La Sunset Quotes

The contemplation of beauty, whether it be a uniquely tinted sunset, a radiant face, or a work of art, makes us glance back unwittingly at our personal past and juxtapose ourselves and our inner being with the utterly unattainable beauty revealed to us.

First of all, let's get one thing straight. Your Italy and our Italia are not the same thing. Italy is a soft drug peddled in predictable packages, such as hills in the sunset, olive groves, lemon trees, white wine, and raven-haired girls. Italia, on the other hand, is a maze. It's alluring, but complicated. It's the kind of place that can have you fuming and then purring in the space of a hundred meters, or in the course of ten minutes. Italy is the only workshop in the world that can turn out both Botticellis and Berlusconis.

Sunset, springtime, the blue of the sea, the stars in the sky, all the things that entrance us exert their magic only in the orbit if woman.

There is a place they call La Pature, on the top of the hill, on the edge of the forest. Sometimes, on Sundays, I go and stay there with a book, watching the sunset.

There was still an hour or two of daylight - even though clouds admitted only a greyish light upon the world, and his Uncle Timothy's house was by nature friendly to gloom. ("Out Of The Deep")

Yearning is a red-haired girl sitting on the hood of her silver sedan, reading about Marilyn Monroe. A cherry orchard at night, houselights in the distance. It's the painstaking neatness of a paint-by-number sunset, a yellowed letter held between graceful fingers, a cautious step into the sun-filled lobby of a famous hotel. It's the way I feel every time I think about Ava.

una vida rota por el exceso y la escasez de este mundo

Me preguntaba de qué soy profesor. Bien, yo profeso la oscuridad. Esa noche disfrazada de día. Y ahora, le deseo lo mejor pero debo irme.

The words make sense, but deeper than the words is the truth. She's right. If Mabel's talking about the girl who hugged her good-bye before she left for Los Angeles, who laced fingers with her at the last bonfire of the summer and accepted shells from almost-strangers, who analyzed novels for fun and lives with her grandfather in a pink, rent-controlled house in the Sunset that often smelled like cake and was often filled with elderly, gambling men—if she's talking about that girl, then yes, I dissapeared.

From sunset she appeared, Her cloak pierced by a bloom Of unfamiliar climes. She summoned me somewhere Into the northern gloom And aimless winter ice. And bonfire burned 'mid night, And with its tongues the blaze Did lick the very skies. The eyes flashed fiery light, And falling as black snakes The tresses were released. And then the snakes encircled My mind and lofty spirit Lay spread upon the cross. And in the snowdust's swirl To black eyes I am true, To beauty of the coils. (untitled: "From sunset she appeared")

The difference between Marilyn’s and Jayne’s approach to intellectual pursuits is that Marilyn carried big heavy books around and hung out with brainy people to absorb their intellect, while Jayne really had a thirst for knowledge. Jayne was very proud of the fact that if she like something enough she would commit it to memory. At that time, The Satanic Bible was still in monograph form, and Jayne had pored over those pages until she knew most of it by heart...Marilyn gave me a copy of Stendhal’s On Love, and I still have a copy of Walter Benton’s This is My Beloved, which we bought together on Sunset Boulevard. Marilyn turned me on to it—wanted me to read it and write something in it for her. I got as far as writing her name in it, but I ended up with the book. It meant a lot to me during a particularly dark period in my life after I left L.A. Jayne kept insisting I read The Story of O and I, Jan Cremer. She gave me a dog-eared copy of each. It seems a distinctly feminine trait to want to share books with people they care deeply about.

In short, he became so absorbed in his books that he spent his nights from sunset to sunrise, and his days from dawn to dark, poring over them; and what with little sleep and much reading his brains got so dry that he lost his wits.

I have admired the romantic elegance of the Place de la Concorde in Paris, have felt the mystic message from a thousand glittering windows at sunset in New York, but to me the view of the London Thames from our hotel window transcends them all for utilitarian grandeur - something deeply human.

The shrub that half concealed her was a malignant plant, a Madagascan tanghin tree with wide, box-like leaves with whitish stems, whose smallest veins distilled a venomous fluid. At a moment when Louise and Maxime laughed more loudly in the reflected yellow light of the sunset in the little boudoir, Renée, her mind wandering, her mouth dry and parched, took between her lips a sprig of the tanghin tree that was level with her mouth, and sank her teeth into one of its bitter leaves.

I stood in a clearing among a stand of beech trees, leaves as red as rubies, branches black as jet. It was sunset, and shafts of richly colored sunlight struck through the delicate pillars of the tree trunks, as if through the lancet windows of a cathedral.

... the glow of a sunset more lasting, more roseate. more human - filling, perhaps, with romantic wonder the thoughts of some solitary lover, wandering in the street below and brought to a standstill before the mystery of the human presence which those lighted windows at once revealed and screened from sight...

