“
The big difference between my mom and me-- besides the fact that she is dead normal and I'm a magic-handling freak-- is that she's the real thing. She may have a slight problem seeing other people's points of view, but she's honest about it. She's a brass-bound bitch because she believes she knows best. I'm a brass-bound bitch because I don't want anyone getting close enough to find out what a whiny little knot of naked nerve endings I really am.
”
”
Robin McKinley (Sunshine)
“
Your heart .That’s all I want. That’s the best thing you can give me”
You stole that that before we even met”
I don’t want to be a thief. I want you to give it”
His arms tighten around me, and his mouth presses on mine again.
It’s yours Beth”. His words flow into my soul and twist me into knots.
You know it’s yours
”
”
Angela Morrison (Sing Me to Sleep)
“
Everyone who tells a story tells it differently, just to remind us that everybody sees it differently. Some people say there are true things to be found, some people say all kinds of things can be proved. I don't believe them. The only thing for certain is how complicated it all is, like string full of knots. It's all there but hard to find the beginning and impossible to fathom the end. The best you can do is admire the cat's cradle, and maybe knot it up a bit more.
”
”
Jeanette Winterson (Oranges Are Not the Only Fruit)
“
Once, very long ago, Time fell in love with Fate. This, as you might imagine, proved problematic. Their romance disrupted the flow of time. It tangled the strings of fortune into knots. The stars watched from the heavens nervously, worrying what might occur. What might happen to the days and nights were time to suffer a broken heart? What catastrophes might result if the same fate awaited Fate itself? The stars conspired and separated the two. For a while they breathed easier in the heavens. Time continued to flow as it always had, or perhaps imperceptibly slower. Fate weaved together the paths that were meant to intertwine, though perhaps a string was missed here and there. But eventually, Fate and Time found each other again. In the heavens, the stars sighed, twinkling and fretting. They asked the Moon her advice. The Moon in turn called upon the parliament of owls to decide how best to proceed. The parliament of owls convened to discuss the matter amongst themselves night after night. They argued and debated while the world slept around them, and the world continued to turn, unaware that such important matters were under discussion while it slumbered. The parliament of owls came to the logical conclusion that if the problem was in the combination, one of the elements should be removed. They chose to keep the one they felt more important. The parliament of owls told their decision to the stars and the stars agreed. The Moon did not, but on this night she was dark and could not offer her opinion. So it was decided, and Fate was pulled apart. Ripped into pieces by beaks and claws. Fate’s screams echoed through the deepest corners and the highest heavens but no one dared to intervene save for a small brave mouse who snuck into the fray, creeping unnoticed through the blood and bone and feathers, and took Fate’s heart and kept it safe. When the furor died down there was nothing else left of Fate. The owl who consumed Fate’s eyes gained great site, greater site then any that had been granted to a mortal creature before. The Parliament crowned him the Owl King. In the heavens the stars sparkled with relief but the moon was full of sorrow. And so time goes as it should and events that were once fated to happen are left instead to chance, and Chance never falls in love with anything for long. But the world is strange and endings are not truly endings no matter how the stars might wish it so. Occasionally Fate can pull itself together again. And Time is always waiting.
”
”
Erin Morgenstern (The Starless Sea)
“
It's like these fellows who name their swords 'Skullbane' or 'Souldrinker' or somesuch." Tric tied his saltlocks into a matted knot atop his head. "Tossers, all."
"If I were going to name my blade," Mia said thoughtfully, "I'd call it 'Fluffy.'"
Tric snorted with laughter. "Fluffy?"
"Byss, yes," the girl nodded. "Think of the terror you'd instill. Being bested by a foe wielding a sword called Souldrinker... that you could live with. Imagine the shame of having the piss smacked out of you by a blade called Fluffy.
”
”
Jay Kristoff (Nevernight (The Nevernight Chronicle, #1))
“
The best music for her was always the stuff you could relate to, the stuff that spoke directly to you and twisted and knotted itself so far into your life you couldn't tell where art ended and reality began.
”
”
Stephen Emond (Winter Town)
“
I'm Captain Logan MacKenzie. I received every last one of your missives, and despite your best attempts to kill me, I am verra much alive."
He propped a finger under her chin, tilting her face to his. So she would be certain to hear and believe his words.
"Madaline Eloise Gracechurch... I've come here to marry you.
”
”
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
“
Are you entirely sure of that knot?' asked Morveer. 'There is no place in the plan for a lengthy drop'.
'Twenty-eight strides', said Friendly.
'What?'
'The drop'.
A brief pause, 'That is not helpful'.
”
”
Joe Abercrombie (Best Served Cold)
“
Best day of my life hasn't happened yet. But I knot it. I see it everyday.
”
”
John Green (Looking for Alaska)
“
The old oak, utterly transformed, draped in a tent of sappy dark green, basked faintly, undulating in the rays of the evening sun. Of the knotted fingers, the gnarled excrecenses, the aged grief and mistrust- nothing was to be seen. Through the rough, century-old bark, where there were no twigs, leaves had burst out so sappy, so young, that is was hard to believe that the aged creature had borne them. "Yes, that is the same tree," thought Prince Andrey, and all at once there came upon him an irrational, spring feeling of joy and renewal. All the best moments of his life rose to his memory at once. Austerlitz, with that lofty sky, and the dead, reproachful face of his wife, and Pierre on the ferry, and the girl, thrilled by the beauty of the night, and that night and that moon- it all rushed at once into his mind.
”
”
Leo Tolstoy (War and Peace)
“
He wanted to warn these children that time was not their friend; that though today might seem special, there would be a tomorrow, and a day after that; that the best-case scenario of a well-spent life was the slow and steady unraveling of the heart’s knot.
”
”
Simon Jimenez (The Vanished Birds)
“
This does not escape my notice, it is a context. I resent the fact of a context; my social status has shifted and no one is going to acknowldege it, that´s certain. I´m expected to be Brave and Rise Above. I dress for the role; I must look far better now that I did when I was married. I must look pulled together into a nice tight Hermès knot of self-containment. I don´t make the rules; I just do my best to follow them.
”
”
Suzanne Finnamore (Split: A Memoir of Divorce)
“
They spoke of small things at first, since it was best, when reattaching threads, to begin with the easiest knots.
”
”
Chris Cleave (Everyone Brave Is Forgiven)
“
With thoughtless and impatient hands We tangle up the plans The Lord hath wrought. And when we cry in pain He saith, “Be quiet, man, while I untie the knot.” (Author unknown, in Jack M. Lyon et al., Best-Loved Poems of the LDS People [1996], 304)
”
”
Boyd K. Packer (Truths Most Worth Knowing)
“
EDMUND
*Then with alcoholic talkativeness
You've just told me some high spots in your memories. Want to hear mine? They're all connected with the sea. Here's one. When I was on the Squarehead square rigger, bound for Buenos Aires. Full moon in the Trades. The old hooker driving fourteen knots. I lay on the bowsprit, facing astern, with the water foaming into spume under me, the masts with every sail white in the moonlight, towering high above me. I became drunk with the beauty and signing rhythm of it, and for a moment I lost myself -- actually lost my life. I was set free! I dissolved in the sea, became white sails and flying spray, became beauty and rhythm, became moonlight and the ship and the high dim-starred sky! I belonged, without past or future, within peace and unity and a wild joy, within something greater than my own life, or the life of Man, to Life itself! To God, if you want to put it that way. Then another time, on the American Line, when I was lookout on the crow's nest in the dawn watch. A calm sea, that time. Only a lazy ground swell and a slow drowsy roll of the ship. The passengers asleep and none of the crew in sight. No sound of man. Black smoke pouring from the funnels behind and beneath me. Dreaming, not keeping looking, feeling alone, and above, and apart, watching the dawn creep like a painted dream over the sky and sea which slept together. Then the moment of ecstatic freedom came. the peace, the end of the quest, the last harbor, the joy of belonging to a fulfillment beyond men's lousy, pitiful, greedy fears and hopes and dreams! And several other times in my life, when I was swimming far out, or lying alone on a beach, I have had the same experience. Became the sun, the hot sand, green seaweed anchored to a rock, swaying in the tide. Like a saint's vision of beatitude. Like a veil of things as they seem drawn back by an unseen hand. For a second you see -- and seeing the secret, are the secret. For a second there is meaning! Then the hand lets the veil fall and you are alone, lost in the fog again, and you stumble on toward nowhere, for no good reason!
*He grins wryly.
It was a great mistake, my being born a man, I would have been much more successful as a sea gull or a fish. As it is, I will always be a stranger who never feels at home, who does not really want and is not really wanted, who can never belong, who must always be a a little in love with death!
TYRONE
*Stares at him -- impressed.
Yes, there's the makings of a poet in you all right.
*Then protesting uneasily.
But that's morbid craziness about not being wanted and loving death.
EDMUND
*Sardonically
The *makings of a poet. No, I'm afraid I'm like the guy who is always panhandling for a smoke. He hasn't even got the makings. He's got only the habit. I couldn't touch what I tried to tell you just now. I just stammered. That's the best I'll ever do, I mean, if I live. Well, it will be faithful realism, at least. Stammering is the native eloquence of us fog people.
”
”
Eugene O'Neill (Long Day’s Journey into Night)
“
Let us suppose we are confronted with a desperate thing – say Pimlico. If we think what is really best for Pimlico we shall find the thread of thought leads to the throne of the mystic and the arbitrary. It is not enough for a man to disapprove of Pimlico; in that case he will merely cut his throat or move to Chelsea. Nor, certainly, is it enough for a man to approve of Pimlico; for then it will remain Pimlico, which would be awful. The only way out of it seems to be for somebody to love Pimlico; to love it with a transcendental tie and without any earthly reason. If there arose a man who loved Pimlico, then Pimlico would rise into ivory towers and golden pinnacles… If men loved Pimlico as mothers love children, arbitrarily, because it is theirs, Pimlico in a year or two might be fairer than Florence. Some readers will say that this is mere fantasy. I answer that this is the actual history of mankind. This, as a fact, is how cities did grow great. Go back to the darkest roots of civilization and you will find them knotted round some sacred stone or encircling some sacred well. People first paid honour to a spot and afterwards gained glory for it. Men did not love Rome because she was great. She was great because they had loved her.
”
”
G.K. Chesterton (Orthodoxy)
“
With thoughtless and impatient hands
We tangle up the plans
The Lord hath wrought. And when we cry in pain He saith,
"Be quiet, man, while I untie the knot.
”
”
Best-Loved Poems pg 304
“
We are one knot in a great web of being, building out of the vast past and (with luck) continuing billions of years into the future, until the sun dies, the last of its energy reaches Earth, and our local light goes out. The most appropriate response to the world is to realize, with awe, the ferocious mystery of being alive in it. And act accordingly. The worst thing anyone should be able to say about their life is also the greatest thing anyone can say: 'I tried my best.
”
”
Carl Safina (The View from Lazy Point: A Natural Year in an Unnatural World)
“
But history is a string full of knots, the best you can do is admire it, and maybe knot it up a bit more. History is a hammock for swinging and a game for playing. A cat’s cradle.
”
”
Jeanette Winterson (Oranges Are Not the Only Fruit)
“
Just as when we step into a mosque and its high open dome leads our minds up, up, to greater things, so a great carpet seeks to do the same under the feet. Such a carpet directs us to the magnificence of the infinite, veiled, yet never near, closer than the pulse of jugular, the sunburst that explodes at the center of a carpet signals this boundless radiance. Flowers and trees evoke the pleasures of paradise, and there is always a spot at the center of the carpet that brings calm to the heart. A single white lotus flower floats in a turquoise pool, and in this tiniest of details, there it is: a call to the best within, summoning us to the joy of union. In carpets, I now saw not just intricacies of nature and color, not just mastery of space, but a sign of the infinite design. In each pattern lay the work of a weaver of the world, complete and whole; and in each knot of daily existence lay mine.
