Kool Runnings Quotes

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Do you know what it's like to run spellcheck for six hours? It's like a party in purgatory. A party in purgatory where all they have to drink is sugar-free Kool-aid, and the only game to play is Monopoly, and none of your friends show up.
Patrick Rothfuss
I'll make you a promise, Bodee. Long as you're with my family, you won't run out of Kool-Aid." "And I promise you, I'll stop whoever's hurting you...even if it's you.
Courtney C. Stevens (Faking Normal (Faking Normal, #1))
It's like we're strands of wire intertwined in a great cable that runs through a slot . . . Most people lead two-dimensional lives. All they can see is the face of the slot, a cross section, so that the wires look like a mass of separate little circles looking bigger or smaller according to how close you are. They don't--they can't see that these 'circles' are just cross sections of wires that run backward and forward infinitely and that there is a great surge through the whole cable and that anybody who is truly into the full bare essence of the thing...
Tom Wolfe (The Electric Kool-Aid Acid Test)
Then they would get cars and rig them up the same way, and at the head of the whole convoy, there would be—the Hell’s Angels, in running formation, absolutely adangle with swastikas. Swastikas. It would freaking blow their minds, or at least give their cool a test like it never had before.
Tom Wolfe (The Electric Kool-Aid Acid Test)
Stupid girl. The guy terrorized me over the course of a half hour, and instead of running for cover, I was drinking the Kool-Aid.
Penelope Douglas (Kill Switch (Devil's Night, #3))
I'd drunk the social mobility Kool-Aid from college prep programs run by white people when I was in high school and didn't know how to reconcile all that with what I was seeing in Flint.
Karla Cornejo Villavicencio (The Undocumented Americans)
The Grateful Dead did not play in sets; no eight numbers to a set, then a twenty-five-minute break, and so on, four or five sets and then the close-out. The Dead might play one number for five minutes or thirty minutes. Who kept time? Who could keep time, with history cut up in slices. The Dead could get just as stoned as anyone else. The … non-attuned would look about and here would be all manner of heads, including those running the show, the Pranksters, stroked out against the walls like slices of Jello. Waiting; with nobody looking very likely to start it back up. Those who didn’t care to wait would tend to drift off, stoned or otherwise, and the Test would settle down to the pudding.
Tom Wolfe (The Electric Kool-Aid Acid Test)
The thing about seasons is that when you’re in one, you can’t believe the others will ever come back. It feels to me like summer has its feet planted far apart and its hands on its hips: I am here. Gardens are full of primary colors, grass sprouts from cracks in the sidewalk, bees fly heavy and low, like you could just reach down and grab one. You can smell the heat trapped in the concrete, that ironed pillowcase smell. Windows are open, and people seem open too—there is no hunching over from the cold, keeping your eyes on the sidewalk, concentrating on getting to where you’re going so you can be warm and not freeze to death. When you pass by someone, you take the time to nod a greeting or even stand and have a little conversation, the sun making a disc of warmth on the top of your head. Curtains move in S-shaped dances from the breeze, or puff out dramatically, then fall straight and still, like they’re denying they did anything. Kids with Kool-Aid mustaches run in and out of the house, banging the screen door and yelling to their mothers, and you can hear the faint voice of their mothers yelling back not to bang the door, how many times does she have to tell them to not bang the door. There is a different weight to the air. People sit on their porches after dinner, reading the paper or sitting idle, their hands behind their heads and their ankles crossed, waiting to see who passes by. There is a low happiness in them that they can’t explain.
Elizabeth Berg (True to Form (Katie Nash, #3))
Covered with snow on a clear day, the houses looked cheery and well cared for. They also looked empty. Dusty thought about empty houses in little towns like this all over the world, with men going and gone and no women left inside. Houses without housewives. No cooking and cleaning, no humming and apron-wearing wives and mothers like in the old sitcoms. No rushing minivans driven by lithe women in yoga pants whose children were well behaved and spoke Mandarin. No soap-opera-addicted, overweight, neglectful trailer trash with a dozen kids running around screaming, their mouths always stained with Kool-Aid. Every man in Huntsville remembered another life, expecting to come home every day to find someone there. All the empty houses sat. No one numbered the silent days.
Meg Elison (The Book of the Unnamed Midwife (The Road to Nowhere, #1))
In Vietnam, lying became so much part of the system that sometimes not lying seemed immoral...The teenage adrenaline-drained patrol leader has to call in the score so analysts, newspaper reporters, and politicians back in Washington have something to do. Never mind that Smithers and his squad may have stopped a developing attack planned to hit the company that night, saving scores of lives and maintaining control over a piece of ground. All they'll be judged on, and all their superiors have to be judged on, is the kill ratio. Smithers's best friend has just been killed. Two other friends are missing pieces of their bodies and are going into shock. No one in the squad knows if the enemy is 15 meters away waiting to open up again or running. Smithers is tired and has a lot of other things on his mind. With scorekeepers often 25 kilometers away, no one is going to check on the score. In short, Smithers has a great incentive to lie. He also has a great need to lie. His best friend is dead. "Why?" he asks himself. This is where the lying in Vietnam all began. It had to fill the long silence following Smithers's anguished "Why?" So it starts. "Nelson, how many did you get?" Smithers asks. PFC Nelson looks up from crying over the body of his friend Katz and says, "How the fuck do I know?" His friend Smithers says, "Well, did you get that bastard that came around the dogleg after Katz threw the Mike-26?" Nelson looks down at Katz's face, hardening and turning yellow like tallow. "You're goddamn right I got him," he almost whispers. It's all he can offer his dead friend. "There's no body." "They drug the fucker away. I tell you I got him!" Nelson is no longer whispering. … The patrol leader doesn't have a body, but what are the odds that he's going to call his friend a liar or, even more difficult, make Katz's death meaningless, given that the only meaning now lies in this one statistic? No one is congratulating him for exposing the enemy, keeping them screened from the main body, which is the purpose of security patrols. He calls in one confirmed kill. ... Just then PFC Schroeder comes crawling over with Kool-Aid stains all around his mouth and says, "I think I got one, right by the dogleg of the trail after Katz threw the grenade." "Yeah, we called that one in." "No, it ain't the one Nelson got. I tell you I got another one." Smithers thinks it was the same one but he's not about to have PFC Schroeder feeling bad, particularly after they've all seen their squad mate die. … the last thing on Smithers's mind is the integrity of meaningless numbers. The message gets relayed to the battalion commander. He's just taken two wounded and one dead. All he has to report is one confirmed, one probable. This won't look good. Bad ratio. He knows all sorts of bullets were flying all over the place. It was a point-to-point contact, so no ambush, so the stinkin' thinking' goes round and round, so the probable had to be a kill. But really if we got two confirmed kills, there was probably a probable. I mean, what's the definition of probable if it isn't probable to get one? What the hell, two kills, two probables. Our side is now ahead. Victory is just around the corner. … [then the artillery has to claim their own additional kills…] By the time all this shit piles up at the briefing in Saigon, we've won the war.
