home. And as the ax bites into the wood, be comforted in the fact that the ache in your heart and the confusion in your soul means that you are still alive, still human, and still open to the beauty of the world, even though you have done nothing to deserve it. And when you resent the ache in your heart, remember: You will be dead and buried soon enough.
Paul Harding
She wore tight corsets to give her a teeny waist - I helped her lace them up - but they had the effect of causing her to faint. Mom called it the vapors and said it was a sign of her high breeding and delicate nature. I thought it was a sign that the corset made it hard to breathe.
Jeannette Walls (Half Broke Horses)
His lyrical whistle beckoned me to adventure and forgetting. But I didn't want to forget. Hugging my grudge, ugly and prickly, a sad sea urchin, I trudged off on my own, in the opposite direction toward the forbidding prison. As from a star I saw, coldly and soberly, the separateness of everything. I felt the wall of my skin; I am I. That stone is a stone. My beautiful fusion with the things of this world was over. The Tide ebbed, sucked back into itself. There I was, a reject, with the dried black seaweed whose hard beads I liked to pop, hollowed orange and grapefruit halves and a garbage of shells. All at once, old and lonely, I eyed these-- razor clams, fairy boats, weedy mussels, the oyster's pocked gray lace (there was never a pearl) and tiny white "ice cream cones." You could always tell where the best shells were-- at the rim of the last wave, marked by a mascara of tar. I picked up, frigidly, a stiff pink starfish. It lay at the heart of my palm, a joke dummy of my own hand. Sometimes I nursed starfish alive in jam jars of seawater and watched them grow back lost arms. On this day, this awful birthday of otherness, my rival, somebody else, I flung the starfish against a stone. Let it perish.
Sylvia Plath (Johnny Panic and the Bible of Dreams: Short Stories, Prose and Diary Excerpts)
Where are you? Touch me.” I slip my hand into his, and for a moment he just stands there, looking down at where I am, then he closes his eyes and laces strong fingers with mine. I hear exactly what he’s not saying in them: You better bring your ass back to me, woman. I reply with mine, Always. He laughs softly then somehow finds my face and kisses me, light and fast, and I taste him on my lips, need him again, hard and fast and soon.
Karen Marie Moning (Burned (Fever, #7))
It was love, and it hit me so hard I leaned against the screen door that still stood between us, just to stay vertical. I wanted to touch him like he was a bunny, a kitten, something so special and soft your fingertips can’t leave it alone. The universe was good because he was in it. I loved the hole in his jeans and the dirt on his bare feet and the scrab on his elbow and the scar that laced through one eyebrow. Gat, my Gat.
E. Lockhart (We Were Liars)
Right before you head out running, it can be hard to remember exactly why you're doing it. You often have to override a nagging sense of futility, lacing up your shoes, telling yourslef that no matter how unlikely it seems right now, after you finish you will be glad you went. It's only afterward that it makes sense, although even then it's hard to rationalize why. You just feel right. After a run, you feel at one with the world, as though some unspecified, innate need has been fulfilled.
Adharanand Finn (Running with the Kenyans: Passion, Adventure, and the Secrets of the Fastest People on Earth)
It was love, and it hit me so hard I leaned against the screen door that still stood between us, just to stay vertical. The universe was good because he was in it. I loved the hole in his jeans and the dirt on his bare feet and the scab on his elbow and the scar that laces through one eyebrow. Gat, my Gat.
E. Lockhart (We Were Liars)
So he likes being mean to you," she said. "And you like that he likes being mean to you." "And I like being mean to him, too, don't forget." "Of course not. Pleasure from meaness. There's a name for it: sadomasochism." "Thanks a lot." I said. "That's just what I need. A mental picture of Todd Harding laced up in a black leather bodysuit with a whip in one hand and his wang in the other.
Kristin Walker (A Match Made in High School)
Certainly, the average fashion magazine gives women ridiculous relationship advice that makes it easy to understand why women are so eager to overcompensate: “Play hard to get, then cook him a four-course meal … bake him Valentine’s cookies with exotic sprinkles shipped from Malaysia (just like Martha Stewart). Don’t forget the little doilies and the organic strawberries that you drove two hours to get. Then serve it all to him on the second date, wearing a black lace nightie.” And what is this a recipe for? Disaster.
Sherry Argov (Why Men Love Bitches: From Doormat to Dreamgirl-A Woman's Guide to Holding Her Own in a Relationship)
What did the lawyer say?” I couldn’t stop the little snicker that slipped out as I sat back up in the seat and laced my fingers behind my head. “Before or after I kissed her?” “Zeb!” My mom gave me a hard look and my sister just shook her head.
Jay Crownover (Built (Saints of Denver, #1))
It’s funny how you can think you’ve said something when you never really did.” I giggled, feeling that the words were coming in his very next breath. “It’s also funny how you can think you’ve heard something when you didn’t either,” he said instead. All the humor vanished from the moment. “I know what you mean.” I swallowed and watched as his hand moved from my cheek to lace his fingers through mine, knowing that he and I were both watching them. “Maybe, for some people, it would be hard to confess that. Like, if they worried they might not make it to the end.” He sighed. “Or it would be hard to say if you worried that someone might not want to make it to the end . . . maybe never quite gave up on someone else.
Kiera Cass (The One (The Selection, #3))
Door in the Dark: In going from room to room in the dark, I reached out blindly to save my face, But neglected, however lightly, to lace My fingers and close my arms in an arc. A slim door got in past my guard, And hit me a blow in the head so hard I had my native simile jarred. So people and things don't pair any more With what they used to pair with before.
Robert Frost
All people of broad, strong sense have an instinctive repugnance to the men of maxims; because such people early discern that the mysterious complexity of our life is not to be embraced by maxims, and that to lace ourselves up in formulas of that sort is to repress all the divine promptings and inspirations that spring from growing insight and sympathy. And the man of maxims is the popular representative of the minds that are guided in their moral judgment solely by general rules, thinking that these will lead them to justice by a ready-made patent method, without the trouble of exerting patience, discrimination, impartiality, without any care to assure themselves whether they have the insight that comes from a hardly-earned estimate of temptation, or from a life vivid and intense enough to have created a wide fellow-feeling with all that is human.
George Eliot (The Mill on the Floss)
Laila remembered how Mammy had dropped to the ground, how she’d screamed, torn at her hair. But Laila couldn’t even manage that. She could hardly move. She could hardly move a muscle. She sat on the chair instead, hands limp in her lap, eyes staring at nothing, and let her mind fly on. She let it fly on until it found the place, the good and safe place, where the barley fields were green, where the water ran clear and the cottonwood seeds danced by the thousands in the air; where Babi was reading a book beneath an acacia and Tariq was napping with his hands laced across his chest, and where she could dip her feet in the stream and dream good dreams beneath the watchful gaze of gods of ancient, sun-bleached rock.
Khaled Hosseini (A Thousand Splendid Suns)
She used to imagine her parents and happy endings she would never have. Now she envisioned torments that were all too real. She pictured one of Cinderella's stepsisters planting her foot on a cutting board - and biting down hard as the cleaver chopped through the bone of her big toe. She imagined a princess used to safety, luxury, throwing the rank hide of a donkey over her shoulders, its boneless face drooping past her forehead like a hideous veil. And she imagined her future self, flat on her back in bed, limbs as heavy as if they'd been chained down. Mice scurried across her body, leaving footprints on her dress. Spiders spun an entire trousseau's worth of silk and draped her in it, so it appeared she wore a gown of the finest lace, adorned with rose petals and ensnared butterflies. Beetles nestled between her fingers like jeweled rings - lovely from a distance, horrific up close.
Sarah Cross (Kill Me Softly (Beau Rivage, #1))
Is that … chocolate cake?” “I thought you might need some.” “Need, not want?” A ghost of a smile was on her lips, and he almost sagged in relief as he said, “For you, I’d say that chocolate cake is most definitely a need.” She crossed from the fireplace to where he stood, stopping a hand’s breadth away and staring up at him. Some of the color had returned to her face. He should step back, put more distance between them. But instead, he found himself reaching for her, a hand slipping around her waist and the other twining itself through her hair as he held her tightly to him. His heart thundered through him so hard he knew she could feel it. After a second, her arms came up around him, her fingers digging into his back in a way that made him realize how close they stood. He shoved that feeling down, even as the silken texture of her hair against his fingers made him want to bury his face in it, and the smell of her, laced with mist and night, had him grazing his nose against her neck. There were other kinds of comfort that he could give her than mere words, and if she needed that kind of distraction … He shoved down that thought, too, swallowing it until he nearly choked on it. Her fingers were moving down his back, still digging into his muscles with a fierce kind of possession. If she kept touching him like that, his control was going to slip completely. And then she pulled back, just far enough to look up at him again, still so close their breath mingled. He found himself gauging the distance between their lips, his eyes flicking between her mouth and her eyes, the hand he had entwined in her hair stilling. Desire roared through him, burning down every defense he’d put up, erasing every line he’d convinced himself he had to maintain.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
I turn away from him and walk, swiftly and completely directionless through the garden. He runs after me, grabbing my arm. I haul around and slap him. Its a stinging blow, smearing the gold on his cheekbone and causing his skin to redden. We stare at each other for long moments, breathing hard. His eyes are bright with something entirely different from anger. I am in over my head. I am drowning. ¨I didnt mean to hurt you.¨ He grabs my hand,possibly to keep me from hitting him again. Our fingers lace together. ¨No, it not that, not exactly. I didnt think I could hurt you. And i never thought you would be afraid of me.¨ ¨And did you like it?¨"I ask. He looks away from me then, and I have my answer. Maybe he doesnt want to admit to that impulse, but he has it. ¨Well, I was hurt, and yes, you scare me.¨ Even as I am speaking, I wish I could snatch back the words. Perhaps it is exhaustion or having been so close to death, but the truth pours out of me in a devastating rush. ¨You´ve always scared me. You gave me every reason to fear your capriciousness and your cruelty. I was afraid of you even when you were tied to that chair in the court of shadows. I was afraid of you when i had a knife to your throat. And i am scared of you now.¨ Cardan looks more suprised then he did when I slapped him. He was always a symbol of everything about Elfhame that I couldnt have, everything that would never want me. And telling him this feels a little like throwing off a heavy weight, except that weight is supposed to be my armor, and without it, I am afraid I am going to be entirely exposed. But i keep talking anyway, as though I no longer have control of my tongue. ¨You despised me. When you said you wanted me, it felt like the world has turned upside down. Page 160-161
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
I probably love you,” she said. I let out a surprised laugh. “Probably?” She laced our fingers together and tugged me toward the shuttle, glancing over her shoulder. “Probably. It’s hard to tell with me, you know?” I laughed again. “I probably love you, too.
Amy Tintera (Rebel (Reboot, #2))
I suppose your boobs are all squished under that green lace, your nipples crushed. They’re going to need some consolation. I’ll suck on them until they’re happy again. And then afterwards, when your nipples are stiff and throbbing and wondering if that’s all there is, I’ll give them something else to think about. I’ll spread your legs wide open and put my hard dick inside you so slowly you’ll be begging me to shove it in. But I won’t – I’ll make you wait until I give you permission to come.
C.C. Gibbs (All He Needs (All or Nothing, #2))
She wanted to touch him, to throw her arms around him — but something held her back. Maybe it was the fear that her arms would pass right through him, that she would have come all this way only to find a ghost after all. As though he’d been able to read her thoughts, he slowly angled toward her. He raised his hands and held his palms out to her. Isobel lifted her own hands to mirror his. He pressed their palms together, his fingers folding down to lace through hers. She felt a rush of warmth course through her, a relief as pure and sweet as spring rain. He was real. This was real. She had found him. She could touch him. She could feel him. Finally they were together. Finally, finally, they could forget this wasted world and go home. "I knew it wasn’t true," she whispered. "I knew you wouldn’t stop believing." He drew her close. Leaning into him, she felt him press his lips to her forehead in a kiss. As he spoke, the cool metal of his lip ring grazed her skin, causing a shudder to ripple through her. "You..." His voice, low and breathy, reverberated through her, down to the thin soles of her slippers. "You think you’re different," he said. She felt his hands tighten around hers, gripping hard, too hard. A streak of violet lightning split the sky, striking close behind them. The house, Isobel thought. It had been struck. She could hear it cracking apart. She looked for only a brief moment, long enough to watch it split open. "But you’re not," Varen said, calling her attention back to him. Isobel winced, her own hands surrendering under the suddenly crushing pressure of his hold. A face she did not recognize stared down at her, one twisted with anger — with hate. "You," he scarcely more than breathed, "are just like every. Body. Else." He moved so fast. Before she could register his words or the fact that she had once spoken them to him herself, he jerked her to one side. Isobel felt her feet part from the rocks. Weightlessness took hold of her as she swung out and over the ledge of the cliff. As he let her go. The wind whistled its high and lonely song in her ears. She fell away into the oblivion of the storm until she could no longer see the cliff — could no longer see him. Only the slip of the pink ribbon as it unraveled from her wrist, floating up and away from her and out of sight forever.
Kelly Creagh (Enshadowed (Nevermore, #2))
Your cold mornings are filled with the heartache about the fact that although we are not at ease in this world, it is all we have, that it is ours but that it is full of strife, so that all we can call our own is strife; but even that is better than nothing at all, isn't it? And as you split frost-laced wood with numb hands, rejoice that your uncertainty is God's will and His grace toward you and that that is beautiful, and part of a greater certainty, as your own father always said in his sermons and to you at home. And as the ax bites into the wood, be comforted in the fact that the ache in your heart and the confusion in your soul means that you are still alive, still human, and still open to the beauty of the world, even though you have done nothing to deserve it. And when you resent the ache in your heart, remember: You will be dead and buried soon enough.
