Bourbon Quotes

We've searched our database for all the quotes and captions related to Bourbon. Here they are! All 100 of them:

Take a lover who looks at you like maybe you are a bourbon biscuit.
Frida Kahlo
There's no app for a bourbon buzz on a warm day in a cool, dark bar. The world will always want a drink.
Gillian Flynn (Gone Girl)
I accepted because mysterious ladies offering bourbon under the stars is very much my aesthetic.
Erin Morgenstern (The Starless Sea)
Sitting up all night would be pointless if somebody you loved wasn't sitting up with you, picking out music to play and helping you kill the bourbon. Walking by yourself in the rain is for college kids who think loneliness makes poets.
Peter S. Beagle (A Fine and Private Place)
I GOT BOURBON-FACED ON SHIT STREET!
Kresley Cole (Poison Princess (The Arcana Chronicles, #1))
If it's not bourbon or sweatpants, it's going in the garbage.... No, don't get creative. Now is not a creative time. Now is a bourbon and sweatpants time.
Justin Halpern (Sh*t My Dad Says)
Obviously he wants Nola to think he's an upstanding boyfriend, but the only girlfriend Loren Hale will ever treat well is his bottle of bourbon.
Krista Ritchie (Addicted to You (Addicted, #1))
Codeine . . . bourbon.
Tallulah Bankhead
The only way that I could figure they could improve upon Coca-Cola, one of life's most delightful elixirs, which studies prove will heal the sick and occasionally raise the dead, is to put bourbon in it.
Lewis Grizzard
Here's to new beginnings," Stuart says and raises his bourbon. I nod, sort of wanting to tell him that all beginnings are new.
Kathryn Stockett (The Help)
Val- I’m on Bourbon– (Acheron) I will not venture down that street of crass iniquities and plebeian horror, Acheron. It is the cesspit of humanity. (Valerius)
Sherrilyn Kenyon (Bad Moon Rising (Dark-Hunter, #18; Were-Hunter, #4; Hellchaser, #2))
I followed him through the halls of the enormous church until we got to the staff's kitchen. He went to the fridge, opened it, and came out with a bottle of bourbon. He poured some into a coffee cup, drank it down, and poured some more. He offered me the bottle. No, thanks. Aren't you supposed to drink vodka? Aren't you supposed to wear a pointy hat and ride on a flying broomstick? Touche, I said.
Jim Butcher (Small Favor (The Dresden Files, #10))
There was a basket at her feet. She reached into it and lifted out the head of a young woman, a marquise. She wore Bourbon white to her death, but wears the tricolor now - white cheeks, blue lips, red dripping from her neck. Long live the revolution.
Jennifer Donnelly (Revolution)
Day: Different. * Shit: Same. * Workload and Course Load: Big, steamy load. * Consider: Pro v. con of liquid diet. * Shopping List: One bourbon. One Scotch. One beer.
Qwen Salsbury (The Plan)
Nothing can fill you up,” she stated. “Nope,” he agreed again. “You won’t let it.” “Barrel’s got a hole in the bottom, buddy, everything leaks out no matter how much you pour in.” She was silent a moment then she whispered, “Right.” She turned to the door and his hand gripped his bourbon so hard he had to focus everything on loosening his grip or the glass would shatter. Before she opened it, she turned back. “You don’t know, Cal, you have no idea. You’ve shut yourself up for so long in this fucking house with your tragic memories, you have no idea what’s about to walk out your door. Kate, Keira and me, we could have plugged that hole. We could have filled you so full, you’d be bursting. We would have loved that chance. We’d have given it everything we had, no matter the time that slid by, graduations, weddings, grandbabies, you’d have been a part of us and we’d have given everything we had to keep you so full, you’d be bursting.” Cal didn’t reply. “Joe,” she whispered, “you let me walk out this door, you’ll lose your chance.” Cal didn’t move. Vi waited. Cal stayed seated.
Kristen Ashley (At Peace (The 'Burg, #2))
... some things aren't any good unless they're shared. Sitting up all night would be pointless if somebody you loved wasn't sitting up with you, picking out music to play and helping you kill the bourbon. Walking by yourself in the rain is for college kids who think loneliness makes poets.
Peter S. Beagle (A Fine and Private Place)
In the back of my mind, I thought maybe I would find my Robert Redford in New Orleans. We made our way to the city by afternoon and planned to drive home when the sun rose over Lake Pontchartrain. We had no idea where else to go, except to Bourbon Street. We walked toward the bright lights and glowing colors of one strip club after another…. In 1975, Big Daddy’s was the top, topless go-go joint on Bourbon.
Karen Hinton (Penis Politics: A Memoir of Women, Men and Power)
Wake & Bake. More like Wash & Bake. Half a bowl of cereal and a shot of bourbon later, I'm there, my friendly haze having finally arrived. I'm ready for work.
Mark Z. Danielewski (House of Leaves)
The soft aroma of old worn cotton from a linen chest, the lingering smell of tobacco on an angora sweater; Jergen's hand lotion, sauteed green peppers and onions; the sweet, nutty smell of peanut butter and bananas, the oaken smell of good bourbon. A combination of lily of the valley, cedar, vanilla, and somewhere, the lingering of old rose. These smells are older than any thought. Mama, Teensy, Neecie, and Caro, each one of them had an individual scent, to be sure. But this is the Gumbo of their scents. This is the Gumbo Ya-Ya. This is the internal vial of perfume I carry with me everywhere I go.
Rebecca Wells (Divine Secrets of the Ya-Ya Sisterhood)
You’re the love of my life, whether you’re with me or not.
J.R. Ward (The Bourbon Kings (The Bourbon Kings, #1))
Her presence brought memories of such things as Bourbon roses, rubies, and tropical midnights; her moods recalled lotus-eaters and the march in "Athalie"; her motions, the ebb and flow of the sea; her voice, the viola.
