La La Land Quotes

Tell me, Do you feel the way I feel? 'Cause nothing else is real In the La La Land machine

I don't like either the word [hike] or the thing. People ought to saunter in the mountains - not 'hike!' Do you know the origin of that word saunter? It's a beautiful word. Away back in the middle ages people used to go on pilgrimages to the Holy Land, and when people in the villages through which they passed asked where they were going they would reply, 'A la sainte terre', 'To the Holy Land.' And so they became known as sainte-terre-ers or saunterers. Now these mountains are our Holy Land, and we ought to saunter through them reverently, not 'hike' through them.

She looks at Sam. 'Close your ears if you don't want to know what I suspect to be the sex of your child,' she says, and he blocks his ears. 'It's Sam's?' Jonesey asks, surprised, just as he gets a message. 'Where have you been, Jonesey?' Bernadette says. 'In La La Land?' 'Contrary to popular belief, I think it has no penis,' Georgie whispers to them while Lucia covers Sam's ears. Jonesey looks up from his text messaging, shocked. 'Poor little guy.

The rose fell into his lap, and he looked up, startled. Mimi grinned. "Hey handsom" Mimi sent. "What's up?" Jack replied, without speaking. "Just thinking of you." Jack's smile deepened, and he threw the rose back at her so that it landed in her lap. Mimi tucked it behind her ear and fluttered her eyelashes appreciatively.

Heard about the guy who fell off a skyscraper? On his way down past each floor, he kept saying to reassure himself: So far so good... so far so good... so far so good. How you fall doesn't matter. It's how you land!

Yes, I know,' interrupted Puddleglum. 'And few return to the sunlit lands. You needn't say it again. You are a chap of one idea, aren't you?

This land was Mexican once, was Indian always and is. And will be again.

Paradise A concept embraced by almost every culture. A land of peace and harmony. Some say it doesn't belong to the earth, that there is no Shangri-la, no utopian wilderness for the living.

Sometimes I suspected Ryan was merely visiting the real world, on vacation from his permanent residence in la-la land.

Io non miro con la mano; colui che mira con la mano ha dimenticato il volto di suo padre. Io miro con l’occhio. Io non sparo con la mano; colui che spara con la mano ha dimenticato il volto di suo padre. Io sparo con la mente. Io non uccido con la pistola; colui che uccide con la pistola ha dimenticato il volto di suo padre. Io uccido con il cuore.

Maybe she was drunk - the woman never could drink. One little sniff of tequila and she was off into some blonde la-la land.

We don't worship Satan, we worship ourselves using the metaphorical representation of the qualities of Satan. Satan is the name used by Judeo-Christians for that force of individuality and pride within us. But the force itself has been called by many names.We embrace Christian myths of Satan and Lucifer, along with Satanic renderings in Greek, Roman, Islamic, Sumerian, Syrian, Phrygian, Egyptian, Chinese or Hindu mythologies, to name but a few. We are not limited to one deity, but encompass all the expressions of the accuser or the one who advocates free thought and rational alternatives by whatever name he is called in a particular time and land. It so happens that we are living in a culture that is predominantly Judeo-Christian, so we emphasize Satan. If we were living in Roman times, the central figure, perhaps the title of our religion, would be different. But the name would be expressing and communicating the same thing. It's all context.

Sapiens: A Brief History of Us I am Four billion years of mutations Hurling through space on a rock that grew green And beauty. Berry-picker, mammoth-hunter, storyteller, Begetter of souls. Cognition. And I imagine. I believe. I surrender. We love. And I believe Bravely. Shared myths, illusions weeping, a world Connected by chafe and Poetry. Life-giving secrets in Immortal words in a la la land Cresting. I am A wave Breathing. Would die for you. I believe. I am.

Suppose that a man leaps out of a burning building—as my dear friend and colleague Jeff Goldberg sat and said to my face over a table at La Tomate in Washington not two years ago—and lands on a bystander in the street below. Now, make the burning building be Europe, and the luckless man underneath be the Palestinian Arabs. Is this a historical injustice? Has the man below been made a victim, with infinite cause of complaint and indefinite justification for violent retaliation? My own reply would be a provisional 'no,' but only on these conditions. The man leaping from the burning building must still make such restitution as he can to the man who broke his fall, and must not pretend that he never even landed on him. And he must base his case on the singularity and uniqueness of the original leap. It can't, in other words, be 'leap, leap, leap' for four generations and more. The people underneath cannot be expected to tolerate leaping on this scale and of this duration, if you catch my drift. In Palestine, tread softly, for you tread on their dreams. And do not tell the Palestinians that they were never fallen upon and bruised in the first place. Do not shame yourself with the cheap lie that they were told by their leaders to run away. Also, stop saying that nobody knew how to cultivate oranges in Jaffa until the Jews showed them how. 'Making the desert bloom'—one of Yvonne's stock phrases—makes desert dwellers out of people who were the agricultural superiors of the Crusaders.

All right, so you believe in Santa Claus, and I'll believe in the 'Great Pumpkin.' The way I see it, it doesn't matter what you believe just so you're sincere! (Linus)

There's nothing like love or incumbent death to make you realize how many things you still want to do.

Why the hell didn't faerie food come with a warning written in bold letters: MADE IN LA LA LAND. EATING WILL OPEN YOU UP TO FAERIE ATTACKS.

His brow is seamed with line and scar; His cheek is red and dark as wine; The fires as of a Northern star Beneath his cap of sable shine. His right hand, bared of leathern glove, Hangs open like an iron gin, You stoop to see his pulses move, To hear the blood sweep out and in. He looks some king, so solitary In earnest thought he seems to stand, As if across a lonely sea He gazed impatient of the land. Out of the noisy centuries The foolish and the fearful fade; Yet burn unquenched these warrior eyes, Time hath not dimmed, nor death dismayed.

SAUNTERING, which word is beautifully derived "from idle people who roved about the country, in the Middle Ages, and asked charity, under pretense of going a la Sainte Terre," to the Holy Land, till the children exclaimed, "There goes a Sainte-Terrer," a Saunterer, a Holy-Lander.

So I'm over there in England, you know, trying to get news about the [L.A.] riots... and all these Brit people are trying to sympathize with me... 'Oh Bill, crime is horrible. Bill, if it's any consolation crime is horrible here, too.' ...Shutup. This is Hobbitown and I am Bilbo Hicks, Okay? This is a land of fairies and elves. You do not have crime like we have crime, but I appreciate you trying to be, you know, Diplomatic. You gotta see English crime. It's hilarious, you don't know if you're reading the front page or the comic section over there. I swear to God. I read an article - front page of the paper - one day, in England: 'Yesterday, some Hooligans knocked over a dustbin in Shafsbry.' Wooooo... 'The hooligans are loose! The hooligans are loose! What if they become roughians? I would hate to be a dustbin in Shafsbry tonight.

