Knots And Roses Quotes

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Quick now, here, now, always- A condition of complete simplicity (Costing not less than everything) And all shall be well and All manner of thing shall be well When the tongues of flame are in-folded Into the crowned knot of fire And the fire and the rose are one.
T.S. Eliot (Four Quartets)
Regardless, they were as lovely as two bouquets of red roses Still, I remembered those hidden thorns! As a kid, they delivered a double dose of whip-ass that put more knots on my head than bumps on a toad frog. Yes, I had residual wounds and a set of T-shirts from those run-ins. The wrong wordor a misguided flirt could’ve restarted a continuum on my skull. Mary and Martha were Boss Chicks when I entered first grade. Jerry gave me big brotherly advice on how to greet beautiful girls. His Game: “Make eye contact, give off a big smile, and then tilt your cap.” Got it! I was down for a double fantasy. Well, as I approached the sisters and made the “Big Move,” unfortunately they delivered a few shots and a couple of jolts respectively to mycranium that rung every bell I had. Apparently, they didn’t like boys hitting on them at that stage of their youth. So, I learned to stay in my lane and never take any more tips from Jerry.
Harold Phifer (My Bully, My Aunt, & Her Final Gift)
We shall not cease from exploration And the end of all our exploring Will be to arrive where we started And know the place for the first time. Through the unknown, remembered gate When the last of earth left to discover Is that which was the beginning; At the source of the longest river The voice of the hidden waterfall And the children in the apple-tree Not known, because not looked for But heard, half-heard, in the stillness Between two waves of the sea. Quick now, here, now, always— A condition of complete simplicity (Costing not less than everything) And all shall be well and All manner of thing shall be well When the tongues of flames are in-folded Into the crowned knot of fire And the fire and the rose are one.
T.S. Eliot (Four Quartets)
I tried on Claire's double strand of pearls in the mirror, ran the smooth, lustrous beads through my fingers, touched the coral rose of the clasp. The pearls weren't really white, they were a warm oyster beige, with little knots in between so if they broke, you only lost one. I wished my life could be like that, knotted up so that even if something broke, the whole thing wouldn't come apart.
Janet Fitch (White Oleander)
The old oak, utterly transformed, draped in a tent of sappy dark green, basked faintly, undulating in the rays of the evening sun. Of the knotted fingers, the gnarled excrecenses, the aged grief and mistrust- nothing was to be seen. Through the rough, century-old bark, where there were no twigs, leaves had burst out so sappy, so young, that is was hard to believe that the aged creature had borne them. "Yes, that is the same tree," thought Prince Andrey, and all at once there came upon him an irrational, spring feeling of joy and renewal. All the best moments of his life rose to his memory at once. Austerlitz, with that lofty sky, and the dead, reproachful face of his wife, and Pierre on the ferry, and the girl, thrilled by the beauty of the night, and that night and that moon- it all rushed at once into his mind.
Leo Tolstoy (War and Peace)
His wax-white skin was cool to the touch when she brushed his neck to find the knot of cloth. She'd never been this close to a vampire,never realized what it would be like to be so near to someone who didn't breathe, who could be as still as any statue. His chest neither rose not fell. Her hands shook.
Holly Black (The Coldest Girl in Coldtown)
Here I am, struggling to banish any foolish imagined affections for you so that I can consummate this marriage of convenience in a proper businesslike fashion, as we agreed. And then you go and read a book?" While he was at it, why didn't he just bring her a basket of kittens, a bottle of champagne, and pose naked with a rose caught between his teeth?
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
My brows now knotted. I read the next two words, then whipped my face toward him. “You look absolutely delicious today, Feyre?! That’s what you wrote?
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Had it pleased heaven To try me with affliction; had they rain'd All kinds of sores and shames on my bare head. Steep'd me in poverty to the very lips, Given to captivity me and my utmost hopes, I should have found in some place of my soul A drop of patience: but, alas, to make me A fixed figure for the time of scorn To point his slow unmoving finger at! Yet could I bear that too; well, very well: But there, where I have garner'd up my heart, Where either I must live, or bear no life; The fountain from the which my current runs, Or else dries up; to be discarded thence! Or keep it as a cistern for foul toads To knot and gender in! Turn thy complexion there, Patience, thou young and rose-lipp'd cherubin,-- Ay, there, look grim as hell!
William Shakespeare (Othello)
The wind rose high and free, to soar in an open sky with no clouds. It passed over a broken landscape scattered with corpses not yet buried. A landscape covered, at the same time, with celebrations. It tickled the branches of trees that had finally begun to put forth buds. The wind blew southward, through knotted forests, over shimmering plains and toward lands unexplored. This wind, it was not the ending. There are no endings, and never will be endings, to the turning of the Wheel of Time. But it was an ending.
Brandon Sanderson (A Memory of Light (The Wheel of Time, #14))
Daniel had one more question. He hated asking it, but her answer would be exceedingly important to him. The knot in his throat had returned, but he tried to speak around it. “Do you pity me, Story?” For the second time that night, she surprised him. “No. I pity the sixteen-year-old boy. Of course I do. How could I not?” Story rose from the windowsill and placed her hands on his chest. She waited until he met her eyes to continue. “But I don’t pity the man. The man took a tragedy and used it to give himself purpose. The man is magnificent.
Tessa Bailey (Officer off Limits (Line of Duty, #3))
Do you know why I adore roses?" Shahrzad untied the knot of his tikka sash with deliberate slowness. "I've always loved them for their beauty and their scent, but--" "It's because of their thorns." His muscles tensed at her touch. "Because there's more to them than first meets the eye.
Renée Ahdieh
Not known, because not looked for But heard, half-heard, in the stillness Between two waves of the sea. Quick now, here, now, always-- A condition of complete simplicity (Costing not less than everything) And all shall be well and All manner of thing shall be well When the tongues of flames are in-folded Into the crowned knot of fire And the fire and the rose are one.
T.S. Eliot
You must never allow a knot in your hair, bubbala, for that is how men will try to control you.
GennaRose Nethercott (Thistlefoot)
You need not mask yourself for me.
M.A. Carrick (The Liar's Knot (Rook & Rose, #2))
If you cannot trust yourself, then trust me. My feelings for you go far beyond mere wanting... and I've never heard that love is a Primordial's domain.
M.A. Carrick (The Liar’s Knot (Rook & Rose, #2))
James Potter moved slowly along the narrow aisles of the train, peering as nonchalantly as he could into each compartment. To those inside, he probably looked as if he was searching for someone, some friend or group of confidantes with whom to pass the time during the trip, and this was intentional. The last thing that James wanted anyone to notice was that, despite the bravado he had so recently displayed with his younger brother Albus on the platform, he was nervous. His stomach knotted and churned as if he’d had half a bite of one of Uncles Ron and George’s Puking Pastilles. He opened the folding door at the end of the passenger car and stepped carefully through the passage into the next one. The first compartment was full of girls. They were talking animatedly to one another, already apparently the best of friends despite the fact that, most likely, they had only just met. One of them glanced up and saw him staring. He quickly looked away, pretending to peer out the window behind them, toward the station which still sat bustling with activity. Feeling his cheeks go a little red, he continued down the corridor. If only Rose was a year older she’d be here with him. She was a girl, but she was his cousin and they’d grown up together. It would’ve been nice to have at least one familiar face along with him.
G. Norman Lippert (James Potter and the Hall of Elders' Crossing (James Potter, #1))
The Roses of Saadi I wanted you to have roses this morn, And stuffed a lot of them in my snug dress, In my tight belt I could not all shoehorn. The knots gave way, and threw them all around, To wind and sea they were all gone forlorn To flow with water, never will come round. The waves were crimson red as if on fire. This eve my dress is drenched in their fragrance, Breathe it and keep it to your heart's desire.
Marceline Desbordes-Valmore
The Landscape" I dreamt of loving. The dream remains, but love is no longer those lilacs and roses whose breath filled the broad woods, where the sail of a flame lay at the end of each arrow-straight path. I dreamt of loving. The dream remains, but love is no longer that storm whose white nerve sparked the castle towers, or left the mind unrhymed, or flared an instant, just where the road forked. It is the star struck under my heel in the night. It is the vvord no book on earth defines. It is the foam on the wave, the cloud in the sky. As they age, all things grow rigid and bright. The streets fall nameless, and the knots untie. Now, with this landscape, I fix; I shine.
Robert Desnos
They arrived home again to a most peculiar sight. The small garden at the front of the Banana House had been transformed. A tidal wave of cushions, beanbags, quilts, hearth rugs, and sleeping bags appeared to have swept up the lawn and broken at the wall. From Indigo's window a multicolored rope of knotted bedsheets came snaking out and ended among the cushions. As Micheal and Caddy watched, a mattress emerged and fell to the ground, followed by a rain of pillows. "Indigo!" shouted Caddy, jumping out of the car. Indigo's and Rose's heads appeared in the window above. "It's all right, Caddy!" Indigo called cheerfully. "We've been doing it all the time you've been gone." "We keep finding more stuff to land on!" added Rose. "Look!
Hilary McKay (Saffy's Angel (Casson Family, #1))
Oh Mother, Mother make my bed Make it soft and narrow My William died for love of me, And I shall die of sorrow They buried her in the old churchyard. Sweet William's grave was nigh hers And from his grave grew a red, red rose And from her grave a brier. They grew and grew up the old church spire Until they could grow no higher And there they twined, in a true love knot, The red, red rose and the brier.
Cassandra Clare
The teasing would be fond and good-humored, but she no longer had the resilience for teasing. Marriage to Perry meant she was always ready to justify her actions, constantly monitoring what she’d just said or done, while simultaneously feeling defensive about the defensiveness, her thoughts and feelings twisting into impenetrable knots, so that sometimes, like right now, sitting in a room with normal people, all the things she couldn’t say rose in her throat and for a moment she couldn’t breathe.
Liane Moriarty (Big Little Lies)
To a casual passerby, his appearance would not have inspired much confidence. His overcoat was patched in spots and frayed at the cuffs, he wore an old tweed suit that was missing a button, his white shirt was stained with ink and tobacco, and his tie--this was perhaps the strangest of all--was knotted not once, but twice, as if he'd forgotten whether he'd tied it and, rather than glancing down to check, had simply tied it again for good measure. His white hair poked out from beneath his hat, and his eyebrows rose from his forehead like great snowy horns, curling over a pair of bent and patched tortoiseshell glasses. All in all, he looked like someone who'd gotten dressed in the midst of a whirlwind and, thinking he still looked too presentable, had thrown himself down a flight of stairs. It was when you looked in his eyes that everything changed. Reflecting no light save their own, they shone brightly in the snow-muffled night, and there was in them a look of such uncommon energy and kindness and understanding that you forgot entirely about the tobacco and ink stains on his shirt and the patches on his glasses and that his tie was knotted twice over. You looked in them and knew that you were in the presence of true wisdom.
John Stephens (The Emerald Atlas (The Books of Beginning, #1))
He was a scoundrel and a saint and a survivor. A tangled Celtic knot of thorns and roses. Ragged and sincere. It moved her deeply. Like a forgotten melody that suddenly struck a vibrant chord inside her heart. He was almost irresistible.
