Kool Quotes

We've searched our database for all the quotes and captions related to Kool. Here they are! All 100 of them:

Do you know what it's like to run spellcheck for six hours? It's like a party in purgatory. A party in purgatory where all they have to drink is sugar-free Kool-aid, and the only game to play is Monopoly, and none of your friends show up.
Patrick Rothfuss
But sorry is the Kool-Aid of human emotions. [...] True sorrow is as rare as true love.
Stephen King (Carrie)
To 'choose' dogma and faith over doubt and experience is to throw out the ripening vintage and to reach greedily for the Kool-Aid.
Christopher Hitchens (God Is Not Great: How Religion Poisons Everything)
Dakota's head was stuck in his toga. He staggered around olike a Kool-Aid-stained ghost. "Um," Percy said, "should I wear my bed sheets?
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
Sorry is the Kool-Aid of human emotions. It's what you say when you spill a cup of coffee or throw a gutter ball when you're bowling with the girls in the league. True sorrow is as rare as true love.
Stephen King (Carrie)
Everybody, everybody everywhere, has his own movie going, his own scenario, and everybody is acting his movie out like mad, only most people don’t know that is what they’re trapped by, their little script.
Tom Wolfe (The Electric Kool-Aid Acid Test)
Kools and Newports were for black people and lower-class whites. Camels were for procrastinators, those who wrote bad poetry, and those who put off writing bad poetry. Merits were for sex addicts, Salems were for alcoholics, and Mores were for people who considered themselves to be outrageous but really weren't.
David Sedaris (When You Are Engulfed in Flames)
He created his own Kool Aid reality and was able to illuminate himself by it.
Richard Brautigan (Trout Fishing in America)
Sometimes we don't even realize what we really care about, because we get so distracted by the symbols.
Tom Wolfe (The Electric Kool-Aid Acid Test)
You're either on the bus or off the bus.
Tom Wolfe (The Electric Kool-Aid Acid Test)
Put your good where it will do the most!
Tom Wolfe (The Electric Kool-Aid Acid Test)
I'd rather be a lightning rod than a seismograph.
Tom Wolfe (The Electric Kool-Aid Acid Test)
The question we need to ask ourselves is: what is success to us? More money? That's fine. A healthy family? A happy marriage? Helping others? To be famous? Spiritually sound? To express ourselves? To create art? To leave the world a better place than we found it? What is success to me? Continue to ask yourself that question. How are you prosperous? What is your relevance? Your answer may change over time and that's fine but do yourself this favor – whatever your answer is, don't choose anything that would jeopardize your soul. Prioritize who you are, who you want to be, and don't spend time with anything that antagonizes your character. Don't depend on drinking the Kool-Aid – it's popular, tastes sweet today, but it will give you cavities tomorrow. Life is not a popularity contest. Be brave, take the hill. But first answer the question.
Matthew McConaughey (Greenlights)
What do you mean, blindly? That baby is a very sentient creature… That baby sees the world with a completeness that you and I will never know again. His doors of perception have not yet been closed. He still experiences the moment he lives in.
Tom Wolfe (The Electric Kool-Aid Acid Test)
If you label it this, then it can't be that.
Tom Wolfe (The Electric Kool-Aid Acid Test)
Maybe you haven't noticed, but everyone shares the same brain around here. It's like a mass cult. They've all drunk the Kool-Aid.
Siobhan Vivian (The List)
It is time to stop drinking the Kool-Aid, get off the cruise-ship church, jump into the battleship Church and start moving into the purpose and destiny that God has for you.
John Ramirez (Conquer Your Deliverance: How to Live a Life of Total Freedom)
Cole - I just thought of a new game. Jaz - What's that? Cole - Splat the Specter. Jaz - Rules? Cole - You can help me make them up. Right now all I know for sure is that it involves water guns filled with grape Kool-Aid and two ferrets named Biff and Chlamydia. Vayl - Why Ferrets? Jaz - Really? You want to know about his choice of pets when he's named one of them after an STD?
Jennifer Rardin (One More Bite (Jaz Parks, #5))
The world was simply and sheerly divided into 'the aware', those who had the experience of being vessels of the divine, and a great mass of 'the unaware', 'the unmusical', 'the unattuned.