Thomas Hardy (The Return of the Native)
I want open fields, crisp air, and the Rocky Mountains at the end of the horizon. I want a man who smells like leather, looks like a glass of bourbon, and who calls me princess while drawing on my back.
Elsie Silver (Flawless)
James Bond, with two double bourbons inside him, sat in the final departure lounge of Miami Airport and thought about life and death.
Ian Fleming (Goldfinger (James Bond, #7))
When God wished to punish France, he took away the Bourbons from her governance
Louis de Bonald
It had occurred to Sean once - on a bender about ten years before with some buddies, Sean and a bloodstream full of bourbon turning philosophical - that maybe they HAD gotten in that car. All three of them. And what they now thought of as their life was just a dream state. That all three of them were, in reality, still eleven-year-old boys trapped in some cellar, imagining what they'd become if they ever escaped and grew up.
Dennis Lehane (Mystic River)
The old man had been tanned by the light of too many beer signs, and it just goes to show that you can’t live on three packs of Chesterfields and a fifth of bourbon a day without starting to drift far too fuckin’ wide in the turns.
Daniel Woodrell (The Bayou Trilogy: Under the Bright Lights, Muscle for the Wing, and The Ones You Do)
They sipped until the sun, as golden as syrupy as the bourbon, slipped into the sea.
Delia Owens (Where the Crawdads Sing)
Don't you have something plain and wholesome, like scotch or bourbon?
Charlotte MacLeod (Vane Pursuit (Peter Shandy, #7))
I’m going to order us a drink. A bourbon sounds excellent on this crisp fall afternoon.” Ian signaled for the waiter. “Against my better judgment, I’ll order you a glass of wine. According to your credit card statement, you had a staggering amount of chardonnay delivered to your apartment last month. I think you might want to take one of those ‘Could I Be an Alcoholic’ quizzes the next time you come across one, just to see what it says.
Tracey Garvis Graves (Heart-Shaped Hack (Kate and Ian, #1))
I do not like the killers, and the killing bravely and well crap. I do not like the bully boys, the Teddy Roosevelt’s, the Hemingways, the Ruarks. They are merely slightly more sophisticated versions of the New Jersey file clerks who swarm into the Adirondacks in the fall, in red cap, beard stubble and taut hero’s grin, talking out of the side of their mouths, exuding fumes of bourbon, come to slay the ferocious white-tailed deer. It is the search for balls. A man should have one chance to bring something down. He should have his shot at something, a shining running something, and see it come a-tumbling down, all mucus and steaming blood stench and gouted excrement, the eyes going dull during the final muscle spasms. And if he is, in all parts and purposes, a man, he will file that away as a part of his process of growth and life and eventual death. And if he is perpetually, hopelessly a boy, he will lust to go do it again, with a bigger beast.
John D. MacDonald (A Deadly Shade of Gold (Travis McGee #5))
We tell ourselves lies to survive when we know the truth will kill us.
Tiffany Reisz (The Bourbon Thief)
How could Clay have said all that, smooth as Kentucky bourbon, and Mom just sitting there as if she’d already drunk the bottle...
Huntley Fitzpatrick (My Life Next Door)
But first, I needed to go to the liquor store and buy a bottle of Jack. I didn’t drink Jack but I thought now was a very good time to take up bourbon.
Kristen Ashley (Rock Chick Rescue (Rock Chick, #2))
Val, I'm on Bourbon—” “I will not venture down that street of crass iniquities and plebeian horror, Acheron. It is the cesspit of humanity. Don‟t even ask it.” Ash rolled his eyes at the Roman‟s arrogant tone. “I need you in the swamp.” Silence answered him. "We have a situation." “Where do you need me?
Sherrilyn Kenyon (One Silent Night (Dark-Hunter, #15))
He moves closer and leans down so I will look at him. And I feel sick, literally nauseated by the smell of bourbon on his breath. And yet I still want to fold myself up and put my entire body in his arms. I am loving him and hating him at the same time.
Kathryn Stockett (The Help)
There is no fight – I’m yours. If you want, here and now. Or later. A week, a month, years from now.
J.R. Ward (The Bourbon Kings (The Bourbon Kings, #1))
And bourbon’s like the truth, you know.” “How’s that?” “The first taste burns, but once you get used to it, it’s the only thing you want in your mouth.” Miss
Tiffany Reisz (The Bourbon Thief)
The wilderness once offered men a plausible way of life," the doctor said. "Now it functions as a psychiatric refuge. Soon there will be no wilderness." He sipped at his bourbon and ice. "Soon there will be no place to go. Then the madness becomes universal." Another thought. "And the universe goes mad.
Edward Abbey (The Monkey Wrench Gang (Monkey Wrench Gang, #1))
The one plentiful herds of magazine writers would continue to be culled - by the Internet, by the recession, by the American public, who would rather watch TV or play video games or electronically inform friends that, like, 'rain sucks!' But there's no app for a bourbon buzz on a warm day in a cool, dark bar. The world will always want a drink.