Además, aquella noche era distinta. La luna lucía llena en el cielo, brillando en las alturas como un dólar de plata, y el aparcamiento delantero del 26 estaba vacío.

La besó allí, en el borde de la pista de baile, y a juzgar por lo que estaba sintiendo, la posibilidad de hacer el amor no quedaba en absoluto descartada.

Southern California sunsets, neon, flowers, ocean, desert landscapes, and wide boulevards sifted their ways into the subconsciousnesses (or consciousnesses) of L.A. artists.

La realidad es un misterio, doctor Bonsaint, y la textura corriente de las cosas es la tela que usamos para ocultar su resplandor y oscuridad. Pienso que cubrimos los rostros de los cadáveres por la misma razón. Vemos las caras de los muertos como una especie de puerta. Está cerrada para nosotros… pero sabemos que no lo estará siempre. Algún día se abrirá para cada uno de nosotros y la atravesaremos.

I fucking love LA (dog birthday parties! spiritual healers on every corner! unironic oxygen bars!). You might not think so because I’m a misanthropic depressed person with menopause acne whose hips are too wide for every single restaurant chair in Silverlake, but you would be wrong. I’m a Fat Bitch from the Middle West and I love accidentally running into minor celebrities with my cart in the wheatgrass aisle at the Rock ’N Roll Ralph’s on Sunset.

In short, he became so absorbed in his books that he spent his nights from sunset to sunrise, and his days from dawn to dark, poring over them; and what with little sleep and much reading his brains got so dry that he lost his wits. His fancy grew full of what he used to read about in his books, enchantments, quarrels, battles, challenges, wounds, wooings, loves, agonies, and all sorts of impossible nonsense; and it so possessed his mind that the whole fabric of invention and fancy he read of was true, that to him no history in the world had more reality in it.

NERO- Menomale che dici così, professore. Perché non ci trovo niente da ridere manco io. E' solo che ogni minuto che passa mi meraviglio di più. Ma possibile che non ti vedi, zuccherino? Sei trasparente come il vetro. Vedo le rotelline che ti girano dentro la testa. Gli ingranaggi. E vedo anche la luce. Una luce buona. Una luce vera. Tu non la vedi?

This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals sails appeared charmed. They blazed red in the day and silver at night, like a magician’s cloak, hinting at mysteries concealed beneath, which Tella planned to uncover that night. Drunken laughter floated above her as Tella delved deeper into the ship’s underbelly in search of Nigel the Fortune-teller. Her first evening on the vessel she’d made the mistake of sleeping, not realizing until the following day that Legend’s performers had switched their waking hours to prepare for the next Caraval. They slumbered in the day and woke after sunset. All Tella had learned her first day aboard La Esmeralda was that Nigel was on the ship, but she had yet to actually see him. The creaking halls beneath decks were like the bridges of Caraval, leading different places at different hours and making it difficult to know who stayed in which room. Tella wondered if Legend had designed it that way, or if it was just the unpredictable nature of magic. She imagined Legend in his top hat, laughing at the question and at the idea that magic had more control than he did. For many, Legend was the definition of magic. When she had first arrived on Isla de los Sueños, Tella suspected everyone could be Legend. Julian had so many secrets that she’d questioned if Legend’s identity was one of them, up until he’d briefly died. Caspar, with his sparkling eyes and rich laugh, had played the role of Legend in the last game, and at times he’d been so convincing Tella wondered if he was actually acting. At first sight, Dante, who was almost too beautiful to be real, looked like the Legend she’d always imagined. Tella could picture Dante’s wide shoulders filling out a black tailcoat while a velvet top hat shadowed his head. But the more Tella thought about Legend, the more she wondered if he even ever wore a top hat. If maybe the symbol was another thing to throw people off. Perhaps Legend was more magic than man and Tella had never met him in the flesh at all. The boat rocked and an actual laugh pierced the quiet. Tella froze. The laughter ceased but the air in the thin corridor shifted. What had smelled of salt and wood and damp turned thick and velvet-sweet. The scent of roses. Tella’s skin prickled; gooseflesh rose on her bare arms. At her feet a puddle of petals formed a seductive trail of red. Tella might not have known Legend’s true name, but she knew he favored red and roses and games. Was this his way of toying with her? Did he know what she was up to? The bumps on her arms crawled up to her neck and into her scalp as her newest pair of slippers crushed the tender petals. If Legend knew what she was after, Tella couldn’t imagine he would guide her in the correct direction, and yet the trail of petals was too tempting to avoid. They led to a door that glowed copper around the edges. She turned the knob. And her world transformed into a garden, a paradise made of blossoming flowers and bewitching romance. The walls were formed of moonlight. The ceiling was made of roses that dripped down toward the table in the center of the room, covered with plates of cakes and candlelight and sparkling honey wine. But none of it was for Tella. It was all for Scarlett. Tella had stumbled into her sister’s love story and it was so romantic it was painful to watch. Scarlett stood across the chamber. Her full ruby gown bloomed brighter than any flowers, and her glowing skin rivaled the moon as she gazed up at Julian. They touched nothing except each other. While Scarlett pressed her lips to Julian’s, his arms wrapped around her as if he’d found the one thing he never wanted to let go of. This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals were as ephemeral as feelings, eventually they would wilt and die, leaving nothing but the thorns.