Zita Steele (Ruthless Shadow)
He took up another long strip of towel in his right hand. He had to lean in to loop it behind her. He was so close now. His mind took in the shell of her ear, the hair tucked behind it, that rapid pulse fluttering in her throat. Alive, alive, alive. It isn’t easy for me either. He looped the bandage around again. The barest touches. Unavoidable. Shoulder, clavicle, once her knee. The water rose around him. He secured the knot. Step back. He did not step back. He stood there, hearing his own breath, hers, the rhythm of them alone in this room. The sickness was there, the need to run, the need for something else too. Kaz thought he knew the language of pain intimately, but this ache was new. It hurt to stand here like this, so close to the circle of her arms. It isn’t easy for me either. After all she’d endured, he was the weak one. But she would never know what it was like for him to see Nina pull her close, watch Jesper loop his arm through hers, what it was to stand in doorways and against walls and know he could never draw nearer. But I’m here now, he thought wildly. He had carried her, fought beside her, spent whole nights next to her, both of them on their bellies, peering through a long glass, watching some warehouse or merch’s mansion. This was nothing like that. He was sick and frightened, his body slick with sweat, but he was here. He watched that pulse, the evidence of her heart, matching his own beat for anxious beat. He saw the damp curve of her neck, the gleam of her brown skin. He wanted to … He wanted. Before he even knew what he intended, he lowered his head. She drew in a sharp breath. His lips hovered just above the warm juncture between her shoulder and the column of her neck. He waited. Tell me to stop. Push me away. She exhaled. “Go on,” she repeated. Finish the story. The barest movement and his lips brushed her skin—warm, smooth, beaded with moisture. Desire coursed through him, a thousand images he’d hoarded, barely let himself imagine—the fall of her dark hair freed from its braid, his hand fitted to the lithe curve of her waist, her lips parted, whispering his name.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
You’re still my goddamn wife, Myla. That means you’re mine.” The hand gripping my hip tightens. “This body, it’s mine. That sassy mind of yours is mine. And those rose-colored lips that have explored every inch of my body? They still belong to me.
Meghan Quinn (Untying the Knot)
I say is someone in there?’ The voice is the young post-New formalist from Pittsburgh who affects Continental and wears an ascot that won’t stay tight, with that hesitant knocking of when you know perfectly well someone’s in there, the bathroom door composed of thirty-six that’s three times a lengthwise twelve recessed two-bevelled squares in a warped rectangle of steam-softened wood, not quite white, the bottom outside corner right here raw wood and mangled from hitting the cabinets’ bottom drawer’s wicked metal knob, through the door and offset ‘Red’ and glowering actors and calendar and very crowded scene and pubic spirals of pale blue smoke from the elephant-colored rubble of ash and little blackened chunks in the foil funnel’s cone, the smoke’s baby-blanket blue that’s sent her sliding down along the wall past knotted washcloth, towel rack, blood-flower wallpaper and intricately grimed electrical outlet, the light sharp bitter tint of a heated sky’s blue that’s left her uprightly fetal with chin on knees in yet another North American bathroom, deveiled, too pretty for words, maybe the Prettiest Girl Of All Time (Prettiest G.O.A.T.), knees to chest, slew-footed by the radiant chill of the claw-footed tub’s porcelain, Molly’s had somebody lacquer the tub in blue, lacquer, she’s holding the bottle, recalling vividly its slogan for the past generation was The Choice of a Nude Generation, when she was of back-pocket height and prettier by far than any of the peach-colored titans they’d gazed up at, his hand in her lap her hand in the box and rooting down past candy for the Prize, more fun way too much fun inside her veil on the counter above her, the stuff in the funnel exhausted though it’s still smoking thinly, its graph reaching its highest spiked prick, peak, the arrow’s best descent, so good she can’t stand it and reaches out for the cold tub’s rim’s cold edge to pull herself up as the white- party-noise reaches, for her, the sort of stereophonic precipice of volume to teeter on just before the speaker’s blow, people barely twitching and conversations strettoing against a ghastly old pre-Carter thing saying ‘We’ve Only Just Begun,’ Joelle’s limbs have been removed to a distance where their acknowledgement of her commands seems like magic, both clogs simply gone, nowhere in sight, and socks oddly wet, pulls her face up to face the unclean medicine-cabinet mirror, twin roses of flame still hanging in the glass’s corner, hair of the flame she’s eaten now trailing like the legs of wasps through the air of the glass she uses to locate the de-faced veil and what’s inside it, loading up the cone again, the ashes from the last load make the world's best filter: this is a fact. Breathes in and out like a savvy diver… –and is knelt vomiting over the lip of the cool blue tub, gouges on the tub’s lip revealing sandy white gritty stuff below the lacquer and porcelain, vomiting muddy juice and blue smoke and dots of mercuric red into the claw-footed trough, and can hear again and seems to see, against the fire of her closed lids’ blood, bladed vessels aloft in the night to monitor flow, searchlit helicopters, fat fingers of blue light from one sky, searching.
David Foster Wallace (Infinite Jest)
A moth flying into the flame says with its wingfire, 'Try this.' The wick with its knotted neck broken, tells you the same. A candle as it diminishes explains, 'Gathering more and more is not the way. Burn, become light and heat and help. Melt.' The ocean sits in the sand letting its lap fill with pearls and shells, then empty. A bittersalt taste hums, 'This.' The phoenix gives up on good-and-bad, flies to rest on Mt. Qaf, no more burning and rising from ash. It sends out one message. The rose purifies its face, drops the soft petals, shows its thorn, and points. Wine abandons thousands of famous names, the vintage years and delightful bouquets, to run wild and anonymous through your brain. The flute closes its eyes and gives its lips to Hamza’s emptiness. Everything begs with the silent rocks for you to be flung out like light over this plain, the presence of Shams.
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems)
The Three-Decker "The three-volume novel is extinct." Full thirty foot she towered from waterline to rail. It cost a watch to steer her, and a week to shorten sail; But, spite all modern notions, I found her first and best— The only certain packet for the Islands of the Blest. Fair held the breeze behind us—’twas warm with lovers’ prayers. We’d stolen wills for ballast and a crew of missing heirs. They shipped as Able Bastards till the Wicked Nurse confessed, And they worked the old three-decker to the Islands of the Blest. By ways no gaze could follow, a course unspoiled of Cook, Per Fancy, fleetest in man, our titled berths we took With maids of matchless beauty and parentage unguessed, And a Church of England parson for the Islands of the Blest. We asked no social questions—we pumped no hidden shame— We never talked obstetrics when the Little Stranger came: We left the Lord in Heaven, we left the fiends in Hell. We weren’t exactly Yussufs, but—Zuleika didn’t tell. No moral doubt assailed us, so when the port we neared, The villain had his flogging at the gangway, and we cheered. ’Twas fiddle in the forc’s’le—’twas garlands on the mast, For every one got married, and I went ashore at last. I left ’em all in couples a-kissing on the decks. I left the lovers loving and the parents signing cheques. In endless English comfort by county-folk caressed, I left the old three-decker at the Islands of the Blest! That route is barred to steamers: you’ll never lift again Our purple-painted headlands or the lordly keeps of Spain. They’re just beyond your skyline, howe’er so far you cruise In a ram-you-damn-you liner with a brace of bucking screws. Swing round your aching search-light—’twill show no haven’s peace. Ay, blow your shrieking sirens to the deaf, gray-bearded seas! Boom out the dripping oil-bags to skin the deep’s unrest— And you aren’t one knot the nearer to the Islands of the Blest! But when you’re threshing, crippled, with broken bridge and rail, At a drogue of dead convictions to hold you head to gale, Calm as the Flying Dutchman, from truck to taffrail dressed, You’ll see the old three-decker for the Islands of the Blest. You’ll see her tiering canvas in sheeted silver spread; You’ll hear the long-drawn thunder ’neath her leaping figure-head; While far, so far above you, her tall poop-lanterns shine Unvexed by wind or weather like the candles round a shrine! Hull down—hull down and under—she dwindles to a speck, With noise of pleasant music and dancing on her deck. All’s well—all’s well aboard her—she’s left you far behind, With a scent of old-world roses through the fog that ties you blind. Her crew are babes or madmen? Her port is all to make? You’re manned by Truth and Science, and you steam for steaming’s sake? Well, tinker up your engines—you know your business best— She’s taking tired people to the Islands of the Blest!
Rudyard Kipling
Eva sipped her coffee. Today, her hair was bound back in a singular knot, the sides rolled in smooth twists, the knot itself in the shape of the figure eight, which Delphine knew was the ancient sign for eternity. Eva rose and turned away, walked across the green squares of linoleum to punch some risen dough and cover it with towels. As Delphine watched, into her head there popped a strange notion: the idea that perhaps strongly experienced moments, as when Eva turned and the sun met her hair and for that one instant the symbol blazed out, those particular moments were eternal. Those moments actually went somewhere. Into a file of moments that existed out of time's range..
Louise Erdrich
While I’m spreading butter, I think about how I like the noise in Rose’s house, lines of music, threaded and knotted over the top of one another. Knives hitting plates, chairs scraping floor, kids screaming, her dad’s slippers shuffling his solo, “Can’t a Man Get Any Sleep Around Here?” Mixed together it sounds like a little kitchen symphony.
Cath Crowley (A Little Wanting Song)
always ready to justify her actions, constantly monitoring what she’d just said or done, while simultaneously feeling defensive about the defensiveness, her thoughts and feelings twisting into impenetrable knots, so that sometimes, like right now, sitting in a room with normal people, all the things she couldn’t say rose in her throat and for a moment she couldn’t breathe.
Liane Moriarty (Big Little Lies)
Marriage to Perry meant she was always ready to justify her actions, constantly monitoring what she’d just said or done, while simultaneously feeling defensive about the defensiveness, her thoughts and feelings twisting into impenetrable knots, so that sometimes, like right now, sitting in a room with normal people, all the things she couldn’t say rose in her throat and for a moment she couldn’t breathe.
Liane Moriarty (Big Little Lies)
All-out. Thaumaturgical. War. And there were of course no alliances, no sides, no deals, no mercy, no cease. The skies twisted, the seas boiled. The scream and whizz of fireballs turned the night into day, but that was all right because the ensuing clouds of black smoke turned the day into night. The landscape rose and fell like a honeymoon duvet, and the very fabric of space itself was tied in multidimensional knots and bashed on a flat stone down by the river of Time.
Terry Pratchett (Sourcery (Discworld, #5))
Anyone who could have seen her in front of the mirror, in ecstasy over her own regal gestures, would have had reason to think that she was mad. But she was not. She had simply turned the royal regalia into a device for her memory. The first time she put it on she could not help a knot from forming in her heart and her eyes filling with tears because at that moment she smelled once more the odor of shoe polish on the boots of the officer who came to get her at her house to make her a queen, and her soul brightened with the nostalgia of her lost dreams. She felt so old, so worn out, so far away from the best moments of her life that she even yearned for those that she remembered as the worst, and only then did she discover how much she missed the whiff of oregano on the porch and the smell of roses at dusk, and even the bestial nature of the parvenus. Her heart of compressed ash, which had resisted the most telling blows of daily reality without strain, fell apart with the first waves of nostalgia.
Gabriel García Márquez (The Adventures of Tom Sawyer)
What if our souls are connected to each other and flow together in and out of time like a giant woven tapestry? What if it was that simple and that real? The laws of physics state that energy cannot be destroyed, and we are made of energy. When each of us dies, that energy reenters the atmosphere. What if it does become part of the collective blanket of souls? Threads of energy that connect us to each other. What if it is our obligation to follow them, despite the knots and tangles, through to the end?
M.J. Rose (Seduction (Reincarnationist, #5))
Are those chocolate chip?'' Cole reaches her first and claims one. ''Oh, my godness.'' Nana sets the tray aside and coos the guy. ''Cole, dear, you have a boulder-size knot on your jaw.'' ''River did it.'' Cole smirks at the guy. ''And he insulted my mom. And my dad.'' ''River Marks.'' Nana shakes her head, as if her heart is acually breaking. ''How could you be so rough? And so insensitive!'' River glares at Cole before bowing his head. ''I'm sorry, Nana.'' ''The human body is like a flower. Treat it well, and it will bloom.'' She approaches the ring and extends two cookies. River and I accept with eager thanks. ''Let's be kind to each other and keep our punches away from the face and groin.'' ''Yes, ma'am,'' we say in unison. Then of course, we devour the offering as if we've never tasted sugar. ''Good, good.'' She brushes the crumbs from her fingers. ''I'll leave you kids to your practice.'' She kisses Ali, then Cole, and leaves. ''Are you a rose?'' River sneers at Cole. ''Or a lilly?'' ''Orchid. And your jealousy is showing.'' Cole responds.