Paul Harding (Tinkers)
Early one beautiful summer evening, when everyone else was drinking indoors, Tony and I walked down to the river. We lay on the grass under a tree and chatted. At one point, Tony said, "Look at the pattern of lace the leaves make against the sky." I looked at the canopy above us, and suddenly saw what he saw. My perspective completely shifted. I realized I didn't have his "eyes" -- though once he pointed it out, it became obvious. It made me think, "My God, I never look enough," and in the years since, I've tried very hard to look -- and look again.
Julie Andrews Edwards (Home: A Memoir of My Early Years)
Someone on my other side nudged my shoulder, and I shifted closer to Jenna to make room. And then a hand closed over mine. Before I even turned my head, I knew. “Mercer.” Archer smiled down at me. “Fancy meeting you here.” As much as I wanted to, I couldn’t just throw my arms around his neck and kiss the heck out of him. And I really wanted to. So I settled for lacing my fingers with his and pulling him slightly closer. Archer here, safe, his hand in mine. And Jenna, pressed tight to my other side. My heart was so full, I could hardly breathe, and even though I tried to keep it light, my voice was strained when I said, “Of course. Everything going to hell, and you turn up. I should’ve know.” He shrugged, even though his eyes were burning with the same emotion currently racing through my veins. “Eh, Italy was getting boring. Figured I might as well see what you ladies were up to.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Mine.” His growl is downright feral as he explodes inside of me, hands tracing my back reverently. A man of such dichotomies. Hard words laced with love. Rough hands filled with tenderness.
Elsie Silver (Heartless (Chestnut Springs, #2))
Berlin. I used to love this old city. But that was before it had caught sight of its own reflection and taken to wearing corsets laced so tight that it could hardly breathe. I loved the easy, carefree philosophies, the cheap jazz, the vulgar cabarets and all of the other cultural excesses that characterized the Weimar years and made Berlin seem like one of the most exciting cities in the world.
Philip Kerr (March Violets (Bernie Gunther, #1))
Just hold my fucking hand,” Turner whispers against my ear, giving me goose bumps. “Just lace your fingers with mine and hold on like your life depends on it, like our pulse is dependent on this one, single connection.
C.M. Stunich (Bad Day (Hard Rock Roots, #4))
As for us,Etienne was right.Our schools are only a twenty-minute transit ride away.He'll stay with me on the weekends, and we'll visit each other as often as possible during the week. We'll be together.We both got our Point Zero wishes-each other.He said he wished for me every time.He was wishing for me when I entered the tower. "Mmm," I say.He's kissing my neck. "That's it," Rashmi says. "I'm outta here.Enjoy your hormones." Josh and Mer follow her exit,and we're alone.Just the way I like it. "Ha!" Ettiene says. "Just the way I like it." He pulls me onto his lap,and I wrap my legs around his waist.His lips are velvet soft,and we kiss until the streetlamps flicker on outside. Until the opera singer begins her evening routine. "I'm going to miss her," I say. "I'll sing to you." He tucks my stripe behind my ear. "Or I'll take you to the opera.Or I'll fly you back here to visit. Whatever you want.Anything you want." I lace my fingers through his. "I want to stay right here,in this moment." "Isn't that the name of the latest James Ashley bestseller? In This Moment?" "Careful.Someday you'll meet him, and he won't be nearly as amusing in person." Etienne grins. "Oh,so he'll only be mildly amusing? I suppose I can handle mildly amusing." "I'm serious! You have to promise me right now,this instant,that you won't leave me once you meet him.Most people would run." "I'm not most people." I smile. "I know.But you still have to promise." His eyes lock on mine. "Anna,I promise that I will never leave you." My heart pounds in response.And Etienne knows it,because he takes my hand and holds it against his chest,to show me how hard his heart is pounding, too. "And now for yours," he says. I'm still dazed. "My what?" He laughs. "Promise you won't flee once I introduce you to my father.Or, worse, leave me for him." I pause. "Do you think he'll object to me?" "Oh,I'm sure he will." Okay.Not the answer I was looking for. Etienne sees my alarm. "Anna.You know my father dislikes anything that makes me happy.And you make me happier than anyone ever has." He smiles. "Oh,yes. He'll hate you." "So....that's a good thing?" "I don't care what he thinks.Only what you think." He holds me tighter. "Like if you think I need to stop biting my nails." "You've worn your pinkies to nubs," I say cheerfully. "Or if I need to start ironing my bedspread." "I DO NOT IRON MY BEDSPREAD." "You do.And I love it." I blush,and Etienne kisses my warm cheeks. "You know,my mum loves you." "She goes?" "You're the only thing I've talked about all year.She's ecstatic we're together." I'm smiling inside and out. "I can't wait to meet her.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
She’s a-going," he says. "Her mind is set on it." It’s a hard life on women, for a fact. Some women. I mind my mammy lived to be seventy or more. Worked every day, rain or shine; never a sick day since her last chap was born until one day she kind of looked around her and then she went and taken that lace-trimmed night-gown she had had forty-five years and never wore out of the chest and put it on and laid down on the bed and pulled the covers up and shut her eyes. "You all will have to look out for pa the best you can," she said. "I’m tired.
William Faulkner
Our manly ways and stern simplicity wreak much confusion to the enemy's councils. For they are men yet garb themselves as women, wearing wigs and finery and lace. And for this offense if it be God's will we will come upon them in the night, from the rear, and penetrate their degenerate bodies with our holy truth. For we are manly saints and possess the full swelling hardness of our faith, which gushes forevermore from Christ's unyielding root.
Oliver Cromwell (Oliver Cromwell's Letters and Speeches)
In a deliberate dominant action, he bent his head over mine, placing his lips against my ear. “Look at me like that again, sweetheart, and I can’t promise I’ll remain a gentleman any longer, friendship pact be damned.” He pressed his hard cock more firmly against me. “Don’t tempt me.” A definite promise laced his seductive tone.
Scarlett Dawn (King Cave (Forever Evermore, #2))
They say good girls like bad boys. Opposites attract. Mary loved me, but her family hated me. They thought I was what they used to call shanty Irish, and I guess they thought they were what they used to call lace-curtain Irish. Or maybe they saw something in me; that as hard as I was trying I was still too unpredictable for their Mary. Mary
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
Style is not how you write. It is how you do not write like anyone else. * * * How do you know if you're a writer? Write something everyday for two weeks, then stop, if you can. If you can't, you're a writer. And no one, no matter how hard they may try, will ever be able to stop you from following your writing dreams. * * * You can find your writer's voice by simply listening to that little Muse inside that says in a low, soft whisper, "Listen to this... * * * Enter the writing process with a childlike sense of wonder and discovery. Let it surprise you. * * * Poems for children help them celebrate the joy and wonder of their world. Humorous poems tickle the funny bone of their imaginations. * * * There are many fine poets writing for children today. The greatest reward for each of us is in knowing that our efforts might stir the minds and hearts of young readers with a vision and wonder of the world and themselves that may be new to them or reveal something already familiar in new and enlightening ways. * * * The path to inspiration starts Beyond the trails we’ve known; Each writer’s block is not a rock, But just a stepping stone. * * * When you write for children, don't write for children. Write from the child in you. * * * Poems look at the world from the inside out. * * * The act of writing brings with it a sense of discovery, of discovering on the page something you didn't know you knew until you wrote it. * * * The answer to the artist Comes quicker than a blink Though initial inspiration Is not what you might think. The Muse is full of magic, Though her vision’s sometimes dim; The artist does not choose the work, It is the work that chooses him. * * * Poem-Making 101. Poetry shows. Prose tells. Choose precise, concrete words. Remove prose from your poems. Use images that evoke the senses. Avoid the abstract, the verbose, the overstated. Trust the poem to take you where it wants to go. Follow it closely, recording its path with imagery. * * * What's a Poem? A whisper, a shout, thoughts turned inside out. A laugh, a sigh, an echo passing by. A rhythm, a rhyme, a moment caught in time. A moon, a star, a glimpse of who you are. * * * A poem is a little path That leads you through the trees. It takes you to the cliffs and shores, To anywhere you please. Follow it and trust your way With mind and heart as one, And when the journey’s over, You’ll find you’ve just begun. * * * A poem is a spider web Spun with words of wonder, Woven lace held in place By whispers made of thunder. * * * A poem is a busy bee Buzzing in your head. His hive is full of hidden thoughts Waiting to be said. His honey comes from your ideas That he makes into rhyme. He flies around looking for What goes on in your mind. When it is time to let him out To make some poetry, He gathers up your secret thoughts And then he sets them free.
Charles Ghigna
It was hard to imagine wearing lace underwear and 'sexting,' but easy to imagine wearing lots of complicated layers and rolling around in front of a fireplace.
Emma Törzs (Ink Blood Sister Scribe)
I heard you were having a hard time keeping your penis in your pants.” What
Lolah Lace (Balls To The Walls Box Set 1 (Balls to the Walls Books 1-3))
And eventually there is no one left in the world except people who don't look at other people's faces and who don't know what these pictures mean and these people are all special people like me. And they like being on their own and I hardly ever see them because they are like okapi in the jungle in the Congo, which are a kind of antelope and very shy and rare. And I can go anywhere in the world and I know that no one is going to talk to me or touch me or ask me a question. But if I don't want to go anywhere I don't have to, and I can stay at home and eat broccoli and oranges and licorice laces all the time, or I can play computer games for a whole week, or I can just sit in the corner of the room and rub £1 coin back and forward over the ripple shapes on the surface of the radiator. And I wouldn't have to go to France.
Mark Haddon
Then Jip went up to the front of the ship and smelt the wind; and he started muttering to himself, "Tar; Spanish onions; kerosene oil; wet raincoats; crushed laurel-leaves; rubber burning; lace-curtains being washed--No, my mistake, lace-curtains hanging out to dry; and foxes--hundreds of 'em--cubs; and--" "Can you really smell all those different things in this one wind?" asked the Doctor. "Why, of course!" said Jip. "And those are only a few of the easy smells--the strong ones. Any mongrel could smell those with a cold in the head. Wait now, and I'll tell you some of the harder scents that are coming on this wind--a few of the dainty ones." Then the dog shut his eyes tight, poked his nose straight up in the air and sniffed hard with his mouth half-open. For a long time he said nothing. He kept as still as a stone. He hardly seemed to be breathing at all. When at last he began to speak, it sounded almost as though he were singing, sadly, in a dream. "Bricks," he whispered, very low--"old yellow bricks, crumbling with age in a garden-wall; the sweet breath of young cows standing in a mountain-stream; the lead roof of a dove-cote--or perhaps a granary--with the mid-day sun on it; black kid gloves lying in a bureau-drawer of walnut-wood; a dusty road with a horses' drinking-trough beneath the sycamores; little mushrooms bursting through the rotting leaves; and--and--and--" "Any parsnips?" asked Gub-Gub. "No," said Jip. "You always think of things to eat. No parsnips whatever.
Hugh Lofting (The Story of Doctor Dolittle (Doctor Dolittle, #1))
The common room was messy, and this time it was not glamoured. His father had an overwhelming collection of things. There were piles of books, heaps of loose papers, waterlogged scrolls from another era set in haphazard stacks. Five pairs of fancy mainland boots with laces, hardly worn, and a jacket the color of fire, lined with plaid. Jars of golden pins, a jewelry box that held his mother’s abandoned pearls. A map of the realm pegged to the floor, because the walls were already crowded with drawings of musty tapestries and a chart of the northern constellations. All were possessions from Graeme’s former life, when he had been the ambassador to the mainland.
Rebecca Ross (A River Enchanted (Elements of Cadence, #1))
So you did see me." "Studying your hard-earned prize from afar? Yes, I knew.I make it a point to know where my enemies are," Ranulf replied, keeping his focus on the afternoon horizon.Detachment, not animosity,laced his tone.
Michele Sinclair (The Christmas Knight)
We entered the cool cave of the practice space with all the long-haired, goateed boys stoned on clouds of pot and playing with power tools. I tossed my fluffy coat into the hollow of my bass drum and lay on the carpet with my worn newspaper. A shirtless boy came in and told us he had to cut the power for a minute, and I thought about being along in the cool black room with Joey. Let's go smoke, she said, and I grabbed the cigarettes off the amp. She started talking to me about Wonder Woman. I feel like something big is happening, but I don't know what to do about it. With The Straight Girl? I asked in the blankest voice possible. With everything. Back in the sun we walked to the edge of the parking lot where a black Impala convertible sat, rusted and rotting, looking like it just got dredged from a swamp. Rainwater pooling on the floor. We climbed up onto it and sat our butts backward on the edge of the windshield, feet stretched into the front seat. Before she even joined the band, I would think of her each time I passed the car, the little round medallions with the red and black racing flags affixed to the dash. On the rusting Chevy, Joey told me about her date the other night with a girl she used to like who she maybe liked again. How her heart was shut off and it felt pretty good. How she just wanted to play around with this girl and that girl and this girl and I smoked my cigarette and went Uh-Huh. The sun made me feel like a restless country girl even though I'd never been on a farm. I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. I gave Joey my cigarette so I could unlace the ratty green laces of my boots, pull them off, tug the linty wool tights off my legs. I stretched them pale over the car, the hair springing like weeds and my big toenail looking cracked and ugly. I knew exactly who I was when the sun came back and the air turned warm. Joey climbed over the hood of the car, dusty black, and said Let's lie down, I love lying in the sun, but there wasn't any sun there. We moved across the street onto the shining white sidewalk and she stretched out, eyes closed. I smoked my cigarette, tossed it into the gutter and lay down beside her. She said she was sick of all the people who thought she felt too much, who wanted her to be calm and contained. Who? I asked. All the flowers, the superheroes. I thought about how she had kissed me the other night, quick and hard, before taking off on a date in her leather chaps, hankies flying, and I sat on the couch and cried at everything she didn't know about how much I liked her, and someone put an arm around me and said, You're feeling things, that's good. Yeah, I said to Joey on the sidewalk, I Feel Like I Could Calm Down Some. Awww, you're perfect. She flipped her hand over and touched my head. Listen, we're barely here at all, I wanted to tell her, rolling over, looking into her face, we're barely here at all and everything goes so fast can't you just kiss me? My eyes were shut and the cars sounded close when they passed. The sun was weak but it baked the grime on my skin and made it smell delicious. A little kid smell. We sat up to pop some candy into our mouths, and then Joey lay her head on my lap, spent from sugar and coffee. Her arm curled back around me and my fingers fell into her slippery hair. On the February sidewalk that felt like spring.