The first six months are what I call the La La Land phase. This is what a lot of romantic novels, songs, and movies are based upon. Enjoy the courtship, nights out, and fun. You will eventually come back to reality.

The essence of the problem is about consumption, recognizing that a society that consumes one-third of the world's resources is unsustainable. This level of consumption requires constant intervention into other people's lands. That's what's going on.

My mind wanders and I drift off into La-La Land. I dream about Thalassic City. About opportunity. And second chances. About actually living.

People only tease those they love.

This land does not belong to you. It belongs to that ancient shepherd whose ghost is standing next to you, though you refuse to see it. Since you do not know how to share, take your vineyards and your bridges, your paved roads and your railway tracks, your cities and your gardens and give back what remains to its rightful owners".

There is a moment, just before I reach it that I consider going up through the lubber's hole because I'm wearing a dress, but I just can't do it. I go to the edge, do the flip over and land on the foretop. If anyone got a peek at my drawers, well, good for them, I hope they enjoyed it.

When you are tired and want to sleep for the night. I will take you in my arms and lay you there on the bed. I will lie down next to you, hold you in my arms, and stroke your head. And then we will both fall asleep together and find ourselves in la la land.

You’ve stepped on the train to La-La Land if you think you’re getting this ice cream, Button.” “Button?” ““You heard me” He grins then-all teeth-and gestures toward the other flavours with a nod of his head. “Give up the ghost and grab the Neapolitan over there. Because this ice cream is mine.

These people came into the world and left it bound to their soil, proliferating on their own dung-hills with slow deliberation like the uncomplicated soul of trees which scatter their seed about their feet, with little conception of any larger world beyond the dun rocks among which they vegetated.

The question of socialism or communism or capitalism or between the left and right – I think the important question is between the industrial society and the earth-based society. And I say that because I believe that capitalism and communism are really much more about how the wealth is distributed, if it trickles down or is appropriated at the beginning to those who have worked for it. But, you know, someone has to question where the wealth came from. What right does society have to the wealth? What is the relationship between that society and the land from which it got its wealth? Those are the questions that should be asked.

When Hitler marched across the Rhine To take the land of France, La dame de fer decided, ‘Let’s make the tyrant dance.’ Let him take the land and city, The hills and every flower, One thing he will never have, The elegant Eiffel Tower. The French cut the cables, The elevators stood still, ‘If he wants to reach the top, Let him walk it, if he will.’ The invaders hung a swastika The largest ever seen. But a fresh breeze blew And away it flew, Never more to be seen. They hung up a second mark, Smaller than the first, But a patriot climbed With a thought in mind: ‘Never your duty shirk.’ Up the iron lady He stealthily made his way, Hanging the bright tricolour, He heroically saved the day. Then, for some strange reason, A mystery to this day, Hitler never climbed the tower, On the ground he had to stay. At last he ordered she be razed Down to a twisted pile. A futile attack, for still she stands Beaming her metallic smile.

Then, Leo will be my friend. He will like my mind. Our brains can kiss. Even if our bodies can’t. Even if he has a girlfriend. It is an intellectual crush. Our brains can have sex. Would I have sex with him? Yes. Brain sex!!!

- ¿No me dejarás caer esta vez? - No –le prometió Roland-. Ni esta vez ni nunca. -Pero en la oscuridad más profunda de su corazón, pensó en la Torre y dudó.

Pretty clothes are like the colors of a flower’s petals. They tell the bee where to land. After that, it’s what’s inside that holds his interest,” said Peggy, still quoting their mother.

Mike says the studio indulges Leo bc he's a magical starboy. He thinks Melanie puts up w/it bc it's a great credit bc everything Leo touches turns to gold. Maybe one day I'll turn to gold.

And I pray that you no longer seek happiness from the past, but rather you set your sails forward, to a land that is pure and wonderful. I pray that you no longer stare into the shallows of empty promises, but that you dive into the depth of an ocean of guarantees. May you feel the winds of hope, and smell the scent of joy, may your heart be alive again as it was meant to be. For you are with a better captain, you are with a true sailor, a true leader; You are sailing with Christ, and He is always sure to lead us home.

Tutti possono avere un "c'era una volta" o un "e vissero per sempre felici e contenti", ma è il viaggio tra l'inizio e la fine che rende la storia degna di essere raccontata. È il modo in cui i personaggi affrontano le sfide a far di loro degli eroi.

Amazing how this system works! People land in this country with cameras in order to find bad Jews. If this guy had dedicated the amount of energy he’s spending here to South Central LA, he would have found quite a number of horrible images to show to the world, but I guess he’s too scared to walk around South Central’s streets.

There was nothing but land; not a country at all, but the material out of which countries are made. —WILLA CATHER, MY ÁNTONIA

My family sat in their pool courtyard," Harah said, "in air bathed by the moisture that arose from the spray of a fountain. There was a tree of portyguls, round and deep in color, near at hand. There was a basket with mish mish and baklawa and mugs of liban—all manner of good things to eat. In our gardens and, in our flocks, there was peace . . . peace in all the land." "Life was full with happiness until the raiders came," Alia said. "Blood ran cold at the scream of friends," Jessica said. And she felt the memories rushing through her out of all those other pasts she shared. "La, la, la, the women cried," said Harah.

Io non uccido con la pistola; colei che uccide con la pistola ha dimenticato il volto di suo padre. Io uccido con il cuore." "E allora UCCIDILI, nel nome di tuo padre!" tuonò Roland. "UCCIDILI TUTTI!

They're on a retreat!" I yelled out of nowhere, even though I swore I wouldn't say anything. Ever! And now I'm worried I sound insane AND he'll tell someone. Because I'm so confused about being honest!

In a real situation, like when I was here before, there were things wrong—going wrong. The plane didn’t land and set me on the shore. It crashed. A man was dead. I was hurt. I didn’t know anything. Nothing at all. I was, maybe, close to death and now we’re out here going la-de-da, I’ve got a fish; la-de-da, there are some more berries.

They went to loft downtown. V. cool, artsy, mostly artists, kind of boho wild. There was even a naked guy walking around. I asked why. She didn't know but probably he just needed attention disguised as being artsy.

I wi-li-lished I li-li-lived in Molahonkey la-la-land The la-la-land where I-li-li was bo-lo-lo-lo-lo-lo-lorn So I-li-li could play-la-lay my o-lo-lold banjo-lo-lo My o-lo-lold ban-jo-lo-lo won’t go-lo-lo-lo-lo-lo-lo.