Gillian Flynn (Gone Girl)
Cruel World" Share my body and my mind with you, That's all over now. Did what I had to do, 'Cause it's so far past me now. Share my body and my life with you, That's way over now. There's not more I can do, You're so famous now. Got your bible, got your gun, And you like to party and have fun. And I like my candy and your women, I'm finally happy now that you're gone. Put my little red party dress on, Everybody knows that I'm the best, I'm crazy. Get a little bit of bourbon in ya, Get a little bit suburban and go crazy. Because you're young, you're wild, you're free, You're dancin' circles around me, You're fuckin' crazy. Oh, oh, you're crazy for me. I shared my body and my mind with you, That's all over now. I did what I had to do, I found another anyhow. Share my body and my mind with you, That's all over now. I did what I had to do, I could see you leaving now. I got your bible and your gun, And you love to party and have fun. And I love your women and all of your heroin, And I'm so happy now that you're gone. Put my little red party dress on, Everybody knows that I'm a mess, I'm crazy, yeah-yeah. Get a little bit of bourbon in ya, Go a little bit suburban and go crazy, yeah-yeah. Because you're young, you're wild, you're free, You're dancin' circles around me, You're fuckin' crazy. Oh, oh, you're crazy for me. Got your bible and your gun, You like your women and you like fun. I like my candy and your heroin, And I'm so happy, so happy now you're gone. Put my little red party dress on, Everybody knows that I'm a mess, I'm crazy, yeah-yeah. Get a little bit of bourbon in ya, Get a little bit suburban and go crazy, yeah-yeah. 'Cause you're young, you're wild, you're free, You're dancin' circles around me, You're fuckin' crazy. Oh, oh, you're crazy for me. Oh, oh, you're crazy for me.
Lana Del Rey
By the age of twenty-five, [Louis T. Wigfall] had managed to squander his considerable inheritance, settle three affairs of honor on the dueling ground, fight in a ruthless military campaign against the Seminoles, consume a small lakeful of bourbon, win an enviable reputation in whorehouses throughout the South, and get hauled before a judge on charges of murder. Three years after that, he took the next logical step and went into Texas politics.
Adam Goodheart (1861: The Civil War Awakening)
I’m prepared to be a very patient man when it comes to you. I will seduce you for however long it takes – give you space if you need it or follow you tight as sunshine on your shoulder if you’ll let me.” His eyes locked on hers. “I lost my chance with you once, Lizzie King – that is not going to happen again.
J.R. Ward (The Bourbon Kings (The Bourbon Kings, #1))
When people asked about his schizophrenia, Eric, who didn’t exactly flaunt his illness but wasn’t ashamed of it, either, offered up the comparison of alcoholism. Not every drunk is a single bourbon away from skid row, just like every schizophrenic is not a tatty-haired, crazy-eyed gunman who delights in murdering alien-people from clock towers. There are functioning alcoholics just as there are functioning schizophrenics, individuals who work, maintain homes, and have hobbies, goals, and relationships like every other slob on the planet.
Vivian Barz (Forgotten Bones (Dead Remaining #1))
I'll come and make love to you at five o'clock. If I'm late, start without me. Codeine...bourbon..." (Tallulah Bankhead's last coherent words).
Denis Brian (Tallulah, Darling: A Biography of Tallulah Bankhead)
My mama always told me there are few things a good hug can't cure, and those things are what bourbon's for.
J.T. Geissinger (Burn for You (Slow Burn, #1))
Three glasses into a bottle of bourbon; it was past four, who cared? He had nowhere to be; he had nothing to do; he was deeply depressed, fracking depressed, deep-shale shattered.
Lauren Groff (Fates and Furies)
Day of Employment: 362 8:11 p.m. * Day: Different. * Shit: Same. * Workload and Course Load: Big, steamy load. * Consider: Pro v. con of liquid diet. * Shopping List: One bourbon. One Scotch. One beer.
Qwen Salsbury (The Plan)
I'd gone so far past my fear threshold, I'd completely given up on being afraid
Deanna Chase (Haunted on Bourbon Street (Jade Calhoun, #1))
We got hungry around three in the morning, and ordered a ton of pizza from an all-night pizza place. Afterward, Blake talked a guy into letting him borrow his skateboard, and he once again entertained all of us. If it had wheels, Blake could work it. “Is he your boyfriend?” a girl behind me asked. I turned to the group of girls watching Blake. They were all coifed and beautiful in their bikinis, not having gone in the water. My wet hair was pulled back in a ponytail by this point and I was wrapped in a towel. “No, he’s my boyfriend’s best friend. We’re watching his place while he’s . . . out of town.” A pang of fear jabbed me when I thought about Kai. “What’s your name?” asked a brunette with glossy lips. “Anna.” I smiled. “Hey. I’m Jenny,” she said. “This is Daniela and Tara.” “Hey,” I said to them. “So, your boyfriend lives here?” asked the blonde, Daniela. She had a cool accent—something European. “Yes,” I answered, pointing up to his apartment. The girls all shared looks, raising their sculpted eyebrows. “Wait,” said Jenny. “Is he that guy in the band?” The third girl, named Tara, gasped. “The drummer?” When I nodded, they shared awed looks. “Oh my gawd, don’t get mad at me for saying this,” said Jenny, “but he’s a total piece of eye candy.” Her friends all laughed. “Yum drum,” whispered Tara, and Daniela playfully shoved her. Jenny got serious. “But don’t worry. He, like, never comes out or talks to anyone. Now we know why.” She winked at me. “You are so adorable. Where are you from?” “Georgia.” This was met with a round of awwws. “Hey, you’re a Southern girl,” said Tara. “You should like this.” She held out a bottle of bourbon and I felt a tug toward it. My fingers reached out. “Maybe just one drink,” I said. Daniela grinned and turned up the music. Fifteen minutes and three shots later I’d dropped my towel and was dancing with the girls and telling them how much I loved them, while they drunkenly swore to sabotage the efforts of any girl who tried to talk to my man.
Wendy Higgins (Sweet Peril (Sweet, #2))
Barbara appraised her with critical eyes. ‘Oh my. Well, this is going to need some work.’ She went right to Carmen’s hips and pulled the unfinished seams open. ‘Yes, we’ll have to take this way out. I’m not sure I have enough fabric. I’ll check when I get back to my office.’ You are a horrible witch, Carmen thought. She knew she looked absolutely awful in the dress. She was part Bourbon Street whore and part Latina first-communion spectacle.
