Knots And Crosses Quotes

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There are millions of people in the world, and the spirits will see that most of them you never have to meet. But there are one or two you are tied to, and the spirits will cross you back and forth, threading so many knots until they catch and you finally get it right.
Jodi Picoult (Picture Perfect)
I know what loves are trembling into fire; how jealousy shoots its green flashes hither and thither; how intricately love crosses love; love makes knots; love brutally tears them apart. I have been knotted; I have been torn apart.
Virginia Woolf (The Waves)
It was the laughter of birthdays, of money found in an old pocket.
Ian Rankin (Knots and Crosses (Inspector Rebus, #1))
To this day, cranes carry the strands of our fate. They say that each time two people’s paths cross, so do their strands. When they become important to one another or make a promise to one another, a knot is tied, connecting them.
Elizabeth Lim (Six Crimson Cranes (Six Crimson Cranes, #1))
Man is a rope stretched between the animal and the Superman--a rope over an abyss. A dangerous crossing, a dangerous wayfaring, a dangerous looking-back, a dangerous trembling and halting. What is great in man is that he is a bridge and not a goal: what is lovable in man is that he is an OVER-GOING and a DOWN-GOING. I love those that know not how to live except as down-goers, for they are the over-goers. I love the great despisers, because they are the great adorers, and arrows of longing for the other shore. I love those who do not first seek a reason beyond the stars for going down and being sacrifices, but sacrifice themselves to the earth, that the earth of the Superman may hereafter arrive. I love him who lives in order to know, and seeks to know in order that the Superman may hereafter live. Thus seeks he his own down-going. I love him who labors and invents, that he may build the house for the Superman, and prepare for him earth, animal, and plant: for thus seeks he his own down-going. I love him who loves his virtue: for virtue is the will to down-going, and an arrow of longing. I love him who reserves no share of spirit for himself, but wants to be wholly the spirit of his virtue: thus walks he as spirit over the bridge. I love him who makes his virtue his inclination and destiny: thus, for the sake of his virtue, he is willing to live on, or live no more. I love him who desires not too many virtues. One virtue is more of a virtue than two, because it is more of a knot for one's destiny to cling to. I love him whose soul is lavish, who wants no thanks and does not give back: for he always bestows, and desires not to keep for himself. I love him who is ashamed when the dice fall in his favor, and who then asks: "Am I a dishonest player?"--for he is willing to succumb. I love him who scatters golden words in advance of his deeds, and always does more than he promises: for he seeks his own down-going. I love him who justifies the future ones, and redeems the past ones: for he is willing to succumb through the present ones. I love him who chastens his God, because he loves his God: for he must succumb through the wrath of his God. I love him whose soul is deep even in the wounding, and may succumb through a small matter: thus goes he willingly over the bridge. I love him whose soul is so overfull that he forgets himself, and all things that are in him: thus all things become his down-going. I love him who is of a free spirit and a free heart: thus is his head only the bowels of his heart; his heart, however, causes his down-going. I love all who are like heavy drops falling one by one out of the dark cloud that lowers over man: they herald the coming of the lightning, and succumb as heralds. Lo, I am a herald of the lightning, and a heavy drop out of the cloud: the lightning, however, is the SUPERMAN.--
Friedrich Nietzsche (Thus Spoke Zarathustra)
His grandmother had taught him that there was no such thing as coincidence. There are millions of people in this world, she had told him, and the spirits will see that most of them, you never have to meet. But there are one or two that you are tied to, and spirits will cross you back and forth, threading so many knots until they catch and you finally get it right.
Jodi Picoult
His eyes beheld beauty not in reality but in the printed word. Standing in the waiting-room, he realized that in his life he had accepted secondary experience -- the experience of reading someone else's thoughts -- over real life.
Ian Rankin (Knots & Crosses (Inspector Rebus, #1))
Childhood is bound like the Gordian knot with my memories of the Black Sea, and I still feel its waters welling up within me today. Sometimes these waters are leaden, as grey as the military ships that sail on their curved expanses, and sometimes they are blue as pigmented cobalt. Then would come dusk, when I would sit and watch the seabirds waver to shore, flitting from open waters to the quiet empty vastlands in darkening spaces behind me, the same birds Ovid once saw during his exile, perhaps; and the same waters the Argonauts crossed searching for the fleece of renewal. And out in the distance, invisible, the towering heights of Caucasus, where once-bright memories of the fire-thief have transmuted into something weird and many-faceted, and beyond these, pitch-black Karabakh in dolorous Armenia.
Paul Christensen (The Heretic Emperor)
...trapped in limbo, believing in a lack of belief, but not necessarily lacking the belief to believe.
Ian Rankin (Knots and Crosses (Inspector Rebus, #1))
My father was a slave to capitalist ideology. He didn't know what he was doing." "You mean you went to an expensive school?
Ian Rankin (Knots and Crosses (Inspector Rebus, #1))
Rebus reminded himself to stop praying. Perhaps if he stopped praying, God would take the hint and stop being such a bastard to one of his few believers on this near-godforsaken planet.
Ian Rankin (Knots and Crosses (Inspector Rebus, #1))
How dare you have fun when Christ died on the cross for you! Was he having fun?
R.D. Laing (Knots)
The cross is the crux, the crossroads, the twisted knot at the center of reality, to which all previous history leads and from which all subsequent history flows. By it we know all reality is cruciform—the love of God, the shape of creation, the labyrinth of human history.
Peter J. Leithart
She was the most beautiful, complicated thing I'd ever seen - a tangled mess of silky string - and all I wanted of life was to sit down cross-legged and untie her knots.
Atticus Poetry (Love Her Wild)
You will find, Emilia, life is not always a circle. More often, it’s a tangled knot of detours and dead ends, false starts and broken hearts. An exasperating, dizzying maze, impossible to navigate and useless to map.” She squeezes my hand. “But not a single corner nor curve should ever, ever be missed.
Lori Nelson Spielman (The Star-Crossed Sisters of Tuscany)
Mike was right: the pattern of life isn't a straight line; it crosses and recrosses, drawing in and tying together other lives, as I do when I gather in the ends of my thread to make a knot.
Benedict Freedman
It seemed to Rebus that the more expensive something was, the less of it there always seemed to be: tiny little hi-fi systems, watches without numbers, the translucent Dior ankle-socks on Michael’s feet.
Ian Rankin (Knots and Crosses (Inspector Rebus, #1))
Ah, but it was not a nice world this, not a nice world at all. It was an Old Testament land that he found himself in, a land of barbarity and retribution.
Ian Rankin (Knots and Crosses (Inspector Rebus, #1))
All I could think about was Gemma kissing Liam, Liam kissing Gemma—and wondering why that image made my insides knot up.
Barbara Dee (Star-Crossed)
Let's have a look at your tatties, then." She blushed and crossed her arms over her chest. "What? Now? Here?" "Not those. Your tatties. The potatoes, mo chridhe.. "Oh." She bit her lip. "I did think it was a bit early in the day for all that." He caught the back of her apron and gave her a wicked look. "Trust me, it's never too early in the day for all that.
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
Was it all inevitable, John?" Reeve was pushing his fingers across the floor of the cell, seated on his haunches. I was lying on the mattress. Yes," I said. "I think it was. Certainly, it's written that way. The end of the book is there before the beginning's hardly started.
Ian Rankin (Knots & Crosses (Inspector Rebus, #1))
I felt that little knot in my belly that meant a mystery was taking its irrevocable hold. Usually this was a good thing, because usually I got paid for it. But here and now I was on vacation, and the last thing I wanted to do was spend it unraveling the truth of the strange prince, his rotund protector, and the girl I’d once saved from a bear. But damn it, I knew that’s exactly what I was going to do.
Alex Bledsoe (He Drank, and Saw the Spider (Eddie LaCrosse, #5))
Often he declined invitations, because to accept meant that he had to dust off his brogues, iron a shirt, brush down his best suit, take a bath, and splash on some cologne. He had also to be affable, to drink and be merry, to talk to strangers with whom he had no inclination to talk and with whom he was not being paid to talk. In other words, he resented having to play the part of a normal human animal.
Ian Rankin (Knots and Crosses (Inspector Rebus, #1))
James Potter moved slowly along the narrow aisles of the train, peering as nonchalantly as he could into each compartment. To those inside, he probably looked as if he was searching for someone, some friend or group of confidantes with whom to pass the time during the trip, and this was intentional. The last thing that James wanted anyone to notice was that, despite the bravado he had so recently displayed with his younger brother Albus on the platform, he was nervous. His stomach knotted and churned as if he’d had half a bite of one of Uncles Ron and George’s Puking Pastilles. He opened the folding door at the end of the passenger car and stepped carefully through the passage into the next one. The first compartment was full of girls. They were talking animatedly to one another, already apparently the best of friends despite the fact that, most likely, they had only just met. One of them glanced up and saw him staring. He quickly looked away, pretending to peer out the window behind them, toward the station which still sat bustling with activity. Feeling his cheeks go a little red, he continued down the corridor. If only Rose was a year older she’d be here with him. She was a girl, but she was his cousin and they’d grown up together. It would’ve been nice to have at least one familiar face along with him.
G. Norman Lippert (James Potter and the Hall of Elders' Crossing (James Potter, #1))
I know what loves trembling into fire; how jealousy shoots its green flashes hither and thither; how intricately love crosses love; love makes knots; love brutally tears them apart. I have been knotted, I have been torn apart.