Tom Wolfe (The Electric Kool-Aid Acid Test)
They were...well, Beautiful People! - not 'students', 'clerks', 'salesgirls', 'executive trainees' - Christ, don't give me your occupation-game labels! We are Beautiful People, ascendant from your robot junkyard.
Tom Wolfe (The Electric Kool-Aid Acid Test)
You turned red all over, Finn," Aiden said helpfully. "So did Teagan. As red as Kool-Aid." The back of Finn's neck went from pink lemonade to Blastin' Berry Cherry. "Yeah," Aiden said. "Like that." "I don't want to talk about it," Finn said.
Kersten Hamilton (Tyger Tyger (Goblin Wars, #1))
It's like a boulder rolling down a hill - you can watch it and talk about it and scream and say Shit! but you can't stop it. It's just a question of where it's going to go.
Tom Wolfe (The Electric Kool-Aid Acid Test)
YOU ARE HEREBY EMPOWERED!!!!!!!!!!!!!
Tom Wolfe (The Electric Kool-Aid Acid Test)
And - of course! - the Non-people. The whole freaking world was full of people who were bound to tell you they weren't qualified to do this or that but they were determined to go ahead and do just that thing anyway.
Tom Wolfe (The Electric Kool-Aid Acid Test)
don't just describe an emotion, arouse it, make them experience it, by manipulating the symbol of the emotion, and sometimes we have to come into awareness through the back door.
Tom Wolfe (The Electric Kool-Aid Acid Test)
Sorry is the KoolAid of human emotions.
Stephen King (Carrie)
All of us were drunk on fun. A celebration of Kool-Aid puddle and little-kid noise, cake, cakey fingers, singing and yucky yucks
G.M. Monks (Iola O)
A huge smile spread across Jen's face."Ahh that was a good one." She turned back to the crowed and yelled again."Rewind. We're going to party like it's 2009, New Year’s Eve. If you're curious as to how awesome a party that was, please see me, Jacque or Sally. Sally's version will be much more accurate, and also free of any important inappropriate details." Before she could say anything else, a large hand wrapped around the microphone and pulled it from Jen's grasp. Decebel handed it to Jacque as he growled at his mate and pulled her away.All the while Jen was telling him exactly how much she didn't appreciate him getting all up in her kool aide. She finished by telling him that, once again, she was going to shove her foot where an ‘Exit Only’ sign should be.
Quinn Loftis (Beyond the Veil (The Grey Wolves, #5))
I know these two weeks have been God walking right into my life like he has flesh and Kool-Aid coloured hair. The gospel according to Bodee Lennox. His safety. His protection. And love.
Courtney C. Stevens (Faking Normal (Faking Normal, #1))
it is either make this thing permanent inside of you or forever just climb draggled up into the conning tower every time for one short glimpse of the horizon.
Tom Wolfe (The Electric Kool-Aid Acid Test)
Everything in everybody’s life is … significant. And everybody is alert, watching for the meanings.
Tom Wolfe (The Electric Kool-Aid Acid Test)
It’s got to be some kind of cult. Anyone offers you Kool-Aid or a hot shower, say no.
Marisha Pessl (Night Film)
[Aldous Huxley] compared the brain to a 'reducing valve'. In ordinary perception, the senses send an overwhelming flood of information to the brain, which the brain then filters down to a trickle it can manage for the purpose of survival in a highly competitive world. Man has become so rational, so utilitarian, that the trickle becomes most pale and thin. It is efficient, for mere survival, but it screens out the most wondrous part of man's potential experience without his even knowing it. We're shut off from our own world.
Tom Wolfe (The Electric Kool-Aid Acid Test)
Dear Mother, I meant to write you before this and I hope you haven't been worried.... I have met some Beautiful People and...
Tom Wolfe (The Electric Kool-Aid Acid Test)
Then he got up and wandered off in his bathrobe to pour more divine Kool-Aid.
Rick Riordan (The Chalice of the Gods (Percy Jackson and the Olympians, #6))
Faith without works is like Peanut Butter without Jelly, Ham without Cheese, and Kool aid without Sugar. God helps those that help themselves
Autumn Crum
We are all of us doomed to spend our lives watching a movie of our lives - we are always acting on what has just finished happening.
Tom Wolfe (The Electric Kool-Aid Acid Test)
Everything was becoming allegorical, understood by the group mind, and especially this: "You're either on the bus...or off the bus.