Ann Brashares (The Sisterhood of the Traveling Pants (Sisterhood, #1))
We really don’t get all the government we pay for, and thank goodness. Lord protect us on the day that we do.
Jeffrey Tucker (Bourbon for Breakfast: Living Outside the Statist Quo)
There were times in life when, as much as you wanted to fight for something, you just had to let it go.
J.R. Ward (The Bourbon Kings (The Bourbon Kings, #1))
Find a way to make pumpkin spice bourbon, and you’ll be a billionaire.
Tiffany Reisz (The Bourbon Thief)
GONE TO STATIC it sounds better than it is, this business of surviving, making it through the wrong place at the wrong time and living to tell. when the talk shows and movie credits wear off, it's just me and my dumb luck. this morning I had that dream again: the one where I'm dead. I wake up and nothing's much different. everything's gone sepia, a dirty bourbon glass by the bed, you're still dead. I could stumble to the shower, scrub the luck of breath off my skin but it's futile. the killer always wins. it's just a matter of time. and I have time. I have grief and liquor to fill it. tonight, the liquor and I are talking to you. the liquor says, 'remember' and I fill in the rest, your hands, your smile. all those times. remember. tonight the liquor and I are telling you about our day. we made it out of bed. we miss you. we were surprised by the blood between our legs. we miss you. we made it to the video store, missing you. we stopped at the liquor store hoping the bourbon would stop the missing. there's always more bourbon, more missing tonight, when we got home, there was a stray cat at the door. she came in. she screams to be touched. she screams when I touch her. she's right at home. not me. the whisky is open the vcr is on. I'm running the film backwards and one by one you come back to me, all of you. your pulses stutter to a begin your eyes go from fixed to blink the knives come out of your chests, the chainsaws roar out from your legs your wounds seal over your t-cells multiply, your tumors shrink the maniac killer disappears it's just you and me and the bourbon and the movie flickering together and the air breathes us and I am home, I am lucky I am right before everything goes black
Daphne Gottlieb (Final Girl)
A puff of air—whuff!—hits his ears, blows out the candle. He can't be bothered relighting it, because the bourbon is taking over. He'd rather stay in the dark. He can sense Oryx drifting towards him on her soft feathery wings. Any moment now she'll be with him. He sits crouched in the chair with his head down on the desk and his eyes closed, in a state of misery and peace.
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
Morals do not come from the state and society. Morality deals with weightier matters that measure our thoughts, words, and deeds against universals that are true regardless of time and place.
Jeffrey Tucker (Bourbon for Breakfast: Living Outside the Statist Quo)
My inner caveman demands she knows I’m a good provider. I’ll get her the best booth, order any food she wants, kill potential predators, and buy her the best cave on the block. I’ll do whatever it takes to make Daisy smile at me.
Bijou Hunter (Bourbon Blues (Serrated Brotherhood MC, #1))
Bourbon, Kentucky bourbon especially, is like Dante’s Inferno in a glass, fire walks down your throat, lungs, and heart and everything in between with an unpleasant after-taste. We got along just fine.
Bruce Crown (Forlorn Passions)
There's always more to every story.
Tiffany Reisz (The Bourbon Thief)
I’m telling you, from one hardened heart to another, that no matter what happened, you’re allowed to find good things.
Victoria Wilder (Bourbon & Lies (The Bourbon Boys, #1))
Martha: Fix the kids a drink, George. What would you like to drink, kid– kid. Nick: Honey? what would you like? Honey: Ohhhh, I don't know, dear, a little brandy maybe. "Never mix, never worry!" George: Brandy? Just brandy? Simple, simple… [George turns to Nick.] George: What about you, em… em… em… Nick: Bourbon on the rocks, if you don't mind. George: Mind? I don't mind. I don't think I mind. Martha? Rubbing alcohol for you? Martha: Sure! "Never mix, never worry!
Edward Albee
Humans are an absolute miracle of design. We come in all these fun shapes and sizes and we can survive all sorts of hardship and mistreatment and be practically as good as new the next day - try pouring a bottle of bourbon down your toaster and see just how well it works the next day - but the design's not perfect. Nothing is. And just because you love somebody won't make them love you back.
Paul Schmidtberger
Those boys at the counter are too dreamy and young to do anything but drool as they watch Gillian. And, to her credit, Gillian is especially kind to them, even when Ephraim, the cook, suggests she kick them out. She understands that theirs might just be the last hearts she will break. When you're thirty-six and tired, when you've been living in places where the temperature rising to a hundred and ten and the air is so dry you have to use gallons of moisturizer, when you've been smacked around, late at night, by a man who loves bourbon, you start to realize that everything is limited, including your own appeal. You begin to look at young boys with tenderness, since they know so little and think they know so much. You watch teenage girls and feel shivers up and down your arms - those poor creatures don't know the first thing about time or agony or the price they're going to have to pay for just about anything.
Alice Hoffman (Practical Magic (Practical Magic, #1))
The Mania Speaks You clumsy bootlegger. Little daffodil. I watered you with an ocean and you plucked one little vein? Downed a couple bottles of pills and got yourself carted off to the ER? I gifted you the will of gunpowder, a matchstick tongue, and all you managed was a shredded sweater and a police warning? You should be legend by now. Girl in an orange jumpsuit, a headline. I built you from the purest napalm, fed you wine and bourbon. Preened you in the dark, hammered lullabies into your thin skull. I painted over the walls, wrote the poems. I shook your goddamn boots. Now you want out? Think you’ll wrestle me out of you with prescriptions? A good man’s good love and some breathing exercises? You think I can’t tame that? I always come home. Always. Ravenous. Loaded. You know better than anybody: I’m bigger than God.
Jeanann Verlee (Said The Manic To The Muse)
Being happy is the best revenge.