Why were we so full of hope in those days? Looking back, I see so clearly that violence was worsening. Living through that time, we didn’t see that. We believed in our capacity to grow a great country. A just society.

Her future will rush by the same as her past, only worse, because there will be no freedom, only a marriage bed and a deathbed and perhaps a childbed between, and when she dies it will be as though she never lived. There will be no Paris. No green-eyed lover. No trips on boats to faraway lands. No foreign skies. No life beyond this village. No life at all, unless--

He met the femme de chambre upon the landing. ‘I have made up my mind,’ he said heavily. ‘La petite Rose may come with us to England; I will take her to her father. She must be ready to start to-morrow morning, at seven o’clock.

Then, he leaned in and KISSED ME! ON THE LIPS! Strong yet soft. Exciting yet grounding. Optimistic yet real. Closed-lipped and a little bit open. He looked at my eyebrows. And me. Smiling. “I like how your eyebrows are two different shapes.

In this life that sometimes seems to be a vast, ill-defined landscape without signposts, amid all of the vanishing lines and the lost horizons, we hope to find reference points, to draw up some sort of land registry so as to shake the impression that we are navigating by chance. So we forge ties, we try to find stability in chance encounters.

In LaLa Land, there is only one kind of sex that's logical. In a made-up land, such as LaLa Land, the citizens are forever engaging in make-up sex.

Man was not designed to eat pills and powders and all the other chemicals they pump you full of. We were meant to live off the land in harmony with it. Not in some safety bubble.

L'amore appena nato ha una visione a tunnel della realtà, la sua retina è uno schermo cinematografico, vede il mondo rifatto secondo la sua utopistica interpretazione.

Sanity was a promised land, the Shangri-la she had been deported from as a teenager, and to which she intended to return to one day.

Ti piace giocare, vero?" Chiede La sua voce. È diversa, più pressante. Capisco che cosa significa. "Dipende", rispondo "Da cosa?" "Se vinco o no

Non c'è un altro modo?" Mike scuote la testa, si protende in avanti e dice: "Non c'è una via di fuga. Bisogna passare attraverso il fuoco

Al reparto mi avevano detto che la speranza era la mia arma migliore, che mi avrebbe aiutata a superare tutto. E come una sciocca io ci ho creduto

It’s fun to be the crazy old lady in the paisley crop pants and flip flops in the middle of winter. You should try it when you get a chance. People live in fear when they think you’re living in La-La Land.

Maybe I don't care. Is that adult too? Occasionally not caring? And eating entire box of chocolate-chip ice cream sandwiches to forget you ever cared? For a few hours, then going back to caring and trying? They're SO GOOD!

Then I stopped and he was looking at my hair, like maybe not even listening, and I blushed like a beet, which I hate. Beets, that is. I threw up once eating raw beets. Stupid. Why did I even do that? It's like eating raw potatoes. And Leo was staring and didn't seem to care about me being a speed-talking beet, like maybe he didn't hear a thing...and was mostly interested in my eyes and hair and how I got sauce on my cheek, which he wiped off.

few countries have undergone more remarkable changes, since the year 1535, when the first colonist of La Plata landed with seventy-two horses. The countless herds of horses, cattle, and sheep, not only have altered the whole aspect of the vegetation, but they have almost banished the guanaco, deer, and ostrich. Numberless other changes must likewise have taken place; the wild pig in some parts probably replaces the peccari; packs of wild dogs may be heard howling on the wooded banks of the less-frequented streams; and the common cat, altered into a large and fierce animal, inhabits rocky hills.

Then she got all teary again and made the scrunchy face with more nodding, and the pain started to come out, but then she worked really hard to reign it in and fight the tears and shook her head side to side as if that would keep it in, which it did, and then she dropped her chin and made a weird motor cry and took a deep breath in and exhaled and nodded and succeeded. Wow. Amazing. It was like watching a transformer or sculptor taking clay through a full range of emotions. Sadie is a true emo artist.

Fa male. Fa male essere il bersaglio di Phoebe, ma è pur sempre una forma di inclusione, a un certo livello. Un'opportunità di imparare, e io ne ho tanta voglia. Adesso sono la maestra di me stessa, anche se le tue lezioni continuano a riecheggiare nella mia mente.

I sat upon the shore Fishing, with the arid plain behind me Shall I at least set my lands in order? London Bridge is falling down falling down falling down Poi s’ascose nel foco che gli affina Quando fiam uti chelidon—O swallow swallow Le Prince d’Aquitaine à la tour abolie These fragments I have shored against my ruins Why then Ile fit you. Hieronymo’s mad againe. Datta. Dayadhvam. Damyata. Shantih shantih shantih

But then, he said, "Cute nose." Cute. I have a cute nose. And a cute boyfriend. With cute elk kisses. Also, elk do not sleep standing up. Also, female elk don't have antlers. Also, male elk (bulls) have a harem of cows. Which is maybe why elk popped into my head randomly. Me and Sadie were the cows in Heck's harem. That's weird. But it does explain why I'd randomly think of elks. Elk. Also, though, elk remind me of when we went to Yellowstone—me, Mom, Dad, Mr. Griffin—and saw elk. It was nice. Happy family. And fun. Therefore, elk make me feel happy. And that's probably the real reason for elk randomly popping into my head. Or maybe my mind is a bull with a harem of way too many thought cows! Weirdo.

He mused on this village of his, which had sprung up in this place, amid the stones, like the gnarled undergrowth of the valley. All Artaud's inhabitants were inter-related, all bearing the same surname to such an extent that they used double-barrelled names from the cradle up, to distinguish one from another. At some antecedent date an ancestral Artaud had come like an outcast, to establish himself in this waste land. His family had grown with the savage vitality of the vegetation, drawing nourishment from this stone till it had become a tribe, then the tribe turned to a community, till they could not sort out their cousinage, going back for generations. They inter-married with unblushing promiscuity.

But then all I could see was him seeing me. I got nervous. Was he looking at my nose? Did it look giant? Did I have food on my face? I couldn't breathe. I panicked. Because worse than the big nose and possible gook on face was that he could tell I cared. My heart naked and vulnerable.

I had a momentary fantasy lapse of me winning an Oscar for my short, him in the audience, me flirting during my acceptance speech, then him chasing me down after to say he was wrong and loves me, grabbing my face and kissing me. Which I promptly nipped in the bud with: BACK OFF, HOPE WEAVER!

Dressing up, he thinks, is just like watching cartoons, something you enjoyed as a kid, before it passes through the no man’s land of teen angst, the ironic age of early twenties. And then somehow, miraculously, it crosses back into the realm of the genuine, the nostalgic. A place reserved for wonder.