Tom Wolfe (The Electric Kool-Aid Acid Test)
Well, are you going to motivate people to bring peace to war-torn nations, or are you going to motivate people to join a cult and drink the Kool-Aid?
Libba Bray (Beauty Queens)
COOL·NESS [KOOL-NIS] -noun CATCHING your mom gazing at the crazy crowd like she finally gets it WATCHING your dad head-banging like he’s Finn’s twin brother LEARNING that your new friends Tash and Kallie are a thousand times more complicated than you realized, and loving them for it FEELING every one of your boyfriend’s pounding drumbeats, and thinking it’s the most romantic music ever written REALIZING you’re completely unique . . . even in a crowd
Antony John (Five Flavors of Dumb)
I'll make you a promise, Bodee. Long as you're with my family, you won't run out of Kool-Aid." "And I promise you, I'll stop whoever's hurting you...even if it's you.
Courtney C. Stevens (Faking Normal (Faking Normal, #1))
Be careful of living your life based only on faith and signs, or you might find yourself standing in a South American jungle holding a glass of Kool-aid. Commonsense is the foundation of any good testimony.
Shannon L. Alder
None of us are going to deny what other people are doing. If saying bullshit is somebody's thing, then he says bullshit. If somebody is an ass-kicker, then that's what he's going to do on this trip, kick asses. He's going to do it right out front and nobody is going to have anything to get pissed off about. He can just say, 'I'm sorry I kicked you in the ass, but I'm not sorry I'm an ass-kicker. That's what I do, I kick people in the ass.' Everybody is going to be what they are, and whatever they are, there's not going to be anything to apologize about. What we are, we're going to wail with on this whole trip.
Tom Wolfe (The Electric Kool-Aid Acid Test)
Sorry is the Kool-Aid of human emotions. It’s what you say when you spill a cup of coffee or throw a gutter ball when you’re bowling with the girls in the league. True sorrow is as rare as true love.
Stephen King (Carrie)
Everything in everybody’s life is … significant. And everybody is alert, watching for the meanings. And the vibrations.
Tom Wolfe (The Electric Kool-Aid Acid Test)
We've taken the lifeblood out of Christianity and put Kool-Aid in its place so that it tastes better to the crowds, and the consequences are catastrophic. ~Follow Me, pg. 7
David Platt
Alternatives to “Bae” The one who wins all of the arguments, the keeper of the remote, the girl who turns my stomach into a butterfly nest, the pink Starburst, the one I will always choose first no matter what else is in the pack, the red Kool-Aid, the right amount of sugar, the pulp, the part that makes the juice seem real.
Rudy Francisco (Helium)
Beautiful people blossomed forth from out of the polyglot, people who really had a lot to them, only it had been smothered by all the eternal social games that had been set up. Suddenly they found each other.
Tom Wolfe (The Electric Kool-Aid Acid Test)
... somebody has to be the pioneer and leave the marks for others to follow ... you've got to have some faith in what you're trying to do. It's easy to have faith as long as it goes along with what you already know. But you've got to have faith in us all the way...
Tom Wolfe (The Electric Kool-Aid Acid Test)
I went to see the Beatles last month... And I heard 20,000 girls screaming together at the Beatles... and I couldn't hear what they were screaming, either... But you don't have to... They're screaming Me! Me! Me! Me!... I'm Me!... That's the cry of the ego, and that's the cry of this rally!... Me! Me! Me! Me!... And that's why wars get fought... ego... because enough people want to scream Pay attention to Me... Yep, you're playing their game...
Tom Wolfe (The Electric Kool-Aid Acid Test)
Art is not eternal.
Tom Wolfe (The Electric Kool-Aid Acid Test)
It's great to be a part of the greatest jackoff in history.
Tom Wolfe (The Electric Kool-Aid Acid Test)
Andrew Lloyd Webber's version of the Kool-Aid jingle is at once chilling and evocative. Donny Osmond is brilliant as James Jones.
Christopher Moore (Bloodsucking Fiends (A Love Story, #1))
Hope springs eternal, unfortunately it springs from a well poisoned with Jim Jones’ Kool Aid
Dean Cavanagh
Sorry is the Kool-Aid of human emotions. It's what you say when you spill a cup of coffee or throw a gutterball when you're bowling with the girls in the leage. True sorrow is as rare as true love.