Gena Showalter (A Mad Zombie Party (White Rabbit Chronicles, #4))
From east to west, in fact, her gaze swept slowly, without encountering a single obstacle, along a perfect curve. Beneath her, the blue-and-white terraces of the Arab town overlapped one another, splattered with the dark-red spots of the peppers drying in the sun. Not a soul could be seen, but from the inner courts, together with the aroma of roasting coffee, there rose laughing voices or incomprehensible stamping of feet. Father off, the palm grove, divided into uneven squares by clay walls, rustled its upper foliage in a wind that could not be felt up on the terace. Still farther off and all the way to the horizon extended the ocher-and-gray realm of stones, in which no life was visible. At some distance from the oasis, however, near the wadi that bordered the palm grove on the west could be seen broad black tents. All around them a flock of motionless dromedaries, tiny at the distance, formed against the gray ground the black signs of a strange handwriting, the meaning of which had to be deciphered. Above the desert, the silence was as vast as the space. Janine, leaning her whole body against the parapet, was speechless, unable to tear herself away from the void opening before her. Beside her, Marcel was getting restless. He was cold; he wanted to go back down. What was there to see here, after all? But she could not take her gaze from the horizon. Over yonder, still farther south, at that point where sky and earth met in a pure line - over yonder it suddenly seemed there was awaiting her something of which, though it had always been lacking, she had never been aware until now. In the advancing afternoon the light relaxed and softened; it was passing from the crystalline to the liquid. Simultaneously, in the heart of a woman brought there by pure chance a knot tightened by the years, habit, and boredom was slowly loosening. She was looking at the nomads' encampment. She had not even seen the men living in it' nothing was stirring among the black tents, and yet she could think only of them whose existence she had barely known until this day. Homeless, cut off from the world, they were a handful wandering over the vast territory she could see, which however was but a paltry part of an even greater expanse whose dizzying course stopped only thousands of miles farther south, where the first river finally waters the forest. Since the beginning of time, on the dry earth of this limitless land scraped to bone, a few men had been ceaselessly trudging, possessing nothing but serving no one, poverty-stricken but free lords of a strange kingdom. Janine did not know why this thought filled her with such a sweet, vast melancholy that it closed her eyes. She knew that this kingdom had been eternally promised her and yet that it would never be hers, never again, except in this fleeting moment perhaps when she opened her eyes again on the suddenly motionless sky and on its waves of steady light, while the voices rising from the Arab town suddenly fell silent. It seemed to her that the world's course had just stopped and that, from that moment on, no one would ever age any more or die. Everywhere, henceforth, life was suspended - except in her heart, where, at the same moment, someone was weeping with affliction and wonder.
Albert Camus
Wine talks; ask anyone. The oracle at the street corner; the uninvited guest at the wedding feast; the holy fool. It ventriloquizes. It has a million voices. It unleashes the tongue, teasing out secrets you never meant to tell, secrets you never knew. It shouts, rants, whispers. It speaks of great plans, tragic loves and terrible betrayals. It screams with laughter. It chuckles softly to itself. It weeps in front of its own reflection. It revives summers long past and memories best forgotten. Every bottle a whiff of other times, other places, every one- from the commonest Liebfraumilch to the imperious Vueve Clicquot- a humble miracle. Everyday magic, Joe had called it. The transformation of base matter into the stuff of dreams. Layman's alchemy. Take these six in Jay's cellar, for instance. The Specials. Not wines really meant for keeping, but he kept them all the same. For nostalgia's sake. For a special, yet-to-be-imagined occasion. Six bottles, each with its own small handwritten label and sealed with candle wax. Each had a cord of a different color knotted around its neck; raspberry red, elderflower green, blackberry blue, rose hip yellow, damson black. The last bottle was tied with a brown cord. Specials '75, said the label, the familiar writing faded to the color of old tea.
Joanne Harris (Blackberry Wine)
Their gazes locked,he said,"I made a mistake." "Confusing your wife with a goat?" What was that he had thought about the difficulty of having a wife who was a truthsayer? He took a breath,let it out slowly, and sent with it a prayer. "There was a time-a brief time-when I considered you might be guilty." Truth. Rycca smiled. She freed her hands, cupped them to his face,and rose on her toes to touch her mouth to his. "What is that for?" he asked, caught between relief and bewilderment. Likely she would always keep him so off balance and likely he would always be glad of it for truly fortune smiled upon him. A great knot seemed to be untangling in his chest. "For believing me." "I only briefly didn't," he repeated. "No,I mean for believing I am a truthsayer." "And you know that because-" She laughed and took his hand again. "Because you are a wise and canny man, Lord Dragon. You could as easily have insisted you never even flirted with the thought that I might be guilty and thereby saved yourself what must surely have been an uneasy moment for a husband." He was slightly stung but not too much, for her ready forgiveness was as a balm over all else. "Generally speaking, I do tell the truth for its own sake." "I never thought otherwise. And I would be as truthful with you. Last night, I realized suddenly that I was not afraid. All things considered, that was rather ridiculous but it was how I felt nonetheless." The knot was definitely gone. Indeed, a great warmth seemd to suffuse him. If a woman who had every reason to fear Vikings could be tied to a punishment post by her own Viking husband and not be afraid, that could mean only one thing. "You trust me." "And you trust me." At that moment, looking down at her, his face held nothing of the mighty warrior and jarl. He looked instead like a boy handed the world. She wanted only to give it to him again and again. "I would say," Rycca murmured, "that for a rocky beginning, we are managing well enough." It was an incongruously happy note upon which to discuss a dead man.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
All right, Almanzo!” Almanzo slapped Bess with the lines and shouted: “Giddap, Bess!” Bess began to walk around the capstan, and the capstan began to wind up the rope. The rope pulled the ends of the levers toward the press, and the inner ends of the levers pushed its loose bottom upward. The bottom slowly rose, squeezing the hay. The rope creaked and the box groaned, till the hay was pressed so tight it couldn’t be pressed tighter. Then Father shouted, “Whoa!” And Almanzo shouted, “Whoa, Bess!” Father climbed up the hay-press and ran ash withes through narrow cracks in the box. He pulled them tight around the bale of hay, and knotted them firmly. Mr. Weed unfastened the cover, and up popped the bale of hay, bulging between tight ash-withes. It weighed 250 pounds, but Father lifted it easily.
Laura Ingalls Wilder (Farmer Boy (Little House, #2))
Is there any finer phrase in the English language than Midsummer Day? There are no words to touch it for conjuring. It is the beginning of blooming roses and ripening corn, of days that stretch on, reaching for midnight until the spangled blue velvet of night descends and beginning again before cockcrow, when the dew jewels the grass like diamonds scattered while the earth slumbers. I, of course, expected rain. Not just rain, but torrential, heaving, biblical rain—the sort to set arks afloat. Everything else had gone awry, why not that? But when I awoke on Midsummer Day, the sun greeted me cordially, coaxing the dew from the grass and the early roses as a light breeze wafted the scent of charred chimney over the gardens. I stood at the window and breathed in deeply all the scents of summer, fresh grass and carp ponds and blossoming herb knots until the whole of it mingled in my head and made me dizzy. A bee floated lazily in the window and out again as if beckoning me to follow.
Deanna Raybourn (Midsummer Night (Lady Julia Grey, #3.5))
I seemed to hear a voice of lamentation out of the Golden Age. It told me that we are imperfect, incomplete, and no more like a beautiful woven web, but like a bundle of cords knotted together and flung into a comer. It said that the world was once all perfect and kindly, and that still the kindly and perfect world existed, but buried like a mass of roses under many spadefuls of earth. The faeries and the more innocent of the spirits dwelt within it, and lamented over our fallen world in the lamentation of the wind-tossed reeds, in the song of the birds, in the moan of the waves, and in the sweet cry of the fiddle. It said that with us the beautiful are not clever and the clever are not beautiful, and that the best of our moments are marred by a little vulgarity, or by a pin-prick out of sad recollection, and that the fiddle must ever lament about it all. It said that if only they who live in the Golden Age could die we might be happy, for the sad voices would be still; but alas! alas! they must sing and we must weep until the Eternal gates swing open.
W.B. Yeats (When You Are Old: Early Poems and Fairy Tales (Penguin Drop Caps))
A knock at the door pulled me from my thoughts. I opened it, expecting to see Gupta, but it was Amar. His expression looked carved in stone and his lips were set in a grim line. But the moment we held each other’s gaze, something in him relented. His hands tightened at his side. “I would never want to cause you pain.” I flinched. “I am not in pain.” Lie. “I am not some animal you wounded,” I added. Truth. “It is only a night longer,” he said. The warning voice from the halls echoed back to me: You are running out of moon time. Listen to my warning rhyme. What would happen tomorrow? Amar hesitated, before reaching out to hold my hand. I stared at the circlet of my hair around his wrist. Bitterness rose in my throat. I glanced from my bracelet to the other one on his wrist--black leather and knotted--dull and malevolent. “Do these past days mean nothing?” he asked, so gently that my weak self curled around his words. But I would no longer be weak. I tapped into that power in my veins and a shimmering wall of flames sprang up between us. Amar jumped back, shocked and then…amused. “A little ruthlessness is to be admired, but it’s cruel to play with a powerless heart.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
Mrs. Harris’s coach should be here any minute. I trek toward the curb, but just as I reach it, the latch on my bag drops open again, and the contents spill into the snow. Cursing, I bend to retrieve my things, but a violent gale whips me backward into the slush, snatching petticoats, chemises, and knickers into the air. “No!” I cry, scrambling after my clothes and stuffing them one by one back into my bag, glancing over my shoulder to make sure no one has caught a glimpse of my underthings dancing across the street. A man snores on a stoop nearby, but no one else is out. Relieved, I scuttle through the snow, jamming skirts and books and socks into the bag and gritting my teeth as the wind burns my ears. A clatter of hooves breaks through the howling tempest, and I catch sight of a cab headed my way. My stomach clenches as I snap my bag closed once more. That must be Mrs. Harris’s coach. I’m really going to do this. But as I make my way toward it, a white ghost of fabric darts in front of me. My eyes widen. I missed a pair of knickers. Panic jolting through my every limb, I sprint after it, but the wind is too quick. My underclothes gust right into the carriage door, twisting against its handle as the cab eases to a stop. I’m almost to it, fingers reaching, when the door snaps open and a boy about my age steps out. “Miss Whitlock?” he asks, his voice so quiet I almost don’t hear it over the wind. Trying not to draw attention to the undergarments knotted on the door just inches from his hand, I give him a stiff nod. “Yes, sir, that’s me.” “Let me get your things,” he says, stepping into the snow and reaching for my handbag. “Uh—it’s broken, so I’d—I’d better keep it,” I mumble, praying he can’t feel the heat of my blush from where he is. “Very well, then.” He turns back toward the coach and stops. Artist, no. My heart drops to my shoes. “Oh…” He reaches toward the fabric knotted tightly in the latch. “Is…this yours?” Death would be a mercy right about now. I swallow hard. “Um, yes.” He glances at me, and blood floods my neck. “I mean, no! I’ve never seen those before in my life!” He stares at me a long moment. “I…” I lurch past him and yank at the knickers. The fabric tears, and the sound of it is so loud I’m certain everyone in the world must have heard it. “Here, why don’t I—” He reaches out to help detangle the fabric from the door. “No, no, no, I’ve got it just fine,” I say, leaping in front of him and tugging on the knot with shaking hands. Why. Why, why, why, why, why? Finally succeeding at freeing the knickers, I make to shove them back into my bag, but another gust of wind rips them from my grasp. The boy and I both stare after them as they dart into the sky, spreading out like a kite so that every damn stitch is visible. He clears his throat. “Should we—ah—go after them?” “No,” I say faintly. “I—I think I’ll manage without…
Jessica S. Olson (A Forgery of Roses)
Hold Everything Dear for John Berger as the brick of the afternoon stores the rose heat of the journey as the rose buds a green room to breathe and blossoms like the wind as the thinning birches whisper their silver stories of the wind to the urgent in the trucks as the leaves of the hedge store the light that the moment thought it had lost as the nest of her wrist beats like the chest of a wren in the turning air as the chorus of the earth find their eyes in the sky and unwrap them to each other in the teeming dark hold everything dear the calligraphy of birds across the morning the million hands of the axe, the soft hand of the earth one step ahead of time the broken teeth of tribes and their long place steppe-scattered and together clay's small, surviving handle, the near ghost of a jug carrying itself towards us through the soil the pledge of offered arms, the single sheet that is our common walking the map of the palm held in a knot but given as a torch hold everything dear the paths they make towards us and how far we open towards them the justice of a grass that unravels palaces but shelters the songs of the searching the vessel that names the waves, the jug of this life, as it fills with the days as it sinks to become what it loves memory that grows into a shape the tree always knew as a seed the words the bread the child who reaches for the truths beyond the door the yearning to begin again together animals keen inside the parliament of the world the people in the room the people in the street the people hold everything dear 19th May 2005 Gareth Evans
