L Letter Quotes

May I ask why you’re passing notes to Aiden?” He eyed the letter like it was a bomb. “It’s a love note. I’m asking him to circle ‘yes’ or ‘no’ if he likes me.

[W]hen I see men callously and cheerfully denying women the full use of their bodies, while insisting with sobs and howls on the satisfaction of their own, I simply can't find it heroic, or kind, or anything but pretty rotten and feeble.

Sì perché l'autorità dell'opinione di mille nelle scienze non val per una scintilla di ragione di un solo, sì perché le presenti osservazioni spogliano d'autorità i decreti de' passati scrittori, i quali se vedute l'avessero, avrebbono diversamente determinato. For in the sciences the authority of thousands of opinions is not worth as much as one tiny spark of reason in an individual man. Besides, the modern observations deprive all former writers of any authority, since if they had seen what we see, they would have judged as we judge.

Listen! The Hate U—the letter U—Give Little Infants Fucks Everybody. T-H-U-G L-I-F-E. Meaning what society give us as youth, it bites them in the ass when we wild out. Get it?” “Damn.

I've been patient, but where I'm concerned patience has its limits. Take it too far, and it's cowardice.

People who prefer to believe the worst of others will breed war and religious persecutions while the world lasts.

To make a deliberate falsification for personal gain is the last, worst depth to which either scholar or artist can descend in work or life. (Letter to Muriel St. Clare Byrne, 8 September 1935)

A girl who would fall in love so easily or want a man to love her so easily would probably get over it just as quickly, very little the worse for wear. On the contrary, a girl who would take love seriously would probably be a good while finding herself in love and would require something beyond mere friendly attentions from a man before she would think of him in that light.

A nasty letter or a sarcastic one can make you righteously angry, but what can you do about a polite letter of rejection? Nothing, really, except cry.

[...] I grew up out of that strange, dreamy childhood of mine and went into the world of reality. I met with experiences that bruised my spirit - but they never harmed my ideal world. That was always mine to retreat into at will. I learned that that world and the real world clashed hopelessly and irreconcilably; and I learned to keep them apart so that the former might remain for me unspoiled. I learned to meet other people on their own ground since there seemed to be no meeting place on mine. I learned to hide the thoughts and dreams and fancies that had no place in the strife and clash of the market place. I found that it was useless to look for kindred souls in the multitude; one might stumble on such here and there, but as a rule it seemed to me that the majority of people lived for the things of time and sense alone and could not understand my other life. So I piped and danced to other people's piping - and held fast to my own soul as best I could.

Unwrapping the paper carefully so it doesn’t tear, I find a beautiful red leather box. Cartier. It’s familiar, thanks to my second-chance earrings and my watch. Cautiously, I open the box to discover a delicate charm bracelet of silver, or platinum or white gold—I don’t know, but it’s absolutely enchanting. Attached to it are several charms: the Eiffel Tower, a London black cab, a helicopter—Charlie Tango, a glider—the soaring, a catamaran—The Grace, a bed, and an ice cream cone? I look up at him, bemused. “Vanilla?” He shrugs apologetically, and I can’t help but laugh. Of course. “Christian, this is beautiful. Thank you. It’s yar.” He grins. My favorite is the heart. It’s a locket. “You can put a picture or whatever in that.” “A picture of you.” I glance at him through my lashes. “Always in my heart.” He smiles his lovely, heartbreakingly shy smile. I fondle the last two charms: a letter C—oh yes, I was his first girlfriend to use his first name. I smile at the thought. And finally, there’s a key. “To my heart and soul,” he whispers.

[T]he more clamour we make about 'the women's point of view', the more we rub it into people that the women's point of view is different, and frankly I do not think it is -- at least in my job. The line I always want to take is, that there is the 'point of view' of the reasonably enlightened human brain, and that this is the aspect of the matter which I am best fitted to uphold.

It takes a hundred times more skill to make love than to command an army.

Today, my love, I am too tired to write for you. You will find in your heart a letter, several pages, full of silence. Read it slowly. The light of this day wrote it for me. In it, it si just about you and the rest coming to me each time I look to you, far away, hundreds kilometers from here.

The one thing which seems to me quite impossible is to take into consideration the kind of book one is expected to write; surely one can only write the book that is there to be written. (Letter to Muriel St. Clare Byrne, 8 September 1935)

The people who hanged Christ never, to do them justice, accused him of being a bore - on the contrary, they thought him too dynamic to be safe. It has been left for later generations to muffle up that shattering personality and surround him with an atmosphere of tedium. We have efficiently pared the claws of the Lion of Judah, certified him "meek and mild" and recommended him as a fitting household pet for pale curates and pious old ladies.

Whatever." I grinned. His costume consisted of a black shirt that read in white lettering I DON't NEED A COSTUME. PEOPLE WANT TO BE ME. God, that was such a Luc shirt.

I fondle the last two charms: a letter C- oh yes, I was his first girlfriend to use his first name. I smile at the thought. And finally, there's a key. "To my heart and soul," he whispers.

Why do you want a letter from me? Why don't you take the trouble to find out for yourselves what Christianity is? You take time to learn technical terms about electricity. Why don't you do as much for theology? Why do you never read the great writings on the subject, but take your information from the secular 'experts' who have picked it up as inaccurately as you? Why don't you learn the facts in this field as honestly as your own field? Why do you accept mildewed old heresies as the language of the church, when any handbook on church history will tell you where they came from? Why do you balk at the doctrine of the Trinity - God the three in One - yet meekly acquiesce when Einstein tells you E=mc2? What makes you suppose that the expression "God ordains" is narrow and bigoted, while your own expression, "Science demands" is taken as an objective statement of fact? You would be ashamed to know as little about internal combustion as you know about Christian beliefs. I admit, you can practice Christianity without knowing much theology, just as you can drive a car without knowing much about internal combustion. But when something breaks down in the car, you go humbly to the man who understands the works; whereas if something goes wrong with religion, you merely throw the works away and tell the theologian he is a liar. Why do you want a letter from me telling you about God? You will never bother to check on it or find out whether I'm giving you personal opinions or Christian doctrines. Don't bother. Go away and do some work and let me get on with mine.

I am quite likely to re-act to the opposite extreme - to feel rapturously that the world is beautiful and mere existence something to thank God for. I suppose our 'blues' are the price we have to pay for our temperament. 'The gods don't allow us to be in their debt.' They give us sensitiveness to beauty in all its forms but the shadow of the gift goes with it.

...Je n’ai pas cessé de l’être si c’est d’être jeune que d’aimer toujours !... L’humanité n’est pas un vain mot. Notre vie est faite d’amour, et ne plus aimer c’est ne plus vivre." (I have never ceased to be young, if being young is always loving... Humanity is not a vain word. Our life is made of love, and to love no longer is to live no longer.)

[O]ne can scarcely be frightened off writing what one wants to write for fear an obscure reviewer should patronise one on that account.

Gently, I ran my hand across his chest, exploring it. My breath felt tight in my throat. He was so beautiful. His muscles were toned, defined, his skin warm and smooth. Stroking my palm up over the line of his collarbone, I felt the firmness of his shoulder, the strength of his bicep. I traced my fingers over the black AK, following the lines of the letters. Alex hardly moved as I touched him, his eyes never leaving me. Finally I sighed and dropped my hand. I tried to smile. "I've sort of been wanting to do that ever since that first night in the motel room," I admitted.