Karl Marlantes (What It is Like to Go to War)
Blue I emerge from our yellow linoleum bathroom blue at one end of our single-wide trailer and I have the length of narrow hallway to consider before reaching the living room blue Blue!? And I know my mother is furious You look ridiculous it’s all she says and I do I had torn the pages from a magazine lined my bedroom floor with them and studied those punk rock spiked hair white teeth high fashion popped collar leather studded glossy photos strewn across my small space like a spread of tarot cards telling me a future I would never get to not out here not in the white trailer rusting amber thick of trees stretch of reservation of highway that stood between me and whatever else was out there record stores the mall parking lots where kids were skateboarding and smoking pot probably kids with boom boxes and bottles of beer out there were beaches with bands playing on them and these faces these shining faces with pink green purple and blue hair blue I could get that at least I could mix seventeen packets of blue raspberry Kool-Aid with a little water and I could get that it was alchemy it was potion-making but no one told me about the bleach about my dark hair needing to lift to lighten in order to get that blue no one told me that the mess of Kool-Aid would only run down my scalp my face my neck would stain me blue Blue is what you taste like he says still holding me on the twin bed in the glow of dawn my teenage curiosity has pushed me to ask What does my body taste like to you his fingers travel from neck to navel breath on my thigh and here in our sacred space he answers simply Blue you taste blue and I wonder if what he means is sad you taste sad taqʷšəblu the name is given to me when I am three to understand it my child brain has to break it apart taqʷšəblu talk as in talking as in to tell as in story sha as in the second syllable of my English name as in half of me blue as in the taste of me blue as in sad my grandmother was taqʷšəblu before me and now I am taqʷšəblu too
Sasha LaPointe
While you sleep, you are oppressed by dark meandering dreams. They’re characterized by an oppressive feeling of endless overcast shadow. The world is encased in dim blue darkness, and white ash is drifting everywhere. You find yourself in an abandoned tennis court that has gone to seed. The birds have stopped singing, the robins have disappeared and you become one of only thousands of people left. More than half of humanity has died of disease, pestilence, and military genocide. Fat golden rats scurry here and there among severed heads lying all around the tennis court in varying stages of putrid decay. As you walk out of the exit, you see piles of dead soldiers in rotting heaps, victims of mass poisoning by rebel civilians smart enough to fool them with Kool Aid on a hot day. Men, women and children lie everywhere, their empty bodies’ ravaged, their desiccated purple tongues, stick limbs and empty eye sockets all that’s left of them. They were the fortunate ones, shot through the head, the illiterate civilians whose organs were harvested for the criminal elite. The elite live high up in the hills with their armed guards inside abandoned mansions with no electricity or running water. Harvested as replacement organs for the sick or as dinner for those who used to enjoy beef liver, the elite are the only ones with handguns and rifles and everyone else is at their mercy hiding in the abandoned buildings all through downtown and the industrial area of NW Portland.
Theresa Griffin Kennedy (Talionic Night in Portland: A Love Story)
just took their weighty German word for it. Jesus, Mani, Zoroaster, Gautama Buddha—at the very outset the leader did not offer his circle of followers a better state hereafter or an improved social order or any reward other than a certain “psychological state in the here and now,” as Weber put it. I suppose what I never really comprehended was that he was talking about an actual mental experience they all went through, an ecstasy, in short. In most cases, according to scriptures and legend, it happened in a flash. Mohammed fasting and meditating on a mountainside near Mecca and—flash!—ecstasy, vast revelation and the beginning of Islam. Zoroaster hauling haoma water along the road and—flash!—he runs into the flaming form of the Archangel Vohu Mano, messenger of Ahura Mazda, and the beginning of Zoroastrianism. Saul of Tarsus walking along the road to Damascus and—flash!—he hears the voice of the Lord and becomes a Christian. Plus God knows how many lesser figures in the 2,000 years since then, Christian Rosenkreuz and his “God-illuminated” brotherhood of Rosicrucians, Emanuel Swedenborg whose mind suddenly “opened” in 1743, Meister Eckhart and his disciples Suso and Tauler, and in the twentieth-century Sadhu Sundar Singh—with—flash!—a vision at the age of 16 and many times thereafter;
Tom Wolfe (The Electric Kool-Aid Acid Test)
well, everybody else’s cottage was run-down in a careful bohemian way, simplicity,
Tom Wolfe (The Electric Kool-Aid Acid Test)