Virginia Woolf
I looked inward at my heart. And indeed, there too, the criss-cross corsetry was slackened and gaping. I was all undone. Potentially, I could spill. Or tangle. And so I began to tug at my own heartstrings, pulling them up tight until there was just the right amount of tension at each criss and each cross. Then I bent down to my boots and laced them firmly too, first the left, then the right, finishing off on each side with a surgeon's shoelace knot.
Danielle Wood
I was unexpectedly, reluctantly, wholly in love, not just any love but a consuming love, an unwanted love, an inconvenient love, the kind of love that a man wants to be cured of, that makes a man feel ashamed of himself, only the more he denies it the more entangled he becomes, like one of those nautical knots that tightens with every pull. It felt like an infection, a sudden illness, in which everything is at once the same as it was before and yet transformed. Being in love is a kind of hypnosis and, as any hypnotist will tell you, to be hypnotized one must secretly want to be hypnotized, so secretly that one doesn’t even know it. Falling in love is an act of involuntary will.
Alex Landragin (Crossings)
To this day, cranes carry the strands of our fate. They say that each time two people’s paths cross, so do their strands. When they become important to one another, or make a promise to one another, a knot is tied, connecting them. But when they fall in love, their strands are tied together at both ends, becoming one.
Elizabeth Lim (Six Crimson Cranes (Six Crimson Cranes, #1))
It is not upon you alone the dark patches fall, The dark threw its patches down upon me also, The best I had done seem’d to me blank and suspicious, My great thoughts as I supposed them, were they not in reality meagre? Nor is it you alone who know what it is to be evil, I am he who knew what it was to be evil, I too knitted the old knot of contrariety, Blabb’d, blush’d, resented, lied, stole, grudg’d, Had guile, anger, lust, hot wishes I dared not speak, Was wayward, vain, greedy, shallow, sly, cowardly, malignant, The wolf, the snake, the hog, not wanting in me, The cheating look, the frivolous word, the adulterous wish, not wanting, Refusals, hates, postponements, meanness, laziness, none of these wanting, Was one with the rest, the days and haps of the rest, Was call’d by my nighest name by clear loud voices of young men as they saw me approaching or passing, Felt their arms on my neck as I stood, or the negligent leaning of their flesh against me as I sat, Saw many I loved in the street or ferry-boat or public assembly, yet never told them a word, Lived the same life with the rest, the same old laughing, gnawing, sleeping, Play’d the part that still looks back on the actor or actress, The same old role, the role that is what we make it, as great as we like, Or as small as we like, or both great and small." -from "Crossing Brooklyn Ferry
Walt Whitman (Leaves of Grass)
Perhaps if he stopped praying, God would take the hint and stop being such a bastard to one of his few believers on this near-godforsaken planet.
Ian Rankin (Knots and Crosses (Inspector Rebus, #1))
She was the most beautiful complicated thing I'd ever seen- a tangled mess of silky string- and all I wanted of life was to sit down cross-legged and untie her knots.
Atticus Poetry (Love Her Wild)
Fifteen years, and all he had to show were an amount of self-pity and a busted marriage with an innocent daughter hanging between them. It was more disgusting than sad.
Ian Rankin (Knots and Crosses (Inspector Rebus, #1))
Her consciousness had stopped in a tangle where a dozen threads crossed and knotted... one went on and on out of it, but her mind was caught at the intersection.
Patricia Highsmith (The Price of Salt)
If there was a single moment when the breach between us, which had been cracking and splintering for two decades, was at last too vast to be bridged, I believe it was that winter night, when I stared at my reflection in the bathroom mirror, while, without my knowing it, my father grasped the phone in his knotted hands and dialed my brother. Diego, the knife. What followed was very dramatic. But the real drama had already played out in the bathroom. It had played out when, for reasons I don’t understand, I was unable to climb through the mirror and send out my sixteen-year-old self in my place. Until that moment she had always been there. No matter how much I appeared to have changed—how illustrious my education, how altered my appearance—I was still her. At best I was two people, a fractured mind. She was inside, and emerged whenever I crossed the threshold of my father’s house. That night I called on her and she didn’t answer. She left me. She stayed in the mirror. The decisions I made after that moment were not the ones she would have made. They were the choices of a changed person, a new self.
Tara Westover (Educated)
Job, actually. I read it once a long time ago. It seems more frightening now though. The man who begins to doubt, who shouts out against his God, looking for a response, and who gets one. ‘God gave the world to the wicked,’ he says at one point, and ‘Why should I bother?’ at another.” “It sounds interesting. But he goes on bothering?” “Yes, that’s the incredible thing.
Ian Rankin (Knots and Crosses (Inspector Rebus, #1))
Strangulation. It was a fearful way to go, wrestling, kicking your way towards oblivion, panic, the fretful sucking for air, and the killer behind you most likely, so that you faced the fear of something totally anonymous, a death without knowledge of who or why. Rebus had been taught methods of killing in the SAS. He knew what it felt like to have the garotte tighten on your neck, trusting to the opponent’s prevailing sanity. A fearful way to go.
Ian Rankin (Knots and Crosses (Inspector Rebus, #1))
Did I call them Laurel and Hardy? I meant sodding Romeo and Juliet. This is flirting, á la Gestapo underlings: She: Oh, you are so strong and manly, M'sieur Thibaut. These knots you tie are so secure. He: That is nothing. Look, I pull them so tight you cannot undo them. Try. She: It is true, I cannot! Oh, pull them tighter! He: Chérie, your wish is my command. It is my ankles, not hers, which he is binding so tightly and with such masculine charm. She: I shall have to call you in tomorrow morning as well, to do this task for me. He: You must cross the cords, so, and knot them behind - Me: Squeak! Squeak! She: Shut up and write, ya wee skrikin' Scots piece o' shite. Well, no, she did not use those exact words. But you get the idea.
Elizabeth Wein (Code Name Verity (Code Name Verity, #1))
We hadn’t discussed our living arrangements now that we were husband and wife. Funny, but that conversation never even crossed our minds. I suppose we had been in such a hurry to tie the damn knot and jump into bed, the where and when of living together never ventured into our thoughts.
Juliette Cross (Sealed in Sin (The Vessel Trilogy, #2))
Beneath my eyes opens—a book; I see to the bottom; the heart—I see to the depths. I know what loves are trembling into fire; how jealousy shoots its green flashes hither and thither; how intricately love crosses love; love makes knots; love brutally tears them apart. I have been knotted; I have been torn apart.
Virginia Woolf (The Waves)
He felt his arms ache and, looking down, saw that the girl had stopped struggling. There came that point, that sudden, blissful point, when it was useless to go on living, and when the mind and body came to accept that such was the case. That was a beautiful, peaceful moment, the most relaxed moment of one’s life.
Ian Rankin (Knots and Crosses (Inspector Rebus, #1))
When an innocent man suddenly dies, God laughs. God gave the world to the wicked. He made all the judges blind, And if God didn’t do it, who did? If I smile and try to forget my pain, All my suffering comes back to haunt me; I know that God does hold me guilty. Since I am held guilty, why should I bother? No soap can wash away my sins.
Ian Rankin (Knots and Crosses (Inspector Rebus, #1))
No sooner had he finished with a case than another two or three appeared in its place. What was the name of that creature? The Hydra, was it? That was what he was fighting. Every time he cut off a head, more popped into his in-tray. Coming back from a holiday was a nightmare. And now they were giving him rocks to push up hills as well.
Ian Rankin (Knots and Crosses (Inspector Rebus, #1))
By the time James had dressed and made his way down to the Great Hal for breakfast, it was nearly ten o’clock. Less than a dozen students could be seen moving disconsolately among the detritus of the morning’s earlier rush. At the far corner of the Slytherin table, Zane sat hunched and squinting under a beam of sunlight. Across from him was Ralph, who saw James enter and waved him over. As James made his way across the Hal , four or five house-elves, each wearing large linen napkins with the Hogwarts crest embroidered on them, circled the tables, meandering in what at first appeared to be random paths. Occasional y, one of them would duck beneath the surface of a table and then reappear a moment later, tossing a stray fork or half a biscuit casual y onto the mess of the table. As James passed one of the elves, it straightened, raised its spindly arms, and then brought them swiftly down. The contents on the table in front of him swirled together as if caught in a miniature cyclone. With a great clattering of dishes and silverware, the corners of the tablecloth shot upwards and twisted around the pile of breakfast debris, creating a huge clanking bag floating improbably over the polished wood table. The house-elf leaped from floor to bench to tabletop, and then jumped, turning in midair and landing lightly on top of the bag. It grasped the twisted top of the bag, using the knot as if it were a set of reins, and turned the bag, driving it bobbingly toward the gigantic service doors in the side of the Hal . James ducked as the bag swooped over his head.
G. Norman Lippert (James Potter and the Hall of Elders' Crossing (James Potter, #1))
Do you know anything about hearts, Jona? The Senta know hearts. Hearts are not one organ. Inside a mother's womb, two pulsing bags of blood seek their eternal mate." Her hand reached out to his. She opened his palm, and traced a finger down his lifeline, then his loveline. She lifted it up to her own face. She placed it on her cheek. "Lungs are fine apart," she said, "Hands do not need another but to clap. Brains gnarl like roots in the nothing of soul, and guts spin in knots around the nothing of hunger. But hearts are made by two complete parts merging together. Once the two pieces sense each other in the blood flow, they cross every bloody cliff inside of us. The arteries bind the halves close. The veins make love to each other in the life pulse that makes all life from love entwined.
