“
She knew he was angry, but she couldn't stop laughing. "Forgive me, Po. I was only trying to get your attention."
"And I suppose it never occurs to you to start small. If I told you my roof needed rebuilding, you'd start by knocking down the house.
”
”
Kristin Cashore (Graceling (Graceling Realm, #1))
“
God has not been trying an experiment on my faith or love in order to find out their quality. He knew it already. It was I who didn't. In this trial He makes us occupy the dock, the witness box, and the bench all at once. He always knew that my temple was a house of cards. His only way of making me realize the fact was to knock it down.
”
”
C.S. Lewis (A Grief Observed)
“
Being happy is harder than being discontent. For happiness we have to roll up our sleeves and knock down houses of cards. Because of this exertion, many prefer to abide by ‘fake’ happiness.( " Happiness blowing in the wind. " )
”
”
Erik Pevernagie
“
To all the ships at sea, and all the ports of call. To my family and to all friends and strangers. This is a message, and a prayer. The message is that my travels taught me a great truth. I already had what everyone is searching for and few ever find. The one person in the world who I was born to love forever. A person, like me, of the outer banks and the blue Atlantic mystery. A person rich in simple treasures. Self-made. Self-taught. A harbor where I am forever home. And no wind, or trouble or even a little death can knock down this house. The prayer is that everyone in the world can know this kind of love and be healed by it. If my prayer is heard, there will be an erasing of all guilt and all regret and an end to all anger. Please, God. Amen.
”
”
Nicholas Sparks (Message in a Bottle)
“
Ford looked at him severely.
And no sneaky knocking down Mr Dent's house whilst he's away, alright?" he said.
The mere thought," growled Mr Prosser, "hadn't even begun to speculate," he continued, settling himself back, "about the merest possibility of crossing my mind.
”
”
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
“
He always knew that my temple was a house of cards. His only way of making me realize the fact was to knock it down.
”
”
C.S. Lewis (A Grief Observed)
“
Rooney dropped to her knees. ‘Georgia, I am never going to stop being your friend. And I don’t mean that in the boring average meaning of ‘friend’ where we stop talking regularly when we’re twenty-five because we’ve both met nice young men and gone off to have babies, and only get to meet up twice a year. I mean I’m going to pester you to buy a house next door to me when we’re forty-five and have finally saved up enough for our deposits. I mean I’m going to be crashing round yours every night for dinner because you know I can’t fucking cook to save my life, and if I’ve got kids and a spouse, they’ll probably come round with me, because otherwise they’ll be living on chicken nuggets and chips. I mean I’m going to be the one bringing you soup when you text me that you’re sick and can’t get out of bed and ferrying you to the doctor’s even when you don’t want to go because you feel guilty about using the NHS when you just have a stomach bug. I mean we’re gonna knock down the fence between our gardens so we have one big garden, and we can both get a dog and take turns looking after it. I mean I’m going to be here, annoying you, until we’re old ladies, sitting in the same care home, talking about putting on a Shakespeare because we’re all old and bored as shit.
”
”
Alice Oseman (Loveless)
“
The public loves to create a hero....Sometimes I think they do it for the sheer joy of knocking him down from the highest peak. Like a child who builds a house of blocks and then destroys it with one vicious kick.
”
”
Grace Metalious (Peyton Place (Peyton Place, #1))
“
One thing," I said, when we had broken apart and the swirling feeling in my head subsided. "Maybe...don't tell your mom too much about this. I think she has ideas."
"What?" he asked, all innocence, as he put an arm around my shoulders and led me back toward his house. "Don't your parents cheer and stare when you make out with someone? Is that weird where you come from? I guess they don't get to see it much, though. From jail, I mean."
"Shut it, Weintraub. If I knock you down in the snow, these kids will swarm and eat you.
”
”
Maureen Johnson (Let It Snow: Three Holiday Romances)
“
It is not what they built. It is what they knocked down.
It is not the houses. It is the spaces between the houses.
It is not the streets that exist. It is the streets that no longer exist.
”
”
James Fenton
“
Sometimes the people who knock you down never turn once to look.
”
”
Shirley Jackson (The Haunting of Hill House)
“
My old friend, what are you looking for?
After years abroad you’ve come back
with images you’ve nourished
under foreign skies
far from you own country.’
‘I’m looking for my old garden;
the trees come to my waist
and the hills resemble terraces
yet as a child
I used to play on the grass
under great shadows
and I would run for hours
breathless over the slopes.’
‘My old friend, rest,
you’ll get used to it little by little;
together we will climb
the paths you once knew,
we will sit together
under the plane trees’ dome.
They’ll come back to you little by little,
your garden and your slopes.’
‘I’m looking for my old house,
the tall windows
darkened by ivy;
I’m looking for the ancient column
known to sailors.
How can I get into this coop?
The roof comes to my shoulders
and however far I look
I see men on their knees
as though saying their prayers.’
‘My old friend, don’t you hear me?
You’ll get used to it little by little.
Your house is the one you see
and soon friends and relatives
will come knocking at the door
to welcome you back tenderly.’
‘Why is your voice so distant?
Raise your head a little
so that I understand you.
As you speak you grow
gradually smaller
as though you’re sinking into the ground.’
‘My old friend, stop a moment and think:
you’ll get used to it little by little.
Your nostalgia has created
a non-existent country, with laws
alien to earth and man.’
‘Now I can’t hear a sound.
My last friend has sunk.
Strange how from time to time
they level everything down.
Here a thousand scythe-bearing chariots go past
and mow everything down
”
”
George Seferis
“
Of the not very many ways known of shedding one's body, falling, falling, falling is the supreme method, but you have to select your sill or ledge very carefully so as not to hurt yourself or others. Jumping from a high bridge is not recommended even if you cannot swim, for wind and water abound in weird contingencies, and tragedy ought not to culminate in a record dive or a policeman's promotion. If you rent a cell in the luminous waffle, room 1915 or 1959, in a tall business centre hotel browing the star dust, and pull up the window, and gently - not fall, not jump - but roll out as you should for air comfort, there is always the chance of knocking clean through into your own hell a pacific noctambulator walking his dog; in this respect a back room might be safer, especially if giving on the roof of an old tenacious normal house far below where a cat may be trusted to flash out of the way. Another popular take-off is a mountaintop with a sheer drop of say 500 meters but you must find it, because you will be surprised how easy it is to miscalculate your deflection offset, and have some hidden projection, some fool of a crag, rush forth to catch you, causing you to bounce off it into the brush, thwarted, mangled and unnecessarily alive. The ideal drop is from an aircraft, your muscles relaxed, your pilot puzzled, your packed parachute shuffled off, cast off, shrugged off - farewell, shootka (little chute)! Down you go, but all the while you feel suspended and buoyed as you somersault in slow motion like a somnolent tumbler pigeon, and sprawl supine on the eiderdown of the air, or lazily turn to embrace your pillow, enjoying every last instant of soft, deep, death-padded life, with the earth's green seesaw now above, now below, and the voluptuous crucifixion, as you stretch yourself in the growing rush, in the nearing swish, and then your loved body's obliteration in the Lap of the Lord.
”
”
Vladimir Nabokov (Pale Fire)
“
You came into this life with a starving heart. I know better than anyone that you cannot fill it with fence posts or china patterns. You cannot fill it with paper bodies, people whose skin rips in your palms.
For some people, you will be too hard: an unmanageable puzzle, all sharp edges, and snarls. For others, you will be too soft: always looking to set up camp somewhere safe and warm where the wind won’t knock you down. You cannot build your home like a house of cards in the mouth of a lover who breathes too hard at night.
”
”
Trista Mateer (Honeybee)
“
I told you everything I know", said the messenger. Arin had gone to his childhood suite, feeling anxiety verging on panic at the thought of not finding the man there, of having to track him down, of time lost…but the man had opened the outermost door almost immediately after Arin’s pounding knock.
"I didn’t ask you the right questions,“ Arin said. "I want to start again. You said that the prisoner reached trough the bars of the wagon to give you the moth.”
“Yes”
“And you couldn’t really see her.”
“That’s right.”
“But you said she was Herrani. Why would you say that if you couldn’t see her?”
“Because she spoke in Herrani.”
“Perfectly.”
“Yes.”
“No accent.”
“No.”
“Describe the hand.”
“I’m not sure…”
“Start with the skin. You said it was paler than yours, than mine.”
“Yes, like a house slave’s.”
Which wasn’t very different from a Valorian’s. “Could you see her wrist, her arm?”
“The wrist, yes, now that you mention it. She was in chains. I saw the manacle.”
“Did you see the sleeve of a dress?”
“Maybe. Blue?”
Dread churned inside Arin. “You think or you know?”
“I don’t know. Things happened too fast.”
“Please. This is important.”
“I don’t want to say something I’m not sure is true.”
“All right, all right. Was this her right hand or her left?”
“I don’t know.”
“Can you tell me anything about it? Did she wear a seal ring?”
“Not that I saw, but –”
“Yes?"
"She had a birthmark. On the hand, near the thumb. It looked like a little black star.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
A Tornado knocks a house down, killing the owner, and it’s a tragedy. Then you learn a serial killer lived there and the same act becomes a miracle. The truth about what happens to us in this world keeps changing. Always. It never stops. Sometimes not even after death.
”
”
Marisha Pessl (Night Film)
“
He held out the written pass. "This is what they want us to be," he said. "They want us to be nothing but a bill of sale and a letter explaining where we is and instructions for where we go and what we do. They want us empty. They want us flat as paper. They want to be able to carry our souls in their hands, and read them out loud in court. All the time, they're on the exploration of themselves, going on the inner journey into their own breast. But us, they want there to be nothing inside of. They want us to be writ on. They want us to be a surface. Look at me, I'm mahogany."
I protested, "A man is known by his deeds."
"Oh, that's sure," said Bono. "Just like a house is known by its deeds. The deeds say who owns it, who sold it, and who'll be buying a new one when it gets knocked down.
”
”
M.T. Anderson (The Pox Party (The Astonishing Life of Octavian Nothing, Traitor to the Nation, #1))
“
I started to my feet as suddenly as if he had struck me. If I had been a man, I would have knocked him down on the threshold of his own door, and have left his house, never on any earthly consideration to enter it again. But I was only a woman - and I loved his wife so dearly!
”
”
Wilkie Collins
“
What’s that?” he yelped. “Don’t worry,” said Ford, “they haven’t started yet.” “Thank God for that,” said Arthur, and relaxed. “It’s probably just your house being knocked down,
”
”
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
“
Catherine had long come to the conclusion that removing the aroma of stale tobacco would be a three-step process. First you'd have to steam-clean the soft furnishings, then paint the walls, then knock the building down and scatter the rubble.
”
”
Mick Herron (Clown Town (Slough House, #9))
“
No. The two kinds of fools we have in Russia," karkov grinned and began. "First there is the winter fool. The winter fool comes to the door of your house and he knocks loudly. You go to the door and you see him there and you have never seen him before. He is an impressive sight. He is a very big man and he has on high boots and a fur coat and a fur hat and he is all covered with snow. First he stamps his boots and snow falls from them. Then he takes off his fur coat and shakes it and more snow falls from them, Then he takes off his fur hat and knocks it against the door. More snow falls from his fur hat. Then he stamps his boots again and advances into the room. Then you look at him and you see he is a fool. That is the winter fool."