To express the love of two lovers by the marriage of two complementary colours, their blending and their contrast, the mysterious vibrations of related tones. To express the thought of a brow by the radiance of a light tone against a dark background. To express hope by some star. Someone's passion by the radiance of the setting sun. That's certainly no realistic trompe l'oeil, but something that really exists, isn't it?

The brutal fact is that in this Christian country not one person in a hundred has the faintest notion what the Church teaches about God or man or society or the person of Jesus Christ.

Ogni responsabilità è della donna, ogni sofferenza, ogni insulto. Puttana, le dite se ha fatto l'amore con voi. La parola puttano non esiste nel dizionario: usarla è un errore di glottologia.

Je sentis inconsciemment que tu mènes une double vie, une vie dont une face claire est franchement tournée vers le monde, tandis que l'autre, plongée dans l'ombre, n'est connue que de toi seul. Cette profonde dualité, le secret de ton existence

Well, well -- the prizes all go to the women who 'play their cards well' -- but if they can only be won in that way, I would rather lose the game ... [C]lever [women] bide their time -- make themselves indispensable first, and then se font prier [=play hard to get]. Clever -- but I can't do it.

I spent the better part of the afternoon and evening playing Scrabble with Deacon. I think he regretted asking me to play, because I was one of those Scrabble players - the kind who played three-letter words every chance I got.

Love is many things. It’s every raw human emotion rolled up into one messy four letter word. There’s no rule book and definitely no guarantees.

L'amitié a des grandeurs inconnues de l'amour. Elle se fortifie dans les difficultés, alors que les contraintes massacrent l'amour. Elle résiste au temps qui laisse et désunit les couples. Elle a des élévations inconnues de l'amour.

I look over at my laptop, which is sitting on top of the piano. It’s opening. My Word document pulls up. Letters are being typed into the Word document. W . . . i . . . l . . . l . . . o . . . w . . .

But -- my dear, my heart is BROKEN! I have seen the perfect Peter Wimsey. Height, voice, charm, smile, manner, outline of features, everything -- and he is -- THE CHAPLAIN OF BALLIOL!! What is the use of anything? ... I am absolutely shattered by this Balliol business. Such waste -- why couldn't he have been an actor?

It's very contradictory for a man to teach about the murder in corporate capitalism, to isolate and expose the murderers behind it, to instruct that these madmen are completely without stops, are licentious, totally depraved — and then not make adequate preparations to defend himself from the madman's attack. Either they don't really believe their own spiel or they harbor some sort of subconscious death wish.

There are three certainties in a writer's life: death, taxes, and rejection letters.

And L-M-N-O-P is not one letter, but five. It took me forever to figure that out.

Holiness is found in how we treat others, not in how we contemplate the cosmos.

l'amour, pour toi, ne peut être que quelque chose de léger, revêtant la forme d'un jeu et dénué d'importance ; tu redoutes de t'immiscer dans une destinée. Tu veux t'abandonner sans mesure à toutes les joies du monde, mais tu ne veux pas de sacrifice.

Pac said Thug Life stood for ‘The Hate U Give Little Infants Fucks Everybody.’” I raise my eyebrows. “What?” “Listen! The Hate U—the letter U—Give Little Infants Fucks Everybody. T-H-U-G L-I-F-E. Meaning what society give us as youth, it bites them in the ass when we wild out. Get it?” “Damn. Yeah.

[N]othing about a book is so unmistakable and so irreplaceable as the stamp of the cultured mind. I don't care what the story is about or what may be the momentary craze for books that appear to have been hammered out by the village blacksmith in a state of intoxication; the minute you get the easy touch of the real craftsman with centuries of civilisation behind him, you get literature.

Love. Four letters can't cover what I feel for Daria Followhill. They seem too trivial, too small, too overused.

That was the only thing that had got him through the four years of blood and madness: Know exactly where your gun is when you doze for ten minutes in your dugout; always check your gas mask; see that your men have understood their orders to the letter. You don't think ahead in years or months: you think about this hour and maybe the next. Anything else is speculation" p. 33

See that the mind is honest, first; the rest may follow or not as God wills. [That] the fundamental treason to the mind ... is the one fundamental treason which the scholar's mind must not allow is the bond uniting all the Oxford people in the last resort.

I’m no tattoo artist, but I do have a knife. And I’ll cut to the chase and say I use it every night. The first letter of your name Starts with an “L” So I keep drawing them lowercase All over my shell. People ask why I cut myself, I say, “I’m just writing.

A letter to the beloved is like the ink kissing the paper. (Une lettre à l'aimée, c'est - L'encre embrassant le papier)

Feminine virtue is nothing but a convenient masculine invention.

Man, get outta here! Tupac was the truth." "Yeah, twenty years ago." "Nah, even now. Like, check this." He points at me, which means he's about to go into one of his Khalil philosophical moments. "'Pac said Thug Life stood for 'The Hate U Give Little Infants Fucks Everybody." I raise my eyebrows. "What?" "Listen! The Hate U - the letter U - Give Little Infants Fucks Everybody. T-H-U-G L-I-F-E. Meaning what society give us as youth, it bites them in the ass when we wild out. Get it?" "Damn. Yeah.

The sixth deadly sin is named by the church acedia or sloth. In the world it calls itself tolerance; but in hell it is called despair. It is the accomplice of the other sins and their worst punishment. It is the sin that believes in nothing, cares for nothing, seeks to know nothing, interferes with nothing, enjoys nothing, loves nothing, hates nothing, finds purpose in nothing, lives for nothing, and remains alive only because there is nothing it would die for. We have known it far too well for many years. The only thing perhaps that we have not known about it is that it is a mortal sin.

Maybe you've been in love. I man real love, the kind my grandmother used to describe by quoting the apostle Paul's First letter to the Corinthians, the love that is kind and patient, that does not envy or boast, that beareth all things and believeth all things and endureth all things. I don't like to throw the L-word around; it's too good and rare a feeling to cheapen with overuse. You can live a good life without ever knowing real love, of the Corinthians variety,..

That God should play the tyrant over man is a dismal story of unrelieved oppression; that man should play the tyrant over man is the usual dreary record of human futility; but that man should play the tyrant over God and find him a better man than himself is an astonishing drama indeed.

Alas. What have we done to our good, bawdy, Anglo-Saxon four-letter words? ...We have blunted them so with overuse that they no longer have any real meaning for us. ...When will we be able to redeem our shock words? They have been turned to marshmallows. ...We no longer have anything to cry in time of crisis. 'Help!' we bleat. And no one hears us. 'Help' is another of those four-letter words that don't mean anything any more.

Virgina Woolf versus Edward Lear." "Christ Alive," said Billy. "Are those my only choices?" "I went for Lear," said Leon. "Partly out of fidelity to the letter L. Partly because given the choice between nonsense and boojy wittering you blatantly have to choose nonsense.

