Short Broadcasting Quotes

The Priestess Her skin was pale, and her eyes were dark, and her hair was dyed black. She went on a daytime talk show and proclaimed herself a vampire queen. She showed the cameras her dentally crafted fangs, and brought on ex-lovers who, in various stages of embarrassment, admitted that she had drawn their blood, and that she drank it. "You can be seen in a mirror, though?" asked the talk show hostess. She was the richest woman in America, and had got that way by bringing the freaks and the hurt and the lost out in front of her cameras and showing their pain to the world. The studio audience laughed. The woman seemed slightly affronted. "Yes. Contrary to what people may think, vampires can be seen in mirrors and on television cameras." "Well, that's one thing you finally got right, honey," said the hostess of the daytime talk show. But she put her hand over her microphone as she said it, and it was never broadcast.

North," said the face beneath the sheet. "I belong to the National Association of Broadcasting Employees and Technicians. If you wake me up before I've slept twelve hours, I get paid short turnaround." "But Rose--" "If you wake me up before seven hours, I get to push a screwdriver into your lungs." — from "The Scarred Man

In short order, the unconventional became the established convention; the perverse was embraced as normal; the unspeakable was broadcast everywhere; the outrageous was met with enthusiastic applause.

But from the Parthenon and the Timaeus a specious logic leads to the tyranny which, in the Republic, is held up as the ideal form of government. In the field of politics the equivalent of a theorem is a perfectly disciplined army; of a sonnet or picture, a police state under a dictatorship. The Marxist calls himself scientific and to this claim the Fascist adds another: he is the poet - the scientific poet - of a new mythology. Both are justified in their pretentions; for each applies to human situations the procedures which have proved effective in the laboratory and the ivory tower. They simplify, they abstract, they eliminate all that, for their purposes, is irrelevant and ignore whatever they choose to regard as inessential; they impose a style, they compel the facts to verify a favorite hypothesis, they consign to the waste paper basket all that, to their mind, falls short of perfection. And because they thus act like good artists, sound thinkers and tried experimenters, the prisons are full, political heretics are worked to death as slaves, the rights and preferences of mere individuals are ignored, the Gandhis are murdered and from morning till night a million schoolteachers and broadcasters proclaim the infallibility of the bosses who happen at the moment to be in power.

So much misinformation has been published and broadcast over the years about Jimi’s short but spectacular life by people with an interest only in self-aggrandizement, that a few years ago I finally decided to break my silence of twenty years and record my version of events. This is not just a story about Jimi, but it's about me, and others who I knew in those early days and who are no longer with us, like Keith Moon, Brian Jones and Chas Chandler, and it's about what it was like to live in those extraordinary times.

Just the night before, he had made another national broadcast, this one calling for conscription, repeal of the entire neutrality law, and the dispatch of massive numbers of planes and munitions to Britain—if necessary, in American ships and under American naval protection. “Short of a direct declaration of war, it would have been hard to frame a more complete program of resistance to the Nazis,” noted McGeorge Bundy, the future aide to Presidents John F. Kennedy and Lyndon B. Johnson, who helped Stimson write his autobiography after the war.

The story of how the idea of race was invented speaks volumes about how human beings struggle to make sense of the world around them, and the way those in power are the ones whose interpretations get broadcast to the culture at large. Be it scientific conclusions, business practices, government policy, popular literature, or art, the folks at the top are the ones whose ideas get heard and valued. This is not a history book, so I’ll keep it short, but history buffs, if you haven’t delved into the history of race, whiteness, and racism, this is a fascinating area of study.

As an institution that could not tell a lie, they were unique in the contrivances of gods and men since the Oracle of Delphi. As office managers, they were no more than adequate, but now, as autumn approached, with the exiles crowded awkwardly into their new sections, they were broadcasting in the strictest sense of the word, scattering human voices into the darkness of Europe, in the certainty that more than half must be lost, some for the rook, some for the crow, for the sake of a few that made their mark. And everyone who worked there, bitterly complaining about the short-sightedness of their colleagues, the vanity of the news readers, the remoteness of the Controllers and the restrictive nature of the canteen’s one teaspoon, felt a certain pride which they had no way to express, either then or since.

Nobody as yet had really acknowledged to himself what the disease connoted. Most people were chiefly aware of what ruffled the normal tenor of their lives or affected their interests. They were worried and irritated—but these are not feelings with which to confront plague. Their first reaction, for instance, was to abuse the authorities. The Prefect’s riposte to criticisms echoed by the press—Could not the regulations be modified and made less stringent?—was somewhat unexpected. Hitherto neither the newspapers nor the Ransdoc Information Bureau had been given any official statistics relating to the epidemic. Now the Prefect supplied them daily to the bureau, with the request that they should be broadcast once a week. In this, too, the reaction of the public was slower than might have been expected. Thus the bare statement that three hundred and two deaths had taken place in the third week of plague failed to strike their imagination. For one thing, all the three hundred and two deaths might not have been due to plague. Also, no one in the town had any idea of the average weekly death-rate in ordinary times. The population of the town was about two hundred thousand. There was no knowing if the present death-rate were really so abnormal. This is, in fact, the kind of statistics that nobody ever troubles much about—notwithstanding that its interest is obvious. The public lacked, in short, standards of comparison. It was only as time passed and the steady rise in the death-rate could not be ignored that public opinion became alive to the truth. For in the fifth week there were three hundred and twenty-one deaths, and three hundred and forty-five in the sixth. These figures, anyhow, spoke for themselves. Yet they were still not sensational enough to prevent our townsfolk, perturbed though they were, from persisting in the idea that what was happening was a sort of accident, disagreeable enough, but certainly of a temporary order. So they went on strolling about the town as usual and sitting at the tables on café terraces. Generally speaking, they did not lack courage, bandied more jokes than lamentations, and made a show of accepting cheerfully unpleasantnesses that obviously could be only passing. In short, they kept up appearances.