He disappeared inside and I leaned back on the seat to stare straight up the star-crazed sky. It seemed about 6 feet above my eyes. Or maybe 60 feet, or 600. I couldn't be sure, and it didn't matter, anyway, because by that time I was convinced I was in the cockpit of a 727 coming into LA at midnight. Jesus, I thought, I am ripped straight to the tits. Where am I? Are we going up or down? Somewhere in the back of my brain, I knew I was sitting in a Jeep in the parking lot of a night club on an island off the Mexican coast - but how could I really be sure, with another part of my brain convinced that I was looking down on the huge glittering bowl of Los Angeles from the cockpit of a 727? Was that the Milky Way? Or Sunset Boulevard? Orion, or the Beverly Hills Hotel? Who gives a fuck? I thought.

But the Bible was better than those other spinach-colored Classic books that spent most of their time flossing with long sentences about pastures and fake sunsets and white dudes named Spencer. I didn't hate on spinach, fake sunsets, or white dudes named Spencer, but you could just tell that whoever wrote the sentences in those books never imagined they'd be read by Grandma, Uncle Relle, LaVander Peeler, my cousins, or anyone I'd ever met.

Forse è la vita chiusa che facciamo qui, e la noia in cui ci imbattiamo quando cerchiamo di variarla. Queste abitudini, questi giorni come vestiti vecchi. Ieri un giorno di luce brillante, di brillantezza acustica: il tintinnio di ruote di treni lontani sui binari risuonava netto. Dolori da sinusite. Ho portato Ben in macchina sulla collina a vedere il tramonto, il buio terso, le colline, le luci lontane, le nuvole tinte, il cielo color lavanda e limone.

Non ricorda più l'ultima volta che è riuscita a dormire per sei ore piene, sei ore ininterrotte senza svegliarsi da un brutto sogno o scoprire che i suoi occhi si erano aperti all'alba, e sa che questi problemi di sonno sono un brutto segno, un avviso inequivocabile del fatto che l'aspettano guai, ma malgrado quello che continua a ripeterle sua madre, non vuole tornare ai farmaci. Prendere una di quelle pillole è come inghiottire una piccola dose di morte. Quando inizi con quella roba, i tuoi giorni vengono trasformati in un regime stordente di smemoratezza e confusione, e non c'è momento in cui senti la testa imbottita di batuffoli di cotone e brandelli di carta. Ellen non vuole chiudere la sua vita per sopravvivere alla sua vita. Vuole che i suoi sensi siano svegli, formulare pensieri che non svaniscano nel mentre le si presentano, sentirsi viva in tutti i modi in cui un tempo si sentiva viva. Ora non sono in programma collassi. Non può permettersi altri cedimenti, ma malgrado gli sforzi di tenersi salda nel qui e ora, la pressione si è nuovamente accumulata in lei, ricomincia a sentire fitte del vecchio panico, il nodo nella gola, il sangue che le scorre troppo in fretta nelle vene, il cuore contratto e il polso frenetico. Paura senza oggetto, come gliel'ha descritta una volta il dottor Burnham. No, dice ora fra sé: paura di morire senza aver vissuto.

The Men’s Central Jail is an anonymous building behind Central Station, less than ten minutes from the Criminal Courts Building in downtown L.A. I parked in a neat, modern underground parking structure, then walked up steps to a very nice plaza. Nicely dressed people were sipping lattes and strolling about the plaza, and no one seemed to mind that the plaza adjoined a place housing felons and gangbangers and the wild men of an otherwise civil society. Perhaps because this is L.A. and the jail is so nice. There’s a fountain in the plaza, and it’s very nice, too.

Najbardziej lubię koniec grudnia, kiedy ciemno robi się o czwartej. Mogę włożyć pidżamę, łyknąć środek nasenny, położyć się do łóżka z butelką wina i książką. Tak żyję od lat. Słońce wstaje o dziewiątej, zanim człowiek się umyje i wypije parę kaw, robi się południe i trzeba przetrwać już tylko cztery godziny, co zazwyczaj udaje mi się bezboleśnie. Ale wiosna jest nie do zniesienia, niekończące się cudowne zachody słońca, jak w jakiejś pieprzonej operze, wciąż nowe kolory, nowe blaski; raz postanowiłem zostać tu przez całą wiosnę i lato; myślałem, że umrę, co wieczór byłem na skraju samobójstwa, przez ten zmrok, który godzinami nie chciał zapaść.