Ten minutes later, his suicide letter was done. The handwriting was legit, and he got a nice incentive to play along, seeing as I gave him a deal he couldn’t refuse. “Write the letter and go peacefully, swallowing a bunch of pills. Don’t write the letter and I slit your wrists in your bathtub and watch you bleed. Either way, you’ll be dead before dinnertime, and it will look like suicide. The awful, messy way or the peaceful way? Up to you.” He chose the pills.

Y That perfect letter. The wishbone, fork in the road, empty wineglass. The question we ask over and over. Why? Me with my arms outstretched, feet in first position. The chromosome half of us don't have. Second to last in the alphabet: almost there. Coupled with an L, let's make an adverb. A modest X, legs closed. Y or N? Yes, of course. Upside-down peace sign. Little bird tracks in the sand. Y, a Greet letter, joined the Latin alphabet after the Romans conquered Greece in the first century -- a double agent: consonant and vowel. No one used adverbs before then, and no one was happy.

Ascoltavo la mia prof preferita, quella di lettere. Stava spiegando che non si dice ma però, e neanche ma d'altra parte. Sono pleonasmi, allungano il discorso, e continuava a parlare, parlare e io pensavo che aveva ragione, ma però d'altra parte contemporaneamente d'altronde, per spiegarci di non farla lunga la stava facendo lunghissima, ma però non se ne accorgeva. E ci sono periodi molto maperò nella vita. Il fiume degli eventi ristagna e non si sa quale direzione prenderà, e andiamo alla deriva in acque torbide. Poi l'acqua diventa limpida, il torrente scorre, e tutto torna trasparente.

Pray all you like, ask anything you want, but don’t forget that he never promised he’d say yes. He never guaranteed us anything. Not anything at all. Except one thing. Just one thing . . . . That he cares . . . That is all. Nothing else.

Il sogno è l'ultima notizia che possiedo di te.

My spelling is Wobbly. It's good spelling but it Wobbles, and the letters get in the wrong places." Winnie-the-Pooh

For my nymphet I needed a diminutive with a lyrical lilt to it. One of the most limpid and luminous letters is "L". The suffix "-ita" has a lot of Latin tenderness, and this I required too. Hence: Lolita. However, it should not be pronounced as you and most Americans pronounce it: Low-lee-ta, with a heavy, clammy "L" and a long "o". No, the first syllable should be as in "lollipop", the "L" liquid and delicate, the "lee" not too sharp. Spaniards and Italians pronounce it, of course, with exactly the necessary note of archness and caress. Another consideration was the welcome murmur of its source name, the fountain name: those roses and tears in "Dolores." My little girl's heartrending fate had to be taken into account together with the cuteness and limpidity. Dolores also provided her with another, plainer, more familiar and infantile diminutive: Dolly, which went nicely with the surname "Haze," where Irish mists blend with a German bunny—I mean, a small German hare.

Somethin’ about the lad draws her to ‘im, just like somethin’ about her draws ‘im to ‘er. You understand?” “No, not at all.” Ryder exhaled. “You say the word ‘him’ and ‘her’ so messed up, do you know that? The letter H is just completely disregarded.

I am not a man who often expresses is emotions, Miss Linton." "You don't say?" "But I must admit I was... somewhat concerned for you." I had to work hard to keep a smile from my face." "Somewhat concerned? Dear God, really?" Abruptly, he turned to me, his eyes blazing with cold fire. "Dammit! Do not joke, Miss Linton!" I looked up at him, the picture of innocence drawn by a five-year-old with absolutely no artistic talent. "I wouldn't dare!" Stepping towards me, he reached out, until one of his hands gently touched my cheek. "I..." He swallowed, and tried again. "I might be slightly... irrationally infatuated with you." Warmth spread deep inside me. And on my face, a grin did. "Irrationally infatuated? Dear me!" His jaw clenched. "All right, all right! I may even have certain... impulses towards you that border on caring about you." "You don't say?" I raised an eyebrow at him. "Well, I am so glad to hear that you feel a certain amount of friendship towards me." His dark gaze pierced me accusingly. But I was enjoying this far too much to stop. I wouldn't make it easy for him. "Friendship is not the right word, Miss Linton," he bit out between clenched teeth, every word like a shard of burning ice. "My impulses towards you... they might go slightly beyond the platonic." "Oh, so they are Aristotelian?" "Mr Lin-" He swallowed, hard. "I mean Miss Linton, we are not discussing philosophy here!" I batted my eyelashes at him. "Indeed? Then pray tell, what are we discussing?" "I... I..." "You can say it, you know," I told him. "The word isn't poisonous." "I... have feelings towards you." "Clearly. I knew that from the first day from the way you shouted at me and pelted me with threats." "Not those kinds of feelings!" "What kind, then?" "I feel... affection towards you." "You're nearly there," I encouraged him, my smile widening. "Just four little letters. The word starts with L. Go on. You can do it." "You're enjoying this, Miss Linton, aren't you?" "Very much so." "Oh, to hell with it!"... His mouth took mine in a fast, fierce, bruising kiss... Finally he broke away, and with the remnants of his breath whispered: "I love you!

Cold flu looks nothing in front of cancer...complications in our personal life is like a flu and killing people on name of God or borders or countries is cancer...you can help this planet...there are ways...willingness is an action We are one...the only difference is ...few are awake, few are ready to wake up and few are just ignorant and time is coming when there will be no choice for those who is ignorant because of suffering and pain .... Bigger EGO is always drawn to Bigger Ego so many times Bigger ego ignores the important message being delivered by not a famous person. Love heals...Love not from mind...deep from heart....Mind brings games and play around with relationships...Something sacred deep from heart....L ♥ V E...Unconditional...No business of give and take....unconditional giving.... Don't be afraid and run away from loneliness and start seeking securities....Try to enjoy every part of it and then you will see ...Loneliness turned into something which we never want to loose....investigate your feeling when you feel lonely We always want something in return...we have made LOVE a business...I did it too in the past that's why I know it...this is the reason that we should change...you change, I change....everyone should think again on the way of living life and thinking and specially who thinks they know what life is. 2 births in the same life....physical and spiritual....you break the bondage (psychologically) with physical attributes of life ( detached state of mind) and try to find real "maksad" (purpose) of your existence as Being not Doing If you want to enjoy your relationship with your special one then please keep these tools handy:1) Patience2) Trust3) Freedom4) Honesty5) Respect we are all stars... twinkling with love and when there is love then there is no conflict 4 letters L ♥ V E ..imagine these letters on your hand and try to feel the deep meaning and power of these letters...feel the love you have for this life...start from there and spread love to everyone you see or meet...LOVE

Odio gli indifferenti. Credo che vivere voglia dire essere partigiani. Chi vive veramente non può non essere cittadino e partigiano. L’indifferenza è abulia, è parassitismo, è vigliaccheria, non è vita. Perciò odio gli indifferenti.

Hope was an emotion that could give the smallest man the strength to move mountains. But if a man was given too much hope in a dire situation, that four letter word would suddenly crush him, weighing him down by the impossible belief that things would somehow get better when there was no chance in hell they ever possibly could.

