“
Who said anything about shame?" She gestured down to her naked body, even though it was covered by the blanket. "Honestly, I'm surprised you're not strutting about, boasting to everyone. I certainly would be if I'd tumbled me.
"Does your love for yourself know no bounds?"
"Absolutely none.
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
Damn it," I muttered.
"What?" asked Adrian.
"I hate when you're the sane one. That's my job."
"Rose," he said, forcibly trying to keep a serious tone, "I can think of many words to describe you, sexy and hot being at the top of the list. You know what's not on the list? Sane.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
If I could dream, I know I'd dream about you.I'd dream about the way you smell and how your dark hair feels like silk between my fingers. I'd dream about the smoothness of your skin and the fierceness of your lips when we kiss. Without dreams,I have to be content with my own imagination—which is almost as good. I can picture all those things perfectly.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
You know what we need?"
"A new plan?" asked Lissa.
"A miracle?" asked Eddie.
I paused and glared at them both before responding. Since when had they become the comedians here? "No.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
Life is a series of pulls back and forth. You want to do one thing, but you are bound to do somehing else. Something hurts you, yet you know it shouldn't. You take certain things for granted, even when you know you should never take anything for granted.
”
”
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
“
I don't know. This college would probably have the same problem the last one did."
I frowned. "What's that?"
"Homework."
"Adrian," growled his father.
"It's okay," said Adrian breezily. He rested his arm casually on the table. "I don't really need a job or extra money. After Rose and I get married, the kids and I'll just live off of her guardian paycheck.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
You guys didn't really think you could go off on a party weekend without me, did you? Especially here of all places—" He froze and it was one of those rare moments when Adrian Ivashkov was caught totally and completely off guard.
"Did you know," he said slowly, "that Victor Dashkov is sitting on your bed?"
"Yeah," I said. "It was kind of a shock to us too.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
I knew you were a badass," continued Adrian. "But I didn't realize just how much until I saw you dropping guardians out there."
"Does that mean you're going to be nicer to me?" I teased.
"I'm already nice to you," he said loftily. "Do you know how badly I want a cigarette right now? But no. I manfully suffer through nicotine withdrawal—all for you.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
I am cursed with a terminal case of curiosity," he said. "I am jealous, selfish, acquisitive, territorial and possessive. I have a terrible temper, and I know I can be a cruel son of a bitch." He cocked his head. "I used to eat people, you know.
”
”
Thea Harrison (Dragon Bound (Elder Races, #1))
“
I really don't even know you, and yet, in my life, you are forever entangled; to my history, inextricably bound.
”
”
Sarah Ockler (Twenty Boy Summer)
“
... It's perfect! Locke would appreciate it."
"Bug," Calo said, "Locke is our brother and our love for him knows no bounds. But the four most fatal words in the Therin language are 'Locke would appreciate it.'"
"Rivalled only by 'Locke taught me a new trick,'" added Galo.
"The only person who gets away with Locke Lamora games ..."
"... is Locke ..."
"... because we think the gods are saving him up for a really big death. Something with knives and hot irons ..."
"... and fifty thousand cheering spectators.
”
”
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
“
Did you know," he said slowly, "That Victor Dashkov is sitting on your bed?"
"Yeah," I said. "It was kind of a shock to us too.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
I had Lissa's number memorized and I sent her the following note:
I know what you're going to do, and it is a BAD idea. I'm going to kick both your asses when I find you.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
Your trusting idiocy knows no bounds
”
”
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
“
Stood in firelight, sweltering. Bloodstain on chest like map of violent new continent. Felt cleansed. Felt dark planet turn under my feet and knew what cats know that makes them scream like babies in night.
Looked at sky through smoke heavy with human fat and God was not there. The cold, suffocating dark goes on forever and we are alone. Live our lives, lacking anything better to do. Devise reason later. Born from oblivion; bear children, hell-bound as ourselves, go into oblivion. There is nothing else.
Existence is random. Has no pattern save what we imagine after staring at it for too long. No meaning save what we choose to impose. This rudderless world is not shaped by vague metaphysical forces. It is not God who kills the children. Not fate that butchers them or destiny that feeds them to the dogs. It’s us. Only us. Streets stank of fire. The void breathed hard on my heart, turning its illusions to ice, shattering them. Was reborn then, free to scrawl own design on this morally blank world.
Was Rorschach.
Does that answer your Questions, Doctor?
”
”
Alan Moore (Watchmen)
“
Okay, fine. But just so you know, following me into hell means you’re all definitely the sidekicks.” “Darn, I was hoping to be the rakishly charming love interest,” Archer said, taking my hand.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
A man's at odds to know his mind cause his mind is aught he has to know it with. He can know his heart, but he dont want to. Rightly so. Best not to look in there. It aint the heart of a creature that is bound in the way that God has set for it. You can find meanness in the least of creatures, but when God made man the devil was at his elbow. A creature that can do anything. Make a machine. And a machine to make the machine. And evil that can run itself a thousand years, no need to tend it.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
You'd be surprised. Besides, they don't even send royal traitors to prison, Rose. Everyone knows that."
I scoffed. "Are you insane? Of course they do. What else do you think they do with traitors? Set them free and tell them not to do it again?"
"No," said Abe, just before he turned away. "They execute traitors.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
If men should read these words, let them know that power is a heavy burden. Seek not to be bound by its chains.
”
”
Brandon Sanderson (Mistborn: The Final Empire (Mistborn, #1))
“
You should dress her better, you know."
"I'm not interested in putting clothes on her," Adrian called as he steered me away.
"Watch it," I warned through gritted teeth, "or you might be the one with the wineglass in your face."
"I'm playing a part, little dhampir. One that's going to make sure you stay out of trouble." Adrian gave me a head-to-toe assessment. "That guy was right about the clothes, though.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
Wicked are the ways of women—and especially a witch. Their guile knows no bounds.
”
”
Shelby Mahurin (Serpent & Dove (Serpent & Dove, #1))
“
Adam wants to know what took you so long?
"Tell him I had wild, passionate sex with a complete stranger.
”
”
Patricia Briggs (Blood Bound (Mercy Thompson, #2))
“
What do you know of my heart? What do you know of anything but your own suffering. For weeks, Marianne, I've had this pressing on me without being at liberty to speak of it to a single creature. It was forced on me by the very person whose prior claims ruined all my hope. I have endured her exultations again and again whilst knowing myself to be divided from Edward forever. Believe me, Marianne, had I not been bound to silence I could have provided proof enough of a broken heart, even for you.
”
”
Jane Austen (Sense and Sensibility)
“
Names are just words. I know that. But learning that the last name I’d used all my life was fake…
“So what should I call myself, then?” I asked. “Sophie Atherton? Sophie Brannick?” Both sounded weird and made me feel like I was wearing clothes that didn’t fit.
Mom smiled and brushed my hair away from my face. “You can call yourself whatever you want.”
“Okay. Sophie Awesome Sparkle-Princess it is.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
You know, I can see more than just the future or the past."
"Really?" I asked, paging through through the papers in the file. "Can you also see the present? Because I can do that, too. Like, right now, I sense that I'm in a messy room with a total toolbox.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
Alexander Rostov was neither scientist nor sage; but at the age of sixty-four he was wise enough to know that life does not proceed by leaps and bounds. It unfolds. At any given moment, it is the manifestation of a thousand transitions. Our faculties wax and wane, our experiences accumulate and our opinions evolve--if not glacially, then at least gradually. Such that the events of an average day are as likely to transform who we are as a pinch of pepper is to transform a stew.
”
”
Amor Towles (A Gentleman in Moscow)
“
The Revelation of Sonmi 451 To be is to be perceived, and so to know thyself is only possible through the eyes of the other. The nature of our immortal lives is in the consequences of our words and deeds, that go on and are pushing themselves throughout all time.
- Our lives are not our own. From womb to tomb, we are bound to others, past and present, and by each crime and every kindness, we birth our future.
”
”
David Mitchell
“
One of the few downsides to being awakened is that we no longer require sleep; therefore we also no longer dream. It's a shame, because if I could dream, I know I'd dream about you.I'd dream about the way you smell and how your dark hair feels like silk between my fingers. I'd dream about the smoothness of your skin and the fierceness of your lips when we kiss.
Without dreams, I have to be content with my own imagination– which is almost as good. I can picture all of those things perfectly, as well as how it'll be when I take your life from this world.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
One of the few downsides to being awakened is that we no longer require sleep; therefore we also no longer dream. It's a shame, because if I could dream, I know I'd dream about you.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
Think on it, Chani: the princess will have the name, yet she'll live as less than a concubine - never to know a moment of tenderness from the man to whom she's bound. While we, Chani, we who carry the name of concubine - history will call us wives.
”
”
Frank Herbert (Dune (Dune, #1))
“
Trust me, you can't play the game if you don't know the rules. And if you don't know the rules, someone's bound to get hurt.
”
”
Alyson Noel (Dark Flame (The Immortals, #4))
“
The big difference between my mom and me-- besides the fact that she is dead normal and I'm a magic-handling freak-- is that she's the real thing. She may have a slight problem seeing other people's points of view, but she's honest about it. She's a brass-bound bitch because she believes she knows best. I'm a brass-bound bitch because I don't want anyone getting close enough to find out what a whiny little knot of naked nerve endings I really am.