J.M. McDermott (When We Were Executioners (Dogsland, #2))
I wanted to come back the minute I’d Disapparated, but I walked straight into a gang of Snatchers, Hermione, and I couldn’t go anywhere!” “A gang of what?” asked Harry, as Hermione threw herself down into a chair with her arms and legs crossed so tightly it seemed unlikely that she would unravel them for several years. “Snatchers,” said Ron. “They’re everywhere--gangs trying to earn gold by rounding up Muggle-borns and blood traitors, there’s a reward from the Ministry for everyone captured. I was on my own and I look like I might be school age; they got really excited, thought I was a Muggle-born in hiding. I had to talk fast to get out of being dragged to the Ministry.” “What did you say to them?” “Told them I was Stan Shunpike. First person I could think of.” “And they believed that?” “They weren’t the brightest. One of them was definitely part troll, the smell off him…” Ron glanced at Hermione, clearly hopeful she might soften at this small instance of humor, but her expression remained stony above her tightly knotted limbs.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Imagine a forty-five-year-old male fifty feet long, a slim, shiny black animal cutting the surface of green ocean water at twenty knots. At fifty tons it is the largest carnivore on earth. Imagine a four-hundred-pound heart the size of a chest of drawers driving five gallons of blood at a stroke through its aorta; a meal of forty salmon moving slowly down twelve-hundred feet of intestine…the sperm whale’s brain is larger than the brain of any other creature that ever lived…With skin as sensitive as the inside of your wrist.
Barry Lopez (Crossing Open Ground)
I search the chaos—through a knot of Resistance fighters descending on a pair of legionnaires, past a Mask fighting off ten rebels at once, to the rubble of the tunnel, where my mother stands. An old Scholar slave trying to escape the havoc makes the mistake of crossing her path. She plunges her scim into his heart with a casual brutality. When she yanks the blade out, she doesn’t look at the slave. Instead, she stares at me. As if we are connected, as if she knows my every thought, her gaze slices across the square. She smiles.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
The distance between your head and your heart is only twelve inches, but it's the difference between information and transformation. It's not enough to invite Jesus into your mind. You have to open the door to your heart of hearts. No door can remain locked. Even the door to your hidden room. Nothing entangles the emotions like sin. And if you sin long enough, it feels like a Gordian knot that seems impossible to untangle. But Jesus Christ went to the cross to undo what you have done. He broke the curse of sin so you can break the cycle of sin.
Mark Batterson (All In: You Are One Decision Away From a Totally Different Life)
Others may not notice it, because an angry Toraf is truly a rare thing to behold, but Galen can practically feel the animosity emanating from his friend. Which is why he casually bumps into him, taking care to be overly apologetic. “Oh, sorry about that, minnow. I didn’t even see you there.” Galen mimics Toraf’s demeanor, crossing his arms and staring ahead of them. What they’re supposed to be staring at, he’s not sure. His effort is rewarded with a slight upward curve of his friend’s mouth. “Oh, don’t think twice about it, tadpole. I know it must be difficult to swim straight with a whale’s tail.” Galen scowls, taking care not to glance down at his fin. Ever since they went to retrieve Grom, he’s been sore all below the waist, but he’d just attributed it to tension from finding Nalia, and then the whole tribunal mess-not to mention, hovering in place for hours at a time. Still, he did examine his fin the evening before, hoping to massage out any knots he found, but was a bit shocked to see that his fin span seemed to have widened. He decided that he was letting his imagination get the better of him. Now he’s not so sure. “What do you mean?” he says lightly. Toraf nods down toward the sand. “You know what I mean. Looks like you have the red fever.” “The red fever bloats you all over, idiot. Right before it kills you. It doesn’t make your fin grow wider. Besides, the red tide hasn’t been bad for years now.” But Toraf already knows what the red fever looks like. Not long after he first became a Tracker, Toraf was commissioned to find an older Syrena who had gone off on his own to die after he’d been caught in what the humans call the red tide. Toraf was forced to tie seaweed around the old one’s fin and pull his body to the Cave of Memories. No, he doesn’t think I have the red fever. Toraf allows himself a long look at Galen’s fin. If it were anyone else, Galen would consider it rude. “Does it hurt?” “It’s sore.” “Have you asked anyone about it?” “I’ve had other things on my mind.” Which is the truth. Galen really hadn’t given it much thought until right now. Now that it has been noticed by someone else. Toraf pulls his own fin around and after a few seconds of twisting and bending, he’s able to measure it against his torso. It spans from his neck to where his waist turns into velvety tail. He nods to Galen to do the same. Galen is horrified to find that his fin now spans from the top of his head to well below his waist. It really does look like a whale tail. “I don’t know how I feel about that,” Toraf says, thoughtful. “I’ve gotten used to having the most impressive fin out of the two of us.” Galen grins, letting his tail fall. “For a minute there I thought you really cared.” Toraf shrugs. “Being self-conscious doesn’t suit you.” Galen follows his gaze back out into the sea ahead of them. “So what do you think about yesterday’s tribunal?” “I think I know where Nalia and Emma get their temper.” Galen laughs. “I thought Jagen was going to pass out when Antonis grabbed him.” “He’s not very good at interacting with others anymore, is he?” “I wonder if he ever was. I told you how crazy Nalia always acted. Could be a family trait.” It looks like Toraf might actually smile but instead his gaze jerks back out to sea, a new scowl on his face. “Oh, no,” Galen groans. “What is it?” Please don’t say Emma. Please don’t say Emma. “Rayna,” Toraf says through clenched teeth. “She’s heading straight for us.” That’s almost as bad.
Anna Banks (Of Triton (The Syrena Legacy, #2))
James Potter moved slowly along the narrow aisles of the train, peering as nonchalantly as he could into each compartment. To those inside, he probably looked as if he was searching for someone, some friend or group of confidantes with whom to pass the time during the trip, and this was intentional. The last thing that James wanted anyone to notice was that, despite the bravado he had so recently displayed with his younger brother Albus on the platform, he was nervous. His stomach knotted and churned as if he’d had half a bite of one of Uncles Ron and George’s Puking Pastilles.
G. Norman Lippert (James Potter and the Hall of Elders' Crossing (James Potter, #1))
Asked me what?” Just the sound of his voice twists my stomach into a knot of unpleasant emotions like guilt, sadness, and fear. And longing. I might as well admit there’s some of that, too. Only it has too much competition to ever win out. I watch as Peeta crosses to the table, the sunlight from the window picking up the glint of fresh snow in his blond hair. He looks strong and healthy, so different from the sick, starving boy I knew in the arena, and you can barely even notice his limp now. He sets a loaf of fresh-baked bread on the table and holds out his hand to Haymitch. “Asked you to wake me without giving me pneumonia,” says Haymitch, passing over his knife. He pulls off his filthy shirt, revealing an equally soiled undershirt, and rubs himself down with the dry part. Peeta smiles and douses Haymitch’s knife in white liquor from a bottle on the floor. He wipes the blade clean on his shirttail and slices the bread. Peeta keeps all of us in fresh baked goods. I hunt. He bakes. Haymitch drinks. We have our own ways to stay busy, to keep thoughts of our time as contestants in the Hunger Games at bay. It’s not until he’s handed Haymitch the heel that he even looks at me for the first time. “Would you like a piece?” “No, I ate at the Hob,” I say. “But thank you.” My voice doesn’t sound like my own, it’s so formal. Just as it’s been every time I’ve spoken to Peeta since the cameras finished filming our happy homecoming and we returned to our real lives. “You’re welcome,” he says back stiffly. Haymitch tosses his shirt somewhere into the mess. “Brrr. You two have got a lot of warming up to do before showtime.” He’s right, of course. The audience will be expecting the pair of lovebirds who won the Hunger Games. Not two people who can barely look each other in the eye. But all I
Suzanne Collins (Catching Fire (The Hunger Games, #2))
There was some that they called crayons, which one of the daughters which was dead made her own self when she was only fifteen years old. They was different from any pictures I ever see before—blacker, mostly, than is common. One was a woman in a slim black dress, belted small under the armpits, with bulges like a cabbage in the middle of the sleeves, and a large black scoop-shovel bonnet with a black veil, and white slim ankles crossed about with black tape, and very wee black slippers, like a chisel, and she was leaning pensive on a tombstone on her right elbow, under a weeping willow, and her other hand hanging down her side holding a white handkerchief and a reticule, and underneath the picture it said “Shall I Never See Thee More Alas.” Another one was a young lady with her hair all combed up straight to the top of her head, and knotted there in front of a comb like a chair-back, and she was crying into a handkerchief and had a dead bird laying on its back in her other hand with its heels up, and underneath the picture it said “I Shall Never Hear Thy Sweet Chirrup More Alas.” There was one where a young lady was at a window looking up at the moon, and tears running down her cheeks; and she had an open letter in one hand with black sealing wax showing on one edge of it, and she was mashing a locket with a chain to it against her mouth, and underneath the picture it said “And Art Thou Gone Yes Thou Art Gone Alas.” These was all nice pictures, I reckon, but I didn’t somehow seem to take to them, because if ever I was down a little they always give me the fan-tods. Everybody was sorry she died, because she had laid out a lot more of these pictures to do, and a body could see by what she had done what they had lost. But I reckoned that with her disposition she was having a better time in the graveyard.