Tiffany Reisz (The Bourbon Thief)
Now, if you will excuse me, a dead woman is trying to convince me to drink something that comes in layers.
Seanan McGuire (The Ghosts of Bourbon Street (InCryptid, #3.1))
Dont' try to own problems or faults that aren't yours. It's not a good longterm strategy.
J.R. Ward (The Angels' Share (The Bourbon Kings, #2))
That's the work of adulthood. Sorting out the good and bad within.
Wright Thompson (Pappyland: A Story of Family, Fine Bourbon, and the Things That Last)
How are you going to get revenge against dead people? Dig ’em up and stake ’em through the heart?” “I asked myself that same question, and I think I know the answer. You destroy what they loved, and you love what they destroyed.
Tiffany Reisz (The Bourbon Thief)
I can’t go back, Lane. I’m sorry. I just can’t.” He fell silent. And then after a long while, he nodded. “All right, but can I ask you for one thing?” No. “Yes.” “Just don’t hate me anymore. I’m doing plenty of that on my own time.
J.R. Ward (The Bourbon Kings (The Bourbon Kings, #1))
Oh I know what they say about us in town, and I say, the hell with them! I tell you, I don't give a damn. I have got to be an old woman in the twinkling of an eye, and it is sort of a relief, I can tell you. I do what I want to now. Last week I traded all our eggs for ice cream at Holden's Grocery. Now that I have shrunk down little as a child, I figure I might as well act like one. I don't care. I like ice cream. Juney does too. We like to put bourbon in it, and make ourselves a milkshake.
Lee Smith (On Agate Hill)
What do you believe in, Dara?” Noam pressed again. Dara sipped at his soda. Swirled his straw round the glass when he lifted his head again. “I believe Vladimir Nabokov is the best novelist of all time.” “Dara.” Dara gazed back at him, Noam’s incredulity written all over his face. Without telepathy, Dara couldn’t quite tell if he was actually frustrated or just . . . But then Noam snorted and said, “Yeah. All right. What else?” The corners of Dara’s mouth tipped up. “I believe in utilitarianism,” he said. “I believe bourbon is the gentleman’s choice in whiskey. I believe pineapple belongs on pizza. Oh, and the fact that goats eat everything you own just makes them more endearing.” “You are ridiculous,” Noam said—but he was laughing now, leaning back in his chair and folding his arms over this chest.
Victoria Lee (The Fever King (Feverwake, #1))
Come on. Let's go up to the kitchen, make some tea. We can try another one of Zia's cupcakes. She made some with chocolate frosting." Lily froze in her tracks. "I hate it," she burst out. "I'm here, sipping tea and nibbling cupcakes while Bruno's out there? What, should I maybe crochet a white lace doily while I'm at it?" Tam and Edie exchanged glances. Tam, spoke, her voice dry. "Shot of bourbon, then?
Shannon McKenna (Blood and Fire (McClouds & Friends #8))
America posed a deeply interesting question to any Frenchmen with a political curiosity to ask it. How had Americans launched a revolution that aimed at establishing a free, stable, and constitutional government and made a success of it, while the French had in forty-one years lurched from absolute monarchy to constitutional monarchy, to the declaration of the republic, to mob rule, the Terror, the mass murder, and thence to a conservative republic, Napoleonic autocracy, the Bourbon restoration, further revolution, and the installation of an Orleanist constitutional monarchy?
Alan Ryan (On Politics: A History of Political Thought From Herodotus to the Present)
Renée and I met at a bar called the Eastern Standard in Charlottesville, Virginia. I had just moved there to study English in grad school. Renée was a fiction writer in the MFA program. I was sitting with my poet friend Chris in a table in the back, when I fell under the spell of Renée’s bourbon-baked voice. The bartender put on Big Star’s Radio City. Renée was the only other person in the room who perked up. We started talking about how much we loved Big Star. It turned out we had the same favorite Big Star song – the acoustic ballad Thirteen. She’d never heard their third album, Sister Lovers. So naturally, I told her the same thing I’d told every other woman I’d ever fallen for: “I’ll make you a tape!
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
The government never minds having more power, and is always prepared to paper over the problems it creates. An economy not bludgeoned by powerful elites is the ideal we should seek, even if it has a name that is wildly unpopular: capitalism
Jeffrey Tucker (Bourbon for Breakfast: Living Outside the Statist Quo)
We all die. Side effect of being born.
Tiffany Reisz (The Bourbon Thief)
Being with you was like sweet April air after a thousand winters. I’d forgotten what it was like to live.
Heather R. Blair (Blackbirds & Bourbon (Toil & Trouble, #2))
But the ignition did, in fact, occur. And it changed everything.
J.R. Ward (The Bourbon Kings (The Bourbon Kings, #1))
Often faith comes in the aftermath of doubt and doubt comes in the aftermath of faith. And the one that comes second is often much more powerful. In the end we have to abandon both.
Dzongsar Jamyang Khyentse (The Guru Drinks Bourbon?)
But things don't make sense. And when he left us, he left a giant-sized hole in our lives. Connor was five. It was hard to explain to her where Uncle John went. It was even harder to explain to her why her father was so heartbroken. For weeks, Harry could barely get out of bed. When he did, it was to drink bourbon. He was rarely sober, always somber, and often unkind.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
The millions of vacationers who came here every year before Katrina were mostly unaware of this poverty. French Quarter tourists were rarely exposed to the reality beneath the Disneyland Gomorrah that is projected as 'N'Awlins,' a phrasing I have never heard a local use and a place, as far as I can tell, that I have never encountered despite my years in the city. The seemingly average, white, middle-class Americans whooped it up on Bourbon Street without any thought of the third-world lives of so many of the city's citizens that existed under their noses. The husband and wife, clad in khaki shorts, feather boa, and Mardi Gras beads well out of season, beheld a child tap-dancing on the street for money and clapped along to his beat without considering the obvious fact that this was an early school-day afternoon and that the child should be learning to read, not dancing for money. Somehow they did not see their own child beneath the dancer's black visage. Nor, perhaps, did they see the crumbling buildings where the city's poor live as they traveled by cab from the French Quarter to Commander's Palace. They were on vacation and this was not their problem.