Stephen King (Carrie)
Dakota got up so fast, he spilled Kool-Aid from his flask. “We were plenty good last night when we whipped your podex, Larry!” “Enough, Dakota,” Reyna said. “Let’s leave Larry’s podex out of this. As quest leader, Frank has the right to choose his companions. He has chosen Percy Jackson and Hazel Levesque.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
a perception of the cosmic unity of this higher level. And a feeling of timelessness, the feeling that what we know as time is only the result of a naive faith in causality - the notion that A in the past caused B in the present, which will cause C in the future, when actually A, B, and C are all part of a pattern that can be truly understood only by opening the doors of perception and experiencing it... in this moment... this supreme moment... this Kairos.
Tom Wolfe (The Electric Kool-Aid Acid Test)
Art is a creed, not a craft.
Tom Wolfe
The Pranksters never talked about synchronicity by name, but they were more and more attuned to the principle. Obviously, according to this principle, man does not have free will. There is no use in his indulging in a lifelong competition to change the structure of the little environment he seems to be trapped in. But one could see the larger pattern and move with it - Go with the flow! - and accept it and rise above one's immediate environment and even alter it by accepting the larger pattern and growing with it.
Tom Wolfe (The Electric Kool-Aid Acid Test)
Maybe I could help with some of the wedding stuff, too.” Sidney laughed, then saw Vaughn frown. “ Wait — you’re being serious?” He shrugged. “Sure, why not?” “No offense, but you don’t exactly exude a ‘wedding planning’ vibe.” “And thank God for that. But I think I can manage a few tasks. How hard could it be to pick a photographer? Or a band? Just ask them if they plan to play ‘Y.M.C.A.’ or that annoying Kool and the Gang song. If they say no, they’re hired.
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
You don't understand my dis-mounting. It's like climbing a mountain. Would you rather climb the mountain or have a helicopter deposit you on the top? The continual climb, the continual remounting, makes it a richer experience, and so on.
Tom Wolfe (The Electric Kool-Aid Acid Test)
Her teeth and lips are tinted purple from the Kool-Aid. Mine are probably purple too, but I can’t see them. You can’t see your own face from within it. This is something I have always struggled with
Emily R. Austin (Oh Honey)
But sorry is the Kool-Aid of human emotions. It's what you say when you spill a cup of coffee or throw a gutterball when you're bowling with the girls in the league. True sorrow is as rare as true love.
Stephen King (Carrie)
But sorry is the Kool-Aid of human emotions. It's what you say when you spill a cup of coffee or throw a gutter ball when you're bowling with the girls in the league. True sorrow is as rare as true love.
Stephen King
There are going to be times when you can't wait for somebody. Now you're either on the bus or off the bus
Tom Wolfe (The Electric Kool-Aid Acid Test)
We had rarely seen our fathers in work boots before, toiling in the earth and wielding brand-new root clippers. They struggled with the fence, bent over like Marines hoisting the flag on Iwo Jima. It was the greatest show of common effort we could remember in our neighborhood, all those lawyers, doctors, and mortgage bankers locked arm in arm in the trench, with our mothers bringing out orange Kool-Aid, and for a moment our century was noble again.
Jeffrey Eugenides (The Virgin Suicides)
The whole other world that LSD opened your mind to existed only in the moment itself - Now - and any attempt to plan, compose, orchestrate, write a script, only locked you out the moment, back to the world of conditioning and training where the brain was a reducing valve
Tom Wolfe (The Electric Kool-Aid Acid Test)
This is the point where the knowing, irony-infused author laughs along with his readers about his time among the aphorisms, how he was once so gullible and needy that he drank deeply of such weak and fruity Kool-Aid. That's some other book. Slogans saved my life. All of them--the dumb ones, the preachy ones, the imperatives, the cliches, the injunctives, the gooey, Godly ones, the shameless, witless ones.
David Carr (The Night of the Gun)
When the government does the job of a parent, that's socialism.
Marybeth Hicks (Don't Let the Kids Drink the Kool-Aid: Confronting the Left's Assault on Our Families, Faith, and Freedom)
The fourteen-man snake moved in spasms. . . Their eyes flickered rapidly back and forth as they tried to look in all directions at once. They carried Kool-Aid packages, Tang — anything to kill the chemical taste of the water in their plastic canteens. Soon the smears of purple and orange Kool-Aid on their lips combined with the fear in their eyes to make them look like children returning from a birthday party at which the hostess had shown horror films.
