Known Devil Is Better Than Quotes

If you cannot understand my argument, and declare "It's Greek to me", you are quoting Shakespeare; if you claim to be more sinned against than sinning, you are quoting Shakespeare; if you recall your salad days, you are quoting Shakespeare; if you act more in sorrow than in anger; if your wish is farther to the thought; if your lost property has vanished into thin air, you are quoting Shakespeare; if you have ever refused to budge an inch or suffered from green-eyed jealousy, if you have played fast and loose, if you have been tongue-tied, a tower of strength, hoodwinked or in a pickle, if you have knitted your brows, made a virtue of necessity, insisted on fair play, slept not one wink, stood on ceremony, danced attendance (on your lord and master), laughed yourself into stitches, had short shrift, cold comfort or too much of a good thing, if you have seen better days or lived in a fool's paradise -why, be that as it may, the more fool you , for it is a foregone conclusion that you are (as good luck would have it) quoting Shakespeare; if you think it is early days and clear out bag and baggage, if you think it is high time and that that is the long and short of it, if you believe that the game is up and that truth will out even if it involves your own flesh and blood, if you lie low till the crack of doom because you suspect foul play, if you have your teeth set on edge (at one fell swoop) without rhyme or reason, then - to give the devil his due - if the truth were known (for surely you have a tongue in your head) you are quoting Shakespeare; even if you bid me good riddance and send me packing, if you wish I was dead as a door-nail, if you think I am an eyesore, a laughing stock, the devil incarnate, a stony-hearted villain, bloody-minded or a blinking idiot, then - by Jove! O Lord! Tut tut! For goodness' sake! What the dickens! But me no buts! - it is all one to me, for you are quoting Shakespeare.

Regression lives on, not because of the unavailability of a better option but because of the inertia and fear of change. A known devil is NOT better than an unknown one because there is a fifty percent chance that unknown may not be a devil at all.

Judge Knight: Here's a word of advice. Our Sun Knight has the nerve to PLOT THE DOWNFALL OF A KING. DO NOT get on his bad side if you don't have a status higher than that. Storm Knight: In addition he has mastered the Resurrection Spell, which even the Pope has a hard time with. And he's an expert of divine magic, sorcery, and necromancy. Then he's got a teacher who's known as 'the strongest Sun Knight in history' as his supporter, not to mention his other teacher who's no doubt a necromancer... Oh, and while we're at it he's probably also buddies with a Death Lord. Everyone's Thoughts: His extraordinarily bad swordsmanship really is a stroke of good fortune. Earth Knight: Dammit! Is he the Sun Knight or the devil himself?! Leaf Knight: Have you forgotten what our teachers taught us all throughout our childhood, Earth? Teacher: 'Child, when you accidentlly discover the imperfections of the Sun Knight, unless you want to have a first hand experience of his imperfections, you'd better dutifully admit he is perfect. Remember, no matter what the Sun Knight is always perfect!

Your letter is written in proverbs,” I said, starting with the obvious. “All that glitters is not gold. Absolute power corrupts absolutely. He’s saying that money and power are dangerous. And the first line—better the devil you know than the one you don’t—or is it?—that’s obvious, right?” His family was the devil that Tobias Hawthorne had known—and I was the devil he hadn’t. But if that’s true—why me? If I was a stranger, how had he chosen me? A dart on a map? Max’s imaginary computer algorithm? And if I was a stranger—why was he sorry? “Keep going,” Jameson prompted. I focused. “Nothing is certain but death and taxes. It sounds to me like he knew he was going to die.” “We didn’t even know he was sick,” Jameson murmured. That hit close to home.

You're not a wallflower. But you have my permission to hide in corners, my sweet- so long as you take me with you. In fact, I'll insist on it. I warn you, I'm very badly behaved at such affairs- I'll probably debauch you in gazebos, on balconies, beneath staircases, and behind assorted potted plants. And if you complain, I'll simply remind you that you should have known better than to marry a conscienceless rake." Evie's throat arched slightly at the light stroke of his fingers. "I wouldn't complain." Sebastian smiled and nipped tenderly at the side of her neck. "Dutiful little wife," he whispered. "I'm going to be a terrible influence on you. Why don't you give me a kiss, and go upstairs for your bath? By the time you finish, I'll be there with you.

