Kool Kid Quotes

We've searched our database for all the quotes and captions related to Kool Kid. Here they are! All 25 of them:

All of us were drunk on fun. A celebration of Kool-Aid puddle and little-kid noise, cake, cakey fingers, singing and yucky yucks
G.M. Monks (Iola O)
When the government does the job of a parent, that's socialism.
Marybeth Hicks (Don't Let the Kids Drink the Kool-Aid: Confronting the Left's Assault on Our Families, Faith, and Freedom)
An LSD experience without the LSD" -that was a laugh. In fact, the heads are pouring in by the hundreds, bombed out of their gourds, hundreds of heads coming out into the absolute open for the first time. It is like the time the Pranksters went to the Beatles concert in full costume, looking so bizarre and so totally smoked that no one could believe they were. Nobody would risk it in public like that. Well the kids are just having an LSD experience without the LSD, that's all, and this is what it looks like. A hulking crazed whirlpool. That's nice.
Tom Wolfe (The Electric Kool-Aid Acid Test)
The uncomfortable reality is, the diversity agenda isn't about honoring and cherishing all racial, ethnic and religious traditions. It's about apologizing for our Western, Judeo-Christian foundations while pretending not to notice that we're elevating in the eyes of our children the very cultures that hold America in disdain.
Marybeth Hicks (Don't Let the Kids Drink the Kool-Aid: Confronting the Left's Assault on Our Families, Faith, and Freedom)
I struggled with anxiety and loneliness, even in a crowded room. I never felt like I was enough. I ate Tums like candy. And I know this sounds all beauty-contestant-answerish, but I just wanted inner peace, a place to come in out of the rain. I needed, well, God, really, but you couldn’t have told me that then, not until the crap hit the fan. You know, those no-one-can- save-you-but-God things? An actual life or death experience. I’m not kidding, I didn’t think I was going to live, but instinctively I cried out and BAM! There God was, not judgmental and mean, but the ultimate friend. He came through in a big way! I’ll be honest with you, I flippin’ drank the Kool-Aid. 
Elizabeth Bristol (Mary Me: One Woman’s Incredible Adventure with God)
The political correctness of diversity as a core value essentially cheats some children out of their right to be fully engaged in American society.
Marybeth Hicks (Don't Let the Kids Drink the Kool-Aid: Confronting the Left's Assault on Our Families, Faith, and Freedom)
Which he was. Cassady wanted intellectual communion. But the intellectuals just wanted him to be the holy primitive, the Denver kid, the natural in our midst. Sometimes Cassady would sense they weren’t accepting him intellectually and go off into the corner, still on his manic monologue, muttering, “All right, I’ll take my own trip, I’ll go off on my own trip,
Tom Wolfe (The Electric Kool-Aid Acid Test)
Can't we all simmer down a bit? Let the teachers teach, the parents parent, and the kids do the learning. Our children will be fine, just as we were. They will figure it out, just as we did. They don't need every advantage skewed their way and every discomfort fluffed with pillows. I bet they don't even need sandwich dolphins. I am a product of bologna, red Kool-Aid, and home perms, and I turned out okay.
Jen Hatmaker (For the Love: Fighting for Grace in a World of Impossible Standards)
But the truth is, the multicultural movement, especially as presented in our educational institutions, isn't really about fostering greater respect among people of different racial and ethnic backgrounds. It's about building the self-esteem of certain ethnic groups while shaming those who have the audacity to prefer a distinct American culture. And most of all, it's about manipulating the expectations of an entire generation so they'll abandon our nation's heritage of American exceptionalism and benevolent hegemony and instead go marching into the glorious sunset of our republican form of government toward unambitious, unmotivated, uninspired, unexceptional socialism.