Then he said something about how L.A. is dust and exhaust and the hot, dry wind that sets your nerves on edge and pushes fire up the hillsides in ragged lines like tears in the paper that separates us from hell, and it’s towering clouds of smoke, and it’s sunshine that won’t let up and cool ocean fog that gets unrolled at night over the whole basin like a clean white hospital sheet and peeled back again in the morning. It’s a crescent moon in a sky bruised green after the sunset has beaten the shit out of it. It’s a lazy hammock moon rising over power lines, over the skeletal silhouettes of pylons, over shaggy cypress trees and the spiky black lionfish shapes of palm-tree crowns on too-skinny trunks. It’s the Big One that’s coming to turn the city to rubble and set the rubble on fire but not today, hopefully not today. It’s the obviousness of pointing out that the freeway looks like a ruby bracelet stretched alongside a diamond one, looks like a river of lava flowing counter to a river of champagne bubbles. People talk about the sprawl, and, yeah, the city is a drunk, laughing bitch sprawled across the flats in a spangled dress, legs kicked up the canyons, skirt spread over the hills, and she’s shimmering, vibrating, ticklish with light. Don’t buy a star map. Don’t go driving around gawking because you’re already there, man. You’re in it. It’s all one big map of the stars.

I’m an overthinker. Many of us are. My mind gets racing a thousand miles a minute and I get anxious about my work, my career, or where I need to be in thirty minutes. Every day I need to shut down this machine and simply be still. Be aware of your breathing, really feel your breath going in, going out. Be aware of the feeling of the cloth on your shirt. Be aware of the grip on the steering wheel. Tell yourself--out oud--that the only thing that truly exists right now is this exact moment, and enjoy it, swim in it. Someone once said that your mind is like a raging river that’s full of debris, and when you’re floating in this river, you reach out and try to grab the branches and rocks. But what if you could climb onto the bank and watch the river? Suddenly you’re in a calm place. Maybe it sounds like a cliché to say, “Stop and smell the roses,” so I’ll tell you this instead: “Stop and watch the sunset.” Just the other night, driving home in L.A., I was struck by how beautiful the sky was--a dark blue canvas painted with strokes of bright orange and red. It was truly one of the most glorious sunsets I’d ever seen. I was stuck in traffic, worrying about one thing or another, and I just gazed out the window and drank it in. I let it fill my soul and inspire me. The world stopped revolving for just that split second, and my mind was still and calm. And to think, I could have missed it.

Notte raminga e fuggitiva lanciata veloce lungo le strade d’Emilia a spolmonare quel che ho dentro, notte solitaria e vagabonda a pensierare in auto verso la prateria, lasciare che le storie riempiano la testa che così poi si riposa, come stare sulle piazze a spiare la gente che passeggia e fa salotto e guarda in aria, tante fantasie una sopra e sotto all’altra, però non s’affatica nulla. Correre allora, la macchina va dove vuole, svolta su e giù dalla via Emilia incontro alle colline e alle montagne oppure verso i fiumi e le bonifiche e i canneti. Poi tra Reggio e Parma lasciare andare il tiramento di testa e provare a indovinare il numero dei bar, compresi quelli all’interno delle discoteche e dei dancing all’aperto ora che è agosto e hanno alzato persino le verande per godersi meglio le zanzare e il puzzo della campagna grassa e concimata. Lungo la via Emilia ne incontro le indicazioni luminose e intermittenti, i parcheggi ampi e infine le strutture di cemento e neon violacei e spot arancioni e grandifari allo iodio che si alzano dritti e oscillano avanti e indietro così che i coni di luce si intrecciano alti nel cielo e pare allora di stare a Broadway o nel Sunset Boulevard in una notte di quelle buone con dive magnati produttori e grandi miti. Ne immagino ventuno ma prima di entrare in Parma sono già trentatré, la scommessa va a puttane, pazienza, in fondo non importa granché.

Magari potresti provarci, a ricominciare da zero. Non intendo ricominciare e basta, quello l'hanno fatto tutti. Da zero significa da zero. Significa prendere e andare. Cioè, se tutto quello che hai e tutto quello che hai fatto alla fine ti ha portato sul fondo di una bottiglia di whiskey o ti ha regalato un bel biglietto di sola andata sul Sunset Limited, allora non mi puoi portare uno straccio di motivo al mondo per dover salvare qualcosa, di tutta quella roba lì. Perché non c'è motivo al mondo. E ti voglio dire che se una buona volta riesci a chiuderti la porta alle spalle e a non pensarci più, vedrai che avrai freddo e ti sentirai solo e soffierà un ventaccio malefico. E questi sono tutti buoni segni. Tu non dici niente. Ti alzi il colletto e vai avanti.