”
”
Anita Amirrezvani (The Blood of Flowers)
“
Of course that is not the whole story, but that is the way with stories; we make them what we will. It’s a way of explaining the universe while leaving the universe unexplained, it’s a way of keeping it all alive, not boxing it into time. Everyone who tells a story tells it differently, just to remind us that everybody sees it differently. Some people say there are true things to be found, some people say all kinds of things can be proved. I don’t believe them. The only thing for certain is how complicated it all is, like string full of knots. It’s all there but hard to find the beginning and impossible to fathom the end. The best you can do is admire the cat’s cradle, and maybe knot it up a bit more. History should be a hammock for swinging and a game for playing, the way cats play. Claw it, chew it, rearrange it and at bedtime it’s still a ball of string full of knots. Nobody should mind. Some people make a lot of money out of it. Publishers do well, children, when bright, can come top. It’s an all-purpose rainy day pursuit, this reducing of stories called history.
”
”
Jeanette Winterson (Oranges Are Not the Only Fruit)
“
All this is the carpet of life. You are sitting on it. Each of those knots represents one plant or animal. They, and the air we breathe, the water we drink, and our groceries are not manufactured. They are produced by what we call nature. This rug represents that nature. If something happens in Asia or Africa and a cheetah disappears, that is one knot from the carpet. If you understand that, you’ll realize that we are living on a very limited number of species and resources, on which our life depends.” In
”
”
Alan Weisman (Countdown: Our Last, Best Hope for a Future on Earth?)
“
We did photograph albums, best dresses, favourite novels, and once someone's own novel. It was about a week in a telephone box with a pair of pyjamas called Adolf Hitler. The heroine was a piece of string with a knot in it.
”
”
Jeanette Winterson (Oranges Are Not the Only Fruit)
“
God language can tie people into knots, of course. In part, that is because ‘God’ is not God's name. Referring to the highest power we can imagine, ‘God’ is our name for that which is greater than all and yet present in each. For some the highest imaginable power will be a petty and angry tribal baron ensconced high above the clouds on a golden throne, visiting punishment on all who don't believe in him. But for others, the highest power is love, goodness, justice, or the spirit of life itself. Each of us projects our limited experience on a cosmic screen in letters as big as our minds can fashion. For those whose vision is constricted (illiberal, narrow-minded people), this can have horrific consequences. But others respond to the munificence of creation with broad imagination and sympathy. Answering to the highest and best within and beyond themselves, they draw lessons and fathom meaning so redemptive that surely it touches the divine.
”
”
Forrest Church (The Cathedral of the World: A Universalist Theology)
“
Isn’t it funny that when we get married it’s called “tying the knot”? For us, this wasn’t just an act at the altar.2 It’s something we have to do over and over again.
”
”
Lysa TerKeurst (The Best Yes: Making Wise Decisions in the Midst of Endless Demands)
“
The Amy of today was abrasive enough to want to hurt, sometimes. I speak specifically of the Amy of today, who was only remotely like the woman I fell in love with. It had been an awful fairy-tale reverse transformation. Over just a few years, the old Amy, the girl of the big laugh and the east ways, literally shed herself, a pile of skin and soul on the floor, and out stepped this new, brittle, bitter Amy. My wife was no longer my wife but a razor-wire knot daring me to unloop her, and I was not up to the job with my thick, numb, nervous fingers. Country fingers. Flyover fingers untrained in the intricate, dangerous work of solving Amy. When I'd hold up the bloody stumps, she'd sigh and turn to her secret mental notebook on which she tallied all my deficiencies, forever noting disappointments, frailties, shortcomings. My old Amy, damn, she was fun. She was fun. She made me laugh. I'd forgotten that. And she laughed, From the bottom of her throat, from right behind that small finger-shaped hollow, which is the best place to laugh from. She released her grievances like handfuls of birdseed: They are there, and they are gone.
”
”
Gillian Flynn (Gone Girl)
“
My life is hard. No one would rob me of that. The clothes I am wearing came out of a knotted up black plastic trash bag from a resale shop downtown. And not the downtown where shiny cars wink at you in the sunlight. If a car winks at you in this area it’s being driven by a person you would be best to avoid.
My side of downtown is crumbling and skirted by chain link fences.
--Rocky Evans
”
”
Gwenn Wright (Filter (The Von Strassenberg Saga, #1))
“
Often he declined invitations, because to accept meant that he had to dust off his brogues, iron a shirt, brush down his best suit, take a bath, and splash on some cologne. He had also to be affable, to drink and be merry, to talk to strangers with whom he had no inclination to talk and with whom he was not being paid to talk. In other words, he resented having to play the part of a normal human animal.
”
”
Ian Rankin (Knots and Crosses (Inspector Rebus, #1))
“
James Potter moved slowly along the narrow aisles of the train, peering as nonchalantly as he could into each compartment. To those inside, he probably looked as if he was searching for someone, some friend or group of confidantes with whom to pass the time during the trip, and this was intentional. The last thing that James wanted anyone to notice was that, despite the bravado he had so recently displayed with his younger brother Albus on the platform, he was nervous. His stomach knotted and churned as if he’d had half a bite of one of Uncles Ron and George’s Puking Pastilles. He opened the folding door at the end of the passenger car and stepped carefully through the passage into the next one. The first compartment was full of girls. They were talking animatedly to one another, already apparently the best of friends despite the fact that, most likely, they had only just met. One of them glanced up and saw him staring. He quickly looked away, pretending to peer out the window behind them, toward the station which still sat bustling with activity. Feeling his cheeks go a little red, he continued down the corridor. If only Rose was a year older she’d be here with him. She was a girl, but she was his cousin and they’d grown up together. It would’ve been nice to have at least one familiar face along with him.
”
”
G. Norman Lippert (James Potter and the Hall of Elders' Crossing (James Potter, #1))
“
I walked back to the front of the bakery to see a knot of people stalking our display for June. Apricot and lavender might seem like an unusual pairing, but it made perfect sense to me. Luscious, sweet apricots taste best when they're baked and the flavor is concentrated. On the other hand, lavender likes it cool; the buds have a floral, almost astringent flavor. Lavender was a line drawing that I filled in with brushstrokes of lush apricot.
”
”
Judith M. Fertig (The Memory of Lemon)
“
To love God more is never to love people less. It’s to love people best. It’s to relieve them of the responsibility of being your false Christ. It’s to keep their sins against you from being unforgivable and your sins against them from being ignorable. It’s to guard them from our mean-streaks and strong human tendencies to respond to disappointment with punishment. It’s to keep the people close by from cutting their wrists on the razor-sharp blades of our insecurities. It’s to dull the edge of our cravings to be adored. It’s to untie the double knots of codependency. It’s to let the affirmations of others be the overflow and not the essential source of our emotional survival. To love God is to guard man.
”
”
Beth Moore (Audacious)
“
Life is not a straight line. It's a spiderweb that twists and tangles. We crawl along our strands until we touch the people who are meant to be in our lives. The strands can knot, as mine did with Lily's, but they don't break, and the unexpected paths are often the best ones.
”
”
Stephanie Knipper (The Peculiar Miracles of Antoinette Martin)
“
1. Success is a choice. -Rick Pitino
2. Success in life comes not from holding a good hand, but in playing a poor hand well. -Warren Lester
3. I shall tell you a great secret, my friend. Do not wait for the last judgment; it takes place every day. -Albert Camus
4. If you're not fired up with enthusiasm, you'll be fired with enthusiasm. -Vince Lombardi
5. There is no security on this earth; there is only opportunity. -Douglas MacArthur
6. Yesterday's the past and tomorrow's the future. Today is a gift, which is why they call it the present. -Bill Keane
7. Show me a thoroughly satisfied man and I will show you a failure. -Thomas Edison
8. When you get to the end of your rope tie a knot and hang on. -Franklin D. Roosevelt
9. The best way to predict your future is to create it. -Author unknown
10. I always remember an epitaph which is in the cemetery at Tombstone, Arizona. It says, "Here lies Jack Williams. He done his damnedest." I think that is the greatest epitaph a man can have. -Harry S Truman
11. Triumph? Try Umph! -Author unknown
12. You hit home runs not by chance but by preparation. -Roger Maris
13. If you don't have enough pride, you're going to get your butt beat every play. -Gale Sayers
14. My mother taught me very early to believe I could achieve any accomplishment I wanted to. The first was to walk without braces. -Wilma Rudolph
15. You may have to fight a battle more than once to win it. -Margaret Thatcher
”
”
Samuel D. Deep (Close The Deal: Smart Moves For Selling: 120 Checklists To Help You Close The Very Best Deal)
“
I’ve spent four years riddled with shame over what I’d done, and now it turns out I should’ve felt ashamed about something entirely different. Jamie didn’t care that I’d blown him. He cared that I’d abandoned him. And knowing I’d hurt my best friend much more deeply than I’d realized twists me up in knots.
”
”
Sarina Bowen (Him (Him, #1))
“
It is not upon you alone the dark patches fall,
The dark threw its patches down upon me also,
The best I had done seem’d to me blank and suspicious,
My great thoughts as I supposed them, were they not in reality meagre?
Nor is it you alone who know what it is to be evil,
I am he who knew what it was to be evil,
I too knitted the old knot of contrariety,
Blabb’d, blush’d, resented, lied, stole, grudg’d,
Had guile, anger, lust, hot wishes I dared not speak,
Was wayward, vain, greedy, shallow, sly, cowardly, malignant,
The wolf, the snake, the hog, not wanting in me,
The cheating look, the frivolous word, the adulterous wish, not wanting,
Refusals, hates, postponements, meanness, laziness, none of these wanting,
Was one with the rest, the days and haps of the rest,
Was call’d by my nighest name by clear loud voices of young men as they saw me approaching or passing,
Felt their arms on my neck as I stood, or the negligent leaning of their flesh against me as I sat,
Saw many I loved in the street or ferry-boat or public assembly, yet never told them a word,
Lived the same life with the rest, the same old laughing, gnawing, sleeping,
Play’d the part that still looks back on the actor or actress,
The same old role, the role that is what we make it, as great as we like,
Or as small as we like, or both great and small."
-from "Crossing Brooklyn Ferry
”
”
Walt Whitman (Leaves of Grass)
“
But history is a string full of knots, the best you can do is admire it, and maybe knot it up a bit more. History is a hammock for swinging and a game for playing.
”
”
Jeanette Winterson (Oranges Are Not the Only Fruit)
“
If there was a single moment when the breach between us, which had been cracking and splintering for two decades, was at last too vast to be bridged, I believe it was that winter night, when I stared at my reflection in the bathroom mirror, while, without my knowing it, my father grasped the phone in his knotted hands and dialed my brother. Diego, the knife. What followed was very dramatic. But the real drama had already played out in the bathroom. It had played out when, for reasons I don’t understand, I was unable to climb through the mirror and send out my sixteen-year-old self in my place. Until that moment she had always been there. No matter how much I appeared to have changed—how illustrious my education, how altered my appearance—I was still her. At best I was two people, a fractured mind. She was inside, and emerged whenever I crossed the threshold of my father’s house. That night I called on her and she didn’t answer. She left me. She stayed in the mirror. The decisions I made after that moment were not the ones she would have made. They were the choices of a changed person, a new self.