John Berger (Hold Everything Dear: Dispatches on Survival and Resistance (Vintage International))
We’ve known his family forever. He doesn’t seem to care about the scandal in ours, and he’s an excellent shot-“ “That would certainly be at the top of my list of requirements for a husband,” Minerva broke in, eyes twinkling. “’Must be able to hit a bull’s-eye at fifty paces.’” “Fifty paces? Are you mad? It would have to be a hundred at least.” Her sister burst into laughter. “Forgive me for not knowing what constitutes sufficient marksmanship for your prospective mate.” Her gaze grew calculating. “I heart that Jackson is a very good shot. Gabe said he beat everyone today, even you.” “Don’t remind me,” Celia grumbled. “Gabe also said he won a kiss from you.” “Yes, and he gave me a peck on the forehead,” Celia said, still annoyed by that. “As if I were some…some little girl.” “Perhaps he was just trying to be polite.” Celia sighed. “Probably. I didn’t kiss you “properly” today because I was afraid if I did I might not stop. “The thing is…” Celia bit her lower lip and wondered just how much she should reveal to her sister. But she had to discuss this with someone, and she knew she could trust Minerva. Her sister had never betrayed a confidence. “That wasn’t the first time Jackson kissed me. Nor the last.” Minerva nearly choked on her chocolate. “Good Lord, Celia, don’t say such things when I’m drinking something hot!” Carefully she set her cup on the bedside table. “He kissed you?” She seized Celia’s free hand. “More than once?” Celia nodded. Her sister cast her eyes heavenward. “And yet you’re debating whether to enter into a marriage of convenience with Lyons.” Then she looked alarmed. “You did want the man to kiss you, right?” “Of course I wanted-“ She caught herself. “He didn’t force me, if that’s what you’re asking. But neither has Jackson…I mean, Mr. Pinter…offered me anything important.” “He hasn’t mentioned marriage?” “No.” Concern crossed Minerva’s face. “And love? What of that?” “That neither.” She set her own cup on the table, then dragged a blanket up to her chin. “He’s just kissed me. A lot.” Minerva left the bed to pace in front of the fireplace. “With men, that’s how it starts sometimes. They desire a woman first. Love comes later.” Unless they were drumming up desire for a woman for some other reason, the way Ned had. “Sometimes all they feel for a woman is desire,” Celia pointed out. “Sometimes love never enters into it. Like Papa with his females.” “Mr. Pinter doesn’t strike me as that sort.” “Well, he didn’t strike me as having an ounce of passion until he started kissing me.” Minerva shot her a sly glance. “How is his kissing?” Heat rose in her cheeks. “It’s very…er…inspiring.” Much better than Ned’s, to be sure. “That’s rather important in a husband,” Minerva said dryly. “And what of the duke? Has he kissed you?” “Once. It was…not so inspiring.” She leaned forward. “But he’s offering marriage, and Jackson hasn’t even hinted at it.” “You shouldn’t settle for a marriage of convenience. Especially if you prefer Jackson.” I don’t believe in marriages of convenience. Given your family’s history, I would think that you wouldn’t, either. Celia balled the blanket into a knot. That was easy for Jackson to say-he didn’t have a scheming grandmother breathing down his neck. For that matter, neither did Minerva.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Why did you come here tonight?” she asked. “Other than the fact that you’ve finally come to your senses and realize you love me.” Chuckling, Grey reached up and untied the ribbons that held her mask. The pretty silk fell away to reveal the beautiful face beneath. “I missed you,” he replied honestly. “And you were right-about everything. I’m tired of drifting through life. I want to live again-with you.” A lone tear trickled down her cheek. “I think that might be the most romantic thing you’ve ever said to me.” He grinned. “I have more.” She pressed her fingers to his lips. “I’m tired of talking.” She kissed him, teasing his lips with the ripe curves of hers, sliding her tongue inside to rub against his in a sensual rhythm that had him fisting his hands in her skirts. By the time they reached Mayfair, Grey’s hair was mussed, Rose’s skirts crushed, and he was harder than an oratory competition for mutes. “I can’t believe you came,” she told him as the entered the house, arms wrapped around each other. “I’m so proud of you.” “I wouldn’t have done it without you.” She shook her head. “You did it for yourself not for me.” Perhaps that was true, and perhaps it wasn’t. He had no interest in discussing it tonight. “It’s just the beginning,” he promised. “I’m going to go wherever you want to go from now on. Within reason.” She laughed. “Of course. We can’t have you attending a musicale just to please me, can we?” She gazed up at him. “You know, I think I’m going to want to spend plenty of evenings at home as well. That time I spent out of society had some very soothing moments.” “Of course,” he agreed, thinking about all the things they could do to one another at home. Alone. “There has to be moderation.” Upstairs in their bedroom, he undressed her, unbuttoning each tiny button one by one until she sighed in exasperation. “In a hurry?” he teased. His wife got her revenge, when clad only in her chemise and stockings, she turned those nimble fingers of hers to his cravat, working the knot so slowly he thought he might go mad. She worsened the torment by slowly rubbing her hips against his thigh. His cock was so rigid he could hang clothes on it, and the need to bury himself inside her consumed him. Still, a skilled lover knows when to have patience-and a man in love knows that his woman’s pleasure comes far, far before his own. So, as ready as he was, Grey was in no hurry to let this night end, not when it might prove to be the best of his new-found life. Wearing only his trousers, he took Rose’s hand and led her to their bed. He climbed onto the mattress and pulled her down beside him, lying so that they were face-to-face. Warm fingers came up to gently touch the scar that ran down his face. Odd, but he hadn’t thought of it at all that evening. In fact, he’d almost forgot about it. “I heard you that night,” he admitted. “When you told me you loved me.” Her head tilted. “I thought you were asleep.” “No.” He held her gaze as he raised his own hand to brush the softness of her cheek. “I should have said it then, but I love you too, Rose. So much.” Her smile was smug. “I know.” She kissed him again. “Make love to me.” His entire body pulsed. “I intend to, but there’s one thing I have to do first.” Rose frowned. “What’s that?” Grey pulled the brand-new copy of Voluptuous from beneath the pillow where he’d hidden it before going to the ball. “There’s a story in here that I want to read to you.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
I know my alphabet,' I said sharply as he laid a piece of paper in front of me. 'I'm not that stupid.' I twisted my fingers in my lap, then pinned my restless hands under my thighs. 'I didn't say you were stupid,' he said. 'I'm just trying to determine where we should begin.' I leaned back in the cushioned seat. 'Since you've refused to tell me a thing about how much you know.' My face warmed. 'Can't you hire a tutor?' He lifted a brow. 'Is it that hard for you to even try in front of me?' 'You're a High Lord- don't you have better things to do?' 'Of course. But none as enjoyable as seeing you squirm.' 'You're a real bastard, you know that?' Rhys huffed a laugh. 'I've been called worse. In fact, I think you've called me worse.' He tapped the paper in front of him. 'Read that.' A blur of letters. My throat tightened. 'I can't.' 'Try.' The sentence had been written in elegant, concise print. His writing, no doubt. I tried to open my mouth, but my spine locked. 'What exactly, is your stake in all this? You said you'd tell me if I worked with you.' 'I didn't specify when I'd tell you.' I peeled back from him as my lip curled. He shrugged. 'Maybe I resent the idea of you letting those sycophants and war-mongering fools in the Spring Court make you feel inadequate. Maybe I indeed enjoy seeing you squirm. Or maybe-' 'I get it.' He snorted. 'Try to read it, Feyre.' Prick. I snatched the paper to me, nearly ripping it in half in the process. I looked at the first word, sounding it out in my head. 'Y-you...' The next I figured out with a combination of my silent pronunciation and logic. 'Look...' 'Good,' he murmured. 'I didn't ask for your approval.' Rhys chuckled. 'Ab... absolutely.' It took me longer than I wanted to admit to figure that out. The next word was even worse. 'De... Del...' I deigned to glance at him, brows raised. 'Delicious,' he purred. My brows knotted. I read the next two words, then whipped my face toward him. 'You look absolutely delicious today, Feyre?! That's what you wrote?' He leaned back in his seat. As our eyes met, sharp claws caressed my mind and his voice whispered inside my head. It's true, isn't it? I jolted back, my chair groaning. 'Stop that!' But those claws now dug in- and my entire body, my heart, my lungs, my blood yielded to his grip, utterly at his command as he said, The fashion of the Night Court suits you.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
I’ve forgotten how to pay courtly compliments,” said Amar. “For instance, etiquette demands I tell you that you look lovely and compliment your demure. But that wouldn’t be the truth.” Heat rose to my cheeks and I narrowed my eyes. “What, then, would be the truth?” “The truth,” said Amar, taking a step closer to me, “is that you look neither lovely nor demure. You look like edges and thunderstorms. And I would not have you any other way.” My breath gathered in a tight knot and I looked away, only to catch sight of the tapestry. The threads throbbed behind my eyes, sharp as any headache. My vision blurred, swallowing the room around me. I blinked rapidly, squinting at the threads. All I could see were that all the threads were out of place. Some had either skipped a stitch or poked out altogether. I walked toward the tapestry in a daze, my hands outstretched. I could feel the tapestry’s pull, sharp as hunger, dry as thirst. Nothing would sate or slake me. All I wanted was to adjust the threads, tuck them back into place. There was an order, a pattern, like a stitching trick. I could feel it like a word balancing on the tip of my tongue and all I had to do was-- Amar’s hand closed around my wrist. He moved before me, blocking the tapestry. “Stop!” I blinked, my head woolly. His hands were around my shoulders, drawing me to a wobbly stand. “Did I fall?” “That sounds ungraceful,” he said, a smile playing at his lips. He was trying to joke with me, to ward off whatever happened as though it were nothing. But his hands were tight at my shoulders and there was the slightest tremble in his fingers. “A graceful tumble, then?” I suggested, stepping out of the circle of his arms. I didn’t need any help keeping myself upright. “I should’ve explained the tapestry before showing it to you. It can be overwhelming.” Amar led me to the throne and I sank into it wearily. There was a new ache tethered inside my bones. In the haze, the pressure of Amar’s hand against my arm was warm, comforting even. I closed my eyes, concentrating on the warm pulse in his fingers. When I finally felt strong enough to speak, I opened my eyes to find Amar’s face mere inches from mine. I could count the immaculate stitching of his emerald hood, the stubble along his chin and the veins raised along his hand. His eyes, as always, lay hidden. But he was so close that if I wanted, and I did, I might be able to peek-- Amar jerked backward, his jaw tightening.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
Their eyes met. For a split second she caught a glimpse of heat in his eyes. Then Jake banked the flame and broke out of her embrace. Marnie felt a hot blush rise from her toes to her nose. It took a moment for her eyes to focus and her brain to function. Bewildered, she looked up to find him watching her. His heavy-lidded eyes held a strange desperation as he reached back and unhooked the vice of her ankles from around his wiast. Her legs dropped. Her heels thumped against the cabinet. Beneath his hawklike gaze she felt stripped bare and vulnerable. He studied her face, seeming to see more than her features. He seemed to delve into her mind, to touch things deep and frightening—parts of herself Marnie was still exploring. The muscles in his jaw knotted and unknotted. After a moment he stepped back and casually, but with difficulty, adjusted his jeans Heat flooded her cheeks. Legs splayed, nipples peaked to his clinical gaze, she’d never experienced such acute embarrassment in her life. Her breath hitched as she jumped off the counter, tugging her top down and her pants up. At a loss for hers, she half laughed. “I have absolutely no idea what to say.” Which was a reasonable start, she guessed. It was rare for her to be speechless. But then, this was a day of firsts. “I told you you weren’t my type.” The brass button on his jeans closed like the clasp of a miser’s purse. Other than a faint flush on the ridge of his cheekbones and what looked like a painful erection, he seemed totally unaffected by what had just happened. She stared at him. “Not your t—What do you call what just happened?” Marnie was confused. It was out of character for her to be sexually aggressive. But now that she’d done it, she wasn’t sorry. “What part of ‘I don’t want you’ didn’t you understand?” He’d wanted her. He might lie about it, but his body had been honest. He was as hard as petrified wood. “Then what”—she pointed—“is that?” He ignored the bulge in his jeans. “Just because I have it doesn’t mean I intend to use it.” Marnie stepped forward and touched his arm. He jerked away from her as if she’d used a cattle prod. “Was it something I said?” she asked quietly, dropping her hand to her side. “Look, I have a tendency to sort of speak without running the words through my brain first. But I know I didn’t give out mixed signals just now. I wanted to make love with you. It was very good. No, darn it, it was excellent. So if you have some sort of medical condition, let’s talk about i—” He moved backward, almost tripping over Duchess sprawled on the floor. The dog rose to hover anxiously between them. Jake’s eyes turned as he said, “I do not have a medical condition.” Marnie backed up—mentally as well as physically. Her hip bumped the counter. “Good.” He scowled and swore under his breath. “That is good, isn’t it?” she asked tentatively.