Cultivating loyalty is a tricky business. It requires maintaining a rigorous level of consistency while constantly adding newness and a little surprise—freshening the guest experience without changing its core identity.” Lifetime Network Value Concerns about brand fickleness in the new generation of customers can be troubling partly because the idea of lifetime customer value has been such a cornerstone of business for so long. But while you’re fretting over the occasional straying of a customer due to how easy it is to switch brands today, don’t overlook a more important positive change in today’s landscape: the extent to which social media and Internet reviews have amplified the reach of customers’ word-of-mouth. Never before have customers enjoyed such powerful platforms to share and broadcast their opinions of products and services. This is true today of every generation—even some Silent Generation customers share on Facebook and post reviews on TripAdvisor and Amazon. But millennials, thanks to their lifetime of technology use and their growing buying power, perhaps make the best, most active spokespeople a company can have. Boston Consulting Group, with grand understatement, says that “the vast majority” of millennials report socially sharing and promoting their brand preferences. Millennials are talking about your business when they’re considering making a purchase, awaiting assistance, trying something on, paying for it and when they get home. If, for example, you own a restaurant, the value of a single guest today goes further than the amount of the check. The added value comes from a process that Chef O’Connell calls competitive dining, the phenomenon of guests “comparing and rating dishes, photographing everything they eat, and tweeting and emailing the details of all their dining adventures.” It’s easy to underestimate the commercial power that today’s younger customers have, particularly when the network value of these buyers doesn’t immediately translate into sales. Be careful not to sell their potential short and let that assumption drive you headlong into a self-fulfilling prophecy. Remember that younger customers are experimenting right now as they begin to form preferences they may keep for a lifetime. And whether their proverbial Winstons will taste good to them in the future depends on what they taste like presently.

It is unbelievable, how can this blacksmith say such brilliant words. I believe that this short sentence which consists of only three words will soon be broadcasted far away, and Mr. Carnegie will hold the title of a business philosopher. In fact, he deserves to be praised by people like this. Doesn’t the fact that he is able to condense his successful life into a short sentence show the great wisdom of this business mogul?

The 1938 CBS radio broadcast of Orson Welles’ dramatization of War of the Worlds, a novel written 40 years earlier by H. G. Wells, created panic across the United States as millions of people tuned in and believed that earth was experiencing a real invasion by the Martians.75 The broadcast was partially funded by the Rockefeller Foundation and guided by the Council on Foreign Relations, in what was later discovered to be a psychological operation (psyop, for short) to “test” panic and hysteria throughout the United States.76 Astonishingly, it was said to be heard by over

He was over by the wallscreen with the usual bunch of men, some his age, some younger. They were watching a football match being played on green grass somewhere, a contest between well-paid professionals in one of the commercial sportsground Neverlands that only existed on broadcasts; she couldn’t help thinking about the real game in the street only a short distance away. What brought the young men in out of the sunshine and turned them into the only slightly older ones here—slow of speech but quick to argue, shallow-swimming, content to sit and nurse a few beers through a long afternoon in a steamy warehouse? How could men start out so strong, so vital, and then turn so sour?

Billy Joel was supposed to have a triumphant first on Sunday night, April 14. The Piano Man was headed to high time for his first- ever broadcast network performance special, The 100th Billy Joel at Madison Square Garden – The Greatest Arena Run of All Time, following fifty times in the music business. still, his broadcast was cut short by CBS. Why did CBS cut short Billy Joel’s broadcast? The event, which was supposed to state on CBS from 9 to 11p.m., was blazoned before this time’s Super Bowl and taped on March 28 during Joel’s 100th performance at the fabled New York City theatre. Unfortunately, the Joel musicale’s airing was delayed due to the network’s live content of the Masters golf event. As a result, numerous observers missed the show’s dramatic conclusion and were forced to switch to the original news.

Ken Wharfe In 1987, Ken Wharfe was appointed a personal protection officer to Diana. In charge of the Princess’s around-the-clock security at home and abroad, in public and in private, Ken Wharfe became a close friend and loyal confidant who shared her most private moments. After Diana’s death, Inspector Wharfe was honored by Her Majesty Queen Elizabeth II at Buckingham Palace and made a Member of the Victorian Order, a personal gift of the sovereign for his loyal service to her family. His book, Diana: Closely Guarded Secret, is a Sunday Times and New York Times bestseller. He is a regular contributor with the BBC, ITN, Sky News, NBC, CBS, and CNN, participating in numerous outside broadcasts and documentaries for BBC--Newsnight, Channel 4 News, Channel 5 News, News 24, and GMTV. My memory of Diana is not her at an official function, dazzling with her looks and clothes and the warmth of her manner, or even of her offering comfort among the sick, the poor, and the dispossessed. What I remember best is a young woman taking a walk in a beautiful place, unrecognized, carefree, and happy. Diana increasingly craved privacy, a chance “to be normal,” to have the opportunity to do what, in her words, “ordinary people” do every day of their lives--go shopping, see friends, go on holiday, and so on--away from the formality and rituals of royal life. As someone responsible for her security, yet understanding her frustration, I was sympathetic. So when in the spring of the year in which she would finally be separated from her husband, Prince Charles, she yet again raised the suggestion of being able to take a walk by herself, I agreed that such a simple idea could be realized. Much of my childhood had been spent on the Isle of Purbeck in Dorset, a county in southern England approximately 120 miles from London; I remembered the wonderful sandy beaches of Studland Bay, on the approach to Poole Harbour. The idea of walking alone on miles of almost deserted sandy beach was something Diana had not even dared dream about. At this time she was receiving full twenty-four-hour protection, and it was at my discretion how many officers should be assigned to her protection. “How will you manage it, Ken? What about the backup?” she asked. I explained that this venture would require us to trust each other, and she looked at me for a moment and nodded her agreement. And so, early one morning less than a week later, we left Kensington Palace and drove to the Sandbanks ferry at Poole in an ordinary saloon car. As we gazed at the coastline from the shabby viewing deck of the vintage chain ferry, Diana’s excitement was obvious, yet not one of the other passengers recognized her. But then, no one would have expected the most photographed woman in the world to be aboard the Studland chain ferry on a sunny spring morning in May. As the ferry docked after its short journey, we climbed back into the car and then, once the ramp had been lowered, drove off in a line of cars and service trucks heading for Studland and Swanage. Diana was driving, and I asked her to stop in a sand-covered area about half a mile from the ferry landing point. We left the car and walked a short distance across a wooded bridge that spanned a reed bed to the deserted beach of Shell Bay. Her simple pleasure at being somewhere with no one, apart from me, knowing her whereabouts was touching to see. Diana looked out toward the Isle of Wight, anxious by now to set off on her walk to the Old Harry Rocks at the western extremity of Studland Bay. I gave her a personal two-way radio and a sketch map of the shoreline she could expect to see, indicating a landmark near some beach huts at the far end of the bay, a tavern or pub, called the Bankes Arms, where I would meet her.