Michelle Tea
My head’s spinning. Maya thinks her mom will understand . . . understand what? That Maya wearing lace makes it hard for me to think straight? That I can’t stop staring at her lips? How I’m so desperate to kiss her, it actually hurts?
Becky Albertalli (Yes No Maybe So)
Then I’m suddenly reminded of how I get engulfed with nightmares of Mom’s death as soon as I fall asleep. Hesitantly, I call to him, “Hey, Adrian?” “Yeah?” “Can you hold my hand the entire night?” My voice comes out as a quiet whisper. There’s a pause. I’m almost afraid to meet his eyes. Heartbeat picking up faster, his fingers interweave with mine and lace them together. I turn almost reflexively and I’m faced with his eyes—burning so green that it’s hard to look away. And for a second—one second, there is this feeling that flits in my chest, making my breath catch. Then his eyes close and I blink slowly—feeling as I’m in a dream-like trance. Then mine slide close too after a while of memorizing this moment, this moment of silent peacefulness. The gentle pressure of his hand holding mine coaxes me into sleep. This time, there’s only a soothing blankness. And we sleep just like that; backs curved together, my head folded in his chest. As we hold hands, I fall into the awaiting darkness.
L. Jayne (Chasing After Infinity)
I feel him tugging on the side of my lace thong. He strengthens the kiss, sweeping his tongue slow and deep through my mouth as he yanks as hard as he can on my thong. “OW! Son of a bitch!” I shout, pulling my mouth away from his as the lace digs into the side of my hip. “Sorry! Shit. I was trying to be all cool and rip these fuckers off you, but Jesus Christ what are they made out of, steel?” he mutters in annoyance, looking down between us as he continues to pull and tug at the material that refuses to tear.
Tara Sivec (At the Stroke of Midnight (The Naughty Princess Club, #1))
One may, in a case of exigency, introduce the reader in to a nuptial chamber, not into a virginal chamber. Verse would hardly venture it, prose must not. It is the interior of a flower that is not yet unfolded, it is whiteness in the dark, it is the private cell of a closed lily, which must not be gazed upon by man so long as the sun has not gazed upon it. Woman in the bud is sacred. That innocent bud which opens, that adorable half-nudity which is afraid of itself, that white foot which takes refuge in a slipper, that throat which veils itself before a mirror as though a mirror were an eye, that chemise which makes haste to rise up and conceal the shoulder for a creaking bit of furniture or a passing vehicle, those cords tied, those clasps fastened, those laces drawn, those tremors, those shivers of cold and modesty, that exquisite affright in every movement, that almost winged uneasiness where there is no cause for alarm, the successive phases of dressing, as charming as the clouds of dawn,—it is not fitting at all that all this should be narrated, and it is too much to have even called attention to it.
Victor Hugo (Les Misérables)
Words are sounds transfused with unequal shadows that intersect, stalactites, lace, transfigured organ music. I hardly dare shout out words at this vibrant and rich, morbid and dark web which has its countertone in the thick bass of pain. Allegro con brio. I'll try to wrest gold from charcoal.
Clarice Lispector (Hour of the Star (Penguin Modern Classics))
Lacey’s hand wiggled between their bodies and gripped the hard length of his erection through his shorts. He flinched from her touch and broke their kiss. “I can think of a dozen reasons why I shouldn’t be doing this with you,” he said, his voice rough and strained. “And I’m feeling one, big reason why you should.
Ann Lister (Covered In Lace: The Lacey Sheridan Story (Sheet Music, #2))
In almost every part of life, the important moments are not the ones you'd think are the important ones. The really important moments are before the "big" moments. When you're writing, the moment you sit down at the keyboard isn't the magic moment; the magic moments are when you decide to see and hear and remember and taste everything in the whole world, choosing to believe that art and creativity are all around you, unfolding and beckoning you. And running is about sleep, water, getting a babysitter, not having that last glass or two of wine. By the time you've laced up your shoes and you're moving your feet, most of the hard choices have been made.
Shauna Niequist (Bread and Wine: A Love Letter to Life Around the Table with Recipes)
Candied Sin I can hold you in my arms Feeling your soul’s embrace I can make it hard to breath Standing face to face Lips of sweetest candied sin Wisps of thoughts ignite within Makes the hours infinite Observations intricate Touch of skin, heat and lace Skimmed upon a jaded face Into your depths, here I go Swept into my very soul.
Alexia Purdy (Whispers of Dreams (A Poetic Collection))
I wanted you in Covent Garden,” he said. “I wanted you straddling me in the dark while I came up inside you.” “In the theatre?” “Right there in the damn box, with the opera blaring on. I’d take you, make you my own.” He put his hand on her neck over the spot where he’d given her the love bite. “I branded you.” Beth smiled. “You, too.” She touched his neck. “I branded you.” He laced his fingers hard through hers and pressed her hand to the bed. “Belong to me.” “No one here to dispute that at the moment.” “Always mine. Always, Beth.” Thrusts punctuated the words. Always. Her body jerked in rhythm with his, the bed creaking. It was a solid bed, thick mahogany, made to take men like Ian loving their women.
Jennifer Ashley (The Madness of Lord Ian Mackenzie (Mackenzies & McBrides, #1))
Alex, please.” He balls his fists. “Stop saying my name. You don’t know me anymore.” “I do know you.” I’m still crying, swallowing back spasms in my throat, struggling to breathe. This is a nightmare and I will wake up. This is a monster-story, and he has come back to me a terror-creation, patched together, broken and hateful, and I will wake up and he will be here, and whole, and mine again. I find his hands, lace my fingers through his even as he tries to pull away. “It’s me, Alex. Lena. Your Lena. Remember? Remember 37 Brooks, and the blanket we used to keep in the backyard—” “Don’t,” he says. His voice breaks on the word. “And I always beat you in Scrabble,” I say. I have to keep talking, and keep him here, and make him remember. “Because you always let me win. And remember how we had a picnic one time, and the only thing we could find from the store was canned spaghetti and some green beans? And you said to mix them—” “Don’t.” “And we did, and it wasn’t bad. We ate the whole stupid can, we were so hungry. And when it started to get dark you pointed to the sky, and told me there was a star for every thing you loved about me.” I’m gasping, feeling as though I am about to drown; I’m reaching for him blindly, grabbing at his collar. “Stop.” He grabs my shoulders. His face is an inch from mine but unrecognizable: a gross, contorted mask. “Just stop. No more. It’s done, okay? That’s all done now.” “Alex, please—” “Stop!” His voice rings out sharply, hard as a slap. He releases me and I stumble backward. “Alex is dead, do you hear me? All of that—what we felt, what it meant—that’s done now, okay? Buried. Blown away.” “Alex!” He has started to turn away; now he whirls around. The moon lights him stark white and furious, a camera image, two-dimensional, gripped by the flash. “I don’t love you, Lena. Do you hear me? I never loved you.” The air goes. Everything goes. “I don’t believe you.” I’m crying so hard, I can hardly speak. He takes one step toward me. And now I don’t recognize him at all. He has transformed entirely, turned into a stranger. “It was a lie. Okay? It was all a lie. Craziness, like they always said. Just forget about it. Forget it ever happened.” “Please.” I don’t know how I stay on my feet, why I don’t shatter into dust right there, why my heart keeps beating when I want it so badly to stop. “Please don’t do this, Alex.” “Stop saying my name.
Lauren Oliver (Requiem (Delirium, #3))
Far rather would she that he were dead! She could not sit beside him when he stared so and did not see her and made everything terrible; sky and tree, children playing, dragging carts, blowing whistles, falling down; all were terrible. And he would not kill himself; and she could tell no one. "Septimus has been working too hard"––that was all she could say to her own mother. To love makes one solitary, she thought. She could tell nobody, not even Septimus now, and looking back, she saw him sitting in his shabby overcoat alone, on the seat, hunched up, staring. And it was cowardly for a man to say he would kill himself, but Septimus had fought; he was brave; he was not Septimus now. She put on her lace collar. She put on her new hat and he never noticed; and he was happy without her. Nothing could make her happy without him! Nothing! He was selfish. So men are.
Virginia Woolf (Mrs. Dalloway)
A girl is coming down the staircase opposite me. Black-haired, blue-eyed, in a sexy little black dress and black lace mask. She’s a fucking vision. She makes it hard to breathe. But that’s not all. From where I’m standing, now slightly below her, I can see up her dress. There’s a line of red lace showing off the curve of an absolutely perfect ass. A gorgeous blue-eyed, raven-haired woman. A rebel in red lace panties. That’s not a student. That’s trouble. Just my kind of trouble. “Damn.
Nicola Rendell (Professed)
His hands crept down to the bodice of her gown and he began to untie the laces. She gasped at the feel of his hands on such an intimate part of her body. She struggled and tried to shove him away. “What are you doing?” He stepped back and blinked. “What exactly did your mother tell you about what goes on between married couples behind closed doors?” She shuddered and pulled the fabric of the gown tight around her bodice. “She said you would hurt me very badly and that I would bleed.” Her eyes narrowed and her tone grew laced with hostility at such a horrific concept. “She said I must submit to you without complaint.” He cursed and Angelica flinched. “I suppose that explains why you’re an only child. Damn, I hate some of the traditions of this century. To keep a young woman in ignorance of one of the most important facts of life is… is a goddamned outrage!” He ran a hand through his hair and sat on the bed. “Sit down with me, Angel. You’re shaking so hard that I am afraid you will topple over to the floor.
Brooklyn Ann (Bite Me, Your Grace (Scandals with Bite, #1))
Sophia had been hard pressed not to laugh when MacLean had tripped over one of the floorboards she and Angus had pried loose. Better yet, MacLean had ripped his lace-edged sleeve on a broken nail in the doorframe of his bedchamber. She knew because she'd heard his loud curse from the hallway. Sophia had expected him to roar at the servants and demand things be repaired, but all he did was ask Angus for a hammer to protect himself from the loose boards and stray nails that seemed to plague MacFarlane House. To Sophia's delight, Angus had gloomily replied that there weren't enough hammers in the whole of Scotland to do that. Since Angus had left MacLean in his bedchamber, they hadn't heard a word from him. Perhaps the man was sleeping, although how could anyone sleep in such a damp room and with such a lumpy mattress and smoky chimney? More likely, he was awake and seething at being forced to endure such horrid conditions. She wished she had been there to witness his reaction to the threadbare furniture with broken springs and flat cushions, the inadequate bed coverings for the chilly chamber (it faced north, where the wind was fiercest), a window that was nailed slightly open, and more.
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
Not forever,” he said onto my mouth. And though I knew it was a lie, I put my arms around his neck and kissed him. He pulled me onto his lap, holding me tightly against him as his lips parted mine. I became aware of every pore in my body when his tongue entered my mouth. Though the horror of Rhysand’s magic still tore at me, I pushed Tamlin onto the bed, straddling him, pinning him as if it would somehow keep me from leaving, as if it would make time stop entirely. His hands rested on my hips, and their heat singed me through the thin silk of my nightgown. My hair fell around our faces like a curtain. I couldn’t kiss him fast enough, hard enough to express the rushing need within me. He growled softly and deftly flipped us over, spreading me beneath him as he wrenched his lips from my mouth and made a trail of kisses down my neck. My entire world constricted to the touch of his lips on my skin. Everything beyond them, beyond him, was a void of darkness and moonlight. My back arched as he reached the spot he’d once bitten, and I dragged my hands through his hair, savoring the silken smoothness. He traced the arc of my hipbones, lingering at the edge of my undergarments. My nightgown had become hitched around my waist, but I didn’t care. I hooked my bare legs around his, running my feet down the hard muscles of his calves. He breathed my name onto my chest, one of his hands exploring the plane of my torso, rising up to the slope of my breast. I trembled, anticipating the feel of his hand there, and his mouth found mine again as his fingers stopped just below. His kissing was slower this time—gentler. The fingertips of his other hand slipped beneath the waist of my undergarment, and I sucked in a breath. He hesitated at the sound, pulling back slightly. But I bit his lip in a silent command that had him growling into my mouth. With one long claw, he shredded through silk and lace, and my undergarment fell away in pieces. The claw retracted, and his kiss deepened as his fingers slid between my legs, coaxing and teasing. I ground against his hand, yielding completely to the writhing wildness that had roared alive inside me, and breathed his name onto his skin. He paused again—his fingers retracting—but I grabbed him, pulling him farther on top of me. I wanted him now—I wanted the barriers of our clothing to vanish, I wanted to taste his sweat, wanted to become full of him.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
It’s a work kid, a fucking lie. Our business is built on bullshit, every square inch of it. Call it deception, call it untruth, call it what you will. It is what it is. A work a dirty downright stinking fucking work. And whether it’s the dumb marks who pay to see this shit, or the dumb fucks who lace up every night to do it, they're all fair game, each and every one of em; suckers born to be fleeced for all their worth Anyone who says otherwise is probably working you twice as hard as I am. But hey, you already knew that, didn’t you? Welcome to the beast, that is, pro wrestling kid. Harvey Wallbanger Wrestling Promoter Extraordinaire
Stevie Pearson (Real in Memphis: A Tale of Territory, Treachery and Turbulence)
You have asked too many questions. If you want more, you will have to win them.” He showed no sign of distraction now. As they played, he ignored her attempts to provoke him or make him laugh. “I’ve seen your tricks on others,” he said. “They won’t work with me.” He won. Kestrel waited, nervous, and wondered if the way she felt was how he felt when he lost. His voice came haltingly. “Will you play for me?” “Play for you?” Arin winced. In a more determined tone, he said, “Yes. Something I choose.” “I don’t mind. It’s only…people rarely ask.” He stood from the table, searched the shelves along the wall, and returned with a sheaf of sheet music. She took it. “It’s for the flute,” he said. “It will probably take you time to transpose it for the piano. I can wait. Maybe after our next game--” She fanned the paper impatiently to silence him. “It’s not that hard.” He nodded, then sat in the chair farthest away from the piano, by the glass garden doors. Kestrel was glad for his distance. She settled on the piano’s bench, flipping through the sheet music. The title and notations were in Herrani, the page yellow with age. She propped the paper on the piano’s rack, taking more time than necessary to neaten the sheets. Excitement coursed through her fingers as if she had already plunged her hands into the music, but that feeling was edged with a metallic lace of fear.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
What are you doing here?" "I wanted to be with you when you awoke." He lifted one black brow in a look of clear disbelief. "I find that difficult to believe, madam, considering your eagerness to flee my presence earlier." Rhianna lifted her chin, determined to make him understand. "It wasn't you I was running from." "Indeed? Need I remind you there was no one else in the room?" "It was the room I was running from, my lord, not you." He regarded her a moment, then glanced over his shoulder into the room behind him. "What was it that frightened you?" he asked, his voice heavily laced with sarcasm. "The bed? The armoire?" His gaze was hard and cold as it met hers again. "The table, perhaps?