Cherry Adair (Kiss and Tell (T-FLAC, #2; Wright Family, #1))
What would the ton do without us to feed them scandal broth?” Grey returned her grin. “The lot of them would starve.” They chuckled and as the humor faded, Grey tilted his head to look at her. “You look beautiful tonight.” She flushed, pleasure lighting the dark depths of her eyes. “You don’t have to say such things.” “I know I don’t, but you are my fiancée and it’s perfectly acceptable for me to voice my thoughts aloud. It’s rather refreshing after keeping them to myself for so long.” That got her attention. One of her fine, high brows twitched. “How long?” He grinned. “Since you were old enough for me to think such thoughts without being lecherous.” They stood no more than six inches apart. Close enough that he could see how amazingly flawless her skin was-not a freckle in sight. Close enough that she could see every twist and knot in his scar-and yet she barely glanced at it. Her gaze was riveted on his. She didn’t care that he was disfigured-at least not on the outside. Not on the inside either, so it seemed. “I’ve never been a good man,” he confessed-a little more hoarse than he liked-“but I promise to be a faithful husband.” It was the best he could offer, because as much as he would like to be the man she wanted, it wasn’t going to happen. Her smooth brow puckered. “I haven’t actually consented, you know.” “Rose, we have to marry.” “No.” She raised sparkling eyes to his. “I want you to ask me to marry you-not demand it. I don’t care if it has to be done. I want to feel like I have a choice.” “If you did have a choice, what would it be?” He was on dangerous ground with her, inching into territory better left unexplored for both their sakes. Rose smiled, and everything was right with the world. “Ask me and find out.” His hands came up, seemingly of their own volition, to cup her face. She was so delicate, yet so strong. Her entire world had been turned upside down, and yet she faced him with a teasing glint in her eyes and a soft flush of color in her cheeks. “Rose Danvers, will you do me the extreme honor of becoming my wife?” Were those tears dampening her eyes? And was it joy or sorrow that put them there? “I will.” He knew that they had to marry regardless, but hearing her say those two little words was like someone kicking his heart through his ribs. It hurt, but there was such unfathomable joy that came with it-such terrible happiness that Grey had no idea what to do with it. He’d never felt anything like it before. Holding her face, he lowered his head and hungrily claimed her mouth with his own. Her lips parted for his tongue as her fingers bit into his arms. A trickle of warm wetness brushed against his thumb. She was crying. A sharp gasp came from the open door. “What the devil is going on here?” The kiss and its magic were broken. Rose stepped back, and Grey dropped his hands, but he wasn’t willing to let her go just yet. He placed one arm behind her back, holding her close so that they faced her mother together. Camilla did not look happy. In fact, she looked like any mother would to walk into a room and find her daughter being molested. “Mama,” Rose begun. “It’s not what you think.” “It is exactly what you think,” Grey countered, drawing his friend’s stormy and narrow gaze. “I have asked Rose for her hand in marriage and she has accepted. I regret that you had to find out this way, but I was too overcome with joy to contain my feelings.” He could feel Rose gaping at him. He didn’t look at her, not because the words were a lie, but because they were all too damnably true.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Luca stepped away and turned around to give Cass privacy. She wrestled out of her waterlogged dress and slipped the fresh chemise over her head. She tugged the skirt over her hips. The dry fabric felt good against her skin. She slipped her arms through the sleeves of her bodice and stopped. The ties were in the back. She had no way to lace it without Siena’s help. A sob escaped from her lips. Luca was at her side in an instant. “Cass. What is it?” he asked. “Are you hurt?” “I need Siena,” Cass whispered, feeling incredibly stupid. “I--I can’t lace this bodice. I--” “I’ll help you,” Luca said. With slow, fumbling fingers, Luca threaded the first lace through the highest hole. He dropped it and grabbed the lace on the other side. Cass started to tell him it was faster if he threaded one lace through all of the holes first, and then did the same on the other side. But she stopped. There was something comforting about Luca’s painstakingly slow progress, about the methodical but innocent way his hands grazed her back repeatedly. “Thank you,” Cass said, when he had made it all the way to the bottom and knotted the silk pieces in a clumsy bow.
Fiona Paul (Belladonna (Secrets of the Eternal Rose, #2))
I raced around getting ingredients on the recipe Victoria had given me. I started making the dough for the Iraqi pita, which Violet on YouTube said would need two hours to rise. I used whole-wheat flour, though I'd never seen my mother touch anything but all-purpose or cake; I wasn't taking any chances. I'd do it right. I went to three different bodegas before I finally found mangoes for pickling. They were small and hard as rocks, but I'd try leaving them in a paper bag with a dozen apples to hurry up the ripening. If that didn't work, I'd read something about microwaving them until they were soft, but I was a little worried about ending up with mango mousse. I bought Meyer lemons, thinking the sweetness could be nice, but as soon as I got home, I thought of my mother, her mouth shrinking into a knot: You used Meyer lemons? Like she'd never understand why I did the things I did. I went back out, got snowed on again, bought real lemons on the corner, and then went home and pickled them with ginger, paprika, garlic, and salt. I hoped they'd taste like they'd been marinating for months but I was starting to have a bad feeling. Things weren't exactly working out. I cut myself twice, accidentally, trying to use the mandoline to slice the onions "as thin as a breath." I made a bed of them that looked like a lattice. I sprinkled thyme on top. The whole thing looked like the side of a house in Scotland where roses grew like weeds. I hoped my mother liked Scotland, but I'd never asked her. I minced garlic until my hand was shaking.
Jessica Soffer (Tomorrow There Will Be Apricots)
Your problem is that you do believe in all of that nonsense. And that’s why you’re scared.” “I’m not scared,” she insisted, but even she wasn’t convinced by the thin protestation. “Yes, you are, or you wouldn’t be asking all these questions. You’re stalling.” Falco bent down and started untying the gondola’s rigging. His hands worked through the ropes easily, as if this were a trick he’d performed many times before. “Hop aboard before I let it go completely loose.” Cass swore she saw him wink at her through the gloom. “My aunt will positively murder me if she finds out I took her gondola without asking.” In the middle of the night. With a strange boy. “Oh, don’t get your laces all in a knot. We’re just going to borrow it. We can have it back before your precious auntie realizes it’s missing.” Cass stood by the dock, staring at the sleek gondola. The early morning was cool, but the blood racing through her veins kept her warm. As long as Falco was certain they could return before anyone found out… Falco knelt in the middle of the boat, one hand held out in Cass’s direction, the other poised to release the gondola from the dock with a quick tug of the rope. “I understand if you don’t want to come. So many rules to break.” Falco’s voice still had that lilting quality to it, but his eyes were serious. “It is safer in the cage, isn’t it?” It was safer. If her parents had stayed in Venice instead of plunging themselves into plague-afflicted foreign cities, they might still be alive. They had wandered outside the little circle of safety and expectations, and had paid the ultimate price. But Cass didn’t want to stay in the circle. She wanted to live. Besides, if there really was a murderer out there, and he had his eye on Cass, what was the point in sitting around waiting for him to come to her?
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
Tell her what you want to tell her then, Cass.” Cass gave Siena a quick summary of what she and Falco had discovered at the graveyard. The maid’s eyes got bigger and bigger as Cass relayed finding the open crypt door and the body, and then receiving the note. “But Signorina Cass, you might be in danger!” “That’s why we’re going to figure out who’s responsible,” Cass said, with more confidence than she felt. “Speaking of which…” Falco nodded at the costume bag, which Cass had completely forgotten. A silky garment, trimmed with lace and beaded elaborately, had fallen out during the scuffle. Siena looked down, and even in the flickering light, Cass could see that her pale skin went bright pink. The lady’s maid knelt to retrieve the outfit, a low-cut satin chemise. She pressed the clothing into Cass’s hands without meeting her eyes. Cass felt her own face get red. “It’s--it’s just a costume. We’re going to try to locate some of the dead girl’s patrons.” “You mean you’re going to masquerade as a…” The shy maid couldn’t choke out the rest. “Hired woman,” Cass confirmed, wondering if it would have been easier just to let Siena believe that she and Falco had met up for a tryst. She wasn’t sure which would have been more scandalizing. “I know it’s dangerous, but it’s more dangerous to do nothing while a madman plots against me. And Falco will be by my side the whole time. Please don’t tell my aunt.” Siena didn’t say anything for a minute. She looked back and forth from Cass to Falco. Finally, she nodded. And then, to Cass’s amazement, her red face lit up with a huge smile. “You’ll need me to do your hair, Signorina.” “Hair?” Cass wasn’t sure she had heard correctly. “What are you talking about?” “Your hair and your makeup.” Siena reached out to stroke Cass’s thick hair. “Otherwise, no one will believe you are anything other than a noblewoman. I’ll put the sides in braids, and twist the back into a knot.” Falco nodded approvingly at Siena. “Excellent idea. We want to make sure everyone can see that beautiful face tonight.” Cass thought her skin might turn permanently red if she continued blushing.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
You’ll need me to do your hair, Signorina.” “Hair?” Cass wasn’t sure she had heard correctly. “What are you talking about?” “Your hair and your makeup.” Siena reached out to stroke Cass’s thick hair. “Otherwise, no one will believe you are anything other than a noblewoman. I’ll put the sides in braids, and twist the back into a knot.” Falco nodded approvingly at Siena. “Excellent idea. We want to make sure everyone can see that beautiful face tonight.” Cass thought her skin might turn permanently red if she continued blushing.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
Why didn’t you say that you were coming?” She was trying not to stare at him, but she couldn’t help it. The angle of his cheekbones reminded her of one of the Greek statues from Dubois’s salon. His skin was sculpture-worthy as well, creamy and alabaster pale, just the hint of a blond beard showing on his cheeks and chin. Almost nothing about him reminded her of the petulant boy who had demanded a kiss from her three years ago. Luca gave Cass a funny look. He plucked a series of invisible cat hairs from his black velvet breeches. “I’m sure I mentioned it in at least two letters. Did you not receive them?” Cass reddened again. Her tongue felt knotted in her mouth. “I must have lost track of time.” Santo cielo. He was going to think she’d become a babbling idiot.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
Why didn’t you say that you were coming?” She was trying not to stare at him, but she couldn’t help it. The angle of his cheekbones reminded her of one of the Greek statues from Dubois’s salon. His skin was sculpture-worthy as well, creamy and alabaster pale, just the hint of a blond beard showing on his cheeks and chin. Almost nothing about him reminded her of the petulant boy who had demanded a kiss from her three years ago. Luca gave Cass a funny look. He plucked a series of invisible cat hairs from his black velvet breeches. “I’m sure I mentioned it in at least two letters. Did you not receive them?” Cass reddened again. Her tongue felt knotted in her mouth. “I must have lost track of time.” Santo cielo. He was going to think she’d become a babbling idiot. Luca’s smile wavered for a moment. He stretched out his long legs and crossed them at the ankles. “No matter. I’m here now. Just in time to protect you.” Cass gestured toward Slipper, who had gone back to sleep on her lap. “Well, as you can see, I’m in grave danger of being mauled, right here in my aunt’s library.” She regretted the wry tone immediately. It was the kind of thing she would have said to Falco. Luca would probably take offense at her joke. But he laughed. “He does look rather fierce,” he said.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
Nimbly, Cass’s fingers worked through the knots while Luca watched with a mixture of surprise and admiration. “I had no idea your talents were so…varied,” he said. Cass smiled. It felt like the first smile in days. “Wait until you see me row.” And row she did. Wood ground against metal as she pulled the oars, leaning into each stroke, her muscles burning in protest as the boat moved slowly and steadily through the lagoon. She scanned the water as she rowed, looking for other craft, for boats that held soldiers, for anything out of the ordinary. But the night was a curtain of blackness, with nothing but a hazy moon to guide her. If they suddenly came upon another boat, there very well might be a crash. Luca took in each of her movements, the expression on his face suddenly making Cass feel shy. “What?” she asked. She looked down at the water, her eyes tracing the path of the wooden oar as it cut through the lagoon, before letting her gaze return to her fiancé. He was still watching her. “You’re staring.” “I was thinking that each time I feel I know you, you surprise me again.” His voice was low but full of warmth, like if he were feeling a bit stronger, he might lean over and kiss her.