"Now in the summer you see a fool going down the street and he is waving his arms and jerking his head from side to side and everybody from two hundred yards away can tell he is a fool. that is a summer fool. This economist is a winter fool.
”
”
Ernest Hemingway (For Whom the Bell Tolls)
“
We don’t do big magic. Lucinda’s the only one. It’s too dangerous.”
“What’s dangerous about ending a storm?”
“Maybe nothing, maybe something. Use your imagination.”
“Clear skies would be good. People could go outside.”
“Use your imagination,” Mandy repeated.
I thought. “The grass needs rain. The crops need rain.”
“More,” Mandy said.
“Maybe a bandit was going to rob someone, and he isn’t doing it because of the weather.”
“That’s right. Or maybe I’d start a drought, and then I’d have to fix that because I started it. And then maybe the rain I sent would knock down a branch and smash in the roof of a house, and I’d have to fix that too.”
“That wouldn’t be your fault. The owners should have built a stronger roof.”
“Maybe, maybe not. Or maybe I’d cause a flood and people would be killed. That’s the problem with big magic. I only do little magic
”
”
Gail Carson Levine (Ella Enchanted (Ella Enchanted, #1))
“
I protested, 'A man is known by his deeds.'
Oh, that's sure,' said Bono. 'Just like a house is known by its deeds. The deeds say who owns it, who sold it, and who'll be buying a new one when it gets knocked down.
”
”
M.T. Anderson
“
The Listeners
'Is there anybody there?' said the Traveller,
Knocking on the moonlit door;
And his horse in the silence champed the grasses
Of the forest's ferny floor.
And a bird flew up out of the turret,
Above the Traveller's head:
And he smote upon the door again a second time;
'Is there anybody there?' he said.
But no one descended to the Traveller;
No head from the leaf-fringed sill
Leaned over and looked into his grey eyes,
Where he stood perplexed and still.
But only a host of phantom listeners
That dwelt in the lone house then
Stood listening in the quiet of the moonlight
To that voice from the world of men:
Stood thronging the faint moonbeams on the dark stair,
That goes down to the empty hall,
Hearkening in an air stirred and shaken
By the lonely Traveller's call.
And he felt in his heart their strangeness,
Their stillness answering his cry,
While his horse moved, cropping the dark turf,
'Neath the starred and leafy sky;
For he suddenly smote on the door, even
Louder, and lifted his head:--
'Tell them I came, and no one answered,
That I kept my word,' he said.
Never the least stir made the listeners,
Though every word he spake
Fell echoing through the shadowiness of the still house
From the one man left awake:
Ay, they heard his foot upon the stirrup,
And the sound of iron on stone,
And how the silence surged softly backward,
When the plunging hoofs were gone.
”
”
Walter de la Mare
“
Think of a globe, a revolving globe on a stand. Think of a contour globe, whose mountain ranges cast shadows, whose continents rise in bas-relief above the oceans. But then: think of how it really is. These heights are just suggested; they’re there….when I think of walking across a continent I think of all the neighborhood hills, the tiny grades up which children drag their sleds. It is all so sculptured, three-dimensional, casting a shadow. What if you had an enormous globe that was so huge it showed roads and houses- a geological survey globe, a quarter of a mile to an inch- of the whole world, and the ocean floor! Looking at it, you would know what had to be left out: the free-standing sculptural arrangement of furniture in rooms, the jumble of broken rocks in the creek bed, tools in a box, labyrinthine ocean liners, the shape of snapdragons, walrus. Where is the one thing you care about in earth, the molding of one face? The relief globe couldn’t begin to show trees, between whose overlapping boughs birds raise broods, or the furrows in bark, where whole creatures, creatures easily visible, live our their lives and call it world enough. What do I make of all this texture? What does it mean about the kind of world in which I have been set down? The texture of the world, its filigree and scrollwork, means that there is a possibility for beauty here, a beauty inexhaustible in its complexity, which opens to my knock, which answers in me a call I do not remember calling, and which trains me to the wild and extravagant nature of the spirit I seek.
”
”
Annie Dillard (Pilgrim at Tinker Creek)
“
THEY FOUND LEO AT THE TOP of the city fortifications. He was sitting at an open-air café, overlooking the sea, drinking a cup of coffee and dressed in…wow. Time warp. Leo’s outfit was identical to the one he’d worn the day they first arrived at Camp Half-Blood—jeans, a white shirt, and an old army jacket. Except that jacket had burned up months ago. Piper nearly knocked him out of his chair with a hug. “Leo! Gods, where have you been?” “Valdez!” Coach Hedge grinned. Then he seemed to remember he had a reputation to protect and he forced a scowl. “You ever disappear like that again, you little punk, I’ll knock you into next month!” Frank patted Leo on the back so hard it made him wince. Even Nico shook his hand. Hazel kissed Leo on the cheek. “We thought you were dead!” Leo mustered a faint smile. “Hey, guys. Nah, nah, I’m good.” Jason could tell he wasn’t good. Leo wouldn’t meet their eyes. His hands were perfectly still on the table. Leo’s hands were never still. All the nervous energy had drained right out of him, replaced by a kind of wistful sadness. Jason wondered why his expression seemed familiar. Then he realized Nico di Angelo had looked the same way after facing Cupid in the ruins of Salona. Leo was heartsick. As the others grabbed chairs from the nearby tables, Jason leaned in and squeezed his friend’s shoulder. “Hey, man,” he said, “what happened?” Leo’s eyes swept around the group. The message was clear: Not here. Not in front of everyone. “I got marooned,” Leo said. “Long story. How about you guys? What happened with Khione?” Coach Hedge snorted. “What happened? Piper happened! I’m telling you, this girl has skills!” “Coach…” Piper protested. Hedge began retelling the story, but in his version Piper was a kung fu assassin and there were a lot more Boreads. As the coach talked, Jason studied Leo with concern. This café had a perfect view of the harbor. Leo must have seen the Argo II sail in. Yet he sat here drinking coffee—which he didn’t even like—waiting for them to find him. That wasn’t like Leo at all. The ship was the most important thing in his life. When he saw it coming to rescue him, Leo should have run down to the docks, whooping at the top of his lungs. Coach Hedge was just describing how Piper had defeated Khione with a roundhouse kick when Piper interrupted. “Coach!” she said. “It didn’t happen like that at all. I couldn’t have done anything without Festus.” Leo raised his eyebrows. “But Festus was deactivated.” “Um, about that,” Piper said. “I sort of woke him up.” Piper explained her version of events—how she’d rebooted the metal dragon with charmspeak.
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
The place where you came from ain't there any more, and where you had in mind to go is cancelled out. This place you are now—inside your daddy's house—is nothing but a cardboard box I can knock down any time. You know that and always did know it. You hear me?
”
”
Joyce Carol Oates
“
Lord Cut-Glass, in his kitchen full of time, squats down alone to a dogdish, marked Fido, of peppery fish-scraps and listens to the voices of his sixty-six clocks, one for each year of his loony age, and watches, with love, their black-and-white moony loudlipped faces tocking the earth away: slow clocks, quick clocks, pendulumed heart-knocks, china, alarm, grandfather, cuckoo; clocks shaped like Noah's whirring Ark, clocks that bicker in marble ships, clocks in the wombs of glass women, hourglass chimers, tu-wit-tuwoo clocks, clocks that pluck tunes, Vesuvius clocks all black bells and lava, Niagara clocks that cataract their ticks, old time weeping clocks with ebony beards, clocks with no hands for ever drumming out time
without ever knowing what time it is. His sixty-six singers are all set at different hours. Lord Cut-Glass lives in a house and a life at siege. Any minute or dark day now, the unknown enemy will loot and savage downhill, but they will not catch him napping. Sixty-six different times in his fish-slimy kitchen ping, strike, tick, chime, and tock.
”
”
Dylan Thomas (Under Milk Wood)
“
My God, they are! They’re knocking my house down. What the hell am I doing in the pub, Ford?” “It hardly makes any difference at this stage,” said Ford, “let them have their fun.
”
”
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
“
Roland searched for a place that would be safe to climb, and found a staircase on the exposed inner wall of a house. The top step was the highest part of the house: everything above it, including the bedroom floor, had been knocked down. Roland tested his weight, but the wood was firm, so he went up.
”
”
Alan Garner (Elidor)
“
Poetry
Poetry,
How did you find your way to me?
My mother does not know Albanian well,
She writes letters like Aragon, without commas and periods,
My father roamed the seas in his youth,
But you have come,
Walking down the pavement of my quiet city of stone,
And knocked timidly at the door of my three-storey house,
At Number 16.
There are many things I have loved and hated in life,
For many a problem I have been an 'open city',
But anyway...
Like a young man returning home late at night,
Exhausted and broken by his nocturnal wanderings,
Here too am I, returning to you,
Worn out after another escapade.
And you,
Not holding my infidelity against me,
Stroke my hair tenderly,
My last stop,
Poetry.
”
”
Ismail Kadare
“
There is a saturation of books on Amazon due to a sudden get-rich-quick surge in "everyone can be authors" seminars similar to the house flipping ones in the early 2000s which led to the housing bubble and an economic slowdown in the U.S. To distinguish quality books from those get-rich-quick ones, look at the author's track record - worldwide recognition as books that garnered credible awards, authors who speak at book industry events, authors who speak at schools, authors whose books are reference materials and reading sources at school and libraries. Get-rich books have a system to get over 500 reviews quickly, manipulates the Kindle Unlimited algorithm, and encourage collusion in the marketplace to knock out rivals. Be wary of trolls who are utilized to knock down the rankings of rival's books too. Once people have heard there is money to be made as a self-published author, just like house flipping, a cottage industry has risen to take advantage of it and turn book publishing into a get rich scheme, which is a shame for all the book publishers and authors, like me, who had published for the love of books, to write to help society, and for the love of literature. Kailin Gow, Parents and Books
”
”
Kailin Gow
“
When adults can’t speak to their discontent, when they can’t quite figure out what it is they’re wanting, they will try anything. They drink or commit adultery or quit their jobs or run away or live vicariously through their kids or stonewall their husbands. They knock things off the counter just to feel some control. They burn down their own house to escape it, without really knowing where else to go. This is the tragedy of being an animal with a mind. We are punching the walls to stop the ache in our chest.
”
”
Jedidiah Jenkins (Like Streams to the Ocean: Notes on Ego, Love, and the Things That Make Us Who We Are)
“
There was no Disney World then, just rows of orange trees. Millions of them. Stretching for miles And somewhere near the middle was the Citrus Tower, which the tourists climbed to see even more orange trees. Every month an eighty-year-old couple became lost in the groves, driving up and down identical rows for days until they were spotted by helicopter or another tourist on top of the Citrus Tower. They had lived on nothing but oranges and come out of the trees drilled on vitamin C and checked into the honeymoon suite at the nearest bed-and-breakfast.
"The Miami Seaquarium put in a monorail and rockets started going off at Cape Canaveral, making us feel like we were on the frontier of the future. Disney bought up everything north of Lake Okeechobee, preparing to shove the future down our throats sideways.
"Things evolved rapidly! Missile silos in Cuba. Bales on the beach. Alligators are almost extinct and then they aren't. Juntas hanging shingles in Boca Raton. Richard Nixon and Bebe Rebozo skinny-dipping off Key Biscayne. We atone for atrocities against the INdians by playing Bingo. Shark fetuses in formaldehyde jars, roadside gecko farms, tourists waddling around waffle houses like flocks of flightless birds. And before we know it, we have The New Florida, underplanned, overbuilt and ripe for a killer hurricane that'll knock that giant geodesic dome at Epcot down the trunpike like a golf ball, a solid one-wood by Buckminster Fuller.