Amanda Ashley (A Darker Dream)
I pick up the paper and sink into a chair, gripping the photo so tight it crinkles. Felicity Ambrose. Even her name sounds like it fits in a world of people like the Harrises. With the elegant lace on her dress, the elbow-length gloves, the sparkling pins in her hair…I scan the article for the word “engagement” or “betrothal,” but it only mentions that they attended a dinner event together yesterday evening. I sniff hard and chuck the paper back onto the table. So what if he ends up engaged to her? It’s not like there could have been a possibility of something happening with me. I’m a nobody from nowhere who wears the same old stained dress day after day and vomits into umbrella stands.
Jessica S. Olson (A Forgery of Roses)
That was the moment Anna felt something inside her trip and fall, something come clean away from all the snares and traps and tangles of the propriety in which she’d been steeped all these years. And as he began to move, she pressed into him as he had shown her, looked up at him from beneath her lashes as he’d directed, and said, in a purring voice, “My, my, sir, how well you move us about the dance floor! One can’t help but wonder if you move as well in other, more intimate circumstances,” she said, and let her lips stretch into a soft smile. It worked. Grif’s grin faded; he slowed his step a little and blinked down at her for a moment. But that dangerous smile slowly appeared again, starting in his eyes and casually reaching his lips. “If ye were to pose such a question to me, lass, I’d say, ‘As fast or as slow, as soft or as hard as ye’d want, leannan. Pray tell, how would ye want?’” The tingling in her groin was a signal that she was on perilous ground. Anna looked into his green eyes, so dark and so deep that she couldn’t quite determine if this was a game they were playing or something far more dangerous. And her good sense, shaped and controlled from years of living among high society, quietly shut down, allowing the real Anna, the Anna who yearned to be loved, to be held and caressed and adored and know all manner of physical pleasure, to slide deeper into the circle of his arms. “I don’t rightly know how I’d want, sir, other than to say…” Her voice trailed away as she let her gaze roam his face, the perfectly tied neckcloth, the breadth of his shoulders, his thick arms. And then she lifted her gaze to his, saw something smoldering there, and recklessly whispered, “… that I’d most definitely want.” He said nothing. The muscles in his jaw bulged as if he refrained from speaking, and she realized that they had come to a halt. But then his hand spread beneath hers, his palm pressed to her palm, and he laced his fingers between hers, one by one, and with the last one, he closed his hand, gripping hers tightly. “Tha sin glè mhath,” he whispered hoarsely. Anna smiled, lifted a curious brow. “I said, that’s very good, lass. Very good indeed
Julia London (Highlander in Disguise (Lockhart Family #2))
Herzog nodded. Once more he was being lectured. And he didn’t really mind it. That he needed straightening out was only too obvious. And who had more right than a woman who gave him asylum, shrimp, wine, music, flowers, sympathy, gave him room, so to speak, in her soul, and finally the embrace of her body? We must help one another. In this irrational world, where mercy, compassion, heart (even if a little fringed with self-interest), all rare things—hard-won in many human battles fought by rare minorities, victories whose results should never be taken for granted, for they were seldom reliable in anyone—rare things, were often debunked, renounced, repudiated by every generation of skeptics. Reason itself, logic, urged you to kneel and give thanks for every small sign of true kindness. The music played. Surrounded by summer flowers and articles of beauty, even luxury, under the soft green lamp, Ramona spoke to him earnestly—he looked affectionately at her warm face, its ripe color. Beyond, hot New York; an illuminated night which did not need the power of the moon. The Oriental rug and its flowing designs held out the hope that great perplexities might be resolved. He held Ramona’s soft cool arm in his fingers. His shirt was open on his chest. He was smiling, nodding a little as he listened to her. Much of what she said was perfectly right. She was a clever woman and, even better, a dear woman. She had a good heart. And she had on black lace underpants. He knew she did.
Saul Bellow (Herzog)
Tchitcherine will reach the Kirghiz Light, but not his birth. He is no aqyn, and his heart was never ready. He will see It just before dawn. He will spend 12 hours then, face-up on the desert, a prehistoric city greater than Babylon lying in stifled mineral sleep a kilometer below his back, as the shadow of the tall rock, rising to a point, dances west to east and Dzaqyp Qulan tends him, anxious as a child and doll, and drying foam laces the necks of the two horses. But someday, like the mountains, like the young exiled women in their certain love, in their innocence of him, like the morning earthquakes and the cloud-driving wind, a purge, a war, and millions after millions of osuls gone behind him, he will hardly be able to remember It.
Thomas Pynchon
Well, I've seen porn!" Evan defends and Dan just looks at him. "Okay, captain Pornie, walk me through it," Dan challenges. "I'll be the pizza guy, and Jeff can be the plumber. You can be... hey, why don't you be the high-powered young executive?" Evan grins at him with a glint in his eye. "Okay, fine." He laces his fingers together and flexes them in front of him as if he's warming up. He sits back in chair and his eyes focus on the eaves of Jeff's roof then begins. "The young executive come home after a hard day... [five pages of detailed porn] "...and all fall asleep together on the executives huge bed. The End." Evan is pretty clearly proud of himself, and Dan really blame him. After an appreciative silence, Dan says, "Okay, yeah, so maybe there's some merit to the whole threesome thing.
Kate Sherwood (Dark Horse (Dark Horse, #1))
We were both seniors in college when we learned she had cancer. By then we weren’t at St. Thomas anymore. We’d both transferred to the University of Minnesota after that first year—she to the Duluth campus, I to the one in Minneapolis—and, much to our amusement, we shared a major. She was double majoring in women’s studies and history, I in women’s studies and English. At night, we’d talk for an hour on the phone. I was married by then, to a good man named Paul. I’d married him in the woods on our land, wearing a white satin and lace dress my mother had sewn. After she got sick, I folded my life down. I told Paul not to count on me. I would have to come and go according to my mother’s needs. I wanted to quit school, but my mother ordered me not to, begging me, no matter what happened, to get my degree. She herself took what she called a break. She only needed to complete a couple more classes to graduate, and she would, she told me. She would get her BA if it killed her, she said, and we laughed and then looked at each other darkly. She’d do the work from her bed. She’d tell me what to type and I’d type it. She would be strong enough to start in on those last two classes soon, she absolutely knew. I stayed in school, though I convinced my professors to allow me to be in class only two days each week. As soon as those two days were over, I raced home to be with my mother. Unlike Leif and Karen, who could hardly bear to be in our mother’s presence once she got sick, I couldn’t bear to be away from her. Plus, I was needed. Eddie was with her when he could be, but he had to work. Someone had to pay the bills.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
In the city I never hid in bathrooms; I didn’t like them, they were too hard and white. The only city place I can remember hiding is behind opened doors at birthday parties. I despised them, the pew-purple velvet dresses with antimacassar lace collars and the presents, voices going Oooo with envy when they were opened, and the pointless games, finding a thimble or memorizing clutter on a tray. There were only two things you could be, a winner or a loser; the mothers tried to rig it so everyone got a prize, but they couldn’t figure out what to do about me since I wouldn’t play. At first I ran away, but after that my mother said I had to go, I had to learn to be polite; “civilized,” she called it. So I watched from behind the door. When I finally joined in a game of Musical Chairs I was welcomed with triumph, like a religious convert or a political defector.
Margaret Atwood (Surfacing)
Now come here—you’re in Sylvan’s seat and he’ll be out in a minute.” “What?” she looked at him in disbelief as he patted his lap. “I can’t possibly…” “There are only two seats, one for you and me and one for Sylvan.” He frowned at her. “I’ll scrunch down in the back.” Liv got up and began to hop her way to the back of the ship but Baird stopped her by taking her upper arm and pulling her into his lap. “You’re my bride and you’ll sit with me.” Muscular arms enclosed her, safer than any seat belt, and he drew her close until she could feel the warm, hard planes of his chest through the thin lace of her baby doll nighty. “Let me go!” She twisted in his arms but he only held her tighter, pulling her down hard so that she could feel the rigid lump of his shaft growing under her ass. “Struggle as much as you want, you’re not goin’ anywhere,” he growled in her ear. Liv
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
Got you all hot and bothered, did I?” He sneered. “Exactly as you intended.” “Well, in a few hours, we can fuck until we’re both limp and exhausted,” she promised, giving him an exaggerated leer. Kent wrapped an arm around her waist and pulled her barely clothed body back against him. “I’m not waiting for a few hours,” he countered huskily, his mouth against the side of her throat and the vibrations making her shiver. She shook her head, although she’d felt tingling pleasure between her legs at his words. “You’ll have to. I’m all fixed up and pretty now and you’re not going to get me sweaty and mess up my makeup before everyone arrives.” His other arm went around her too and his hands moved up to cup her breasts over the lace of her bra. Then his pelvis pushed into the top of her ass and she felt the hard evidence of his arousal. “I won’t mess up your makeup.
Zannie Adams (Renaissance)
So, my dear…” She faced him with thudding heart, the crystal piece clutched desperately in her hand, but she was hardly aware that she even held it. “… You say I have let another man into my bed.” Erienne opened her mouth to speak. Her first impulse was to chatter some inanity that could magically take the edge from his callous half statement, half question. No great enlightenment dawned, however, and her dry, parched throat issued no sound of its own. She inspected the stopper closely, turning it slowly in her hand rather than meet the accusing stare. From behind the mask, Lord Saxton observed his wife closely, well aware that the next moments would form the basis for the rest of his life or leave it an empty husk. After this, there could be no turning back. “I think, my dear,” his words made her start, “that whatever the cost, ’tis time you met the beast of Saxton Hall.” Erienne swallowed hard and clasped the stopper with whitened knuckles, as if to draw some bit of courage from the crystal piece. As she watched, Lord Saxton doffed his coat, waistcoat, and stock, and she wondered if it was a trick of her imagination that he seemed somewhat lighter of frame. After their removal, he caught the heel of his right boot over the toe of the left and slowly drew the heavy, misshapen encumbrance from his foot. She frowned in open bemusement, unable to detect a flaw. He flexed the leg a moment before slipping off the other boot. His movements seemed pained as he shed the gloves, and Erienne’s eyes fastened on the long, tan, unscarred hands that rose to the mask and, with deliberate movements, flipped the lacings loose. She half turned, dropping the stopper and colliding with the desk as he reached to the other side of the leather helm and lifted it away with a single motion. She braved a quick glance and gasped in astonishment when she found translucent eyes calmly smiling at her. “Christopher! What…?” She could not form a question, though her mind raced in a frantic search for logic. He rose from the chair with an effort. “Christopher Stuart Saxton, lord of Saxton Hall.” His voice no longer bore a hint of a rasp. “Your servant, my lady.” “But… but where is…?” The truth was only just beginning to dawn on her, and the name she spoke sounded small and thin. “… Stuart?” “One and the same, madam.” He stepped near, and those translucent eyes commanded her attention. “Look at me, Erienne. Look very closely.” He towered over her, and his lean, hard face bore no hint of humor. “And tell me again if you think I would ever allow another man in your bed while I yet breathe.” -Christopher & Erienne
Kathleen E. Woodiwiss (A Rose in Winter)
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Yūto Tsukuda (食戟のソーマ 29 [Shokugeki no Souma 29] (Food Wars: Shokugeki no Soma, #29))
The wine must have eradicated every last atom of common sense I possessed, because I reached up to give him a hug in the same way I would have done with Tom or one of Dane’s other friends. A buddy hug. But every nerve from head to toe screamed “Mistake!” as soon as the front of my body met his, adhering like wet cottonwood leaves. Jack’s arms went around me, clasping me against a wall of muscle, and he was so big and warm, and it felt so scary-good that I stiffened all over. The hot drift of his breath against my cheek made my heartbeat go crazy, and instant arousal filled the space between every thump. I gasped, ducking away, my face crammed against his shoulder. “Jack . . .” I could hardly speak. “I wasn’t making a pass at you.” “I know.” One hand slid to the back of my head, fingers lacing through the silky-fine locks. Gripping gently, he guided me to look at him. “It’s not at all your fault that I’m taking it that way.” -Ella & Jack
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
Esme reaches out and laces both her hands round one of Iris’s. ‘You have come to take me away,’ she says, in an urgent voice. ‘That is why you are here.’ Iris studies her face. Esme looks nothing like her grandmother. Can it really be possible that she and this woman are related? ‘Esme, I didn’t even know you existed until yesterday. I’d never even heard your name before. I would like to help you, I really would—’ ‘Is that why you are here? Tell me yes or no.’ ‘I will help you all I can—’ ‘Yes or no,’ Esme repeats. Iris swallows hard. ‘No,’ she says, ‘I can’t. I . . . I haven’t had the chance to—’ But Esme is withdrawing her hands, turning her head away from her. And something about her changes, and Iris has to hold her breath because she has seen something passing over the woman’s face, like a shadow cast on water. Iris stares, long after the impression has gone, long after Esme has got up and crossed the room and disappeared through one of the doors. Iris cannot believe it. In Esme’s face, for a moment, she saw her father’s.