”
”
Robin McKinley (Sunshine)
“
She loves him with a love that sees no flaws, find no fault, knows no bounds...
Oh God, please don't let her hurt too badly and, please, never, never let me love like that.
”
”
Jennifer Wilde (The Slipper)
“
Look, we are dealing with the possibility of an army of demons. I don’t know about you guys, but those words are right up there with ‘root canal’ and ‘school on Saturdays’ in terms of things that terrify me.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
He smiled. "How kind of you to confirm what I already know. Perhaps next you will introduce me to myself. I hear I am quite popular.
”
”
Meredith Duran (Bound by Your Touch)
“
Yes, I know," he said, impatient. "I am going to rend you from limb to limb. Someday. When I feel like it. In the meantime, you will not faint, you will get warm, and you will stop being distressed." His nostrils pinched. "I don't like how it smells.
”
”
Thea Harrison (Dragon Bound (Elder Races, #1))
“
I told you before, Jem, that you would not leave me," Will said, his bloody hand on the hilt of the dagger. " And you are still with me. When I breath, I will think of you, for without you I would have been dead years ago. When I wake up and when I sleep, when I lift up my hands to defend myself or when I lie down to die, you will be with me. You say we are born again. I say there is a river that divides the dead and the living. What I do know is that if we are born again, I will meet you in another life, if there is a river, you will wait on the shores for me to come to you, so we can cross together." Will took a deep breath and let go of the knife. He drew his hand back. The cut on his palm was already healing- the result of the half dozen iratzes on his skin. " You hear that, James Carstairs? We are bound, you and I, over the divide of death, down through whatever generations may come. Forever."
He rose to his feet and looked down at the knife. The knife was Jem's, the blood was his. This spot of ground, whether he could ever find it again, whether he lived to try, would be theirs.
He turned around to walk to Balios, towards Wales and Tessa. He did not look back.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
It had become one of the defining truths of my life that, no matter how I tried to keep them flattened, two-dimensional, jailed in paper and ink, there would always be stories that refused to stay bound inside books. It was never just a story. I would know: a story had swallowed my whole life.
”
”
Ransom Riggs (Library of Souls (Miss Peregrine's Peculiar Children, #3))
“
He wanted her. He knew where to find her. He waited. It amused him to wait, because he knew that the waiting was unbearable to her. He knew that his absence bound her to him in a manner more complete and humiliating than his presence could enforce. He was giving her time to attempt an escape, in order to let her know her own helplessness when he chose to see her again.
”
”
Ayn Rand (The Fountainhead)
“
You may have noticed that the books you really love are bound together by a secret thread. You know very well what is the common quality that makes you love them, though you cannot put it into words: but most of your friends do not see it at all, and often wonder why, liking this, you should also like that. Again, you have stood before some landscape, which seems to embody what you have been looking for all your life; and then turned to the friend at your side who appears to be seeing what you saw -- but at the first words a gulf yawns between you, and you realise that this landscape means something totally different to him, that he is pursuing an alien vision and cares nothing for the ineffable suggestion by which you are transported. Even in your hobbies, has there not always been some secret attraction which the others are curiously ignorant of -- something, not to be identified with, but always on the verge of breaking through, the smell of cut wood in the workshop or the clap-clap of water against the boat's side? Are not all lifelong friendships born at the moment when at last you meet another human being who has some inkling (but faint and uncertain even in the best) of that something which you were born desiring, and which, beneath the flux of other desires and in all the momentary silences between the louder passions, night and day, year by year, from childhood to old age, you are looking for, watching for, listening for? You have never had it. All the things that have ever deeply possessed your soul have been but hints of it -- tantalising glimpses, promises never quite fulfilled, echoes that died away just as they caught your ear. But if it should really become manifest -- if there ever came an echo that did not die away but swelled into the sound itself -- you would know it. Beyond all possibility of doubt you would say "Here at last is the thing I was made for". We cannot tell each other about it. It is the secret signature of each soul, the incommunicable and unappeasable want, the thing we desired before we met our wives or made our friends or chose our work, and which we shall still desire on our deathbeds, when the mind no longer knows wife or friend or work. While we are, this is. If we lose this, we lose all.
”
”
C.S. Lewis (The Problem of Pain)
“
You know, 'help me, Sophie Wan Kenobi, you're my only hope
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
Okay, fine. But just so you know, following me into hell means you're all definitely the sidekicks.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
You are—remarkable. Every day, I think I am going to be surprised by how remarkable you are, but I am not. Because this is what it means to be you. It means knowing no bounds. Being limitless in all that you do.
”
”
Renée Ahdieh (The Wrath and the Dawn (The Wrath and the Dawn, #1))
“
..You always have to choose between the path of needles and the path of pins. When a dress is torn, you know, you can just pin it up, or you can take the time to sew it together. That's what it means. The quick and easy way or the painful way that works.
”
”
Rosamund Hodge (Crimson Bound)
“
I’m a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. I’ve been up linked and downloaded, I’ve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. I’m a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond!
I’m new wave, but I’m old school and my inner child is outward bound. I’m a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so I’m interactive, I’m hyperactive and from time to time I’m radioactive.
Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. I’m on-point, on-task, on-message and off drugs. I’ve got no need for coke and speed. I've got no urge to binge and purge. I’m in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. I’m a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial!
I’ve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You can’t shut me up. You can’t dumb me down because I’m tireless and I’m wireless, I’m an alpha male on beta-blockers.
I’m a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! I’m a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and I’ve got a love-child that sends me hate mail.
But, I’m feeling, I’m caring, I’m healing, I’m sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! I’m gender specific, capital intensive, user-friendly and lactose intolerant.
I like rough sex. I like tough love. I use the “F” word in my emails and the software on my hard-drive is hardcore--no soft porn.
I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. I’m toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. I’ve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity.
I’m a rude dude, but I’m the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. I’ve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I don’t snooze, so I don’t lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. I’m hangin in, there ain’t no doubt and I’m hangin tough, over and out!
”
”
George Carlin
“
Let us do something, while we have the chance! It is not every day that we are needed. Not indeed that we personally are needed. Others would meet the case equally well, if not better. To all mankind they were addressed, those cries for help still ringing in our ears! But at this place, at this moment of time, all mankind is us, whether we like it or not. Let us make the most of it, before it is too late! Let us represent worthily for one the foul brood to which a cruel fate consigned us! What do you say? It is true that when with folded arms we weigh the pros and cons we are no less a credit to our species. The tiger bounds to the help of his congeners without the least reflexion, or else he slinks away into the depths of the thickets. But that is not the question. What are we doing here, that is the question. And we are blessed in this, that we happen to know the answer. Yes, in the immense confusion one thing alone is clear. We are waiting for Godot to come --
”
”
Samuel Beckett (Waiting for Godot)
“
There are many things from which I might have derived good, by which I have not profited, I dare say,' returned the nephew. 'Christmas among the rest. But I am sure I have always thought of Christmas time, when it has come round—apart from the veneration due to its sacred name and origin, if anything belonging to it can be apart from that—as a good time; a kind, forgiving, charitable, pleasant time; the only time I know of, in the long calendar of the year, when men and women seem by one consent to open their shut-up hearts freely, and to think of people below them as if they really were fellow-passengers to the grave, and not another race of creatures bound on other journeys. And therefore, uncle, though it has never put a scrap of gold or silver in my pocket, I believe that it has done me good, and will do me good; and I say, God bless it!
”
”
Charles Dickens (A Christmas Carol)
“
Who knows whether, if I had given up smoking, I should really have become the strong perfect man I imagined? Perhaps it was this very doubt that bound me to my vice, because life is so much pleasanter if one is able to believe in one's own latent greatness
”
”
Italo Svevo
“
Rose, I have all sorts of reasons to want you. I haven't been able to stay away from
you since I saw you at the ski lodge."
I shifted closer to Adrian on the bed and pressed my head against his chest. "We can make this work. I know we can. If I screw up again, you can leave."
"If only it were that easy," he laughed. "You forget: I have an addictive personality. I'm addicted to you. Somehow I think you could do all sorts of bad things to me, and I'd still come back to you. Just keep things honest, okay? Tell me what you're feeling. If you're feeling something for Dimitri that's confusing you, tell me. We'll work it out.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
When she's in her manic phase, she's a little like trying crack for the first time," Rune said. He blinked at them, his face bland. "Not that I would know what that feels like.
”
”
Thea Harrison (Dragon Bound (Elder Races, #1))
“
Cam laughed. "You know, my grandmother always said no woman with a decent vocabulary would resort to profanity."
Kori huffed. "My grandmother said, 'Get the hell out of my house, bitch, before I throw you out on your ass.
”
”
Rachel Vincent (Blood Bound (Unbound, #1))
“
I threw myself against the bars, so rapidly that even Mikhail flinched. "But I love you!" I hissed. "And I know you love me too. Do you really think you can spend the rest of your life ignoring that when you're around me?"
[...]