Mark Twain (The Adventures of Huckleberry Finn)
He wanted nothing more than to close his eyes and relish the coolness, but all he could afford to do was cough some smoke out of his lungs and turn back to the task at hand. Which apparently included scolding a certain hardheaded woman for not heeding his instructions. Meredith glared at him from where she stood pumping water into the trough, not a hint of apology in her demeanor. Travis stormed past her and worked the knot on Jochebed’s lead line. “I thought I told you to go up to the house.” The pump arm creaked as she gave it a series of vigorous yanks, then fell silent as water gushed into the trough. “As I recall,” she said, rubbing her palms into her skirt, “you never forbade me from working the pump. You simply expressed your doubts as to my ability to do so.” Travis’s grip on the cow’s rope tightened. “Don’t play word games with me, Meredith. You knew what I meant.” “Did I?” She reached for a stew pot and dipped it into the trough. “Seems to me that a man who claims protecting his brothers and his land always comes first wouldn’t be so quick to refuse able-bodied help just because that body happens to be female.” She set the full pot on the ground and crossed her arms over her chest. Travis’s eyes followed the movement, noting the curves it accentuated. Yep. Definitely female. He wouldn’t be arguing that point.
Karen Witemeyer (Short-Straw Bride (Archer Brothers, #1))
he demanded. Her stomach, already knotted, twisted painfully. “You left the other morning in a hurry,” she said, reaching for the back of a chair to brace herself. “And I didn’t get a chance to say goodbye.” “Goodbye?” he repeated, frowning. He folded his arms over his chest and waited. Her palms began to sweat. “Aren’t you leaving soon…‌to rejoin the racing circuit?” “I don’t know. I haven’t made definite plans. It all depends on what happens here.” He crossed the room and stood only inches from her. “What’s going on, Melanie?” She cleared her throat. “I’m pregnant,” she whispered, facing him and seeing the shock and disbelief cross his features. “You’re what?” “Pregnant.” When he paled, she added,
Lisa Jackson (Double Exposure)
The last time he’d crossed Luxbridge, Dorian had only noticed the brilliance of the magic, sparkling, springy underfoot, coruscating in a thousand colors at every step. Now, he saw nothing but the building blocks to which the magic was anchored. Luxbridge’s mundane materials were not stone, metal, or wood; it was paved with human skulls in a path wide enough for three horses to pass abreast. New heads had been added to whatever holes had formed over the years. Any Vürdmeister, as masters of the vir were called after they passed the tenth shu’ra, could dispel the entire bridge with a word. Dorian even knew the spell, for all the good it did him. What made his stomach knot was that the magic of Luxbridge had been crafted so that magi, who used the Talent rather than the foul vir that meisters and Vürdmeisters used, would automatically be dropped
Brent Weeks (Beyond the Shadows (Night Angel, #3))
I wanted to rip him apart limb by limb with my teeth and fingers turned into claws. I wanted to hold his lion’s heart in my hands too tightly and feel it beat and throb for me, against me. I wanted to disassemble him, piece by bloody piece, to satisfy my burning passion, my crushing rage at the changes he’d wrought on my life and me. But then…I wanted to sit crossed-legged in the middle of the mess, smooth my claws turned fingers over the jagged edges of him and put him back together again. I wanted to trace the outline of each of his limbs, knot together his muscles and slot his bones into their joints. I wanted to sew myself into every atom of his DNA and live there forever, intrinsically tied to him so that if any force tried to tear me away like I knew they would, they’d have to kill him to separate us. It was a gruesome way to love someone, but it was the way I felt about Lionel Danner and I knew that would never change.
Giana Darling (Good Gone Bad (The Fallen Men, #3))
YOUNG STARS A curse, a cross Costing me all costs Knotting me up in all of your knots An ache, a prayer Worn from wear Daring what you do not dare I believe you can break me But I’m saved for the one who saved me We only look like young stars Because you can’t see old scars Tender in the places you touch I’d offer you everything but I don’t have much Tell you the truth just to watch you blush You can’t handle the hit so I hold the punch I believe you can break me But I’m saved for the one who saved me We only look like young stars Because you can’t see old scars You won’t give me a reason to wait And I’m starting to feel a little proud I’m searching for somebody lost When you’ve already been found You’re waiting for the right mistake But I’m not coming around You’re waiting for a quiet day But the world is just too loud I believe you can break me But I’m saved for the one who saved me We only look like young stars Because you can’t see old scars
Taylor Jenkins Reid (Daisy Jones & The Six)
His body was racked with movement and in the semi-darkness he looked like some kind of fairy-tale goblin engaged in a flurry of hocus-pocus. In the harsh spotlight that lit up the rostrum his face was fascinatingly ugly and had a ghastly pallor, ringed as it was by his waving hair. Every little shift in the orchestra was reflected in his sensitive features: one moment he would be dampening something down, which would knot the skin round his eyes into grim folds accompanied by a lifting of his nose; the next moment he would be smiling in confluence with the sweet strains of the orchestra, radiating his approval and enjoyment, so that it was a case of both devils and angels crossing his visage in turn. Lightning flashed from his spectacle lenses with each sharp movement of his head, and from behind the lenses his eyes shone forth, watchful, assertive and demanding attention - every inch of his frame was simultaneously both an instrument of command and a means of expression.
Jens Malte Fischer (Gustav Mahler)
Condom,” she gasped. A movement stopped. “What?” Phoebe felt the earth open up in preparation of swallowing her. How could she have not mentioned this before? “I’m not on anything right now,” she whispered. “Birth control. I’m not on the Pill.” She gestured helplessly. “Shit, fuck, damn.” Disappointment tied her in knots. “I was really only interested in that middle part,” she joked. There was a second of silence, followed by a low chuckle. “You’re never predictable, Phoebe. I’ll give you that. Cross your fingers.” “What?” “Cross your fingers. I might have a condom in my shaving kit.” There was movement and rustling, then the sound of a zipper being opened. “I’m going to have to put on the light.” She briefly debated being polite and closing her eyes, but who was she kidding? She wanted to see Zane naked. In preparation, she raised up on one elbow and stared in his general direction. When the light came on, she saw all she wanted and more. He was kneeling at the end of the sleeping bag. Naked, aroused and more physically perfect than any man had a right to be. She saw the definition in his arms, the broad strength of his chest and his flat stomach before lowering her attention to his large, hard penis. The physical proof of his desire for her made her so happy, she nearly cried. Her other instinct was to part her legs, tell him never mind with birth control and protection and demand he take her right there. As that last bit was only ever going to happen in her fantasies, she contended herself with stretching out her arm and lightly grazing the tip of him with her fingers. He stiffened instantly, then turned to look at her. If she’d had any doubts about his willingness to participate, they were put to rest by the fire in his eyes and the tightness of his expression. He was a man on the sexual edge, and she couldn’t wait to push him over. He shook his head and forced his attention back to the shaving kit. At first he set the various items on the foot of the sleeping bag, but after a couple of seconds, he simply turned the container over and dumped out the contents. “Be here, be here, be here,” he muttered as he pawed through everything. Then he grabbed a square packet in triumph. “Got one.” She couldn’t help smiling. “Only one?” He grinned. “We’ll have to be creative after that.” He handed her the condom, then clicked off the light. “Where was I?” he asked. “You can pretty much be anywhere you want to be,” she told him. “Good. Then I want to be here.” He pulled off her panties in one smooth move. Then there was nothing.
Susan Mallery (Kiss Me (Fool's Gold, #17))
This can’t be legal,” she whispered. He raised his head. “Why not?” “It feels too good.” He chuckled. She heard the sound, felt the soft exhalation of cool air on her bare, damp breasts, but she couldn’t see anything. Not him, not herself. It was strange, but in a good way. The darkness gave her courage. “Take your clothes off,” she said, knowing that she would never have managed the words in the light. “Yes, ma’am.” There was rustling, then nothing, then the distinctive sound of a zipper being pulled down. Her heart thundered in her chest. She tried to imagine him naked. What would he look like? Thinking about him naked made her imagine him standing in front of her--erect. And thinking about that made her think about him pushing inside of her. Filling her. Making her-- “Condom,” she gasped. A movement stopped. “What?” Phoebe felt the earth open up in preparation of swallowing her. How could she have not mentioned this before? “I’m not on anything right now,” she whispered. “Birth control. I’m not on the Pill.” She gestured helplessly. “Shit, fuck, damn.” Disappointment tied her in knots. “I was really only interested in that middle part,” she joked. There was a second of silence, followed by a low chuckle. “You’re never predictable, Phoebe. I’ll give you that. Cross your fingers.” “What?” “Cross your fingers. I might have a condom in my shaving kit.