"I am the native and this is my home. Faded pastels, and Spanish tiles constantly slipping off roofs, shattering on the sidewalk. Dogs with mange and skateboard punks with mange roaming through yards, knocking over garbage cans. Lunatics wandering the streets at night, talking about spaceships. Bail bondsmen wake me up at three A.M. looking for the last tenant. Next door, a mail-order bride is clubbed by a smelly ma in a mechanic's shirt. Cats violently mate under my windows and rats break-dance in the drop ceiling. And I'm lying in bed with a broken air conditioner, sweating and sipping lemonade through a straw. And I'm thinking, geez, this used to be a great state.
"You wanna come to Florida? You get a discount on theme-park tickets and find out you just bough a time share. Or maybe you end up at Cape Canaveral, sitting in a field for a week as a space shuttle launch is canceled six times. And suddenly vacation is over, you have to catch a plane, and you see the shuttle take off on TV at the airport. But you keep coming back, year after year, and one day you find you're eighty years old driving through an orange grove.
”
”
Tim Dorsey (Florida Roadkill (Serge Storms, #1))
“
I scooted out of the laundry room and skipped down the hallway, arms flaying around my head like one of the hot pink puppets from the movie Labyrinth. “A scent and a sound, I’m lost and I’m found. And I’m hungry like the wolf. Something on a line, it’s discord and rhyme—whatever, whatever, la la la—Mouth is alive, all running inside, and I’m hungry like the—” Warmth spread down my neck.
“It’s actually, ‘I howl and I whine. I’m after you,’ and not blah or whatever.”
Startled by the deep voice, I shrieked and whipped around. My foot slipped on a section of well-cleaned wood and my butt smacked on the floor.
“Holy crap,” I gasped, clutching my chest. “I think I’m having a heart attack.”
“And I think you broke your butt.” Laughter filled Daemon’s voice.
I remained sprawled across the narrow hallway, trying to catch my breath. “What the hell? Do you just walk into people’s houses?”
“And listen to girls absolutely destroy a song in a matter of seconds? Well, yes, I make a habit out of it. Actually, I knocked several times, but I heard your…singing, and your door was unlocked.” He shrugged.
“So I just let myself in.”
“I can see that.” I stood, wincing. “Oh, man, maybe I did break my butt.”
“I hope not. I’m kind of partial to your butt.” He flashed a smile. “Your face is pretty red. You sure you didn’t smack that on the way down?”
I groaned. “I hate you.
”
”
Jennifer L. Armentrout
“
Let me pass, Marcus,” Pauline was saying. “I’m telling you, now.” “What he got on you?” Marcus said. “What’s the matter with you, woman?” “I’m telling you, let me pass,” Pauline said. “What’s the matter with you?” he said. “I been working up there all night like a slave, like a dog—and all on ’count of him. What’s the matter with you?” “I’m telling you,” she said. “Let me pass.” He moved closer. “Don’t you put your hands on me,” she said. “I mean it, don’t you put your hands on me, you killer.” He hit her and knocked her down. She got up. “If I tell him, he’ll kill you for this. He’ll kill you.” “You white man bitch,” he said. He hit her again. She fell again. “Leave that woman ’lone, boy,” Pa Bully hollered at him. “Mr. Grant,” Aunt Ca’line said, warningly. “You hear me out there, boy?” Pa Bully called. Pauline was up again. “You bitch,” Marcus said to her. “You bloody whore.” She was running toward the gate now. “You whore,” he called to her. She was running in the yard now. She ran in the house and locked the door. He stood there a while looking at the house; then he went on.
”
”
Ernest J. Gaines (Of Love and Dust)
“
Look, don’t you understand?” shouted Arthur. He pointed at Prosser. “That man wants to knock my house down!” Ford glanced at him, puzzled. “Well, he can do it while you’re away, can’t he?” he asked. “But I don’t want him to!
”
”
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
“
Look, don't you understand?" shouted Arthur. He pointed at Prosser. "That man wants to knock my house down!" Ford glanced at him, puzzled. "Well he can do it while you're away, can't he?" he asked. "But I don't want him to!" "Ah.
”
”
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
“
At that moment the dull sound of a rumbling crash from outside filtered through the low murmur of the pub, through the sound of the jukebox, through the sound of the man next to Ford hiccuping over the whiskey Ford had eventually bought him.
Arthur choked on his beer, leaped to his feet.
"What's that?" he yelped.
"Don't worry," said Ford, "they haven't started yet."
"Thank God for that," said Arthur, and relaxed.
"It's probably just your house being knocked down," said Ford, downing his last pint.
"What?" shouted Arthur. Suddenly Ford's spell was broken. Arthur looked wildly around him and ran to the window.
"My God, they are! They're knocking my house down. What the hell am I doing in the pub, Ford?"
"It hardly makes any difference at this stage," said Ford, "let them have their fun.
”
”
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
“
If you really want to know something about me, you should know this: I like my music loud. I mean loud. I'm not talking about the kind of loud where your parents knock on your bedroom door and ask you to turn it down. Please. That's amateur hour. When I say loud, I mean you-can't-hear-your-parents-knocking-and-the-neighbors-are-putting-a-FOR-SALE-sign-on-their-house-and-moving-to-another-block-because-they-can't-handle-the-constant-noise-anymore loud. You have to turn it up so that your chest shakes and the drums get in between your ribs like a heartbeat and the bass goes up your spine and frizzles your brain and all you can do is dance or spin in a circle or just scream along because you know that however this music makes you feel, it's exactly right. If you are not this kind of person, then I don't think we'll be great friends.
”
”
Robin Benway (Audrey, Wait!)
“
Don’t do this, Logan. Tell Riley you don’t want to hang out after all. Go to Emma instead. Knock down her front door if you have to. Barge into her house and demand she listen to you. Apologize for every terrible thing you’ve ever done to her. Tell her you love her. Kiss her. Kiss every last bit of breath out of her. Hold her close and never let her go again…
”
”
Amanda Abram (Challenge Accepted)
“
When the bets were in Dusty would nod his head and I’d knock the guy out. I don’t know if you’ve ever knocked anybody out, but the best place to hit them is where the jaw meets the ear. If you catch them right they fall forward. They were always grabbing at my shirt on the way down and ripping it, so I had a deal with Nixon that I got a new white shirt every night as part of my pay.
”
”
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
“
We are working! She was fine. You could see her. What the fuck is wrong with you? This is our job, asshole. You can't go doing shit like that when we have a packed house!"
Krit shoved him again. "Don't tell me what the fuck to do."
I had to stop them. This was about me. I wasn't sure why Krit had come offstage, but I knew it was about me. I had to fix this. I didn't want Krit fighting his best friend.
"Stop fucking shoving me, you pansy-ass motherfucker!" Green roared, and lunged for Krit.
I moved fast, putting up two hands and jumping in front of Krit to stop him. The force of impact when Green didn't stop hit me directly in the chest. It was as if someone had put a vacuum in my lungs and sucked all of the oxygen from the room. Nothing was getting in, and panic gripped me when I realized I couldn't breathe.
"Fuck!" Krit yelled, and his arms were around me. He was doing something to my chest as he begged me to breathe. I was trying to breathe. It wouldn't work.
"Baby, please breathe," he was pleading, and I wanted nothing more than to do that, but I couldn't. It hurt, and the terror that I was about to die settled over me.
"She got the air knocked out of her. She's gonna be okay," Matty said in a calmer voice.
And then the vacuum left, and the air I had been fighting for filled my chest as I gasped loudly and bent over. Krit was holding me against him as me muttered sweet things over and over while he rocked me back and forth.
"Take him out of here," Matty said.
I couldn't look up to see who he was talking to, but I grabbed Krit's arms to hold onto him in case they were talking about him.
"Not me, baby. I'm not leaving you," he said as his hand began running down my hair as if he were petting me. "Not going anywhere."
"When Krit is sure she's okay, he is going to beat the motherfucking hell out of you. Go with Legend and let him calm down first.
”
”
Abbi Glines (Bad for You (Sea Breeze, #7))
“
I knew a young fellow once, who was studying to play the bagpipes, and you would be surprised at the amount of opposition he had to contend with. Why, not even from the members of his own family did he receive what you could call active encouragement. His father was dead against the business from the beginning, and spoke quite unfeelingly on the subject.
My friend used to get up early in the morning to practise, but he had to give that plan up, because of his sister. She was somewhat religiously inclined, and she said it seemed such an awful thing to begin the day like that.
So he sat up at night instead, and played after the family had gone to bed, but that did not do, as it got the house such a bad name. People, going home late, would stop outside to listen, and then put it about all over the town, the next morning, that a fearful murder had been committed at Mr. Jefferson's the night before; and would describe how they had heard the victim's shrieks and the brutal oaths and curses of the murderer, followed by the prayer for mercy, and the last dying gurgle of the corpse.
So they let him practise in the day-time, in the back-kitchen with all the doors shut; but his more successful passages could generally be heard in the sitting-room, in spite of these precautions, and would affect his mother almost to tears.
She said it put her in mind of her poor father (he had been swallowed by a shark, poor man, while bathing off the coast of New Guinea - where the connection came in, she could not explain).
Then they knocked up a little place for him at the bottom of the garden, about quarter of a mile from the house, and made him take the machine down there when he wanted to work it; and sometimes a visitor would come to the house who knew nothing of the matter, and they would forget to tell him all about it, and caution him, and he would go out for a stroll round the garden and suddenly get within earshot of those bagpipes, without being prepared for it, or knowing what it was. If he were a man of strong mind, it only gave him fits; but a person of mere average intellect it usually sent mad.
”
”
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
“
Nothing is a masterpiece - a real masterpiece - till it's about two hundred years old. A picture is like a tree or a church, you've got to let it grow into a masterpiece. Same with a poem or a new religion. They begin as a lot of funny words. Nobody knows whether they're all nonsense or a gift from heaven. And the only people who think anything of 'em are a lot of cranks or crackpots, or poor devils who don't know enough to know anything. Look at Christianity. Just a lot of floating seeds to start with, all sorts of seeds. It was a long time before one of them grew into a tree big enough to kill the rest and keep the rain off. And it's only when the tree has been cut into planks and built into a house and the house has got pretty old and about fifty generations of ordinary lumpheads who don't know a work of art from a public convenience, have been knocking nails in the kitchen beams to hang hams on, and screwing hooks in the walls for whips and guns and photographs and calendars and measuring the children on the window frames and chopping out a new cupboard under the stairs to keep the cheese and murdering their wives in the back room and burying them under the cellar flags, that it begins even to feel like a religion. And when the whole place is full of dry rot and ghosts and old bones and the shelves are breaking down with old wormy books that no one could read if they tried, and the attic floors are bulging through the servants' ceilings with old trunks and top-boots and gasoliers and dressmaker's dummies and ball frocks and dolls-houses and pony saddles and blunderbusses and parrot cages and uniforms and love letters and jugs without handles and bridal pots decorated with forget-me-nots and a piece out at the bottom, that it grows into a real old faith, a masterpiece which people can really get something out of, each for himself. And then, of course, everybody keeps on saying that it ought to be pulled down at once, because it's an insanitary nuisance.