"...All my feelings...my emotions for you...they changed. I don't feel the way I used to. I might be a dhampir again, but after what I went through...well, it's scarred me. It altered my soul. I can't love anyone now. I can't—I don't—love you. There's nothing more between you and me.
My blood turned cold. I refused to believe his words, not after the way he'd looked at me earlier. "No! That's not true! I love you and you—"
"Guards!
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
One day she marched around the side of the house and confronted me. "I've seen you out there every day for the past week, and everyone knows you stare at me all day in school, if you have something you want to say to me why don't you just say it to my face instead of sneaking around like a crook?" I considered my options. Either I could run away and never go back to school again, maybe even leave the country as a stowaway on a ship bound for Australia. Or I could risk everything and confess to her. The answer was obvious: I was going to Australia. I opened my mouth to say goodbye forever. And yet. What I said was: I want to know if you'll marry me.
”
”
Nicole Krauss (The History of Love)
“
Life on earth is a whole, yet it expresses itself in unique time-bound bodies, microscopic or visible, plant or animal, extinct or living. So there can be no one place to be. There can be no one way to be, no one way to practice, no one way to learn, no one way to love, no one way to grow or to heal, no one way to live, no one way to feel, no one thing to know or be known. The particulars count.
”
”
Jon Kabat-Zinn (Wherever You Go, There You Are: Mindfulness Meditation in Everyday Life)
“
But without deeper reflection one knows from daily life that one exists for other people--first of all for those upon whose smiles and well-being our own happiness is wholly dependent, and then for the many, unknown to us, to whose destinies we are bound by the ties of sympathy.
”
”
Albert Einstein (Ideas and Opinions)
“
I have always thought of Christmas time, when it has come round, as a good time; a kind, forgiving, charitable time; the only time I know of, in the long calendar of the year, when men and women seem by one consent to open their shut-up hearts freely, and to think of people below them as if they really were fellow passengers to the grave, and not another race of creatures bound on other journeys.
”
”
Charles Dickens
“
Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment.
The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the park’s wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read ‘Kinship of the Serpent’. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death? Worse, would they expect me to redon the life I’ve shed? Staring at that sign, I pissed in the street like the Mearan savage I’ve become.
As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsa’s lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge. The woman wasn’t a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper.
She refused, “I take naught for naught,” and began to remove trinkets from a cloth bag, displaying them for sale.
Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. “What do you desire, O Noble Born?”
I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.
“Nay, Noble One. You must choose.” She lifted a strand of red beads. “These to adorn your lady’s bosom?”
I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldn’t ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. “Be this worthy of desire, Noble Born?”
I stood stunned a moment, then touched the crescent stamped into the leather and asked if she’d stolen the book. She denied it. I’ve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank.
“Take it,” she urged. “Record your deeds for study. Lo, the steps of your life mark the journey of your soul.”
I told her I couldn’t afford the book, but she smiled as if poverty were a blessing and said, “The price be one copper. Tis a wee price for salvation, Noble One.”
So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didn’t. I promised to record my deeds. But I can’t. The price is too high.
”
”
K. Ritz (Sheever's Journal, Diary of a Poison Master)
“
It matters to me. That's what you don't get. You can't understand. You can't understand what it's like knowing what I did. That whole time being Strigoi...It's like a dream now, but it's one I remember clearly. There can be no forgiveness for me. And what happened with you? I remember that most of all. Everything I did. Everything I wanted to do.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
I lost a world the other day. Has anybody found? You'll know it by the rows of stars around it's forehead bound. A rich man might not notice it; yet to my frugal eye of more esteem than ducats. Oh! Find it, sir, for me!
”
”
Emily Dickinson (Final Harvest: Emily Dickinson's Poems)
“
Life is a series of pulls back and forth. You want to do one thing, but you are bound to do something else. Something hurts you, yet you know it shouldn’t. You take certain things for granted, even when you know you should never take anything for granted. “A tension of opposites, like a pull on a rubber band. And most of us live somewhere in the middle. “ Sounds like a wrestling match, I say. “A wrestling match.” He laughs. “Yes, you could describe life that way.” So which side wins, I ask? “Which side wins?” He smiles at me, the crinkled eyes, the crooked teeth. “Love wins. Love always wins.
”
”
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
“
Why wasn’t friendship as good as a relationship? Why wasn’t it even better? It was two people who remained together, day after day, bound not by sex or physical attraction or money or children or property, but only by the shared agreement to keep going, the mutual dedication to a union that could never be codified. Friendship was witnessing another’s slow drip of miseries, and long bouts of boredom, and occasional triumphs. It was feeling honored by the privilege of getting to be present for another person’s most dismal moments, and knowing that you could be dismal around him in return.
”
”
Hanya Yanagihara (A Little Life)
“
Family," she announced. "They're the people in your life you don't get to pick. The ones that are given to you,as opposed to those you get to choose."
"You're bound to them by blood," she continued, her voice flat. "Which, you know, gives you that much more in common. Diseases, genetics, hair, and eye color. It's like they're part of your blueprint. If something's wrong with you, you can usually trace it back to them."
I nodded and kept writing.
"But," she said, "even though you're stuck with them, at the same time, they're also stuck with you. So that's why they always get the front rows at christenings and funerals. Because they're the ones that are there, you know, from the beginning to the end. Like it or not.
”
”
Sarah Dessen (Lock and Key)
“
The tension of opposites:
Life is a series of pulls back and forth. You want to do one thing, but you are bound to do something else. Something hurts you, yet you know it shouldn't. You take certain things for granted, even when you know you should never take anything for granted.
A tension of opposites, like a pull on a rubber band. And most of us live somewhere in the middle.
”
”
Morrie Schwartz
“
My nightly craft is winged in white, a dragon of night dark sea.
Swift born, dream bound and rudderless, her captain and crew are me.
We've sailed a hundred sleeping tides where no seaman's ever been
And only my white-winged craft and I know the wonders we have seen.
”
”
Anne McCaffrey (Dragonsong (Harper Hall, #1))
“
Each person, human or no, is bound to every other in a reciprocal relationship. Just as all beings have a duty to me, I have a duty to them. If an animal gives its life to feed me, I am in turn bound to support its life. If I receive a stream’s gift of pure water, then I am responsible for returning a gift in kind. An integral part of a human’s education is to know those duties and how to perform them.
”
”
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
“
Dear Child,
Sometimes on your travel through hell, you meet people that think they are in heaven because of their cleverness and ability to get away with things. Travel past them because they don't understand who they have become and never will. These type of people feel justified in revenge and will never learn mercy or forgiveness because they live by comparison. They are the people that don't care about anyone, other than who is making them feel confident. They don’t understand that their deity is not rejoicing with them because of their actions, rather he is trying to free them from their insecurities, by softening their heart. They rather put out your light than find their own. They don't have the ability to see beyond the false sense of happiness they get from destroying others. You know what happiness is and it isn’t this. Don’t see their success as their deliverance. It is a mask of vindication which has no audience, other than their own kind. They have joined countless others that call themselves “survivors”. They believe that they are entitled to win because life didn’t go as planned for them. You are not like them. You were not meant to stay in hell and follow their belief system. You were bound for greatness. You were born to help them by leading. Rise up and be the light home. You were given the gift to see the truth. They will have an army of people that are like them and you are going to feel alone. However, your family in heaven stands beside you now. They are your strength and as countless as the stars. It is time to let go!
Love,
Your Guardian Angel
”
”
Shannon L. Alder
“
The entire hospital seemed to go still, watching and waiting, and what the hell was up with Sin and guys on horses anyway? "Well, who is he?"
"War."
Con stared at her. "War. Just...War. What kind of name is that?" Nope, not jealous at all of muscle-bound handsome guy.
"Yeah, you know, the original War. Second Horseman of the Apocalypse?"
Con nearly swallowed his fucking tongue. Everyone else in the ER scrambled backward. Even Eidolon backed up a step as the guy swung down from the horse. Christ, standing, the guy was damned near seven feet tall.
"Sin," he said in an impossibly deep voice. He approached her, bent to kiss her cheek, and Con bristled.
"Big horse," Con ground out. "Compensating much?
”
”
Larissa Ione (Sin Undone (Demonica, #5))
“
You know what's wrong with you, Miss Whoever-You-Are? You're chicken, you've got no guts. You're afraid to stick out your chin and say, "Okay, life's a fact, people do fall in love, people do belong to each other, because that's the only chance anybody's got for real happiness." You call yourself a free spirit, a wild thing, and you're terrified somebody's going to stick you in a cage. Well, baby, you're already in that cage. You built it yourself. And it's not bounded in the west by Tulip, Texas, or in the east by Somaliland. It's wherever you go. Because no matter where you run, you just end up running into yourself.
”
”
George Axelrod
“
Oh, good, it worked,” Archer said, his ghostly face relieved. Unlike Elodie, his voice came in loud and clear, and so familiar that my heart broke all over again.
I stood frozen, my back against the door. Even though he was faint, I could see him smirk.
“Um…Mercer? Haven’t seen you in nearly a month. I was expecting something like, ‘Oh, Cross, love of my heart, fire of my loins, how I’ve longed—’”
“You’re dead,” I blurted out, pressing a hand against my stomach. “You’re a ghost, and you think—”
All the humor disappeared from his face, and he held up both hands. “Whoa, whoa, whoa. Not dead. Promise.”