Susan Mallery (Kiss Me (Fool's Gold, #17))
We’ve known his family forever. He doesn’t seem to care about the scandal in ours, and he’s an excellent shot-“ “That would certainly be at the top of my list of requirements for a husband,” Minerva broke in, eyes twinkling. “’Must be able to hit a bull’s-eye at fifty paces.’” “Fifty paces? Are you mad? It would have to be a hundred at least.” Her sister burst into laughter. “Forgive me for not knowing what constitutes sufficient marksmanship for your prospective mate.” Her gaze grew calculating. “I heart that Jackson is a very good shot. Gabe said he beat everyone today, even you.” “Don’t remind me,” Celia grumbled. “Gabe also said he won a kiss from you.” “Yes, and he gave me a peck on the forehead,” Celia said, still annoyed by that. “As if I were some…some little girl.” “Perhaps he was just trying to be polite.” Celia sighed. “Probably. I didn’t kiss you “properly” today because I was afraid if I did I might not stop. “The thing is…” Celia bit her lower lip and wondered just how much she should reveal to her sister. But she had to discuss this with someone, and she knew she could trust Minerva. Her sister had never betrayed a confidence. “That wasn’t the first time Jackson kissed me. Nor the last.” Minerva nearly choked on her chocolate. “Good Lord, Celia, don’t say such things when I’m drinking something hot!” Carefully she set her cup on the bedside table. “He kissed you?” She seized Celia’s free hand. “More than once?” Celia nodded. Her sister cast her eyes heavenward. “And yet you’re debating whether to enter into a marriage of convenience with Lyons.” Then she looked alarmed. “You did want the man to kiss you, right?” “Of course I wanted-“ She caught herself. “He didn’t force me, if that’s what you’re asking. But neither has Jackson…I mean, Mr. Pinter…offered me anything important.” “He hasn’t mentioned marriage?” “No.” Concern crossed Minerva’s face. “And love? What of that?” “That neither.” She set her own cup on the table, then dragged a blanket up to her chin. “He’s just kissed me. A lot.” Minerva left the bed to pace in front of the fireplace. “With men, that’s how it starts sometimes. They desire a woman first. Love comes later.” Unless they were drumming up desire for a woman for some other reason, the way Ned had. “Sometimes all they feel for a woman is desire,” Celia pointed out. “Sometimes love never enters into it. Like Papa with his females.” “Mr. Pinter doesn’t strike me as that sort.” “Well, he didn’t strike me as having an ounce of passion until he started kissing me.” Minerva shot her a sly glance. “How is his kissing?” Heat rose in her cheeks. “It’s very…er…inspiring.” Much better than Ned’s, to be sure. “That’s rather important in a husband,” Minerva said dryly. “And what of the duke? Has he kissed you?” “Once. It was…not so inspiring.” She leaned forward. “But he’s offering marriage, and Jackson hasn’t even hinted at it.” “You shouldn’t settle for a marriage of convenience. Especially if you prefer Jackson.” I don’t believe in marriages of convenience. Given your family’s history, I would think that you wouldn’t, either. Celia balled the blanket into a knot. That was easy for Jackson to say-he didn’t have a scheming grandmother breathing down his neck. For that matter, neither did Minerva.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
What happened was that when they brought me in this morning, poor Fräulein Engel was sitting at the table with her back to the door, busily numbering my countless recipe cards, and I frightened the living daylights out of her by braying in a deep, stentorian voice of command and discipline, ‘Achtung, Anna Engel! Heil Hitler!’ She catapulted to her feet and threw herself into a salute that must have nearly dislocated her shoulder. I’ve never seen her look so white around the gills. She recovered almost immediately and smacked me so hard she knocked me over. When Thibaut picked me up, she smacked me again just for the sheer hell of it. Wow wow wow is my jaw sore. I suppose they are not planning another phoney interview. I can never decide if it is worth it. It was a truly hilarious moment, but all I seem to have achieved this time is a totally unexpected collusion between Engel and Thibaut. Did I call them Laurel and Hardy? I meant sodding Romeo and Juliet. This is flirting, à la Gestapo underlings: She: Oh, you are so strong and manly, M’sieur Thibaut. Those knots you tie are so secure. He: That is nothing. Look, I pull them so tight you cannot undo them. Try. She: It is true, I cannot! Oh, pull them tighter! He: Chérie, your wish is my command. It is my ankles, not hers, which he is binding so tightly and with such masculine charm. She: I shall have to call you in tomorrow morning as well, to do this task for me. He: You must cross the cords, so, and knot them behind – Me: Squeak! Squeak! She: Shut up and write, ya wee skrikin’ Scots piece o’ shite. Well, no, she did not use those exact words. But you get the idea.
Elizabeth Wein (Code Name Verity (Code Name Verity, #1))
I suppose she’s very proud of you.” “Do you find that surprising?” he drawled. “No!” She cast him a considering glance. “Why shouldn’t she? You’re a very skilled investigator, I’m told.” “But not skilled enough to suit your ladyship,” he said, feeling a perverse urge to bait her. “I didn’t say that. From what I’ve seen, you’re very thorough.” She turned her gaze to the road ahead. “It’s no wonder that you’re being considered for the position of Chief Magistrate.” His stomach knotted. He should have known that every conversation with Celia had the potential to be a bog-ridden moor. “I suppose your grandmother told you about that.” A troubled expression crossed her face. “She says you must be careful not to be accused of any impropriety. That it would hurt your prospects for advancement. She says I should take care not to let you be caught in that position.” “Oh, she does, does she?” Mrs. Plumtree was even more Machiavellian than he’d given her credit for. “And I see you listen to her very well, for here we are, alone together again. At your instigation.” A blush suffused her cheeks that so enhanced her beauty, he had to look away. “Don’t worry,” she said, “no one will ever know about this. I’ll make sure of that.” “Like no one knew about our being alone together yesterday?” “No one did!” she protested. “Right. And your grandmother didn’t guess that we’d been together, either. The last time anyone saw us, we were walking off arm in arm, remember?” “Oh, but I told her some nonsense about how we parted before I came into the north wing.” “And she believed you,” he said skeptically. “Yes.” She chewed on her lower lip. “Well, I think she did.” “Doesn’t sound like it.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
I don’t believe in love that never ends,” said Aiden, his whisper clear and distinct. “I don’t believe in being true until death or finding the other half of your soul.” Harvard raised an eyebrow but didn’t comment. Privately, he considered that it might be good that Aiden hadn’t delivered this speech to this guy he apparently liked so much—whom Aiden had never even mentioned to his best friend before now. This speech was not romantic. Once again, Harvard had to wonder if what he’d been assuming was Aiden’s romantic prowess had actually been many guys letting Aiden get away with murder because he was awfully cute. But Aiden sounded upset, and that spoke to an instinct in Harvard natural as breath. He put his arm around Aiden, and drew his best friend close against him, warm skin and soft hair and barely there shirt and all, and tried to make a sound that was more soothing than fraught. “I don’t believe in songs or promises. I don’t believe in hearts or flowers or lightning strikes.” Aiden snatched a breath as though it was his last before drowning. “I never believed in anything but you.” “Aiden,” said Harvard, bewildered and on the verge of distress. He felt as if there was something he wasn’t getting here. Even more urgently, he felt he should cut off Aiden. It had been a mistake to ask. This wasn’t meant for Harvard, but for someone else, and worse than anything, there was pain in Aiden’s voice. That must be stopped now. Aiden kissed him, startling and fierce, and said against Harvard’s mouth, “Shut up. Let me… let me.” Harvard nodded involuntarily, because of the way Aiden had asked, unable to deny Aiden even things Harvard should refuse to give. Aiden’s warm breath was running down into the small shivery space between the fabric of Harvard’s shirt and his skin. It was panic-inducing, feeling all the impulses of Harvard’s body and his heart like wires that were not only crossed but also impossibly tangled. Disentangling them felt potentially deadly. Everything inside him was in electric knots. “I’ll let you do anything you want,” Harvard told him, “but don’t—don’t—” Hurt yourself. Seeing Aiden sad was unbearable. Harvard didn’t know what to do to fix it. The kiss had turned the air between them into dry grass or kindling, a space where there might be smoke or fire at any moment. Aiden was focused on toying with the collar of Harvard’s shirt, Aiden’s brows drawn together in concentration. Aiden’s fingertips glancing against his skin burned. “You’re so warm,” Aiden said. “Nothing else ever was. I only knew goodness existed because you were the best. You’re the best of everything to me.” Harvard made a wretched sound, leaning in to press his forehead against Aiden’s. He’d known Aiden was lonely, that the long line of guys wasn’t just to have fun but tied up in the cold, huge manor where Aiden had spent his whole childhood, in Aiden’s father with his flat shark eyes and sharp shark smile, and in the long line of stepmothers who Aiden’s father chose because he had no use for people with hearts. Harvard had always known Aiden’s father wanted to crush the heart out of Aiden. He’d always worried Aiden’s father would succeed. Aiden said, his voice distant even though he was so close, “I always knew all of you was too much to ask for.” Harvard didn’t know what to say, so he obeyed a wild foolish impulse, turned his face the crucial fraction toward Aiden’s, and kissed him. Aiden sank into the kiss with a faint sweet noise, as though he’d finally heard Harvard’s wordless cry of distress and was answering it with belated reassurance: No, I’ll be all right. We’re not lost. The idea of anyone not loving Aiden back was unimaginable, but it had clearly happened. Harvard couldn’t think of how to say it, so he tried to make the kiss say it. I’m so sorry you were in pain. I never guessed. I’m sorry I can’t fix this, but I would if I could. He didn’t love you, but I do.