”
”
Joyce Cary (The Horse's Mouth)
“
To: Anna Oliphant
From: Etienne St. Clair
Subject: Uncommon Prostitues
I have nothing to say about prostitues (other than you'd make a terrible prostitute,the profession is much too unclean), I only wanted to type that. Isn't it odd we both have to spend Christmas with our fathers? Speaking of unpleasant matters,have you spoken with Bridge yet? I'm taking the bus to the hospital now.I expect a full breakdown of your Christmas dinner when I return. So far today,I've had a bowl of muesli. How does Mum eat that rubbish? I feel as if I've been gnawing on lumber.
To: Etienne St. Clair
From: Anna Oliphant
Subject: Christmas Dinner
MUESLY? It's Christmas,and you're eating CEREAL?? I'm mentally sending you a plate from my house. The turkey is in the oven,the gravy's on the stovetop,and the mashed potatoes and casseroles are being prepared as I type this. Wait. I bet you eat bread pudding and mince pies or something,don't you? Well, I'm mentally sending you bread pudding. Whatever that is. No, I haven't talked to Bridgette.Mom keeps bugging me to answer her calls,but winter break sucks enough already. (WHY is my dad here? SERIOUSLY. MAKE HIM LEAVE. He's wearing this giant white cable-knit sweater,and he looks like a pompous snowman,and he keeps rearranging the stuff on our kitchen cabinets. Mom is about to kill him. WHICH IS WHY SHE SHOULDN'T INVITE HIM OVER FOR HOLIDAYS). Anyway.I'd rather not add to the drama.
P.S. I hope your mom is doing better. I'm so sorry you have to spend today in a hospital. I really do wish I could send you both a plate of turkey.
To: Anna Oliphant
From: Etienne St. Clair
Subject: Re: Christmas Dinner
YOU feel sorry for ME? I am not the one who has never tasted bread pudding. The hospital was the same. I won't bore you with the details. Though I had to wait an hour to catch the bus back,and it started raining.Now that I'm at the flat, my father has left for the hospital. We're each making stellar work of pretending the other doesn't exist.
P.S. Mum says to tell you "Merry Christmas." So Merry Christmas from my mum, but Happy Christmas from me.
To: Etienne St. Clair
From: Anna Oliphant
Subject: SAVE ME
Worst.Dinner.Ever.It took less than five minutes for things to explode. My dad tried to force Seany to eat the green bean casserole, and when he wouldn't, Dad accused Mom of not feeding my brother enough vegetables. So she threw down her fork,and said that Dad had no right to tell her how to raise her children. And then he brought out the "I'm their father" crap, and she brought out the "You abandoned them" crap,and meanwhile, the WHOLE TIME my half-dead Nanna is shouting, "WHERE'S THE SALT! I CAN'T TASTE THE CASSEROLE! PASS THE SALT!" And then Granddad complained that Mom's turkey was "a wee dry," and she lost it. I mean,Mom just started screaming.
And it freaked Seany out,and he ran to his room crying, and when I checked on him, he was UNWRAPPING A CANDY CANE!! I have no idea where it came from. He knows he can't eat Red Dye #40! So I grabbed it from him,and he cried harder, and Mom ran in and yelled at ME, like I'd given him the stupid thing. Not, "Thank you for saving my only son's life,Anna." And then Dad came in and the fighting resumed,and they didn't even notice that Seany was still sobbing. So I took him outside and fed him cookies,and now he's running aruond in circles,and my grandparents are still at the table, as if we're all going to sit back down and finish our meal.
WHAT IS WRONG WITH MY FAMILY? And now Dad is knocking on my door. Great. Can this stupid holiday get any worse??
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
With a sudden flash of anger, she blurted, "Lash wasn't impotent, all right? He wasn't ... impotent-"
The temperature in the room plummeted so fast and so far, her breath came out in clouds.
And what she saw in the mirror made her swing around and take a step back from John: His blue eyes glowed with an unholy light and his upper lip curled up to reveal fangs that were sharp and so long they looked like daggers.
Objects all around the room began to vibrate: the lamps on the bed stands, the clothes on their hangers, the mirror on the wall. The collective rattling crescendoed to a dull roar and she had to steady herself on the bureau or run the risk of being knocked on her ass.
The air was alive. Supercharged. Electric.
Dangerous.
And John was the center of the raging energy, his hands cranking into fists so tight his forearms trembled, his thighs grabbing onto his bones as he sank down into fighting stance.
John's mouth stretched wide as his head shot forward on his spine... and he let out a war cry-
Sound exploded all around her, so loud she had to cover her ears, so powerful she felt the blast against her face.
For a moment, she thought he'd found his voice- except it wasn't vocal cords making that bellowing noise.
The glass in the sliders blew out behind him, the sheets shattering into thousands of shards that blasted free of the house, the fragments bouncing on the slate and catching the light like raindrops...
Or like tears.
”
”
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
“
As regularly as the new moon searched for the tide, Hagar looked for a weapon and then slipped out of her house and went to find the man for whom she believed she had been born into the world. Being five years older than he was and his cousin as well did nothing to dim her passion. In fact her maturity and blood kinship converted her passion to fever, so it was more affliction than affection. It literally knocked her down at night, and raised her up in the morning, for when she dragged herself off to bed, having spent another day without his presence, her heart beat like a gloved fist against her ribs. And in the morning, long before she was fully awake, she felt a longing so bitter and tight it yanked her out of a sleep swept clean of dreams.
”
”
Toni Morrison (Song of Solomon)
“
The school year progressed slowly. I felt as if I had been in the sixth grade for years, yet it was only October. Halloween was approaching. Coming from Ireland, we had never thought of it as a big holiday, though Sarah and I usually went out trick-or treating. For the last couple of years I had been too sick to go out, but this year Halloween fell on a day when I felt quiet fine. My mother was the one who came up with the Eskimo idea. I put on a winter coat, made a fish out of paper, which I hung on the end of a stick, and wrapped my face up in a scarf. My hair was growing in, and I loved the way the top of the hood rubbed against it. By this time my hat had become part of me; I took it off only at home. Sometimes kids would make fun of me, run past me, knock my hat off, and call me Baldy. I hated this, but I assumed that one day my hair would grow in, and on that day the teasing would end.
We walked around the neighborhood with our pillowcase sacks, running into other groups of kids and comparing notes: the house three doors down gave whole candy bars, while the house next to that gave only cheap mints. I felt wonderful. It was only as the night wore on and the moon came out and the older kids, the big kids, went on their rounds that I began to realize why I felt so good. No one could see me clearly. No one could see my face.
”
”
Lucy Grealy (Autobiography of a Face)
“
His coach drew up before the Duke of Stanhope’s town house, and Ian walked swiftly up the front steps, almost knocking poor Ormsley, who opened the door, off his feet in his haste to get to his grandfather upstairs. A few minutes later he strode back down and into the library, where he flung himself into a chair, his eyes riveted on the clock. Upstairs the household was in an uproar as the duke called for his valet, his butler, and his footmen. Unlike Ian, however, the duke was ecstatic. “Ormsley, Ian needs me!” the duke said happily, stripping off his jacket and pulling off his neckcloth. “He walked right in here and said it.”
Ormsley beamed. “He did indeed, your grace.”
“I feel twenty years younger.”
Ormsley nodded. “This is a very great day.”
“What in hell is keeping Anderson? I need a shave. I want evening clothes-black, I think-a diamond stickpin and diamond studs. Stop thrusting that cane at me, man.”
“You shouldn’t overly exert yourself, your grace.”
“Ormsley,” said the duke as he walked over to an armoire and flung the doors open, “if you think I’m going to be leaning on that damned cane on the greatest night of my life, you’re out of your mind. I’ll walk in there beside my grandson unaided, thank you very much. Where the devil is Anderson?
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
You see, another thing I didn’t know is that the kangaroo defends itself with its tail. It has an eight-foot tail that comes whipping up behind you when you knock the kangaroo down. And the harder I hit him, the harder and faster his tail came up behind me. I never saw that tail come whipping up behind me, and I never paid attention to the boxing glove on the tail. He had an eight-foot reach I didn’t know about. Actually,
”
”
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
“
it’s quite a hazard, quite a hazard indeed, people knocking you down. Still, it’s a genuine pleasure to find one as willing as you to make up for it. Sometimes the people who knock you down never turn once to look.
”
”
Shirley Jackson (The Haunting of Hill House)
“
And the sun went down, and we had supper in an Italian place, and then I knocked on the front door of the beautiful stone house of Bernard V. O’Hare. I was carrying a bottle of Irish whiskey like a dinner bell. • • •
”
”
Kurt Vonnegut Jr. (Slaughterhouse-Five)
“
An asteroid or comet traveling at cosmic velocities would enter the Earth’s atmosphere at such a speed that the air beneath it couldn’t get out of the way and would be compressed, as in a bicycle pump. As anyone who has used such a pump knows, compressed air grows swiftly hot, and the temperature below it would rise to some 60,000 Kelvin, or ten times the surface temperature of the Sun. In this instant of its arrival in our atmosphere, everything in the meteor’s path—people, houses, factories, cars—would crinkle and vanish like cellophane in a flame. One second after entering the atmosphere, the meteorite would slam into the Earth’s surface, where the people of Manson had a moment before been going about their business. The meteorite itself would vaporize instantly, but the blast would blow out a thousand cubic kilometers of rock, earth, and superheated gases. Every living thing within 150 miles that hadn’t been killed by the heat of entry would now be killed by the blast. Radiating outward at almost the speed of light would be the initial shock wave, sweeping everything before it. For those outside the zone of immediate devastation, the first inkling of catastrophe would be a flash of blinding light—the brightest ever seen by human eyes—followed an instant to a minute or two later by an apocalyptic sight of unimaginable grandeur: a roiling wall of darkness reaching high into the heavens, filling an entire field of view and traveling at thousands of miles an hour. Its approach would be eerily silent since it would be moving far beyond the speed of sound. Anyone in a tall building in Omaha or Des Moines, say, who chanced to look in the right direction would see a bewildering veil of turmoil followed by instantaneous oblivion. Within minutes, over an area stretching from Denver to Detroit and encompassing what had once been Chicago, St. Louis, Kansas City, the Twin Cities—the whole of the Midwest, in short—nearly every standing thing would be flattened or on fire, and nearly every living thing would be dead. People up to a thousand miles away would be knocked off their feet and sliced or clobbered by a blizzard of flying projectiles. Beyond a thousand miles the devastation from the blast would gradually diminish. But that’s just the initial shockwave. No one can do more than guess what the associated damage would be, other than that it would be brisk and global. The impact would almost certainly set off a chain of devastating earthquakes. Volcanoes across the globe would begin to rumble and spew. Tsunamis would rise up and head devastatingly for distant shores. Within an hour, a cloud of blackness would cover the planet, and burning rock and other debris would be pelting down everywhere, setting much of the planet ablaze. It has been estimated that at least a billion and a half people would be dead by the end of the first day. The massive disturbances to the ionosphere would knock out communications systems everywhere, so survivors would have no idea what was happening elsewhere or where to turn. It would hardly matter. As one commentator has put it, fleeing would mean “selecting a slow death over a quick one. The death toll would be very little affected by any plausible relocation effort, since Earth’s ability to support life would be universally diminished.
”
”
Bill Bryson (A Short History of Nearly Everything)
“
"Pounding steps approached in the night. Malachi appeared out of the black, shirtless and dripping despite the cool evening air. (He was out for a run and just returned.) His talesm seemed to glow when he caught sight of her, a low sliver light in the darkness. He said nothing, shooting Rhys a glare as he walked past them and into the house.