”
”
Tara Westover (Educated)
“
SOPHIE WASN’T SURE HOW LONG she sat there staring blankly at her empty doorway. Could’ve been minutes. Could’ve been hours. It didn’t matter. No amount of time was going to quiet the chaos in her head. All it did was raise a whole lot of terrifying questions. Because even if Ro was right about Keefe’s feelings—and Sophie decided she wanted to see what would happen—this was so much bigger than just the two of them. Like… What would Grady and Edaline think? Sophie still didn’t know if she was actually allowed to date—much less date That Boy. And even if she was, there would surely be all kinds of annoying new rules and restrictions to deal with. Plus, Edaline would probably follow them around with a sappy, embarrassing smile, and Grady would make them sit through a series of horrifying Dad Talks. And what would her friends say when they found out? There’d been a time when Sophie had wondered if Biana had a crush on Keefe—and even though it seemed like Biana had gotten over it… what if she hadn’t? Better question: How would Fitz react? Keefe was Fitz’s best friend—and Fitz’s temper could be… challenging. The possibilities for drama were endless. Sophie’s insides twisted into knots on top of knots as she imagined the awkward conversations. And the stares. And the gossip. There would be So. Much. Gossip. She wanted to hide just thinking about it—and Keefe would probably love the attention. Did that prove they weren’t compatible? Or was she just looking for an excuse because she was scared? And why was she so scared? Keefe would honestly be… … … …a really awesome boyfriend. He was thoughtful. And supportive. And he could be incredibly sweet—when he was actually being serious instead of joking around with everybody. Though… maybe some of his jokes with her hadn’t just been teasing. Had some of it also been… flirting? If Ro were still there, she probably would’ve been nodding and shouting about the Great Foster Oblivion. And maybe she was right. Maybe Sophie had been too insecure to let herself see what was right in front of her. Or too distracted by her crush on Fitz. The last thought made her inner knots twist so much tighter. She’d liked Fitz for so long that she’d never even thought about liking someone else—and she was still trying to get over all of that. But… Did she want to risk missing out on something that might be… really great? Keefe’s face filled her mind, flashing his trademark smirk.
”
”
Shannon Messenger (Stellarlune (Keeper of the Lost Cities, #9))
“
Why am I feeling guilty? Why is he so mad? I peek up at him. “Well, you know a lot more about me now,” he snaps, his mouth presses into a hard line. “I knew you were inexperienced, but a virgin!” He says it like it’s a really dirty word. “Hell, Ana, I just showed you …” he groans. “May God forgive me. Have you ever been kissed, apart from by me?” “Of course I have.” I try my best to look affronted. Okay … maybe twice. “And a nice young man hasn’t swept you off your feet? I just don’t understand. You’re twenty-one, nearly twenty-two. You’re beautiful.” He runs his hand through his hair again. Beautiful. I flush with pleasure. Christian Grey thinks I’m beautiful. I knot my fingers together, staring at them hard, trying to conceal my goofy grin.
”
”
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
“
Muddleheadedness has always been the sovereign force in human affairs—a force far more potent than malevolence or nobility. It lubricates our hurtful impulses and ties our best intentions in knots. It blunts our wisdom, misdirects our compassion, clouds whatever insights into the human condition we manage to acquire. It is the chief artisan of the unintended consequences that constitute human history.
”
”
Paul R. Gross (Higher Superstition: The Academic Left and Its Quarrels with Science: The Academic Left and Its Quarrels with Science (Revised))
“
Jack watched Tara glide around the dance floor with the best man, a knot of jealousy threatening to strangle him. Just the phrase 'best man' raised his ire. Who had come up with that turn of phrase anyway?
”
”
Dawn M. Turner (In God's Time)
“
HAZEL WASN’T PROUD OF CRYING. After the tunnel collapsed, she wept and screamed like a two-year-old throwing a tantrum. She couldn’t move the debris that separated her and Leo from the others. If the earth shifted any more, the entire complex might collapse on their heads. Still, she pounded her fists against the stones and yelled curses that would’ve earned her a mouth-washing with lye soap back at St. Agnes Academy. Leo stared at her, wide-eyed and speechless. She wasn’t being fair to him. The last time the two of them had been together, she’d zapped him into her past and shown him Sammy, his great-grandfather—Hazel’s first boyfriend. She’d burdened him with emotional baggage he didn’t need, and left him so dazed they had almost gotten killed by a giant shrimp monster. Now here they were, alone again, while their friends might be dying at the hands of a monster army, and she was throwing a fit. “Sorry.” She wiped her face. “Hey, you know…” Leo shrugged. “I’ve attacked a few rocks in my day.” She swallowed with difficulty. “Frank is…he’s—” “Listen,” Leo said. “Frank Zhang has moves. He’s probably gonna turn into a kangaroo and do some marsupial jujitsu on their ugly faces.” He helped her to her feet. Despite the panic simmering inside her, she knew Leo was right. Frank and the others weren’t helpless. They would find a way to survive. The best thing she and Leo could do was carry on. She studied Leo. His hair had grown out longer and shaggier, and his face was leaner, so he looked less like an imp and more like one of those willowy elves in the fairy tales. The biggest difference was his eyes. They constantly drifted, as if Leo was trying to spot something over the horizon. “Leo, I’m sorry,” she said. He raised an eyebrow. “Okay. For what?” “For…” She gestured around her helplessly. “Everything. For thinking you were Sammy, for leading you on. I mean, I didn’t mean to, but if I did—” “Hey.” He squeezed her hand, though Hazel sensed nothing romantic in the gesture. “Machines are designed to work.” “Uh, what?” “I figure the universe is basically like a machine. I don’t know who made it, if it was the Fates, or the gods, or capital-G God, or whatever. But it chugs along the way it’s supposed to most of the time. Sure, little pieces break and stuff goes haywire once in a while, but mostly…things happen for a reason. Like you and me meeting.” “Leo Valdez,” Hazel marveled, “you’re a philosopher.” “Nah,” he said. “I’m just a mechanic. But I figure my bisabuelo Sammy knew what was what. He let you go, Hazel. My job is to tell you that it’s okay. You and Frank—you’re good together. We’re all going to get through this. I hope you guys get a chance to be happy. Besides, Zhang couldn’t tie his shoes without your help.” “That’s mean,” Hazel chided, but she felt like something was untangling inside her—a knot of tension she’d been carrying for weeks. Leo really had changed. Hazel was starting to think she’d found a good friend. “What happened to you when you were on your own?” she asked. “Who did you meet?” Leo’s eye twitched. “Long story. I’ll tell you sometime, but I’m still waiting to see how it shakes out.” “The universe is a machine,” Hazel said, “so it’ll be fine.” “Hopefully.” “As long as it’s not one of your machines,” Hazel added. “Because your machines never do what they’re supposed to.” “Yeah, ha-ha.” Leo summoned fire into his hand. “Now, which way, Miss Underground?” Hazel scanned the path in front of them. About thirty feet down, the tunnel split into four smaller arteries, each one identical, but the one on the left radiated cold. “That way,” she decided. “It feels the most dangerous.” “I’m sold,” said Leo. They began their descent.
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
Suppose we reached across the burn of threads and tangles, cut through the braid’s knots–suppose that we defected, not to each other’s sides, but to each other? We’re the best there is at what we do. Shall we do something we’ve never done?
”
”
Amal El-Mohtar (This Is How You Lose the Time War)
“
...the best conclusion I was able to reach was that what we instinctively call imagination is in reality nothing less than the symbolic knowledge of that secret thread which weaves itself through our life knotted fast in all its windings, and without which we would surely be lost. But with this knowledge I realised too that this secret power also rules over us, for these same threads can be forcibly torn apart and leave us at the mercy of the dark fiend who is always ready to claim us as his own.
”
”
E.T.A. Hoffmann
“
He couldn’t be—
Oh, Lord. He was. He was going to kiss her.
“Wait.” Panicked, Maddie put both hands on his chest, holding him off.
“Your men, my servants … they could be watching us.”
“I’m certain they’re watching us. That’s why we’re going to kiss.”
“But I don’t know how. You know I don’t know how.”
His lips quirked. “I know how.”
Those three little words, spoken in that low, devastating Scottish burr, did absolutely nothing to ease Maddie’s concerns.
Thankfully, she had a reprieve. He pulled back and peered at her hair. He looked like a boy marveling at clockwork, wondering how it all worked. After a few moments, she felt him grasp the pencil holding her chignon.
With one long, slow tug, he eased it loose and cast it aside.
It landed in the loch with a splash.
His fingers sifted through her hair, teasing the locks free of their haphazard knot and arranging them about her shoulders. Tenderly. Like she’d always imagined a lover would. Sparks of sensation danced from her scalp to her toes.
“That was my best drawing pencil,” she said.
“It’s just a pencil.”
“It came from London. I have a limited supply.”
His thumb caressed her cheek. “It almost put out my eye. I’ve a limited supply of those, too. And it’s better this way.”
“But—” Her breath caught. “Oh.”
He bracketed her cheeks with his hands, tilting her face to his.
Her pulse thundered in her ears. She stared at his mouth. A wave of inevitability washed over her.
She whispered, “This is really happening, isn’t it?”
In answer, he pressed his lips to hers.
”
”
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
“
The day had left him in knots, and now Shane had a restless, bone-deep itch to be in her vicinity. He wanted to watch her do things, say things. Hold her hand, make her laugh. Fuck her senseless. Give her everything she hadn’t had in so long. Give her the best of him.
”
”
Tia Williams (Seven Days in June)
“
Unraveling is letting go in the best way possible, untangling the knots that hold you back, unwrapping the gifts you've hidden far too long, unearthing the potential that's always been there, finally ditching the labels and should-haves, and letting yourself be what you were always meant to be.
”
”
Susannah Conway
“
I say is someone in there?’ The voice is the young post-New formalist from
Pittsburgh who affects Continental and wears an ascot that won’t stay tight, with that
hesitant knocking of when you know perfectly well someone’s in there, the
bathroom door composed of thirty-six that’s three times a lengthwise twelve
recessed two-bevelled squares in a warped rectangle of steam-softened wood, not
quite white, the bottom outside corner right here raw wood and mangled from
hitting the cabinets’ bottom drawer’s wicked metal knob, through the door and
offset ‘Red’ and glowering actors and calendar and very crowded scene and pubic
spirals of pale blue smoke from the elephant-colored rubble of ash and little
blackened chunks in the foil funnel’s cone, the smoke’s baby-blanket blue that’s sent
her sliding down along the wall past knotted washcloth, towel rack, blood-flower
wallpaper and intricately grimed electrical outlet, the light sharp bitter tint of a heated
sky’s blue that’s left her uprightly fetal with chin on knees in yet another North
American bathroom, deveiled, too pretty for words, maybe the Prettiest Girl Of All
Time (Prettiest G.O.A.T.), knees to chest, slew-footed by the radiant chill of the
claw-footed tub’s porcelain, Molly’s had somebody lacquer the tub in blue, lacquer,
she’s holding the bottle, recalling vividly its slogan for the past generation was The
Choice of a Nude Generation, when she was of back-pocket height and prettier by
far than any of the peach-colored titans they’d gazed up at, his hand in her lap her
hand in the box and rooting down past candy for the Prize, more fun way too much
fun inside her veil on the counter above her, the stuff in the funnel exhausted though
it’s still smoking thinly, its graph reaching its highest spiked prick, peak, the arrow’s
best descent, so good she can’t stand it and reaches out for the cold tub’s rim’s cold
edge to pull herself up as the white- party-noise reaches, for her, the sort of
stereophonic precipice of volume to teeter on just before the speaker’s blow, people
barely twitching and conversations strettoing against a ghastly old pre-Carter thing
saying ‘We’ve Only Just Begun,’ Joelle’s limbs have been removed to a distance
where their acknowledgement of her commands seems like magic, both clogs simply
gone, nowhere in sight, and socks oddly wet, pulls her face up to face the unclean
medicine-cabinet mirror, twin roses of flame still hanging in the glass’s corner, hair
of the flame she’s eaten now trailing like the legs of wasps through the air of the
glass she uses to locate the de-faced veil and what’s inside it, loading up the cone
again, the ashes from the last load make the world's best filter: this is a fact. Breathes
in and out like a savvy diver…
–and is knelt vomiting over the lip of the cool blue tub, gouges on the tub’s
lip revealing sandy white gritty stuff below the lacquer and porcelain, vomiting
muddy juice and blue smoke and dots of mercuric red into the claw-footed trough,
and can hear again and seems to see, against the fire of her closed lids’ blood, bladed
vessels aloft in the night to monitor flow, searchlit helicopters, fat fingers of blue
light from one sky, searching.
”
”
David Foster Wallace (Infinite Jest)
“
The Three-Decker
"The three-volume novel is extinct."
Full thirty foot she towered from waterline to rail.
It cost a watch to steer her, and a week to shorten sail;
But, spite all modern notions, I found her first and best—
The only certain packet for the Islands of the Blest.
Fair held the breeze behind us—’twas warm with lovers’ prayers.