Karl Marlantes
A person has all sorts of lags built into him Kesey is saying. Once the most basic is the sensory lag the lag between the time your senses receive something and you are able to react. One-thirtieth of a second is the time it takes if you are the most alert person alive and most people are a lot slower than that.... You can't go any faster than that... We are all doomed to spend the rest of our lives watching a movies of our lives - we are always acting on what has just finished happening. It happened at least 1 30th of a second ago. We think we are in the present but we aren't. The present we know is only a movies of the past and we will really never be able to control the present through ordinary means.
Tom Wolfe (The Electric Kool-Aid Acid Test)
I struggled with anxiety and loneliness, even in a crowded room. I never felt like I was enough. I ate Tums like candy. And I know this sounds all beauty-contestant-answerish, but I just wanted inner peace, a place to come in out of the rain. I needed, well, God, really, but you couldn’t have told me that then, not until the crap hit the fan. You know, those no-one-can- save-you-but-God things? An actual life or death experience. I’m not kidding, I didn’t think I was going to live, but instinctively I cried out and BAM! There God was, not judgmental and mean, but the ultimate friend. He came through in a big way! I’ll be honest with you, I flippin’ drank the Kool-Aid. 
Elizabeth Bristol (Mary Me: One Woman’s Incredible Adventure with God)
They might all be drinking laced Kool-Aid in there, but she had a good head on her shoulders. Things like vampires and past lives and immortality just didn’t exist in the real world. And Schuyler was a card-carrying member of the real world. She didn’t want to check into CrazyTown any time soon.
Melissa de la Cruz (Blue Bloods (Blue Bloods, #1))
I make out a schoolbus...glowing orange, green, magenta, lavender, chlorine blue, every fluorescent pastel imaginable in thousands of designs, both large and small, like a cross between Fernand Liger and Dr. Strange, roaring together and vibrating off each other as if somebody had given Hieronymous Bosch fifty buckets of day-glo paint and a 1939 International Harvester schoolbus and told him to go to it.
Tom Wolfe (The Electric Kool-Aid Acid Test)
hard. “I stole the microwave plate. And the lightbulb out of the fridge. I took the lid for the blender and the oven mitts and the garage door opener and I untuned his guitar and I tore out the last five pages of the book he was reading. I put red Kool-Aid in the shower head and peeled the labels off all the canned food and I put raw shrimp into the curtain rod on the window next to the bed—stop laughing!
Abby Jimenez (Yours Truly (Part of Your World, #2))
The world was simply and sheerly divided into 'the aware', those who had the experience of being vessels of the divine, and a great mass of 'the 'unaware', 'the unmusical', 'the unattuned'...the aware were never snobbish toward the unaware, but in fact most of that great jellyfish blob of straight souls looked like hopeless cases
Tom Wolfe (The Electric Kool-Aid Acid Test)
That flag is a symbol we attach our emotions to, but it isn't the emotion itself and it isn't the thing we really care about. Sometimes we don't even realize what we really care about, because we get so distracted by the symbols.
Tom Wolfe (The Electric Kool-Aid Acid Test)
Everything in everybody’s life is … significant. And everybody is alert, watching for the meanings. And the vibrations. There is no end of vibrations.
Tom Wolfe (The Electric Kool-Aid Acid Test)
understand. Kesey sulks a bit—Kesey himself—but the sulk bounces and breaks up into
Tom Wolfe (The Electric Kool-Aid Acid Test)
Now—and any attempt to plan, compose, orchestrate, write a script, only locked you out of the moment, back in the world of conditioning and training where the brain was a reducing valve …
Tom Wolfe (The Electric Kool-Aid Acid Test)
Oh Mario, and Dylan, and Joan Baez, oh Free Speech and Anti-Vietnam—who in his right mind would have ever dreamed it could come to this in twelve months—abandoned to the supermarket and the breezeway scions—a bunch of fraternity men in Mustangs—and it is, unbelievably, all as the provocateur Kesey has prophesied it, droning
Tom Wolfe (The Electric Kool-Aid Acid Test)
An LSD experience without the LSD" -that was a laugh. In fact, the heads are pouring in by the hundreds, bombed out of their gourds, hundreds of heads coming out into the absolute open for the first time. It is like the time the Pranksters went to the Beatles concert in full costume, looking so bizarre and so totally smoked that no one could believe they were. Nobody would risk it in public like that. Well the kids are just having an LSD experience without the LSD, that's all, and this is what it looks like. A hulking crazed whirlpool. That's nice.