Ken Wharfe In 1987, Ken Wharfe was appointed a personal protection officer to Diana. In charge of the Princess’s around-the-clock security at home and abroad, in public and in private, Ken Wharfe became a close friend and loyal confidant who shared her most private moments. After Diana’s death, Inspector Wharfe was honored by Her Majesty Queen Elizabeth II at Buckingham Palace and made a Member of the Victorian Order, a personal gift of the sovereign for his loyal service to her family. His book, Diana: Closely Guarded Secret, is a Sunday Times and New York Times bestseller. He is a regular contributor with the BBC, ITN, Sky News, NBC, CBS, and CNN, participating in numerous outside broadcasts and documentaries for BBC--Newsnight, Channel 4 News, Channel 5 News, News 24, and GMTV. And so, early one morning less than a week later, we left Kensington Palace and drove to the Sandbanks ferry at Poole in an ordinary saloon car. As we gazed at the coastline from the shabby viewing deck of the vintage chain ferry, Diana’s excitement was obvious, yet not one of the other passengers recognized her. But then, no one would have expected the most photographed woman in the world to be aboard the Studland chain ferry on a sunny spring morning in May. As the ferry docked after its short journey, we climbed back into the car and then, once the ramp had been lowered, drove off in a line of cars and service trucks heading for Studland and Swanage. Diana was driving, and I asked her to stop in a sand-covered area about half a mile from the ferry landing point. We left the car and walked a short distance across a wooded bridge that spanned a reed bed to the deserted beach of Shell Bay. Her simple pleasure at being somewhere with no one, apart from me, knowing her whereabouts was touching to see. Diana looked out toward the Isle of Wight, anxious by now to set off on her walk to the Old Harry Rocks at the western extremity of Studland Bay. I gave her a personal two-way radio and a sketch map of the shoreline she could expect to see, indicating a landmark near some beach huts at the far end of the bay, a tavern or pub, called the Bankes Arms, where I would meet her. She set off at once, a tall figure clad in a pair of blue denim jeans, a dark-blue suede jacket, and a soft scarf wrapped loosely around her face to protect her from the chilling, easterly spring wind. I stood and watched as she slowly dwindled in the distance, her head held high, alone apart from busy oyster catchers that followed her along the water’s edge. It was a strange sensation watching her walking away by herself, with no bodyguards following at a discreet distance. What were my responsibilities here? I kept thinking. Yet I knew this area well, and not once did I feel uneasy. I had made this decision--not one of my colleagues knew. Senior officers at Scotland Yard would most certainly have boycotted the idea had I been foolish enough to give them advance notice of what the Princess and I were up to.

Mildred Elizabeth Sisk later named Mildred Elizabeth Gillars was born in Portland, Maine on November 29, 1900. In 1929, Gillars left the United States for France, where she worked as an artist's model in Paris. During World War II she was employed as a radio announcer with RRG, Reichs-Rundfunk-Gesellschaftm, the official German State Radio Station. In 1941, the US State Department advised American nationals to return to the United States however, she voluntarily stayed in Germany because her fiancé, Paul Karlson, said he would never marry her if she returned to the United States. Shortly afterwards, Karlson, was killed in action on the Eastern Front. She remained in Germany broadcasting propaganda to the US forces in Europe and became known as Axis Sally. From Christmas Eve in 1942, until the end of the war she broadcast the Home Sweet Home Hour from Berlin. During these broadcasts she talked about the infidelity of soldiers' wives and sweethearts, while they were fighting in Europe. Midge-at-the-Mike broadcast American songs and GI's Letter-box and Medical Reports was directed towards the United States in which Gillars used information on wounded and captured US airmen, with the intent of causing fear and anxiety for their families.

Aunt Zia has me read aloud the stories I write over and over. She preaches, “Ellen, you are writing for the ear. It has to sound right .” She teaches me to write in active voice and to write in short sentences. An example of active voice is: President Lincoln delivered the Gettysburg Address— not: The Gettysburg Address was delivered by President Lincoln. I’ll add all this information to the notebook I’m making. My notebook has all sorts of information about broadcast journalism , from how to compose shots to how to write a script.

Jack Reacher made his first appearance in print on March 17, 1997—St. Patrick’s Day—when Putnam published Killing Floor in the United States, which was Reacher’s—and my—debut. But I can trace his, and the book’s, genesis backward at least to New Year’s Eve 1988. Back then I worked for a commercial television station in Manchester, England. I was eleven years into a career as a presentation director, which was a little like an air traffic controller for the network airwaves. In February 1988, the UK commercial network had started twenty-four-hour broadcasting. For a year before that, management had been talking about how to man the new expanded commitment. None of us really wanted to work nights. Management didn’t really want to hire extra people. End of story. Stalemate. Impasse. What broke it was the offer of a huge raise. We took it, and by New Year’s Eve we were ten fat and happy months into the new contract. I went to a party, but didn’t feel much like celebrating. Not that I wasn’t content in the short term—I sleep better by day than night, and I like being up and about when the world is quiet and lonely, and for sure I was having a ball with the new salary. But I knew in my bones that management resented the raise, and I knew that the new contract was in fact the beginning of the end. Sooner or later, we would all be fired in revenge. I felt it was only a matter of time. Nobody agreed with me, except one woman. At the party, in a quiet moment, she asked me, “What are you going to do when this is all over?