Maggie O'Farrell (The Vanishing Act of Esme Lennox)
Take off your clothes. Better yet, I’ll do it.” “Oh, no!” She stepped back quickly in alarm, which prompted a swift frown from him. It vanished when Rycca said, “I saw how you manhandled that tunic. You aren’t about to do the same to this gown. Just wait a moment . . .” Even as she spoke, she deftly undid the laces down the side of the garment and lifted it carefully but quickly over her head. Her husband was in a mood, ridden by tension she could not understand. She wanted to placate him, yet she also wished to surrender to the urges he so effortlessly unleashed within her. Naked save for the gauzy chemise that hid nothing from his eyes, she stood before him, her head lifted proudly to conceal the quivering she felt within. She gloried in his gaze, hot and potent, raking over her. But when he reached for her, she stepped back again. “I ask a boon, lord.” She had never asked him for anything—save freedom and that he could not give. Caught, knowing he could hardly refuse, Dragon rasped, “What?” He had not meant to be so curt but speech was almost beyond him. He wanted her with a desperation he had never felt before save every time he lay with her, and even then he usually managed to maintain some semblance of control. Not now. He burned, his body drawn bow-taut. If he did not sheathe himself soon within his wife’s silken depths . . . She looked at him directly, her eyes wide and candid. “All day I have wanted to . . . touch you.” His dark brows rose. “All day?” Well, that was certainly pleasing but it didn’t make his condition any easier to bear. Harshly, he said, “You don’t have to ask permission to touch me.” She shrugged her lovely, almost bare shoulders. “I know, but under the circumstances . . .” Her gaze drifted down his body, rather pointedly, he thought. Which definitely did not help matters at all. “You can touch me later,” he said and reached for her again. She pressed her palms against his chest, tossed back her gleaming hair, and laughed. Really, he was going to die from this. “Just a little now . . . please?” Dragon squeezed his eyes shut and reached deep down inside himself for the control that was so intrinsic a part of his warrior’s nature. It had to be in there somewhere. Any moment now he’d stumble across it.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
Soames screwed up his eyes; he seemed to see them sitting there. Ah! and the atmosphere—even now, of too many stuffs and washed lace curtains, lavender in bags, and dried bees’ wings. ‘No,’ he thought, ‘there’s nothing like it left; it ought to be preserved.’ And, by George, they might laugh at it, but for a standard of gentle life never departed from, for fastidiousness of skin and eye and nose and feeling, it beat to-day hollow—to-day with its Tubes and cars, its perpetual smoking, its cross-legged, bare-necked girls visible up to the knees and down to the waist if you took the trouble (agreeable to the satyr within each Forsyte but hardly his idea of a lady), with their feet, too, screwed round the legs of their chairs while they ate, and their “So longs,” and their “Old Beans,” and their laughter—girls who gave him the shudders whenever he thought of Fleur in contact with them; and the hard-eyed, capable, older women who managed life and gave him the shudders too. No! his old aunts, if they never opened their minds, their eyes, or very much their windows, at least had manners, and a standard, and reverence for past and future.
John Galsworthy (The Forsyte Saga (The Forsyte Chronicles, #1-3))
For she could stand it no longer. Dr Holmes might say there was nothing the matter. Far rather would she that he were dead! She could not sit beside him when he stared so and did not see her and made everything terrible; sky and tree, children playing, dragging carts, blowing whistles, falling down; all were terrible. And he would not kill himself; and she could tell no one. 'Septimus has been working too hard--that was all she could say to her own mother. To love makes one solitary, she thought. She could tell nobody, not even septimus now, and looking back, she saw him sitting in his shabby overcoat alone, on the seat, hunched up, staring. And it was cowardly for a man to say he would kill himself, but Septimus had fought; he was brave; he was not Septimus now. She put on her lace collar. She put on her new hat and he never noticed; and he was happy without her. Nothing could make her happy without him! Nothing! He was selfish. So men are. For he was not ill. Dr Holmes said there was nothing the matter with him. She spread her hand before her. Look! Her wedding ring slipped--she had grown so thin. It was she who suffered--but she had nobody to tell.
Virginia Woolf (Mrs Dalloway)
For she could stand it no longer. Dr Holmes might say there was nothing the matter. Far rather would she that he were dead! She could not sit beside him when he stared so and did not see her and made everything terrible; sky and tree, children playing, dragging carts, blowing whistles, falling down; all were terrible. And he would not kill himself; and she could tell no one. 'Septimus has been working too hard'--that was all she could say to her own mother. To love makes one solitary, she thought. She could tell nobody, not even Septimus now, and looking back, she saw him sitting in his shabby overcoat alone, on the seat, hunched up, staring. And it was cowardly for a man to say he would kill himself, but Septimus had fought; he was brave; he was not Septimus now. She put on her lace collar. She put on her new hat and he never noticed; and he was happy without her. Nothing could make her happy without him! Nothing! He was selfish. So men are. For he was not ill. Dr Holmes said there was nothing the matter with him. She spread her hand before her. Look! Her wedding ring slipped--she had grown so thin. It was she who suffered--but she had nobody to tell.
Virginia Woolf (Mrs. Dalloway)
The rain-sifted light was weaker now, coming in through the transom windows in pallid silver and dark rainbow dapples. Through heavy-lidded eyes, she watched the play of muted color and shadow across Tom's shirt. Eventually, his long-boned, eloquent hands slid up over her knees and beneath the legs of her drawers. He untied her white lace garters and rolled her silk stockings down into neat circles. After dropping them to the floor, he unfastened his shirt and discarded it, taking his time, letting her look her fill. His body was beautiful, built with the long, efficient lines of a rapier, every inch wrought with tough muscle. A light furring of hair covered his chest and narrowed down toward his midriff. Cassandra sat up on the mattress and touched the black fleece, her fingertips as shy and fleet as a hummingbird in flight. Still standing by the side of the bed, Tom reached out to gather her against his chest. Cassandra shivered at the feel of being surrounded by so much bare skin and body hair, so much hardness. "Did you ever imagine we would be doing this?" she said in a wondering tone. "Sweet darling... I imagined it about ten seconds after we met, and I haven't stopped since.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
She tried to make herself relax, drawing a fanciful image of sunlight streaming around him. That, however, made the four Cryptics start humming in excitement. “Could you all step back and give me more room?” Shallan asked the creatures. They didn’t cock their heads like humans might have, but she could sense confusion in the way their patterns sped up. Then, as if one, all four took exactly one step backward. They then proceeded to lean in even closer. Shallan sighed, and as she kept drawing, she got Ua’pam’s arm wrong. Spren were hard, because they didn’t quite have human proportions. The Cryptics started humming with excitement. “That’s not a lie!” Shallan said, reaching for her eraser. “It’s a mistake, you nitwits.” “Mmmm…” Ornament said. Beryl’s Cryptic had a fine pattern, delicate like lace, and a squeaky voice. “Nitwit! I am a nitwit. Mmmm.” “A nitwit is a stupid person or spren,” Pattern explained. “But she said it in an endearing way!” “Stupidly endearing!” Mosaic said. She was Vathah’s Cryptic, and her pattern had sharp lines to it. She often included rapid fast sections that waved like the women’s script. “Contradiction! Wonderful and blessed contradiction of nonsense and human complication to be alive!
Brandon Sanderson (Rhythm of War (The Stormlight Archive, #4))
If loneliness or sadness or happiness could be expressed through food, loneliness would be basil. It’s not good for your stomach, dims your eyes, and turns your mind murky. If you pound basil and place a stone over it, scorpions swarm toward it. Happiness is saffron, from the crocus that blooms in the spring. Even if you add just a pinch to a dish, it adds an intense taste and a lingering scent. You can find it anywhere but you can’t get it at any time of the year. It’s good for your heart, and if you drop a little bit in your wine, you instantly become drunk from its heady perfume. The best saffron crumbles at the touch and instantaneously emits its fragrance. Sadness is a knobby cucumber, whose aroma you can detect from far away. It’s tough and hard to digest and makes you fall ill with a high fever. It’s porous, excellent at absorption, and sponges up spices, guaranteeing a lengthy period of preservation. Pickles are the best food you can make from cucumbers. You boil vinegar and pour it over the cucumbers, then season with salt and pepper. You enclose them in a sterilized glass jar, seal it, and store it in a dark and dry place. WON’S KITCHEN. I take off the sign hanging by the first-floor entryway. He designed it by hand and silk-screened it onto a metal plate. Early in the morning on the day of the opening party for the cooking school, he had me hang the sign myself. I was meaning to give it a really special name, he said, grinning, flashing his white teeth, but I thought Jeong Ji-won was the most special name in the world. He called my name again: Hey, Ji-won. He walked around the house calling my name over and over, mischievously — as if he were an Eskimo who believed that the soul became imprinted in the name when it was called — while I fried an egg, cautiously sprinkling grated Emmentaler, salt, pepper, taking care not to pop the yolk. I spread the white sun-dried tablecloth on the coffee table and set it with the fried egg, unsalted butter, blueberry jam, and a baguette I’d toasted in the oven. It was our favorite breakfast: simple, warm, sweet. As was his habit, he spread a thick layer of butter and jam on his baguette and dunked it into his coffee, and I plunked into my cup the teaspoon laced with jam, waiting for the sticky sweetness to melt into the hot, dark coffee. I still remember the sugary jam infusing the last drop of coffee and the moist crumbs of the baguette lingering at the roof of my mouth. And also his words, informing me that he wanted to design a new house that would contain the cooking school, his office, and our bedroom. Instead of replying, I picked up a firm red radish, sparkling with droplets of water, dabbed a little butter on it, dipped it in salt, and stuck it into my mouth. A crunch resonated from my mouth. Hoping the crunch sounded like, Yes, someday, I continued to eat it. Was that the reason I equated a fresh red radish with sprouting green tops, as small as a miniature apple, with the taste of love? But if I cut into it crosswise like an apple, I wouldn't find the constellation of seeds.
Kyung-ran Jo (Tongue)
Blues Elizabeth Alexander, 1962 I am lazy, the laziest girl in the world. I sleep during the day when I want to, ‘til my face is creased and swollen, ‘til my lips are dry and hot. I eat as I please: cookies and milk after lunch, butter and sour cream on my baked potato, foods that slothful people eat, that turn yellow and opaque beneath the skin. Sometimes come dinnertime Sunday I am still in my nightgown, the one with the lace trim listing because I have not mended it. Many days I do not exercise, only consider it, then rub my curdy belly and lie down. Even my poems are lazy. I use syllabics instead of iambs, prefer slant to the gong of full rhyme, write briefly while others go for pages. And yesterday, for example, I did not work at all! I got in my car and I drove to factory outlet stores, purchased stockings and panties and socks with my father’s money. To think, in childhood I missed only one day of school per year. I went to ballet class four days a week at four-forty-five and on Saturdays, beginning always with plie, ending with curtsy. To think, I knew only industry, the industry of my race and of immigrants, the radio tuned always to the station that said, Line up your summer job months in advance. Work hard and do not shame your family, who worked hard to give you what you have. There is no sin but sloth. Burn to a wick and keep moving. I avoided sleep for years, up at night replaying evening news stories about nearby jailbreaks, fat people who ate fried chicken and woke up dead. In sleep I am looking for poems in the shape of open V’s of birds flying in formation, or open arms saying, I forgive you, all.
Elizabeth Alexander
She retrieved the beads she had dropped from under the sewing tables, and strung them again. She made and painted more beads, added the slimerod cores she had dried, the seed pods of this plant, tufts of long hair from cows’ tails caught in brush… she wasn’t sure what she was making, only that she liked the patterns of chunky things and thin ones, color and texture and line. When she put the construction on her body, she realized it needed a bit more here — another length of beads — and something else there to balance the weight and keep it from slipping off her shoulders. She looked in the mirror. Odd how seldom she’d done that, not since before the other landing. She had not wanted to see her expression; she had been afraid that she might frighten herself. But now the figure in the mirror hardly looked human. She stared. She felt the same — mostly the same — and in the mirror her own face scowled at her, the familiar scowl with which she had always greeted her mirror-self. Her eyebrows were thinner and whiter; her white hair a tousled bush of silver. But the inner self that had been so intent on stringing beads and feathers and wool and cows’ hair and seedpods, that had been so sure where to lace this string to that, and how to hang the tassels — that self had not imagined how she would look in anything but the old drab workshirts and skirts and bonnets of earlier years. Indecent, the old voice said. Amazing, the new voice said, with approval. Her body was old, wrinkled, sagging, splotched with the wear-marks of nearly eighty years… but hanging on it in weblike patterns were the brilliant colors and textures of her creation.