'Has he kissed you?' Rhys asked when Malachi was gone.
'Yes, on the island.'
'Was it more than fine?' (She had described Rhy's kiss as 'fine' previous to this scene.)
Her breath left her body in a rush of memories. 'So much more than fine.'
He nudged her shoulder with his own. 'Then don't be stubborn, go to him.'
Fifteen minutes and another glass of wine later, Ava knocked on his door. Malachi opened it, holding a towel. He'd showered, and a few drops of water still clung to his tanned shoulders. He wore a pair of loose pants and a guarded expression.
'What do you want?'
'I kissed Rhys.'
Now she knew she wasn't imagining it. The tattoos pulsed silver in the dim light of the hall. Ava forced her eyes back to Malachi's face which was locked down tight. Only a tic in his jaw told Ava her words have even been heard.
His voice was low and thick with tension. 'Get that out of your system?'
'Felt a little like kissing my brother.'
He dropped the towel and tugged her into the room.'This won't' "
”
”
Elizabeth Hunter (The Scribe (Irin Chronicles, #1))
“
I think you’re born with the ability to hit. Rocky Marciano didn’t start boxing until after the war when he was already twenty-six, but he was a natural hitter. You need leverage, but a lot of your power comes from your forearm down into your wrist. There’s a snap to your punch that comes from your wrist to your fist, and that’s what knocks the other guy out. You can actually hear that snap; it sounds like a pistol shot when it’s working to perfection. Joe Louis had that famous six-inch punch. He’d knock a guy out with a punch that only traveled six inches. His power came from the snap. It’s like snapping a towel at somebody’s butt. There’s no power in your arms. Then
”
”
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
“
Viktor looked at the older man’s nightshirt, robe, and nightcap. His lips quirked into a smile. “The hour is late, and the household sleeps. How is it that you are still awake?”
“I knew you would be knocking on the door sooner or later.” Pickles looked down his long nose at him. “You have passed the previous six nights with Her Ladyship.”
“You are observant, my good man.”
“No, Your Highness, I am the one who locks the door at night.” Pickles reached into his robe’s pocket and produced a key. He passed it to the prince, saying, “After tonight, let yourself into the
house.”
Viktor grinned at the majordomo and lifted the key out of his hand. “Your trust honors me.”
“You are unlikely to abscond with the silver,” Pickles drawled.
”
”
Patricia Grasso (Seducing the Prince (The Kazanovs, #3))
“
servants' part of the house, the half-clad domestics were talking in low whispers to each other. Old Mrs. Leaf was crying and wringing her hands. Francis was as pale as death. After about a quarter of an hour, he got the coachman and one of the footmen and crept upstairs. They knocked, but there was no reply. They called out. Everything was still. Finally, after vainly trying to force the door, they got on the roof and dropped down on to the balcony. The windows yielded easily--their bolts
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
When Jesus “starts knocking the house about in a way that hurts abominably,” when his work in our lives “does not seem to make sense,” then he’s really getting somewhere. He’s pounding gaping holes in the painted drywall of our own wisdom to reveal the termite-infested 2x4s on the other side. Ripping up the carpet to point out an inch-wide crack in the foundation. What we thought would take a few months to fix and fancy up will, it turns out, require a lifetime of labor. But Christ is okay with that. He was, after all, raised in the home of a carpenter. And he’ll take his sweet time. C. S. Lewis says he “intends to come and live in it Himself,” but the truth is, he’s already moved in, put his underwear and socks in the drawers, and buckled on his tool belt. He’s here for the long haul.
”
”
Chad Bird (Upside-Down Spirituality: The 9 Essential Failures of a Faithful Life)
“
You’re itching to be on your own. You don’t want anybody telling you what time you have to be in at night or how to raise your baby. You’re going to leave your mother’s big comfortable house and she won’t stop you, because she knows you too well.
But listen to what she says:
When you walk out of my door, don’t let anybody raise you—you’ve been raised.
You know right from wrong.
In every relationship you make, you’ll have to show readiness to adjust and make adaptations.
Remember, you can always come home.
You will go home again when the world knocks you down—or when you fall down in full view of the world. But only for two or three weeks at a time. Your mother will pamper you and feed you your favorite meal of red beans and rice. You’ll make a practice of going home so she can liberate you again—one of the greatest gifts along with nurturing your courage, that she will give you.
Be courageous, but not foolhardy.
Walk proud as you are.
”
”
Maya Angelou
“
God has not been trying an experiment on my faith or love in order to find out air-quality. He knew it already. It was I who did. In this trial He makes us occupy the dock, the witness box, and the day all at once. He always knew that my temple was a house of cards. His only way of making me realize that fact was to knock it down.
”
”
C.S. Lewis
“
God has not been trying an experiment on my faith or love in order to find out their quality. He knew it already. It was I who didn’t. In this trial He makes us occupy the dock, the witness box, and the bench all at once. He always knew that my temple was a house of cards. His only way of making me realize the fact was to knock it down.
”
”
C.S. Lewis (A Grief Observed)
“
The rain is colder than I expect—which is ridiculous, since it’s March. My cheeks are freezing by the time we go two blocks, my hair has a sodden weight on my shoulder. My glasses are so wet I need to shove them in a pocket. I threw Mom’s pullover windbreaker over my sweatshirt before leaving the house, thinking it would be waterproof, but I am so wrong.
By the time I make the final turn for the church, I wonder if I’m stupid for being out here. It’s pouring so hard that a haze has formed around the streetlight, and I can barely see anything through the darkness.
My sneakers squish in the grass. I get to the spot where we sat for the last two nights.
And of course he’s not there.
I sigh. Only a complete moron would go meet in the rain.
Then Texy woofs and bounces on her front paws.
I turn, and it’s like I’m in a chick flick. His shadowed figure lopes across the grass.
Okay, maybe the dark and rain make it more like a horror movie than a romantic comedy, BUT STILL.
He draws to a stop in front of me. He had the sense to wear a heavy, waterproof coat over his hoodie, but the hood is soaked and rain drips down his cheeks.
“Hey,” he says, his voice a little loud over the rain.
I’m blushing. I tell my cheeks to knock it off. “Hey.”
“I wasn’t sure you’d show up, but I didn’t have a way to text you …”
“I had the same thought process.
”
”
Brigid Kemmerer (More Than We Can Tell (Letters to the Lost, #2))
“
Now a kangaroo has short arms, so I’m figuring I’ll knock his ass out. They put gloves on me and I start jabbing away at him, but what I didn’t know is that a kangaroo has a loose jaw so when you hit them it doesn’t go to their brain and knock them out. I’m only jabbing at him, because who wants to hurt a kangaroo? But when I couldn’t’ get anywhere with him with my jab I let loose with an overhand right, a real haymaker. Down the kangaroo goes and I feel this hard whack on the back of my head where my old man used to whack me. I shake it off and go back to jabbing the kangaroo who’s hopping all over the place, and I’m trying to figure out who the S.O.B. was who clipped me from behind. You
”
”
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
“
I cut an orange from the branch so that I could taste Palestine, but Umm Hassan yelled, “No! It’s not for eating, it’s Palestine.” I was ashamed of myself and hung the branch on the wall of the sitting room in my house, and when you came to visit me and saw the mouldy fruit, you yelled, “What’s that smell?” And I told you the story and watched you explode in anger.
“You should have eaten the oranges,” you told me.
“But Umm Hassan stopped me and said they were from the homeland.”
“Umm Hassan’s senile,” you answered. “You should have eaten the oranges, because the homeland is something we have to eat, not let it eat us. We have to eat the oranges of Palestine, and we have to eat Palestine and Galilee.”
It came to me then that you were right, but the oranges were going bad. You went to the wall and pulled off the branch, and I took it from your hand and stood there confused, not knowing what to do with that bunch of decay.
“What are you going to do?” you asked.
“Bury it,” I said.
“Why bury it?” you asked.
“I’m not going to throw it away, because it’s from the homeland.”
You took the branch and threw it in the rubbish.
“What a scandal!” you said. “What are these old women’s superstitions? Before hanging the homeland up on the wall, it’d be better to knock down the wall and leave. We have to eat every orange in the world and not be afraid, because the homeland isn’t oranges. The homeland is us.
”
”
Elias Khoury (Gate of the Sun)
“
How happily we explored our shiny new world! We lived like characters from the great books I curled up with in the big Draylon armchair. Like Jack Kerouak, like Gatsby, we created ourselves as we went along, a raggle-taggle of gypsies in old army overcoats and bell-bottoms, straggling through the fields that surrounded our granite farmhouse in search of firewood, which we dragged home and stacked in the living room. Ignorant and innocent, we acted as if the world belonged to us, as though we would ever have taken the time to hang the regency wallpaper we damaged so casually with half-rotten firewood, or would have known how to hang it straight, or smooth the seams. We broke logs against the massive tiled hearth and piled them against the sooty fire back, like the logs were tradition and we were burning it, like chimney fires could never happen, like the house didn't really belong to the poor divorcee who paid the rates and mortgage even as we sat around the flames like hunter gatherers, smoking Lebanese gold, chanting and playing the drums, dancing to the tortured music of Luke's guitar. Impelled by the rhythm, fortified by poorly digested scraps of Lao Tzu, we got up to dance, regardless of the coffee we knocked over onto the shag carpet. We sopped it up carelessly, or let it sit there as it would; later was time enough. We were committed to the moment.
Everything was easy and beautiful if you looked at it right. If someone was angry, we walked down the other side of the street, sorry and amused at their loss of cool. We avoided newspapers and television. They were full of lies, and we knew all the stuff we needed. We spent our government grants on books, dope, acid, jug wine, and cheap food from the supermarket--variegated cheese scraps bundled roughly together, white cabbage and bacon ends, dented tins of tomatoes from the bargain bin. Everything was beautiful, the stars and the sunsets, the mold that someone discovered at the back of the fridge, the cows in the fields that kicked their giddy heels up in the air and fled as we ranged through the Yorkshire woods decked in daisy chains, necklaces made of melon seeds and tie-dye T-shirts whose colors stained the bath tub forever--an eternal reminder of the rainbow generation. [81-82]
”
”
Claire Robson (Love in Good Time: A Memoir)
“
So I drive into town for my first date in two years in a red 1941 Chevrolet four-on-the-floor with a John Deere motor grader hooked behind me. The engine sputters and churns and I wonder if the truck will make it. Chunks of mud spray behind me off the tires. The engine stalls on the main road, sending my dress and bag flying onto the dirty floor. I have to restart twice. At five forty-five, a black thing streaks out in front of me and I feel a thunk. I try to stop but braking’s just not something you can do very quickly with a 10,000-pound piece of machinery behind you. I groan and pull over. I have to go check. Remarkably, the cat stands up, looks around stunned, and shoots back into the woods as quickly as it came. At three minutes to six, after doing twenty in a fifty with horns honking and teenagers hollering at me, I park down the street from Hilly’s house since Hilly’s cul-de-sac doesn’t provide adequate parking for farm equipment. I grab my bag and run inside without even knocking, all out of breath and sweaty and windblown and there they are, the three of them, including my date. Having highballs in the front living room.
”
”
Kathryn Stockett (The Help)
“
had never been to a housing project and had somehow expected it to look makeshift or cobbled together, and there was something terrible in its institutional solidity. You saw that the buildings had always been depressing, they were depressing in their design and construction, and would continue to be depressing, perhaps for hundreds of years, until something powerful knocked them down.