Fiona Paul (Starling (Secrets of the Eternal Rose, #3))
Taking her hands in his, he sank down to kneel before her. “I know we already are engaged, but I never went about it properly. Lydia Price, would you do me the great honor of becoming my wife?” Gasps permeated the room as Vincent reached into his pocket with his other hand and pulled out a small jewel case. He flicked the box open to reveal a golden ring filigreed with Celtic knots and adorned with a large diamond surrounded by a rainbow of other jewels. Lydia’s heart lodged in her throat even as unmitigated happiness warmed her body. “When?” The word escaped aloud before she was aware. “Now.” From another pocket in his waistcoat, Vincent withdrew a small sheaf of papers. “I have with me a marriage contract and a special license. I’ve also managed to procure a parson at this late hour.” Everyone’s gazes flew to the stranger, whose identity was now revealed. The parson yawned as if in emphasis of the inconvenience. All eyes shifted to Lydia, awaiting her reply. Her knees quaked beneath her gown, threatening to give out and topple her. “Please, Lydia,” he said achingly. “I cannot bear another night of you not being mine.” “Yes.” The word escaped her lips past the joy swelling within. As if afraid she’d change her mind, Vincent quickly slipped the elaborate ring on her third finger and rose to his feet, retaining his grip on her hand. “You’ve made me the happiest of men,” he replied.
Brooklyn Ann (One Bite Per Night (Scandals with Bite, #2))
A loud clunk resounded behind her. She glanced over her shoulder, expecting to see her husband. Instead she looked straight into Red Buffalo’s black eyes. For an instant her heart stopped beating. She stared at him. He stared back. His arms were laden with firewood. One piece lay at his feet. Very slowly he hunkered down and began unloading the rest. At last Loretta found her voice. “Get out of here!” “I bring you wood,” he replied softly in English. Even Loretta knew warriors didn’t demean themselves by gathering firewood; it was woman’s work. Red Buffalo was humbling himself, making her a peace offering. She didn’t care. “I don’t want your filthy wood. Take it and leave.” He continued his task as if she hadn’t spoken. Rage bubbled up Loretta’s throat. She leaped to her feet and strode toward him. “I said get out of here! Take your damned wood with you!” Just as she reached him, Red Buffalo finished emptying his arms and rose. He was a good head shorter than Hunter, but he dwarfed Loretta. She fell back, startled, wondering if he could smell her fear. Lifting her chin, she cut him dead with her eyes. He inclined his head in a polite nod and turned to walk away. “I said take your wood with you!” she called after him. “I don’t want it!” Picking up a log, she chucked it at him. It landed on end and bounced, hitting Red Buffalo’s calf. He stopped and turned, his face expressionless as he watched her throw the remainder of the firewood in his direction. Saying nothing, he began to pick up the firewood. To Loretta’s dismay, he returned to her firepit and began unloading the logs there in a neat pile. From the corner of her eye, she could see neighbors gathering to find out what all the commotion was about. Heat scalded her cheeks. She couldn’t believe Red Buffalo was humiliating himself like this. “Don’t,” she said raggedly. “Go away, Red Buffalo! Go away!” He tipped his head back. Tears glistened on his scarred cheeks. “Hunter has cut me from his heart.” “Good! You’re an animal!” Red Buffalo winced as if she had struck him. “He has forbidden me to enter his lodge until you take my hand in friendship.” “Never!” Appalled, Loretta retreated a step. “Never, do you hear me?” Red Buffalo slowly rose, brushing his palms clean on his breeches. “He is my brother--my only brother.” “You expect me to feel sorry for you? How dare you come near me? How dare--” Her voice broke, and she spun away, running inside the lodge. Heedless of Amy, who was sitting up on her pallet, Loretta threw herself onto the bed. Knotting her fists, she stifled her sobs against the fur. Hatred coursed through her, hot, ugly, and venomous, making her shake. Take his hand in friendship? Never, not as long as she lived.
Catherine Anderson (Comanche Moon (Comanche, #1))
It was as Frank said: the Sparrow Sisters Nursery had quite a reputation. Sally told Henry about the Nursery that was now a landmark in the town. The plants that grew in tidy rows, the orchids that swayed delicately in the beautiful glass greenhouses, and the herbs and vegetables sown in knot gardens around the land were much in demand. Sorrel had planted a dense little Shakespeare garden as a tribute to her reading habits. The lavender, rosemary, roses and honeysuckle, clematis and pansies, creeping thyme and sage were not for sale in that garden, but Sorrel would re-create versions of it for clients whose big houses on the water needed the stamp of culture, even if their owners had little idea what their lovely gardens meant.
Ellen Herrick (The Sparrow Sisters)
To be hanged He was in his cell, Wondering about heaven and hell, Because he was the one due to be hanged, And throughout the night by old demons he was flanked and fanged, He remembered everything, his every act, That had turned him into the man whose conscience was never intact, A victim of many vagaries and a flippant attitude, Always surrounded by them in multitude, But tonight, his last night, when he could dream, when he could imagine, Think of a new hope maybe; and think of a new short battle that he could still win, Because tomorrow by the afternoon he shall be dangling on the noose, Which is already beginning to form a grip around his neck, though loose, He imagined and conversed with his own mind, And there he picked moments of happiness, whichever he could find, And waited for the sun’s rays to enter his dark cell, Where desires, wishes and hopes died and fell, In their midst he held on to few moments of happiness, just a few, To help him walk upto the noose and invent a form courage, totally new, The sun’s rays gradually gathered in his dark cell and brightened it slowly, As he looked at the walls hopelessly, but thoughtfully, He looked perturbed but not demented or lost, He knew it was the end of everything, his walk upto the gallows to be his steps last, But he appeared to struggle with the invisible frost, That had frozen his feelings and cast him in an emotional world where he was lost, He was despondent, yes he was, you can say that, But the man in him had not died yet, he had not allowed that, So he walked with careful but slow steps towards the final knot that would seal everything for him, And push him into the world where there will be nothing and noone except him, For that is the tragedy of dying, you die alone, with no one but you, But he had held on to his moments of happiness, as he approached the hangman, he asked him to do what he ought to do, The look between the two, the one dying and the one to end life forever, was strange, It was like a rose looking at its own scent, but looking at it, it felt it belonged to a different range, Of emotions, of senses, of feelings, of every thought, and as the he let go of his moments of happiness, The hangman covered his face and hanged him for the sake of justice, and then entered the moment of emotional stillness, For he had executed a man whose body dangled on the rope, A sight with which the hangman could not cope, He turned his face around and then forced himself to be the hangman he is always meant to be, Whereas the man who was just now hanged remained hanging forever in his memories, there now forever to be, And in the dark cell where the sun’s rays still try to find him, The man hangs on like the strange scent of the rose, in faint smells of the corners less bright and more dim!
Javid Ahmad Tak (They Loved in 2075!)
I brush my lips above hers when what I really want to do is fuck her mouth with my tongue.
Marata Eros (Road Kill MC: Books 1-3: Noose, Knot and Rose)
I should be comforting. She just opened herself up to me and spilled her darkest secrets. But I’m stuck between the knot in my throat and the rage bubbling in my chest. I need to get her out of here. Get her away from me. Before I break her even more than she already is.
Eva Simmons (Heart Sick Hate (Twisted Roses #2))
He looked at the tree that was such a good home. Its smooth, spacious branches of silvery tan that stretched wide and far-reaching in knotted, twisted curves and delicate bunches of spreading leaves. How important this had become to him. Here, sitting not too high and not too low, he had seen the world in absolute clarity for the first time, the days emerging as if purified from nights of a clean and brilliant blackness. The sunlight coming in through the leaves at daybreak, shifting and flickering, breathing its fire-breath upon the bark, falling now and then upon Sampath, whom it treated as if he were not the solid being that he was, scattering him like water … He felt weightless here, rocked by this lambent light, lapped by the swell of flower and grass, of leaves as rich as fruit, being warmed to their different scents. All about him the hills rose darkly up into a sky that stretched like a sea, white-stippled and warm, to the very rim of his eye. How strangely it made him feel, Sampath thought, how strangely he thought of beauty. He was greedy for it, insatiably greedy. He could watch it constantly and never could he do it justice …
Kiran Desai (Hullabaloo in the Guava Orchard)
If distractions could get rid of this knot in my gut, I’d be jacking off to pictures of Mandi’s fake tits right now. One look, and I deleted them because I couldn’t care less. She’s not Echo. No one is. And I’m the idiot who let this happen.
Eva Simmons (Heart Sick Hate (Twisted Roses #2))
Can I help?” “Hold this.” She handed him the wreath as she climbed the ladder. It wobbled on the hardwood floor. “I guess the floor’s not level.” “Part of the old house charm.” At the top she stretched high, reaching for the bottom of the picture hanging on the wall, then handed it down to him. The ladder wobbled as they swapped pieces. She grabbed onto the sides, but it wobbled again. When she looked down at Murphy, he wore a roguish smile, and his eyes held a mischievous sparkle. “Stop that,” she said. “What?” “It was you.” “I don’t know what you’re talking about.” She spared him a look and climbed to the highest safe rung, hoping he had the good sense not to fool with the ladder anymore. The wreath wasn’t heavy, but it was awkward. She tried to hook it on the nail that had held the picture. Missed. She rose on her toes. Just out of reach. She breathed a laugh. “Sheesh.” After another try, she lowered her arms for a rest. The ladder moved. “Stop it.” She steadied herself, then realized the ladder wasn’t wobbling. It was vibrating as Murphy climbed up behind her. “What are you doing?” “Helping.” She tightened her grip. “Get down. It isn’t safe.” “This is the heaviest-duty ladder I sell. Since neither of us weighs three hundred pounds, it’ll be fine.” He stopped behind her, the ladder stilling. The warmth of his chest pressed against her back. The clean, musky scent of his soap teased her nose. Her throat went dry. Her heart flittered around her chest like flurries in a snowstorm. He took the wreath, leaning closer, reaching higher. His thighs pressed against hers. His breath stirred the hairs at her temple. A shiver skated down her spine. Her legs trembled, and she braced a hand against the wall. This is Murphy, Layla. Remember? The guy who practically threw Jessica at Jack? The guy who didn’t bother mentioning that your fiancé was hooking up with your cousin? Even as the thought surfaced, Beckett’s words came back to her. Had she blown Murphy’s role out of proportion? Her thoughts tangled into a snarly knot. Murphy settled the wreath against the wall and leaned back infinitesimally. “That where you want it?” His lips were inches from her ear. If she turned her head just a bit— What the heck, Layla? She gave the wreath a cursory glance. “Yeah.” She didn’t care if it was upside down, backward, and flourishing with a moldy infestation. “Can you get down already?” “You seem a little tense.” His tone teased. Did he know the effect he was having on her? “You’re shaking the ladder, and your weight is straining the capacity.” Her fingers pressed against the wall, going white against the oak paneling. “Have it your way.” He leaned in, his lips close enough to brush her hair. “Let me know if you need any more help.