The deaths of writers aren’t special deaths; they just happen to be described deaths. I think of Flaubert lying on his sofa, struck down – who can tell at this distance? – by epilepsy, apoplexy or syphilis, or perhaps some malign axis of the three. Yet Zola called it une belle mort – to be crushed like an insect beneath a giant finger. I think of Bouilhet in his final delirium, feverishly composing a new play in his head and declaring that it must be read to Gustave. I think of the slow decline of Jules de Goncourt: first stumbling over his consonants, the c’s turning to t’s in his mouth; then being unable to remember the titles of his own books; then the haggard mask of imbecility (his brother’s phrase) slipping over his face; then the deathbed visions and panics, and all night long the rasping breaths that sounded (his brother’s words again) like a saw cutting through wet wood. I think of Maupassant slowly disintegrating from the same disease, transported in a strait-jacket to the Passy sanatorium of Dr Blanche, who kept the Paris salons entertained with news of his celebrated client; Baudelaire dying just as inexorably, deprived of speech, arguing with Nadar about the existence of God by pointing mutely at the sunset; Rimbaud, his right leg amputated, slowly losing all feeling in the limbs that remained, and repudiating, amputating his own genius –‘Merde pour la poésie’; Daudet ‘vaulting from forty-five to sixty-five’, his joints collapsing, able to become bright and witty for an evening by giving himself five morphine injections in a row, tempted by suicide –But one doesn’t have the right.

Little Moments that bloom in Christmas hue. How beautiful the night shines in the hue of dreams, as if lulling along a distant breeze, wrapped in a cold warmth of a solitary winter's eve! To me, Christmas is always about a bunch of happy moments, simple yet ornate in a colour of joy, something that connects our hearts to all that is pure and pristine, all that is beautifully simple and soulfully happy. And if we look closely, we can find those moments, every day in our regular lives, from sipping on our early morning coffee to munching on our midnight snack, from taking a moment to gaze at the sunset to simply sitting silent listening to our soul, beautiful unfiltered unadulterated moments that often go unnoticed yet remain forever warmed up in the cold embrace of our heart, frozen in a niche of a dream called Life. After all, Life is a beautiful dream. La vie est un beau rêve Stay in Love.

You go through life thinking there’s so much you need. Your favorite jeans and sweater. The jacket with the faux-fur lining to keep you warm. Your phone and your music and your favorite books. Mascara. Irish Breakfast tea and cappuccinos from Trouble Coffee. You need your yearbooks, every stiffly posed school-dance photo, the notes your friends slipped into your locker. You need the camera you got for your sixteenth birthday and the flowers you dried. You need your notebooks full of the things you learned and don’t want to forget. You need your bedspread, white with black diamonds. You need your pillow—it fits the way you sleep. You need magazines promising self-improvement. You need your running shoes and your sandals and your boots. Your grade report from the semester you got straight As. Your prom dress, your shiny earrings, your pendants on delicate chains. You need your underwear, your light-colored bras and your black ones. The watercolor sunset hanging above your bed. The dozens and dozens of shells in glass jars. You think you need all of it. Until you leave with only your phone, your wallet, and a picture of your mother.

YOU GO THROUGH LIFE thinking there’s so much you need. Your favorite jeans and sweater. The jacket with the faux-fur lining to keep you warm. Your phone and your music and your favorite books. Mascara. Irish Breakfast tea and cappuccinos from Trouble Coffee. You need your yearbooks, every stiffly posed school-dance photo, the notes your friends slipped into your locker. You need the camera you got for your sixteenth birthday and the flowers you dried. You need your notebooks full of the things you learned and don’t want to forget. You need your bedspread, white with black diamonds. You need your pillow—it fits the way you sleep. You need magazines promising self-improvement. You need your running shoes and your sandals and your boots. Your grade report from the semester you got straight As. Your prom dress, your shiny earrings, your pendants on delicate chains. You need your underwear, your light-colored bras and your black ones. The watercolor sunset hanging above your bed. The dozens and dozens of shells in glass jars. The cab was waiting outside the station. The airport, I said, but no sound came out. “The airport,” I said, and we pulled away. You think you need all of it. Until you leave with only your phone, your wallet, and a picture of your mother.