”
”
Elif Batuman (The Idiot)
“
Merciful Heavens! but what do I care for the laws of nature and arithmetic, when, for some reason I dislike those laws and the fact that twice two makes four? Of course I cannot break through the wall by battering my head against it if I really have not the strength to knock it down, but I am not going to be reconciled to it simply because it is a stone wall and I have not the strength.
”
”
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
“
the occasional new ploy such as the For the Public Good talk, or the March of Progress talk, the They Knocked My House Down Once You Know, Never Looked Back talk and various other cajoleries and threats; and it was the bulldozer drivers’ accepted role to sit around drinking coffee and experimenting with union regulations to see how they could turn the situation to their financial advantage.
”
”
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
“
back,” Daddy said. “It’ll work out.” He had no idea what to do about Helen. They spoke a completely different language. He was an old-timer who called school “schoolin”’ and called me “boy.” He had run off from Jim Crow in the South and felt that education, any education, was a privilege. Helen was far beyond that. Weeks passed, months, and Helen didn’t return. Finally Jack called. “I found her. She’s living with some crazy woman,” Jack said. She told Ma she didn’t know much about the lady other than that she wore a lot of scarves and used incense. Mommy got the address and went to the place herself. It was a dilapidated housing project near St. Nicholas Avenue, with junkies and winos standing out front. Mommy stepped past them and walked through a haze of reefer smoke and took the elevator to the eighth floor. She went to the apartment door and listened. There was music playing on a stereo inside, and the voice of someone on the phone. She knocked on the door. The stereo lowered. “Who is it?” someone asked. It sounded like Helen. “I’m here to see Helen,” Mommy said. Silence. “I know you’re there, Helen,” Mommy said. Silence. “Helen. I want you to come home. Whatever’s wrong we’ll fix. Just forget all of it and come on home.” From down the hallway, a doorway opened and a black woman watched in silence as the dark-haired, bowlegged white lady talked to the closed door. “Please come home, Helen.” The door had a peephole in it. The peephole slid back. A large black eye peered out. “Please come home, Helen. This is no place for you to be. Just come on home.” The peephole closed.
”
”
James McBride (The Color of Water)
“
EVERYTHING SMELLED LIKE POISON. Two days after leaving Venice, Hazel still couldn’t get the noxious scent of eau de cow monster out of her nose. The seasickness didn’t help. The Argo II sailed down the Adriatic, a beautiful glittering expanse of blue; but Hazel couldn’t appreciate it, thanks to the constant rolling of the ship. Above deck, she tried to keep her eyes fixed on the horizon—the white cliffs that always seemed just a mile or so to the east. What country was that, Croatia? She wasn’t sure. She just wished she were on solid ground again. The thing that nauseated her most was the weasel. Last night, Hecate’s pet Gale had appeared in her cabin. Hazel woke from a nightmare, thinking, What is that smell? She found a furry rodent propped on her chest, staring at her with its beady black eyes. Nothing like waking up screaming, kicking off your covers, and dancing around your cabin while a weasel scampers between your feet, screeching and farting. Her friends rushed to her room to see if she was okay. The weasel was difficult to explain. Hazel could tell that Leo was trying hard not to make a joke. In the morning, once the excitement died down, Hazel decided to visit Coach Hedge, since he could talk to animals. She’d found his cabin door ajar and heard the coach inside, talking as if he were on the phone with someone—except they had no phones on board. Maybe he was sending a magical Iris-message? Hazel had heard that the Greeks used those a lot. “Sure, hon,” Hedge was saying. “Yeah, I know, baby. No, it’s great news, but—” His voice broke with emotion. Hazel suddenly felt horrible for eavesdropping. She would’ve backed away, but Gale squeaked at her heels. Hazel knocked on the coach’s door. Hedge poked his head out, scowling as usual, but his eyes were red. “What?” he growled. “Um…sorry,” Hazel said. “Are you okay?” The coach snorted and opened his door wide. “Kinda question is that?” There was no one else in the room. “I—” Hazel tried to remember why she was there. “I wondered if you could talk to my weasel.” The coach’s eyes narrowed. He lowered his voice. “Are we speaking in code? Is there an intruder aboard?” “Well, sort of.” Gale peeked out from behind Hazel’s feet and started chattering. The coach looked offended. He chattered back at the weasel. They had what sounded like a very intense argument. “What did she say?” Hazel asked. “A lot of rude things,” grumbled the satyr. “The gist of it: she’s here to see how it goes.” “How what goes?” Coach Hedge stomped his hoof. “How am I supposed to know? She’s a polecat! They never give a straight answer. Now, if you’ll excuse me, I’ve got, uh, stuff…” He closed the door in her face. After breakfast, Hazel stood at the port rail, trying to settle her stomach. Next to her, Gale ran up and down the railing, passing gas; but the strong wind off the Adriatic helped whisk it away. Hazel
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
Misir’s first story was about a man who had been out of work for months and was starving. His five children were starving; his wife was having another baby. It was December and the shops were full of food and toys. On Christmas eve the man got a job. Going home that evening, he was knocked down and killed by a motorcar that didn’t stop.
'Helluva thing," Mr Biswas said. ‘I like the part about the car not stopping.
”
”
V.S. Naipaul (A House for Mr Biswas)
“
Offence Punishment Laughing and talking 6 lashes; cat-o’-nine-tails Talking in wash-house 6 lashes; rawhide Threatening to knock convict’s brains out 24 lashes; cat-o’-nine-tails Talking to Keepers on matters not related to their work 6 lashes; cat-o’-nine-tails Finding fault with rations when required by guards to sit down 6 lashes; rawhide, and bread and water Staring about and inattentive at breakfast table Bread and water
”
”
Margaret Atwood (Alias Grace)
“
Descending the stairs from her room, I was tempted to go outside and find out if the shivering gut-wrench I’d felt as I came in really meant what I thought it did. But I stayed in the warmth of the house. I felt like I knew something about myself that I hadn’t before, a bit of knowledge so new that if I became a wolf now, I might lose it and not remember it whenever I became Cole again.
I wandered down the main stairs, mindful that her father was somewhere in the house’s depths while Isabel stayed up in her tower alone.
What would it be like, growing up in a house that looked like this? If I breathed too hard it would knock some decorative bowl off the wall or cause the perfectly arranged dried flowers to weep petals. Sure, my family had been affluent growing up—successful mad scientists generally are—but it never looked like this. Our lives had looked…lived in.
”
”
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
“
Hamlet’s soliloquy, you know; the most celebrated thing in Shakespeare. Ah, it’s sublime, sublime! Always fetches the house. I haven’t got it in the book—I’ve only got one volume—but I reckon I can piece it out from memory. I’ll just walk up and down a minute, and see if I can call it back from recollection’s vaults.” So he went to marching up and down, thinking, and frowning horrible every now and then; then he would hoist up his eyebrows; next he would squeeze his hand on his forehead and stagger back and kind of moan; next he would sigh, and next he’d let on to drop a tear. It was beautiful to see him. By and by he got it. He told us to give attention. Then he strikes a most noble attitude, with one leg shoved forwards, and his arms stretched away up, and his head tilted back, looking up at the sky; and then he begins to rip and rave and grit his teeth; and after that, all through his speech, he howled, and spread around, and swelled up his chest, and just knocked the spots out of any acting ever I see before. This is the speech—I learned it, easy enough, while he was learning it to the king: To be, or not to be; that is the bare bodkin That makes calamity of so long life; For who would fardels bear, till Birnam Wood do come to Dunsinane, But that the fear of something after death Murders the innocent sleep, Great nature’s second course, And makes us rather sling the arrows of outrageous fortune Than fly to others that we know not of. There’s the respect must give us pause: Wake Duncan with thy knocking! I would thou couldst; For who would bear the whips and scorns of time, The oppressor’s wrong, the proud man’s contumely, The law’s delay, and the quietus which his pangs might take, In the dead waste and middle of the night, when churchyards yawn In customary suits of solemn black, But that the undiscovered country from whose bourne no traveler returns, Breathes forth contagion on the world, And thus the native hue of resolution, like the poor cat i’ the adage, Is sicklied o’er with care, And all the clouds that lowered o’er our housetops, With this regard their currents turn awry, And lose the name of action. ’Tis a consummation devoutly to be wished. But soft you, the fair Ophelia: Ope not thy ponderous and marble jaws, But get thee to a nunnery—go! Well,
”
”
Mark Twain (The Adventures of Huckleberry Finn)
“
Another One'
When you’re a child you learn there are three dimensions
Height, width and depth
Like a shoebox
Then later you hear there’s a fourth dimension
Time
Hmm
Then some say there can be five, six, seven…
I knock off work
Have a beer at the bar
I look down at the glass and feel glad.
'Poem'
I’m in the house
It’s nice out
Warm
Sun on cold snow
First day of spring
Or last day of winter
My legs run up the stairs
And out the door
My top half here writing.
”
”
Ron Padgett (Complete Poems)
“
He lay down in the field and slept under the stars, with the otak nestling in his pocket. After the sun was up he went, still fasting, to the door of the House and knocked. The Doorkeeper opened. “Master,” said Ged, “I cannot take your name from you, not being strong enough, and I cannot trick your name from you, not being wise enough. So I am content to stay here, and learn or serve, whatever you will: unless by chance you will answer a question I have.” “Ask it.” “What is your name?
”
”
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
“
I just care about you so much … but I’ve always got this fear that … one day you’ll leave. Or Pip and Jason will leave, or … I don’t know.’ Fresh tears fell from my cheeks. ‘I’m never going to fall in love, so … my friendships are all I have, so … I just … can’t bear the idea of losing any of my friends. Because I’m never going to have that one special person.’
‘Can you let me be that person?’ Rooney said quietly.
I sniffed loudly. ‘What d’you mean?’
‘I mean I want to be your special person.’
[...]
‘But you know what I realised on my walk?’ she said. ‘I realise that I love you, Georgia.’
My mouth dropped open.
‘Obviously I’m not romantically in love with you. But I realised that whatever these feelings are for you, I …’ She grinned wildly. ‘I feel like I am in love. Me and you – this is a fucking love story! I feel like I’ve found something most people just don’t get. I feel at home around you in a way I have never felt in my fucking life. And maybe most people would look at us and think that we’re just friends, or whatever, but I know that it’s just … so much MORE than that.’
She gestured dramatically at me with both hands.
‘You changed me. You … you fucking saved me, I swear to God. I know I still do a lot of dumb stuff and I say the wrong things and I still have days where I just feel like shit but … I’ve felt happier over the past few weeks than I have in years.’
I couldn’t speak. I was frozen.
Rooney dropped to her knees. ‘Georgia, I am never going to stop being your friend. And I don’t mean that in the boring average meaning of ‘friend’ where we stop talking regularly when we’re twenty-five because we’ve both met nice young men and gone off to have babies, and only get to meet up twice a year. I mean I’m going to pester you to buy a house next door to me when we’re forty-five and have finally saved up enough for our deposits. I mean I’m going to be crashing round yours every night for dinner because you know I can’t fucking cook to save my life, and if I’ve got kids and a spouse, they’ll probably come round with me, because otherwise they’ll be living on chicken nuggets and chips. I mean I’m going to be the one bringing you soup when you text me that you’re sick and can’t get out of bed and ferrying you to the doctor’s even when you don’t want to go because you feel guilty about using the NHS when you just have a stomach bug. I mean we’re gonna knock down the fence between our gardens so we have one big garden, and we can both get a dog and take turns looking after it. I mean I’m going to be here, annoying you, until we’re old ladies, sitting in the same care home, talking about putting on a Shakespeare because we’re all old and bored as shit.’