Denise Hunter (A December Bride (A Year of Weddings #1))
Looking at Sam was fine but it was the tasting I enjoyed most. Like the dew that watered fresh blossoms, Sam’s lips moved and left their mark against my heated skin. His scent of body wash and manliness– too inviting– left a delicious taste behind leaving me to desire the more I know I’ll never get.
Rose Ann Bridges (Knot a Liar (Knotted Up #1))
Unable to keep myself from temptation any longer, I reached up and ran my hand through his hair, which as much as he tried, never looked anything other than curly. I further melted into him when he started stroking my arm. Up and down, repeatedly, in sweet sensual delight. I tried to steady my breathing by taking deep, measured breaths. I refused to let him know just how much his touch was effectual and tantalizing.
Rose Ann Bridges (Knot a Liar (Knotted Up #1))
Tom knew that. Understood it on every rational level he had, but irrational Tom rose up, stronger, burning hotter, and decided that he should be completely, irrationally pissed. And jealous. And if Mal were around? Tom definitely would’ve used his hands to talk. As long as they were going for truth . . . “All those times you’ve done this before, did you go out and fuck someone’s brains out after?” Prophet stared at him. “Yeah, I did.” And then, “But this last one? It’s the first time I’ve done this for Mal since you and I met.” They’d never talked about exclusivity. It’d just happened. And while he didn’t feel betrayed by what Prophet had done, his stomach was in knots because Proph hadn’t told him. Then again, it wasn’t only Prophet’s secret to tell. Fuck.
S.E. Jakes (Not Fade Away (Hell or High Water, #3.5))
Did you see the fight yesterday, when Lem Johnson didn’t want to cross the river?” Joellen nodded. “I was hiding in the supply wagon, and I watched the whole thing. You were masterful.” “If you saw what happened, you know nobody defies my orders and gets away with it. And I don’t let people tell lies about me, either.” Joellen swallowed, but she still looked besotted. Steven was about to cure her of that. He sat down on the bench, clasped Joellen by the wrist, and flung her down across his lap. She was so startled that, for a moment, she just lay there with her fanny upended. But when she looked back over her shoulder, she saw Steven’s hand descending and yelped in anticipation of the pain. His palm made a satisfying thwack, so Steven gave her another swat. Joellen squirmed and shrieked, more in anger than suffering, but he kept her legs scissored between his thighs and went right on spanking her. In the street, wagons rolled past, their occupants staring at Joellen and Steven, but he didn’t give a damn. In fact, he gave Joellen five more solid swats before letting her up. He felt guilty looking at the tear streaks on her dirty cheeks, but only a little. “Monster! Fiend! I wouldn’t marry you if you could buy and sell my daddy five times over!” Joellen screamed, her hands knotted into fists at her sides. In a few years, when she was of age, she was going to make somebody a fine and spirited wife. Steven rose from the bench and sighed as he pulled his gloves back on. “Good-bye, Joellen,” he said. Taking his wallet from the inside pocket of his leather vest, he pulled out a twenty-dollar bill. “This will keep you until Big John gets here.” For a moment, she looked as if she was going to spit in his face. But then, at the last second, Joellen snatched the money from his hand. “I hate you!” she cried. Steven grinned as he walked away. In six months Joellen Lenahan not only wouldn’t hate him, she wouldn’t remember his name. Wearily,
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
March 31 MORNING “With His stripes we are healed.” — Isaiah 53:5 PILATE delivered our Lord to the lictors to be scourged. The Roman scourge was a most dreadful instrument of torture. It was made of the sinews of oxen, and sharp bones were inter-twisted every here and there among the sinews; so that every time the lash came down these pieces of bone inflicted fearful laceration, and tore off the flesh from the bone. The Saviour was, no doubt, bound to the column, and thus beaten. He had been beaten before; but this of the Roman lictors was probably the most severe of His flagellations. My soul, stand here and weep over His poor stricken body. Believer in Jesus, can you gaze upon Him without tears, as He stands before you the mirror of agonizing love? He is at once fair as the lily for innocence, and red as the rose with the crimson of His own blood. As we feel the sure and blessed healing which His stripes have wrought in us, does not our heart melt at once with love and grief? If ever we have loved our Lord Jesus, surely we must feel that affection glowing now within our bosoms. “See how the patient Jesus stands, Insulted in His lowest case! Sinners have bound the Almighty’s hands, And spit in their Creator’s face.” “With thorns His temples gor’d and gash’d Send streams of blood from every part; His back’s with knotted scourges lash’d. But sharper scourges tear His heart.” We would fain go to our chambers and weep; but since our business calls us away, we will first pray our Beloved to print the image of His bleeding self upon the tablets of our hearts all the day, and at nightfall we will return to commune with Him, and sorrow that our sin should have cost Him so dear.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
Towering pines and hemlocks, was it? I thought, clambering over the burled knots of a fallen tree. The monstrous trunks rose so high that the lowest limbs started twenty feet above my head. Longfellow had no idea.
Diana Gabaldon (Drums of Autumn (Outlander, #4))
own reputation, by associating himself with a story of cuckoldry, blackmail, murder, and revenge, and nor did he spare a thought for how Balfour might be recompensed. He felt only relief. An invisible order had been restored: the same kind of order that ensured his boiled egg was ready every morning, and the dishes cleared away. He plumped the knot of his necktie with his fingers, and rose from the table as a man refreshed.
Eleanor Catton (The Luminaries)
Tequilas Tequila
Tricia O'Malley (Tequila Shots & Valentine Knots (Althea Rose Mystery, #3.5))
This is Joss’s place,” he sighed, running one hand through his hair in a distracted gesture. “He built it into what it is now, not me.” Lily began to massage the knotted muscles in his shoulders, carefully avoiding his rapidly healing wound. “You were born here, Caleb. This land—or half of it, at least—is your birthright.” “I want to go back, to build something with my own hands, something that’s yours and mine. Our homestead seems like the best place to start.” Lily was so happy that she rose up on her knees and flung her arms around Caleb’s neck from behind. “I do love you, Major Halliday!” He laughed. “Damn it, woman, you’re choking me.” Playfully Lily bit the back of his neck. “I don’t care!” Caleb whirled on her, flinging her down onto the mattress. “Don’t you?” he teased, and he began to tickle her ribs through her lightweight nightgown, causing her to writhe and shout with laughter.
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
Better?” Ren asked, propping up just far enough to meet his gaze, her own shadowed by the fall of her hair. He pushed it back so the moons peeking through the window limned her face. He saw no more fear there. Only the same question from before, and an echo of the heat blossoming through him—the reflection of his soul in her eyes. “Yes,” he said, to all of it, and lifted up to meet her kiss.
M.A. Carrick (The Liar's Knot (Rook & Rose, #2))
He said nothing; he was too busy telling himself Pull away and then failing to do so. Because for a moment, Ren looked happy. And he was, too.
M.A. Carrick (The Liar's Knot (Rook & Rose, #2))
Captain Future is dead!” The rumbling voice of the big green Jovian space-sailor rose above the laughter and chatter and clink of goblets, in this crowded Venusopolis spacemen’s café. He eyed his little knot of companions at the bar, as though challenging them to dispute him. One of them, a hard-bitten spacemen, a swarthy little Mercurian, shook his head thoughtfully. “I’m not so sure. It’s true that the Futuremen have been missing for months. But they’d be a hard bunch to kill.” —Hamilton; Outlaws of the Moon (1942)
Allen M. Steele (Sex and Violence in Zero-G: The Complete "Near Space" Stories, Expanded Edition)
There once was a girl of the Moth Folk, dark-winged, strong, and fearless. Her eyes were like the starlit sky; her footfall soft as shadow. And although she was lovely, love had no place in her heart, for hers was the tribe of the Moth King, who had waged a war on love, for ever and ever. But love, like all forbidden things, was fascinating to her. Every night of the clear full moon, she would go to the Moonlight Market and watch the traders sell their wares: printed books of every kind; pomegranates of the south; wines from the islands; gems from the north; flowers that bloomed only once in their lives. But she only had eyes for the sellers of charms and glamours. Here, there were spells for a broken heart, or to spin dead leaves into gold, or to rekindle a memory, or to summon the western wind. Most of all, there were love spells: tiny bottles of colored glass with stoppers worked in silver filled with potions made from the heart of a rose, or the tail fin of a mermaid. Here were glamours to melt a lover's heart: candles of every color; tokens of remembrance; silk-bound books of poetry. But among all the love-knots and bonbons and pressed flowers and handkerchiefs, the Moth girl never truly saw the nature of her enemy, for it seemed to her that Love was weak, and simpering, and faithless. She told herself she was too strong to fall for its blandishments. Until one day, at the Market, she saw a boy with a glamorie-glass in his hand, standing by a display of books, and stories, and legends, and memories.
Joanne Harris (The Moonlight Market)
We women are always twisting ourselves into knots for those we love without a care or consideration for how it might affect us.
Emma Theriault (Rebel Rose)
My insides cook as he stares back at me. “I want to talk.” I lick my lips. A slow smile turns his face from hard to handsome before I take my next breath. “But you want to fuck me more,” he says like a statement, no intro or thought as to why we're here.
Marata Eros (Road Kill MC: Books 1-3: Noose, Knot and Rose)
All manner of thing shall be well When the tongues of flame are in-folded Into the crowned knot of fire And the fire and the rose are one. —T. S. Eliot, “Little Gidding
Cynthia Bourgeault (The Holy Trinity and the Law of Three: Discovering the Radical Truth at the Heart of Christianity)
the sound makes the tension gathering between us tighten and contract a few more notches, like we’re tugging on the ends of a knot.
Katia Rose (This Used to be Easier)
Nothing is solved. We go on and the scar tissue gets a little more pliable. It will never not be sad. It will never not hurt. It will go on being at the heart of my mother, my father, my brother, my sister and me. We are five of the millions and millions of people who walk this world carrying our grief in a knotted scarf and hoping it will not come undone.
Heather Rose (Nothing Bad Ever Happens Here)
I lifted my head from his sculpted chest at last, my fingers digging into the hard muscles of his shoulders as I peered into his concerned face. I took deep, heaving breaths, my brows knotting and mouth parting as I— “What’s going on.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
As he began to strum his harp, he filled his mind with images of earth. Old crumbling stones and tangled grasses and wildflowers and weeds and saplings that put down deep roots, growing into mighty trees. The color of dirt, the scent of it. How it felt clutched in the hollow of one’s palm. The voice of branches swaying in the breeze, and the slope of the earth as it rose and fell, faithful and steady. Jack closed his eyes and began to sing. He didn’t want to see the spirits manifest, but he heard the grass hissing near his knees, and he heard the tree boughs groaning above him, and he heard the scratch of stone, as if two were being rubbed together. When he heard Adaira’s soft gasp, Jack opened his eyes. The spirits were forming themselves, gathering around him to listen. He played and sang and watched as the trees became maidens with long arms and hair made of leaves. The grass and pennywort knotted themselves into what looked to be mortal lads, small and green. The stones found their faces like old men waking from a long dream. The wildflowers broke their stems and gathered into the shape of a woman with long dark hair and eyes the color of honeysuckle, her skin purple as the heather that bloomed on the hills. Yellow gorse crowned her, and she waited beside the Earie Stone, whose face was still forming, craggy and ancient. As Jack played Lorna’s ballad he felt as if he was slowly sinking into the earth. His limbs were becoming heavy, and he drooped like a flower wilting beneath a fierce sun. It was like the sensation of falling asleep. He swore he saw daisies blooming from his fingertips, and every time he plucked his strings the petals broke away but regrew just as swiftly. And his ankles…he couldn’t move them, the tree roots had begun to take hold of him. His hair was turning into grass, green and long and tangled, and as the song ended he struggled to remember who he was, that he was mortal, a man. Someone was coming to him, bright as a fallen star, and he felt her hands on his face, blissfully cold. “Please,” the woman said, but not to him. She beseeched the wildflower spirit with her long dark hair and crown of vibrant gorse. “Please, this man belongs to me. You cannot claim him.” “Why, mortal woman,” one of the pennywort lads said from the ground, his words raspy as summer hay falling to a scythe. “Why did you sit so far away from him? We thought he sang to be taken by us.” Jack snapped out of the haze. Adaira was kneeling beside him, her hand shifting to his arm. He was stricken to see that he had truly been turning into the earth—grass, flowers, and roots. His harp clattered from his tingling hands; he struggled to breathe as he watched his body return to him. “He is mine, and he played to bring you forth by my command,” Adaira said calmly. “I long to speak to you, spirits of the earth.