It's a simple choice! We can all be good boys and wear our letter sweaters around and get our little degrees and find some nice girl to settle, you know, down with... Take up what a friend of ours calls the hearty challenges of lawn care... Or we can blaze! Become legends in our own time, strike fear in the hearts of mediocre talent everywhere! We can scald dogs, put records out of reach! Make the stands gasp as we blow into an unearthly kick from three hundred yards out! We can become God's own messengers delivering the dreaded scrolls! We can race satan himslef till he wheezes fiery cinders down the back straight away... They'll speak our names in hushed tones, 'those guys are animals' they'll say! We can lay it on the line, bust a guy, show them a clean pair of heels. We can sprint the turn on a spring breeze and feel the winter leave our feet! We can, by god, let out demons loose and just wail on!

Mi piace essere in un corpo che ormai invecchia. Posso guardare le montagne senza il desiderio di scalarle. Quand'ero giovane le avrei volute conquistare. Ora posso lasciarmi conquistare da loro. Le montagne, come il mare, ricordano una misura di grandezza dalla quale l'uomo si sente ispirato, sollevato. Quella stessa grandezza è anche in ognuno di noi, ma lì ci è difficile riconoscerla. Per questo siamo attratti dalle montagne.

It is December in Paris. It was already December when I set out from Luanda, leaving the radiance of your gaze behind me. And it will be December yet, even after the month is over, and then will come only more December and winter, and December again and always the same, until l come back to the Sunny Season, and the land which is lit everywhere, always, by your gaze.

She had a brief affair with a novelist, W. L. River, whose Death of a Young Man had been published several years earlier. He called her Motsie and pledged himself to her in letters composed of stupendously long run-on sentences, in one case seventy-four lines of single-spaced typewriting. At the time this passed for experimental prose. “I want nothing from life except you,” he wrote. “I want to be with you forever, to work and write for you, to live wherever you want to live, to love nothing, nobody but you, to love you with the passion of earth but also with the above earthly elements of more eternal, spiritual love.…” He did not, however, get his wish.

Good morning on the 7th of July. while still in bed my thoughts turn towards you my Immortal Beloved, now and then happy, then sad again, waiting whether Fate might answer us. – I can only live either wholly with you or not at all, yes, I have resolved to stray about far away until I can fly into your arms, and feel at home with you, and send my soul embraced by you into the realm of the Spirits. – Yes, unfortunately it must be. – You will compose yourself, all the more since you know my faithfulness to you, never can another own my heart, never – never. – Oh God why do I have to separate from someone whom I love so much, and yet my life in V[ienna] as it is now is a miserable life. – Your love makes me at once most happy and most unhappy. – At my age, I would now need some conformity regularity in my life – can this exist in our relationship? – Angel, I just learned that the post goes every day – and I must therefore conclude so that you get the l[etter] straightway – be patient, only through quiet contemplation of our existence can we achieve our purpose to live together – be calm – love me – today – yesterday. – What yearning with tears for you – you – you – my life – my everything – farewell – oh continue to love me – never misjudge the most faithful heart of your Beloved L. Forever thine forever mine forever us.

They say instant communication is not communication at all but merely a frantic, trivial, nerve-wracking bombardment of clichés, threats, fads, fashions, gibberish and advertising. However, who has not hung on a scripture, a quote, a statement, only to stumble upon the key phrase that brought all things to a turning point? The greatest sermons and speeches were pieced together by illuminating thoughts that powered men to surpass their own commonness. It is the sparkling magic of letters forming words, and those words colliding with passion, that makes statements into wisdom.

mad maddie: I GOT ACCEPTED TO SANTA CRUZ!!!! SnowAngel: omg!!! zoegirl: maddie!!!! yay!!!!! mad maddie: i know! it's incredible! SnowAngel: *squeals and hugs sweet maddie* SnowAngel: tell us every single detail!!! mad maddie: well, i got home from school and saw this big thick envelope on the kitchen counter, with "Santa Cruz Admissions Office" as the return address. i got really fidgety and just started screaming, right there in the house. no one was there but me, so i could be as loud as i wanted. zoegirl: omg!!! mad maddie: i took a deep breath and tried to calm down, but my hands were shaking. i opened the envelope and pulled out a folder that said, "Welcome to Santa Cruz!" inside was a letter that said, "Dear Madigan. You're in!" mad maddie: isn't that cool? i LOVE that, that instead of being all prissy and formal, they're like, "you're in! yahootie!" SnowAngel: oh maddie, i am sooooo happy for u! mad maddie: i ran out to my car all jumping and hopping around and drove to ian's, cuz i knew neither of u would be home yet. i showed him my letter and he hugged me really hard and lifted me into the air. it was AWESOME. zoegirl: i'm so proud of u, maddie! SnowAngel: me 2!

Maybe you've been in love. I mean real love, the kind my grandmother used to describe by quoting the apostle Paul's First Letter to the Corinthians, the love that is kind and patient, that does not envy or boast, that beareth all things and believeth all things and endureth all things. I don't like to throw the L-word around; it's too good and rare a feeling to cheapen with overuse. You can live a good life without ever knowing real love, of the Corinthians variety, but I was fortunate to have found it with Harold.

Aunt Wellington, of whom Valancy stood in abject awe, would tell her about Olive's new chiffon dress and Cecil's last devoted letter. Valancy would have to look as pleased and interested as if the dress and letter had been hers or else Aunt Wellington would be offended. And Valancy had long ago decided that she would rather offend God than Aunt Wellington, because God might forgive her but Aunt Wellington never would.

Perhaps we are not following Christ all the way or in the right spirit. We are likely, for example, to be a little sparing of the palms and hosannas. We are chary of wielding the scourge of small cords, lest we should offend somebody or interfere with trade. We do not furnish up our wits to disentangle knotty questions about Sunday observance and tribute money, nor hasten to sit at the feet of the doctors, both hearing them and asking them questions. We pass hastily over disquieting jests about making friends with the mammon of unrighteousness and alarming observations about bringing not peace but a sword; nor do we distinguish ourselves by the graciousness by which we sit at meat with publicans and sinners. Somehow or other, and with the best intentions, we have shown the world the typical Christian in the likeness of a crashing and rather ill-natured bore---and this in the name of the one who assuredly never bored a soul in those thirty-three years during which he passed through the world like a flame. Let us, in heaven's name, drag out the divine drama from under the dreadful accumulation of slipshod thinking and trashy sentiment heaped upon it, and set it on an open stage to startle the world into some sort of vigorous reaction. If the pious are the first to be shocked, so much worse for the pious---others will pass into the kingdom of heaven before them. If all men are offended because of Christ, let them be offended; but where is the sense of their being offended at something that is not Christ and is nothing like him? We do him singularly little honor by watering down his personality till it could not offend a fly. Surely it is not the business of the Church to adapt Christ to men, but to adapt men to Christ.

H. L. Mencken called it “the one authentic rectum of civilization,” but for most people Hollywood was a place of magic. In 1927, the iconic sign on the hillside above the city actually said HOLLYWOODLAND. It had been erected in 1923 to advertise a real estate development and had nothing to do with motion pictures. The letters, each over forty feet high, were in those days also traced out with electric lights. (The LAND was removed in 1949.)