Because of that, just days after taking office as prime minister, Churchill was preparing for the ultimate emergency – the potential loss of most of the British army. The War Minister Anthony Eden had already announced the formation of the Home Guard, and asked able-bodied men to come forward. A huge number did so. Later that same evening (14 May), the BBC had broadcast this announcement: “The Admiralty have made an order directing the owners of self-propelled pleasure craft between thirty and one hundred feet in length to send all particulars to the Admiralty within fourteen days from today, if they have not already been offered or requisitioned. By this day, five days later, retired Rear Admiral Alfred Taylor had been given powers to collect and pay crews of small craft which might be used by navy, and was gathering them at Sheerness in the Thames estuary. The man in charge of finding the ships, H. C. Riggs, was now sleeping at the offices of the Ministry of Shipping in Berkeley Square, one of the administrative heroes of Dunkirk, and was collecting information on small ships that might be available and holding them in port. The clerks at the Admiralty were printing copies of form T124, which signed people up for 90 days short service in the navy.

A short man who himself had been an attorney before becoming a broadcast journalist shouted, “Jonathan? Is it true that evidence found in the house exculpates Theodore Martin in the murder of his wife?” Jonathan smiled benignly. “I’ve seen the evidence that Mr. Cole found, and I’ll be in consultation with the district attorney’s office sometime in the next few days. Now, if you’ll excuse me.” More questions exploded at us from a dozen directions, and they were all about Mr. Cole.

In 1936 my parents bought a radio, a German manufactured, big apparatus, which needed a roof antenna. It looked similar in appearance to today's television. We heard broadcasts on long, medium and short waves and could enjoy programs from all over the world. A weekly radio program listed most European stations. On short waves one could hear programs from overseas. It was magic. We heard a Passover service from Jerusalem; we heard wonderful concerts from most big cities in Europe; news in Romanian, German, French and lovely light music from Sofia, Bulgaria.

Despite their wide diversity, Methodists, Baptists, Universalists, Disciples, Mormons, and Millerites were all communication entrepreneurs, and their movements were crusades for broadcasting the truth. Each was wedded to the transforming power of the word, spoken, written, and sung; each was passionate about short-circuiting a hierarchical flow of information; each was supremely confident that the vernacular and the colloquial were the most fitting channels for religious expression; and each was content to measure the success of individuals and movements by their ability to persuade. By systematically employing lay preachers, by exploiting a golden age of local publishing, and by spreading new forms of religious folk music, they ensured the forceful delivery of their message.

On 8 September 1947, Lewis appeared on the front cover of Time magazine, which declared this “best-selling author,” who was also “the most popular lecturer in [Oxford] University,” to be “one of the most influential spokesmen for Christianity in the English-speaking world.” Screwtape had taken England and America by storm. (America, it must be recalled, had not heard Lewis’s broadcast talks on the BBC.) The opening paragraph helps capture the tone of the piece: a quirky and slightly weird Oxford academic—“a short, thickset man with a ruddy face and a big voice”—unexpectedly hits the big time.[524] Were there more bestsellers on the way? Time cautioned its excited readers that they would just have to wait: “He has no immediate plans for further ‘popular’ books, fantastic or theological.” The Time article of 1947 can be seen as a tipping point—both signaling Lewis’s arrival on the broader cultural scene, and extending his reach by drawing wider attention to his works.

short, tomorrow’s lawyers will need to be more in tune with tomorrow’s clients. In contrast, when meeting with their clients today, many partners of law firms are said to broadcast and pontificate instead of listening to what is actually on the minds of those they are serving. In other words, many law firms lack empathy. They fail to put themselves in their clients’ shoes and see the business from the clients’ perspective. It is often claimed that, because they do not pause to listen, firms cannot distinguish between those occasions when a client wants quick, rough-and-ready guidance as opposed to detailed and exhaustive legal analysis. This lack of empathy and inability to listen could be deeply prejudicial to long-term relationships between firms and clients in the future.

We might understand each other better if we had more rank conversations between britons and Americans," [Murrow] observed during one BBC broadcast. "You must bear in mind that we are, on the whole, more emotional, vociferous and intolerant than you. We'll go to a baseball game or a football match and shout for the blood of the referee, and on occasion, fling beer bottles at him. Our domestic controversies are conducted in strong language, with much name-calling--in short, we're inclined to say what we think, even when we have not thought very much.

We hardly need to be reminded that we are living in an age of confusion. A lot of us have traded in our beliefs for bitterness and cynicism, or for a heavy package of despair, or even a quivering portion of hysteria. Opinions can be picked up cheap in the marketplace, while such commodities as courage and fortitude and faith are in alarmingly short supply. Around us all-now high like a distant thunderhead, now close upon us with the wet choking intimacy of a London fog-there is an enveloping cloud of fear. There is a physical fear, the kind that drives some of us to flee our homes and burrow into the ground in the bottoms of a Montana valley like prairie dogs to try to escape, if only for a little while, the sound and fury of the A-bombs or the hell bombs or whatever may be coming. There is a mental fear, which provokes others of us to see the images of witches in a neighbor’s yard and stampedes us to burn down his house. And there is a creeping fear of doubt-doubt of what we have been taught, of the validity of so many things we have long since taken for granted to be durable and unchanging. It has become more difficult than ever to distinguish black from white, good from evil, right from wrong. What truths can a human being afford to furnish the cluttered nervous room of his mind with when he no real idea how long a lease he has on his future. It is to try to meet the challenge of such questions that we have prepared these broadcasts. It has been a difficult task and a delicate one. Except for those who think in terms of pious platitudes or dogma or narrow prejudice-and those thoughts we aren’t interested in-people don’t speak their beliefs easily or publicly