My heart was still hammering. “Then what the heck are you?”
Archer almost looked sheepish as he reached inside his shirt and pulled out some kind of amulet on a thin silver chain. “It’s a speaking stone. Lets you appear to people kind of like a hologram. You know. ‘Help me, Sophie-Wan Kenobi, you’re my only hope.’”
“Did you steal it from the cellar at Hecate, too?” Archer had collected all sorts of magical knickknacks back when we had cellar duty at Hex Hall.
“No,” he said, offended. “I found it at a…store. For magical stuff. Okay, yes, I stole it from the cellar.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
So, " Nathan said, attention focused on Adrian, "now that Vasilisa's graduated, what are you going to do with yourself? You aren't going to keep slumming with high school students, are you? There's no point in you being there anymore. "
"I don't know, " said Adrian lazily. "I kind of like hanging out with them. They think I'm funnier than I really am. "
"Unsurprising, " his father replied. "You aren't funny at all. It's time you do something productive. If you aren't going to go back to college, you should at least start sitting in on some of the family business meetings. Tatiana spoils you, but you could learn a lot from Rufus. "
"True, " said Adrian deadpan."I'd really like to know how he keeps his two mistresses a secret from his wife. "
"Adrian!" snapped Daniella, a flush spilling over her pale cheeks
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
Strigoi have red eyes, " I explained. "Do his eyes look red?"
The boy leaned forward. "No. They're brown. "
"What else do you know about Strigoi?" I asked.
"They have fangs like us, " the boy replied.
"Do you have fangs?" I asked Dimitri in a singsong voice. I had a feeling this was already-covered territory, but it took on a new feel when asked from a child's perspective. Dimitri smiled--a full, wonderful smile that caught me off guard.
"Okay, Jonathan, " said his mother anxiously. "You asked. Let's go now. "
"Strigoi are super strong, " continued Jonathan, who possibly aspired to be a future lawyer. "Nothing can hurt them. " Jonathan fixed Dimitri with a piercing gaze. "Are you super strong? Can you be hurt?"
"Of course I can, " replied Dimitri. "I'm strong, but all sorts of things can still hurt me. "
And then, being Rose Hathaway, I said something I really shouldn't have to the boy. "You should go punch him and find out. " Jonathan's mother screamed again, but he was a fast little bastard, eluding her grasp. He ran up to Dimitri before anyone could stop him--well, I could have--and pounded his tiny fist against Dimitri's knee. Then, with the same reflexes that allowed him to dodge enemy attacks, Dimitri immediately feinted falling backward, as though Jonathan had knocked him over. Clutching his knee, Dimitri groaned as though he were in terrible pain. Several people laughed, and by then, one of the other guardians had caught hold of Jonathan and returned him to his near-hysterical mother. As he was being dragged away, Jonathan glanced over his shoulder at Dimitri. "He doesn't seem very strong to me. I don't think he's a Strigoi. " This caused more laughter
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
Ara?"
She jerked her face up. "Huh? Where were we?"
But his expression had grown serious, the lesson forgotten. He interlaced his fingers and said, "We are bound."
"Bound?"
He collected a piece of rope, knotting it.
"Oh, you mean bound?"
He gave a nod, then drew in the sand.
An infinity symbol? "Clever demon, how did you know that...?"
He was gazing at her with a question in his eyes.
"Bound forever?" And somehow she met his gaze and lied, "Yes, demon. Bound forever."
As if to make her feel guiltier, he gathered her into his arms, cupping her face against his broad chest. His voice a deep rumble, he said, "Carrow is Malkom's."
She wanted to sob.
"Yes?"
"Yes," she answered, wishing that it could be so simple between them. Demon meets girl. Girl might be falling for demon.
”
”
Kresley Cole (Demon from the Dark (Immortals After Dark, #9))
“
The worst thing is not that the world is unfree, but that people have unlearned their liberty.
The more indifferent people are to politics, to the interests of others, the more obsessed they become with their own faces. The individualism of our time.
Not being able to fall asleep and not allowing oneself to move: the marital bed.
If high culture is coming to an end, it is also the end of you and your paradoxical ideas, because paradox as such belongs to high culture and not to childish prattle. You remind me of the young men who supported the Nazis or communists not out of cowardice or out of opportunism but out of an excess of intelligence. For nothing requires a greater effort of thought than arguments to justify the rule of nonthought… You are the brilliant ally of your own gravediggers.
In the world of highways, a beautiful landscape means: an island of beauty connected by a long line with other islands of beauty.
How to live in a world with which you disagree? How to live with people when you neither share their suffering nor their joys? When you know that you don’t belong among them?... our century refuses to acknowledge anyone’s right to disagree with the world…All that remains of such a place is the memory, the ideal of a cloister, the dream of a cloister…
Humor can only exist when people are still capable of recognizing some border between the important and the unimportant. And nowadays this border has become unrecognizable.
The majority of people lead their existence within a small idyllic circle bounded by their family, their home, and their work... They live in a secure realm somewhere between good and evil. They are sincerely horrified by the sight of a killer. And yet all you have to do is remove them from this peaceful circle and they, too, turn into murderers, without quite knowing how it happened.
The longing for order is at the same time a longing for death, because life is an incessant disruption of order. Or to put it the other way around: the desire for order is a virtuous pretext, an excuse for virulent misanthropy.
A long time a go a certain Cynic philosopher proudly paraded around Athens in a moth-eaten coat, hoping that everyone would admire his contempt for convention. When Socrates met him, he said: Through the hole in your coat I see your vanity. Your dirt, too, dear sir, is self-indulgent and your self-indulgence is dirty.
You are always living below the level of true existence, you bitter weed, you anthropomorphized vat of vinegar! You’re full of acid, which bubbles inside you like an alchemist’s brew. Your highest wish is to be able to see all around you the same ugliness as you carry inside yourself. That’s the only way you can feel for a few moments some kind of peace between yourself and the world. That’s because the world, which is beautiful, seems horrible to you, torments you and excludes you.
If the novel is successful, it must necessarily be wiser than its author. This is why many excellent French intellectuals write mediocre novels. They are always more intelligent than their books.
By a certain age, coincidences lose their magic, no longer surprise, become run-of-the-mill.
Any new possibility that existence acquires, even the least likely, transforms everything about existence.
”
”
Milan Kundera
“
The true Mason is not creed-bound. He realizes with the divine illumination of his lodge that as Mason his religion must be universal: Christ, Buddha or Mohammed, the name means little, for he recognizes only the light and not the bearer. He worships at every shrine, bows before every altar, whether in temple, mosque or cathedral, realizing with his truer understanding the oneness of all spiritual truth. All true Masons know that they only are heathen who, having great ideals, do not live up to them. They know that all religions are but one story told in divers ways for peoples whose ideals differ but whose great purpose is in harmony with Masonic ideals. North, east, south and west stretch the diversities of human thought, and while the ideals of man apparently differ, when all is said and the crystallization of form with its false concepts is swept away, one basic truth remains: all existing things are Temple Builders, laboring for a single end. No true Mason can be narrow, for his Lodge is the divine expression of all broadness. There is no place for little minds in a great work.
”
”
Manly P. Hall
“
Have I told you about the tension of opposites? he says. The tension of opposites? Life is a series of pulls back and forth. You want to do one thing, but you are bound to do something else. Something hurts you, yet you know it shouldn't.
You take certain things for granted, even when you know you should never take anything for granted.
A tension of opposites, like a pull on a rubber band. And most of us live somewhere in the middle.Sounds like a wrestling match, I say.
A wrestling match. He laughs. Yes, you could describe life that way.
So which side wins, I ask?
Which side wins? He smiles at me, the crinkled eyes, the crooked teeth.
Love wins. Love always wins.
”
”
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
“
I thought it was the other girl who had drawn your fancy. Your princess.”
Mark gave a choked laugh. “By the Angel,” he said, and saw Kieran blanch at the Shadowhunter words. “Your imagination is limited by your jealousy. Kieran . . . everyone who lives under this roof, whether they are bound by blood or not, we are tied together by an invisible net of love and duty and loyalty and honor. That is what it means to be a Shadowhunter. Family—”
“What would I know of family? My father sold me to the Wild Hunt. I do not know my mother. I have three dozen brothers, all of whom would gladly see me dead. Mark, you are all I have.”
“Kieran—”
“And I love you,” Kieran said. “You are all that exists on the earth and under the sky that I do love.
”
”
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
“
Unlike any other creature on this planet, human beings can learn and understand without having experienced. They can think themselves into other peoples’ places. Of course, this is a power like my brand of fictional magic that is morally neutral. One might use such a power to manipulate or control, just as much as to understand or sympathize. And many prefer not to exercise their imaginations at all. They choose to remain comfortably within the bounds of their own experience, never troubling to wonder how it would feel to have been born other than they are. They can refuse to hear screams or peer inside cages. They can close their hearts and minds to any suffering that does not touch them personally. They can refuse to know. I might be tempted to envy people who can live that way, except that I do not think that they have any fewer nightmares than I do.