Rebecca Ross (A River Enchanted (Elements of Cadence, #1))
You are not our mother," Ren spat. That was one mask Ondrakja had never tried to wear: She was their knot leader, but had never tried to call herself family. I would have poisoned her years earlier if she had.
M. A. Carrick (The Mask of Mirrors: Rook and Rose, Book One)
I heard her sing Cleopatra at the King’s Theatre in the Haymarket. Da tempeste il legno infranto. Forty years ago now. I had roses sent to her dressing room. She gave me the two ribbons she had used to tie up her hair, red ribbons.” His voice had risen in the excitement of these reminiscences. For some reason he had fixed his eyes on Kemp. “Sir, I tied them together and knotted them round my testicles. For years I put them on with my clothes. I wore them till they rotted away.” “Egad, sir, rotted away, did they?” The major cast a droll look round the table. “Nothing lasts forever,” he said.
Barry Unsworth (The Quality of Mercy)
I can’t seem to keep things straight anymore, not with my feelings about these men getting constantly tangled, twisted and knotted into something impossible to unravel.
Callie Rose (Pretty Wicked Secrets (Ruthless Hearts, #2))
Nesta braced her hands on the arms of his chair as she brushed a kiss to his neck. Cassian's breath caught. But she pressed another kiss to the soft warm skin of his neck, just beneath his ear. Another, lower now, closer to the collar of his dark shirt. He trembled, and she kissed the hard knot in the centre of his throat. Licked it. Cassian shifted in his chair, groaning softly. His hand rose to clasp her hip, as if he'd push her away, but she removed him. 'Let me,' she said against his neck. 'Please.' He swallowed, and that hard knot moved against her mouth. But he didn't stop her, and so Nesta kissed him again, moving to the other side of his neck. Reaching that spot just beneath his ear as she laid a hand on his chest and felt his heartbeat hammering into her palm. She didn't kiss his mouth. She didn't want that distraction. Not as she slid between him and the table and dropped to her knees. His eyes went wide. 'Nesta.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
With hearts strangely lightened they now rested again, but not for long. They were not going quick enough for Gollum. By his reckoning it was nearly thirty leagues from the Morannon to the Cross-roads above Osgiliath, and he hoped to cover that distance in four journeys. So soon they struggled on once more, until the dawn began to spread slowly in the wide grey solitude. They had then walked almost eight leagues, and the hobbits could not have gone any further, even if they had dared. The growing light revealed to them a land already less barren and ruinous. The mountains still loomed up ominously on their left, but near at hand they could see the southward road, now bearing away from the black roots of the hills and slanting westwards. Beyond it were slopes covered with sombre trees like dark clouds, but all about them lay a tumbled heathland, grown with ling and broom and cornel, and other shrubs that they did not know. Here and there they saw knots of tall pine-trees. The hearts of the hobbits rose again a little in spite of weariness: the air was fresh and fragrant, and it reminded them of
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
Removing his shoes, knotting the laces together, and stringing them around his neck, Horst rose from the cold, black water like a primeval amphibian with aspirations towards dapperness assaying a first journey onto land to spread the word about good tailoring.
Jonathan L. Howard (The Brothers Cabal (Johannes Cabal, #4))
Dreaming Of Hair" Ivy ties the cellar door in autumn, in summer morning glory wraps the ribs of a mouse. Love binds me to the one whose hair I've found in my mouth, whose sleeping head I kiss, wondering is it death? beauty? this dark star spreading in every direction from the crown of her head. My love's hair is autumn hair, there the sun ripens. My fingers harvest the dark vegtable of her body. In the morning I remove it from my tongue and sleep again. Hair spills through my dream, sprouts from my stomach, thickens my heart, and tangles from the brain. Hair ties the tongue dumb. Hair ascends the tree of my childhood--the willow I climbed one bare foot and hand at a time, feeling the knuckles of the gnarled tree, hearing my father plead from his window, _Don't fall!_ In my dream I fly past summers and moths, to the thistle caught in my mother's hair, the purple one I touched and bled for, to myself at three, sleeping beside her, waking with her hair in my mouth. Along a slippery twine of her black hair my mother ties ko-tze knots for me: fish and lion heads, chrysanthemum buds, the heads of Chinamen, black-haired and frowning. Li-En, my brother, frowns when he sleeps. I push back his hair, stroke his brow. His hairline is our father's, three peaks pointing down. What sprouts from the body and touches the body? What filters sunlight and drinks moonlight? Where have I misplaced my heart? What stops wheels and great machines? What tangles in the bough and snaps the loom? Out of the grave my father's hair bursts. A strand pierces my left sole, shoots up bone, past ribs, to the broken heart it stiches, then down, swirling in the stomach, in the groin, and down, through the right foot. What binds me to this earth? What remembers the dead and grows towards them? I'm tired of thinking. I long to taste the world with a kiss. I long to fly into hair with kisses and weeping, remembering an afternoon when, kissing my sleeping father, I saw for the first time behind the thick swirl of his black hair, the mole of wisdom, a lone planet spinning slowly. Sometimes my love is melancholy and I hold her head in my hands. Sometimes I recall our hair grows after death. Then, I must grab handfuls of her hair, and, I tell you, there are apples, walnuts, ships sailing, ships docking, and men taking off their boots, their hearts breaking, not knowing which they love more, the water, or their women's hair, sprouting from the head, rushing toward the feet.
Li-Young Lee (Rose)
Deal with Life calmly and you will be able to make something meaningful out of your lived experiences. Get keyed up and you will end up in knots. And, of course, occasionally, be prepared for your Life’s plans to be snatched away from you, knotted up and thrown back at you, to untangle...!
AVIS Viswanathan
April 21, 1897, by one of the most prominent citizens in Kansas, Alexander Hamilton. In an affidavit quoted in several recent UFO books and journals, Hamilton states that he was awakened by a noise among the cattle and went out with two other men. He then saw an airship descend gently toward the ground and hover within fifty yards of it. It consisted of a great cigar-shaped portion, possibly three hundred feet long, with a carriage underneath. The carriage was made of glass or some other transparent substance alternating with a narrow strip of some material. It was brilliantly lighted within and everything was plainly visible—it was occupied by six of the strangest beings I ever saw. They were jabbering together, but we could not understand a word they said. Upon seeing the witnesses, the pilots of the strange ship turned on some unknown power, and the ship rose about three hundred feet above them: It seemed to pause and hover directly over a two-year-old heifer, which was bawling and jumping, apparently fast in the fence. Going to her, we found a cable about a half-inch in thickness made of some red material, fastened in a slip knot around her neck, one end passing up to the vessel, and the heifer tangled in the wire fence. We tried to get it off but could not, so we cut the wire loose and stood in amazement to see the ship, heifer and all, rise slowly, disappearing in the northwest. Hamilton was so frightened he could not sleep that night: Rising early Tuesday, I started out by horse, hoping to find some trace of my cow. This I failed to do, but coming back in the evening found that Link Thomas, about three or four miles west of Leroy, had found the hide, legs and head in his field that day. He, thinking someone had butchered a stolen beast, had brought the hide to town for identification, but was greatly mystified in not being able to find any tracks in the soft ground. After identifying the hide by my brand, I went home. But every time I would drop to sleep I would see the cursed thing, with its big lights and hideous people. I don’t know whether they are devils or angels, or what; but we all saw them, and my whole family saw the ship, and I don’t want any more to do with them.
Jacques F. Vallée (Passport to Magonia: From Folklore to Flying Saucers)
I can't deny the attraction between us.” She paused and emitted a shaky laugh. “But surely you must know that we would never suit! I am meant for a small, quiet life—your way of living is too grand and fast for me. You would grow bored with me in a very short time, and you would long to be free of me—” “No.” “—and I would find it such a misery, trying to live with a man of your appetite and ambition. One of us would have to change, and that would cause terrible resentment, and the marriage would come to a bitter end.” “You can't be certain of that.” “I can't take such a risk,” she replied with absolute finality. Bronson stared at her through the shadows, his head tilted a bit, as if he were relying on some sixth sense to penetrate her thoughts. He came to her and sank to his haunches before the chair. He startled her by reaching for her hand, his fingers closing over her small, cold fist. Slowly his thumb rubbed over her knotted knuckles. “There is something you're not telling me,” he murmured. “Something that makes you anxious… even afraid. Is it me? Is it my past, the fact that I was a fighter, or is it—” “No,” she said with a laugh that caught hard in her throat. “Of course I'm not afraid of you.” “I know fear when I see it,” he persisted. Holly shook her head, refusing to debate the comment. “We must put this night behind us,” she said, “or I will have to take Rose and leave right away. And I don't wish to leave you or your family. I want to stay as long as possible and fulfill our agreement. Let us agree not to speak of this again.” His eyes gleamed with black fire. “Do you think that's possible?” “It has to be,” she whispered. “Please, Zachary, tell me you'll try.” “I'll try,” he said tonelessly. She drew a trembling breath. “Thank you.” “You'd better leave now,” he said, unsmiling. “The sight of you in that nightgown is about to drive me mad.” Were she not so miserable, Holly would have been amused by the remark. The tiers of ruffles that adorned her nightgown and pelisse made the ensemble far less revealing than an ordinary day gown. It was only Bronson's inflamed state of mind that made her seem desirable. “Will you be retiring now as well?” she asked. “No.” He went to fill his glass, and answered her over his shoulder. “I have some drinking to do.” Wrenched with unexpressed emotion, she tried to twist her mouth into a smile. “Good night, then.” “Good night.” He did not glance back at her, his shoulders held stiffly as he listened to the sound of her retreating footsteps.
Lisa Kleypas (Where Dreams Begin)
Will you want an estimate of all the livestock, my lord?” “Naturally.” “Not my horse.” A new voice entered the conversation. All four men looked to the doorway, where Kathleen stood as straight and rigid as a blade. She stared at Devon with open loathing. “The Arabian belongs to me.” Everyone rose to his feet except for Devon, who remained seated at the desk. “Do you ever enter a room the ordinary way?” he asked curtly, “or is it your usual habit to slink past the threshold and pop up like a jack-in-the-box?” “I only want to make it clear that while you’re tallying the spoils, you will remove my horse from the list.” “Lady Trenear,” Mr. Fogg interceded, “I regret to say that on your wedding day, you relinquished all rights to your movable property.” Kathleen’s eyes narrowed. “I’m entitled to keep my jointure and all the possessions I brought to the marriage.” “Your jointure,” Totthill agreed, “but not your possessions. I assure you that no court in England will regard a married woman as a separate legal being. The horse was your husband’s, and now it belongs to Lord Trenear.” Kathleen’s face went skull-white, and then red. “Lord Trenear is stripping the estate like a jackal with a rotting carcass. Why must he be given a horse that my father gave to me?” Infuriated that Kathleen would show him so little deference in front of the others, Devon stood from the desk and approached her in a few strides. To her credit, she didn’t cower, even though he was twice her size. “Devil take you,” he snapped, “none of this is my fault.” “Of course it is. You’ll seize on any excuse to sell Eversby Priory because you don’t want to take on a challenge.” “It’s only a challenge when there’s some small hope of success. This is a debacle. The list of creditors is longer than my bloody arm, the coffers are empty, and the annual yields have been cut in half.” “I don’t believe you. You’re planning to sell the estate to settle personal debts that have nothing to do with Eversby Priory.” Devon’s hands knotted with the urge to destroy something. His rising bloodlust would only be satisfied with the sound of shattering objects. He had never faced a situation like this, and there was no one to give him trustworthy advice, no kindly aristocratic relation, no knowledgeable friends in the peerage. And this woman could only accuse and insult him.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))