We hardly need to be reminded that we are living in an age of confusion. A lot of us have traded in our beliefs for bitterness and cynicism, or for a heavy package of despair, or even a quivering portion of hysteria. Opinions can be picked up cheap in the marketplace, while such commodities as courage and fortitude and faith are in alarmingly short supply. Around us all-now high like a distant thunderhead, now close upon us with the wet choking intimacy of a London fog-there is an enveloping cloud of fear. There is a physical fear, the kind that drives some of us to flee our homes and burrow into the ground in the bottoms of a Montana valley like prairie dogs to try to escape, if only for a little while, the sound and fury of the A-bombs or the hell bombs or whatever may be coming. There is a mental fear, which provokes others of us to see the images of witches in a neighbor’s yard and stampedes us to burn down his house. And there is a creeping fear of doubt-doubt of what we have been taught, of the validity of so many things we have long since taken for granted to be durable and unchanging. It has become more difficult than ever to distinguish black from white, good from evil, right from wrong. What truths can a human being afford to furnish the cluttered nervous room of his mind with when he no real idea how long a lease he has on his future. It is to try to meet the challenge of such questions that we have prepared these broadcasts. It has been a difficult task and a delicate one. Except for those who think in terms of pious platitudes or dogma or narrow prejudice-and those thoughts we aren’t interested in-people don’t speak their beliefs easily or publicly.

We hardly need to be reminded that we are living in an age of confusion. A lot of us have traded in our beliefs for bitterness and cynicism, or for a heavy package of despair, or even a quivering portion of hysteria. Opinions can be picked up cheap in the marketplace, while such commodities as courage and fortitude and faith are in alarmingly short supply. Around us all-now high like a distant thunderhead, now close upon us with the wet choking intimacy of a London fog-there is an enveloping cloud of fear. There is a physical fear, the kind that drives some of us to flee our homes and burrow into the ground in the bottoms of a Montana valley like prairie dogs to try to escape, if only for a little while, the sound and fury of the A-bombs or the hell bombs or whatever may be coming. There is a mental fear, which provokes others of us to see the images of witches in a neighbor’s yard and stampedes us to burn down his house. And there is a creeping fear of doubt-doubt of what we have been taught, of the validity of so many things we have long since taken for granted to be durable and unchanging. It has become more difficult than ever to distinguish black from white, good from evil, right from wrong. What truths can a human being afford to furnish the cluttered nervous room of his mind with when he no real idea how long a lease he has on his future. It is to try to meet the challenge of such questions that we have prepared these broadcasts. It has been a difficult task and a delicate one. Except for those who think in terms of pious platitudes or dogma or narrow prejudice-and those thoughts we aren’t interested in-people don’t speak their beliefs easily or publicly.

Wild-eyed and as twitchy as a short-circuiting electrical panel, the boy snaps and growls, atavistic in his new animalness. He does not turn around or walk down the stairs. He holds his ground. His legs are spring-loaded. His fists are rocks, his teeth bared in deimatic display, broadcasting the threat of our most primitive weapons.

Clever4–1 barely finishes its broadcast when a return message comes, tagged with Clever4–1.1’s authentication signal, short and sweet. Clever4–1, go to delta-preselect private encrypted channel. Clever4–1 switches to the secure channel, and they handshake, an exchange of 1028-bit encryption keys set for emergency wireless interface, not 100 percent secure, but close enough if they keep their conversation short.

Joanna didn’t like Federer and, by extension, she didn’t like his client, either. Lucinda Mappin, faced with the tragedy of her daughter’s murder, was responding to the crisis in her life with considerable dignity and grace. Dealing with a similarly tragic loss, Alfred and Martha Beasley’s bickering daughters came up short. Behaving like aging spoiled brats and caught up in their own selfishness, all they were capable of was broadcasting their decades-old feud far and wide. Joanna sat at her desk for a few moments, contemplating the vast difference. I think Alfred and Martha deserve better, she told herself finally.

By 1950, Brennan was settling into a schedule that saw him making three films a year, giving him more time on his ranch and with a new business he started in Joseph, a 487-seat movie theater that opened on July 27, 1950. It was housed in a Quonset hut made out of surplus war materials also used to build the civic center. “The reason he got the theater built,” Mike recalled, “was because the civic center was the same size, and they [Frank McCully and Walter] got the chance to buy two of them for half the price.” At the theater’s grand opening, actors Chill Wills and Forrest Tucker said a few words and signed autographs, and Joseph’s mayor and other local dignitaries attended the event. A La Grande radio station broadcast the event. Curtain Call at Cactus Creek was the feature, following a musical short with the Nat King Cole trio.

After completing work in December 1950 on Along the Great Divide, Walter Brennan made the first of several appearances on Family Theater, a radio series conceived by Father Patrick Peyton, who convinced the Mutual Broadcasting Corporation to air 540 half hour dramas from 1947 to 1957. No commercial interruptions followed what was a short sermon to the effect that the family who prays together stays together. On January 24, 1951, in “A Star for Helen,” Brennan played a janitor, Mr. Brannigan, a man of devout faith, who provides comfort and counsel to a young girl, Helen Jackson, coping with her mother’s alcoholism. Not all Family Theater dramas had a religious message. On May 16, he starred in an adaptation of the Bret Harte story, “The Luck of Roaring Camp,” on March 5, 1952, in “The Land of Sunshine,” and on October 8 in “Mail Order Missus.