She grabbed the bunch of flowers and practically threw them at me.
‘And I bought these for you because I honestly didn’t know how else to express any of that to you.’
I was crying. I just started crying again.
Rooney wiped the tears off my cheeks.
”
”
Alice Oseman (Loveless)
“
What Satan offered Christ in the temptation in the wilderness, Christ refused. But Christ did not refuse the offer because He didn’t want what was offered. He didn’t want it on those terms, but the reason He had come down to earth was to obtain those very kingdoms. He refused the tempter’s offer because He was planning to knock him down and take the kingdoms of men from him. “No one can enter a strong man’s house and plunder his goods, unless he first binds the strong man. And then he will plunder his house” (Mk. 3:27).
”
”
Douglas Wilson (Heaven Misplaced: Christ's Kingdom on Earth)
“
They pulled apart when Keefe shouted, “YOU GUYS HAVE TO SEE THIS!” They ran to the main room and found Keefe standing under the skylight, holding up Mr. Snuggles like it was a baby lion about to be made king. The sparkly red dragon twinkled almost as much as Keefe’s eyes as he said, “I went in to check on our boy and found him cuddling with this!” “Isn’t that the same dragon Fitz brought to your house that one time?” Dex asked Sophie. “WHAT?” Keefe shouted. “YOU KNEW AND YOU DIDN’T TELL ME?!” “Mr. Snuggles wasn’t my secret to share,” Sophie said. “IT’S NAME IS MR. SNUGGLES?! That is . . . . I can’t even . . .” Keefe ran back to Fitz’s room shouting, “ARE YOU MISSING YOUR SNUGGLE BUDDY?!” “Fitz is going to die of embarrassment, you know that, right?” Biana asked. “I didn’t know he had a stuffed dragon,” Della said. “I wonder where he got it.” “Elwin gave it to him when Alden was sick,” Sophie explained. “And Elwin named him.” “Wow, you really know my brother super well, don’t you?” Biana asked. Sophie’s cheeks flushed. “Well . . . we have to do a lot of trust exercises.” Dex sighed. Down the hall, Sophie could hear Keefe laughing hysterically. “I better make sure Fitz is still talking to me,” she said. “You should be worried about me,” Keefe told her, stalking back into the room. “You deprived me of the Snuggles—that cannot be forgiven! Actually it can, but you have to convince Fitz to call himself Lord of the Snuggles from now on.” Sophie laughed. “I’ll see what I can do.” Fitz’s door was closed, so she knocked before going in. “I told you, Mr. Snuggles’s visiting hours are over,” he called through the door. “What about your visiting hours?” she asked. “Oh! I thought you were Keefe.” Sophie pushed open the door. “I get that a lot.” “YOU SHOULD BE SO LUCKY!” Keefe shouted from the main room. Fitz had Mr. Snuggles perched on his lap, and the sparkly dragon looked almost defiant. Like, Yeah, I’m cute and glittery—what’s it to you? “So . . . I guess the secret’s out,” she said. “Looks like it. You’d think almost dying would earn me a little slack.” “NOT WHEN YOU’RE CUDDLING WITH A GLITTERY DRAGON, DUDE!” Keefe shouted.
”
”
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
“
Her name was Pilar Ternera. She had been part of the exodus that ended with the founding of Macondo, dragged along by her family in order to separate her from the man who had raped her at fourteen and had continued to love her until she was twenty-two, but who never made up his mind to make the situation public because he was a man
apart. He promised to follow her to the ends of the earth, but only later on, when he put his affairs in order, and she had become tired of waiting for him, always identifying him with the tall and short, blond and brunet men that her cards promised from land and sea within three days, three months, or three years. With her waiting she had lost the strength
of her thighs, the firmness of her breasts, her habit of tenderness, but she kept the madness of her heart intact. Maddened by that prodigious plaything, José Arcadio followed her path every night through the labyrinth of the room. On a certain occasion he found the door barred, and he knocked several times, knowing that if he had the boldness
to knock the first time he would have had to knock until the last, and after an interminable wait she opened the door for him. During the day, lying down to dream, he would secretly enjoy the memories of the night before. But when she came into the house, merry, indifferent, chatty, he did not have to make any effort to hide his tension, because that woman, whose explosive laugh frightened off the doves, had nothing to do with the invisible power that taught him how to breathe from within and control his heartbeats, and that had permitted him to understand why man are afraid of death.
”
”
Gabriel García Márquez (One Hundred Years of Solitude)
“
Trying to get to 124 for the second time now, he regretted that conversation: the high tone he took; his refusal to see the effect of marrow weariness in a woman he believed was a mountain. Now, too late, he understood her. The heart that pumped out love, the mouth that spoke the Word, didn't count. They came in her yard anyway and she could not approve or condemn Sethe's rough choice. One or the other might have saved her, but beaten up by the claims of both, she went to bed. The whitefolks had tired her out at last.
And him. Eighteen seventy-four and whitefolks were still on the loose. Whole towns wiped clean of Negroes; eighty-seven lynchings in one year alone in Kentucky; four colored schools burned to the ground; grown men whipped like children; children whipped like adults; black women raped by the crew; property taken, necks broken. He smelled skin, skin and hot blood. The skin was one thing, but human blood cooked in a lynch fire was a whole other thing. The stench stank. Stank up off the pages of the North Star, out of the mouths of witnesses, etched in crooked handwriting in letters delivered by hand. Detailed in documents and petitions full of whereas and presented to any legal body who'd read it, it stank. But none of that had worn out his marrow. None of that. It was the ribbon. Tying his
flatbed up on the bank of the Licking River, securing it the best he could, he caught sight of something red on its bottom. Reaching for it, he thought it was a cardinal feather stuck to his boat. He tugged and what came loose in his hand was a red ribbon knotted around a curl of wet woolly hair, clinging still to its bit of scalp. He untied the ribbon and put it in his pocket, dropped the curl in the weeds. On the way home, he stopped, short of breath and dizzy. He waited until the spell passed before continuing on his way. A moment later, his breath left him again. This time he sat
down by a fence. Rested, he got to his feet, but before he took a step he turned to look back down the road he was traveling and said, to its frozen mud and the river beyond, "What are these people? You tell me, Jesus. What are they?"
When he got to his house he was too tired to eat the food his sister and nephews had prepared. He sat on the porch in the cold till way past dark and went to his bed only because his sister's voice calling him was getting nervous. He kept the ribbon; the skin smell nagged him, and his weakened marrow made him dwell on Baby Suggs' wish to consider what in the world was harmless. He hoped she stuck to blue, yellow, maybe green, and never fixed on red.
Mistaking her, upbraiding her, owing her, now he needed to let her know he knew, and to get right with her and her kin. So, in spite of his exhausted marrow, he kept on through the voices and tried once more to knock at the door of 124. This time, although he couldn't cipher but one word, he believed he knew who spoke them. The people of the broken necks, of fire-cooked blood and black girls who had lost their ribbons.
What a roaring.
”
”
Toni Morrison (Beloved)
“
But Emma resists all of Galen's reasonings, based on the fact that it doesn't "feel right."
Speaking of things that don't feel right... He pulls his new SUV into her driveway, the excitement sloshing in his stomach like high tide. As he steps out, he notices how much he likes sliding down instead of hoisting himself up from a little compact death trap. He's almost glad Rayna tied the red car around a tree-except that she and Emma could have gotten hurt. He shakes his head, crunching across the gravel of Emma's driveway in his suede Timberlands.
Even over that, he hears the thud of his heart. Is it faster than usual? He's never noticed it before, so he can't tell. Shrugging it off as paranoia, he knocks on the door then folds his hands in front of him. I shouldn't be doing this. This is wrong. She could still belong to Grom.
But when Emma answers the door, everything seems right again. Her little purple dress makes the violet in her eyes jump out at him. "Sorry," she says. "Mom threw a fit when I tried to leave the house in jeans. She's old-school I guess. You know. 'Thou must dress up for the movies,' says the woman who doesn't even own a dress."
"She did me a favor," he says, then shoves his hands in his pockets. More like she did me in.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
I thought it was another avalanche. This morning it was terrible."
"What was?" asked Sniff.
"The avalanche, of course," answered the Hemulen. "Quite terrible! Rocks the size of houses bouncing about like hail-stones! My best glass jar was broken, and I myself had to move quite quickly to get out of the way."
"I'm afraid we happened to knock a few stones down as we were passing," said Snufkin. "It's so easily done walking on these tracks."
"Do you mean to say it was you who made the avalanche?" said the Hemulen.
"Well -- yes -- sort of," Snufkin answered.
"I never thought very much of you," said the Hemulen slowly, "and now I think even less.
”
”
Tove Jansson (Comet in Moominland (The Moomins, #2))
“
He shook the nerves from his hand and touched the root again. Again it moved. The tiny fibers at the end came alive, reaching for him, twining around his fingertip. He looked around the hole, and he could now see tiny roots everywhere, pushing gently through the soil. The tree was growing right before his eyes. “You’re alive,” he whispered. Just then, he felt a sharp pain. The root had tightened, choking the tip of his finger. Kip jerked his hand back, trying to pull himself free—but the root would not let go. He pulled harder. “Ow!” he cried out as his hand finally came away. A gust of wind howled overhead. Kip looked up and saw leaves and loose dirt blowing into the hole, piling up around his feet. He tried to pull himself out of the hole, but a strong gust knocked him backward. Dirt and leaves poured down over his body, burying him. “Help!” Kip shouted, but he knew no one could hear him. Molly and the family were inside the house. Even Galileo was gone. More and more tiny roots came out of the soil, grasping at his legs, his arms, his neck. Kip screamed again, straining against the roots. His voice came back to him, muffled and small. He could barely move beneath the weight of dirt and leaves—a rustling, choking darkness. Kip twisted his body and felt something hard against his face—
”
”
Jonathan Auxier (The Night Gardener)
“
Consider it a Solstice and birthday present in one.' He gestured to the house, the gardens, the grounds that flowed to the river's edge. With a perfect view of the Rainbow at night, thanks to the land's curve. 'It's yours. Ours. I purchased it on Solstice Eve. Workers are coming in two days to begin clearing the rubble and knock down the rest of the house.'
I blinked again, long and slow. 'You bought me an estate?'
'Technically, it will be our estate, but the house is yours. Build it to your heart's content. Everything you want, everything you need- build it.'
The cost alone, the sheer size of this gift had to astronomical. 'Rhys.'
He paced a few steps, running his hands through his blue-black hair, his wings tucked in tight. 'We have no space at the town house. You and I can barely fit everything in the bedroom. And no one wants to be at the House of Wind.' He again gestured to the magnificent estate around us. 'So build a house for us, Feyre. Dream as wildly as you want. It's yours.'
I didn't have words for it. What cascaded through me. 'It- the cost-'
'Don't worry about the cost.'
'But...' I gaped at the sleeping, tangled land, the ruined house. Pictured what I might want there. My knees wobbled. 'Rhys- it's too much.'