Sarah Rees Brennan (Striking Distance (Fence, #1))
A tearing agony went through Lillian’s right thigh, and she would have stumbled to the ground had it not been for the support of his arm around her back. “Oh, damn it,” she said shakily, clutching at her thigh. A twisting spasm in her thigh muscle caused her to groan through her clenched teeth. “Damn, damn—” “What is it?” St. Vincent asked, swiftly lowering her to the path. “A leg cramp?” “Yes…” Pale and shaking, Lillian caught at her leg, while her face contorted with agony. “Oh God, it hurts!” He bent over her, frowning with concern. His quiet voice was threaded with urgency. “Miss Bowman…would it be possible for you to temporarily ignore everything you’ve heard about my reputation? Just long enough for me to help you?” Squinting at his face, Lillian saw nothing but an honest desire to relieve her pain, and she nodded. “Good girl,” he murmured, and gathered her writhing body into a half-sitting position. He talked swiftly to distract her, while his hand slipped beneath her skirts with gentle expertise. “It will take just a moment. I hope to God that no one happens along to see this—it looks more than a bit incriminating. And it’s doubtful that they would accept the traditional but somewhat overused leg-cramp excuse—” “I don’t care,” she gasped. “Just make it go away.” She felt St. Vincent’s hand slide lightly up her leg, the warmth of his skin sinking through the thin fabric of her knickers as he searched for the knotting, twitching muscle. “Here we are. Hold your breath, darling.” Obeying, Lillian felt him roll his palm strongly over the muscle. She nearly yelped at the burst of searing fire in her leg, and then suddenly it eased, leaving her weak with relief. Relaxing back against his arm, Lillian let out a long breath. “Thank you. That’s much better.” A faint smile crossed his lips as he deftly tugged her skirts back over her legs. “My pleasure.” “That never happened to me before,” she murmured, flexing her leg cautiously. “No doubt it was a repercussion from your exploit in the sidesaddle. You must have strained a muscle.” “Yes, I did.” Color burnished her cheeks as she forced herself to admit, “I’m not used to jumping on sidesaddle— I’ve only done it astride.” His smile widened slowly. “How interesting,” he murmured. “Clearly my experiences with American girls have been entirely too limited. I didn’t realize you were so delightfully colorful.” “I’m more colorful than most,” she told him sheepishly, and he grinned. -Lillian & Sebastian St. Vincent
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
What’s he doing?” I asked, leaning over the side of the boat, searching for him beneath the water. If the tow rope had gotten tangled, he might need help. And someone would need to go in the water with him, perhaps accidentally sliding against him down where no one else could see. “Boo!” A handful of bryozoa rushed up at me from the lake. I screamed (for once I didn’t have to think about this girl-reaction) and fell backward into the boat. Sean hefted himself over the side with one arm, holding the bryozoan high in the other hand. It dripped green slime through his fingers. “Bwa-ha-ha!” He came after me. I squealed again. It was so unbelievably fantastic that he was flirting with me, but bryozoa was involved. Was it worth it? No. I paused on the side of the boat, ready to jump back into the water myself. He might chase me around the lake with the bryozoa, but at least it would be diluted. On second thought, I didn’t particularly want to jump into the very waters the bryozoa had come from. Sean solved the problem for me. He slipped behind me and showed me he was holding the ties of my bikini in his free hand. If I jumped, Sean would take possession of my bikini top. I had thought about double knotting my bikini. I’d hoped against hope that Stage Two: Bikini would work, and that Sean might try something like this. Of course, I didn’t really want my top to come off in front of everyone. Nay, in front of anyone. But I’d checked the double knots in the mirror. They’d looked…well, double knotted, for protection, sort of like wearing a turtleneck to the prom. I’d re-tied the strings normally. Now I wished I’d double knotted after all. Sean brought the dripping slime close to my shoulder. “Go ahead and jump,” he said, twisting my bikini ties in his finges. “Sean,” came McGullicuddy’s voice in warning. This surprised me. My brother had never taken up for me before. Of course, none of the boys had ever crossed this particular line. But that was nothing compared with my surprise when the bryozoa suddenly lobbed out of Sean’s hand, sailed through the air, and plopped into the lake. Adam, standing behind him, must have shoved his arm. Which meant I owed Adam my gratitude for saving me. Except I didn’t want him to save me from Sean, and I thought I’d made that clear. Saving me from Sean with bryozoa…that was a more iffy proposition. I wasn’t sure whether I should give Adam the little dolphin look again when our eyes met. But it didn’t matter. When I turned around, he was already stepping over Cameron’s legs to return to the driver’s seat.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
Poor girl. She would change. The idealism would vanish once she saw how hypocritical the whole game was, and what luxuries lay outside university. When she left, she’d want it all: the executive job in London, the flat, car, salary, wine-bar. She would chuck it all in for a slice of pie.
Ian Rankin (Knots and Crosses (Inspector Rebus, #1))
Nothing in the room was cheap, but none of it was exactly desirable either.
Ian Rankin (Knots and Crosses (Inspector Rebus, #1))
I went a day. Spent that evening standing at the window lighting one cigarette off the last, after she’d gone, to keep myself from sitting and writing out the scene as freshly recalled. One week, thirty packs of cigarettes. Weeks. Without spooling out more of a tale, creating more to burn, knitting away at the front of the long knotted scarf that will have to be unraveled at the back. How helpless I feel before this flood of words, how ridiculous. A hundred times trying to shut off the flow. Under orders from Mother. From Frida and Diego, arms crossed, feet tapping, stop it. In the name of the law. Stop writing down everything, it makes me nervous. And something inside the boy cries out, Those are the only two choices: read, or dead.
Barbara Kingsolver (The Lacuna)
Why didn’t you say that you were coming?” She was trying not to stare at him, but she couldn’t help it. The angle of his cheekbones reminded her of one of the Greek statues from Dubois’s salon. His skin was sculpture-worthy as well, creamy and alabaster pale, just the hint of a blond beard showing on his cheeks and chin. Almost nothing about him reminded her of the petulant boy who had demanded a kiss from her three years ago. Luca gave Cass a funny look. He plucked a series of invisible cat hairs from his black velvet breeches. “I’m sure I mentioned it in at least two letters. Did you not receive them?” Cass reddened again. Her tongue felt knotted in her mouth. “I must have lost track of time.” Santo cielo. He was going to think she’d become a babbling idiot. Luca’s smile wavered for a moment. He stretched out his long legs and crossed them at the ankles. “No matter. I’m here now. Just in time to protect you.” Cass gestured toward Slipper, who had gone back to sleep on her lap. “Well, as you can see, I’m in grave danger of being mauled, right here in my aunt’s library.” She regretted the wry tone immediately. It was the kind of thing she would have said to Falco. Luca would probably take offense at her joke. But he laughed. “He does look rather fierce,” he said.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
As she approached the library, she felt her heartbeat quicken uncomfortably. Squaring her shoulders, she crossed the threshold. Devon appeared to be browsing over a row of books, reaching up to straighten a trio of volumes that had fallen sideways. “My lord,” Kathleen said quietly. Devon turned, his gaze finding hers at once. He was stunningly handsome, dressed in a dark suit of clothes that had been tailored in the new looser-fitting fashion, the coat, waistcoat, and trousers all made of matching fabric. The informal cut of the suit did nothing to soften the hard lines of his body. For a moment Kathleen couldn’t help remembering the feel of his arms around her, his solid chest beneath her cheek. Heat swept over her face. Devon bowed, his face inscrutable. He appeared relaxed at first glance, but a closer look revealed faint shadows beneath his eyes, and finespun tension beneath his calm veneer. “I hope you’re well this morning,” he said quietly. Her blush deepened uncomfortably. “Yes, thank you.” She curtsied and wove her fingers together in a stiff knot. “You wished to discuss something before you depart?” “Yes, regarding the estate, I’ve come to some conclusions--” “I do hope--” she began, and broke off. “Forgive me, I didn’t mean to--” “Go on.” Kathleen dropped her gaze to her clenched hands as she spoke. “My lord, if you decide to dismiss any of the servants…or indeed all of them…I hope you take into account that some have served the Ravenels for their entire lives. Perhaps you might consider giving small parting sums to the oldest ones who have little hope of securing other employment.” “I’ll bear it in mind.” She could feel him looking at her, his gaze as tangible as the heat of sunlight. The mahogany bracket clock on the mantel measured out the silence with delicate ticks. His voice was soft. “You’re nervous with me.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
...a small part of me that worried that Tori wouldn’t be here when I arrived, that I pushed her too far, too fast, that somehow I read her wrong and asked her for more than she was willing to give. But she’s here. She’s magnificent. And she’s mine. That thought steals the air from my lungs. Her shoulders tense at my gasp, when she realizes she’s no longer alone. “Hello, beautiful,” my voice husky. I drop my bags by the door and swiftly cross the room. I only have a split second to take in how devastating she looks in her blue gown. I don’t know who moves first, but she’s in my arms as my lips descend on hers. With that first contact, the knot of tension that’s taken up residence between my shoulder blades releases, and I finally feel like I can breathe fully for the first time since I left for Los Angeles.
D.L. Hess (Sir: The Awakening (The Awakening Series Book 2))
Your father tells me you will take the woman back. Cousin, this is boisa. Kill her. If you cannot spill her blood, I can.” Loretta knotted her hand into a fist and pressed it against her waist. Hunter glanced toward her, then stood. “You will make no talk of killing, Red Buffalo.” Red Buffalo snorted with disgust. “I will make more than talk. I demand you bring her to the central fire.” Central fire? Loretta’s breath stopped midway from her throat to her lungs. She could almost hear the flames sizzling. Hunter spread his feet and crossed his arms over his chest. “She is my woman. She stays in my lodge.