”
”
J.K. Rowling (Very Good Lives: The Fringe Benefits of Failure and the Importance of Imagination)
“
Ubuntu [...] speaks of the very essence of being human. [We] say [...] "Hey, so-and-so has ubuntu." Then you are generous, you are hospitable, you are friendly and caring and compassionate. You share what you have. It is to say, "My humanity is caught up, is inextricably bound up, in yours." We belong in a bundle of life. We say, "A person is a person through other persons."
[...] A person with ubuntu is open and available to others, affirming of others, does not feel threatened that others are able and good, for he or she has a proper self-assurance that comes from knowing that he or she belongs in a greater whole and is diminished when others are humiliated or diminished, when others are tortured or oppressed, or treated as if they were less than who they are.
”
”
Desmond Tutu (No Future Without Forgiveness)
“
I cannot describe
Or explain the speed of light
Or what makes thunder roll across the sky
And I could never theorize about the universe’s size
Or explain why some men live and some men die
I can’t even guess
I would never profess
To know why you are here with me
And I cannot comprehend
How numbers have no end
The things you understand, I can’t conceive
Infinity + One
Is still infinity.
And no matter how I try
I’m bound by gravity.
But the things I thought I knew
Changed the minute I met you.
It seems I’m weightless
And I’m endless after all.
Weightless and endless.
Timeless and restless.
So light that I’ll never fall.
Weightless and endless.
Hopelessly breathless.
I guess I knew nothing at all.
”
”
Amy Harmon (Infinity + One)
“
Of course it's jealousy," said Adrian nonchalantly. "What do you expect? The former love of your life comes back—from the dead, no less. That's not something I'm really excited about. But I don't blame you for feeling confused."
"I told you before—"
"I know, I know." Adrian didn't sound particularly upset. In fact, there was a surprisingly patient tone in his voice. "I know you said him coming back wouldn't affect things between us. But saying one thing before it happens and then actually having that thing happen are two different things."
"What are you getting at?" I asked, kind of confused.
"I want you, Rose." He squeezed my hand more tightly. "I've always wanted you. I want to be with you. I'd like to be like other guys and say I want to take care of you too, but...well. When it comes down to it, you'd probably be the one taking care of me."
I laughed in spite of myself. "Some days I think you're in more danger from yourself than anyone else. You smell like cigarettes, you know."
"Hey, I have never, ever said I was perfect. And you're wrong. You're probably the most dangerous thing in my life.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
Once there was a boy,” said Jace.
Clary interrupted immediately. “A Shadowhunter boy?”
“Of course.” For a moment a bleak amusement colored his voice. Then it was gone. “When the boy was six years old, his father gave him a falcon to train. Falcons are raptors – killing birds, his father told him, the Shadowhunters of the sky.
“The falcon didn’t like the boy, and the boy didn’t like it, either. Its sharp beak made him nervous, and its bright eyes always seemed to be watching him. It would slash at him with beak and talons when he came near: For weeks his wrists and hands were always bleeding. He didn’t know it, but his father had selected a falcon that had lived in the wild for over a year, and thus was nearly impossible to tame. But the boy tried, because his father told him to make the falcon obedient, and he wanted to please his father.
“He stayed with the falcon constantly, keeping it awake by talking to it and even playing music to it, because a tired bird was meant to be easier to tame. He learned the equipment: the jesses, the hood, the brail, the leash that bound the bird to his wrist. He was meant to keep the falcon blind, but he couldn’t bring himself to do it – instead he tried to sit where the bird could see him as he touched and stroked its wings, willing it to trust him. Hee fed it from his hand, and at first it would not eat. Later it ate so savagely that its beak cut the skin of his palm. But the boy was glad, because it was progress, and because he wanted the bird to know him, even if the bird had to consume his blood to make that happen.
“He began to see that the falcon was beautiful, that its slim wings were built for the speed of flight, that it was strong and swift, fierce and gentle. When it dived to the ground, it moved like likght. When it learned to circle and come to his wrist, he neary shouted with delight Sometimes the bird would hope to his shoulder and put its beak in his hair. He knew his falcon loved him, and when he was certain it was not just tamed but perfectly tamed, he went to his father and showed him what he had done, expecting him to be proud.
“Instead his father took the bird, now tame and trusting, in his hands and broke its neck. ‘I told you to make it obedient,’ his father said, and dropped the falcon’s lifeless body to the ground. ‘Instead, you taught it to love you. Falcons are not meant to be loving pets: They are fierce and wild, savage and cruel. This bird was not tamed; it was broken.’
“Later, when his father left him, the boy cried over his pet, until eventually his father sent a servant to take the body of the bird away and bury it. The boy never cried again, and he never forgot what he’d learned: that to love is to destroy, and that to be loved is to be the one destroyed.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
But you know if God should stamp eternity or even judgment on our eyeballs, or if you’d like on the fleshy table of our hearts I am quite convinced we’d be a very, very different tribe of people, God’s people, in the world today. We live too much in time, we’re too earth bound. We see as other men see, we think as other men think. We invest our time as the world invests it. We're supposed to be a different breed of people. I believe that the church of Jesus Christ needs a new revelation of the majesty of God. We’re all going to stand one day, can you imagine it- at the judgment seat of Christ to give an account for the deeds done in the body. This is what- this is the King of kings, and He’s the Judge of judges, and it’s the Tribunal of tribunals, and there’s no court of appeal after it. The verdict is final.
”
”
Leonard Ravenhill
“
I AM RESTLESS
AM restless. I am athirst for far-away things.
My soul goes out in a longing to touch the skirt of the dim distance.
O Great Beyond, O the keen call of thy flute!
I forget, I ever forget, that I have no wings to fly, that I am bound in this spot evermore.
I am eager and wakeful, I am a stranger in a strange land.
Thy breath comes to me whispering an impossible hope.
Thy tongue is known to my heart as its very own.
O Far-to-seek, O the keen call of thy flute!
I forget, I ever forget, that I know not the way, that I have not the winged horse.
I am listless, I am a wanderer in my heart.
In the sunny haze of the languid hours, what vast vision of thine takes shape in the blue of the sky!
O Farthest end, O the keen call of thy flute!
I forget, I ever forget, that the gates are shut everywhere in the house where I dwell alone!
”
”
Rabindranath Tagore
“
Imagination is not only the uniquely human capacity to envision that which is not, and therefore the fount of all invention aand innovation. In its arguably most transformative and revelatory capacity, it is the power that enables us to empathise with humans whose experiences we have never shared.
Unlike any other creature on this planet, humans can learn and understand, without having experienced. They can think themselves into other people's minds, imagine themselves into other people's places.
And many prefer not to exercise their imaginations at all. They choose to remain comfortably within the bounds of their own experience, never troubling to wonder how it would feel to have been born other than they are. They can close their minds and hearts to any suffering that does not touch them personally; they can refuse to know.
”
”
J.K. Rowling
“
No one could endure lasting adversity if it continued to have the same force as when it first hit us. We are all tied to Fortune, some by a loose and golden chain, and others by a tight one of baser metal: but what does it matter? We are all held in the same captivity, and those who have bound others are themselves in bonds - unless you think perhaps that the left-hand chain is lighter. One man is bound by high office, another by wealth; good birth weighs down some, and a humble origin others; some bow under the rule of other men and some under their own; some are restricted to one place by exile, others by priesthoods: all life is a servitude.
So you have to get used to your circumstances, complain about them as little as possible, and grasp whatever advantage they have to offer: no condition is so bitter that a stable mind cannot find some consolation in it.
”
”
Seneca (On the Shortness of Life: Life Is Long if You Know How to Use It (Penguin Great Ideas))
“
Twas the night before Christmas, when all through the house
Not a creature was stirring, not even a mouse;
The stockings were hung by the chimney with care,
In hopes that St. Nicholas soon would be there;
The children were nestled all snug in their beds;
While visions of sugar-plums danced in their heads;
And mamma in her 'kerchief, and I in my cap,
Had just settled our brains for a long winter's nap,
When out on the lawn there arose such a clatter,
I sprang from my bed to see what was the matter.
Away to the window I flew like a flash,
Tore open the shutters and threw up the sash.
The moon on the breast of the new-fallen snow,
Gave a lustre of midday to objects below,
When what to my wondering eyes did appear,
But a miniature sleigh and eight tiny rein-deer,
With a little old driver so lively and quick,
I knew in a moment he must be St. Nick.
More rapid than eagles his coursers they came,
And he whistled, and shouted, and called them by name:
"Now, Dasher! now, Dancer! now Prancer and Vixen!
On, Comet! on, Cupid! on, Donder and Blixen!
To the top of the porch! to the top of the wall!
Now dash away! dash away! dash away all!"
As leaves that before the wild hurricane fly,
When they meet with an obstacle, mount to the sky;
So up to the housetop the coursers they flew
With the sleigh full of toys, and St. Nicholas too—
And then, in a twinkling, I heard on the roof
The prancing and pawing of each little hoof.
As I drew in my head, and was turning around,
Down the chimney St. Nicholas came with a bound.
He was dressed all in fur, from his head to his foot,
And his clothes were all tarnished with ashes and soot;
A bundle of toys he had flung on his back,
And he looked like a pedler just opening his pack.