El júbilo de ver de nuevo su rostro, de volver a abrazarla, de escuchar su risa, de verla comer, de mirar sus manos otra vez, la dicha de contemplar su cuerpo desnudo, de besar su cuerpo desnudo, de ver cómo frunce el ceño, cómo se cepilla el pelo, se pinta las uñas, la alegría de estar otra vez con ella en la ducha, de hablar de libros con ella otra vez, de ver cómo se le llenan los ojos de lágrimas, de ver cómo camina, de oír cómo insulta a Ángela, el regocijo de leerle en voz alta, de oírla eructar, de ver cómo se cepilla los dientes, el gozo de desnudarla de nuevo, de juntar otra vez la boca con la suya, de mirarle la nuca, el placer de andar por la calle con ella, de ponerle el brazo sobre los hombros, de lamerle los pechos de nuevo, de penetrar en su cuerpo, de volver a despertarse a su lado, de hablar de matemáticas con ella, de comprarle ropa, de darle y recibir masajes en la espalda, de volver a hablar de su porvenir, la alegría de vivir otra vez con ella en el presente, de oírla decir que lo quiere, de decirle que la quiere, de volver a sentir la mirada de sus intensos ojos negros, y luego la tortura de verla abordar el autobús en la terminal de Port Authority en la tarde del 3 de enero con la plena conciencia de que hasta abril, dentro de más de tres meses, no tendrá ocasión de volver a estar con ella.

BIANCO- Non mi pare proprio. Lei lo vede, Gesù? NERO- No. Non lo vedo. BIANCO- Però ci parla. NERO- Ogni santo giorno. BIANCO- E lui parla con lei. NERO- Mi ha parlato. Si. BIANCO- Ma lei lo sente? Sente proprio la sua voce? NERO- No, non sento la sua voce. Non sento neanche la mia, se è per questo. A lui però l'ho sentito. BIANCO- Bè, allora Gesù non potrebbe essere soltanto nella sua testa? NERO- Infatti è nella mia testa. BIANCO- Allora non capisco cos'è che sta cercando di dirmi. NERO- Lo so che non capisci, zuccherino. Sta' a sentire. La prima cosa che devi tenere presente è che io, nella testa, non ho manco un pensiero originale. Se non ho dentro la scia del profumo della divinità, allora non mi interessa. BIANCO- La scia del profumo della divinità. NERO- Esatto. Che te ne pare? BIANCO- Non è male. NERO- L'ho sentito alla radio. Da un predicatore nero. Ma il punto è che ci ho anche provato a fare nell'altro modo. E mica a spizzichi e bocconi, eh. Dico proprio benda sugli occhi, briglia sciolta e via a correre in mezzo ai boschi. Oddio. Ci ho provato eccome. Se trovi un cristiano che ci ha provato più di me, mi piacerebbe conoscerlo. Mi piacerebbe davvero. E secondo te che cosa ci ho guadagnato? BIANCO- Non lo so. Che cosa ci ha guadagnato? NERO- La morte in vita. Ecco cosa ci ho guadagnato. BIANCO- La morte in vita. NERO- Esatto. Ero un cadavere ambulante. Così morto che non sapevo manco stendermi nella tomba.

If I ever some day write an epic poem -- or somehow find my imagination fertile enough to write a novel without borrowing episodes from my colleagues right and left -- then I promise to let my heroes sleep in peace from sunset to dawn every night. Wouldn't you say daytime allows plenty of time for cut-and-thrust swordplay?

A lo mejor no consistía en entender a alguien; a lo mejor la amistad consistía en querer a una persona incluso aunque no siempre la entendieras.

–Los complejos son personales. Lo importante es que no debes tener miedo a dejar que la gente conozca tu verdadero «yo». En eso consiste tener intimidad con alguien.

You look rather thirsty," a voice says from behind me, and I turn to face Benediction de la Lucia--the Devil himself. He is a striking man; his long, orange-red hair is as bright as a tropical sunset, and his skin is like freshly-fallen snow. His large, expressive eyes hold all colors, and I feel myself being drawn into them. "G-good evening," I stammer. "I was just looking for--" "I know whom you seek," he purrs "although I was hoping that you would agree to spend a little time with me, first." He tucks a wad of bills into my vest pocket and drapes his arm around my shoulder. "I would be happy to, Lord de la Lucia," I smile, grasping him around the waist. "Do you Hunger?" His eyes glide up and down the line of my body, and I feel a strong desire to swoon. "Always," he murmurs "and please...call me Beni'." The room is spinning, and reality is fading fast...I press my face against his chest and strive to cling to consciousness. He sweeps me up into his arms and carries me to one of the bedrooms, where he feeds from me...and all of a sudden, he is atop me, his snow-white wings outstretched. I feel as if I will die--the pleasure and pain are so intense. I can feel myself bleeding out and being reborn, over and over upon that silken bed, every nerve of my body alive with his essence. We are almost like one, body and soul...and then he pulls back and looks down into my eyes. "You want something," he leers at me "or is it someone?" He sniffs the air. "I can smell it on your sex, My Darling! Don't be afraid to ask, young one--that's why I came to you! Love falls under my realm, Dearest...the human heart is full of darkness, yes?" I curse at him in Japanese and try to push him off of me, but he holds me fast. "Don't be so rude, Darling! I only want to help you! Matthieu-Michele can't do anything for you--he's simply out of his league! He's only a young God, still finding his footing! I am older than the ages, and I know what love is! I know the agony and the ecstasy and the razor's scar that it leaves upon the heart! I know of the poison and the betrayal and the all-consuming obsession! I have ridden the crest and scrabbled in the desolate valleys! I know what you want...I know whom you love...and I can make it happen for you--for a price." "I don't make deals with the Devil," I hiss at him from between clenched teeth...