Marybeth Hicks (Don't Let the Kids Drink the Kool-Aid: Confronting the Left's Assault on Our Families, Faith, and Freedom)
All changed! Even the thing with the spades. All of a sudden the Negroes are out of the hip scene, except for a couple of pushers like Superspade and a couple of characters like Gaylord and Heavy. The explanation around Haight-Ashbury is that Negroes don’t take to LSD. The big thing with spades on the hip scene has always been the quality known as cool. And LSD freaking well blows that whole lead shield known as cool, like it brings you right out front, hang-ups and all. Also the spades don’t get much of a kick out of the nostalgia for the mud that all the white middle-class kids who are coming to Haight-Ashbury like, piling into pads and living freaking basic, you understand, on greasy mattresses on the floor that the filthiest spade walkup in Fillmore wouldn’t have, and slopping up soda pop and shit out of the same bottle, just passing it around from mouth to mouth, not being hung up on that old American plumbing & hygiene thing, you understand, even grokking the weird medieval vermin diseases that are flashing through every groin—crab lice! you know that thing, man, where you first look down at your lower belly and see these little scars, they look like, little scabs or something, tiny little mothers, and like you pick one, root it out, and it starts crawling! Oh shit! and then they’re all crawling and you start exploring your mons pubis and your balls and they’re alive. It’s like a jungle you never saw before,
Tom Wolfe (The Electric Kool-Aid Acid Test)
It is clear that the left is winning the battle of ideas with America's young people, and doing so with some decidedly mediocre political dogma. If our children are both demonstrably uneducated and measurably indoctrinated, and if we're fully aware that these things are true, we can't just stand around clucking and griping about all that is wrong. We need to offer more of what is right. If we want our children to experience the liberty and opportunity uniquely available to us as American citizens, we need to raise a new generation of leaders who will shore up the republican form of government handed down to us by our Founders. We need to counter the Left's messages about dependency and entitlement with a vision of patriotic citizenship to which our youth can aspire.
Marybeth Hicks (Don't Let the Kids Drink the Kool-Aid: Confronting the Left's Assault on Our Families, Faith, and Freedom)
When it comes to our current fears regarding unsupervised children, we see both versions of folk wisdom at work. In the sixties or seventies, a child could walk to school or wait in a car because people were better, the world less violent, we say. But also, parents were dumber. They simply didn’t know. Sure, parents used to leave kids on their own, but they also let them drink Kool-Aid by the vat and play with toy weapons the NRA might find a touch aggro. They let them build forts in the trunks of station wagons careening down the freeway or swim without sunscreen until their skin blistered. Parents let kids wait in cars because they were idiots. But also, on average, because it was safer, because people were better then, gentler, less monstrous. It sounds so nice and pleasant, this safer, simpler past. It sounds almost too good to be true.
Kim Brooks (Small Animals: Parenthood in the Age of Fear)
WATERMELON COOKIES Preheat oven to 325 degrees F., rack in the middle position. 1 package (.16-ounce) watermelon (or any other flavor) Kool-Aid powder (Don’t get the kind with sugar or sugar substitute added.) 1 and ⅔ cup white (granulated) sugar 1 and ½ cups softened butter (2 and ½ sticks, 10 ounces) 2 large eggs, beaten (just whip them up in a glass with a fork) ½ teaspoon salt 1 teaspoon baking soda 3 cups all-purpose flour (pack it down in the cup when you measure it) ½ cup white (granulated) sugar in a bowl Hannah’s 1st Note: When Brandi makes these cookies, she rolls them out on a floured board and uses cookie cutters. Rolled cookies take more time than other types of cookies, so Lisa and I modified Brandi’s recipe for use at The Cookie Jar. Mix the watermelon Kool-Aid with the granulated sugar. Add the softened butter and mix until it’s nice and fluffy. Add the eggs and mix well. Mix in the salt and the baking soda. Make sure they’re well incorporated. Add the flour in half-cup increments, mixing after each addition. Spray cookie sheets with Pam or another nonstick cooking spray. You can also use parchment paper if you prefer. Roll dough balls one inch in diameter with your hands. (We use a 2-teaspoon cookie scooper at The Cookie Jar.) Roll the cookie balls in the bowl of white sugar and place them on the cookie sheet, 12 to a standard-size sheet. Bake the Watermelon Cookies at 325 degrees F. for 10 to 12 minutes (mine took 11 minutes) or until they’re just beginning to turn golden around the edges. Don’t overbake. Let the cookies cool on the cookie sheets for no more than a minute, and then remove them to a wire rack to cool completely. Yield: Approximately 6 dozen pretty and unusual cookies that kids will adore, especially if you tell them that they’re made with Kool-Aid. Hannah’s 2nd Note: Brandi’s mother baked these cookies to send to school on birthdays. She
Joanne Fluke (Apple Turnover Murder (Hannah Swensen, #13))
Covered with snow on a clear day, the houses looked cheery and well cared for. They also looked empty. Dusty thought about empty houses in little towns like this all over the world, with men going and gone and no women left inside. Houses without housewives. No cooking and cleaning, no humming and apron-wearing wives and mothers like in the old sitcoms. No rushing minivans driven by lithe women in yoga pants whose children were well behaved and spoke Mandarin. No soap-opera-addicted, overweight, neglectful trailer trash with a dozen kids running around screaming, their mouths always stained with Kool-Aid. Every man in Huntsville remembered another life, expecting to come home every day to find someone there. All the empty houses sat. No one numbered the silent days.