Tom Wolfe (The Electric Kool-Aid Acid Test)
That baby sees the world with completeness that you and I will never know again. His doors of perception have not yet been closed. He still experiences the moment he lives in. The inevitable bullshit hasn't constipated his cerebral cortex yet. He still sees the world as it really is, while we sit here, left with only a dim historical version of it manufactured for us by words and official bullshit, and so forth and so on..
Tom Wolfe (The Electric Kool-Aid Acid Test)
the Pranksters probed everybody, to make them bring their hangups out front to the point where they could act totally out front, live in the moment, spontaneously, and if needling was what it took to bring you that far—
Tom Wolfe (The Electric Kool-Aid Acid Test)
A person has all sorts of lags built into him, Kesey is saying. One, the most basic, is the sensory lag, the lag between the time your senses receive something and you are able to react. One-thirtieth of a second is the time it takes, if you are the most alert person alive, and most people are a lot slower than that. Now Cassady is right up against that 1/30th of a second barrier. He is going as fast as a human can go, but even he can't overcome it. He is a living example of how close you can come, but it can't be done. You can't go any faster than that. You can't through sheer speed overcome the lag. We are all of us doomed to spend the rest of our lives watching a movie of our lives - we are always acting on what has just finished happening. It happened at least 1/30th of a second ago. We think we are in the present, but we aren't. The present we know is only a movie of the past, and we will really never be able to control the present through ordinary means. That lag has to be overcome some other way, through some kind of total breakthrough.
Tom Wolfe (The Electric Kool-Aid Acid Test)
The uncomfortable reality is, the diversity agenda isn't about honoring and cherishing all racial, ethnic and religious traditions. It's about apologizing for our Western, Judeo-Christian foundations while pretending not to notice that we're elevating in the eyes of our children the very cultures that hold America in disdain.
Marybeth Hicks (Don't Let the Kids Drink the Kool-Aid: Confronting the Left's Assault on Our Families, Faith, and Freedom)
Sooner or later, all talk among foreigners in Pyongyang turns to one imponderable subject. Do the locals really believe what they are told, and do they truly revere Fat Man and Little Boy? I have been a visiting writer in several authoritarian and totalitarian states, and usually the question answers itself. Someone in a café makes an offhand remark. A piece of ironic graffiti is scrawled in the men's room. Some group at the university issues some improvised leaflet. The glacier begins to melt; a joke makes the rounds and the apparently immovable regime suddenly looks vulnerable and absurd. But it's almost impossible to convey the extent to which North Korea just isn't like that. South Koreans who met with long-lost family members after the June rapprochement were thunderstruck at the way their shabby and thin northern relatives extolled Fat Man and Little Boy. Of course, they had been handpicked, but they stuck to their line. There's a possible reason for the existence of this level of denial, which is backed up by an indescribable degree of surveillance and indoctrination. A North Korean citizen who decided that it was all a lie and a waste would have to face the fact that his life had been a lie and a waste also. The scenes of hysterical grief when Fat Man died were not all feigned; there might be a collective nervous breakdown if it was suddenly announced that the Great Leader had been a verbose and arrogant fraud. Picture, if you will, the abrupt deprogramming of more than 20 million Moonies or Jonestowners, who are suddenly informed that it was all a cruel joke and there's no longer anybody to tell them what to do. There wouldn't be enough Kool-Aid to go round. I often wondered how my guides kept straight faces. The streetlights are turned out all over Pyongyang—which is the most favored city in the country—every night. And the most prominent building on the skyline, in a town committed to hysterical architectural excess, is the Ryugyong Hotel. It's 105 floors high, and from a distance looks like a grotesquely enlarged version of the Transamerica Pyramid in San Francisco (or like a vast and cumbersome missile on a launchpad). The crane at its summit hasn't moved in years; it's a grandiose and incomplete ruin in the making. 'Under construction,' say the guides without a trace of irony. I suppose they just keep two sets of mental books and live with the contradiction for now.
Christopher Hitchens (Love, Poverty, and War: Journeys and Essays)
When the hippie era ended and the hangover began, as idealism gives way to disillusionment, the hair of the marchers and street-dancers kept getting longer, and soon it began to tangle. Free love deteriorated into loveless promiscuity, our great electric Kool-Aid acid test churned out an entire generation of burnt-out old relics, and the hair, once a symbol of freedom, became symbolic of the new face of prison, a lawlessness which taken to its logical extreme would imprison all of society as our growing criminal element took to the streets.