To be loved by a pure young girl, to be the first to reveal to her the strange mystery of love, is indeed a great happiness, but it is the simplest thing in the world. To take captive a heart which has had no experience of attack, is to enter an unfortified and ungarrisoned city. Education, family feeling, the sense of duty, the family, are strong sentinels, but there are no sentinels so vigilant as not to be deceived by a girl of sixteen to whom nature, by the voice of the man she loves, gives the first counsels of love, all the more ardent because they seem so pure. The more a girl believes in goodness, the more easily will she give way, if not to her lover, at least to love, for being without mistrust she is without force, and to win her love is a triumph that can be gained by any young man of five-and-twenty. See how young girls are watched and guarded! The walls of convents are not high enough, mothers have no locks strong enough, religion has no duties constant enough, to shut these charming birds in their cages, cages not even strewn with flowers. Then how surely must they desire the world which is hidden from them, how surely must they find it tempting, how surely must they listen to the first voice which comes to tell its secrets through their bars, and bless the hand which is the first to raise a corner of the mysterious veil! But to be really loved by a courtesan: that is a victory of infinitely greater difficulty. With them the body has worn out the soul, the senses have burned up the heart, dissipation has blunted the feelings. They have long known the words that we say to them, the means we use; they have sold the love that they inspire. They love by profession, and not by instinct. They are guarded better by their calculations than a virgin by her mother and her convent; and they have invented the word caprice for that unbartered love which they allow themselves from time to time, for a rest, for an excuse, for a consolation, like usurers, who cheat a thousand, and think they have bought their own redemption by once lending a sovereign to a poor devil who is dying of hunger without asking for interest or a receipt. Then, when God allows love to a courtesan, that love, which at first seems like a pardon, becomes for her almost without penitence. When a creature who has all her past to reproach herself with is taken all at once by a profound, sincere, irresistible love, of which she had never felt herself capable; when she has confessed her love, how absolutely the man whom she loves dominates her! How strong he feels with his cruel right to say: You do no more for love than you have done for money. They know not what proof to give. A child, says the fable, having often amused himself by crying "Help! a wolf!" in order to disturb the labourers in the field, was one day devoured by a Wolf, because those whom he had so often deceived no longer believed in his cries for help. It is the same with these unhappy women when they love seriously. They have lied so often that no one will believe them, and in the midst of their remorse they are devoured by their love.

She was beauty and intelligence stitched together with no seams She lived in a world with no difference between reality and dreams Excellence as habit, she was much more than simple flesh and bone She walked in the way that forced her presence to be known If I viewed the world in melody, she is the only one I would see She could conquer that world in a day and still have time for tea Soft lips curved in confidence spilling sweetness with every breath Ideas remaining and growing even after the revolving dance of death Fingers curled with the power of creation and the ease with which it came She sat upon a throne as a queen playing the world like a simple game She was fire, and laughter, and the warmth both of them brought She made the idea of perfection appear as a simple afterthought Her body danced with the tidal currents of marvelous desire She could reach the sky in a day and then push on even higher She was the best getting better, the absolute antonym of threshold The words she wrote were gilded, laid heavy with amber glow gold She was one of very many, and yet, she was the only one of them all Her taste made my mouth water, her effect hit me harder than alcohol She was quality, and substance, an actual angel in every way real Her word was solid, it was a better guarantee than a devil with a deal She was better than just human, more like power that has taken shape and form And I the lucky one who holds her close, feels her heartbeat quicken like a storm

In other words, you'll pretend to be someone else in order to snag a husband." "Oh, for heaven's sake," she said defensively, "it's no different than what half the women in society do to catch a man. I don't want to waste my time in pointless flirtation when a little knowledge will improve my aim on the targets." He flashed her a condescending smile. "What is it?" she snapped. "Only you would approach courtship as a marksman approaches a shooting match." He licked the tip of his pencil. "So who are these hapless targets?" "The Earl of Devonmont, the Duke of Lyons, and Fernandez Valdez, the Viscount de Basto." His jaw dropped. "Are you insane?" "I know they're rather beyond my reach, but they seem to like my company-" "I daresay they do!" He strode up to her, strangely angry. "The earl is a rakehell with a notorious reputation for trying to get beneath the skirts of every woman he meets. The duke's father was mad, and it's said to run in his family, which is why most women steer clear of him. And Basto is a Portuguese idiot who's too old for you and clearly trawling for some sweet young thing to nurse him in his declining years." "How can you say such things? The only one you know personally is Lord Devonmont, and you barely know even him." "I don't have to. Their reputations tell me they're utterly unacceptable." Unacceptable? Three of the most eligible bachelors in London? Mr. Pinter was mad, not her. "Lord Devonmont is Gabe's wife's cousin. The duke of Gabe's best friend, whom I've known since childhood, and the viscount...well..." "Is an oily sort, from what I hear," he snapped. "No, he isn't. He's very pleasant to talk to." Really, this was the most ridiculous conversation. "Who the devil do you think I should marry, anyway?" That seemed to take him aback. He glanced away. "I don't know," he muttered. "But no...That is, you shouldn't..." He tugged at his cravat. "They're wrong for you, that's all." She'd flustered Mr. Pinter. How astonishing! He was never flustered. It made him look vulnerable and much less...stiff. She rather liked that. But she'd like it even better if she understood what had provoked it. "Why do you care whom I choose, as long as you're paid? I'm wiling to pay extra to ensure that you find out everything I want to know." Once more he turned into Proud Pinter. "It isn't a matter of payment, madam. I choose my own assignments, and this one isn't to my taste. Good day," Turning on his heel, he headed for the door. Oh, dear, she hadn't meant to run him off entirely.

