Kubrick Movie Quotes

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All work and no play makes Jack a dull boy.
Stanley Kubrick
If chess has any relationship to film-making, it would be in the way it helps you develop patience and discipline in choosing between alternatives at a time when an impulsive decision seems very attractive.
Stanley Kubrick
Perhaps it sounds ridiculous, but the best thing that young filmmakers should do is to get hold of a camera and some film and make a movie of any kind at all.
Stanley Kubrick
Fincher, Kubrick, Lucas, Spielberg, Del Toro, Tarantino. And, of course, Kevin Smith. I spent three months studying every John Hughes teen movie and memorizing all the key lines of dialogue. Only the meek get pinched. The bold survive. You could say I covered all the bases. I studied Monty Python. And not just Holy Grail, either. Every single one of their films, albums, and books, and every episode of the original BBC
Ernest Cline (Ready Player One (Ready Player One, #1))
(Stanley Kubrick) worked more like an essayist than a director.
Emilio D'Alessandro (Stanley Kubrick and Me: Thirty Years at His Side)
Why does Kubrick always chill our blood, and make us huddled up scared stiff with eyes wide shut? Because even dead he's still "Shinnying" with his old hand and his eye-catching plots.
Ana Claudia Antunes (The Mysterious Murder of Marilyn Monroe)
I devoured each of what Halliday referred to as “The Holy Trilogies”: Star Wars (original and prequel trilogies, in that order), Lord of the Rings, The Matrix, Mad Max, Back to the Future, and Indiana Jones. (Halliday once said that he preferred to pretend the other Indiana Jones films, from Kingdom of the Crystal Skull onward, didn’t exist. I tended to agree.) I also absorbed the complete filmographies of each of his favorite directors. Cameron, Gilliam, Jackson, Fincher, Kubrick, Lucas, Spielberg, Del Toro, Tarantino. And, of course, Kevin Smith. I spent three months studying every John Hughes teen movie and memorizing all the key lines of dialogue.
Ernest Cline (Ready Player One (Ready Player One, #1))
Stanley Kubrick asserted total control over his vision, demanding take after take and looking into every last detail. But he also had a sense of how to use chaos, and he clearly enjoyed the bumper car ride that is filmmaking. In his work Kubrick brought together order and madness, mastery and wild defiance, fulfilling a key dream of cinema, to show human energy at its most dangerous and exciting while also presenting a supremely organized world. And so he changed what movies look like.
David Mikics (Stanley Kubrick: American Filmmaker)
The idea that social restraints are all bad is based on a utopian and unrealistic vision of man. But in this movie [A Clockwork Orange], you have an example of social institutions gone a bit berserk. Obviously, social institutions faced with the law-and-order problem might choose to become grotesquely oppressive. The movie poses two extremes: it shows Alex in his pre-civilized state, and society committing a worse evil in attempting to cure him.
Stanley Kubrick
the movie Dr. Strangelove. President Kennedy was assassinated shortly before the movie was completed, and in post-production Stanley Kubrick had Slim Pickens dub the word “Vegas” over the word “Dallas” in one of his lines. “I always heard ‘a pretty good weekend in Degas
David Owen (Volume Control: Hearing in a Deafening World)
The Exotic Erotic Cirque Without moving a single muscle, I sat mesmerized in my seat. At that tender age, I had never observed anything like it. This fervent performance was thirty years before Cirque De Soleil’s human circus made its mark in our popular culture. It was also precisely thirty-two years prior to the last movie Stanley Kubrick directed, “Eyes Wide Shut.” The exotic erotic cirque was already playing at Sfera Mascherata di San Valentino di Conte Mario Conti, and I had the opportunity to witness this spectacular extravaganza first hand. At 2:00 A.M., the night was young. My partners in crime, exploring the upstairs, were The Raven King and The Twins (Oscar and Devaj).
Young (Unbridled (A Harem Boy's Saga, #2))
Searching for one can only be a matter of myth-making, whether the resultant myths take the form of ‘killer ape’ fantasies that emerged in the 1960s, seared into collective consciousness by movies like Stanley Kubrick’s 2001: A Space Odyssey; or the ‘aquatic ape’; or even the highly amusing but fanciful ‘stoned ape’ (the theory that consciousness emerged from the accidental ingestion of psychedelic mushrooms). Myths like these entertain YouTube watchers to this day.
David Graeber (The Dawn of Everything: A New History of Humanity)
In other words, there is no ‘original’ form of human society. Searching for one can only be a matter of myth-making, whether the resultant myths take the form of ‘killer ape’ fantasies that emerged in the 1960s, seared into collective consciousness by movies like Stanley Kubrick’s 2001: A Space Odyssey; or the ‘aquatic ape’; or even the highly amusing but fanciful ‘stoned ape’ (the theory that consciousness emerged from the accidental ingestion of psychedelic mushrooms). Myths like these entertain YouTube watchers to this day.
David Graeber (The Dawn of Everything: A New History of Humanity)
Stanley Kubrick gave this advice to aspiring filmmakers: “Get hold of a camera and some film and make a movie of any kind at all.”6 Kubrick knew that when you’re new at something, you need to start creating. The most important thing is to begin. So get a camera, hit Record, and start shooting.
Jason Fried (ReWork: Change the Way You Work Forever)