Here's how it went down: Me standing by Sadie and her mom’s bestie, Taylor Rae Mayfield, the actress. Super cool. Talented. And always at Friday nights, so like family too. They were discussing how ridiculous it is that we feed cats grain-based food when they're pure carnivores, as if you'd ever feed a cheetah sliced bread.

There is no man that hath left house, or brethren, or sisters, or father, or mother, or wife, or children, or lands, for Jesus’ sake, and the gospel’s, but he shall receive an hundredfold now in this time, houses, and brethren, and sisters, and mothers, and children, and lands, with persecutions; and in the world to come eternal life.” God

Så usigelig fattig kan en sjel da gå tilbake til intet i det tåkete grå. Du deilige jord, vær ikke vred at jeg trampet ditt gress til ingen nytte. Du deilige sol, du har sløset med dine lysende stenk i en folketom hytte. Der satt ingen der inne å varme og stemme; - eieren, sier de, var aldri hjemme. Deilige sol og deilige jord, I var dumme at I bar og lyste for min mor. Ånden er karrig og naturen ødsel. Det er dyrt å bøte med livet for sin fødsel. - Jeg vil oppad, høyt, på den bratteste tinde; jeg vil ennu engang se solen rinne, stirre meg trett på det lovede land, se å få snedyngen over meg kavet; de kan skrive derover «her er ingen begravet»; og bakefter - siden - ! La det gå som det kan.

America is a leap of the imagination. From its beginning, people had only a persistent idea of what a good country should be. The idea involved freedom, equality, justice, and the pursuit of happiness; nowadays most of us probably could not describe it a lot more clearly than that. The truth is, it always has been a bit of a guess. No one has ever known for sure whether a country based on such an idea is really possible, but again and again, we have leaped toward the idea and hoped. What SuAnne Big Crow demonstrated in the Lead high school gym is that making the leap is the whole point. The idea does not truly live unless it is expressed by an act; the country does not live unless we make the leap from our tribe or focus group or gated community or demographic, and land on the shaky platform of that idea of a good country which all kinds of different people share. This leap is made in public, and it's made for free. It's not a product or a service that anyone will pay you for. You do it for reasons unexplainable by economics--for ambition, out of conviction, for the heck of it, in playfulness, for love. It's done in public spaces, face-to-face, where anyone is free to go. It's not done on television, on the Internet, or over the telephone; our electronic systems can only tell us if the leap made elsewhere has succeeded or failed. The places you'll see it are high school gyms, city sidewalks, the subway, bus stations, public parks, parking lots, and wherever people gather during natural disasters. In those places and others like them, the leaps that continue to invent and knit the country continue to be made. When the leap fails, it looks like the L.A. riots, or Sherman's March through Georgia. When it succeeds, it looks like the New York City Bicentennial Celebration in July 1976 or the Civil Rights March on Washington in 1963. On that scale, whether it succeeds or fails, it's always something to see. The leap requires physical presence and physical risk. But the payoff--in terms of dreams realized, of understanding, of people getting along--can be so glorious as to make the risk seem minuscule.

Anyone who says honesty is the best policy is living in la-la land. Either that or they have never been married or had children. Parents lie to their kids all the time--about sex, drugs, death, and a hundred other things. We lie to those we love to protect their feelings. We lie because that's what love means, whereas unfettered honesty is cruel and the height of self-indulgence.

Si algo le había enseñado la vida sobre hombres y mujeres, era que las relaciones entre ellos no podrían considerarse un juego porque se podía salir malparado. Había visto a suficientes mujeres con el cuerpo y el corazón destrozados -incluida su propia madre- caer rendidas ante unas pocas y hechizantes sonrisas o caricias. Y se había prometido a si misma que eso jamás le ocurriría.

Estaba bien ser joven y enamorado, pensó. Incluso en el cementerio en que este mundo se había convertido. «Disfrutadlo mientras podáis —pensó—, porque tenemos más muerte por delante. Hemos llegado a un arroyo de sangre. Es algo que habrá de conducirnos a un río de la misma sustancia, sin duda alguna. Y más adelante, a un océano. En este mundo las tumbas bostezan, y ninguno de los muertos descansa en paz.»

I have met with but one or two persons in the course of my life who understood the art of Walking, that is, of taking walks, who had a genius, so to speak, for sauntering; which word is beautifully derived "from idle people who roved about the country, in the middle ages, and asked charity, under pretence of going à la sainte terre" — to the holy land, till the children exclaimed, "There goes a sainte-terrer", a saunterer — a holy-lander. They who never go to the holy land in their walks, as they pretend, are indeed mere idlers and vagabonds, but they who do go there are saunterers in the good sense, such as I mean. Some, however, would derive the word from sans terre, without land or a home, which, therefore, in the good sense, will mean, having no particular home, but equally at home everywhere. For this is the secret of successful sauntering. He who sits still in a house all the time may be the greatest vagrant of all, but the Saunterer, in the good sense, is no more vagrant than the meandering river, which is all the while sedulously seeking the shortest course to the sea. But I prefer the first, which indeed is the most probable derivation. For every walk is a sort of crusade, preached by some Peter the Hermit (1) in us, to go forth and reconquer this holy land from the hands of the Infidels.

Mungu hutumia watu 'wajinga' na 'wapumbavu' kufanya mambo makubwa katika maisha yao na ya watu wengine. Katika Biblia, Musa aliitwa mjinga alipokiuka amri ya Farao ya kuendelea kuwafanya watumwa wana wa Israeli nchini Misri; Nuhu aliitwa mpumbavu alipohubiri kwa miaka mia kuhusu gharika, katika kipindi ambacho watu hawakujua mvua ni nini; Daudi aliitwa mjinga alipojitolea kupambana na Goliati bonge la mtu, shujaa wa Gathi; Yusufu aliitwa mjinga alipokataa kulala na mke wa bosi wake, baada ya kuwa ameuzwa na nduguze kama mtumwa nchini Misri; Abrahamu aliitwa mjinga alipoamua kuhama nchi aliyoipenda na kwenda katika nchi ya ahadi, eti kwa sababu Mungu alimwambia kufanya hivyo; Yesu aliitwa mjinga mpaka akasulubiwa aliposema yeye ni Mfalme na Mwana wa Mungu. LAKINI, Musa alitenganisha Bahari ya Shamu na kuwapeleka Waisraeli katika nchi ya ahadi, ambako aliwakomboa kutoka utumwani. Nuhu aliokoa dunia. Daudi alimshinda Goliati. Yusufu aliokoa familia yake kutokana na njaa. Abrahamu alikuwa baba wa imani. Yesu aliyashinda mauti. Wakati mwingine tunatakiwa kufanya mambo makubwa kulingana na jinsi Roho Mtakatifu anavyotutuma, bila kujali watu au dunia itasemaje.