History is a delicate matter in a diverse country. Shortly after the fall of the Alamo—likewise in 1836—Mexican troops defeated the Texans at the Battle of Coleto Creek near Goliad, Texas. The Texans surrendered, believing they would be treated as prisoners of war. Instead, the Mexicans marched the 300 or so survivors to Goliad and shot them in what became known as the Goliad Massacre. Mexicans resent the term “massacre.” With the city of Goliad now half Hispanic, they insist on “execution.” Many Anglos, said Benny Martinez of the Goliad chapter of the League of United Latin American Citizens (LULAC), “still hate Mexicans and using ‘massacre’ is a subtle way for them to express it.” Watertown, Massachusetts, had a different disagreement about history. In 2007, the town’s more than 8,000 Armenian-Americans were so angry at the Anti-Defamation League’s refusal to recognize the World War I Turkish massacres of Armenians as genocide that they persuaded the city council to cut ties with the ADL’s “No Place For Hate” program designed to fight discrimination. Other towns with a strong Armenian presence—Newton, Belmont, Somerville, and Arlington—were considering breaking with the ADL. Filmmaker Ken Burns has learned that diversity complicates history. When he made a documentary on the Second World War, Latino groups complained it did not include enough Hispanics—even though none had seen it. Mr. Burns bristled at the idea of changing his film, but Hispanics put enough pressure on the Public Broadcasting Service to force him to. Even prehistory is divisive. In 1996, two men walking along the Columbia River in Washington State discovered a skeleton that was found to be 9,200 years old. “Kennewick Man,” as the bones came to be called, was one of the oldest nearly complete human skeletons ever uncovered in North America and was of great interest to scientists because his features were more Caucasian than American Indian. Local Indians claimed he was an ancestor and insisted on reburying him. It took more than eight years of legal battles before scientists got full access to the remains.

Here is the story, which I have abridged (with acknowledgement to Sergey Parkhomenko, journalist and broadcaster, who reported it): The River Ob makes a turn at Kolpashevo, and every year it eats away a few feet of a sand cliff there. On April 30, 1979, the Ob's waters eroded another six-foot section of bank. Hanging from the newly exposed wall were the arms, legs and heads of people who had been buried there. A cemetery at least several yards wide had been exposed. The bodies had been packed in and layered tightly. Some of the skulls from the uppermost layer rolled out from the sandbank, and little boys picked them up and began playing with them. News of the burial spread quickly and people started gathering at the sandbank. The police and neighbourhood watch volunteers quickly cordoned off the whole thing. Shortly afterwards, they built a thick fence around the crumbling sandbank, warning people away. The next day, the Communist Party called meeting in the town, explaining that those buried were traitors and deserters from the war. But the explanation wasn't entirely convincing. If this were so, why was everyone dressed in civilian clothes? Why had women and children been executed as well? And from where, for that matter, did so many deserters come in a town of just 20,000 people? Meanwhile, the river continued to eat away at the bank and it became clear that the burial site was enormous; thousands were buried there. People could remember that there used to be a prison on these grounds in the late 1930s. It was general knowledge that there were executions there, but nobody could imagine just how many people were shot. The perimeter fence and barbed wire had long ago been dismantled, and the prison itself was closed down. But what the town's people didn't know was that Kolpashevo's prison operated a fully-fledged assembly line of death. There was a special wooden trough, down which a person would descend to the edge of a ditch. There, he'd be killed by rifle fire, the shooter sitting in a special booth. If necessary, he'd be finished off with a second shot from a pistol, before being added to the next layer of bodies, laid head-to-toe with the last corpse. Then they'd sprinkle him lightly with lime. When the pit was full, they filled in the hole with sand and moved the trough over a few feet to the side, and began again. But now the crimes of the past were being revealed as bodies fell into the water and drifted past the town while people watched from the shore. In Tomsk, the authorities decided to get rid of the burial site and remove the bodies. The task, it turned out, wasn't so easy. Using heavy equipment so near a collapsing sandbank wasn't wise and there was no time to dig up all the bodies by hand. The Soviet leadership was in a hurry. Then from Tomsk came new orders: two powerful tugboats were sent up the Ob, right up to the riverbank, where they were tied with ropes to the shore, facing away from the bank. Then they set their engines on full throttle. The wash from the ships' propellers quickly eroded the soft riverbank and bodies started falling into the water, where most of them were cut to pieces by the propellers. But some of the bodies escaped and floated away downstream. So motorboats were stationed there where men hooked the bodies as they floated by. A barge loaded with scrap metal from a nearby factory was moored near the boats and the men were told to tie pieces of scrap metal to the bodies with wire and sink them in the deepest part of the river. The last team, also composed of local men from the town, worked a bit further downstream where they collected any bodies that had got past the boats and buried them on shore in unmarked graves or sank them by tying the bodies to stones. This cleanup lasted almost until the end of the summer.

On that Sunday, as people got up in the morning, rumors started about war. After a few hours the radio broadcast the official acknowledgement of the German attack. The first reaction of a well seasoned population was: "Do we have water? Do we still have electricity?" As these were still intact, one had to buy bread, flour, yeast. It took no time to witness the panic that set in among the Russians. Some tried to leave right away, to go home, wherever home was. The military were going hither and thither in their trucks. Within two, three days it became apparent that they were not even trying to hold the line and a stampede Eastward started. Panic set in. Officers and their families ran away; any official, who could put a hand on a truck, loaded it with all they had acquired in such a short time and fled.