We’d stolen wills for ballast and a crew of missing heirs.
They shipped as Able Bastards till the Wicked Nurse confessed,
And they worked the old three-decker to the Islands of the Blest.
By ways no gaze could follow, a course unspoiled of Cook,
Per Fancy, fleetest in man, our titled berths we took
With maids of matchless beauty and parentage unguessed,
And a Church of England parson for the Islands of the Blest.
We asked no social questions—we pumped no hidden shame—
We never talked obstetrics when the Little Stranger came:
We left the Lord in Heaven, we left the fiends in Hell.
We weren’t exactly Yussufs, but—Zuleika didn’t tell.
No moral doubt assailed us, so when the port we neared,
The villain had his flogging at the gangway, and we cheered.
’Twas fiddle in the forc’s’le—’twas garlands on the mast,
For every one got married, and I went ashore at last.
I left ’em all in couples a-kissing on the decks.
I left the lovers loving and the parents signing cheques.
In endless English comfort by county-folk caressed,
I left the old three-decker at the Islands of the Blest!
That route is barred to steamers: you’ll never lift again
Our purple-painted headlands or the lordly keeps of Spain.
They’re just beyond your skyline, howe’er so far you cruise
In a ram-you-damn-you liner with a brace of bucking screws.
Swing round your aching search-light—’twill show no haven’s peace.
Ay, blow your shrieking sirens to the deaf, gray-bearded seas!
Boom out the dripping oil-bags to skin the deep’s unrest—
And you aren’t one knot the nearer to the Islands of the Blest!
But when you’re threshing, crippled, with broken bridge and rail,
At a drogue of dead convictions to hold you head to gale,
Calm as the Flying Dutchman, from truck to taffrail dressed,
You’ll see the old three-decker for the Islands of the Blest.
You’ll see her tiering canvas in sheeted silver spread;
You’ll hear the long-drawn thunder ’neath her leaping figure-head;
While far, so far above you, her tall poop-lanterns shine
Unvexed by wind or weather like the candles round a shrine!
Hull down—hull down and under—she dwindles to a speck,
With noise of pleasant music and dancing on her deck.
All’s well—all’s well aboard her—she’s left you far behind,
With a scent of old-world roses through the fog that ties you blind.
Her crew are babes or madmen? Her port is all to make?
You’re manned by Truth and Science, and you steam for steaming’s sake?
Well, tinker up your engines—you know your business best—
She’s taking tired people to the Islands of the Blest!
”
”
Rudyard Kipling
“
Bergoglio was revolutionary when it came to administrative matters too. He put an end to the traditional system of young priests starting in poor parishes and then being promoted with the years to larger and wealthier ones. ‘Nor did he like the idea that the best priests would go off to jobs in Rome’, said Marcó. ‘He saw that as careerism.
”
”
Paul Vallely (Pope Francis: Untying the Knots)
“
It is not upon you alone the dark patches fall, The dark threw patches down upon me also; The best I had done seemed to me blank and suspicious; My great thoughts, as I supposed them, were they not in reality meagre? would not people laugh at me? It is not you alone who know what it is to be evil; I am he who knew what it was to be evil; I too knitted the old knot of contrariety, Blabbed, blushed, resented, lied, stole, grudged; Had guile, anger, lust, hot wishes I dared not speak; Was wayward, vain, greedy, shallow, sly, cowardly, malignant; The wolf, the snake, the hog, not wanting in me; The cheating look, the frivolous word, the adulterous wish, not wanting; Refusals, hates, postponements, meanness, laziness, none of these wanting.
”
”
Walt Whitman (Whitman: Poems)
“
From every enjoyment I was, of course, excluded: my share of the gaiety consisted […] in listening to the sound of the piano or the harp played below, to the passing to and fro of the butler and footman, to the jingling of glass and china as refreshments were handed, to the broken hum of conversation as the drawing-room door opened and closed. When tired of this occupation, I would retire from the stairhead to the solitary and silent nursery […]. I then sat with my doll on my knee, till the fire got low, glancing round occasionally to make sure that nothing worse than myself haunted the shadowy room; and when the embers sank to a dull red, I undressed hastily, tugging at knots and strings as I best might, and sought shelter from cold and darkness in my crib.
”
”
Charlotte Brontë (Jane Eyre)
“
These (Shakespeare, Milton, and Victor Hugo) not only knit and knot the logical texture of the style with all the dexterity and strength of prose; they not only fill up the pattern of the verse with infinite variety and sober wit; but they give us, besides, a rare and special pleasure, by the art, comparable to that of counterpoint, with which they follow at the same time, and now contrast, and now combine, the double pattern of the texture and the verse. Here the sounding line concludes; a little further on, the well-knit sentence; and yet a little further, and both will reach their solution on the same ringing syllable. The best that can be offered by the best writer of prose is to show us the development of the idea and the stylistic pattern proceed hand in hand, sometimes by an obvious and triumphant effort, sometimes with a great air of ease and nature. The writer of verse, by virtue of conquering another difficulty, delights us with a new series of triumphs. He follows three purposes where his rival followed only two; and the change is of precisely the same nature as that from melody to harmony.
-ON SOME TECHNICAL ELEMENTS OF STYLE IN LITERATURE
”
”
Robert Louis Stevenson (Essays in the Art of Writing)
“
A child will twist his own mind into knots to protect his image of a parent as caring, loving, committed. It never occurs to a child that a parent doesn’t have his best interest in mind. Why won’t a child speak his mind to a neglectful parent? Easy: he fears losing his sacred bond. He knows, on some deep level, that the cost of rebelling is abandonment, and no child will take the risk of that loss.
”
”
Brad Wetzler (Into the Soul of the World: My Journey to Healing)
“
The air inside her room was thick with the scent of eucalyptus and lemon. He materialized near her dresser. His hand automatically turned her alarm clock to face the wall, then brushed across a tray filled with Vicks, cough syrup, aspirin, and a thermometer. He tenderly touched the lemon slices near an empty teacup. Could a simple illness have filled him with so much fear that he had risked coming to see her?
A dim light from a purple Lava lamp cast an amber glow across the bed where Serena lay, the leopard-print sheets twisted in a knot beside her leg. Her long curly hair was half caught in a scrunchy that matched her flannel pajamas. The words Diamonds are a girl's best friend- they're sharper than knives curled around a dozen marching Marilyns in army fatigues on the blue fabric. Stanton had been with her when she bought the Sergeant Marilyn pajamas three months back.
”
”
Lynne Ewing (The Sacrifice (Daughters of the Moon, #5))
“
Now ye repeat the words as I say them," Logan said.
He murmured something in Gaelic, and she repeated the words aloud as best she could.
"Good," he praised.
Again, she warmed inside. Foolishly.
When she'd finished her part, he said something similar in return. She heard her name in the mix of Gaelic.
Then Munro stepped forward and unwound the cloth.
"What now?" Maddie asked.
"Just this." He bent his head and pressed a quick kiss to her lips.
-Logan & Maddie
”
”
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
“
Ronan hefted a gas can from the trunk, making little effort to keep the greasy container from contacting his clothing. Like Gansey, he wore the Aglionby uniform, but, as always, he managed to make it look as disreputable as possible. His tie was knotted with a method best described as contempt and his shirt-tails were ragged beneath the bottom of his sweater. His smile was thin and sharp. If his BMW was shark-like, it had learned how from him. “Declan’s latest. We’re meant to look pretty for her.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle #1))
“
Anyone who could have seen her in front of the mirror, in ecstasy over her own regal gestures, would have had reason to think that she was mad. But she was not. She had simply turned the royal regalia into a device for her memory. The first time she put it on she could not help a knot from forming in her heart and her eyes filling with tears because at that moment she smelled once more the odor of shoe polish on the boots of the officer who came to get her at her house to make her a queen, and her soul brightened with the nostalgia of her lost dreams. She felt so old, so worn out, so far away from the best moments of her life that she even yearned for those that she remembered as the worst, and only then did she discover how much she missed the whiff of oregano on the porch and the smell of roses at dusk, and even the bestial nature of the parvenus. Her heart of compressed ash, which had resisted the most telling blows of daily reality without strain, fell apart with the first waves of nostalgia.
”
”
Gabriel García Márquez (The Adventures of Tom Sawyer)
“
The promise is, “Blessed are the meek, for they shall inherit the earth.” In the original text, the word translated as meek is the opposite of the words – resentful – angry. It has the meaning of becoming “tamed” as a wild animal is tamed. After the mind is tamed, it may be likened to a vine, of which it may be said, “Behold this vine. I found it a wild tree whose wanton strength had swollen into irregular twigs. But I pruned the plant, and it grew temperate in its vain expense of useless leaves, and knotted as you see into these clean, full clusters to repay the hand that wisely wounded it.” A meek man is a self-disciplined man. He is so disciplined he sees only the finest, he thinks only the best. He is the one who fulfills the suggestion, “Brethren, whatsoever things are true, whatsoever things are honest, whatsoever things are just, whatsoever things are pure, whatsoever things are lovely, whatsoever things are of good report; if there be any virtue and if there be any praise, think on these things.
”
”
Neville Goddard (The Law: And Other Essays on Manifestation)
“
Wonderful is the wit and subtiltie that dumb creatures have & how they shift for themselves and annoy their enemies: which is the only difficultie that they have to arise and grow to so great an height and excessive bignesse. The dragon therefore espying the Elephant when he goeth to releese, assaileth him from an high tree and launceth himselfe upon him; but the Elephant knowing well enough well enough he is not able to withstand his windings and knittings about him, seeketh to come close to some trees or hard rockes, and so forth to crush and squise the dragon between him and them: the dragons ware hereof, entangle and snarle his feet and legges first with their taile: the Elephants on the other side, undoe those knots with their trunke as with a hand: but to prevent that againe, the dragons put in their heads into their snout, and so stop their breath, and withall, fret and gnaw the tenderest parts that they find there.
(Translated by Philomel Holland, 1601.
"The Book of Naturalists: An Anthology of the Best Natural History", 1944. p. 20)
”
”
Pliny the Elder (Naturalis Historiae)
“
The fisherman-painter has the best of the bargain as far as the weather goes, for the weather that is too bright for the trout deluges his hills and his sea with floods of radiant colour; the rain that interrupts picture-making puts water into the rivers and the lochs and sends him hopefully forth with rod and creel; while on cold dull days, when there is neither purple on the hills nor fly on the river, he can join a friendly party in a cosy bar and exchange information about Cardinals and March Browns, and practise making intricate knots in gut.
”
”
Dorothy L. Sayers (Five Red Herrings (Lord Peter Wimsey, #7))
“
Some people say there are true things to be found, some people say all kinds of things can be proved. I don't believe them. The only thing for certain is how complicated it all is, like string full of knots. It's all there but hard to find the beginning and impossible to fathom the end. The best you can do is admire the cat's cradle, and maybe knot it up a bit more. History should be a hammock for swinging and a game for playing, the way cats play. Claw it, chew it, rearrange it and at bedtime it's still a ball of string full of knots. Nobody should mind.
”
”
Jeanette Winterson (Oranges Are Not the Only Fruit)
“
Soon thereafter, a maid brought Poppy a tray of neat boxes tied with ribbons. Opening them, Poppy discovered that one was filled with toffee, another with boiled sweets, and another with Turkish delight. Best of all, one box was filled with a new confection called "eating-chocolates" that had been all the rage at the London Exhibition.
"Where did these come from?" Poppy asked Harry when he returned to her room after a brief visit to the front offices.
"From the sweet shop."
"No, these," Poppy showed him the eating-chocolates. "No one can get them. The makers, Fellows and Son, have closed their shop while they moved to a new location. The ladies at the philanthropic luncheon were talking about it."
"I sent Valentine to the Fellows residence to ask them to make a special batch for you." Harry smiled as he saw the paper twists scattered across the counterpane. "I see you've sampled them."
"Have one," Poppy said generously.
Harry shook his head. "I don't like sweets." But he bent down obligingly as she gestured for him to come closer. She reached out to him, her fingers catching the knot of his necktie.