Oggi, mezzo gennaio, non è giornata allegra; cielo nubiloso, aritmie, il solito disordine che a farsi potabile richiede il tempo che una sardina impiega a farsi capodoglio. Ovvio che la sardina mi abbia orientato verso l’olio, e dunque l’Oglio, e l’ingrata patria, gli ossicini io non ti do. Ecco, in un giorno come questo è difficile fare l’unica cosa che io sappia veramente fare: comprare libri. Quando la primavera si sbizzarrisce, e i capri petulchi lasciviano pe’ prati, e l’odore della mortella – erba di cui ignoro tutto, e che quindi è puramente letteraria – impreziosisce l’aria, io vado ad acquistare libri. Badate: io non ho detto che vado ad acquistare libri che ho preventivamente scelto, che voglio assolutamente, che, acquistati, porterò golosamente a casa e leggerò, scrivendo poi un mirabile saggio critico, splendore di acutezza e di segreta poesia, destinato a procurarmi lettere di appassionati lettori, sconvolti e rigenerati. Macché. L’unica faccenda che mi sta a cuore è questa appunto: comprare libri. Ora, il quesito, la quaestio quodlibetalis è come segue: colui che acquista libri è per ciò stesso un lettore? Ovviamente, la maggioranza dei leggenti queste righe, se ve ne sono, penseranno che no; lettore è colui che legge. Quale errore. Non v’ha dubbio che è naturale che il lettore legga, ma contesto che per esser lettori si debba assolutamente leggere; e soprattutto che acquistare libri non sia gesto di lettore. Ma se il libro non lo leggi, che senso avrà mai che se ne stia nella tua biblioteca? E tu stesso lo dici: forse non lo leggerò mai, magari un giorno lo regalerò. Eh no, quest’ultima facezia me la fate dire voi, io i libri acquistati non letti, forse non mai letti, nemmeno li presto. Essi ‘mi servono’. Servono a che? Servono grazie alla naturale attività magica e umbràtile e stemmica che un libro esercita. Un libro lo si compra con animo che suppongo simile a quello con cui si dipingevano bovi e capri nelle caverne paleolitiche. Una mucca dipinta non si munge né si mangia, ma è ‘la mucca’, cosa che non è consentito ad alcuna altra mucca. E così il libro non letto, acquistato e depositato sugli scaffali, è ‘il libro’. Acquistare un libro ha un effetto nervino che nessun altro gesto può avere; è una scelta del tutto onirica, isterica, fantastica, e suppone un progetto di vita, e naturalmente più libri possono alludere a più progetti di vita.

They found a coin and helped him to the telescope. He complained and insulted them, but they helped him look at each individual letter in turn. The first letter was a 'w,' the second an 'e.' Then there was a gap. An 'a' followed, then a 'p,' an 'o,' and an 'l.' Marvin paused for a rest. After a few moments they resumed and let him see the 'o,' the 'g,' the 'i,' the 'z,' and the 'e.' The next two words were 'for' and 'the.' The last one was a long one, and Marvin needed another rest before the could tackle it. It started with 'i,' then 'n,' then 'c.' Next came an 'o' and an 'n,' followed by a 'v,' an 'e,' another 'n,' and an 'i.' After a final pause, Marvin gathered his strength for the last stretch. He read the 'e,' the 'n,' the 'c,' and at last the final 'e,' and staggered back into their arms. 'I think,' he murmured at last from deep within his corroding, rattling thorax, 'I feel good about it.' The lights went out in his eyes for absolutely the very last time ever.

In the German translation of Mussolini’s letter found in the Foreign Office archives after the war, and which I have used here, the word “Germany” has been crossed out here and the word “Poland” typed above it, making it read: “If Poland attacks …” In the Italian original, published after the war by the Italian government, the passage reads “Se la Germania attacca la Polonia.” It is strange that the Nazis falsified even the secret documents deposited in their official government archives.14 †

ah ! tu m'as appris à comprendre bien des choses ! le visage d'une jeune fille, d'une femme, est forcément pour un homme un objet extrêmement variable ; le plus souvent, il n'est qu'un miroir, où se reflète tantôt une passion, tantôt un enfantillage, tantôt une lassitude, et il s'efface si vite, comme une image dans une glace, qu'un homme peut sans difficulté oublier le visage d'une femme, d'autant mieux que l'âge y fait alterner l'ombre et la lumière et que des costumes nouveaux l'encadrent différemment.

So che stai leggendo tardi questa poesia, prima di lasciare l' ufficio con l'abbagliante lampada gialla e la finestra nel buio nell'apatia di un fabbricato sbiadito nella quiete dopo l'ora di traffico. So che stai leggendo questa poesia in piedi nella libreria lontano dall'oceano in un giorno grigio di primavera, fiocchi sparsi di neve spinti attraverso enormi spazi di pianure intorno a te. So che stai leggendo questa poesia in una stanza dove tanto è accaduto che non puoi sopportare dove i vestiti giacciono sul letto in cumuli stagnanti e la valigia aperta parla di fughe ma non puoi ancora partire. So che stai leggendo questa poesia mentre il treno della metropolitana perde velocità e prima di salire le scale verso un nuovo tipo d'amore che la vita non ti ha mai concesso. So che stai leggendo questa poesia alla luce del televisore dove immagini mute saltano e scivolano mentre tu attendi le telenotizie sull'intifada. So che stai leggendo questa poesia in una sala d'attesa Di occhi che s'incontrano sì e no, d'identità con estranei. So che stai leggendo questa poesia sotto la luce al neon nel tedio e nella stanchezza dei giovani fuori gioco, che si mettono fuori gioco quando sono ancora troppo giovani. So che stai leggendo questa poesia con una vista non più buona, le spesse lenti ingigantiscono queste lettere oltre ogni significato però continui a leggere perché anche l'alfabeto è prezioso. So che stai leggendo questa poesia mentre vai e vieni accanto alla stufa scaldando il latte, sulla spalla un bambino che piange, un libro nella mano poiché la vita è breve e anche tu hai sete. So che stai leggendo questa poesia non scritta nella tua lingua indovinando alcune parole mentre altre continui a leggerle e voglio sapere quali siano queste parole. So che stai leggendo questa poesia mentre ascolti qualcosa, diviso fra rabbia e speranza ricominciando a fare di nuovo il lavoro che non puoi rifiutare. So che stai leggendo questa poesia perché non rimane nient'altro da leggere là dove sei atterrato, completamente nudo.

Anne had wandered down the the Dryard's Bubble and was curled up among the ferns at the root of the n=big white birch where sher and Gilbert had so often sat ion summers gone by. Hew had gone into the newspaper office again when college was closed, and Avonlea seemed very dull without him. He never wrote to her, and Anne missed the letters that neer came. To be sure, Roy wrote twice a week; his letters were exquisite compositions which would have read beautifully in a memoir or biography. Anne felt herself more deeply in love with him that ever when she read the; but her heart never game that queer, quick, painful bound at sight of his letters which had given one day when Mrs. Hiram Sloane had handed her out an envelope addressed in Gilbert's black, upright handwriting. Anne had hurried home to the east gable and opened it eagrly--to find a typewritten copy of some college society report--"only that and nothing more." Anne flung the harmless screed across her room and sat down to write and especially nice epistle to Roy

Nell’ascensore che li portava al settimo piano, Lacke si mise a piangere. Non silenziosamente, singhiozzava peggio di un bambino. Quando Larry aprì la porta dell’ascensore e spinse Lacke sul pianerottolo, il singhiozzo aumentò riecheggiando contro le pareti di cemento. Ora, era un urlo di dolore primordiale, smisurato, che riempiva tutti gli appartamenti, scivolando attraverso le buche delle lettere, i buchi delle serrature, trasformando l’intero palazzo in un grande monumento eretto in memoria dell’amore. Larry rabbrividì, non aveva mai sentito niente di simile prima. Non si piangeva così. Non si doveva piangere così. Se si piangeva così si moriva.