Elizabeth Moon (Remnant Population)
It's hard to form a lasting connection when your permanent address is an eight-inch mailbox in the UPS store. Still,as I inch my way closer, I can't help the way my breath hitches, the way my insides thrum and swirl. And when he turns,flashing me that slow, languorous smile that's about to make him world famous,his eyes meeting mine when he says, "Hey,Daire-Happy Sweet Sixteen," I can't help but think of the millions of girls who would do just about anything to stand in my pointy blue babouches. I return the smile, flick a little wave of my hand, then bury it in the side pocket of the olive-green army jacket I always wear. Pretending not to notice the way his gaze roams over me, straying from my waist-length brown hair peeking out from my scarf, to the tie-dyed tank top that clings under my jacket,to the skinny dark denim jeans,all the way down to the brand-new slippers I wear on my feet. "Nice." He places his foot beside mine, providing me with a view of the his-and-hers version of the very same shoe. Laughing when he adds, "Maybe we can start a trend when we head back to the States.What do you think?" We. There is no we. I know it.He knows it.And it bugs me that he tries to pretend otherwise. The cameras stopped rolling hours ago, and yet here he is,still playing a role. Acting as though our brief, on-location hookup means something more. Acting like we won't really end long before our passports are stamped RETURN. And that's all it takes for those annoyingly soft girly feelings to vanish as quickly as a flame in the rain. Allowing the Daire I know,the Daire I've honed myself to be, to stand in her palce. "Doubtful." I smirk,kicking his shoe with mine.A little harder then necessary, but then again,he deserves it for thinking I'm lame enough to fall for his act. "So,what do you say-food? I'm dying for one of those beef brochettes,maybe even a sausage one too.Oh-and some fries would be good!" I make for the food stalls,but Vane has another idea. His hand reaches for mine,fingers entwining until they're laced nice and tight. "In a minute," he says,pulling me so close my hip bumps against his. "I thought we might do something special-in honor of your birthday and all.What do you think about matching tattoos?" I gape.Surely he's joking. "Yeah,you know,mehndi. Nothing permanent.Still,I thought it could be kinda cool." He arcs his left brow in his trademark Vane Wick wau,and I have to fight not to frown in return. Nothing permanent. That's my theme song-my mission statement,if you will. Still,mehndi's not quite the same as a press-on. It has its own life span. One that will linger long after Vane's studio-financed, private jet lifts him high into the sky and right out of my life. Though I don't mention any of that, instead I just say, "You know the director will kill you if you show up on set tomorrow covered in henna." Vane shrugs. Shrugs in a way I've seen too many times, on too many young actors before him.He's in full-on star-power mode.Think he's indispensable. That he's the only seventeen-year-old guy with a hint of talent,golden skin, wavy blond hair, and piercing blue eyes that can light up a screen and make the girls (and most of their moms) swoon. It's a dangerous way to see yourself-especially when you make your living in Hollywood. It's the kind of thinking that leads straight to multiple rehab stints, trashy reality TV shows, desperate ghostwritten memoirs, and low-budget movies that go straight to DVD.
Alyson Noel (Fated (Soul Seekers, #1))
I flip the lock back in place and turn, hitting a concrete wall of a man. “What’s he made of? Concrete and sex?” I whisper into the phone like the man in front of me can’t hear me. “Good, he’s already there,” I hear Elle say as my eyes travel up and up an endless span of chest. Up, up, up, until my eyes finally land on a hard face with a clenched jaw. He’s hot in that oh-my-God-he-could-crush-me way. Wait, is that hot? “Listen here, Hulk. You can take your incredible body and vacate my home. I won’t be needing your services.” “I’m standing in the middle of your apartment, and you didn't so much as scream. This is despite you knowing someone has been stalking you. I could have been that someone. Fuck. I could be that someone.” I snort and roll my eyes. “Yeah right, Hulk-man.” I pat him on the chest before resting my hand there. I start to rub. I only meant to do a quick pat, but now I can’t seem to remove my hand. I like the feel of him. I don’t think I’ve ever liked the feel of a man before. I don’t think I’ve ever had the urge to touch one before. “You think I couldn’t hurt you?” He grabs my wrist, pulling it away from his chest. The action makes me frown. Oh, I know he could hurt me, but someone like him would never stalk me. That just didn’t add up to me. If anything, I’d end up stalking him. “Oh, I’m sure you could Hulk smash me.” Now that I’m not touching him, I bring my other hand up to his chest and continue doing what I was doing before, but he just grabs that wrist, too. “Then why aren’t you worried?” His words are hard and laced with anger. So unlike the soft hold he has on my wrist. I could easily pull away with one good tug. Maybe. “Someone like you wouldn’t stalk me.In fact, I don’t see anyone stalking me. There has to be a mi...” His mouth hits mine, cutting off my words. He gives a little tug on my wrist, and I fall into him, gasping when I feel his erection press into me. He takes the opening and pushes his tongue into my mouth. I let my eyes close as he devours me. My body feels like I’m buzzing. I push further into him, wanting to be closer. I deepen the kiss. He goes to pull back, but I wrap my hands around his neck, not even noticing that I’m eye level with him and that my feet are no longer on the floor as I pull him back to me. I move against him, needing the friction. His cock is settled against my core, and I move my hips against him, taking what I want. What I need. Everything else is forgotten, my mind just shuts off. He growls into my mouth, and I swear the sound vibrates through my whole body and goes straight to where I need it. My body explodes. A moan falls from my lips as I finally pull them from his. I let my head drop back and enjoy the sensations rocking through my whole body. I feel like I’m floating. When I finally come back down, I realize I kind of am. My legs are wrapped around his waist and I’ve somehow ended up with my back to a wall. I feel his tongue come out and lick my neck, making my body jerk. “I wanna do that again,” I say lazily. I think I could do that over and over again. “Your place isn’t secure. Come to mine and I’ll do it over and over again.” “Mmkay,” is all I say. I’d probably go anywhere he asked me at the moment. “Holy shit.” I roll my head to the side and see my sister standing in the doorway. A man stands beside her with a shocked looked on his face, mirroring Elle’s expression. I’m guessing that’s her guard. “I’m keeping this one,” I say, locking my arms around him, not wanting to do a trade. “Fuck,” Hart says, placing me on the floor. I regretfully let my arms fall from around his neck. He steps in front of me, blocking my view of my sister and the other man. “I don’t think you should be her guard, Hart,” I hear the other man say. His words make my heart drop. “I’m moving in with him,” I retort, popping my head out from behind him. Elle giggles.
Alexa Riley (Guarding His Obsession)
Miss Sydney, there is just one more thing." Sophia paused before leaving. "Yes, sir?" He reached for her, his hand sliding around the back of her neck. Sophia was too startled to move or breathe, her entire body stiffening as his head lowered to hers. He touched her only with his lips and with his hand at her nape, but she was as helpless as if she had been bound to him with iron chains. There had been no time to prepare herself... she was defenseless and stunned, unable to withhold her response. At first his lips were gentle, exquisitely careful, as if he feared bruising her. Then he coaxed her to give him more, his mouth settling more firmly on hers. The taste of him, his intimate flavor laced with the hint of coffee, affected her like a drug. The tip of his tongue slid past her teeth in silken exploration. He tasted the interior of her mouth, stroked the slick insides of her cheeks. Anthony had never kissed her like this, feeding her rising passion as if he were layering kindling on a blaze. Devastated by his skill, Sophia swayed dizzily and clutched his hard neck. Oh, if only he would hold her tightly and lock her full length against his... but he still touched her only with that one hand, and consumed her mouth with patient hunger. Sensing the force of his passion, held so securely in check, Sophia instinctively sought a way to release it. Her hands fluttered to the sides of his face, stroking the bristle of his cheeks and jaw. Ross made a quiet sound in his throat. Suddenly he took hold of her shoulders and eased her away from his body, ignoring her whimpering protest. Sophia's gaze locked with his in a moment of searing wonder. The stillness was broken only by their panting breaths. No man had ever looked at Sophia that way, as if he could eat her with his gaze, as if he wanted to possess every inch of her body and every flicker of her soul. She was frightened by the power of her response to him, the unmentionable desires that shocked her.
Lisa Kleypas (Lady Sophia's Lover (Bow Street Runners, #2))
No, I wouldn’t, for the smart caps won’t match the plain gowns without any trimming on them. Poor folks shouldn’t rig,” said Jo decidedly. “I wonder if I shall ever be happy enough to have real lace on my clothes and bows on my caps?” said Meg impatiently. “You said the other day that you’d be perfectly happy if you could only go to Annie Moffat’s,” observed Beth in her quiet way. “So I did! Well, I am happy, and I won’t fret, but it does seem as if the more one gets the more one wants, doesn’t it? There now, the trays are ready, and everything in but my ball dress, which I shall leave for Mother to pack,” said Meg, cheering up, as she glanced from the half-filled trunk to the many times pressed and mended white tarlaton, which she called her ‘ball dress’ with an important air. The next day was fine, and Meg departed in style for a fortnight of novelty and pleasure. Mrs. March had consented to the visit rather reluctantly, fearing that Margaret would come back more discontented than she went. But she begged so hard, and Sallie had promised to take good care of her, and a little pleasure seemed so delightful after a winter of irksome work that the mother yielded, and the daughter went to take her first taste of fashionable life. The Moffats were very fashionable, and simple Meg was rather daunted, at first, by the splendor of the house and the elegance of its occupants. But they were kindly people, in spite of the frivolous life they led, and soon put their guest at her ease. Perhaps Meg felt, without understanding why, that they were not particularly cultivated or intelligent people, and that all their gilding could not quite conceal the ordinary material of which they were made. It certainly was agreeable to fare sumptuously, drive in a fine carriage, wear her best frock every day, and do nothing but enjoy herself. It suited her exactly, and soon she began to imitate the manners and conversation of those about her, to put on little airs and graces,
Louisa May Alcott (Little Women)
Nonna tucked each of her hands into the opposite sleeve, a wizened Confucius in a leopard bathrobe. "Michelangleo, he goes. For days and days he stays away from Elisabetta. The other girls, the prettier girls, have hope again. And then, there he goes once more, carrying only his nonno's ugly old glass-his telescope-and a bag of figs. These he lays at her feet. "'I see you,' he tells her. 'Every day for months, I watch. I see you. Where you sit, the sea is calm and dolphins swim near you. I see your mended net looks like a lady's lace. I see you dance in the rain before you run home. I see the jewel mosaic you leave to be scattered and remade again and again, piu bella than gold and pearls. You are piu bella than any other, queen of the sea. "'You do not need silk or pearls. I see that. But they are yours if you wish. I am yours if you wish.If you like what you see.' He gives her the glass. She takes it. Then she asks, 'What about the figs? My bisnonno, he laughs. 'It might take time, your looking to see if you like me. I bring lunch.'" Nonna slapped her knee again, clearly delighted with little Michelangelo's humor. "There is the love story. You like it?" I swallowed another yawn. "Si, Nonna.It's a good story." I couldn't resist. "But...a talking seagull? A dolphin guide? That kinda stretches the truth, dontcha think?" Nonna shrugged. "All truth, not all truth, does it matter? My nonno Guillermo came to Michelangelo and Elisabetta, then my papa Euplio to him, then me, your papa, you." She lowered her feet to the floor. Then pinched my cheek. Hard. Buona notte, bellissima." "Okay,Nonna." I yawned and pulled the white eyelet quilt up.I'd inked abstract swirl-and-dot patterns all over it when I redecorated my room. They're a little optic when I'm that tired. "Buona notte." As I was dozing off,I heard her rummaging in the linen cupboard next to my door. Reorganizing again, I though. She does that when Mom can't see her. They fold things completely different ways.
Melissa Jensen (The Fine Art of Truth or Dare)
How will I choose?” she finally muttered. “Pick something that doesn’t make you look like a slut. That’ll narrow it down,” Bailey said, now frowning at a headless mannequin wearing a tiny wedding dress with a long train. “Oh, and stay away from too much lace. Don’t want to look like someone’s grandma.” A wide-eyed Farah looked at me as I took her hand. “This is fun. We’re going to look at them all and pick our favorites. Then, you’ll try them on and narrow them down. With so many to choose from, you’re sure to find the perfect dress.” “I just don’t want to look like I’m trying too hard.” “You’re an idiot,” Bailey snorted. “Trying too hard to what?” “Look fancy.” “You’re wearing a fucking wedding dress. You’re supposed to look fancy. It’s not like you’re ever getting married again. If things don’t work out with Coop, he’ll never let you go. Nope, you’ll be heading for a shallow grave.” While Farah rolled her eyes, I stared at Bailey who shrugged. “Too honest? “Is that a real question?” Bailey grinned. “What I meant to say was Farah and Cooper are so fucking perfect for each other that they’ll never get divorced, so she should wear the fanciest damn dress she can find. It’s what I would do if I was once dirt poor and now had money.” “Great effort, but you lost a little bit of your fake niceness at the end.” Bailey grinned. “Great effort is still something.” “Yes, it is,” I said, taking Farah’s hand. “Let’s start narrowing things down. I’ll show you a dress and you decide if it’s too poofy or not poofy enough. We’ll eventually hit the right level of poofy.” Farah laughed. “I want a good amount of poofy. It’s rare that a girl can be poofy without looking stupid.” “Maddy will be poofy no matter what she wears,” Bailey said as Maddy entered with Jodi and Sawyer. “I don’t even know how she can get a bridesmaid dress if she’s going to swell up more before the wedding.” Everyone frowned at Bailey who glanced at me then back at Maddy and added, “You’re swelling with the gift of life.” Maddy laughed. “Was that you being nice?” “That was me trying, yes.