Harry's smile faded as Poppy exerted gentle tension, drawing him down. He was suspended over her, an impending weight of muscle and masculine drive. As her sugared breath blew against his lips, she sensed the deep tremor within him. And she was aware of a new equilibrium between them, a balance of will and curiosity. Harry held still, letting her do as she wished.
She tugged him closer until her mouth brushed his. The contact was brief but vital, striking a glow of heat.
Poppy released him carefully, and Harry drew back.
"You won't kiss me for diamonds," he said, his voice slightly raspy, "but you will for chocolates?"
Poppy nodded.
As Harry turned his face away, she saw his cheek tauten with a smile. "I'll put in a daily order, then.
”
”
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
“
What if my da is Breccan?” Frae kicked a pebble on the road, keeping her eyes on the ground. “Would you still want to walk me home?”
Ella was quiet for a moment, but maybe only because the question had taken her by surprise.
Frae snuck a glance at her. For the past several days, Ella had walked her home from school and the boys had not bothered her again. But there were still whispers and pointed glances. A few times during class, no one had wanted to partner up with Frae.
“If your da is a Breccan,” Ella began to say, “then yes, I’d still walk you home, and I’d still be your friend, Frae. Do you want to know why?”
Frae nodded, but she could feel her face flush, her relief knotted with shame that she even had to ask this question when no other children she knew did.
“Because your heart is good and brave and kind,” Ella said. “You are thoughtful and smart. And those are the kind of people who I want to be friends with. Not the ones who think they are above everyone else. Who scowl and judge things they don’t understand and throw mud and have cowardly hearts.”
Frae soaked in Ella’s words, which were warm and soft as a plaid, and she suddenly could walk faster, her chin held higher.
“And,” Ella added with a mischievous smile, “you make the best berry pies.
”
”
Rebecca Ross (A Fire Endless (Elements of Cadence, #2))
“
Wine talks; ask anyone. The oracle at the street corner; the uninvited guest at the wedding feast; the holy fool. It ventriloquizes. It has a million voices. It unleashes the tongue, teasing out secrets you never meant to tell, secrets you never knew. It shouts, rants, whispers. It speaks of great plans, tragic loves and terrible betrayals. It screams with laughter. It chuckles softly to itself. It weeps in front of its own reflection. It revives summers long past and memories best forgotten. Every bottle a whiff of other times, other places, every one- from the commonest Liebfraumilch to the imperious Vueve Clicquot- a humble miracle. Everyday magic, Joe had called it. The transformation of base matter into the stuff of dreams. Layman's alchemy.
Take these six in Jay's cellar, for instance. The Specials. Not wines really meant for keeping, but he kept them all the same. For nostalgia's sake. For a special, yet-to-be-imagined occasion. Six bottles, each with its own small handwritten label and sealed with candle wax. Each had a cord of a different color knotted around its neck; raspberry red, elderflower green, blackberry blue, rose hip yellow, damson black. The last bottle was tied with a brown cord. Specials '75, said the label, the familiar writing faded to the color of old tea.
”
”
Joanne Harris (Blackberry Wine)
“
Would we get on well together, do you think?” she asked dubiously, daring to play with the knot of his necktie, loosening the gray watered-silk fabric with her fingertips. “We’re opposites in nearly every regard.”
Inclining his head, Marcus nuzzled the tender inside of her wrist, his lips brushing the blue-tinted veins that lay like fine lacework beneath the skin. “I am coming to believe that taking a wife who is exactly like myself would be the worst conceivable decision I could make.”
“Perhaps you’re right,” Lillian mused, letting her fingertips curl into the gleaming close-cut hair at the side of his head. “You need a wife who won’t let you have your way all the time. One who…” She paused with a little shiver as his tongue touched a delicate spot near her inner elbow. “Who,” she continued, struggling to gather her thoughts, “would be willing to take you down a notch when you become too pompous…”
“I am never pompous,” Marcus said, drawing the edge of her gown away from the vulnerable curve of her throat.
Her breath hitched as he began to kiss the wing of her collarbone. “What would you call it when you carry on as if you always know best, and anyone who disagrees with you is an idiot?”
“Most of the time, the people who disagree with me do happen to be idiots. I can’t help that.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
Then the events leading up to her collapse came back to her in a flash. Her hands flew automatically to her belly and she was only partially reassured to feel the tight ball there. Was her baby okay? Was she herself okay?
She blinked harder to bring the room more into focus. There was light shining through a crack in the bathroom door. A glance at the blinds told her that it was dark outside.
Then her gaze fell on the chair beside her bed and she found Ryan staring at her, his gaze intense. She flinched away from the raw emotion shining in his blue eyes.
“Hey,” he said quietly. “How are you feeling?”
“Numb,” she answered before she could think better of it. “Kind of blank. My head doesn’t hurt anymore. Are my feet still swollen?”
He carefully picked up the sheet and pushed it over her feet. “Maybe a little. Not as bad as they were. They’ve been giving you meds and they’re monitoring the baby.”
“How is she?” Kelly asked, a knot of fear in her throat.
“For now, she’s doing fine. Your blood pressure stabilized, but they might have to do a C-section if it goes back up or if the baby starts showing signs of distress.”
Kelly closed her eyes and then suddenly Ryan was close to her, holding her, his lips pressed against her temple.
“Don’t worry, love,” he murmured. “You’re supposed to stay calm. You’re getting the best possible care. I’ve made sure of it. They’re monitoring you round-the-clock. And the doctor said the baby has an excellent prognosis at thirty-four weeks’ gestation.”
She sagged against the pillow and closed her eyes. Relief pulsed through her but she was so tired she couldn’t muster the energy to do anything more than lie there thanking God that her baby was okay.
“I’m going to take care of you, Kell,” Ryan said softly against her temple. “You and our baby. Nothing will ever hurt you again. I swear it.”
Tears burned her eyelids. She was emotionally and physically exhausted and didn’t have the strength to argue. Something inside her was broken and she had no idea how to fix it. She felt so…disconnected.
”
”
Maya Banks (Wanted by Her Lost Love (Pregnancy & Passion, #2))
“
In the three years Elwood played the role, the one constant was his nervousness at the climax, when Jackson had to kiss his best girl on the cheek. They were to be married and, it was implied, live a happy and fertile life in the new Tallahassee. Whether Marie-Jean was played by Anne, with her freckles and sweet moon face, or by Beatrice, whose buck teeth hooked into her lower lip, or in his final performance by Gloria Taylor, a foot taller and sending him to the tips of his toes, a knot of anxiety tautened in his chest and he got dizzy. All the hours in Marconi’s library had rehearsed him for heavy speeches but left him ill-prepared for performances with the brown beauties of Lincoln High, on the stage and off.
”
”
Colson Whitehead (The Nickel Boys)
“
Tying his flatbed up on the bank of the Licking River, securing it the best he could, he caught sight of something red on its bottom. Reaching for it, he thought it was a cardinal feather stuck to his boat. He tugged and what came loose in his hand was a red ribbon knotted around a curl of wet woolly hair, clinging still to its bit of scalp. He untied the ribbon and put it in his pocket, dropped the curl in the weeds. On the way home, he stopped, short of breath and dizzy. He waited until the spell passed before continuing on his way. A moment later, his breath left him again. This time he sat down by a fence. Rested, he got to his feet, but before he took a step he turned to look back down the road he was traveling and said, to its frozen mud and the river beyond, “What are these people? You tell me, Jesus. What are they?” When
”
”
Toni Morrison (Beloved (Beloved Trilogy, #1))
“
Trying to get to 124 for the second time now, he regretted that conversation: the high tone he took; his refusal to see the effect of marrow weariness in a woman he believed was a mountain. Now, too late, he understood her. The heart that pumped out love, the mouth that spoke the Word, didn't count. They came in her yard anyway and she could not approve or condemn Sethe's rough choice. One or the other might have saved her, but beaten up by the claims of both, she went to bed. The whitefolks had tired her out at last.
And him. Eighteen seventy-four and whitefolks were still on the loose. Whole towns wiped clean of Negroes; eighty-seven lynchings in one year alone in Kentucky; four colored schools burned to the ground; grown men whipped like children; children whipped like adults; black women raped by the crew; property taken, necks broken. He smelled skin, skin and hot blood. The skin was one thing, but human blood cooked in a lynch fire was a whole other thing. The stench stank. Stank up off the pages of the North Star, out of the mouths of witnesses, etched in crooked handwriting in letters delivered by hand. Detailed in documents and petitions full of whereas and presented to any legal body who'd read it, it stank. But none of that had worn out his marrow. None of that. It was the ribbon. Tying his
flatbed up on the bank of the Licking River, securing it the best he could, he caught sight of something red on its bottom. Reaching for it, he thought it was a cardinal feather stuck to his boat. He tugged and what came loose in his hand was a red ribbon knotted around a curl of wet woolly hair, clinging still to its bit of scalp. He untied the ribbon and put it in his pocket, dropped the curl in the weeds. On the way home, he stopped, short of breath and dizzy. He waited until the spell passed before continuing on his way. A moment later, his breath left him again. This time he sat
down by a fence. Rested, he got to his feet, but before he took a step he turned to look back down the road he was traveling and said, to its frozen mud and the river beyond, "What are these people? You tell me, Jesus. What are they?"
When he got to his house he was too tired to eat the food his sister and nephews had prepared. He sat on the porch in the cold till way past dark and went to his bed only because his sister's voice calling him was getting nervous. He kept the ribbon; the skin smell nagged him, and his weakened marrow made him dwell on Baby Suggs' wish to consider what in the world was harmless. He hoped she stuck to blue, yellow, maybe green, and never fixed on red.
Mistaking her, upbraiding her, owing her, now he needed to let her know he knew, and to get right with her and her kin. So, in spite of his exhausted marrow, he kept on through the voices and tried once more to knock at the door of 124. This time, although he couldn't cipher but one word, he believed he knew who spoke them. The people of the broken necks, of fire-cooked blood and black girls who had lost their ribbons.
What a roaring.
”
”
Toni Morrison (Beloved (Beloved Trilogy, #1))
“
I think you should consider your alternatives."
"What alternatives?"
"Me."
She tilted her head down to hide her smile. "You aren't on the list."
"I don't care about the damn list, and I don't care about the game. I want you, Layla. And if I have to leave the office-"
"I don't want you to leave the office," she said softly. "I like sharing the space with you. I like being with you. I like that you're caring and protective. I like that you line up your pencils, and color-code your files, and that your shoes are always polished, and your ties are perfectly knotted. I like that you are funny and sarcastic, and some of the best times I've had have been interviewing people with you. I like how loyal you are, even though you support the wrong baseball team. I like that you pretend not to know any movies but you can list almost every horror film ever made. And I like the way you kiss."
His face softened and he gave a satisfied smile. "You like my kisses?"
"Very much."
"What else do you like?"
Layla licked her lips. "Take me to your place and I'll show you.
”
”
Sara Desai (The Marriage Game (Marriage Game, #1))
“
I seemed to hear a voice of lamentation out of the Golden Age. It told me that we are imperfect, incomplete, and no more like a beautiful woven web, but like a bundle of cords knotted together and flung into a comer. It said that the world was once all perfect and kindly, and that still the kindly and perfect world existed, but buried like a mass of roses under many spadefuls of earth. The faeries and the more innocent of the spirits dwelt within it, and lamented over our fallen world in the lamentation of the wind-tossed reeds, in the song of the birds, in the moan of the waves, and in the sweet cry of the fiddle. It said that with us the beautiful are not clever and the clever are not beautiful, and that the best of our moments are marred by a little vulgarity, or by a pin-prick out of sad recollection, and that the fiddle must ever lament about it all. It said that if only they who live in the Golden Age could die we might be happy, for the sad voices would be still; but alas! alas! they must sing and we must weep until the Eternal gates swing open.