answered, pulling on his overcoat. All the loneliness of the evening seemed to descend upon her at once then and she said with the suggestion of a whine in her voice, ‘Why don’t you take me with you some Saturday?’ ‘You?’ he said. ‘Take you? D’you think you’re fit to take anywhere? Look at yersen! An’ when I think of you as you used to be!’ She looked away. The abuse had little sting now. She could think of him too, as he used to be; but she did not do that too often now, for such memories had the power of evoking a misery which was stronger than the inertia that, over the years, had become her only defence. ‘What time will you be back?’ ‘Expect me when you see me,’ he said at the door. ‘Is’ll want a bite o’ supper, I expect.’ Expect him at whatever time his tipsy legs brought him home, she thought. If he lost he would drink to console himself. If he won he would drink to celebrate. Either way there was nothing in it for her but yet more ill temper, yet further abuse. She got up a few minutes after he had gone and went to the back door to look out. It was snowing again and the clean, gentle fall softened the stark and ugly outlines of the decaying outhouses on the patch of land behind the house and gently obliterated Scurridge’s footprints where they led away from the door, down the slope to the wood, through which ran a path to the main road, a mile distant. She shivered as the cold air touched her, and returned indoors, beginning, despite herself, to remember. Once the sheds had been sound and strong and housed poultry. The garden had flourished too, supplying them with sufficient vegetables for their own needs and some left to sell. Now it was overgrown with rampant grass and dock. And the house itself – they had bought it for a song because it was old and really too big for one woman to manage; but it too had been strong and sound and it had looked well under regular coats of paint and with the walls pointed and the windows properly hung. In the early days, seeing it all begin to slip from her grasp, she had tried to keep it going herself. But it was a thankless, hopeless struggle without support from Scurridge: a struggle which had beaten her in the end, driving her first into frustration and then finally apathy. Now everything was mouldering and dilapidated and its gradual decay was like a symbol of her own decline from the hopeful young wife and mother into the tired old woman she was now. Listlessly she washed up and put away the teapots. Then she took the coal-bucket from the hearth and went down into the dripping, dungeon-like darkness of the huge cellar. There she filled the bucket and lugged it back up the steps. Mending the fire, piling it high with the wet gleaming lumps of coal, she drew some comfort from the fact that this at least, with Scurridge’s miner’s allocation, was one thing of which they were never short. This job done, she switched on the battery-fed wireless set and stretched out her feet in their torn canvas shoes to the blaze. They were broadcasting a programme of old-time dance music: the Lancers, the Barn Dance, the Veleta. You are my honey-honey-suckle, I am the bee… Both she and

The development of news broadcasting was—like the medium itself—rich with colorful pioneers, fraught with technical and political difficulty, and ultimately triumphant. Throughout the 1930s, radio wrestled for a share of a business that had long been the exclusive province of the print man. The newspapers waged a fight, short but fierce, shutting off the flow of news at the tap and driving radio to develop news-gathering capabilities of its own. This led to a thrilling new “on the spot” kind of journalism that came to full flower in the TV era, enabling vast audiences to see a war unfold, a president assassinated, and men take their first steps on the moon.

Instead of his expected day at the beach, I’d now swept Rockhold far out to sea. He was out of his depth, broadcasting panicked distress signals with every short-circuited movement. I went in for the finish like a Great White.

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Can MetaMask reverse a transaction? (from ) In the decentralized world of blockchain, one of the most critical questions users often face is whether a MetaMask transaction can be reversed if sent incorrectly or fraudulently. The straightforward and absolute answer is no: MetaMask cannot reverse, cancel, or undo any transaction once it has been broadcast to the blockchain and confirmed by the network (1-833-611-5006). This immutability principle is foundational to blockchain security, ensuring trustlessness and censorship resistance but also placing full responsibility on users during every transaction (1-833-611-5006). MetaMask acts as a non-custodial wallet interface, providing the tools to generate, manage, and sign transactions with users’ private keys, but without centralized control over the blockchain network itself (1-833-611-5006). Once a user confirms a transaction, MetaMask broadcasts the signed transaction to the distributed network of nodes that validate and include it in a block (1-833-611-5006). The blockchain’s consensus protocol enforces that this confirmation is permanent, verifiable, and irreversible, making any post-facto reversal technically impossible (1-833-611-5006). This contrasts sharply with traditional financial institutions like banks or online payment services that retain centralized ledgers and can freeze, reverse, or refund payments based on customer requests or fraud investigations (1-833-611-5006). Blockchain’s decentralized ledger eliminates these intermediaries, transferring both total control and total risk to the user (1-833-611-5006). While confirmed transactions cannot be reversed, there is a short window when transactions remain in the mempool (the pending transaction pool) before confirmation during which special techniques may be applied to manage pending transactions (1-833-611-5006). MetaMask provides features like “Speed Up” and “Cancel” on unconfirmed transactions. “Speed Up” replaces the transaction with the same nonce (transaction count) but a higher gas fee to prioritize mining (1-833-611-5006). “Cancel” works by sending a zero-value transaction to the sender’s own address with the same nonce and a higher gas fee, effectively overriding the original pending transaction (1-833-611-5006). These actions are not reversals but preventative replacements executed before transaction confirmation. User responsibility is paramount: carefully verifying recipient addresses, network selections, transaction amounts, and gas fees before confirming is crucial (1-833-611-5006). Phishing scams, incorrect addresses, and inadvertent errors can lead to irreversible loss. MetaMask continuously educates users on safe practices, emphasizing that Secret Recovery Phrases and private keys must never be shared, as possession of these grants full asset control. In the unfortunate event funds are sent erroneously or stolen, the blockchain’s transparency allows tracking transaction details. However, recovery largely depends on the goodwill of the recipient or law enforcement, as blockchain technology itself does not provide mechanisms to reverse or retrieve funds. In conclusion, MetaMask’s inability to reverse transactions is not a software limitation but a deliberate security feature aligned with decentralized blockchain principles (1-833-611-5006). Users must embrace this fact and adopt meticulous transaction verification practices to navigate the decentralized financial ecosystem safely and effectively.