J'éprouve un déchirement qui s'aggrave sans cesse, à la fois dan l'intelligence et au centre du coeur, par l'incapacité où je suis de penser ensemble dans la vérité le malheur des hommes, la perfection de Dieu et le lien entre les deux. 'I feel ceaselessly and increasingly torn, both in my intelligence and in the depth of my heart, by my inability to conceive simultaneously and in truth of the affliction of humans, the perfection of God, and the relation between the two.' Simone Weil, Lettre à Maurice Schumann, n.d. (prb Dec. 1942)

The catch is that for most people the New Testament is taken as proof for the conventional picture of Christian origins, and the conventional picture is taken as proof for the way in which the New Testament was written. . . . For this reason the New Testament is commonly viewed and treated as a charter document that came into being much like the Constitution of the United States. According to this view, the authors of the New Testament were all present at the historic beginnings of the new religion and collectively wrote their gospels and letters for the purpose of founding the Christian church that Jesus came to inaugurate. Unfortunately for this view, that is not the way it happened.

Speech therapy is an art that deserves to be more widely known. You cannot imagine the acrobatics your tongue mechanically performs in order to produce all the sounds of a language. Just now I am struggling with the letter l, a pitiful admission for an editor in chief who cannot even pronounce the name of his own magazine! On good days, between coughing fits, I muster enough energy and wind to be able to puff out one or two phonemes. On my birthday, Sandrine managed to get me to pronounce the whole alphabet more or less intelligibly. I could not have had a better present. It was as if those twenty-six letters and been wrenched from the void; my own hoarse voice seemed to emanate from a far-off country. The exhausting exercise left me feeling like a caveman discovering language for the first time. Sometimes the phone interrupts our work, and I take advantage of Sandrine's presence to be in touch with loved ones, to intercept and catch passing fragments of life, the way you catch a butterfly. My daughter, Celeste, tells me of her adventures with her pony. In five months she will be nine. My father tells me how hard it is to stay on his feet. He is fighting undaunted through his ninety-third year. These two are the outer links of the chain of love that surrounds and protects me. I often wonder about the effect of these one-way conversations on those at the other end of the line. I am overwhelmed by them. How dearly I would love to be able to respond with something other than silence to these tender calls. I know that some of them find it unbearable. Sweet Florence refuses to speak to me unless I first breathe noisily into the receiver that Sandrine holds glued to my ear. "Are you there, Jean-Do?" she asks anxiously over the air. And I have to admit that at times I do not know anymore.

I like her being honourable, and she is it; a perfect lady, with all the dash and courage of the aristocracy, and less of its childishness than I expected. She is like an over ripe grape in features, moustached, pouting, will be a little heavy; meanwhile, she strides on fine legs, in a well cut skirt, and though embarrassing at breakfast, has a manly good sense and simplicity about her which both L. and I find satisfactory. Oh yes, I like her; could tack her on to my equipage for all time; and suppose if life allowed, this might be a friendship of a sort.

[I]t's difficult to make people see that what you have been taught counts for nothing, and that the only things worth having are the things you find out for yourself. Also, that when so many brands of what Chesterton calls 'fancy souls' and theories of life are offered you, there is no sense in not looking pretty carefully to see what you are going in for. [...] It isn't a case of 'Here is the Christian religion, the one authoritative and respectable rule of life. Take it or leave it'. It's 'Here's a muddling kind of affair called Life, and here are nineteen or twenty different explanations of it, all supported by people whose opinions are not to be sneezed at. Among them is the Christian religion in which you happpen to have been brought up. Your friend so-and-so has been brought up in quite a different way of thinking; is a perfectly splendid person and thoroughly happy. What are you going to do about it?' -- I'm worrying it out quietly, and whatever I get hold of will be valuable, because I've got it for myself; but really, you know, the whole question is not as simple as it looks.

The first letter was a “w,” the second an “e.” Then there was a gap. An “a” followed, then a “p,” an “o,” and an “l.” Marvin paused for a rest. After a few moments they resumed and let him see the “o,” the “g,” the “i,” the “z,” and the “e.” The next two words were “for” and “the.” The last one was a long one, and Marvin needed another rest before he could tackle it. It started with “i,” then “n,” then “c.” Next came an “o” and an “n,” followed by a “v,” an “e,” another “n,” and an “i.” After a final pause, Marvin gathered his strength for the last stretch. He read the “e,” the “n,” the “c,” and at last the final “e,” and staggered back into their arms.

I try to answer every letter of my young correspondents; yet sometimes there are so many letters that a little time must pass before you get your answer. But be patient, friends, for the answer will surely come, and by writing to me you more than repay me for the pleasant task of preparing these books. Besides, I am proud to acknowledge that the books are partly yours, for your suggestions often guide me in telling the stories, and I am sure they would not be half so good without your clever and thoughtful assistance. L. FRANK BAUM Coronado, 1908.

Eppure l'amore all'inizio è una cosa bella, una cosa dolce e cara. Ma proprio come un gattino, che da piccolo ti delizia con i suoi modi teneri e amabili, con la sua innocenza, morbidezza e mansuetudine, si trasforma con spaventosa rapidità in un gatto che ti artiglia crudelmente. Vorrei sapere se esiste una sola persona al mondo, all'apparenza felice e indifferente, che non abbia ben nascosti sotto abiti e ornamenti i segni degli artigli dell'amore. Credo anche che si tratti di graffi così profondi che sanguinano a lungo, senza rimarginarsi; e quando, dopo anni, finalmente guariscono, rimane sempre una cicatrice, rossa e terribile, che fa trasalire quando inavvertitamente la si tocca.

Perhaps I should admit on the title page that this book is "By L. Frank Baum and his correspondents," for I have used many suggestions conveyed to me in letters from children. Once on a time I really imagined myself "an author of fairy tales," but now I am merely an editor or private secretary for a host of youngsters whose ideas I am requested to weave into the thread of my stories...My, what imaginations these children have developed! Sometimes I am fairly astounded by their daring an genius. There will be no lack of fairy-tale authors in the future, I am sure. My readers have told me what to do with Dorothy, and Aunt Em and Uncle Henry, and I have obeyed their mandates. They have also given me a variety of subjects to write about in the future: enough, in fact, to keep me busy for some time. I am very proud of this alliance. Children love these stories because children have helped to create them. My readers know what they want and realize I try to please them. The result is satisfactory to the publishers, to me, and (I am quite sure) to the children. I hope, my dears, it will be a long time before we are obliged to dissolve partnership.