”
”
W.B. Yeats (When You Are Old: Early Poems and Fairy Tales (Penguin Drop Caps))
“
That's what we do. Embellish. Decorate. Unvarnished truth has only limited appeal. Some events are a joy to recall, but others are best modified, even forgotten. They live in some lumber-room of the mind, housed somewhere you wouldn't want to go alone and never after dark. If I make a mistake in my work or if I change my mind, I can unpick. Undo what I've done. I can make good my errors and no one is the wiser. If they looked, even through a magnifying glass, all observers would see would be the tiny holes where my needle had travelled. I can erase even that evidence by scratching carefully at the weave of the lining with my needle, until the holes are no longer visible. But life isn't like that. Mistakes once made are rarely reversible. The holes they leave in the fabric of life aren't tiny and they can't be scratched away. You have to live with them as best you can. Work round them. That's why you have to come to terms with memory. You can't obliterate the past or eradicate it from the mind, even when, for our own good, memory enfolds us in a blanket of forgetfulness. There are always traces left, marks where time gripped us and left its telltale fingerprint.
”
”
Linda Gillard (Untying the Knot)
“
Rollins reached for his watch. It had to be about time for the dealers to change shifts, and he liked to supervise them himself.
"Son of a bitch," he exclaimed a second later.
"What is it, book?"
Rollins held up his watch chain. A turnip was hanging from the fob where his diamond - studded timepiece should have been. "That little bastard--" Then a thought came to him. He reached for his wallet. It was gone. So was his tie pin, the Kaelish coin pendant he wore for luck, and the gold buckles on his shoes. Rollins wondered if he should check the fillings in his teeth.
"He picked your pocket?" Doughty asked incredulously.
No one got one over on Pekka Rollins. No one dared. But Brekker had, and Rollins wondered if that was just the beginning.
"Doughty," he said, "I think we'd best say a prayer for Jan Van Eck."
"You think Brekker can best him?"
"It's a long shot, but if he's not careful, I think that merch might walk himself right onto the gallows and let Brekker tighten the noose." Rollings sighed. "We better hop Van Eck kills that boy."
"Why?"
"Because otherwise I'll have to."
Rollins straightened the knot of his painless tie and headed down to the casino floor. The problem of Kaz Brekker could wait to be solved another day. Right now there was money to be made.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Because,' he said, 'I sometimes have a queer feeling with regard to you, especially when you are near me, as now; it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situation in the corresponding quarter of your little frame. And if that boisterous channel, and two hundred miles or so of land, come broad between us, I am afraid that cord of communion will be snapped; and the nI've a nervous notion I should take to bleeding inwardly. As for you, you'd forget me.'
'That I never would, sir; you know -,' impossible to proceed.
[...]
The vehemence of emotion, stirred by grief and love within me, was claiming mastery, and struggling for full sway and asserting a right to predominate - to overcome, to live, rise, and reign at last; yes, and to speak.
'I grieve to leave Thornfield; I love Thornfield; I love it, because I have lived in it a full and delightful life, momentarily at least. I have not been trampled on. I have not been petrified. I have not been buried with inferior minds, and excluded from every glimpse of communion with what is bright, and energetic, and high. I have talked, face to face, with what I reverence; with what I delight in, with an origin, a vigorous, and expanded mind. I have known you, Mr. Rochester; and it strikes me with terror and anguish to feel I absolutely must be torn from you forever. I see the necessity of departure; and it is like looking on the necessity of death.'
'Where do you see the necessity?' he asked, suddenly.
'Where? You, sir, have placed it before me.'
'In what shape?'
'In the shape of Miss Ingram; a noble and beautiful woman, your bride.'
'My bride! What bride? I have no bride!'
'But you will have.'
'Yes; I will! I will!' He set his teeth.
'Then I must go; you have said it yourself.'
'No; you must stay! I swear it, and the oath shall be kept.'
'I tell you I must go!' I retorted, roused to something like passion. 'Do you think I can stay to become nothing to you? Do you think I am an automation? a machine without feelings? and can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup? Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong! I have as much soul as you, and full as much heart! And if God had gifted me with some beauty, and much wealth, I should have made it hard for you to leave me, as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh; it is my spirit that addresses your spirits; just as if both had passed through the grace, and we stood at God's feel, equal - as we are!'
'As we are!' repeated Mr. Rochester - 'so,' he added, including me in his arms, gathering me to his breast, pressing his lips on my lips; 'so, Jane!'
'Yes, so, sir,' I rejoined; 'and yet not so; for you are a married man, or as good as a married man, and we'd to one inferior to you - to one with whom you have no sympathy - whom I do not believe you truly love; for I have seen and heard you sneer at her. I would scorn such a union; therefore I am better than you - let me go!'
'Where, Jane? to Ireland?'
'Yes - to Ireland. I have spoke my mind, and can go anywhere now.'
'Jane, be still; don't struggle so, like a wild, frantic bird that is tending its own plumage in its desperation.'
'I am no bird; and no net ensnares me; I am a free human being, with an independent will; which I now exert to leave you.'
Another effort set me at liberty, and I stood erect before him.
'And your will shall decide your destiny,' he said; 'I offer you my hand, my heart, and a share of all my possessions.'
'You play a farce, which I merely taught at.'
'I ask you to pass through life at my side - to be my second self, and best earthly companion.'
[...]
'Do you doubt me, Jane?'
'Entirely.'
'You have no faith in me?'
'Not a whit.
”
”
Charlotte Brontë (Jane Eyre)
“
Don’t cry Meg. It’s not that bad.”
“It’s not that bad? Ha! I’m thirty years old, with two black eyes, a swollen nose, a big, honking, yellow knot on my forehead, and the haircut from hell. As if that isn’t enough, I had a transvestite in my bed this morning, my husband is a lying, cheating, cradle robbing, bastard, who at some point slept with my best friend.”
Jack scooted over to the middle of the seat, and stopped listening to his head and wrapped his arms around her. Big mistake! From inside, four faces were pressed to the window.
“My last orgasm-with a partner- was…hell I can’t remember when! I frequently knock myself out for entertainment purposes, I have little boobs, big feet, squishy panties, nosy neighbors and demon possessed fish. God hates me!”
Jack held her tighter.
“I have frequent flyer miles at the hospital. I fed my husband marijuana Ex-lax brownies and shoved a marble up his butt.”
Jack pulled away to look at her and she was serious. And crying. Big, sad, alligator tears that made his heart swell. “My mother is a holy rolling, Catholic Dr. Ruth, complete with condoms and Rosary beads. I write about relationships and sex, both of which I suck at and I hired a Private Investigator to pimp me out.”
Jack burst out laughing and she pushed him away and swatted his shoulder.
“And now you’re laughing at me. Could things get any worse?
”
”
Amy Johnson
“
Dear Familiar Place,
I am lost. I wonder who lives behind my eyes. I guess a lost little child who never grew up. However, I was forced to grow up, but I never had a chance to experience the sweet and playful side of life. I notice that at the moment, it is only me sitting on you—usually, I would have to share you with two or three people. After I leave, you will not be marked until a lonely broken soul will claim you. Just for tonight, they will have something to claim as their own. I wonder who will claim you tonight? I thank you for keeping me warm the best way you could. I am sure you are one of everyone’s best friends. I bet you have a lot of stories to tell. I am looking at the clouds and wondering how long the cloud will last in my life. I’ve had so many cloudy days; sadly, I forget how the sun looks and feels. My eyes are sensitive to the daylight, but they are immune to the darkness with just the right kind of light from the stars. During the day, my mood is cloudy, uncertain, blurred, depressing, and there is so much fog I can’t see the sun, nor do I have a head's up that the rain is coming. I wish just one day my mood could at least be fair skies. I’ll accept cool and fair skies. I mean, at least for once, could my life be fair instead of constantly feeling anxiety and my soul tied in two knots or more? I retraced my thoughts and noticed the wind was blowing. I smile slightly because the leaves are playing with each other as the breeze shows them some unconditional love. I wonder what unconditional love is? In my world, unconditional love is blowing dandelions in the daytime and hugging the stars during the night. I guess that’s all the love I need.
Wishing for brighter days.
”
”
Charlena E. Jackson (Pinwheels and Dandelions)
“
Why did you come here tonight?” she asked. “Other than the fact that you’ve finally come to your senses and realize you love me.”
Chuckling, Grey reached up and untied the ribbons that held her mask. The pretty silk fell away to reveal the beautiful face beneath. “I missed you,” he replied honestly. “And you were right-about everything. I’m tired of drifting through life. I want to live again-with you.”
A lone tear trickled down her cheek. “I think that might be the most romantic thing you’ve ever said to me.”
He grinned. “I have more.”
She pressed her fingers to his lips. “I’m tired of talking.” She kissed him, teasing his lips with the ripe curves of hers, sliding her tongue inside to rub against his in a sensual rhythm that had him fisting his hands in her skirts.
By the time they reached Mayfair, Grey’s hair was mussed, Rose’s skirts crushed, and he was harder than an oratory competition for mutes.
“I can’t believe you came,” she told him as the entered the house, arms wrapped around each other. “I’m so proud of you.”
“I wouldn’t have done it without you.”
She shook her head. “You did it for yourself not for me.”
Perhaps that was true, and perhaps it wasn’t. He had no interest in discussing it tonight. “It’s just the beginning,” he promised. “I’m going to go wherever you want to go from now on. Within reason.”
She laughed. “Of course. We can’t have you attending a musicale just to please me, can we?” She gazed up at him. “You know, I think I’m going to want to spend plenty of evenings at home as well. That time I spent out of society had some very soothing moments.”
“Of course,” he agreed, thinking about all the things they could do to one another at home. Alone. “There has to be moderation.”
Upstairs in their bedroom, he undressed her, unbuttoning each tiny button one by one until she sighed in exasperation. “In a hurry?” he teased.
His wife got her revenge, when clad only in her chemise and stockings, she turned those nimble fingers of hers to his cravat, working the knot so slowly he thought he might go mad. She worsened the torment by slowly rubbing her hips against his thigh. His cock was so rigid he could hang clothes on it, and the need to bury himself inside her consumed him.
Still, a skilled lover knows when to have patience-and a man in love knows that his woman’s pleasure comes far, far before his own. So, as ready as he was, Grey was in no hurry to let this night end, not when it might prove to be the best of his new-found life.
Wearing only his trousers, he took Rose’s hand and led her to their bed. He climbed onto the mattress and pulled her down beside him, lying so that they were face-to-face.
Warm fingers came up to gently touch the scar that ran down his face. Odd, but he hadn’t thought of it at all that evening. In fact, he’d almost forgot about it.
“I heard you that night,” he admitted. “When you told me you loved me.”
Her head tilted. “I thought you were asleep.”
“No.” He held her gaze as he raised his own hand to brush the softness of her cheek. “I should have said it then, but I love you too, Rose. So much.”
Her smile was smug. “I know.” She kissed him again. “Make love to me.”
His entire body pulsed. “I intend to, but there’s one thing I have to do first.”
Rose frowned. “What’s that?”
Grey pulled the brand-new copy of Voluptuous from beneath the pillow where he’d hidden it before going to the ball. “There’s a story in here that I want to read to you.
”
”
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
“
I don’t believe in love that never ends,” said Aiden, his whisper clear and distinct. “I don’t believe in being true until death or finding the other half of your soul.”
Harvard raised an eyebrow but didn’t comment. Privately, he considered that it might be good that Aiden hadn’t delivered this speech to this guy he apparently liked so much—whom Aiden had never even mentioned to his best friend before now. This speech was not romantic.
Once again, Harvard had to wonder if what he’d been assuming was Aiden’s romantic prowess had actually been many guys letting Aiden get away with murder because he was awfully cute.
But Aiden sounded upset, and that spoke to an instinct in Harvard natural as breath. He put his arm around Aiden, and drew his best friend close against him, warm skin and soft hair and barely there shirt and all, and tried to make a sound that was more soothing than fraught.
“I don’t believe in songs or promises. I don’t believe in hearts or flowers or lightning strikes.” Aiden snatched a breath as though it was his last before drowning. “I never believed in anything but you.”
“Aiden,” said Harvard, bewildered and on the verge of distress. He felt as if there was something he wasn’t getting here.