Meg Elison (The Book of the Unnamed Midwife (The Road to Nowhere, #1))
The thing about seasons is that when you’re in one, you can’t believe the others will ever come back. It feels to me like summer has its feet planted far apart and its hands on its hips: I am here. Gardens are full of primary colors, grass sprouts from cracks in the sidewalk, bees fly heavy and low, like you could just reach down and grab one. You can smell the heat trapped in the concrete, that ironed pillowcase smell. Windows are open, and people seem open too—there is no hunching over from the cold, keeping your eyes on the sidewalk, concentrating on getting to where you’re going so you can be warm and not freeze to death. When you pass by someone, you take the time to nod a greeting or even stand and have a little conversation, the sun making a disc of warmth on the top of your head. Curtains move in S-shaped dances from the breeze, or puff out dramatically, then fall straight and still, like they’re denying they did anything. Kids with Kool-Aid mustaches run in and out of the house, banging the screen door and yelling to their mothers, and you can hear the faint voice of their mothers yelling back not to bang the door, how many times does she have to tell them to not bang the door. There is a different weight to the air. People sit on their porches after dinner, reading the paper or sitting idle, their hands behind their heads and their ankles crossed, waiting to see who passes by. There is a low happiness in them that they can’t explain.
Elizabeth Berg (True to Form (Katie Nash, #3))
Since she couldn’t break me with her eyes, she went back behind her desk, sat down, and pressed a button on her phone. “Mr. Milagros,” she said, “are you there?” A second later, a crackly walkie-talkie voice with a thick Cuban accent said, “Para servirle.” “How is the chicken cleanup going?” “¿Bueno?” he began, stretching the word out to three seconds. Usually, “bueno” means “good,” but the way he said it then meant “welp.” And that’s all he said. “Mr. Milagros, are you still there?” “Para servirle.” Principal Torres massaged her forehead. “Me puede servir by telling me about the mess you had to clean up.” “¿Bueno?” She waited five Mississippis, tapping each second out on the desk with her finger. Then, carefully controlling her voice, she asked, “What does ‘bueno’ mean?” He sighed. “It’s like this. I went back to the locker to clean it up. Made up a whole new bucket of cleaner for it, bien fuerte. Like, I could mop up a dead body with it, because basically that’s what it was, a dead chicken body. If a student accidentally tripped and fell in my mop bucket, ooh, sería un desastre! It’d turn that kid into Kool-Aid.” “The chicken, Mr. Milagros. Did you clean it up?” The walkie-talkie crackled as Mr. Milagros put his thoughts in order. “¿Bueno? I was going to. I was all ready to. But when I got to the lockers, no chicken.
Carlos Hernandez (Sal and Gabi Break the Universe (Sal and Gabi, #1))
Blue I emerge from our yellow linoleum bathroom blue at one end of our single-wide trailer and I have the length of narrow hallway to consider before reaching the living room blue Blue!? And I know my mother is furious You look ridiculous it’s all she says and I do I had torn the pages from a magazine lined my bedroom floor with them and studied those punk rock spiked hair white teeth high fashion popped collar leather studded glossy photos strewn across my small space like a spread of tarot cards telling me a future I would never get to not out here not in the white trailer rusting amber thick of trees stretch of reservation of highway that stood between me and whatever else was out there record stores the mall parking lots where kids were skateboarding and smoking pot probably kids with boom boxes and bottles of beer out there were beaches with bands playing on them and these faces these shining faces with pink green purple and blue hair blue I could get that at least I could mix seventeen packets of blue raspberry Kool-Aid with a little water and I could get that it was alchemy it was potion-making but no one told me about the bleach about my dark hair needing to lift to lighten in order to get that blue no one told me that the mess of Kool-Aid would only run down my scalp my face my neck would stain me blue Blue is what you taste like he says still holding me on the twin bed in the glow of dawn my teenage curiosity has pushed me to ask What does my body taste like to you his fingers travel from neck to navel breath on my thigh and here in our sacred space he answers simply Blue you taste blue and I wonder if what he means is sad you taste sad taqʷšəblu the name is given to me when I am three to understand it my child brain has to break it apart taqʷšəblu talk as in talking as in to tell as in story sha as in the second syllable of my English name as in half of me blue as in the taste of me blue as in sad my grandmother was taqʷšəblu before me and now I am taqʷšəblu too
Sasha LaPointe
I chose this college because of a barista during my campus visit, I think. The barista's head was shaved on one side and she had piercings all the way up her ear. She seemed angry in general but like she liked me and I thought I would come to know girls like her here. But since Sarah A. created the Excel schedule chart, I only ever went anywhere in a pack. If it was blizzarding excessively, Sarah A. demanded we take a cab. The cab would go on streets we didn't normally take. I'd see a group of kids with Kool-Aid hair and fingerless gloves standing around a coffee shop smoking, probably talking about deep things. I felt like they might know the locations of some of the keys to the levels I'd need to pass through in order to be a dolphin scientist. But I was destined, it seemed, only to ever get glimpses outside the Jew groove from a cab window.