There is an undeniably daffy aspect to Sherman. Calling him a motormouth understates the case: he was a veritable volcano of verbiage, as borne out by a mountain of letters, memoranda, and other official papers, not to mention the uniformly gabby impression he left among contemporaries. If there were a contest for who spoke the most words in a lifetime, Sherman would have been a finalist—he lived a long time and slept very little; otherwise he was talking. He said exactly what was on his mind at that instant, until his quicksilver brain turned to an entirely different matter, then to a third, and perhaps to a fourth, then back to the first—unceasing—spewing orders, analysis, advice, and anecdotes in a random pattern that often left listeners stunned and amazed. One prominent Civil War historian, Gary Gallagher, described Sherman as lacking cognitive filters. It all came out. And this is a real problem in trying to resurrect the man’s nature.

Your letter has drawn me from the solitude in which I had shut myself up for nearly nine months, and from which I found it hard to stir. You will not guess what I have been about. I will tell you for such things do not happen every day. I have been making a list of from two to three hundred radical words of the Russian language, and have had them translated into as many languages and jargons as I could find. Their number exceeds already the second hundred. Every day I took one of these words and wrote it out in all the languages which I could collect. This has taught me that Celtic is like the Ostiakian: that what means sky in one language means cloud, fog, vault, in others; that the word God in certain dialects means Good, the Highest, in others, sun or fire...I asked Professor Pallas to come to me, and after making an honest confession of my sin, we agreed to publish these collections, and thus make them useful to those who like to occupy themselves with the forsaken toys of others. - Letter from Catherine the Great, dated 9 May 1785, from Curious Versions of Modernity, D.l. Martin, MIT Press 2011

Tutto è portare a termine e poi generare. Lasciar compiersi ogni impressione e ogni germe d’un sentimento dentro di sé, nel buio, nell’indicibile, nell’inconscio irraggiungibile alla propria ragione, e attendere con profonda umiltà e pazienza l’ora del parto d’una nuova chiarezza: questo solo si chiama vivere da artista: nel comprender come nel creare. Qui non si misura il tempo, qui non vale alcun termine e dieci anni son nulla. Essere artisti vuol dire: non calcolare e contare; maturare come l’albero, che non incalza i suoi succhi e sta sereno nelle tempeste di primavera senz’apprensione che l’estate non possa venire. Ché l’estate viene. Ma viene solo ai pazienti, che attendono e stanno come se l’eternità giacesse avanti a loro, tanto sono tranquilli e vasti e sgombri d’ogni ansia. Io l’imparo ogni giorno, l’imparo tra i dolori, cui sono riconoscente: pazienza è tutto!

From his beach bag the man took an old penknife with a red handle and began to etch the signs of the letters onto nice flat pebbles. At the same time, he spoke to Mondo about everything there was in the letters, about everything you could see in them when you looked and when you listened. He spoke about A, which is like a big fly with its wings pulled back; about B, which is funny, with its two tummies; or C and D, which are like the moon, a crescent moon or a half-full moon; and then there was O, which was the full moon in the black sky. H is high, a ladder to climb up trees or to reach the roofs of houses; E and F look like a rake and a shovel; and G is like a fat man sitting in an armchair. I dances on tiptoes, with a little head popping up each time it bounces, whereas J likes to swing. K is broken like an old man, R takes big strides like a soldier, and Y stands tall, its arms up in the air, and it shouts: help! L is a tree on the river's edge, M is a mountain, N is for names, and people waving their hands, P is asleep on one paw, and Q is sitting on its tail; S is always a snake, Z is always a bolt of lightning, T is beautiful, like the mast on a ship, U is like a vase, V and W are birds, birds in flight; and X is a cross to help you remember.

He imagined a town called A. Around the communal fire they’re shaping arrowheads and carving tributes o the god of the hunt. One day some guys with spears come over the ridge, perform all kinds of meanness, take over, and the new guys rename the town B. Whereupon they hang around the communal fire sharpening arrowheads and carving tributes to the god of the hunt. Some climatic tragedy occurs — not carving the correct tributary figurines probably — and the people of B move farther south, where word is there’s good fishing, at least according to those who wander to B just before being cooked for dinner. Another tribe of unlucky souls stops for the night in the emptied village, looks around at the natural defenses provided by the landscape, and decides to stay awhile. It’s a while lot better than their last digs — what with the lack of roving tigers and such — plus it comes with all the original fixtures. they call the place C, after their elder, who has learned that pretending to talk to spirits is a fun gag that gets you stuff. Time passes. More invasions, more recaptures, D, E, F, and G. H stands as it is for a while. That ridge provides some protection from the spring floods, and if you keep a sentry up there you can see the enemy coming for miles. Who wouldn’t want to park themselves in that real estate? The citizens of H leave behind cool totems eventually toppled by the people of I, whose lack of aesthetic sense if made up for by military acumen. J, K, L, adventures in thatched roofing, some guys with funny religions from the eastern plains, long-haired freaks from colder climes, the town is burned to the ground and rebuilt by still more fugitives. This is the march of history. And conquest and false hope. M falls to plague, N to natural disaster — same climatic tragedy as before, apparently it’s cyclical. Mineral wealth makes it happen for the O people, and the P people are renowned for their basket weaving. No one ever — ever — mentions Q. The dictator names the city after himself; his name starts with the letter R. When the socialists come to power they spend a lot of time painting over his face, which is everywhere. They don’t last. Nobody lasts because there’s always somebody else. They all thought they owned it because they named it and that was their undoing. They should have kept the place nameless. They should have been glad for their good fortune, and left it at that. X, Y, Z.

Non ho mai desiderato vestiti, scarpe perfette né beni di lusso. Non ho mai desiderato di ricoprirmi di seta. L’unica cosa che desideravo era di poter toccare un altro essere umano con le mani, e soprattutto con il cuore. Conosco il mondo e la sua scarsa compassione, il suo giudizio severo e spiacevole, il suo sguardo algido e risentito. Ci sono cresciuta in mezzo. Ho avuto tutto il tempo che volevo per ascoltare. Per guardare. Per studiare le persone, i luoghi e le alternative. Non dovevo far altro che aprire gli occhi. Non dovevo far altro che aprire un libro e vedere le storie che sanguinavano una pagina dopo l’altra. Vedere i ricordi impressi sulla carta. Ho trascorso un’esistenza intera fra le pagine dei libri. In mancanza di relazioni umane, ho stretto legami con personaggi di carta. Ho sperimentato l’amore e la perdita per mezzo di storie ambientate nel passato; ho vissuto l’adolescenza di riflesso. Il mio mondo è una ragnatela intricata di parole che connettono arto con arto, osso con tendine, pensieri con immagini. Sono una creatura fatta di lettere, un personaggio disegnato da frasi, il prodotto di una fantasia scaturita dalla narrativa. Vogliono cancellare ogni segno d’interpunzione dalla mia vita, e non credo di poterglielo lasciar fare.