Bijou Hunter (Damaged and the Knight (Damaged, #2))
You’re still holding my arm.” “I know.” So this was it, she thought, and struggled to keep her voice. “Should I ask you to let go?” “I wouldn’t bother.” She drew a deep, steadying breath. “All right. What do you want, Roman?” “To get this out of the way, for both of us.” He rose. Her step backward was instinctive, and much more surprising to her than to him. “I don’t think that’s a good idea.” “Neither do I.” With his free hand, he gathered up her hair. It was soft, as he’d known it would be. Thick and full and so soft that his fingers dived in and were lost. “But I’d rather regret something I did than something I didn’t do.” “I’d rather not regret at all.” “Too late.” He heard her suck in her breath as he yanked her against him. “One way or the other, we’ll both have plenty to regret.” He was deliberately rough. He knew how to be gentle, though he rarely put the knowledge into practice. With her, he could have been. Perhaps because he knew that, he shoved aside any desire for tenderness. He wanted to frighten her, to make certain that when he let her go she would run, run away from him, because he wanted so badly for her to run to him. Buried deep in his mind was the hope that he could make her afraid enough, repelled enough, to send him packing. If she did, she would be safe from him, and he from her. He thought he could accomplish it quickly. Then, suddenly, it was impossible to think at all. She tasted like heaven. He’d never believed in heaven, but the flavor was on her lips, pure and sweet and promising. Her hand had gone to his chest in an automatic defensive movement. Yet she wasn’t fighting him, as he’d been certain she would. She met his hard, almost brutal kiss with passion laced with trust. His mind emptied. It was a terrifying experience for a man who kept his thoughts under such stringent control. Then it filled with her, her scent, her touch, her taste. He broke away-for his sake now, not for hers. He was and had always been a survivor. His breath came fast and raw. One hand was still tangled in her hair, and his other was clamped tight on her arm. He couldn’t let go. No matter how he chided himself to release her, to step back and walk away, he couldn’t move. Staring at her, he saw his own reflection in her eyes. He cursed her-it was a lack quick denial-before he crushed his mouth to hers again. It wasn’t heaven he was heading for, he told himself. It was hell.
Nora Roberts (Golden Shores: Treasures Lost, Treasures Found / The Welcoming)
To wit, researchers recruited a large group of college students for a seven-day study. The participants were assigned to one of three experimental conditions. On day 1, all the participants learned a novel, artificial grammar, rather like learning a new computer coding language or a new form of algebra. It was just the type of memory task that REM sleep is known to promote. Everyone learned the new material to a high degree of proficiency on that first day—around 90 percent accuracy. Then, a week later, the participants were tested to see how much of that information had been solidified by the six nights of intervening sleep. What distinguished the three groups was the type of sleep they had. In the first group—the control condition—participants were allowed to sleep naturally and fully for all intervening nights. In the second group, the experimenters got the students a little drunk just before bed on the first night after daytime learning. They loaded up the participants with two to three shots of vodka mixed with orange juice, standardizing the specific blood alcohol amount on the basis of gender and body weight. In the third group, they allowed the participants to sleep naturally on the first and even the second night after learning, and then got them similarly drunk before bed on night 3. Note that all three groups learned the material on day 1 while sober, and were tested while sober on day 7. This way, any difference in memory among the three groups could not be explained by the direct effects of alcohol on memory formation or later recall, but must be due to the disruption of the memory facilitation that occurred in between. On day 7, participants in the control condition remembered everything they had originally learned, even showing an enhancement of abstraction and retention of knowledge relative to initial levels of learning, just as we’d expect from good sleep. In contrast, those who had their sleep laced with alcohol on the first night after learning suffered what can conservatively be described as partial amnesia seven days later, forgetting more than 50 percent of all that original knowledge. This fits well with evidence we discussed earlier: that of the brain’s non-negotiable requirement for sleep the first night after learning for the purposes of memory processing. The real surprise came in the results of the third group of participants. Despite getting two full nights of natural sleep after initial learning, having their sleep doused with alcohol on the third night still resulted in almost the same degree of amnesia—40 percent of the knowledge they had worked so hard to establish on day 1 was forgotten.
Matthew Walker (Why We Sleep: Unlocking the Power of Sleep and Dreams)
Oh, my," said Nerissa, when she could speak. Juliet, smiling, murmured, "Would you just look at her." "I don't think we can help but look at her," murmured an urbane voice, and gasping, all three women turned to see Lucien standing in the doorway, arms crossed and his black eyes gleaming in the candlelight. He lifted his hand.  "Turn around, my dear," he said, giving a negligent little wave.  Her eyes huge, Amy slowly did as he asked, staring down at herself in awe and disbelief.  The gown, an open-robed saque of watered silk, shimmered with every movement, a vibrant purplish-blue in this light, a vivid emerald-green in that.  Its robed bodice open to show a stomacher of bright yellow satin worked with turquoise and green embroidery, it had tight sleeves ending in treble flounces just behind the elbow, which, combined with the chemise's triple tiers of lace, made Amy feel as though she had wings.  She smoothed her palms over the flounced and scalloped petticoats of royal blue silk, and then, with impulsive delight, threw back her head on a little laugh, extended her arms and spun on her toe, making gauzy sleeves, shining hair, and yards upon yards of shimmering fabric float in the air around her. Hannah, who did not think such behavior was quite appropriate, especially in front of a duke, frowned, but Lucien was trying hard to contain his amusement.  He couldn't remember the last time he'd made anyone so happy, and it touched something deep inside him that he'd long thought dead.  He exchanged a look of furtive triumph with Nerissa. "Oh!  Is it really me?" Amy breathed, reverently touching her sleeve and then raising wide, suddenly misty eyes to her small audience. "It is really you," Juliet said, smiling. "Only someone with your coloring could wear such bold shades and make them work for instead of against you," said Nerissa, coming forward to tie a black ribbon around Amy's neck.  "Lud, if I tried to wear those colors, I daresay they would overwhelm me!" "Speaking of overwhelmed . . ."  Amy turned to face the man who still lounged negligently in the doorway, his fingers trying, quite unsuccessfully, to rub away the little smile that tugged at his mouth.  "Your Grace, I don't know how to thank you," she whispered, dabbing away one tear, then another.  "No one has ever done anything like this for me before and I . . . I feel like a princess." "My dear girl.  Don't you know?"  His smile deepened and she saw what was almost a cunning gleam come into his enigmatic black eyes.  "You are a princess.  Now dry those tears and if you must thank me, do so by enjoying yourself tonight." "I will, Your Grace." "Yes," he said, on a note of finality.  "You will." And
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
Because I like you,” she blurted out, and realized that for once it was true. It was a rather unsettling revelation. “You’re . . . , well, you.” Not just a body on a balcony, not just a pair of lips to blot out boredom, but Alex, Alex who argued with her and watched out for her and woke absurdly early in the mornings to ride with her every day, whether he had the time to do so or not. Perhaps this wasn’t such a good idea after all. Alex didn’t seem to think so, either. His dark eyes were intent on her face, watching her in that way of his, as though he were learning her from the inside out, peering into every little dark nook and cranny of her soul. There were plenty of those to choose from. Dark nooks were one of Penelope’s specialties. He might have wanted her last night, in the still of the bungalow, with the lingering scent of moonflowers on the breeze, but not in daylight, when he saw her again for what she was, brash, impetuous, with her face gone unfashionably tan and curry stains on her habit. He was undoubtedly mustering the words with which to turn her down politely. Penelope suddenly, very desperately, didn’t want to hear them. She jumped to her feet, leaning over to gather up the empty tins. “Or we can just ride on,” she said brusquely, not looking at him. A lean brown hand closed around her wrist. Penelope regarded it blankly, as though not quite sure what it was doing there, alien against the white lace frill of her sleeve. Slowly, her breath catching somewhere in the vicinity of her corset, she lifted her eyes to Alex’s face. What she saw banished any doubts she might have had. In his eyes blazed a reflection of the desire she felt in her own. Nothing more needed to be said. Without a word, he drew her down beside him on the blanket, the blanket that had seemed so prosaic only moments before, but now presented the prospect of a host of exotic and illicit possibilities. Penelope plunked down hard on her knees, catching at his shoulders for balance as she tilted her head down to kiss him, enjoying the unusual advantage of height. “Are you sure?” he murmured, his teeth tugging at her earlobe, even as his hands moved intimately up and down her torso. In answer, Penelope pushed hard at his shoulders, sending him toppling back onto the blanket, narrowly missing sheer disaster with a fork. She followed him down, bracing herself on her elbows and scattering kisses across his upturned face as he busied himself with the buttons on her riding jacket. The fabric parted, and his hands slid beneath, burning through the linen of her blouse, drawing her down on top of him with drugging kisses that made the noon sky dim to dusk and the rustling of the tree leaves blur in her ears. Penelope wriggled her hands beneath his shirt, feeling the hard edges of muscle beneath, delighting in the way they contracted with each labored breath, with a flick of her tongue against the hollow of his throat and an exploratory expedition taken by her lips along his collarbone.
Lauren Willig (The Betrayal of the Blood Lily (Pink Carnation, #6))
THE NIGHTGOWN was only the first of the garments in the box. There were seven nightgowns, in fact—one for each day of the week—of delicate silk, lovely georgette, and beautiful tiffany. As Alexandra pulled them out, she draped them on the bed. She’d never seen a nightgown that wasn’t white, but these were almond and pale blush pink, powder blue and soft peach, with delicate edgings of lace and intricate, exquisite embroidery. “They’re stunning,” she said. “Madame Rodale has nothing like them in her book of fashion plates.” Tris just grinned. He seemed different tonight. More relaxed, less worried. She didn’t know what had prompted his sudden good humor, but she didn’t want to question it. She’d rather enjoy it instead. After the afternoon she’d had—starting with Elizabeth’s letter and ending with three fruitless interviews—she wasn’t about to risk the one thing that seemed to be going right. “Are you going to try one on for me?” he asked. Her face heated. He chose a nightgown off the bed, palest lavender with black lace and violet embroidery. “This one,” he said, handing it to her. “Do you require assistance with your dress?” “Just the buttons,” she said, and turned to let him unfasten them. She shifted the nightgown in her hands. It felt so light. “There,” he said when the back of her green dress gaped open. He kissed her softly on the nape of her neck, then settled on one of the striped chairs, sipping from the glass of port he’d brought upstairs with him. “Use the dressing room. I’ll be waiting.” In the dressing room, she shakily stripped out of her frock, chemise, shoes, and stockings, then dropped the nightgown over her head and smoothed it down over her hips. The fabric whispered against her legs. She turned to see herself in the looking glass. Sweet heaven. She’d never imagined nightgowns like this existed. Her nightgowns all had high collars that tied at the throat. This one had a wide, low neckline. Her nightgowns all had long, full sleeves. This one had tiny puffed sleeves that began halfway off her shoulders. Her nightgowns were made of yards and yards of thick, billowing fabric. This one was a slender column that left no curve to the imagination. It was wicked. “Are you ready yet?” Tris called. Alexandra swallowed hard, reminding herself that he’d seen her in less clothing. And he was her husband. Still, wearing the nightgown for him somehow felt more intimate than wearing nothing at all. She was as ready as she’d ever be. Drawing a deep breath, she exited the dressing room, walked quickly through the sitting room, and paused in the bedroom’s doorway. She dropped her gaze, then raised her lashes, giving him the look—the one Juliana had said would make men fall at her feet. Judging from the expression on Tris’s face, it was a good thing he was sitting. The way he looked at her made her heartbeat accelerate. He rose and moved toward her. She met him halfway, licking suddenly dry lips. “Will you kiss me?” she asked softly, reaching up to sweep that always unruly lock off his forehead. It worked this time. He kissed her but good.