Sam Cohen (Sarahland)
Christ, somehow there was enough money floating around in the air so that one could do this thing, live together with other kids—Our own thing!—from our own status sphere, without having to work at a job, and live on our own terms—Us! and people our age!—it was … beautiful, it was a … whole feeling, and the straight world never understood it, this thing of one’s status sphere and how one was only nineteen, twenty,
Tom Wolfe (The Electric Kool-Aid Acid Test)
Some kid who could always be counted on to demonstrate for the grape workers or even do dangerous things like work for CORE in Mississippi turns up one day—and immediately everybody knows he has become a head. His hair has the long jesuschrist look. He is wearing the costume clothes. But most of all, he now has a very tolerant and therefore withering attitude toward all those who are still struggling in the old activist political ways for civil rights, against Vietnam, against poverty, for the free peoples. He sees them as still trapped in the old “political games,” unwittingly supporting the oppressors by playing their kind of game and using their kind of tactics, while he, with the help of psychedelic chemicals, is exploring the infinite regions of human consciousness
Tom Wolfe (The Electric Kool-Aid Acid Test)
These men developed a kind of Freudian-Marxism, or “Freudo-Marxism,” integrating the extraordinarily bad but influential twentieth-century ideas of Sigmund Freud with the extraordinarily bad but influential nineteenth-century teachings of Karl Marx. This was no match made in heaven. The noxious Marx had conjured up the most toxic ideas of the nineteenth century, whereas the neurotic Freud had cooked up the most infantile ideas of the twentieth century. Swirling the insipid ideas of those two ideological-psychological basket cases into a single malevolent witch’s brew was bound to uncork a barrel of mischief. The Frankfurt School was the laboratory and the distillery for their concoction, and the children of the 1960s would be their twitching guinea pigs and guzzling alcoholics. The flower-children, the hippies, the Yippies, the Woodstock generation, the Haight-Asbury LSD dancers, the sex-lib kids would all drink deep from the magic chalice, intoxicated by lofty dreams (more like hallucinations and bad acid-trips) of fundamental transformation of the culture, country, and world. And a generation or two still later, they would become the nutty professors who mixed the Kool-Aid for the millennials who would merrily redefine everything from marriage to sexuality to gender, wittingly or not serving the Frankenstein monster of cultural Marxism by doing so.
Paul Kengor (The Devil and Karl Marx: Communism's Long March of Death, Deception, and Infiltration)
By her senior year in high school, she had managed to stay away from the boys and the drinking and the meth that had ruined just about every girl her age in her small hometown of Elba, Alabama. She wasn’t going to end up being one of those soulless, washed-out girls who worked the night shift and smoked Kools because they were elegant. She wasn’t going to end up with three kids by three different men before she hit thirty. She wasn’t going to ever wake up one morning unable to open her eyes because some man’s fist had beaten them shut the night before. She wasn’t going to end up dead and alone in a hospital bed like her mother
Karin Slaughter (Broken)
Yo momma is so fat… when she wears a red dress all the kids scream look it’s the Kool-Aid man.
Various (151+ Yo Momma Jokes)
Yo mama is so fat… when she wears a red dress all the kids scream look it’s the Kool-Aid man.
Johnny B. Laughing (Yo Mama Jokes Bible: 350+ Funny & Hilarious Yo Mama Jokes)
I started to recognize other kids from the auditions. River Phoenix was one of the regulars at that time. He was one of Iris Burton’s big hits. We would often audition for the same parts. Sadly, he later died of a drug overdose outside the Viper Room in Hollywood. I did commercials for Count Chocula, Polaroid, McDonald’s, Formula 409, He-Man, Kool-Aid, Pepsi, Fruit Roll-Ups, All laundry detergent, Hawaiian Punch, Northwest Orient Airlines—and so many more that none of us can remember all the products I represented.
Kirk Cameron (Still Growing: An Autobiography)