Billy Sothern (Down in New Orleans: Reflections from a Drowned City)
Being Southern means carrying a responsibility to shake off the comforting blanket of myth and see ourselves clearly. I was bringing a child into this world, and into our long history of trying to do the right think while benefiting mightily from the wrong thing, and I wanted her to see it clearly without the nostalgia that so often softens my anger and desire to tear it down and build a new world in its place.
Wright Thompson (Pappyland: A Story of Family, Fine Bourbon, and the Things That Last)
Now, I’m not saying that we don’t need rules in society. But the question of who makes the rules and on what basis becomes supremely important. Will the rule-making flow from the matrix of voluntary exchange based on the ethic of serving others through private enterprise? Or will the rules be made and enforced by people wearing guns and bulletproof vests with a license to shock or kill based on minor annoyances?
Jeffrey Tucker (Bourbon for Breakfast: Living Outside the Statist Quo)
But now I understand something more fully that I once only understood abstractly. I see how utterly ridiculous it is to think that the state can be the right means to help those who are poor or living at the margins of society. The state is their enemy, as it is for everyone else.
Jeffrey Tucker (Bourbon for Breakfast: Living Outside the Statist Quo)
I’ve never stopped wanting you, Lizzie. Thinking about you. Wishing you were with me. Hell, I feel like I’ve been in a relationship with a ghost … I see you in my dreams every night – you’re so real that I can touch you, feel you, be with you.” “You’ve got to stop.” “I can’t. Lizzie…I can’t.
J.R. Ward (The Bourbon Kings (The Bourbon Kings, #1))
In bourbon marketing, stories like Craig’s are the rule rather than the exception. For many years, the companies behind the brands were the only sources explaining the history of the industry, and there is no advantage whatsoever in telling the boring version of the story. Don’t believe 90 percent of the tales you read on whiskey bottles, but don’t forget to enjoy them either. The stories are just like the whiskey itself. They start as a vapor, condense, and then sit unseen in a barrel for years. Finally they emerge, transformed into something entirely different and enchanting.
Reid Mitenbuler (Bourbon Empire: The Past and Future of America's Whiskey)
And you remember how warm bourbon tasted, in a paper cup with water dipped out of the lake at your feet. How the nights were so unbearably, hauntingly beautiful that you wanted to cry. How every patch of light and shadow from the moon seemed deep and lovely. Calm or storm, it didn't matter. It was exquisite and mysterious, just because it was night. I wonder now how I lost it, the mysteriousness, the wonder. It faded steadily until one day it was entirely gone, and night became just dark, and the moon was only something that waxed and waned and heralded a changing in the weather. And rain just washed out graveled roads. The glitter was gone. And the worst part was that you didn't know exactly at what point it disappeared. There was nothing you could point to and say: now, there. One day you saw that it was missing and had been missing for a long time. It wasn't even anything to grieve over, it had been such a long time passing. The glitter and hush-breath quality just slipped away...there isn't even a scene--not for me, nothing so definite--just the seepage, the worms of time...I look at my children now and I think: how long before they slip away, before I am disappointed in them.
Shirley Ann Grau (The Keepers of the House)
Do you prefer fermented or distilled? This is a trick question. It doesn’t matter how much you like wine, because wine is social and writing is anti-social. This is a writer’s interview, writing is a lonely job, and spirits are the lubricant of the lonely. You might say all drinking is supposed to be social but there’s a difference, at one in the morning while you’re hunched over your computer, between opening up a bottle of Chardonnay and pouring two-fingers of bourbon into a tumbler. A gin martini, of course, splits the difference nicely, keeping you from feeling like a deadline reporter with a smoldering cigarette while still reminding you that your job is to be interesting for a living. Anyone who suggests you can make a martini with vodka, by the way, is probably in need of electroconvulsive therapy.
Stuart Connelly
Every whiskey barrel is a sort of medieval alchemist’s laboratory, a dark and sooty place from which a clear spirit poured inside emerges years later, golden and transformed. Barrels first started as humble shipping containers for whiskey, but over the centuries were promoted into something else: an ingredient as well as a vessel.
Reid Mitenbuler (Bourbon Empire: The Past and Future of America's Whiskey)
I spent the rest of my day picturing how I’d kill Amy. It was all I could think of: finding a way to end her. Me smashing in Amy’s busy, busy brain. I had to give Amy her due: I may have been dozing the past few years, but I was fucking wide awake now. I was electric again, like I had been in the early days of our marriage... Andie had screwed me over, Marybeth had turned against me, Go had lost a crucial measure of faith. Boney had trapped me. Amy had destroyed me. I poured a drink. I took a slug, tightened my fingers around the curves of the tumbler, then hurled it at the wall, watched the glass burst into fireworks, heard the tremendous shatter, smelled the cloud of bourbon. Rage in all five senses. Those fucking bitches.
Gillian Flynn (Gone Girl)
I gather from Audrius that that concoction contains ten different ingredients. In addition to vodka, rum, brandy, and grenadine, it boasts an extraction of rose, a dash of bitters, and a melted lollipop. But a cocktail is not meant to be a mélange. It is not a potpourri or an Easter parade. At its best, a cocktail should be crisp, elegant, sincere—and limited to two ingredients.” “Just two?” “Yes. But they must be two ingredients that complement each other; that laugh at each other’s jokes and make allowances for each other’s faults; and that never shout over each other in conversation. Like gin and tonic,” he said, pointing to his drink. “Or bourbon and water . . . Or whiskey and soda . . .” Shaking his head, he raised his glass and drank from it. “Excuse me for expounding.