His eyes—how they twinkled! his dimples, how merry!
His cheeks were like roses, his nose like a cherry!
His droll little mouth was drawn up like a bow,
And the beard on his chin was as white as the snow;
The stump of a pipe he held tight in his teeth,
And the smoke, it encircled his head like a wreath;
He had a broad face and a little round belly
That shook when he laughed, like a bowl full of jelly.
He was chubby and plump, a right jolly old elf,
And I laughed when I saw him, in spite of myself;
A wink of his eye and a twist of his head
Soon gave me to know I had nothing to dread;
He spoke not a word, but went straight to his work,
And filled all the stockings; then turned with a jerk,
And laying his finger aside of his nose,
And giving a nod, up the chimney he rose;
He sprang to his sleigh, to his team gave a whistle,
And away they all flew like the down of a thistle.
But I heard him exclaim, ere he drove out of sight—
“Happy Christmas to all, and to all a good night!
”
”
Clement Clarke Moore (The Night Before Christmas)
“
My dearest Rose,
One of the few downsides to being awakened is that we no longer require sleep; therefore we also no longer dream. It's a shame, because if I could dream, I know I'd dream about you. I'd dream about the way you smell and how your dark hair feels like silk between my fingers.
I'd dream about the smoothness of your skin and the fierceness of your lips when we kiss.
Without dreams, I have to be content with my own imagination - which is almost as good. I can picture all of those things perfectly, as well as how it'll be when I take your life from this world.
It's something I regret having to do, but you've made my choice inevitable. Your refusal to join me in eternal life and love leaves no other course of action, and I can't allow someone as dangerous as you to live. Besides, even if I forced your awakening, you now have so many enemies among the Strigoi that one of them would kill you. If you must die, it'll be by my hand. No one else's.
Nonetheless, I wish you well today as you take your trails - not that you need any luck. If they actually making you take them, it's a waste of everyone's time. You're the best in that group, and by this evening you'll wear your promise mark. Of course, that means you'll be all that much more of a challenge when we meet again - which I'll definitely enjoy.
And we will be meeting again. With graduation, you'll be turned out of the Academy, and once you're outside the wards, I'll find you.
There is no place in this world you can hide from me. I'm watching.
Love,
Dimitri
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
I want to be able to listen to recording of piano sonatas and know who's playing. I want to go to classical concerts and know when you're meant to clap. I want to be able to 'get' modern jazz without it all sounding like this terrible mistake, and I want to know who the Velvet Underground are exactly. I want to be fully engaged in the World of Ideas, I want to understand complex economics, and what people see in Bob Dylan. I want to possess radical but humane and well-informed political ideals, and I want to hold passionate but reasoned debates round wooden kitchen tables, saying things like 'define your terms!' and 'your premise is patently specious!' and then suddenly to discover that the sun's come up and we've been talking all night. I want to use words like 'eponymous' and 'solipsistic' and 'utilitarian' with confidence. I want to learn to appreciate fine wines, and exotic liquers, and fine single malts, and learn how to drink them without turning into a complete div, and to eat strange and exotic foods, plovers' eggs and lobster thermidor, things that sound barely edible, or that I can't pronounce...Most of all I want to read books; books thick as brick, leather-bound books with incredibly thin paper and those purple ribbons to mark where you left off; cheap, dusty, second-hand books of collected verse, incredibly expensive, imported books of incomprehensible essays from foregin universities.
At some point I'd like to have an original idea...And all of these are the things that a university education's going to give me.
”
”
David Nicholls (Starter for Ten)
“
Love is a mighty power, a great and complete good; Love alone lightens every burden, and makes the rough places smooth. It bears every hardship as though it were nothing, and renders all bitterness sweet and acceptable. The love of Jesus is noble, and inspires us to great deeds; it moves us always to desire perfection. Love aspires to high things, and is held back by nothing base. Love longs to be free, a stranger to every worldly desire, lest its inner vision become dimmed, and lest worldly self-interest hinder it or ill-fortune cast it down. Nothing is sweeter than love, nothing stronger, nothing higher, nothing wider, nothing more pleasant, nothing fuller or better in heaven or earth; for love is born of God, and can rest only in God above all created things.
Love flies, runs, leaps for joy; it is free and unrestrained. Love gives all for all, resting in One who is highest above all things, from whom every good flows and proceeds. Love does not regard the gifts, but turns to the Giver of all good gifts. Love knows no limits, but ardently transcends all bounds. Love feels no burden, takes no account of toil, attempts things beyond its strength; love sees nothing as impossible, for it feels able to achieve all things. Love therefore does great things; it is strange and effective; while he who lacks love faints and fails.
”
”
Thomas a Kempis (The Inner Life)
“
I was born free, and that I might live in freedom I chose the solitude of the fields; in the trees of the mountains I find society, the clear waters of the brooks are my mirrors, and to the trees and waters I make known my thoughts and charms. I am a fire afar off, a sword laid aside. Those whom I have inspired with love by letting them see me, I have by words undeceived, and if their longings live on hope—and I have given none to Chrysostom or to any other—it cannot justly be said that the death of any is my doing, for it was rather his own obstinacy than my cruelty that killed him; and if it be made a charge against me that his wishes were honourable, and that therefore I was bound to yield to them, I answer that when on this very spot where now his grave is made he declared to me his purity of purpose, I told him that mine was to live in perpetual solitude, and that the earth alone should enjoy the fruits of my retirement and the spoils of my beauty; and if, after this open avowal, he chose to persist against hope and steer against the wind, what wonder is it that he should sink in the depths of his infatuation? If I had encouraged him, I should be false; if I had gratified him, I should have acted against my own better resolution and purpose. He was persistent in spite of warning, he despaired without being hated. Bethink you now if it be reasonable that his suffering should be laid to my charge. Let him who has been deceived complain, let him give way to despair whose encouraged hopes have proved vain, let him flatter himself whom I shall entice, let him boast whom I shall receive; but let not him call me cruel or homicide to whom I make no promise, upon whom I practise no deception, whom I neither entice nor receive. It has not been so far the will of Heaven that I should love by fate, and to expect me to love by choice is idle. Let this general declaration serve for each of my suitors on his own account, and let it be understood from this time forth that if anyone dies for me it is not of jealousy or misery he dies, for she who loves no one can give no cause for jealousy to any, and candour is not to be confounded with scorn. Let him who calls me wild beast and basilisk, leave me alone as something noxious and evil; let him who calls me ungrateful, withhold his service; who calls me wayward, seek not my acquaintance; who calls me cruel, pursue me not; for this wild beast, this basilisk, this ungrateful, cruel, wayward being has no kind of desire to seek, serve, know, or follow them. If Chrysostom's impatience and violent passion killed him, why should my modest behaviour and circumspection be blamed? If I preserve my purity in the society of the trees, why should he who would have me preserve it among men, seek to rob me of it? I have, as you know, wealth of my own, and I covet not that of others; my taste is for freedom, and I have no relish for constraint; I neither love nor hate anyone; I do not deceive this one or court that, or trifle with one or play with another. The modest converse of the shepherd girls of these hamlets and the care of my goats are my recreations; my desires are bounded by these mountains, and if they ever wander hence it is to contemplate the beauty of the heavens, steps by which the soul travels to its primeval abode.
”
”
Miguel de Cervantes Saavedra (Don Quixote)
“
Rage.
Sing, O Muse, of the rage of Achilles, of Peleus’ son, murderous, man-killer, fated to die, sing of the rage that cost the Achaeans so many good men and sent so many vital, hearty souls down to the dreary House of Death. And while you’re at it, Muse, sing of the rage of the gods themselves, so petulant and so powerful here on their new Olympos, and of the rage of the post-humans, dead and gone though they might be, and of the rage of those few true humans left, self-absorbed and useless though they have become. While you are singing, O Muse, sing also of the rage of those thoughtful, sentient, serious but not-so-close-to-human beings out there dreaming under the ice of Europa, dying in the sulfur ash of Io, and being born in the cold folds of Ganymede.
Oh, and sing of me, O Muse, poor born-against-his-will Hockenberry, dead Thomas Hockenberry, Ph.D., Hockenbush to his friends, to friends long since turned to dust on a world long since left behind. Sing of my rage, yes, of my rage, O Muse, small and insignificant though that rage might be when measured against the anger of the immortal gods, or when compared to the wrath of the god-killer Achilles.
On second though, O Muse, sing nothing of me. I know you. I have been bound and servant to you, O Muse, you incomparable bitch. And I do not trust you, O Muse. Not one little bit.