- Eh bien, monsieur le naturaliste, demanda le Canadien d’un ton légèrement goguenard, et cette Méditerranée? - Nous flottons à sa surface, ami Ned. - Hein! Fit Conseil, cette nuit même?... - Oui, cette nuit même, en quelques minutes, nous avons franchi cet isthme infranchissable. - Je n’en crois rien, répondit le Canadien. - Et vous avez tort, maître Land, repris-je. Cette côte basse qui s’arrondit vers le sud est la côte égyptienne. - À d’autres, monsieur, répliqua l’entêté Canadien.

It seems to me the simplest explanation,” he told the audience, “is that they are all HeLa cell contaminants.” Scientists knew they had to keep their cultures free from bacterial and viral contamination, and they knew it was possible for cells to contaminate one another if they got mixed up in culture. But when it came to HeLa, they had no idea what they were up against. It turned out Henrietta’s cells could float through the air on dust particles. They could travel from one culture to the next on unwashed hands or used pipettes; they could ride from lab to lab on researchers’ coats and shoes, or through ventilation systems. And they were strong: if just one HeLa cell landed in a culture dish, it took over, consuming all the media and filling all the space.

Jena said, "They need to keep their relationship out of our business," and went back to work. Which bizarrely made me defensive of Aunt Lauren and Uncle P all of a sudden, as my aunt and uncle, not the director/writer-producer of the movie I'm working on, and I wanted to yell: "This is why they’re good! Because they’re so friggin passionate! And bring it all to work! Lighten up, people! Let them have their emotions! That’s what makes artists! That’s what makes GREAT artists!!!" But I didn't because I was also pissed.

It infuriates him, this killing, this death. Infuriating that this is what we’re known for now, drug cartels and slaughter. This my city of Avenida 16 Septembre, the Victoria Theater, cobblestone streets, the bullring, La Central, La Fogata, more bookstores than El Paso, the university, the ballet, garapiñados, pan dulce, the mission, the plaza, the Kentucky Bar, Fred’s—now it’s known for these idiotic thugs. And my country, Mexico—the land of writers and poets—of Octavio Paz, Juan Rulfo, Carlos Fuentes, Elena Garro, Jorge Volpi, Rosario Castellanos, Luis Urrea, Elmer Mendoza, Alfonso Reyes—the land of painters and sculptors—Diego Rivera, Frida Kahlo, Gabriel Orozco, Pablo O’Higgins, Juan Soriano, Francisco Goitia—of dancers like Guillermina Bravo, Gloria and Nellie Campobello, Josefina Lavalle, Ana Mérida, and composers—Carlos Chávez, Silvestre Revueltas, Agustín Lara, Blas Galindo—architects—Luis Barragán, Juan O’Gorman, Tatiana Bilbao, Michel Rojkind, Pedro Vásquez—wonderful filmmakers—Fernando de Fuentes, Alejandro Iñárritu, Luis Buñuel, Alfonso Cuarón, Guillermo del Toro—actors like Dolores del Río, “La Doña” María Félix, Pedro Infante, Jorge Negrete, Salma Hayek—now the names are “famous” narcos—no more than sociopathic murderers whose sole contribution to the culture has been the narcocorridas sung by no-talent sycophants. Mexico, the land of pyramids and palaces, deserts and jungles, mountains and beaches, markets and gardens, boulevards and cobblestoned streets, broad plazas and hidden courtyards, is now known as a slaughter ground. And for what? So North Americans can get high.

In the early months of World War II, San Francisco's Fill-more district, or the Western Addition, experienced a visible revolution. On the surface it appeared to be totally peaceful and almost a refutation of the term “revolution.” The Yakamoto Sea Food Market quietly became Sammy's Shoe Shine Parlor and Smoke Shop. Yashigira's Hardware metamorphosed into La Salon de Beauté owned by Miss Clorinda Jackson. The Japanese shops which sold products to Nisei customers were taken over by enterprising Negro businessmen, and in less than a year became permanent homes away from home for the newly arrived Southern Blacks. Where the odors of tempura, raw fish and cha had dominated, the aroma of chitlings, greens and ham hocks now prevailed. The Asian population dwindled before my eyes. I was unable to tell the Japanese from the Chinese and as yet found no real difference in the national origin of such sounds as Ching and Chan or Moto and Kano. As the Japanese disappeared, soundlessly and without protest, the Negroes entered with their loud jukeboxes, their just-released animosities and the relief of escape from Southern bonds. The Japanese area became San Francisco's Harlem in a matter of months. A person unaware of all the factors that make up oppression might have expected sympathy or even support from the Negro newcomers for the dislodged Japanese. Especially in view of the fact that they (the Blacks) had themselves undergone concentration-camp living for centuries in slavery's plantations and later in sharecroppers' cabins. But the sensations of common relationship were missing. The Black newcomer had been recruited on the desiccated farm lands of Georgia and Mississippi by war-plant labor scouts. The chance to live in two-or three-story apartment buildings (which became instant slums), and to earn two-and even three-figured weekly checks, was blinding. For the first time he could think of himself as a Boss, a Spender. He was able to pay other people to work for him, i.e. the dry cleaners, taxi drivers, waitresses, etc. The shipyards and ammunition plants brought to booming life by the war let him know that he was needed and even appreciated. A completely alien yet very pleasant position for him to experience. Who could expect this man to share his new and dizzying importance with concern for a race that he had never known to exist? Another reason for his indifference to the Japanese removal was more subtle but was more profoundly felt. The Japanese were not whitefolks. Their eyes, language and customs belied the white skin and proved to their dark successors that since they didn't have to be feared, neither did they have to be considered. All this was decided unconsciously.

The Defendant: I am pleading guilty your honors but I'm doing it because I think it would be a waste of money to have a trial over five dollars worth of crack. What I really need is a drug program because I want to turn my life around and the only reason I was doing what I was doing on the street was to support my habit. The habit has to be fed your honors as you know and I believe in working for my money. I could be out there robbing people but I'm not and I've always worked even though I am disabled. And not always at this your honors, I used to be a mail carrier back in the day but then I started using drugs and that was all I wanted to do. So I'm taking this plea to save the city of New York and the taxpayers money because I can't believe that the DA, who I can see is a very tall man, would take to trial a case involving five dollars worth of crack, especially knowing how much a trial of that nature would cost. But I still think that I should get a chance to do a drug program because I've never been given that chance in any of my cases and the money that will be spent keeping me in jail could be spent addressing my real problem which is that I like, no need, to smoke crack every day and every chance I get, and if I have to point people to somebody who's selling the stuff so I can get one dollar and eventually save up enough to buy a vial then smoke it immediately and start saving up for my next one that I'll gladly do that, and I'll do it even though I know it could land me in jail for years because the only thing that matters at that moment is getting my next vial and I am not a Homo-sapiens-sexual your honors but if I need money to buy crack I will suck. . . .