Amor Towles (A Gentleman in Moscow)
I can remember when I was a bit of an ETA fan myself. It was in 1973, when a group of Basque militants assassinated Adm. Carrero Blanco. The admiral was a stone-faced secret police chief, personally groomed to be the successor to the decrepit Francisco Franco. His car blew up, killing only him and his chauffeur with a carefully planted charge, and not only was the world well rid of another fascist, but, more important, the whole scheme of extending Franco's rule was vaporized in the same instant. The dictator had to turn instead to Crown Prince Juan Carlos, who turned out to be the best Bourbon in history and who swiftly dismantled Franco's entire system. If this action was 'terrorism,' it had something to be said for it. Everyone I knew in Spain made a little holiday in their hearts when the gruesome admiral went sky-high.
Christopher Hitchens (Christopher Hitchens and His Critics: Terror, Iraq, and the Left)
Think of all the requirements writers imagine for themselves: A cabin in the woods A plain wooden table Absolute silence A favorite pen A favorite ink A favorite blank book A favorite typewriter A favorite laptop A favorite writing program A large advance A yellow pad A wastebasket A shotgun The early light of morning The moon at night A rainy afternoon A thunderstorm with high winds The first snow of winter A cup of coffee in just the right cup A beer A mug of green tea A bourbon Solitude Sooner or later the need for any one of these will prevent you from writing. Anything you think you need in order to write— Or be “inspired” to write or “get in the mood” to write— Becomes a prohibition when it’s lacking. Learn to write anywhere, at any time, in any conditions, With anything, starting from nowhere. All you really need is your head, the one indispensable
Verlyn Klinkenborg (Several Short Sentences About Writing)
Footnote 164: "I finally hooked up with Ashley. I went over to her place yesterday morning. Early. She lives in Venice. Her eyebrows look like flakes of sunlight. Her smile, I'm sure, burnt Rome to the ground. And for the life of me I didn't know who she was or where we met... We sat down and I wanted to talk. I wanted to ask her who she was, where we'd met, been before, but she just smiled and held my hand as we lay down on the hammock and started to swing above all those dead leaves... Before I left she told me our story: where we met - Texas - kissed, but never made love and this had confused and haunted her and she had needed it before she got married which was in four months to a man she loved who made a living manufacturing TNT exclusively for a highway construction firm up in Colorado where he frequently went on business trips and where one night, drunk, angry and disappointed he had invited a hooker back to his motel room and so on and who cared and what was I doing here anyway?... I was still hurting, abandoned, drank three glasses of bourbon and fumed on some weed, then came here, thinking of voices, real and imagined, of ghosts, my ghost, of her, at long last, in this idiotic footnote, when she gently pushed me out her door and I said quietly 'Ashley' causing her to stop pushing me and ask 'yes?' her eyes bright with something she saw that I could never see though what she saw was me, and me not caring now at least knowing the truth and telling her the truth: 'I've never been to Texas.'" - House of Leaves
Mark Z. Danielewski (House of Leaves)
Do not act so friendly, Savannah. You are a celebrity. We will have enough attention drawn to us. They are our neighbors. Try not to scare them to death, will you? Savannah took his arm, grinning up at him teasingly. "You look as fierce as a member of the Mafia. No wonder our neighbors are staring.People tend to be curious.Wouldn't you be if someone moved in next door to you?" "I don't abide next-door neighbors. When humans consider building in the vicinity of one of my homes, the neighborhood is suddenly inundated with wolves.It works every time." He sounded menacing. Savannah laughed at him. "You're such a baby,Gregori. Scared of a little company." "You scare me to death, woman. Because of you I find myself doing things I know are totally insane. Staying in a house built in a crowded city below sea level.Neighbors on top of us.Human butchers surrounding us." "Like I'm supposed to believe that would scare you," she said smugly,knowing his only worry was for her safety, not his.They turned a corner and headed toward the famous Bourbon Street. "Try to look less conspicuous," he instructed. A dog barked, rushed to the end of its lead,and bared its teeth. Gregori turned his head and hissed, exposing white fangs. The dog stopped its aggression instantly,yelped in alarm, and retreated whining. "What are you doing?" Savannah demanded, outraged. "Getting a feel for the place," he said absently, his mind clearly on other matters, his senses tuned to the world around him. "Everyone is crazy here, Savannah.You are going to fit right in." He ruffled her hair affectionately.
Christine Feehan (Dark Magic (Dark, #4))
The sixth of January, 1482, is not, however, a day of which history has preserved the memory. There was nothing notable in the event which thus set the bells and the bourgeois of Paris in a ferment from early morning. It was neither an assault by the Picards nor the Burgundians, nor a hunt led along in procession, nor a revolt of scholars in the town of Laas, nor an entry of “our much dread lord, monsieur the king,” nor even a pretty hanging of male and female thieves by the courts of Paris. Neither was it the arrival, so frequent in the fifteenth century, of some plumed and bedizened embassy. It was barely two days since the last cavalcade of that nature, that of the Flemish ambassadors charged with concluding the marriage between the dauphin and Marguerite of Flanders, had made its entry into Paris, to the great annoyance of M. lé Cardinal de Bourbon, who, for the sake of pleasing the king, had been obliged to assume an amiable mien towards this whole rustic rabble of Flemish burgomasters, and to regale them at his Hôtel de Bourbon, with a very “pretty morality, allegorical satire, and farce,” while a driving rain drenched the magnificent tapestries at his door.