”
”
Dan Simmons (Ilium (Ilium, #1))
“
Here you sit on your high-backed chair
Wonder how the view is from there
I wouldn't know 'cause I like to sit
Upon the floor, yeah upon the floor
If you like we could play a game
Let's pretend that we are the same
But you will have to look much closer
Than you do, closer than you do
And I'm far too tired to stay here anymore
And I don't care what you think anyway
'Cause I think you were wrong about me
Yeah what if you were, what if you were
And what if I'm a snowstorm burning
What if I'm a world unturning
What if I'm an ocean, far too shallow, much too deep
What if I'm the kindest demon
Something you may not believe in
What if I'm a siren singing gentlemen to sleep
I know you've got it figured out
Tell me what I am all about
And I just might learn a thing or two
Hundred about you, maybe about you
I'm the end of your telescope
I don't change just to suit your vision
'Cause I am bound by a fraying rope
Around my hands, tied around my hands
And you close your eyes when I say I'm breaking free
And put your hands over both your ears
Because you cannot stand to believe I'm not
The perfect girl you thought
Well what have I got to lose
And what if I'm a weeping willow
Laughing tears upon my pillow
What if I'm a socialite who wants to be alone
What if I'm a toothless leopard
What if I'm a sheepless shepherd
What if I'm an angel without wings to take me home
You don't know me
Never will, never will
I'm outside your picture frame
And the glass is breaking now
You can't see me
Never will, never will
If you're never gonna see
What if I'm a crowded desert
Too much pain with little pleasure
What if I'm the nicest place you never want to go
What if I don't know who I am
Will that keep us both from trying
To find out and when you have
Be sure to let me know
What if I'm a snowstorm burning
What if I'm a world unturning
What if I'm an ocean, far too shallow, much too deep
What if I'm the kindest demon
Something you may not believe in
What if I'm a siren singing gentlemen to sleep
Sleep...
Sleep...
”
”
Emilie Autumn
“
A towel, it says, is about the most massively useful thing an interstellar hitchhiker can have. Partly it has great practical value - you can wrap it around you for warmth as you bound across the cold moons of Jaglan Beta; you can lie on it on the brilliant marble-sanded beaches of Santraginus V, inhaling the heady sea vapours; you can sleep under it beneath the stars which shine so redly on the desert world of Kakrafoon; use it to sail a mini raft down the slow heavy river Moth; wet it for use in hand-to- hand-combat; wrap it round your head to ward off noxious fumes or to avoid the gaze of the Ravenous Bugblatter Beast of Traal (a mindboggingly stupid animal, it assumes that if you can't see it, it can't see you - daft as a bush, but very ravenous); you can wave your towel in emergencies as a distress signal, and of course dry yourself off with it if it still seems to be clean enough.
More importantly, a towel has immense psychological value. For some reason, if a strag (strag: non-hitch hiker) discovers that a hitch hiker has his towel with him, he will automatically assume that he is also in possession of a toothbrush, face flannel, soap, tin of biscuits, flask, compass, map, ball of string, gnat spray, wet weather gear, space suit etc., etc. Furthermore, the strag will then happily lend the hitch hiker any of these or a dozen other items that the hitch hiker might accidentally have "lost". What the strag will think is that any man who can hitch the length and breadth of the galaxy, rough it, slum it, struggle against terrible odds, win through, and still knows where his towel is is clearly a man to be reckoned with.
”
”
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
“
So the boy…the boy must die?” asked Snape quite calmly.
“And Voldemort himself must do it, Severus. That is essential.”
Another long silence. Then Snape said, “I thought…all these years…that we were protecting him for her. For Lily.”
“We have protected him because it has been essential to teach him, to raise him, to let him try his strength,” said Dumbledore, his eyes still tight shut. “Meanwhile, the connection between them grows ever stronger, a parasitic growth: Sometimes I have thought he suspects it himself. If I know him, he will have arranged matters so that when he does set out to meet his death, it will truly mean the end of Voldemort.”
Dumbledore opened his eyes. Snape looked horrified.
“You have kept him alive so that he can die at the right moment?”
“Don’t be shocked, Severus. How many men and women have you watched die?”
“Lately, only those whom I could not save,” said Snape. He stood up. “You have used me.”
“Meaning?”
“I have spied for you and lied for you, put myself in mortal danger for you. Everything was supposed to be to keep Lily Potter’s son safe. Now you tell me you have been raising him like a pig for slaughter--”
“But this is touching, Severus,” said Dumbledore seriously. “Have you grown to care for the boy, after all?”
“For him?” shouted Snape. “Expecto Patronum!”
From the tip of his wand burst the silver doe: She landed on the office floor, bounded once across the office, and soared out of the window. Dumbledore watched her fly away, and as her silvery glow faded he turned back to Snape, and his eyes were full of tears.
“After all this time?”
“Always,” said Snape.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
Were these boys in their right minds? Here were two boys with good intellect, one eighteen and one nineteen. They had all the prospects that life could hold out for any of the young; one a graduate of Chicago and another of Ann Arbor; one who had passed his examination for the Harvard Law School and was about to take a trip in Europe,--another who had passed at Ann Arbor, the youngest in his class, with three thousand dollars in the bank. Boys who never knew what it was to want a dollar; boys who could reach any position that was to boys of that kind to reach; boys of distinguished and honorable families, families of wealth and position, with all the world before them. And they gave it all up for nothing, for nothing! They took a little companion of one of them, on a crowded street, and killed him, for nothing, and sacrificed everything that could be of value in human life upon the crazy scheme of a couple of immature lads.
Now, your Honor, you have been a boy; I have been a boy. And we have known other boys. The best way to understand somebody else is to put yourself in his place.
Is it within the realm of your imagination that a boy who was right, with all the prospects of life before him, who could choose what he wanted, without the slightest reason in the world would lure a young companion to his death, and take his place in the shadow of the gallows?
...No one who has the process of reasoning could doubt that a boy who would do that is not right.
How insane they are I care not, whether medically or legally. They did not reason; they could not reason; they committed the most foolish, most unprovoked, most purposeless, most causeless act that any two boys ever committed, and they put themselves where the rope is dangling above their heads....
Why did they kill little Bobby Franks?
Not for money, not for spite; not for hate. They killed him as they might kill a spider or a fly, for the experience. They killed him because they were made that way. Because somewhere in the infinite processes that go to the making up of the boy or the man something slipped, and those unfortunate lads sit here hated, despised, outcasts, with the community shouting for their blood.
. . . I know, Your Honor, that every atom of life in all this universe is bound up together. I know that a pebble cannot be thrown into the ocean without disturbing every drop of water in the sea. I know that every life is inextricably mixed and woven with every other life. I know that every influence, conscious and unconscious, acts and reacts on every living organism, and that no one can fix the blame. I know that all life is a series of infinite chances, which sometimes result one way and sometimes another. I have not the infinite wisdom that can fathom it, neither has any other human brain
”
”
Clarence Darrow (Attorney for the Damned: Clarence Darrow in the Courtroom)
“
Many individuals are so constituted that their only thought is to obtain pleasure and shun responsibility. They would like, butterfly-like, to wing forever in a summer garden, flitting from flower to flower, and sipping honey for their sole delight. They have no feeling that any result which might flow from their action should concern them. They have no conception of the necessity of a well-organized society wherein all shall accept a certain quota of responsibility and all realize a reasonable amount of happiness. They think only of themselves because they have not yet been taught to think of society. For them pain and necessity are the great taskmasters. Laws are but the fences which circumscribe the sphere of their operations. When, after error, pain falls as a lash, they do not comprehend that their suffering is due to misbehavior. Many such an individual is so lashed by necessity and law that he falls fainting to the ground, dies hungry in the gutter or rotting in the jail and it never once flashes across his mind that he has been lashed only in so far as he has persisted in attempting to trespass the boundaries which necessity sets. A prisoner of fate, held enchained for his own delight, he does not know that the walls are tall, that the sentinels of life are forever pacing, musket in hand. He cannot perceive that all joy is within and not without. He must be for scaling the bounds of society, for overpowering the sentinel. When we hear the cries of the individual strung up by the thumbs, when we hear the ominous shot which marks the end of another victim who has thought to break loose, we may be sure that in another instance life has been misunderstood--we may be sure that society has been struggled against until death alone would stop the individual from contention and evil.
”
”
Theodore Dreiser (Sister Carrie)
“
when she was 7, a boy pushed her on the playground
she fell headfirst into the dirt and came up with a mouthful of gravel and lines of blood chasing each other down her legs
when she told her teacher what happened, she laughed and said ‘boys will be boys honey don’t let it bother you
he probably just thinks you’re cute’
but the thing is,
when you tell a little girl who has rocks in her teeth and scabs on her knees that hurt and attention are the same
you teach her that boys show their affection through aggression
and she grows into a young woman who constantly mistakes the two
because no one ever taught her the difference
‘boys will be boys’
turns into
‘that’s how he shows his love’
and bruises start to feel like the imprint of lips
she goes to school with a busted mouth in high school and says she was hit with a basketball instead of his fist
the one adult she tells scolds her
‘you know he loses his temper easily
why the hell did you have to provoke him?’
so she shrinks
folds into herself, flinches every time a man raises his voice
by the time she’s 16 she’s learned her job well
be quiet, be soft, be easy
don’t give him a reason
but for all her efforts, he still finds one
‘boys will be boys’ rings in her head
‘boys will be boys
he doesn’t mean it
he can’t help it’
she’s 7 years old on the playground again
with a mouth full of rocks and blood that tastes like copper love
because boys will be boys baby don’t you know
that’s just how he shows he cares
she’s 18 now and they’re drunk
in the split second it takes for her words to enter his ears they’re ruined
like a glass heirloom being dropped between the hands of generations
she meant them to open his arms but they curl his fists and suddenly his hands are on her and her head hits the wall and all of the goddamn words in the world couldn’t save them in this moment
she touches the bruise the next day
boys will be boys
aggression, affection, violence, love
how does she separate them when she learned so early that they’re inextricably bound, tangled in a constant tug-of-war
she draws tally marks on her walls ratios of kisses to bruises
one entire side of her bedroom turns purple, one entire side of her body
boys will be boys will be boys will be boys
when she’s 20, a boy touches her hips and she jumps
he asks her who the hell taught her to be scared like that and she wants to laugh
doesn’t he know that boys will be boys?
it took her 13 years to unlearn that lesson from the playground
so I guess what I’m trying to say is
i will talk until my voice is hoarse so that my little sister understands that aggression and affection are two entirely separate things
baby they exist in different universes
my niece can’t even speak yet but I think I’ll start with her now
don’t ever accept the excuse that boys will be boys
don’t ever let him put his hands on you like that
if you see hate blazing in his eyes don’t you ever confuse it with love
baby love won’t hurt when it comes
you won’t have to hide it under long sleeves during the summer
and
the only reason he should ever reach out his hand
is to hold yours
”
”
Fortesa Latifi
“
By the following morning, Anthony was drunk. By afternoon, he was hungover.