The Devil offered Christ the ability to turn stones into bread. Then he offered him the chance to test God, or His angels actually, by throwing himself off a cliff. Which I have always thought was probably not a very tempting temptation. To see if the angels would rescue him, right? Christ says no, like any sane person would if you asked him if he would like to jump off a cliff. “Finally, the Devil offered to make Christ the Ruler of the World. Much more tempting than jumping off a cliff, definitely. “But Christ rejects that too. “He rejects everything for what he cannot know. The Great Unknown. He chooses to take”– she shrugged her shoulders to underline how little it seemed– “whatever. Anything. He is saying that what is unknown is better than anything that is known. That the freedom to go through life without even ever knowing what is going to happen to you is the best possible thing that can happen, better than any miraculous gift could ever be.

Third places remain upbeat because of the limited way in which the participants are related. Most of the regulars in a third place have a unique and special status with regard to one another. It is special in that such people have neither the blandness of strangers nor that other kind of blandness, which takes zest out of relationships between even the most favorably matched people when too much time is spent together, when too much is known, too many problems are shared, and too much is taken for granted. Many among the regulars of a third place are like Emerson's "commended stranger" who represents humanity anew, who offers a new mirror in which to view ourselves, and who thus breathes life into our conversation. In the presence of the commended stranger, wrote Emerson, "We talk better than we are wont. We have the nimblest fancy, a richer memory, our dumb devil has taken leave for a time. For long hours, we can continue a series of sincere, graceful, rich communications, drawn from the oldest, secretest experience, so that those who sit by, of our kinsfolk, and acquaintance, shall feel a lively surprise at our unusual power.: The magic of commended strangers fades as one comes to know them better. They are fallible. They have problems and weaknesses like everyone else and, as their luster fades, so does their ability to inspire our wit, memory, and imagination. The third place, however, retards that fading process, and it does so by keeping the lives of most of its regulars disentangled. One individual may enjoy the company of others at a mutual haunt for years without ever having seen their spouses; never having visited their homes or the places where they work; never having seen them against the duller backdrop of their existence on the "outside." Many a third place regular represents conversationally and socially what the mistress represents sexually. Much of the lure and continuing allure of the mistress rests in the fact that only pleasure is involved. There is no rising from bed to face the myriad problems that husband and wife must share and that contaminates their lives and their regard for one another. Third places surely contain many of these "mistresses of conversation," people who meet one another only to share good times and scintillating activities and with whom good times and scintillation thus come to be associated. Out of tacit agreement not to share too much, the excitement attaching the commended stranger is preserved among third place regulars. What, after all, are such incidentals as home and family and job when the nature of life itself, the course of the world in modern times, or the booted ball that cost a victory in last night's game are on the agenda?

Michael Kazin, a history professor at Georgetown University and an author or coauthor of several books on progressive and populist movements, as well as a well-known figure on the left from his days as a leader of the Harvard Students for a Democratic Society (and briefly a member of the Weatherman),29 echoed Kammen’s criticism in Dissent Magazine, a journal for social Democrats that he co-edits. Kazin described A People’s History as “bad history, albeit gilded with virtuous intentions.” That was the nice part of the review. According to Kazin, Zinn’s book is “unworthy of [the] fame and influence” it has earned; he has reduced the past to a “Manichean fable” and failed to acknowledge the work and successes of progressives. Despite containing phrases “hint[ing] of Marxism,” A People’s History is really an insult to the memory of Karl Marx, who “never took so static or simplistic a view of history.” Kazin charged that “Zinn’s conception of American elites” such as George Washington, Thomas Jefferson, James Madison, and Alexander Hamilton “is akin to the medieval church’s image of the Devil.” Zinn’s “failure,” he said, was “grounded in a premise better suited to a conspiracy-monger’s Web site than to a work of scholarship.” Leftist Kazin deemed A People’s History “polemic disguised as history.

Not only scientific theory was condemned as the work of the devil. The devil also seems to have known a lot more about navigation than the bloodthirsty Men of God. Many (perhaps most) ships sailing the Mediterranean in the Middle Ages had Jewish navigators, for the Christian captains and crews were not supposed to meddle with the devilish science of mathematics. In the 10th century, Raud the Strong, a Viking chieftain, escaped the fanatical Christianizing king of Norway Olaf Trygvasson by sailing into the wind (i.e., maintaining a zig-zag course whose average advances against the wind); the pious king, who was better acquainted with witchcraft than with the triangle of forces, thereupon accused Raud of being in alliance with the devil, and when he finally caught him, he had him killed by stuffing a viper down his throat.