She taught them all a song. Learned from a para on French leave from the fighting in Algeria: Demain le noir matin, Je fermerai la porte Au nez des années mortes; J’irai par les chemins. Je mendierai ma vie Sur la terre et sur l’onde, Du vieux au nouveau monde . . . He had been short and built like the island of Malta itself: rock, an inscrutable heart. She’d had only one night with him. Then he was off to the Piraeus. Tomorrow, the black morning, I close the door in the face of the dead years. I will go on the road, bum my way over land and sea, from the old to the new world. . . .

On the land adjoining La Grenouillère strollers were sauntering under the gigantic trees which help to make this part of the island one of the most delightful parks imaginable. Busty women with peroxided hair and nipped-in waists could be seen, made up to the nines with blood red lips and black-kohled eyes. Tightly laced into their garish dresses they trailed in all their vulgar glory over the fresh green grass. They were accompanied by men whose fashion-plate accessories, light gloves, patent-leather boots, canes as slender as threads and absurd monocles made them look like complete idiots.

DA Datta: what have we given? My friend, blood shaking my heart The awful daring of a moment's surrender Which an age of prudence can never retract By this, and this only, we have existed Which is not to be found in our obituaries Or in memories draped by the beneficent spider Or under seals broken by the lean solicitor In our empty rooms 410 DA Dayadhvam: I have heard the key Turn in the door once and turn once only We think of the key, each in his prison Thinking of the key, each confirms a prison Only at nightfall, aetherial rumours Revive for a moment a broken Coriolanus DA Damyata: The boat responded Gaily, to the hand expert with sail and oar 420 The sea was calm, your heart would have responded Gaily, when invited, beating obedient To controlling hands                                      I sat upon the shore Fishing, with the arid plain behind me Shall I at least set my lands in order? London Bridge is falling down falling down falling down Poi s'ascose nel foco che gli affina Quando fiam ceu chelidon - O swallow swallow Le Prince d'Aquitaine a la tour abolie 430 These fragments I have shored against my ruins Why then Ile fit you. Hieronymo's mad againe. Datta. Dayadhvam. Damyata.                            Shantih shantih shantih

Since we do not know how the job market would look in 2030 or 2040, already today we have no idea what to teach our kids. Most of what they currently learn at school will probably be irrelevant by the time they are forty. Traditionally, life has been divided into two main parts: a period of learning followed by a period of working. Very soon this traditional model will become utterly obsolete, and the only way for humans to stay in the game will be to keep learning throughout their lives, and to reinvent themselves repeatedly. Many if not most humans may be unable to do so. The coming technological bonanza will probably make it feasible to feed and support these useless masses even without any effort from their side. But what will keep them occupied and content? People must do something, or they go crazy. What will they do all day? One answer might be drugs and computer games. Unnecessary people might spend increasing amounts of time within 3D virtual-reality worlds that would provide them with far more excitement and emotional engagement than the drab reality outside. Yet such a development would deal a mortal blow to the liberal belief in the sacredness of human life and of human experiences. What’s so sacred about useless bums who pass their days devouring artificial experiences in La La Land?

- Continuons donc notre excursion, repris-je, mais ayons l’œil aux aguets, quoique l’ile paraisse inhabitée, elle pourrait renfermer, cependant, quelques individus qui seraient moins difficiles que nous sur la nature du gibier! - He! He! Fit Ned Land, avec un mouvement de mâchoire très significatif. - Eh bien! Ned! S’écria Conseil. - Ma foi, riposta le canadien, je commence à comprendre les charmes de l’anthropophagie! - Ned! Ned! Que dites-vous la! Réplique Conseil. Vous, anthropophage! Mais je ne serai plus en sûreté près de vous, moi qui partage votre cabine! Devrai-je donc me réveiller un jour a demi dévoré? - Ami Conseil, je vous aime beaucoup, mais pas assez pour vous manger sans nécessité.

Time—how often has she heard it described as sand within a glass, steady, constant. But that is a lie, because she can feel it quicken, crashing toward her. Panic beats a drum inside her chest, and outside, the path is a single dark line, stretched straight and narrow toward the village square. On the other side, the church stands waiting, pale and stiff as a tombstone, and she knows that if she walks in, she will not come out. Her future will rush by the same as her past, only worse, because there will be no freedom, only a marriage bed and a deathbed and perhaps a childbed between, and when she dies it will be as though she never lived. There will be no Paris. No green-eyed lover. No trips on boats to faraway lands. No foreign skies. No life beyond this village. No life at all, unless— Adeline pulls free of her father’s grip, drags to a stop on the path. Her mother turns to look at her, as if she might run, which is exactly what she wants to do, but knows she can’t. “I made a gift for my husband,” says Adeline, mind spinning. “I’ve left it in the house.” Her mother softens, approving. Her father stiffens, suspicious. Estele’s eyes narrow, knowing.

Chicana intifada Rocks are our weapons of choice, indeed the only ones that we have stockpiled. We never worry about running out of them. After all, our unpaved streets are filled with rocks. We have wiped the dirt off them so that they may sail with a smooth hardness when we fling them into the air. We shall name each one of our rocks for the family members we have lost each year of the hundreds of years we’ve lived in these parts—as indios, as mestizos, as “Hi-panics.” For starters, we plan to break a few windows of the jefe’s casota nueva. I myself will be delighted to land one in each pane: center, left, right, top, bottom—the exact location doesn’t much matter. Why should his fancy house remain intact while we cannot count on running water? No one will suspect that an abuela is la capitana of the Chicana intifada, with her disguise of hat and gloves, of shiny earrings and sheer “nude” pantyhose; with her polite yes, ma’aming. “We’ll launch the first volleys at 6 p.m.,” she whispers to us. Smiling wryly, she adds, “Inside the house at a reception to which I’ve been properly invited you’ll see me lower my right gloved hand to the marble table.” Copyright (C) Teresa Palomo Acosta, 2007. All rights reserved.