Victor Hugo (The Hunchback of Notre-Dame)
When I come home from school, I take my Doc Martens off and put on fake satin mules with the marabou trim, slip into my dressing gown and my movie, and I feel serene. I hold a glass of Coke to my cheek and pretend it is a glass of bourbon and I am in New Orleans. My bedroom door is the doorway onto the street and at night I can't sleep because of the heat and the commotion in this town. So I go down to the river and dance as a man with scars on his face plays an accordion. People clap along and wolf-whistle and I whip my skirt around my thighs, which are long and lean because I barely get a chance to eat, what with all my bourbon and afternoon baths. I dance until my mules get muddy, then I tiptoe home, followed by sailors and men who have hundreds and thousands of dollars playing stud poker. Steve McQueen might be there. I can't remember. I get confused at this point. Too much drink. I'm sure Karl Malden is lurking in the background, gazing at me longingly. I am kind to him because his mother is dying.
Emma Forrest (Namedropper)
One night, he left Stephen and me in the arcade and rushed off to a – this hurt my feelings – “real” game. That night, he missed a foul shot by two feet and made the mistake of admitting to the other players that his arms were tired from throwing miniature balls at a shortened hoop all afternoon. They laughed and laughed. ‘In the second overtime,’ Joel told me, ‘when the opposing team fouled me with four seconds left and gave me the opportunity to shoot from the line for the game, they looked mighty smug as they took their positions along the key. Oh, Pop-A-Shot guy, I could hear them thinking to their smug selves. He’ll never make a foul shot. He plays baby games. Wa-wa-wa, little Pop-A-Shot baby, would you like a zwieback biscuit? But you know what? I made those shots, and those songs of bitches had to wipe their smug grins off their smug faces and go home thinking that maybe Pop-A-Shot wasn’t such a baby game after all.” I think Pop-A-Shot’s a baby game. That’s why I love it. Unlike the game of basketball itself, Pop-A-Shot has no standard socially redeeming value whatsoever. Pop-A-Shot is not about teamwork or getting along or working together. Pop-A-Shot is not about getting exercise or fresh air. It takes place in fluorescent-lit bowling alleys or darkened bars. It costs money. At the end of a game, one does not swig Gatorade. One sips bourbon or margaritas or munches cupcakes. Unless one is playing the Super Shot version at the ESPN Zone in Times Square, in which case, one orders the greatest appetizer ever invented on this continent – a plate of cheeseburgers.
Sarah Vowell (The Partly Cloudy Patriot)
I wish I could answer your question. All I can say is that all of us, humans, witches, bears, are engaged in a war already, although not all of us know it. Whether you find danger on Svalbard or whether you fly off unharmed, you are a recruit, under arms, a soldier." "Well, that seems kinda precipitate. Seems to me a man should have a choice whether to take up arms or not." "We have no more choice in that than in whether or not to be born." "Oh, I like choice, though," he said. "I like choosing the jobs I take and the places I go and the food I eat and the companions I sit and yarn with. Don't you wish for a choice once in a while ?" She considered, and then said, "Perhaps we don't mean the same thing by choice, Mr. Scoresby. Witches own nothing, so we're not interested in preserving value or making profits, and as for the choice between one thing and another, when you live for many hundreds of years, you know that every opportunity will come again. We have different needs. You have to repair your balloon and keep it in good condition, and that takes time and trouble, I see that; but for us to fly, all we have to do is tear off a branch of cloud-pine; any will do, and there are plenty more. We don't feel cold, so we need no warm clothes. We have no means of exchange apart from mutual aid. If a witch needs something, another witch will give it to her. If there is a war to be fought, we don't consider cost one of the factors in deciding whether or not it is right to fight. Nor do we have any notion of honor, as bears do, for instance. An insult to a bear is a deadly thing. To us... inconceivable. How could you insult a witch? What would it matter if you did?" "Well, I'm kinda with you on that. Sticks and stones, I'll break yer bones, but names ain't worth a quarrel. But ma'am, you see my dilemma, I hope. I'm a simple aeronaut, and I'd like to end my days in comfort. Buy a little farm, a few head of cattle, some horses...Nothing grand, you notice. No palace or slaves or heaps of gold. Just the evening wind over the sage, and a ceegar, and a glass of bourbon whiskey. Now the trouble is, that costs money. So I do my flying in exchange for cash, and after every job I send some gold back to the Wells Fargo Bank, and when I've got enough, ma'am, I'm gonna sell this balloon and book me a passage on a steamer to Port Galveston, and I'll never leave the ground again." "There's another difference between us, Mr. Scoresby. A witch would no sooner give up flying than give up breathing. To fly is to be perfectly ourselves." "I see that, ma'am, and I envy you; but I ain't got your sources of satisfaction. Flying is just a job to me, and I'm just a technician. I might as well be adjusting valves in a gas engine or wiring up anbaric circuits. But I chose it, you see. It was my own free choice. Which is why I find this notion of a war I ain't been told nothing about kinda troubling." "lorek Byrnison's quarrel with his king is part of it too," said the witch. "This child is destined to play a part in that." "You speak of destiny," he said, "as if it was fixed. And I ain't sure I like that any more than a war I'm enlisted in without knowing about it. Where's my free will, if you please? And this child seems to me to have more free will than anyone I ever met. Are you telling me that she's just some kind of clockwork toy wound up and set going on a course she can't change?" "We are all subject to the fates. But we must all act as if we are not, or die of despair. There is a curious prophecy about this child: she is destined to bring about the end of destiny. But she must do so without knowing what she is doing, as if it were her nature and not her destiny to do it. If she's told what she must do, it will all fail; death will sweep through all the worlds; it will be the triumph of despair, forever. The universes will all become nothing more than interlocking machines, blind and empty of thought, feeling, life...
Philip Pullman (The Golden Compass (His Dark Materials, #1))