Even more urgently, he felt he should cut off Aiden. It had been a mistake to ask. This wasn’t meant for Harvard, but for someone else, and worse than anything, there was pain in Aiden’s voice. That must be stopped now.
Aiden kissed him, startling and fierce, and said against Harvard’s mouth, “Shut up. Let me… let me.”
Harvard nodded involuntarily, because of the way Aiden had asked, unable to deny Aiden even things Harvard should refuse to give. Aiden’s warm breath was running down into the small shivery space between the fabric of Harvard’s shirt and his skin. It was panic-inducing, feeling all the impulses of Harvard’s body and his heart like wires that were not only crossed but also impossibly tangled. Disentangling them felt potentially deadly. Everything inside him was in electric knots.
“I’ll let you do anything you want,” Harvard told him, “but don’t—don’t—”
Hurt yourself. Seeing Aiden sad was unbearable. Harvard didn’t know what to do to fix it.
The kiss had turned the air between them into dry grass or kindling, a space where there might be smoke or fire at any moment. Aiden was focused on toying with the collar of Harvard’s shirt, Aiden’s brows drawn together in concentration. Aiden’s fingertips glancing against his skin burned.
“You’re so warm,” Aiden said. “Nothing else ever was. I only knew goodness existed because you were the best. You’re the best of everything to me.”
Harvard made a wretched sound, leaning in to press his forehead against Aiden’s.
He’d known Aiden was lonely, that the long line of guys wasn’t just to have fun but tied up in the cold, huge manor where Aiden had spent his whole childhood, in Aiden’s father with his flat shark eyes and sharp shark smile, and in the long line of stepmothers who Aiden’s father chose because he had no use for people with hearts. Harvard had always known Aiden’s father wanted to crush the heart out of Aiden. He’d always worried Aiden’s father would succeed.
Aiden said, his voice distant even though he was so close, “I always knew all of you was too much to ask for.”
Harvard didn’t know what to say, so he obeyed a wild foolish impulse, turned his face the crucial fraction toward Aiden’s, and kissed him. Aiden sank into the kiss with a faint sweet noise, as though he’d finally heard Harvard’s wordless cry of distress and was answering it with belated reassurance: No, I’ll be all right. We’re not lost.
The idea of anyone not loving Aiden back was unimaginable, but it had clearly happened. Harvard couldn’t think of how to say it, so he tried to make the kiss say it. I’m so sorry you were in pain. I never guessed. I’m sorry I can’t fix this, but I would if I could. He didn’t love you, but I do.
”
”
Sarah Rees Brennan (Striking Distance (Fence, #1))
“
My eyes widened at that offer. I’d missed riding since coming to the Academy and I hadn’t really thought I’d be able to get out again any time soon. But I wasn’t sure I wanted him to know quite how much this meant to me. Every other piece of information the Heirs had gotten on me up until now had been twisted against me in some way and I didn’t want them trying to take this from me too.
“I’m not really dressed for it,” I said slowly though in all honesty I had no issue with tying my dress in a knot around my waist if that was what it took to get me out on the road.
“I’m sure I could lend you my shirt if you want to take it off,” he replied.
“That would require both of us taking off rather a lot of our clothes.” There was a dare hanging in the air between us and I was afraid that I wouldn’t be able to resist it much longer.
I eyed the line up of bikes, my heart beating a little faster as I tried to decide which one I’d choose.
In all honesty I was too drunk to ride, although the sandwich was mopping up some of the excess alcohol and I was feeling a little less dizzy... It still wouldn’t have been the best idea though.
“Why do you have the same bikes that that they have in the mortal world?” I asked as I began to wander between the immaculate machines. Some of the badges were different, I read names like Yamaharpy, Sphinxzuki, Hondusa, Harley Dragonson and I couldn’t keep the smirk from my lips but the actual bikes were definitely mortal models.
“There are several permanent rifts between our world and the mortal world where we import all sorts of goods like these. The importers like to change the names as a kind of in-joke but a hell of a lot of our products come straight out of Taiwan or China, direct to Solaria,” Darius explained.
“Why?” I asked. “Can’t Fae invent their own bikes and cars?”
“I guess we could... but why bother? We’ve got better things to do with our time and it makes sense to use the mortals like our own personal goods suppliers. The Fae they deal with even manage to Coerce the best prices for everything we import. No Fae vendor would create any of the things we desire so cheaply.” Darius folded his arms and leaned back to perch on the saddle of a stunning green bike as he watched my exploration.
“So you basically abuse the mortals with your power?” I asked.
“We use our power to take what we want from them,” he agreed. “Just the same as we do with other Fae.”
He had a point there; Fae were equally asshole-like to their own kind.
(Tory)
”
”
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
“
What would the ton do without us to feed them scandal broth?”
Grey returned her grin. “The lot of them would starve.”
They chuckled and as the humor faded, Grey tilted his head to look at her. “You look beautiful tonight.”
She flushed, pleasure lighting the dark depths of her eyes. “You don’t have to say such things.”
“I know I don’t, but you are my fiancée and it’s perfectly acceptable for me to voice my thoughts aloud. It’s rather refreshing after keeping them to myself for so long.”
That got her attention. One of her fine, high brows twitched. “How long?”
He grinned. “Since you were old enough for me to think such thoughts without being lecherous.”
They stood no more than six inches apart. Close enough that he could see how amazingly flawless her skin was-not a freckle in sight. Close enough that she could see every twist and knot in his scar-and yet she barely glanced at it. Her gaze was riveted on his. She didn’t care that he was disfigured-at least not on the outside. Not on the inside either, so it seemed.
“I’ve never been a good man,” he confessed-a little more hoarse than he liked-“but I promise to be a faithful husband.” It was the best he could offer, because as much as he would like to be the man she wanted, it wasn’t going to happen.
Her smooth brow puckered. “I haven’t actually consented, you know.”
“Rose, we have to marry.”
“No.” She raised sparkling eyes to his. “I want you to ask me to marry you-not demand it. I don’t care if it has to be done. I want to feel like I have a choice.”
“If you did have a choice, what would it be?” He was on dangerous ground with her, inching into territory better left unexplored for both their sakes.
Rose smiled, and everything was right with the world. “Ask me and find out.”
His hands came up, seemingly of their own volition, to cup her face. She was so delicate, yet so strong. Her entire world had been turned upside down, and yet she faced him with a teasing glint in her eyes and a soft flush of color in her cheeks.
“Rose Danvers, will you do me the extreme honor of becoming my wife?”
Were those tears dampening her eyes? And was it joy or sorrow that put them there?
“I will.”
He knew that they had to marry regardless, but hearing her say those two little words was like someone kicking his heart through his ribs. It hurt, but there was such unfathomable joy that came with it-such terrible happiness that Grey had no idea what to do with it. He’d never felt anything like it before.
Holding her face, he lowered his head and hungrily claimed her mouth with his own. Her lips parted for his tongue as her fingers bit into his arms. A trickle of warm wetness brushed against his thumb. She was crying.
A sharp gasp came from the open door. “What the devil is going on here?”
The kiss and its magic were broken. Rose stepped back, and Grey dropped his hands, but he wasn’t willing to let her go just yet. He placed one arm behind her back, holding her close so that they faced her mother together.
Camilla did not look happy. In fact, she looked like any mother would to walk into a room and find her daughter being molested.
“Mama,” Rose begun. “It’s not what you think.”
“It is exactly what you think,” Grey countered, drawing his friend’s stormy and narrow gaze. “I have asked Rose for her hand in marriage and she has accepted. I regret that you had to find out this way, but I was too overcome with joy to contain my feelings.”
He could feel Rose gaping at him. He didn’t look at her, not because the words were a lie, but because they were all too damnably true.
”
”
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
“
Have no anxiety about anything,' Paul writes to the Philippians. In one sense it is like telling a woman with a bad head cold not to sniffle and sneeze so much or a lame man to stop dragging his feet. Or maybe it is more like telling a wino to lay off the booze or a compulsive gambler to stay away from the track.
Is anxiety a disease or an addiction? Perhaps it is something of both. Partly, perhaps, because you can't help it, and partly because for some dark reason you choose not to help it, you torment yourself with detailed visions of the worst that can possibly happen. The nagging headache turns out to be a malignant brain tumor. When your teenage son fails to get off the plane you've gone to meet, you see his picture being tacked up in the post office among the missing and his disappearance never accounted for. As the latest mid-East crisis boils, you wait for the TV game show to be interrupted by a special bulletin to the effect that major cities all over the country are being evacuated in anticipation of a nuclear attack. If Woody Allen were to play your part on the screen, you would roll in the aisles with the rest of them, but you're not so much as cracking a smile at the screen inside your own head.
Does the terrible fear of disaster conceal an even more terrible hankering for it? Do the accelerated pulse and the knot in the stomach mean that, beneath whatever their immediate cause, you are acting out some ancient and unresolved drama of childhood? Since the worst things that happen are apt to be the things you don't see coming, do you think there is a kind of magic whereby, if you only can see them coming, you will be able somehow to prevent them from happening? Who knows the answer? In addition to Novocain and indoor plumbing, one of the few advantages of living in the twentieth century is the existence of psychotherapists, and if you can locate a good one, maybe one day you will manage to dig up an answer that helps.
But answer or no answer, the worst things will happen at last even so. 'All life is suffering' says the first and truest of the Buddha's Four Noble Truths, by which he means that sorrow, loss, death await us all and everybody we love. Yet "the Lord is at hand. Have no anxiety about anything," Paul writes, who was evidently in prison at the time and with good reason to be anxious about everything, 'but in everything by prayer and supplication with thanksgiving let your requests be made known to God.'
He does not deny that the worst things will happen finally to all of us, as indeed he must have had a strong suspicion they were soon to happen to him. He does not try to minimize them. He does not try to explain them away as God's will or God's judgment or God's method of testing our spiritual fiber. He simply tells the Philippians that in spite of them—even in the thick of them—they are to keep in constant touch with the One who unimaginably transcends the worst things as he also unimaginably transcends the best.
'In everything,' Paul says, they are to keep on praying. Come Hell or high water, they are to keep on asking, keep on thanking, above all keep on making themselves known. He does not promise them that as a result they will be delivered from the worst things any more than Jesus himself was delivered from them. What he promises them instead is that 'the peace of God, which passes all understanding, will keep your hearts and your minds in Christ Jesus.'
The worst things will surely happen no matter what—that is to be understood—but beyond all our power to understand, he writes, we will have peace both in heart and in mind. We are as sure to be in trouble as the sparks fly upward, but we will also be "in Christ," as he puts it. Ultimately not even sorrow, loss, death can get at us there.
That is the sense in which he dares say without risk of occasioning ironic laughter, "Have no anxiety about anything." Or, as he puts it a few lines earlier, 'Rejoice in the Lord always. I will say, Rejoice!
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Frederick Buechner
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friends had started hanging around. Franny could feel her stomach hardening and twisting into knots when they arrived, pushing and shoving one another and tripping over their huge basketball shoes. It was a wonder they didn’t knock over a display rack or topple one of the neatly stacked pyramids of paint cans. They seemed to be everywhere at once, and she couldn’t possibly keep an eye on all of them. Actually, she was a little afraid of them. While they dressed like kids, she knew they were actually young men. They were bigger than she was and full of rough male energy. From what she observed it seemed Ben was their leader and they were reporting to him. She was sure they were up to no good. Their whispered conversation was full of winks and nudges, and they constantly checked over their shoulders to see if they were being overheard. She tried to keep her distance, but if she had to approach them to help a customer, she noticed they would move away or fall silent. Whenever Mr. Slack appeared, they disappeared. Returning to the invoices, Franny went through them one more time. She couldn’t understand it. According to the paperwork, the store had received enough batteries to last through the summer, based on her best estimate using last year’s figures. They’d gotten twenty boxes each of AA and D batteries, the most popular sellers, and ten boxes each of the other sizes. Last week she’d noticed the display rack was nearly empty, and she’d asked Ben to fill it. “Can’t,” he’d said, avoiding her eyes. “They’re all gone.” “There should be plenty in the storeroom,” she’d insisted, looking curiously at his two buddies, who were lounging by the paint display. They seemed to find the conversation extremely amusing. “Go check again.” “There’s no point. I’m telling you, they’re all gone. Look, I’m taking a break now,” he’d said, signaling his friends to follow him outside. Sure enough, she couldn’t find any batteries in the storeroom, either. She was sure they hadn’t been sold; she would have noticed the unusual number of sales and ordered more. Where had they gone? It was very disturbing, especially since she’d been having such a hard time lately making up the bank deposit. That was always the first task of the day. She would take the previous day’s take out of the safe and add up the checks and cash, square them with the total sales figure, and fill out the deposit slip. Then Mr. Slack would put the whole business in a blue vinyl zippered pouch and take it to the red-brick bank across the street. For the past few weeks, however, she hadn’t been able to get the figures to match, even though
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Leslie Meier (Tippy Toe Murder (A Lucy Stone Mystery Book 2))
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You, sir, are a big baby.” Bridget gave the knot a final tweak. “And despite your best efforts, you look great.