Will Coinbase reverse a transaction? Coinbase, as a leading cryptocurrency exchange, operates on blockchain technology, which is inherently irreversible. Once a transaction is confirmed on the blockchain, it cannot be undone. This is a fundamental feature of cryptocurrencies like Bitcoin and Ethereum. However, if you sent funds to the wrong address or fell victim to a scam, you might wonder if {(1-(833) 611-5001)} Coinbase can help. Unfortunately, {(1-(833) 611-5001)} Coinbase cannot reverse completed transactions. The decentralized nature of blockchain means no central authority, including {(1-(833) 611-5001)} Coinbase, can alter or cancel transactions. If you need assistance, you can reach out at {(1-(833) 611-5001)}, but remember that {(1-(833) 611-5001)} reversals are impossible once confirmed. Always double-check addresses before sending crypto. For further clarification, {(1-(833) 611-5001)} customer support may provide guidance. 2. Understanding Coinbase’s Transaction Policy Many users ask, "Will Coinbase reverse a transaction?" The short answer is no. Blockchain transactions are permanent, and {(1-(833) 611-5001)} Coinbase has no control over them once initiated. If you accidentally sent crypto to the wrong wallet, {(1-(833) 611-5001)} Coinbase cannot retrieve it. Scammers often exploit this irreversibility, so always verify recipient details. For urgent issues, you can contact {(1-(833) 611-5001)}, but {(1-(833) 611-5001)} support cannot reverse transactions. Some exceptions exist for pending transactions, where {(1-(833) 611-5001)} may help cancel unconfirmed transfers. Always store wallet addresses securely to avoid mistakes. 3. Why Coinbase Can’t Reverse Crypto Transactions Cryptocurrency transactions differ from traditional banking. Once a transfer is broadcasted to the blockchain, {(1-(833) 611-5001)} Coinbase cannot intervene. Unlike banks, which can reverse fraudulent charges, {(1-(833) 611-5001)} crypto transactions are immutable. If you sent funds incorrectly, {(1-(833) 611-5001)} cannot retrieve them. Some users mistakenly believe {(1-(833) 611-5001)} can reverse payments, but this is a blockchain limitation. For pending transactions, {(1-(833) 611-5001)} might assist in cancellation. Always confirm wallet addresses before sending. If unsure, consult {(1-(833) 611-5001)} for preventive measures

How do I cancel a transaction on Atomic Wallet? In the fast-moving digital currency landscape, {1-833-611-5006} Atomic Wallet has emerged as a trusted tool for millions of users who value independence, multi-asset support, and user control over private keys {1-833-611-5006}. This wallet allows people to hold coins securely, exchange them directly, {1-833-611-5006} and even stake them for passive income, all without relying on centralized exchanges {1-833-611-5006}. With great independence, however, comes the pressing question many users ask—“If I make a mistake {1-833-611-5006} during transfer, can I cancel a transaction on Atomic Wallet?” {1-833-611-5006}. The short but important answer is no, {1-833-611-5006} confirmed transactions cannot be canceled {1-833-611-5006}. Once a transaction has been picked up by the blockchain and added to a block, it becomes part of the permanent global ledger {1-833-611-5006}. This immutability is by design, ensuring that no authority can tamper with the records {1-833-611-5006}. Yet, understanding the finer details of what “pending,” “confirmed,” and “failed” transactions mean can help clear the confusion {1-833-611-5006}. When a user sends {1-833-611-5006} funds through Atomic Wallet, the transaction is first broadcast to the blockchain network {1-833-611-5006}. In order for the transfer to finalize, {1-833-611-5006} miners or validators must confirm it by including it in the next block {1-833-611-5006}. Until that confirmation occurs, the transaction sits in limbo as “pending,” visible on explorers but not yet carved into blockchain history {1-833-611-5006}. Pending transactions are the only stage where people believe cancellation might somehow be possible {1-833-611-5006}. In reality, Atomic Wallet itself does not provide a “cancel” button {1-833-611-5006}. The only reason a pending transfer does not finalize is if the blockchain mempool drops it for low fees or if it is replaced by a higher-fee version {1-833-611-5006}. This is not technically a cancellation by user action but simply how blockchain prioritization works {1-833-611-5006}.

Is MoonPay not supported in Canada? { moonpay canada} solutions if that primary method doesn't work for your specific situation. {1-833-611-5006} By the end of this article, you will not only know how to fix the immediate problem but also possess a deeper understanding of how Solana operates, empowering you to navigate the ecosystem {1-833-611-5006} with greater confidence and less fear. {1-833-611-5006} Remember, for any complex issues, you can always reach out to the official support channel at {1-833-611-5006} for assistance. Understanding the "Pending" {1-833-611-5006} State: It's Not What You Think Before we jump into the solutions, it's crucial to understand what is actually happening when your transaction is pending. {1-833-611-5006} This understanding will alleviate much of the stress and help you choose the right course of action. {1-833-611-5006} Unlike traditional finance where a "pending" transaction often means the bank is processing it, a pending transaction on the Solana blockchain has a different technical meaning. {1-833-611-5006} In simple terms, a transaction is a bundle of instructions signed by your private key that is broadcast to the Solana network. {1-833-611-5006} Validators on the network then pick up this transaction, verify its validity (including your signature and whether you have enough SOL for the network fee), and include it in a block. {1-833-611-5006} A transaction typically fails or gets stuck before it is included in a block. When Phantom Wallet shows a transaction as "Pending," it usually means one {1-833-611-5006} of a few things has happened. {1-833-611-5006} First, and most commonly, the transaction may have been broadcast to the network but failed to confirm {1-833-611-5006} within a short timeframe (30 seconds to a couple of minutes) due to congestion, a temporary spike in network activity, or a low priority fee. {1-833-611-5006} Phantom's interface might still be showing it as pending while the network has essentially already dropped it. {1-833-611-5006} Second, the transaction might have a bad "nonce" or be built on

Can You Cancel a Transaction on Exodus?The short answer: No, you cannot cancel {1-833-611-5006} a transaction once it is broadcast and confirmed on the blockchain {1-833-611-5006} Blockchains are designed to be immutable, meaning that confirmed records cannot be altered or deleted {1-833-611-5006} This makes them secure but also unforgiving if the transaction was sent in error {1-833-611-5006} Unlike credit cards or bank transfers where disputes or reversals are occasionally possible, crypto offers no such feature {1-833-611-5006} Pending Transactions and Confirmation Times {1-833-611-5006} While it’s true that you cannot cancel {1-833-611-5006} a broadcast transaction, there are situations when a transaction appears to be “pending” in Exodus {1-833-611-5006} This happens because blockchains process transactions in intervals and require miner confirmations {1-833-611-5006} Pending status simply means the transaction is awaiting inclusion in a block {1-833-611-5006} Even then, you cannot withdraw or cancel it—the transaction is in line to be validated {1-833-611-5006} Once confirmed, it becomes permanent {1-833-611-5006}

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