Tommy Walker (Monstrous: The Autobiography of a Serial Killer but for the Grace of God)
and no one was to rise up negative about anything, one was to go positive with everything—go with the flow—everyone’s cool was to be tested, and to shout No, no matter what happened, was to fail. And hadn’t Kesey passed the test first of all? Hadn’t Babbs taken Gretchen Fetchin, and did
Tom Wolfe (The Electric Kool-Aid Acid Test)
Crash took a long drag off his cigarette and gave me a smug little smile. He always looked smug. His hair was dyed Kool-Aid green. Maybe that's what he was looking smug about today, despite the fact that it clashed with his olive drab army duster. Or maybe he knew my ass stung with every step I took- either because he was an empath who hot "feelings" about what everyone was experiencing, or because he'd taken it up the ass from Jacob himself. Crash's smirk widened and I looked away. One day I'd probably slap him. And then I'd regret it, because he was probably into stuff like that.
Jordan Castillo Price (Secrets (PsyCop, #4))
It's like we're strands of wire intertwined in a great cable that runs through a slot . . . Most people lead two-dimensional lives. All they can see is the face of the slot, a cross section, so that the wires look like a mass of separate little circles looking bigger or smaller according to how close you are. They don't--they can't see that these 'circles' are just cross sections of wires that run backward and forward infinitely and that there is a great surge through the whole cable and that anybody who is truly into the full bare essence of the thing...
Tom Wolfe (The Electric Kool-Aid Acid Test)
Kingsley got up, and as he did so, he flashed me the goods. Whether he meant to or not, I don’t know...but holy sweet Jesus. Did I really just see that? My God, how did he walk around with that thing? Kingsley, defense attorney, werewolf—and now, apparently, pervert—sat next to me and gave no indication that he had just given me the mother of all peep shows. “I’m going to let you in on a little secret,” he said, and knocked back the rest of his wine like it was booze-flavored Kool-Aide. “It’s not a secret,” I said. “And it ain’t little.” “Excuse me?” “Never mind.” But I caught the smallest of shit-eating grins on his face. “Go on,” I said, shaking my head. “And this time try to keep the robe closed.
J.R. Rain (American Vampire (Vampire for Hire #3))
None of us are going to deny what other people are doing. If saying bullshit is somebody’s thing, then he says bullshit. If somebody is an ass-kicker, then that’s what he’s going to do on this trip, kick asses. He’s going to do it right out front and nobody is going to have anything to get pissed off about. He can just say, ‘I’m sorry I kicked you in the ass, but I’m not sorry I’m an ass-kicker. That’s what I do, I kick people in the ass.’ Everybody is going to be what they are, and whatever they are, there’s not going to be anything to apologize about. What we are, we’re going to wail with on this whole trip.
Tom Wolfe (The Electric Kool-Aid Acid Test)
Bad trip!” Pancho screams. “What do you mean, bad trip!” and he throws the book to the floor, but Kesey is already off into the back of the house. And Pancho knows his whole thing is, in fact, not sharing beauty rugs at all, but simply his bad trip, and they all know that’s what it’s all about, and he knows they know it, and the whole game is over and so long, Pancho Pillow.
Tom Wolfe (The Electric Kool-Aid Acid Test)
Here is the short version of the Kool-Aid Fallacy: Cult … therefore Jim Jones … therefore mass suicide … therefore Kool-Aid. It’s astonishing how much of social media now revolves around simple word association sequences. Absolutely no thought goes into anything. No one ever delivers an actual argument. If they ever do attempt an argument, their punctuation, spelling, grammar, logic and general education are not up to the task, and soon dissolve into meaningless mush. But usually they just hurry on to the insults and ad hominem attacks, which is the part they love. Before long, the Kool-Aid fallacy is eagerly applied. Every argument should have a Dunning-Kruger quotient associated with it. Most people are 100% on the Dunning-Kruger scale. They imagine themselves geniuses, and geniuses dunces. As ever, they have inverted reality.