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Dennis E. Taylor (All These Worlds (Bobiverse, #3))
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I watched him work. He retied several knots in quick succession. Once he was satisfied that it was safe, he could take into consideration the film crew and me. He explained to me what we were going to do. The object would be to get the crocodile out of the trap. We needed it completely unencumbered to be able to move it to a new location.
The mesh trap was tangled in the croc’s teeth and claws. We needed to carefully untangle it. As we approached the croc, my adrenaline surged. I could feel my fingertips tingling, and my mouth went dry.
Steve positioned the camera crew so they could have the best vantage point without risk of getting nailed. Then he turned to me.
“Right,” he said. “You jump on its head and I’ll get the net off.”
Um…what? I thought surely I’d misunderstood.
“Right,” Steve shouted. “Now!”
So I jumped on the crocodile’s head.
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Terri Irwin (Steve & Me)
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The memories were strange clingy things like burrs knotted in his hair. He could choose to let them be, he only felt them when he pulled them, and he could pretend they weren't there like positioning his head on a pillow so as not to notice the lumps against his scalp. But amidst the commotion of the parade—a strange cocoon—he recalled things sharply. He had a part in Dam leaving the palace, and ever since that point, his best friend was headed down a dangerous path.
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Andrew J. Peters (The Seventh Pleiade)
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So many careers came and went through me:
salamander finder, crawfish annoyer, flat-stone creek skipper, cedar chest smeller, railroad car counter, tin can stomper, milkweed blower, mulberry picker, snowball smoother, paper bag popper, steel rail walker, box turtle toucher, dark-sky watcher, best part saver. They didn’t last long, these careers of mine, but flashed into and out of existence like mayflies. But while they employed me, I gave them an honest minute’s work and was paid in the satisfactions of curiosity met and a job well done.
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Jerry Spinelli (Knots in My Yo-Yo String: The Autobiography of a Kid)
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As pornography flourished, it became part of the changing view of sexuality. Sex was no longer tied, with a nooselike knot, to procreation, marriage, or romance. Pornography presented a kaleidoscope of sexual possibilities: as pleasure, with a stranger, as self-exploration, as power, with groups or with another woman...
The old stereotypes of pornography began to fade away. The caricature of the type of person who enjoyed pornography e.g., dirty old men and nervous perverts-was superseded by the sight of millions of people subscribing to Playboy. Couples viewed pornography together; explicit sex manuals, such as The Joy of Sex, became best sellers, which were prominently stocked by mainstream bookstores.
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Wendy McElroy (XXX: A Woman's Right to Pornography)
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When you're at the end of your rope, tie a knot and hold on. Theodore Roosevelt (1858 – 1918)
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M. Prefontaine (The Best Smart Quotes Book: Wisdom That Can Change Your Life (Quotes For Every Occasion Book 12))
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Now we need to put buttercream on the sides, since we're not doing a naked cake..." She put a hand to her mouth.
Oh, hell.
He'd---barely---managed to keep quiet when she found excuses to touch him, but he wasn't going to let that go.
He put down the spatula. "Did you say something about naked cakes?"
Yes, Lindsay had mentioned naked cakes. clearly, she hadn't been thinking straight. This wasn't the best topic of conversation around Ryan Kwok, but it was difficult to think clearly in his presence----especially when he was wearing that dark T-shirt that clung to his muscles----so she just opened her mouth and words came out.
"Naked cakes are...well...they've become popular in the past several years. You don't put frosting on the outside, so you can see all the different layers. There are also semi-naked cakes, which are..."
To her horror, she'd forgotten. She wasn't even sure she'd be able to make chocolate ganache right now.
Ryan's lips quirked in a way that said, I know exactly what you're thinking.
"What are semi-naked cakes, Lindsay? Is that what happens when I take off my shirt before I eat some cake?" He reached around to the knot he'd tied at the back of his apron.
Oh God. Did he intend to get semi-naked in the kitchen?
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Jackie Lau (Donut Fall in Love)
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Me: I have a constant pit in my stomach and my shoulders are all tied up in knots
Universe: Those are the two best ways I have to remind you that you’re still doing my job. Instead of yours.
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Emma Grace
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He tried to force her to stop buying fabric for her quilts. "There's enough material in this house to last a lifetime." Without saying a word, Birdie went into their bedroom with a pair of scissors and cut squares out of his best shirts. After that she bought fabric whenever she wanted to.
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Mary Marks (Forget Me Knot (A Quilting Mystery, #1))
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What if my da is Breccan?” Frae kicked a pebble on the road, keeping her eyes on the ground. “Would you still want to walk me home?”
Ella was quiet for a moment, but maybe only because the question had taken her by surprise.
Frae snuck a glance at her. For the past several days, Ella had walked her home from school and the boys had not bothered her again. But there were still whispers and pointed glances. A few times during class, no one had wanted to partner up with Frae.
“If your da is a Breccan,” Ella began to say, “then yes, I’d still walk you home, and I’d still be your friend, Frae. Do you want to know why?”
Frae nodded, but she could feel her face flush, her relief knotted with shame that she even had to ask this question when no other children she knew did.
“Because your heart is good and brave and kind,” Ella said. “You are thoughtful and smart. And those are the kind of people who I want to be friends with. Not the ones who think they are above everyone else. Who scowl and judge things they don’t understand and throw mud and have cowardly hearts.”
Frae soaked in Ella’s words, which were warm and soft as a plaid, and she suddenly could walk faster, her chin held higher.
“And,” Ella added with a mischievous smile, “you make the best berry pies.
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Rebecca Ross (A Fire Endless (Elements of Cadence, #2))
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Here’s to the best weekend of our lives, Eleanor Roosevelt. Because what happens in Vegas stays in Vegas. Let’s get slutty, buddy.
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Trilina Pucci (Knot So Lucky (Destination Love, #1))
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When people feel threatened and out of control, like they’re spinning, not even the strongest humans can revert to new coping behaviors. They revert to the patterns of behavior they know best. And even though they’re not handling their emotions appropriately, they’re still managing, they’re still breathing, and they’re still walking along in this world.
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Meghan Quinn (Untying the Knot)
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and little George so nicely lined up to follow him after all the ghastliness, that wouldn’t be such a terrible prospect at all. But Windsor would be best. One could bear anything here.
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S.J. Bennett (The Windsor Knot)
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She had a family. A perfect one. The type he never wanted and knew he deserved to have. Not with his track record of not being clutch for women he truly cared for. No, he knew the life Sydney had was hers, and he´d do what he alway did: cheer on her from afar and do his best to be content with that
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Kwana Jackson (Knot Again (Real Men Knit, #2))
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FROM OTHER SOURCES Pre–race and Venue Homework Get hold of any history of past events at the venue, plus any information that the conducting club may have about weather and expected conditions. Go to the weather bureau and get history for the area. Speak to sailors from your class who have this venue as their home club or who have sailed there on a number of occasions. Boat, Sails, Gear Preparation Checklist Many times the outcome of a race is as dependent on what you have done prior to the race as to what you do out on the course. Sometimes no matter how good your tactics and strategy are a simple breakage could render all that useless. Hull – make sure that your hull is well sanded and polished, centreboard strips are in good condition, venturis if fitted are working efficiently, buoyancy tanks are dry and there are no extraneous pieces of kit in your boat which adds unwanted weight. Update any gear that looks tired or worn especially control lines. Mast, boom and poles – check that all halyards, stays and trapeze wires are not worn or damaged and that pins are secure, knots tight and that anything that can tear a sail or injure flesh is taped. Mark the full hoist position on all halyards. Deck hardware – check all cam cleats for spring tension and tape anything that may cause a sail tear or cut legs hands and arms. Check the length of all sheets and control lines and shorten anything that is too long. This not only reduces weight but also minimises clutter. Have marks on sheets and stick or draw numbers and reference scales for the jib tracks, outhaul and halyards so that you can easily duplicate settings that you know are fast in various conditions. Centreboard and rudder – ensure that all nicks and gouges are filled and sanded and the surfaces are polished and most importantly that rudder safety clips are working. Sails – select the correct battens for the day’s forecast. Write on the deck, with a china graph pencil, things like the starting sequence, courses, tide times and anything else that will remind you to sail fast. Tools and spares – carry a shackle key with screwdriver head on your person along with some spare shackles and short lengths of rope or different diameters. A tool like a Leatherman can be very useful to deal with unexpected breakages that can occur even in the best prepared boat.
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Brett Bowden (Sailing To Win: Guaranteed Winning Strategies To Navigate From The Back To The Front Of The Fleet)
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For the time being, however, his bent was literary and religious rather than balletic. He loved, and what seventh grader doesn’t, the abstracter foxtrots and more metaphysical twists of a Dostoevsky, a Gide, a Mailer. He longed for the experience of some vivider pain than the mere daily hollowness knotted into his tight young belly, and no weekly stomp-and-holler of group therapy with other jejune eleven-year-olds was going to get him his stripes in the major leagues of suffering, crime, and resurrection. Only a bona-fide crime would do that, and of all the crimes available murder certainly carried the most prestige, as no less an authority than Loretta Couplard was ready to attest, Loretta Couplard being not only the director and co-owner of the Lowen School but the author, as well, of two nationally televised scripts, both about famous murders of the 20th Century. They’d even done a unit in social studies on the topic: A History of Crime in Urban America.
The first of Loretta’s murders was a comedy involving Pauline Campbell, R.N., of Ann Arbor, Michigan, circa 1951, whose skull had been smashed by three drunken teenagers. They had meant to knock her unconscious so they could screw her, which was 1951 in a nutshell. The eighteen-year-olds, Bill Morey and Max Pell, got life; Dave Royal (Loretta’s hero) was a year younger and got off with twenty-two years.
Her second murder was tragic in tone and consequently inspired more respect, though not among the critics, unfortunately. Possibly because her heroine, also a Pauline (Pauline Wichura), though more interesting and complicated had also been more famous in her own day and ever since. Which made the competition, one best-selling novel and a serious film biography, considerably stiffen Miss Wichura had been a welfare worker in Atlanta, Georgia, very much into environment and the population problem, this being the immediate pre-Regents period when anyone and everyone was legitimately starting to fret. Pauline decided to do something, viz., reduce the population herself and in the fairest way possible. So whenever any of the families she visited produced one child above the three she’d fixed, rather generously, as the upward limit, she found some unobtrusive way of thinning that family back to the preferred maximal size. Between 1989 and 1993 Pauline’s journals (Random House, 1994) record twenty-six murders, plus an additional fourteen failed attempts. In addition she had the highest welfare department record in the U.S. for abortions and sterilizations among the families whom she advised.
“Which proves, I think,” Little Mister Kissy Lips had explained one day after school to his friend Jack, “that a murder doesn’t have to be of someone famous to be a form of idealism.”
But of course idealism was only half the story: the other half was curiosity. And beyond idealism and curiosity there was probably even another half, the basic childhood need to grow up and kill someone.
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Thomas M. Disch (334)
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Even the best dads in the world could be embarrassing at times...
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Chloe Taylor (Knot Too Shabby! (Sew Zoey, #7))