4. Random examples of items which are part of the canon of Camp: Zuleika Dobson Tiffany lamps Scopitone films The Brown Derby restaurant on Sunset Boulevard in LA The Enquirer, headlines and stories Aubrey Beardsley drawings Swan Lake Bellini's operas Visconti's direction of Salome and 'Tis Pity She's a Whore certain turn-of-the-century picture postcards Schoedsack's King Kong the Cuban pop singer La Lupe Lynn Ward's novel in woodcuts, God's Man the old Flash Gordon comics women's clothes of the twenties (feather boas, fringed and beaded dresses, etc.) the novels of Ronald Firbank and Ivy Compton-Burnett stag movies seen without lust

Había escuchado su voz, por primera vez, en la isla donde viajó después de abandonar la empresa; estaba en la playa, sufría pero intentaba desesperadamente creer que aquel dolor tendría un final, cuando vio la puesta de sol más hermosa de su vida. Entonces, la desesperación se abatió sobre él con más fuerza que nunca y descendió al abismo más profundo de su alma, porque aquel atardecer merecía ser visto por su mujer y las niñas. Lloró compulsivamente, y presintió que nunca saldría del fondo de aquel pozo.

Planet of women The 2-headed lady said I couldn't land my ship I said it would only take a minute "Well," she said, "what's in it?" Oh, I don't know. Just some weird sh*t. ("Okay.") La la la la la When I got to the surface, there were women everywhere. ("Hey, how you doing?") And all the men were slaves They had us all dressed up in chains ("ooh, look at that one?) And there was a queen She had her own di*k all dressed up in black (?come back here, Sonny?) Her name was? I like it like that? Queen? I like it like that. And I fell in love with a leader from the underground. He said he'd set me free (?we can all be free, dude?) But when I fell asleep he stole the key and split the scene, I guess. I never learned. No, I never learned f*gs in drag, no matter where I lay I get burned, so burned La la la la la It?s hard living on the planet of women Gonna find me a river and drown myself in it (?bye-bye?) La la la la la

What do I gain?” He furrowed his brow as he shook his head. “Miss Luna, I would gain you. The chance to welcome every sunrise by your side and say good night to every sunset. Just spending my life with you, orbiting around your smile and laugh, would make me the richest of men.

His mind burned with random glory. Sunsets over La Paz. The shadows in a ruined Mexican cathedral after the workers had shoveled out the dead pigeons and dung. The infinity of folded shadows between his wife’s thighs. The whale he saw in the Sea of Cortez, rising from the water and hanging there in shattered glass skirts of sea water as if the air itself held its impossible bulk aloft, and flying fish as tiny and white as parakeets passing under its arched belly and vanishing in foam.

I’ve come to whisk you away to a land far, far—well, not that far away. I’ve reserved a table for two on the terrace in La Jolla. And then, who knows?” He clasped her hands.

El viento ululaba entre las ramas de los árboles, y ya se sabe que en el mundo no hay música más dulce que la del viento sonando en las copas de los pinos al atardecer

POOR PROTECTED. [Ex. 22:25–27; Deut. 24:12, 13] “If you lend money to one of my people among you who is needy, do not treat it like a business deal; charge no interest. If you take your neighbor’s cloak as a pledge, return it by sunset, because that cloak is the only covering your neighbor has. What else can they sleep in? When they cry out to me, I will hear, for I am compassionate.

First of all, let's get one thing straight. Your Italy and our Italia are not the same thing. Italy is a soft drug peddled in predictable packages, such as hills in the sunset, olive groves, lemon trees, white wine, and raven-haired girls. Italia, on the other hand, is a maze. It's alluring, but complicated. In Italia, you can go round and round in circles for years. Which of course is great fun.

The fullness of life had overflowed in you that day, Food mattered nothing, nor home, nor love of Us, only the chase, the penetrating of burrows, the return to the life for which your sires had been bred. But at sunset you came home, weary little dogs, ready to be stroked, to be held on comfortable laps, to submit to the pulling out of burrs.