- Rodin'in Yaşlı Fahişe (La Belle qui fut heaulmière) heykeli için - Herkes güzel bir kıza bakıp güzel bir kız görebilir. Bir sanatçı o güzel kıza bakıp yaşlandığında nasıl biri olacağını görür. Daha da iyi bir sanatçı, yaşlı bir kadına bakıp gençliğinde nasıl güzel bir kız olduğunu görebilir. Ama büyük bir sanatçı -bir usta- ki Auguste Rodin de aynen öyleydi; yaşlı bir kadına bakıp onu aynen olduğu şekilde resmedebilir... ve izleyiciyi onun bir zamanlar nasıl güzel bir genç kız olduğunu görmeye zorlayabilir... üstelik, bir armadillo kadar hassas olan herkesin, hatta senin bile, bu güzel genç kızın hâlâ hayatta olduğunu, yaşlanıp çirkinleşmediğini, sadece çökmüş bedeninin içinde hapis kaldığını görmesini sağlayabilir. Senin, hiçbir kızın kendi kalbinde, geçen acımasız zaman ona ne yapmış olursa olsun on sekiz yaşından fazla büyümediğini hissetmeni, o sessiz, sonsuz trajediyi algılamanı sağlayabilir.

J’habite une blessure sacrée j’habite des ancêtres imaginaires j’habite un vouloir obscur j’habite un long silence j’habite une soif irrémédiable j’habite un voyage de mille ans j’habite une guerre de trois cent ans j’habite un culte désaffecté entre bulbe et caïeu j’habite l’espace inexploité j’habite du basalte non une coulée mais de la lave le mascaret qui remonte la valleuse à toute allure et brûle toutes les mosquées je m’accommode de mon mieux de cet avatar d’une version du paradis absurdement ratée -c’est bien pire qu’un enfer- j’habite de temps en temps une de mes plaies chaque minute je change d’appartement et toute paix m’effraie tourbillon de feu ascidie comme nulle autre pour poussières de mondes égarés ayant crachés volcan mes entrailles d’eau vive je reste avec mes pains de mots et mes minerais secrets j’habite donc une vaste pensée mais le plus souvent je préfère me confiner dans la plus petite de mes idées

Uh… not sure buying the entire store for that boy is good, Chace. If he’s living on the street, the rest of the homeless population in Carnal will fall on him like vultures,” I remarked. Then he turned to me. “Got one homeless guy in town, darlin’. He calls himself Outlaw Al. He celebrated his seven hundredth birthday this year and looks it. You talk to him, he’ll swear he was the one who shot Billy the Kid. Every feral cat in Carnal will claw you soon as look at you but of any day or night, one or a dozen of ‘em will be curled into Al like he’s their Momma. He has two teeth. And I don’t see good things for his dental future since Shambles and Sunny built a small lean-to behind La-La Land so he’ll have some protection from exposure. He was much obliged for this effort. Moved in while Shambles was still hammering in the nails. He mostly stays there except when it’s his time to howl at the moon. And Shambles gives him baked goods he doesn’t sell. I think our kid’ll be good.

Despite shared language, ethnicity, and culture, alliances nurtured deep, long-standing hostilities toward one another, the original source of which was often unknown. They had always been enemies, and so they remained enemies. Indeed, hostility between alliances defined the natives’ lives. If covered by a glass roof, the valley would’ve been a terrarium of human conflict, an ecosystem fueled by sunshine, river water, pigs, sweet potatoes, and war among neighbors. Their ancestors told them that waging war was a moral obligation and a necessity of life. Men said, “If there is no war, we will die.” War’s permanence was even part of the language. If a man said “our war,” he structured the phrase the same way he’d describe an irrevocable fact. If he spoke of a possession such as “our wood,” he used different parts of speech. The meaning was clear: ownership of wood might change, but wars were forever. When compared with the causes of World War II, the motives underlying native wars were difficult for outsiders to grasp. They didn’t fight for land, wealth, or power. Neither side sought to repel or conquer a foreign people, to protect a way of life, or to change their enemies’ beliefs, which both sides already shared. Neither side considered war a necessary evil, a failure of diplomacy, or an interruption of a desired peace. Peace wasn’t waiting on the far side of war. There was no far side. War moved through different phases in the valley. It ebbed and flowed. But it never ended. A lifetime of war was an inheritance every child could count on.

The July sun blazed in the middle of the sky and the atmosphere was gay and carefree, while in the windless air not a leaf stirred in the poplars and willows lining the banks of the river. In the distance ahead, the conspicuous bulk of Mont-Valérien loomed, rearing the ramparts of its fortifications in the glare of the sun. On the right, the gentle slopes of Louveciennes, following the curve of the river, formed a semi-circle within which could be glimpsed, through the dense and shady greenery of their spacious lawns, the white-painted walls of weekend retreats. On the land adjoining La Grenouillère strollers were sauntering under the gigantic trees which help to make this part of the island one of the most delightful parks imaginable. Busty women with peroxided hair and nipped-in waists could be seen, made up to the nines with blood red lips and black-kohled eyes. Tightly laced into their garish dresses they trailed in all their vulgar glory over the fresh green grass. They were accompanied by men whose fashion-plate accessories, light gloves, patent-leather boots, canes as slender as threads and absurd monocles made them look like complete idiots.

Había recorrido un largo camino para llegar allí. Estaba muy lejos del adolescente amargo y enfadado que había sido en Brooklyn, antes de que empezara todo, y gracias a Dios por eso. Pero lo curioso era que después de todo ese tiempo seguía sin pensar que ese adolescente miserable se hubiera equivocado. No estaba en desacuerdo con él; todavía se sentía solidario con él en los puntos principales. El mundo era espantoso. Era un lugar desdichado, desolado, un desierto sin sentido y despiadado, donde ocurrían cosas horribles todo el tiempo y no podías confiar en que nada durara. Había tenido razón sobre el mundo, pero se equivocaba sobre él mismo. El mundo era un desierto, pero él era un mago, y ser un mago era ser una primavera secreta, un oasis en movimiento. Él no estaba desolado y no estaba vacío. Estaba lleno de emoción, lleno de sentimientos, rebosante de ellos, y en el fondo ser mago se trataba de eso. No eran sentimientos ordinarios, no eran de los mansos y domesticados. La magia era sentimientos salvajes, de los que escapaban de ti al mundo y cambiaban las cosas. Había mucho de talento en ello, y mucho que aprender, y mucho que trabajar, pero era donde empezaba el poder: el poder de encantar el mundo.