Catherine Anderson (Comanche Moon (Comanche, #1))
Mea, go. Until your loyalty to me is greater than your hatred.” “I have stepped between you and enemy rifles!” “And now you make war on my woman. Do not test me again, cousin.” The muscles across Red Buffalo’s back knotted and twitched. He stood there a moment, quivering with rage, then spun and spat in Loretta’s direction, his black eyes livid with hatred. “Your woman,” he sneered. “She sickens my gut. You forget your wife who died for a yellow-hair?” With that, he stormed out. A brittle silence settled over the lodge. A tremor shook Loretta as the aftershock set in. The snake had been planted? She stared at Hunter; he stared at the doorway. When at last he looked at her, his eyes churned darkly with emotion. He returned to his pallet and sat down, legs crossed at the ankles in front of him. With a sigh, he reclaimed his flint and bone punch, bending over the flat rock he used as a base for his work. “You will sleep. I will watch.” The stony mask of anger that hooded his face did a poor job of concealing his pain. He loved his cousin, yet he had defended her against him. Loretta lay down, but sleep was beyond her. Seconds dragged by, mounting into minutes, and still the silence rang out, broken only by the report of bone against flint. Loretta swallowed. “Hunter?” His indigo gaze met hers. “Thank you. For--defending me.” Almost imperfectibly, he inclined his head. “Sleep, Blue Eyes. It is well.” “I--I’m sorry for causing a rift--a big fight--between you. I truly am sorry.” Afraid he might not understand, she placed a hand on her chest. “My heart is on the ground.” His mouth thinned, and he glanced outside. “Let your heart be glad again. The hatred came upon him long ago.” Something deep within Loretta knotted, twisted. She hugged her middle and tried desperately not to think, to deny the reality she could not accept, that Hunter, the legendary killer, was a man who thought, and felt, and loved--just like any other. He even mourned a dead wife. He was also a man true to his word. He had promised to defend her, and he had.
Catherine Anderson (Comanche Moon (Comanche, #1))
My wires weren’t just crossed, they were tangled up like a box of Christmas lights, all knots and broken glass, blinking and shorting out with every move I made.
Misha Horne (Working out the Kinks)
Mags said magic invited a certain amount of mess. That's why the honeysuckle grew three times as large around her house, and birds nested in her eaves no matter the season. In New Salem—the City Without Sin, where the trolleys run on time and every street wears a Saint’s name—the only birds are pigeons and the only green is the faint shine of slime in the gutters. A trolley jangles past several inches from Juniper’s toes and its driver swears at her. Juniper swears back. She keeps going because there’s no place to stop. There are no mossy stumps or blue pine groves; every corner and stoop is filled up with people. Workers and maids, priests and officers, men with pocket-watches and ladies with big hats and children selling buns and newspapers and shriveled up flowers. Juniper tries asking directions twice but the answers are baffling, riddle-like (follow St. Vincent’s to Fourth-and-Withdrop, cross the Thorn, and head straight). Within an hour she’s been invited to a boxing match, accosted by a gentleman who wants to discuss the relationship between the equinox and the end-times, and given a map that has nothing marked on it but thirty-nine churches. Juniper stares down at the map, knotted and foreign and unhelpful, and wants to go the hell home.
Alix E. Harrow (The Once and Future Witches)
In the second place, if Christ is really the Priest of our souls, let us use Him regularly, and keep back nothing from Him. It is a sorrowful fact that many believers enjoy the Gospel far less than they ought to do, for lack of boldness in using the priestly office of Jesus Christ. They go mourning and weeping along the Way to heaven, perplexing themselves by poring over their infirmities and sins, and carrying ten times as much weight on their backs as Christ ever meant them to bear. Ignorance, sad ignorance, is too often the simple account of the condition of these people. They think only of the death of Christ, and not of the life of Christ. They think of His finished work on the cross, but forget His priestly intercession. If this be our case, let us turn over a new leaf, and change our plan this very day. Let us think of Jesus Christ as a loving Friend, to whom we may go morning, noon, and night, and get relief from Him every day. “Cast thy burden on the Lord, and He will sustain thee.” (Psalm 55:22) Let us live the life of faith in the Son of God, and hold communion with Him continually. Let us use Him every morning as a Fountain of grace and help, and drink freely of that Fountain. Let us use Him every evening as a Fountain of absolution and refreshment, and draw out of Him living water. He that tries this plan will find it for the health of his soul.
J.C. Ryle (Knots Untied)
The colobium begins to disappear by the ninth or early tenth century, however; and from this time, Jesus is more commonly shown, like the thieves, wearing a knotted perizoma, which some medieval interpreters understood to be Mary’s veil, given to him in order to cover his nudity.
Robin M. Jensen (The Cross: History, Art, and Controversy)
You know Elyse Taylor’s work?” Luke stepped up beside me. “I’m a fan. We have a couple of other pieces, along with the one at the studio.” I flushed hot, suddenly wishing I had more than a bra on under my hoodie so I could take it off. “I do know her work,” I said. “Very well. I can’t believe you have so many of her pieces. It’s…” There were no words for it. And I couldn’t lie to them if we were really doing this, so I finally looked at Luke. “Thank you.” The confusion crossed his face. “Thank you—” his eyes went wide. “Really?” It wasn’t incredulous, it was awed. I nodded. “What did I just miss?” Rylan asked, looking between us. Fidgeting with the cuffs on my hoodie, I looked at the painting again, and then back at Rylan. “I’m Elyse Taylor. Or rather, that’s the name I sell my art under.
Devyn Sinclair (Knot Your Damn Omega (Slate City Omegaverse, #1))
I don't remember a lot about my mom. But I remember her doing these cross-stitches - they're little thread embroidery pieces. Anyway, one time I picked up one of her pieces and it looked awful–all messy, with all these knots and uneven strings hanging everywhere. I could barely make out what the picture was supposed to be. But then, my mom came over and took the piece of fabric out of my hands and turned it over–and right there was this masterpiece. I breathed out and smiled. She liked birds. I remember the picture–it was a nest full of babies, the mama bird just returning. I paused, thinking. Sometimes I think of those little pieces of fabric when life feels really messy and difficult to understand. I try to close my eyes and believe that even though I can't see the other side right then, and that the side I'm looking at is ugly and muddled, that there's a masterpiece that's being woven out of all the knots and loose strings. I try to believe that something beautiful can result from something ugly, and that there will come a time when I'll get to see what that is. You helped me see my own picture, Archer. Let me help you see yours.
Mia Sheridan (Archer's Voice)
Also, he was more discriminating now than he had been then, back in the old days when he would read a book to its bitter end whether he liked it or not. These days, a book he disliked was unlikely to last ten pages of his concentration.
Ian Rankin (Knots and Crosses (Inspector Rebus, #1))
Unable to hold back a second longer, Blake reached out and cradled the side of her face, savoring the feel of that silky soft skin against his palm. His blood thrummed heavily through his veins when she sucked in a sharp breath and stared up at him with that mixture of hope and need that tied him in knots. “So what now?” he asked softly, rubbing his thumb gently across her cheekbone. “What do you want?” “You. That’s it, Blake. There’s no riddle to decipher, no code to break. I want you.” Staring deep into his eyes, she reached up and wrapped her fingers around his wrist, holding him there while she rubbed her cheek against his palm. The tenderness in the gesture turned his heart over. Lust and satisfaction blasted through him. The painful pressure in his chest eased, relief sweeping aside the doubt and uncertainty. His gaze dropped to her mouth, a silent groan rumbling up inside him when her little pink tongue stole out to lick across her lower lip in a quick, almost nervous motion. Tightening his hand on her face, he wrapped his other arm around her waist and pulled her in close, until only an inch or two of space separated them. “I want you too,” he murmured, and kissed her.
Kaylea Cross (Extinguished (Titanium Security, #4))
The idea filled a place inside him he hadn’t even realized was empty. Coming home to find Jordyn waiting for him every night? Eating dinner with her, sleeping beside her and making love to her every night? That was his idea of heaven. “I’d love it if you stayed with me. Sounds perfect.” She sighed again, the sound quiet and contented. Utterly satisfied. “Yeah, it does, doesn’t it?” She pressed a string of kisses over his chest then laid her cheek against him. “I’ve wanted you for so long. Part of me still can’t believe this is finally happening.” A knot of emotion clogged his chest. He hugged her close, rested his head close to hers on the pillow and closed his eyes. “I’m just sorry it took me so long to see everything straight.” He felt her smile form against his skin. “That’s okay. You were more than worth the wait.” “You too, angel.” She’d been his constant all these years. Devoted friend, fierce defender, sounding board and confidant. Now she’d be his lover and partner as well. Blake was never letting her go.
Kaylea Cross (Extinguished (Titanium Security, #4))
I miss him,” she whispered, her voice cracking. His heart constricted at the grief on her face. “I know, honey.” He lifted a hand to stroke the soft waves of her hair. A soothing, reassuring gesture, but to him it meant so much more. His muscles knotted with the need to cup her face between his hands and kiss her the way he’d been dying to for so long. He wanted to kiss away the sadness and the grief, replace it with the heat and tenderness burning inside him.
Kaylea Cross (Extinguished (Titanium Security, #4))
shuttle runway 15. Crosswinds 8 knots from three-one-five
E.R. Mason (Deep Crossing)
There was a ring at the door. He did not answer. They would go away, and he would be alone again with his grief, his impotent anger, and his undusted possessions.