Lauren Royal (Alexandra (Regency Chase Brides #1))
to look at Louisa, stroked her cheek, and was rewarded by a dazzling smile. She had been surprised by how light-skinned the child was. Her features were much more like Eva’s than Bill’s. A small turned-up nose, big hazel eyes, and long dark eyelashes. Her golden-brown hair protruded from under the deep peak of her bonnet in a cascade of ringlets. “Do you think she’d come to me?” Cathy asked. “You can try.” Eva handed her over. “She’s got so heavy, she’s making my arms ache!” She gave a nervous laugh as she took the parcel from Cathy and peered at the postmark. “What’s that, Mam?” David craned his neck and gave a short rasping cough. “Is it sweets?” “No, my love.” Eva and Cathy exchanged glances. “It’s just something Auntie Cathy’s brought from the old house. Are you going to show Mikey your flags?” The boy dug eagerly in his pocket, and before long he and Michael were walking ahead, deep in conversation about the paper flags Eva had bought for them to decorate sand castles. Louisa didn’t cry when Eva handed her over. She seemed fascinated by Cathy’s hair, and as they walked along, Cathy amused her by singing “Old MacDonald.” The beach was only a short walk from the station, and it wasn’t long before the boys were filling their buckets with sand. “I hardly dare open it,” Eva said, fingering the string on the parcel. “I know. I was desperate to open it myself.” Cathy looked at her. “I hope you haven’t built up your hopes, too much, Eva. I’m so worried it might be . . . you know.” Eva nodded quickly. “I thought of that too.” She untied the string, her fingers trembling. The paper fell away to reveal a box with the words “Benson’s Baby Wear” written across it in gold italic script. Eva lifted the lid. Inside was an exquisite pink lace dress with matching bootees and a hat. The label said, “Age 2–3 Years.” Beneath it was a handwritten note:   Dear Eva, This is a little something for our baby girl from her daddy. I don’t know the exact date of her birthday, but I wanted you to know that I haven’t forgotten. I hope things are going well for you and your husband. Please thank him from me for what he’s doing for our daughter: he’s a fine man and I don’t blame you for wanting to start over with him. I’m back in the army now, traveling around. I’m due to be posted overseas soon, but I don’t know where yet. I’ll write and let you know when I get my new address. It would be terrific if I could have a photograph of her in this little dress, if your husband doesn’t mind. Best wishes to you all, Bill   For several seconds they sat staring at the piece of paper. When Eva spoke, her voice was tight with emotion. “Cathy, he thinks I chose to stay with Eddie!” Cathy nodded, her mind reeling. “Eddie showed me the letter he sent. Bill wouldn’t have known you were in Wales, would he? He would have assumed you and Eddie had already been reunited—that he’d written with your consent on behalf of you both.” She was afraid to look at Eva. “What are you going to do?” Eva’s face had gone very pale. “I don’t know.” She glanced at David, who was jabbing a Welsh flag into a sand castle. “He said he was going to be posted overseas. Suppose they send him to Britain?” Cathy bit her lip. “It could be anywhere, couldn’t it? It could be the other side of the world.” She could see what was going through Eva’s mind. “You think if he came here, you and he could be together without . . .” Her eyes went to the boys. Eva gave a quick, almost imperceptible nod, as if she was afraid someone might see her. “What about Eddie?” “I don’t know!” The tone of her voice made David look up. She put on a smile, which disappeared the
Lindsay Ashford (The Color of Secrets)
I put my hand on his forearm, I don't know why I do this, and it's not exactly natural, although it's not unnatural, except that I really want to touch his skin. It's smooth and tan just a little bit and feels like summer, like something familiar and warm and good, like my skin did on the first days aboard 'Fishful Thinking' before it salted and burned and peeled. 'We broke up three years after that.' I sit back in my chair and give a sly smile. Relationships are complex and sometimes you can't really explain them to an outside party. 'I can't believe I just told you that' 'YES! YOU! ARE! LIVING! YOUR! FULL! LIFE!' A third time. I am not imagining it. 'There you are.' This time my heart does skip a beat. I look down at his arm, and we are still touching, and he has made no attempt to retract his arm or retreat. All my surroundings, the red formica table top, the pink yogurt, the blue sky, the green vegetables in the market, they all come alive in vibrant technicolor as the sun peers from behind a cloud. I am living my full life. 'Honesty in all things,' Byron adds, lifting his cup of yogurt for a toast of sorts. I pull my hand away from him and the instant my hand is back by his side, I miss the warmth of his arm, the warmth of him. Honesty in all things. I should put my hand back, that's where it wants to be, that's Lily's lesson to me. Be present in the moment, give spontaneous affection. I'm suddenly aware I haven't spoken in a bit. 'Did you know that an octopus has three hearts?' As soon as it comes out of my mouth, I realize I sound like that kid from 'Jerry McGuire.' 'Did you know the human head weighs eight pounds?' I hope my question comes off almost a fraction as endearing. 'No,' Byron says with a glint in his eye that reads as curiosity, at least I hope that it does, but even if it doesn't I'm too into the inertia of the trivia to stop it. 'It's true, one heart called the systemic heart that functions much like the left side of the human heart, distributing blood throughout the heart, then two smaller branchial heart with gills that act like the right side of our hearts to pump the blood back.' 'What made you think of that?' I smile. It may be entirely inappropriate first date conversation, but at least it doesn't bore me in the telling. I look up at the winsome August sky, marred only by the contrails of a passing jet, and a vaguely dachshund shaped cloud above the horizon. I don't believe in fate. I don't believe in love at first site. I don't believe in angels. I don't believe in heaven and that our loved ones are looking down on us, but the sun is so warm and the breeze is so cool and the company is so perfect and the whole afternoon so intoxicating, ti's hard not to hear Lily's voice dancing in the gentle wind, 'one! month! is Long! Enough TO! BE! SAD!' ... 'I recently lost someone close to me....I don't know, I feel her here today with us, you, me, her, three hearts, like an octopus,' I shrug. If I were him, I would run. What a ridiculously creepy thing to say. I would run and I would not stop until I was home in my bed with a gallon of ice cream deleting my profile from every dating site I belonged to. Maybe it's because it's not rehearsed, maybe it's because it's as weird a thing to say as it is genuine, maybe it's because this is finally the man for me. Byron stands and offers me his hand, 'Let's take a walk and you can tell me about her.' The gentle untying of a shoe lace. It takes me a minute to decide if I can do this, and I decide that I can, and I throw our yogurt dishes away, and I put my hand in his, and it's soft and warm, and instead of awkward fumbling, our hands clasp together like magnets and metal, like we've been hand-in-hand all along, and we are touching again. ...
Steven Rowley (Lily and the Octopus)
Look at that ship. That clipper cost me a queen’s ransom, even with the Kestrel thrown in the bargain. But it was the fastest ship to be had.” He took her hands in his. “Forget money. Forget society. Forget expectations. We’ve no talent for following rules, remember? We have to follow our hearts. You taught me that.” He gathered her to him, drawing her hands to his chest. “God, sweet, don’t you know? You’ve had my heart in your pocket since the day we met. Following my heart means following you. I’ll follow you to the ends of the earth if I have to.” He shot an amused glance at the captain. “Though I’d expect your good captain would prefer I didn’t. In fact, I think he’d gladly marry us today, just to be rid of me.” “Today? But we couldn’t.” His eyebrows lifted. “Oh, but we could.” He pulled her to the other side of the ship, slightly away from the gaping crowd. Wrapping his arms around her, he leaned close to whisper in her ear, “Happy birthday, love.” Sophia melted in his embrace. It was her birthday, wasn’t it? The day she’d been anticipating for months, and here she’d forgotten it completely. Until Gray had appeared on the horizon, she hadn’t been looking forward to anything. But now she did. She looked forward to marriage, and children, and love and grand adventure. Real life and true passion. All of it with this man. “Oh, Gray.” “Please say yes,” he whispered. “Sophia.” The name was a caress against her ear. “I love you.” He kissed her cheek and pulled away. “I’ve been remiss in not telling you. You can’t know how I’ve regretted it. But I love you, Sophia Jane Hathaway. I love you as no man ever loved a woman. I love you so much, I fear I’ll burst with it. In fact, I think I shall burst if I go another minute without kissing you, so if you’ve any mind to say yes, I’d thank you to-“ Sophia flung her arms around his neck and kissed him. Hard at first, to quiet the fool man; then gently, to savor him. oh, how she loved the taste of him, like freshly baked bread and rum. Warm and wholesome and comforting, with just a hint of spice and danger. “Yes,” she sighed against his lips. She pulled back and looked into his eyes. “Yes, I will marry you.” His arms tightened about her waist. “Today?” “Today. But you must let me change my gown first.” Smiling, she stroked his smooth cheek. “You even shaved.” “Every day since we left Tortola.” He gave her a rueful smile. “I’ve a few new scars to show for it.” “Good.” She kissed him. “I’m glad. And I don’t care if society casts us out for the pirates we are, just as long as I’m with you.” “Oh, I don’t know that we’ll be cast out, exactly. We’re definitely not pirates. After your stirring testimony”-he chucked her under the chin-“Fitzhugh decided to make the best of an untenable situation. Or an unhangable pirate, as it were. If he couldn’t advance on his career by convicting me, he figured he’d advance it by commending me. Awarded me the Kestrel as salvage and recommended me to the governor for a special citation of valor. There’s talk of knighthood.” He grinned. “Can you believe it? Me, a hero.” “Of course I believe it.” She laced her fingers at the back of his neck. “I’ve always known it, although I should curse that judge and his ‘citation of valor.’ As if you needed a fresh supply of arrogance. Just remember, whatever they deem you-gentleman or scoundrel, hero or pirate-you are mine.” “So I am.” He kissed her soundly, passionately. “And which would you prefer tonight?” At the seductive grown in his voice, shivers of arousal swept down to her toes. “Your gentleman? Your scoundrel? Your hero or your pirate?” She laughed. “I imagine I’ll enjoy all four on occasion. But tonight, I believe I shall find tremendous joy in simply calling you my husband.” He rested his forehead against hers. “My love.” “That, too.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
My big takeaway was that you lace up your skates, you put on your helmet and you get on the ice knowing all the rules. If you get blindsided, that’s just part of it; if your teammate doesn’t pass to you and takes the shot himself, that’s the game, and if you lose 4–0, that’s the game too. You just go out there and do your best with what you’ve got.
Jerry Langton (The Hard Way Out: My Life with the Hells Angels and Why I Turned Against Them)
He reaches out to stroke my wet hair, smoothing it back from my face. “Just once,” he says softly. “Just now, just for a few moments…” We lean into each other at the same time, wet skin pressed against wet skin, cold water over cold skin, warming each other, heating up so fast it feels as if the river droplets are burning off us already as our lips meet. I’ve never kissed anyone in the water before, never been so---comparatively--naked as I press against someone, and it’s dizzying. My hands slip over his shoulders, run over his back, feel the lean muscles there, the strength as his arms tighten around my waist, pulling me up toward him, onto the tips of my toes again. He’s kissing me hard, his tongue cool in my mouth, and I can’t help kissing him back just as hard. His hands slide under the loose shirt I’m wearing, up my bare back, and I moan against his lips; I press against him and feel his nipples, hard little points, through the cotton fabric of the shirt, the lace of my bra. It’s an odd, entrancing sensation, and it makes me want to rub against him even more. I’m clinging to him, my hands rising up to stroke his scalp, burrow into his wet hair, and he almost purrs against my mouth with pleasure, a sound that starts deep in his chest. I feel the vibration. It makes me think of a cat, a big, predatory cat, and I shiver from head to toe and pull my mouth from his and bury my face in the bony hollow of his shoulder, against his bare skin, and just hold on to him. I’m shaking. It’s too much, it’s not enough. Luca’s hand closes over the back of my head and smoothes my hair down, his other hand still firm around my waist, holding me to him. I feel his lips press to my scalp, kissing it. “Violetta,” he says, with utter desolation in his voice. “Violetta, cosa mi fai?” “What are you doing to me?” he’s saying. And I want to repeat his words back to him, but I know he doesn’t expect an answer. I keep my face pressed into his shoulder, because it will be the last time. I try to smell his skin, but the fresh flowing water carries scents away, and when I eventually pull back, there’s an extra little rush of heartbreak because I know it means that I will never have Luca’s scent in my nostrils again, will never again be close enough to him to have that luxury. There’s nothing to say. His hands fall from me and he steps back, enough to let me slip past him, turning my face away, because I’m shallow, and the sight of him with his hair slicked back and his mouth red from kissing will make me do what I know I can’t: throw myself at him all over again.
Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))
slightly, studying her as if she were an exotic creature, an angel dropped down from heaven to entertain him. How many times had Beatrice seen the very same expression on his father’s face? Beatrice held her breath. Would he recognize her? But no. She did not exist in his world. The Earl of Hastings could no more recognize Beatrice than he could recognize a hard day’s work, an honest word, or a shilling well-earned. Foolish, naïve aristocrat. Just like his father. The earl gave a small shake of his head and straightened. He puffed out his chest and pulled at his lace cuffs, his eyes fixed on her, his smile an invitation. And just like that, Beatrice felt a blanket of calm descend over her. He was just a man. The thought warmed her, steadied her. He would be
Lynne Barron (Portrait of Passion (Idyllwild #1))
I’m sorry, Cass. I said things I didn’t mean. It’s not fair of me to expect you to share my beliefs when we--” “Come from two different worlds?” she finished softly. Falco groaned. “Don’t do that.” He took a step toward her. “Are we really so different?” “Aren’t we?” She could hardly breathe. He was so close. She could see silver threading through his blue eyes. Impulsively, she reached out with one hand to brush his hair away from his face. Falco grabbed her without warning. He spun her around him so that her body was pressed up against the wall. Cass’s heart leapt into her throat. She knew she should protest, should turn away. But she didn’t. She surrendered. To Falco. To what she wanted more than anything. His mouth teased her, tasting her tongue and lips. She pulled him closer, her nails digging into the fabric of his tunic. He pinned her hands above her head as his mouth found the spot where her jaw met her throat. She exhaled hard. Her body threatened to slide right down the wall, but she didn’t push him away. She couldn’t. She angled her head to expose more of her neck. She felt his warm mouth, his soft tongue tracing circles on her skin. “Come with me to my quarters,” he murmured. Cass’s eyes snapped back open. No raised eyebrow, no lopsided smirk. He was serious. “I can’t. I--” “You can,” he insisted. “You want to. No one has to know, Cass.” His breath was hot against her lips. And her face. Her whole body was burning, like lightning was sizzling beneath her skin. And then there was a burst of loud applause from outside the room. Cass slipped out from between Falco and the wall, her heart thudding like the hooves of a runaway horse. “What was that?” she asked, not caring in the slightest. She had come too close. Too close to giving in, to letting go. No one has to know. She had actually been considering it. Images tumbled through her head. Falco carrying her to his bed. Her fingers ripping his doublet from his chest. His hands tugging at the laces of her bodice. The two of them lying together, skin to skin. “Cass.” He took a step toward her again. She dodged him, turned and escaped into the hallway, fanning her cheeks with one gloved hand. She didn’t want him to see the look on her face.
Fiona Paul (Belladonna (Secrets of the Eternal Rose, #2))
Not real rain, of course. But the sound of it. The sizzle and the whisper and the hiss and the splash of it. The blue light along the faux horizon of the room. The projected banners and veils of rain all around them. Rain like lace curtains, rain like smoke, rain like spiderwebs and flags and wind you could see. Rain that sang to their bones, that ached inside their bellies and their hands, rain that made them thirst and cower and hide. Rain they had never felt yet knew as intimately as they knew their own skins. It was dreadful. Sammy clutched Billy as hard as anyone could, and he wept into her red hair and didn’t care if she knew
Luis Alberto Urrea (The Water Museum: Stories)