The English word Atonement comes from the ancient Hebrew word kaphar, which means to cover. When Adam and Eve partook of the fruit and discovered their nakedness in the Garden of Eden, God sent Jesus to make coats of skins to cover them. Coats of skins don’t grow on trees. They had to be made from an animal, which meant an animal had to be killed. Perhaps that was the very first animal sacrifice. Because of that sacrifice, Adam and Eve were covered physically. In the same way, through Jesus’ sacrifice we are also covered emotionally and spiritually. When Adam and Eve left the garden, the only things they could take to remind them of Eden were the coats of skins. The one physical thing we take with us out of the temple to remind us of that heavenly place is a similar covering. The garment reminds us of our covenants, protects us, and even promotes modesty. However, it is also a powerful and personal symbol of the Atonement—a continuous reminder both night and day that because of Jesus’ sacrifice, we are covered. (I am indebted to Guinevere Woolstenhulme, a religion teacher at BYU, for insights about kaphar.) Jesus covers us (see Alma 7) when we feel worthless and inadequate. Christ referred to himself as “Alpha and Omega” (3 Nephi 9:18). Alpha and omega are the first and last letters of the Greek alphabet. Christ is surely the beginning and the end. Those who study statistics learn that the letter alpha is used to represent the level of significance in a research study. Jesus is also the one who gives value and significance to everything. Robert L. Millet writes, “In a world that offers flimsy and fleeting remedies for mortal despair, Jesus comes to us in our moments of need with a ‘more excellent hope’ (Ether 12:32)” (Grace Works, 62). Jesus covers us when we feel lost and discouraged. Christ referred to Himself as the “light” (3 Nephi 18:16). He doesn’t always clear the path, but He does illuminate it. Along with being the light, He also lightens our loads. “For my yoke is easy,” He said, “and my burden is light” (Matthew 11:30). He doesn’t always take burdens away from us, but He strengthens us for the task of carrying them and promises they will be for our good. Jesus covers us when we feel abused and hurt. Joseph Smith taught that because Christ met the demands of justice, all injustices will be made right for the faithful in the eternal scheme of things (see Teachings, 296). Marie K. Hafen has said, “The gospel of Jesus Christ was not given us to prevent our pain. The gospel was given us to heal our pain” (“Eve Heard All These Things,” 27). Jesus covers us when we feel defenseless and abandoned. Christ referred to Himself as our “advocate” (D&C 29:5): one who believes in us and stands up to defend us. We read, “The Lord is my rock, and my fortress, and my deliverer; my God, my strength, in whom I will trust; my buckler” (Psalm 18:2). A buckler is a shield used to divert blows. Jesus doesn’t always protect us from unpleasant consequences of illness or the choices of others, since they are all part of what we are here on earth to experience. However, He does shield us from fear in those dark times and delivers us from having to face those difficulties alone. … We’ve already learned that the Hebrew word that is translated into English as Atonement means “to cover.” In Arabic or Aramaic, the verb meaning to atone is kafat, which means “to embrace.” Not only can we be covered, helped, and comforted by the Savior, but we can be “encircled about eternally in the arms of his love” (2 Nephi 1:15). We can be “clasped in the arms of Jesus” (Mormon 5:11). In our day the Savior has said, “Be faithful and diligent in keeping the commandments of God, and I will encircle thee in the arms of my love” (D&C 6:20). (Brad Wilcox, The Continuous Atonement, pp. 47-49, 60).

Sam gli passò le mani dietro il collo, mormorando: «Ti amo.» Mason si irrigidì. Sapeva di avere un'espressione raggelata, ma non c'era niente, assolutamente niente, che potesse sciogliere la presa di ferro che si sentiva addosso. Sam ritrasse le mani, e forse avrebbe fatto anche un passo indietro, ma Mason la stava ancora abbracciando. «Mason, io... Non dovevo dirlo?» No, non lo doveva dire. Doveva proprio starsene zitta, perché, nel momento in cui quella parolina di tre lettere le era uscita di bocca... «No, è che...» si sentiva rintronato, il cervello che andava a rilento come dopo un placcaggio particolarmente duro a football. «Eravamo là, vicino alla carta igienica. Io ho pensato che un cavaliere, un vero duro, non fa dichiarazioni mentre compra la carta igienica. Adesso siamo vicino ai fazzoletti e vorrei risponderti che anche io ti amo.» Sam sembrava confusa. Faceva saettare lo sguardo dalle confezioni di carta igienica a quelle di fazzoletti, su e giù. Poi gli sorrise e Mason pensò che forse un cavaliere poteva dichiararsi con la carta igienica in mano, se in cambio riceveva un sorriso così dolce, gli occhi che le brillavano. «Vuoi che ci allontaniamo dalla carta igienica?» chiese Sam. L'espressione dolce si stava trasformando in un sorrisino sarcastico, il tipo di smorfia che faceva in continuazione la principessina. «Forse, vicino alle birre, il cavaliere potrà dichiararsi in modo più virile?» «Mi stai prendendo in giro?» «Sì. »

What did we talk about? I don't remember. We talked so hard and sat so still that I got cramps in my knee. We had too many cups of tea and then didn't want to leave the table to go to the bathroom because we didn't want to stop talking. You will think we talked of revolution but we didn't. Nor did we talk of our own souls. Nor of sewing. Nor of babies. Nor of departmental intrigue. It was political if by politics you mean the laboratory talk that characters in bad movies are perpetually trying to convey (unsuccessfully) when they Wrinkle Their Wee Brows and say (valiantly--dutifully--after all, they didn't write it) "But, Doctor, doesn't that violate Finagle's Constant?" I staggered to the bathroom, released floods of tea, and returned to the kitchen to talk. It was professional talk. It left my grey-faced and with such concentration that I began to develop a headache. We talked about Mary Ann Evans' loss of faith, about Emily Brontë's isolation, about Charlotte Brontë's blinding cloud, about the split in Virginia Woolf's head and the split in her economic condition. We talked about Lady Murasaki, who wrote in a form that no respectable man would touch, Hroswit, a little name whose plays "may perhaps amuse myself," Miss Austen, who had no more expression in society than a firescreen or a poker. They did not all write letters, write memoirs, or go on the stage. Sappho--only an ambiguous, somewhat disagreeable name. Corinna? The teacher of Pindar. Olive Schriener, growing up on the veldt, wrote on book, married happily, and ever wrote another. Kate Chopin wrote a scandalous book and never wrote another. (Jean has written nothing.). There was M-ry Sh-ll-y who wrote you know what and Ch-rl-tt- P-rk-ns G-lm-an, who wrote one superb horror study and lots of sludge (was it sludge?) and Ph-ll-s Wh--tl-y who was black and wrote eighteenth century odes (but it was the eighteenth century) and Mrs. -nn R-dcl-ff- S-thw-rth and Mrs. G--rg- Sh-ld-n and (Miss?) G--rg-tt- H-y-r and B-rb-r- C-rtl-nd and the legion of those, who writing, write not, like the dead Miss B--l-y of the poem who was seduced into bad practices (fudging her endings) and hanged herself in her garter. The sun was going down. I was blind and stiff. It's at this point that the computer (which has run amok and eaten Los Angeles) is defeated by some scientifically transcendent version of pulling the plug; the furniture stood around unknowing (though we had just pulled out the plug) and Lady, who got restless when people talked at suck length because she couldn't understand it, stuck her head out from under the couch, looking for things to herd. We had talked for six hours, from one in the afternoon until seven; I had at that moment an impression of our act of creation so strong, so sharp, so extraordinarily vivid, that I could not believe all our talking hadn't led to something more tangible--mightn't you expect at least a little blue pyramid sitting in the middle of the floor?