There is another, better source of comfort: the Comforter Himself. Com-fort; it means “with strength.” The Holy Spirit is the One who strengthens you, when you turn and ask to be filled with Him, rather than letting yourself filled with the weak and beggarly substitutes offered by the world, the flesh, and the devil. You can gorge yourself on those substitutes, but it is like eating disease and drinking damage: they will leave your body wracked and ruined and starving. God offers real food and real drink: bread that actually satisfies, wine that actually strengthens. The Holy Spirit, our Comforter, is like the wind, and goes where He wills. “Who has seen the wind?” asks Rossetti, “Neither you nor I.” But you know when the wind has passed by—and if you have known any of the Lord’s saints, you have seen the wind-carved, Spirit-carved beauty of their lives; you have seen the light in their eyes that reflects back the bright glory of a place that needs no created light, because the Lord is its sun and its stay.

Isn’t it just like the enemy of our souls to seed our minds with destructive thoughts and fertilize them with some manure? Then we come along and water them like there is no tomorrow. What was a passing thought in my mind had turned into the creature from the black lagoon, slime and all. I should have known better than to play into the ploys of the devil.

Better still [than pure sugar] was the remedy known as theriac, the root of the English word 'treacle,' which was kept in ornate ceramic jars on the shelves of every self-respecting apothecary shop. The name comes from the Greek therion, meaning 'venomous animal,' for theriac was supposed in Classical times to counteract all venoms and poisons.

Graham of Claverhouse, you know, who persecuted the Covenanters and had a black horse that could ride straight up a precipice. Don’t you know he could only be shot with a silver bullet, because he had sold himself to the Devil? That’s one comfort about you; at least you know enough to believe in the Devil.’ ‘Oh, yes,’ replied Father Brown, ‘I believe in the Devil. What I don’t believe in is the Dundee. I mean the Dundee of Covenanting legends, with his nightmare of a horse. John Graham was simply a seventeenth-century professional soldier, rather better than most. If he dragooned them it was because he was a dragoon, but not a dragon. Now my experience is that it’s not that sort of swaggering blade who sells himself to the Devil. The devil-worshippers I’ve known were quite different. Not to mention names, which might cause a social flutter, I’ll take a man in Dundee’s own day. Have you ever heard of Dalrymple of Stair?’ ‘No,’ replied the other gruffly. ‘You’ve heard of what he did,’ said Father Brown, ‘and it was worse than anything Dundee ever did; yet he escapes the infamy by oblivion. He was the man who made the Massacre of Glencoe. He was a very learned man and lucid lawyer, a statesman with very serious and enlarged ideas of statesmanship, a quiet man with a very refined and intellectual face. That’s the sort of man who sells himself to the Devil.’ Aylmer

She was fortunate enough to see the superb comic actress Dora Jordan, star of Covent Garden and mistress to the Duke of Clarence, playing the part of Nell in The Devil to Pay, one of her most famous roles. Nell is a timid cobbler’s wife who is magically transformed into an aristocratic society mistress who makes a better wife to her husband, Sir John, and a kinder mistress to her servants than the irascible Lady Loverule. Because of her success in this role, Dora was known as ‘Nell of Clarence’. Jane was ‘highly amused’ – strong praise from a woman with her standards.

And then the shock she helped give the world: Absolom. It wasn’t the announcement of Absolom that changed the world. It was when they saw its power. That day was a Saturday in November. Adeline thought the government had selected a weekend for the first departure for several reasons. The most important was so that the world could watch. They told the press it was so the victims’ families could be present to witness the sentence carried out. That morning, those families stood in the viewing booth, mothers and fathers and their children—at least, the children the man in the Absolom chamber hadn’t taken from them. He stared at his victims’ families with hate-filled eyes. That fire vanished as the machine began to vibrate. Fear took its place. He opened his mouth and screamed, but no one could hear it. A flash filled the chamber, and he was gone. So was the world before. Overnight, crime rates plummeted. Adeline had always heard the saying that the devil you know is better than the one you don’t. That’s what Absolom was to the world: a new devil. Prison was a known. So was the death penalty. They were the devils the world knew. Conceptually, the world knew what Absolom was: a box that sent a person to the past, in an alternate universe. What they didn’t know was what truly happened there. Exile was certain. A lonely death was certain. But how? An exotic disease? Starvation? Being torn apart by an animal? In the absence of certainty, a mind tends to imagine the worst. That’s what Absolom became to the world. The phrase “A fate worse than Absolom” quickly supplanted its predecessor: “A fate worse than death.” Before the first departure, the Absolom machine had been an idea. In those small moments as it hummed to life, the world saw something else: a person who was pure evil, with hate in his heart, instantly hollowed out, gutted, cowering with fear, and then, gone. In an instant, they saw evil wiped from existence.