Thomas Stark (Extra Scientiam Nulla Salus: How Science Undermines Reason (The Truth Series Book 8))
person can overcome that much through intellect or theory or study of history and so forth and get pretty much into the present that way, but he’s still going to be up against one of the worst lags of all, the psychological. Your emotions remain behind because of training, education, the way you were brought up, blocks, hangups and stuff like that, and as a result your mind wants to go one way but your emotions don’t—
Tom Wolfe (The Electric Kool-Aid Acid Test)
When people think you're a "good person", they're essentially putting you inside of this jar with a label on it and the ingredients on that label are whatever the fuck they think "good person" means. Of course it always just basically means "this person was born to make me feel good in any circumstance of my life." And then they pound you into that jar--every inch of you-- and think you've gone spoiled rotten when the time arises that you're no longer making them feel good, for whatever reasons that may be. And that's "good person" from other people's perspectives. Meanwhile, "good person" in first person perspective is basically "hypocrite". It's basically "let me enact these roles I think I am supposed to perform so God and mama Mary and and the neighborhood will believe I am a good person." I am always described as a "good person" and from any perspective that's coming from, I hate hearing that. I hate it. It either means they think they can stuff me in a jar and mix me with their kool aide; or it means I am sticking myself in my own jar and mixing myself with everyone's kool aide. I am a fucking wonderful person-- that is what I am. And that is exactly how to say it: "fucking wonderful"! Not just wonderful. Fucking wonderful. It's not good; it's full of wonderment! It's not bad; it's full of wonderment! So, am I a good person? I have a heart that bleeds with others and a soul that gives people homes. I don't need to be good. I need to be wonderful.
C. JoyBell C.
The average grunt when not out in “the shit” the boonie thought about all the “Ball Games”, the battles, he had fought, all the narrow escapes from death, of buddies who had fallen one by one and wondered just how long his luck would hold. It came from knowing that a grunt could not fight in many “Ball Games” before he became a casualty. The general thinking was that if a grunt fought in say six without being hit he would not last another six, for there was a feeling that, sooner or later, death caught up with you but it was not what actually happened. There was a near-truism that if a grunt remained in the shit for a long time without a break he was almost certain to become a casualty, but casualty and death are not synonymous. A more realistic calculation was between three to six people wounded for one “kool aid”, killed in action. Nevertheless, it sure was unsettling to think that the best to hope for was receiving a wound.
Sergeant Walker
The whole dam breaks after that. The FBI drops the Federal charge of unlawful flight to avoid prosecution. All of a sudden they don’t seem very interested in the case, despite the salt in J. Edgar Hoover’s wounds and the rest of it. Then back in San Francisco, and Kesey is standing in front of the judge in a faded sport shirt, work pants and boots. The judge has a terrific speech ready, saying this case has been blown up out of proportions in the press and it is only a common dope case as far as he is concerned, and Kesey is no dragon, just an ordinary jackass … and Kesey is starting to say something and Hallinan and Rohan are crouched for the garrote, but again it’s over and Kesey is out on bail in San Francisco, too. It’s unbelievable. He’s out after only five days.
Tom Wolfe (The Electric Kool-Aid Acid Test)
Jeremiah came over after a while. He sat on the edge of my chair and drank from my thermos of Kool-Aid. “She’s pretty,” I said. “Who? Yolie?” He shrugged. “She’s nice. One of my many admirers.” “Ha!” “So what about you? Cam Cameron, huh? Cam the vegetarian. Cam the straight edge.” I tried not to smile. “So what? I like him.” “He’s kind of a dork.” “That’s what I like about him. He’s…different.” He frowned slightly. “Different from who?” “I don’t know.” But I did know. I knew exactly who he was different from. “You mean he’s not a dick like Conrad?” I laughed, and so did he. “Yeah, exactly. He’s nice.” “Just nice, huh?” “More than nice.” “So you’re over him, then? For real?” We both knew the “him” he was talking about. “Yes,” I told him. “I don’t believe you,” Jeremiah said, watching me closely-just like when he was trying to figure out what kind of hand I had in Uno. I took off my sunglasses and looked him in the eye. “It’s true. I’m over him.” “We’ll see,” Jeremiah said, standing up. “My break’s over. Are you okay over here? Wait around and I’ll drive us home. I can put your bike in the back.” I nodded, and watched him walk back to the lifeguard chair. Jeremiah was a good friend. He’d always been good to me, watched out for me.
Jenny Han (The Summer I Turned Pretty (Summer, #1))