When we came out of the cookhouse, we found the boy's father, the Indian man who had been grazing the horses in the pasture, waiting for us. He wanted someone to tell his troubles to. He looked about guardedly, afraid that the Señora might overhear him. 'Take a look at me' he said. I don't even know how old I am. When I was young, the Señor brought me here. He promised to pay me and give me a plot of my own. 'Look at my clothes' he said, pointing to the patches covering his body. 'I can't remember how many years I've been wearing them. I have no others. I live in a mud hut with my wife and sons. They all work for the Señor like me. They don't go to school. They don't know how to read or write; they don't even speak Spanish. We work for the master, raise his cattle and work his fields. We only get rice and plantains to eat. Nobody takes care of us when we are sick. The women here have their babies in these filthy huts.' 'Why don't you eat meat or at least milk the cows?' I asked. 'We aren't allowed to slaughter a cow. And the milk goes to the calves. We can't even have chicken or pork - only if an animal gets sick and dies. Once I raised a pig in my yard' he went on. 'She had a litter of three. When the Señor came back he told the foreman to shoot them. That's the only time we ever had good meat.' 'I don't mind working for the Señor but I want him to keep his promise. I want a piece of land of my own so I can grow rice and yucca and raise a few chickens and pigs. That's all.' 'Doesn't he pay you anything?' Kevin asked. 'He says he pays us but he uses our money to buy our food. We never get any cash. Kind sirs, maybe you can help me to persuade the master . Just one little plot is all I want. The master has land, much land.' We were shocked by his tale. Marcus took out a notebook and pen. 'What's his name?'. He wrote down the name. The man didn't know the address. He only knew that the Señor lived in La Paz. Marcus was infuriated. 'When I find the owner of the ranch, I'll spit right in his eye. What a lousy bastard! I mean, it's really incredible'. 'That's just the way things are,' Karl said. 'It's sad but there's nothing we can do about it.

Separated from everyone, in the fifteenth dungeon, was a small man with fiery brown eyes and wet towels wrapped around his head. For several days his legs had been black, and his gums were bleeding. Fifty-nine years old and exhausted beyond measure, he paced silently up and down, always the same five steps, back and forth. One, two, three, four, five, and turn . . . an interminable shuffle between the wall and door of his cell. He had no work, no books, nothing to write on. And so he walked. One, two, three, four, five, and turn . . . His dungeon was next door to La Fortaleza, the governor’s mansion in Old San Juan, less than two hundred feet away. The governor had been his friend and had even voted for him for the Puerto Rican legislature in 1932. This didn’t help much now. The governor had ordered his arrest. One, two, three, four, five, and turn . . . Life had turned him into a pendulum; it had all been mathematically worked out. This shuttle back and forth in his cell comprised his entire universe. He had no other choice. His transformation into a living corpse suited his captors perfectly. One, two, three, four, five, and turn . . . Fourteen hours of walking: to master this art of endless movement, he’d learned to keep his head down, hands behind his back, stepping neither too fast nor too slow, every stride the same length. He’d also learned to chew tobacco and smear the nicotined saliva on his face and neck to keep the mosquitoes away. One, two, three, four, five, and turn . . . The heat was so stifling, he needed to take off his clothes, but he couldn’t. He wrapped even more towels around his head and looked up as the guard’s shadow hit the wall. He felt like an animal in a pit, watched by the hunter who had just ensnared him. One, two, three, four, five, and turn . . . Far away, he could hear the ocean breaking on the rocks of San Juan’s harbor and the screams of demented inmates as they cried and howled in the quarantine gallery. A tropical rain splashed the iron roof nearly every day. The dungeons dripped with a stifling humidity that saturated everything, and mosquitoes invaded during every rainfall. Green mold crept along the cracks of his cell, and scarab beetles marched single file, along the mold lines, and into his bathroom bucket. The murderer started screaming. The lunatic in dungeon seven had flung his own feces over the ceiling rail. It landed in dungeon five and frightened the Puerto Rico Upland gecko. The murderer, of course, was threatening to kill the lunatic. One, two, three, four, five, and turn . . . The man started walking again. It was his only world. The grass had grown thick over the grave of his youth. He was no longer a human being, no longer a man. Prison had entered him, and he had become the prison. He fought this feeling every day. One, two, three, four, five, and turn . . . He was a lawyer, journalist, chemical engineer, and president of the Nationalist Party. He was the first Puerto Rican to graduate from Harvard College and Harvard Law School and spoke six languages. He had served as a first lieutenant in World War I and led a company of two hundred men. He had served as president of the Cosmopolitan Club at Harvard and helped Éamon de Valera draft the constitution of the Free State of Ireland.5 One, two, three, four, five, and turn . . . He would spend twenty-five years in prison—many of them in this dungeon, in the belly of La Princesa. He walked back and forth for decades, with wet towels wrapped around his head. The guards all laughed, declared him insane, and called him El Rey de las Toallas. The King of the Towels. His name was Pedro Albizu Campos.

Load the sailboat with bottles of white wine, olive oil, fishing rods, and yeasty, dark-crusted bread. Work your way carefully out of the narrow channels of the Cabras port on the western shore of Sardinia. Set sail for the open seas. Navigate carefully around the archipelago of small boats fishing for sea bass, bream, squid. Steer clear of the lines of mussel nets swooping in long black arcs off the coastline. When you spot the crumbling stone tower, turn the boat north and nuzzle it gently into the electric blue-green waters along ancient Tharros. Drop anchor. Strip down to your bathing suit. Load into the transport boat and head for shore. After a swim, make for the highest point on the peninsula, the one with the view of land and sea and history that will make your knees buckle. Stay focused. You're not here to admire the sun-baked ruins of one of Sardinia's oldest civilizations, a five-thousand-year-old settlement that wears the footprints of its inhabitants- Phoenicians, Greeks, Romans- like the layers of a cake. You're here to pick herbs growing wildly among the ancient tombs and temples, under shards of broken vases once holding humans' earliest attempts at inebriation. Taste this! Like peppermint, but spicy. And this! A version of wild lemon thyme, perfect with seafood. Pluck a handful of finocchio marino,sea fennel, a bright burst of anise with an undertow of salt. Withfinocchioin fist, reboard the transport vessel and navigate toward the closest buoy. Grab the bright orange plastic, roll it over, and scrape off the thicket of mussels growing beneath. Repeat with the other buoys until you have enough mussels to fill a pot. In the belly of the boat, bring the dish together: Scrub the mussels. Bring a pot of seawater to a raucous boil and drop in the spaghetti- cento grammi a testa. While the pasta cooks, blanch a few handfuls of the wild fennel to take away some of the sting. Remove the mussels from their shells and combine with sliced garlic, a glass of seawater, and a deluge of peppery local olive oil in a pan. Take the pasta constantly, checking for doneness. (Don't you dare overcook it!) When only the faintest resistance remains in the middle, drain and add to the pan of mussels. Move the pasta fast and frequently with a pair of tongs, emulsifying the water and mussel juice with the oil. Keep stirring and drizzling in oil until a glistening sheen forms on the surface of the pasta. This is called la mantecatura, the key to all great seafood pastas, so take the time to do it right.