Of an August day in Paris the choice hour is from six to seven in the evening. The choice promenade is the Seine between the Pont Alexandre III and the Pont de l'Archevêché. If one walks down the quays of the Rive Gauche toward Notre-Dame first, and then turns back on the Rive Droite, he has the full glory of the setting sun before him and reaches the Place de la Concorde just in time to get a glimpse up the Champs Élysées toward the Arc de Triomphe as the last light of day is disappearing. I am not yet old enough to have taken this walk a thousand times, but when I have I am sure that it will present the same fascination, the same stirring of soul, the same exaltation that it does to-day. Choose, if you will, your August sunset at the seashore or in the mountains. There you have nature unspoiled, you say. But is there not a revelation of God through animate as well as inanimate creation? If we can have the sun going down on both at the same time, why not? Notre-Dame may be surpassed by other churches, even in France. But Notre-Dame, in its setting on the island that Is the heart and center of this city, historically and architecturally that high water mark of human endeavor, cannot be surpassed. Standing on the bridge between the Morgue and the Ile St-Louis, and looking towards the setting sun, one sees the most perfect blending of the creation of God and the creation of the creatures of God that the world affords. And it is not because I have not seen the sunset from the Acropolis, from the Janiculum, from the Golden Horn, and from the steps of El Akbar, that I make this statement. Athens, Rome, Constantinople, Cairo- these have been, but Paris is.

Come diceva il proverbio, i frutti sono più buoni quando rischiano di marcire. E così la vita, che era più bella proprio quando la morte incombeva.

It took me four days to make it to LA on a meandering route through Nashville, Austin, and Phoenix. When I finally pulled into town on the 10, I felt like it was the end of a movie, and I was my own hero walking into the sunset. I was free.

Nate recognized a similar condition in his friends who had moved to LA and fallen under the spell of the film industry. Down there everyone knew weekend box office grosses. In the Valley, everyone knew whether the latest IPO had met expectations. If you lived in LA, you couldn’t help but envy the studio execs and film stars when you glimpsed them behind tinted windows, gliding down Sunset Boulevard in their Range Rovers. If you lived in the Valley, the cool kids were the venture capitalists and entrepreneurs who could sometimes be spotted piloting their humming Teslas into the gleaming, low-slung corporate campuses of Menlo Park, Milpitas, and Cupertino.

Selznick was of the new generation. Unlike Mayer and Goldwyn and Laemmle, he hadn’t sold buttons in Minsk or shirtwaists in Krakow on the narrowest of margins to leave the bosom of his family and endure weeks in steerage dreaming of streets paved with gold only to wash up in the shtetl-like tenements of the Lower East Side where daily he fought his neighbors, those same margins and the Italian rackets, earning a second fortune he used to bankroll a third and, as mere by-product, creating from the dusty foothills of West L.A. a gilded fiefdom called Hollywood.

For all its tropical beauty there was something charmless and hard about it, a vulgarity as decidedly American as the picture industry which thrived on the constant waves of transplants eager for work, offering them nothing more substantial than sunshine. It was a city of strangers, but, unlike New York, the dream L.A. sold, like any Shangri-La, was one not of surpassing achievement but unlimited ease, a state attainable by only the very rich and the dead. Half beach, half desert, the place was never meant to be habitable. The heat was unrelenting. On the streets there was a weariness that seemed even more pronounced at night, visible through the yellow windows of burger joints and drugstores about to close, leaving their few customers nowhere to go. Inconceivably, he was one of that rootless tribe now, doomed to wander the boulevards, and again he marveled at his own fall, and at his capacity for appreciating it.

Sono del tutto diversi tra loro i tramonti e le albe sui versanti orientale e occidentale, là dove comincia Castello o dove finisce S. Croce, nei pressi del Magazzini del Sale o dell'Arsenale. Forse sarebbe opportuno spostarsi da una parte all'altra di quello che fu detto il Golfo di Venetia, attraversare l'Adriatico intero da un capo all'altro per rendersi conto delle differenze. Da quella sponda il sole al tramonto si adagia sulla superficie del mare e vi affonda, da quest'altra, alla fine del giorno, si corica dietro le alture della terraferma e sparisce. Sul litorale orientale le popolazioni hanno coniato la parola suton derivata da «sun(ce)» e «ton(e)» ― nel significato di sole (che) affonda. Su quello occidentale, appenninico, il tramonto viene da «tra (i) monti» ― il sole che si precipita in mezzo alle montagne o le rive stesse. Sull'una e sull'altra sponda le lingue si sono adeguate al sole.

La rabbia, di fatto, la provo solo nei giorni migliori. Ma in verità non me n'è rimasta molta. In verità le forme che vedo si sono andate pian piano svuotando. Non hanno più nessun contenuto. Sono soltanto figure. Un treno, un muro, un mondo. O un uomo. Una cosa che penzola con le sue espressioni insensate in mezzo a un vuoto ululante. Senza che ci sia alcun significato nella sua vita. Nelle sue parole. Perché dovrei cercare la compagnia di una cosa del genere? Perché?

¿Era ridículo soñar con una relación de amor a la vieja usanza? ¿Era tonta por querer que me quisieran no solo por mi cuerpo pudiese ofrecer durante un rato?