Ian Rankin (Knots and Crosses (Inspector Rebus, #1))
Did you see the fight yesterday, when Lem Johnson didn’t want to cross the river?” Joellen nodded. “I was hiding in the supply wagon, and I watched the whole thing. You were masterful.” “If you saw what happened, you know nobody defies my orders and gets away with it. And I don’t let people tell lies about me, either.” Joellen swallowed, but she still looked besotted. Steven was about to cure her of that. He sat down on the bench, clasped Joellen by the wrist, and flung her down across his lap. She was so startled that, for a moment, she just lay there with her fanny upended. But when she looked back over her shoulder, she saw Steven’s hand descending and yelped in anticipation of the pain. His palm made a satisfying thwack, so Steven gave her another swat. Joellen squirmed and shrieked, more in anger than suffering, but he kept her legs scissored between his thighs and went right on spanking her. In the street, wagons rolled past, their occupants staring at Joellen and Steven, but he didn’t give a damn. In fact, he gave Joellen five more solid swats before letting her up. He felt guilty looking at the tear streaks on her dirty cheeks, but only a little. “Monster! Fiend! I wouldn’t marry you if you could buy and sell my daddy five times over!” Joellen screamed, her hands knotted into fists at her sides. In a few years, when she was of age, she was going to make somebody a fine and spirited wife. Steven rose from the bench and sighed as he pulled his gloves back on. “Good-bye, Joellen,” he said. Taking his wallet from the inside pocket of his leather vest, he pulled out a twenty-dollar bill. “This will keep you until Big John gets here.” For a moment, she looked as if she was going to spit in his face. But then, at the last second, Joellen snatched the money from his hand. “I hate you!” she cried. Steven grinned as he walked away. In six months Joellen Lenahan not only wouldn’t hate him, she wouldn’t remember his name. Wearily,
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
A journalist from Madras, coming to meet him in Bombay, found Gandhi sitting cross-legged on a couch, wearing handwoven clothes, writing a letter to a friend in Gujarati, using materials ‘of the more common swadeshi type’. The ‘paper was none too fine, the pencil had to be pressed hard to make an impression, and the envelope would not easily open in the prevailing [monsoon]weather’. The reporter (a westernized Tamil Brahmin) also noticed ‘that one of the curls of [Gandhi’s] spectacles had broken midway and was being held in position by a piece of thread knotted round his head. I was wondering why a fresh curl had not been put in, but soon found a broken curl was not without its uses, as it serves well enough for a toothpick on occasions'.
Ramachandra Guha (Gandhi 1915-1948: The Years That Changed the World)
fated by their christenings.
Ian Rankin (Knots and Crosses (Inspector Rebus, #1))
I wonder what would happen if we decide to cross that line. If the next time we touch is with intention—and without any clothes.
Kendall Hale (Knot Really Engaged (Happily Ever Mishaps, #2))
My arms were already crossed tight over my chest, thighs squeezed together, ankles overlapped beneath my seat. My body was knotted, doing everything it could not to touch him, not to impose its soft skin.
Aubrey Gordon (What We Don't Talk About When We Talk About Fat)
That tiniest of smiles that Betty had shot my way after our final audition scene three days ago had me in knots. I wanted more of her smiles. I wanted more of Betty. The problem was, she hated me.
Juliette Cross (Bright Like Wildfire (Beauville #1))
Yet the New York arrival time was not measured by when the liner docked but by when it passed the Ambrose Lightship, a navigation beacon moored off Sandy Hook, New Jersey, where it marked the main channel into New York harbor. On her maiden voyage the Olympic had passed the Ambrose Lightship at 2:24 a.m. on Wednesday, June 21, 1911. Ismay knew that to beat the Olympic’s maiden crossing record and “arrive on Tuesday,” the Titanic had simply to pass the Ambrose Lightship before midnight and best her sister’s time by only two and a half hours. On her second westbound crossing, the Olympic had, in fact, reached the lightship at 10:08 p.m. on Tuesday, July 18. With the Titanic already achieving average speeds of just under twenty-two knots over the last two days, she was well on her way to making the Tuesday arrival that Ismay had so enthusiastically predicted.
Hugh Brewster (Gilded Lives, Fatal Voyage: The Titanic's First-Class Passengers and Their World)
Time is in-form-ation. Fuller simplifies Einstein into a one-sentence poem: "Matter is knots in energy." Matter is interference patterns. All radiations travel in geodesics, due to gravity which curves their trajectories. Where these trajectories cross, interference results: knots in energy, perceived by us as "matter." The world of matter is the tuned-in. The not-yet-tuned-in is not not, it is merely not knot. Dig?
Robert Anton Wilson (Right Where You Are Sitting Now)
The supply ship Antares (AG-10) was inbound to Pearl Harbor, heading toward the submarine nets protecting the entrance channel. Between Antares and the barge it was towing, Captain Outerbridge made out the unmistakable silhouette of the conning tower and periscope of an unknown submarine. There was no doubt in his mind that this was an intruder intent on following Antares through the open submarine nets and into the harbor. Outerbridge called for speed and ordered a turn toward the target as the Ward surged to twenty knots. At 6:45 a.m. the destroyer fired two shots from its four-inch guns. The first passed directly over the submarine’s conning tower and missed. The second hit the submarine at the waterline between the conning tower and its hull. As the Ward’s action report later characterized it, “This was a square positive hit.” The target heeled over to starboard and appeared to slow and sink, drifting into a tightly spaced salvo of depth charges set for 100 feet that the Ward dropped as it crossed the submarine’s bow. Outerbridge couldn’t be certain, but a large oil slick on the surface after the depth charges exploded indicated that his quarry had likely sunk. He radioed a voice transmission saying the Ward had “dropped depth charges upon subs,” but two minutes later, fearing that the report might be taken merely as one more in a long line of sketchy contacts, Outerbridge made clear that this had been no illusion: “We have attacked, fired upon, and dropped depth charges on a submarine operating in defensive sea area,” he radioed. Seconds later, just to be certain his information had been received, Outerbridge queried, “Did you get that last message?” The answer was yes, and the report made its way up the chain of command, reaching Admiral Kimmel about forty minutes later. Like others who’d relayed the message, Kimmel was skeptical. “I was not at all certain that this was a real attack,” he later told investigators. It would take sixty years before a Japanese midget submarine was discovered in some twelve hundred feet of water with a hole in its conning tower—evidence that Outerbridge and the Ward had indeed inflicted the first casualties of the day.4
Walter R. Borneman (Brothers Down: Pearl Harbor and the Fate of the Many Brothers Aboard the USS Arizona)
induce such fear in Dobby? The elf looked up at him, slightly cross-eyed, and mouthed wordlessly. ‘Umbridge?’ asked Harry, horrified. Dobby nodded, then tried to bang his head on Harry’s knees. Harry held him at arm’s length. ‘What about her? Dobby – she hasn’t found out about this – about us – about the DA?’ He read the answer in the elf’s stricken face. His hands held fast by Harry, Dobby tried to kick himself and sank to his knees. ‘Is she coming?’ Harry asked quietly. Dobby let out a howl. ‘Yes, Harry Potter, yes!’ Harry straightened up and looked around at the motionless, terrified people gazing at the thrashing elf. ‘WHAT ARE YOU WAITING FOR?’ Harry bellowed. ‘RUN!’ They all pelted towards the exit at once, forming a scrum at the door, then people burst through. Harry could hear them sprinting along the corridors and hoped they had the sense not to try and make it all the way to their dormitories. It was only ten to nine; if they just took refuge in the library or the Owlery, which were both nearer – ‘Harry, come on!’ shrieked Hermione from the centre of the knot of people now fighting to get out.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
When the librarian went over to talk with another girl, Samantha took out the book she wanted and gave her ticket to the old lady librarian with the dyed hair, whom the children called Mrs Slocum.
Ian Rankin (Knots and Crosses (Inspector Rebus, #1))
With hearts strangely lightened they now rested again, but not for long. They were not going quick enough for Gollum. By his reckoning it was nearly thirty leagues from the Morannon to the Cross-roads above Osgiliath, and he hoped to cover that distance in four journeys. So soon they struggled on once more, until the dawn began to spread slowly in the wide grey solitude. They had then walked almost eight leagues, and the hobbits could not have gone any further, even if they had dared. The growing light revealed to them a land already less barren and ruinous. The mountains still loomed up ominously on their left, but near at hand they could see the southward road, now bearing away from the black roots of the hills and slanting westwards. Beyond it were slopes covered with sombre trees like dark clouds, but all about them lay a tumbled heathland, grown with ling and broom and cornel, and other shrubs that they did not know. Here and there they saw knots of tall pine-trees. The hearts of the hobbits rose again a little in spite of weariness: the air was fresh and fragrant, and it reminded them of
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
Tianna picked up her backpack and started out to the hallway with a confident swing in her hips. A sly smile crossed her face this time when she saw the guys stare. She walked down the unfamiliar hallways next to Corrine. The knot of anxiety was beginning to unravel, and she started to relax.
Lynne Ewing (The Lost One (Daughters of the Moon, #6))
He had to get off the booze. He had to get off the ciggies. They were killing him, yet they were the only things keeping him alive.
Ian Rankin (Knots and Crosses (Inspector Rebus, #1))