His head was pounding, his ears were ringing, and his brothers, who had been surprised to discover him
in such a state at
their club, were talking far too loudly.
Anthony put his hands over his ears and groaned.Everyone was talking far too loudly.
“Kate boot you out of the house?” Colin asked, grabbing a walnut from a large pewter dish in the middle
their table and
splitting it open with a viciously loud crack.
Anthony lifted his head just far enough to glare at him.
Benedict watched his brother with raised brows and the vaguest hint of a smirk. “She definitely booted
him out,” he said to Colin. “Hand me one of those walnuts, will you?”
Colin tossed one across the table. “Do you want the crackers as well?”
Benedict shook his head and grinned as he held up a fat, leather-bound book. “Much more satisfying to
smash them.”
“Don’t,” Anthony bit out, his hand shooting out to grab the book, “even think about it.”
“Ears a bit sensitive this afternoon, are they?”
If Anthony had had a pistol, he would have shot them both, hang the noise.
“If I might offer you a piece of advice?” Colin said, munching on his walnut.
“You might not,” Anthony replied. He looked up. Colin was chewing with his mouth open. As this had
been strictly forbidden while growing up in their household, Anthony could only deduce that Colin was
displaying such poor manners only to make more noise. “Close your damned mouth,” he muttered.
Colin swallowed, smacked his lips, and took a sip of his tea to wash it all down. “Whatever you did,
apologize for it. I know you, and I’m getting to know Kate, and knowing what I know—”
“What the hell is he talking about?” Anthony grumbled.
“I think,” Benedict said, leaning back in his chair, “that he’s telling you you’re an ass.”
“Just so!” Colin exclaimed.
Anthony just shook his head wearily. “It’s more complicated than you think.”
“It always is,” Benedict said, with sincerity so false it almost managed to sound sincere.
“When you two idiots find women gullible enough to actually marry you,” Anthony snapped, “then you
may presume to
offer me advice. But until then ...shut up.”
Colin looked at Benedict. “Think he’s angry?”
Benedict quirked a brow. “That or drunk.”
Colin shook his head. “No, not drunk. Not anymore, at least. He’s clearly hungover.”
“Which would explain,” Benedict said with a philosophical nod, “why he’s so angry.”
Anthony spread one hand over his face and pressed hard against his temples with his thumb and middle
finger. “God above,”
he muttered. ‘‘What would it take to get you two to leave me alone?”
“Go home, Anthony,” Benedict said, his voice surprisingly gentle.
”
”
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
“
Do not despise your inner world. That is the first and most general piece of advice I would offer… Our society is very outward-looking, very taken up with the latest new object, the latest piece of gossip, the latest opportunity for self-assertion and status. But we all begin our lives as helpless babies, dependent on others for comfort, food, and survival itself. And even though we develop a degree of mastery and independence, we always remain alarmingly weak and incomplete, dependent on others and on an uncertain world for whatever we are able to achieve. As we grow, we all develop a wide range of emotions responding to this predicament: fear that bad things will happen and that we will be powerless to ward them off; love for those who help and support us; grief when a loved one is lost; hope for good things in the future; anger when someone else damages something we care about. Our emotional life maps our incompleteness: A creature without any needs would never have reasons for fear, or grief, or hope, or anger. But for that very reason we are often ashamed of our emotions, and of the relations of need and dependency bound up with them. Perhaps males, in our society, are especially likely to be ashamed of being incomplete and dependent, because a dominant image of masculinity tells them that they should be self-sufficient and dominant. So people flee from their inner world of feeling, and from articulate mastery of their own emotional experiences. The current psychological literature on the life of boys in America indicates that a large proportion of boys are quite unable to talk about how they feel and how others feel — because they have learned to be ashamed of feelings and needs, and to push them underground. But that means that they don’t know how to deal with their own emotions, or to communicate them to others. When they are frightened, they don’t know how to say it, or even to become fully aware of it. Often they turn their own fear into aggression. Often, too, this lack of a rich inner life catapults them into depression in later life. We are all going to encounter illness, loss, and aging, and we’re not well prepared for these inevitable events by a culture that directs us to think of externals only, and to measure ourselves in terms of our possessions of externals.
What is the remedy of these ills? A kind of self-love that does not shrink from the needy and incomplete parts of the self, but accepts those with interest and curiosity, and tries to develop a language with which to talk about needs and feelings. Storytelling plays a big role in the process of development. As we tell stories about the lives of others, we learn how to imagine what another creature might feel in response to various events. At the same time, we identify with the other creature and learn something about ourselves. As we grow older, we encounter more and more complex stories — in literature, film, visual art, music — that give us a richer and more subtle grasp of human emotions and of our own inner world. So my second piece of advice, closely related to the first, is: Read a lot of stories, listen to a lot of music, and think about what the stories you encounter mean for your own life and lives of those you love. In that way, you will not be alone with an empty self; you will have a newly rich life with yourself, and enhanced possibilities of real communication with others.
”
”
Martha C. Nussbaum
“
On the first day of November last year, sacred to many religious calendars but especially the Celtic, I went for a walk among bare oaks and birch. Nothing much was going on. Scarlet sumac had passed and the bees were dead. The pond had slicked overnight into that shiny and deceptive glaze of delusion, first ice. It made me remember sakes and conjure a vision of myself skimming backward on one foot, the other extended; the arms become wings. Minnesota girls know that this is not a difficult maneuver if one's limber and practices even a little after school before the boys claim the rink for hockey. I think I can still do it - one thinks many foolish things when November's bright sun skips over the entrancing first freeze.
A flock of sparrows reels through the air looking more like a flying net than seventy conscious birds, a black veil thrown on the wind. When one sparrow dodges, the whole net swerves, dips: one mind. Am I part of anything like that?
Maybe not. The last few years of my life have been characterized by stripping away, one by one, loves and communities that sustain the soul. A young colleague, new to my English department, recently asked me who I hang around with at school. "Nobody," I had to say, feeling briefly ashamed. This solitude is one of the surprises of middle age, especially if one's youth has been rich in love and friendship and children. If you do your job right, children leave home; few communities can stand an individual's most pitiful, amateur truth telling. So the soul must stand in her own meager feathers and learn to fly - or simply take hopeful jumps into the wind.
In the Christian calendar, November 1 is the Feast of All Saints, a day honoring not only those who are known and recognized as enlightened souls, but more especially the unknowns, saints who walk beside us unrecognized down the millennia. In Buddhism, we honor the bodhisattvas - saints - who refuse enlightenment and return willingly to the wheel of karma to help other beings. Similarly, in Judaism, anonymous holy men pray the world from its well-merited destruction. We never know who is walking beside us, who is our spiritual teacher. That one - who annoys you so - pretends for a day that he's the one, your personal Obi Wan Kenobi. The first of November is a splendid, subversive holiday.
Imagine a hectic procession of revelers - the half-mad bag lady; a mumbling, scarred janitor whose ravaged face made the children turn away; the austere, unsmiling mother superior who seemed with great focus and clarity to do harm; a haunted music teacher, survivor of Auschwitz. I bring them before my mind's eye, these old firends of my soul, awakening to dance their day. Crazy saints; but who knows what was home in the heart? This is the feast of those who tried to take the path, so clumsily that no one knew or notice, the feast, indeed, of most of us.
It's an ugly woods, I was saying to myself, padding along a trail where other walkers had broken ground before me. And then I found an extraordinary bouquet. Someone had bound an offering of dry seed pods, yew, lyme grass, red berries, and brown fern and laid it on the path: "nothing special," as Buddhists say, meaning "everything." Gathered to formality, each dry stalk proclaimed a slant, an attitude, infinite shades of neutral.
All contemplative acts, silences, poems, honor the world this way. Brought together by the eye of love, a milkweed pod, a twig, allow us to see how things have been all along. A feast of being.
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Mary Rose O'Reilley (The Barn at the End of the World: The Apprenticeship of a Quaker, Buddhist Shepherd)