His face became deadly serious. 'Not for you. Never for you.' He slid his arms around my waist, kissing my temple. 'Build a house with a painting studio.' He kissed my other temple. 'Build a house with an office for you, and one for me. Build a house with a bathtub big enough for two- and for wings.' Another kiss, this time to my cheek. 'Build a house with a garden for Elain, a training ring for the Illyrian babies, a library for Amren, and an enormous dressing room for Mor.' I choked on a laugh at that. But Rhys silenced it with a kiss to my mouth, lingering and sweet. 'Build a house with a nursery, Feyre.'
My heart tightened to the point of pain, and I kissed him back. Kissed him again and again, the property wide and clear around us. 'I will,' I promised.
”
”
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #4))
“
Even today, every night of the year, the Queen’s Keys are carried in great ceremony to lock up the gates of the Tower. The Chief Yeoman Warder at 9:53 meets his escort warders and they walk to the gates. They arrive at 10:00 p.m. exactly and are challenged by a sentry with a bayonet who cries loudly, “Who comes here?” The reply by the Chief is, “The Keys.” “Whose keys?” “Queen Elizabeth’s keys.” “Pass, Queen Elizabeth’s keys, and all is well.” The party passes through the Bloody Tower Archway into the fortress and halts at the Broadway Steps. At the top of the stairs, the Tower Guard presents arms and the Chief Warder raises his hat and proclaims, “God preserve Queen Elizabeth.” The sentry replies, “Amen!” Afterward, the keys are taken to the Queen’s House for safekeeping and the Last Post is sounded. This ancient ceremony was interrupted only once since the 14th century. During World War II there was an air raid on London. Bombs fell on the Victorian guardroom just as the party was coming through the Bloody Tower Archway. The noise knocked down the Chief Yeoman and one of the Warder escorts. In the Tower is a letter from the Officer of the Guard in which he apologizes to King George VI for the ceremony finishing late, as well as a reply from the King which states that the officer is not to be punished since the delay was due to enemy action.
”
”
Debra Brown (Castles, Customs, and Kings: True Tales by English Historical Fiction Authors)
“
I mean I'm going to pester you to buy a house next doo to me when we're forty-five and have finally saved up enough for our deposits. I mean I'm going to be crashing round yours every night for dinner because you know I can't fucking cook to save my life, and if I've got a spouse, they'll probably come with me, because otherwise they'll be living on chicken nuggets and chips. I mean I'm going to be the one bringing you soup when you text me that you're sick and can't get out of bed and ferrying you to the doctor's even when you just have a stomach bug. I mean we're gonna knock down the fence between our gardens so we have one big garden, and we can both get a dog and take turns looking after it.
”
”
Alice Oseman (Loveless)
“
The night darkened. Our day's works had been done. We thought that the last guest had arrived for the night and the doors in the village were all shut. Only some said the king was to come. We laughed and said `No, it cannot be!'
It seemed there were knocks at the door and we said it was nothing but the wind. We put out the lamps and lay down to sleep. Only some said, `It is the messenger!' We laughed and said `No, it must be the wind!'
There came a sound in the dead of the night. We sleepily thought it was the distant thunder. The earth shook, the walls rocked, and it troubled us in our sleep. Only some said it was the sound of wheels. We said in a drowsy murmur, `No, it must be the rumbling of clouds!'
The night was still dark when the drum sounded. The voice came `Wake up! delay not!' We pressed our hands on our hearts and shuddered with fear. Some said, `Lo, there is the king's flag!' We stood up on our feet and cried `There is no time for delay!'
The king has come---but where are lights, where are wreaths? Where is the throne to seat him? Oh, shame! Oh utter shame! Where is the hall, the decorations? Someone has said, `Vain is this cry! Greet him with empty hands, lead him into thy rooms all bare!'
Open the doors, let the conch-shells be sounded! in the depth of the night has come the king of our dark, dreary house. The thunder roars in the sky. The darkness shudders with lightning. Bring out thy tattered piece of mat and spread it in the courtyard. With the storm has come of a sudden our king of the fearful night.
”
”
Rabindranath Tagore (Gitanjali)
“
Mom?” Then again, louder. “Mom?”
She turned around so quickly, she knocked the pan off the stove and nearly dropped the gray paper into the open flame there. I saw her reach back and slap her hand against the knobs, twisting a dial until the smell of gas disappeared.
“I don’t feel good. Can I stay home today?”
No response, not even a blink. Her jaw was working, grinding, but it took me walking over to the table and sitting down for her to find her voice. “How—how did you get in here?”
“I have a bad headache and my stomach hurts,” I told her, putting my elbows up on the table. I knew she hated when I whined, but I didn’t think she hated it enough to come over and grab me by the arm again.
“I asked you how you got in here, young lady. What’s your name?” Her voice sounded strange. “Where do you live?”
Her grip on my skin only tightened the longer I waited to answer. It had to have been a joke, right? Was she sick, too? Sometimes cold medicine did funny things to her.
Funny things, though. Not scary things.
“Can you tell me your name?” she repeated.
“Ouch!” I yelped, trying to pull my arm away. “Mom, what’s wrong?”
She yanked me up from the table, forcing me onto my feet. “Where are your parents? How did you get in this house?”
Something tightened in my chest to the point of snapping.
“Mom, Mommy, why—”
“Stop it,” she hissed, “stop calling me that!”
“What are you—?” I think I must have tried to say something else, but she dragged me over to the door that led out into the garage. My feet slid against the wood, skin burning. “Wh-what’s wrong with you?” I cried. I tried twisting out of her grasp, but she wouldn’t even look at me. Not until we were at the door to the garage and she pushed my back up against it.
“We can do this the easy way or the hard way. I know you’re confused, but I promise that I’m not your mother. I don’t know how you got into this house, and, frankly, I’m not sure I want to know—”
“I live here!” I told her. “I live here! I’m Ruby!”
When she looked at me again, I saw none of the things that made Mom my mother. The lines that formed around her eyes when she smiled were smoothed out, and her jaw was clenched around whatever she wanted to say next. When she looked at me, she didn’t see me. I wasn’t invisible, but I wasn’t Ruby.
“Mom.” I started to cry. “I’m sorry, I didn’t mean to be bad. I’m so sorry, I’m so sorry! Please, I promise I’ll be good—I’ll go to school today and won’t be sick, and I’ll pick up my room. I’m sorry. Please remember. Please!”
She put one hand on my shoulder and the other on the door handle. “My husband is a police officer. He’ll be able to help you get home. Wait in here—and don’t touch anything.”
The door opened and I was pushed into a wall of freezing January air. I stumbled down onto the dirty, oil-stained concrete, just managing to catch myself before I slammed into the side of her car. I heard the door shut behind me, and the lock click into place; heard her call Dad’s name as clearly as I heard the birds in the bushes outside the dark garage.
She hadn’t even turned on the light for me.
I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over.
The door was locked.
“I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!”
Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
Come for a walk, dear. The air will do you good."
Raoul thought that she would propose a stroll in the country, far from that building which he detested as a prison whose jailer he could feel walking within the walls... the jailer Erik... But she took him to the stage and made him sit on the wooden curb of a well, in the doubtful peace and coolness of a first scene set for the evening's performance.
On another day, she wandered with him, hand in hand, along the deserted paths of a garden whose creepers had been cut out by a decorator's skillful hands. It was as though the real sky, the real flowers, the real earth were forbidden her for all time and she condemned to breathe no other air than that of the theatre. An occasional fireman passed, watching over their melancholy idyll from afar. And she would drag him up above the clouds, in the magnificent disorder of the grid, where she loved to make him giddy by running in front of him along the frail bridges, among the thousands of ropes fastened to the pulleys, the windlasses, the rollers, in the midst of a regular forest of yards and masts. If he hesitated, she said, with an adorable pout of her lips:
"You, a sailor!"
And then they returned to terra firma, that is to say, to some passage that led them to the little girls' dancing-school, where brats between six and ten were practicing their steps, in the hope of becoming great dancers one day, "covered with diamonds..." Meanwhile, Christine gave them sweets instead.
She took him to the wardrobe and property-rooms, took him all over her empire, which was artificial, but immense, covering seventeen stories from the ground-floor to the roof and inhabited by an army of subjects. She moved among them like a popular queen, encouraging them in their labors, sitting down in the workshops, giving words of advice to the workmen whose hands hesitated to cut into the rich stuffs that were to clothe heroes. There were inhabitants of that country who practiced every trade. There were cobblers, there were goldsmiths. All had learned to know her and to love her, for she always interested herself in all their troubles and all their little hobbies.
She knew unsuspected corners that were secretly occupied by little old couples. She knocked at their door and introduced Raoul to them as a Prince Charming who had asked for her hand; and the two of them, sitting on some worm-eaten "property," would listen to the legends of the Opera, even as, in their childhood, they had listened to the old Breton tales.
”
”
Gaston Leroux (The Phantom of the Opera)
“
He asked me innocently, what then had brought me to his home, and without a minutes hesitation I told him an astounding lie. A lie which was later to prove a great truth. I told him I was only pretending to sell the encyclopedia in order to meet people and write about them. That interested him enormously, even more than the encyclopedia. He wanted to know what I would write about him, if I could say.
It's taken me twenty years to answer that question, but here it is. If you would still like to know, John Doe of the city of Bayonne, this is it. I owe you a great deal, because after that lie I told you, I left your house and I tore up the prospectus furnished me by The Encyclopedia Britannica and I threw it in the gutter. I said to myself I will never again go to people under false pretenses, even if is to give them the Holy Bible. I will never again sell anything, even if I have to starve.
I am going home now and I will sit down and really write about people and if anybody knocks at my door to sell me something, I will invite him in and say "Why are you doing this?" and if he says it is because he needs to make a living I will offer him what money I have and beg him once again to think what he is doing. I want to prevent as many men as possible from pretending that they have to do this or that because they must earn a living. It is not true. One can starve to death, it is much better. Every man who voluntarily starves to death jams another cog in the automatic process. I would rather see a man take a gun and kill his neighbor in order to get the food he needs than keep up the automatic process by pretending that he has to earn a living. That's what I want to say, Mr John Doe.
”
”
Henry Miller (Tropic of Capricorn (Tropic, #2))
“
The fire started inside a barn. It was tiny at first, a glowing dot, some wisps of white smoke. But then flames reached up. They grabbed hold of a pile of hay. Crackle! Pop! And then, Boom! Towers of flame shot up, higher, higher, punching through the roof, reaching for the sky. Voices screamed out. “Fire! Fire! Fire!” Alarm bells clanged. Firefighters readied their horses and raced their pumpers through the streets. But it was too late. The flames blasted a shower of fiery sparks into the windy sky. Like a swarm of flaming wasps, they flew through the air, starting fires wherever they landed. Shops and homes erupted in flames. Warehouses exploded. Mansions burned. Crowds of panicked people fled their houses and rushed through the streets and along the wooden sidewalks. They screamed and pushed and knocked one another down, desperate to get away from the choking smoke and broiling flames. But there was no escape. The winds blew harder. Flames shot hundreds of feet in the air, spreading across miles and miles. And in the middle of it all was eleven-year-old Oscar Starling. Oscar had never felt so terrified, not even two years ago, when a killer blizzard hit his family’s Minnesota farm. He was trapped inside a burning house, fighting for his life. He’d made it down the stairs, desperate to escape. And then, Crash! A ball of fire and cinders crashed through the window, and the house exploded in flames. And suddenly, Oscar was in the fire’s ferocious grip. The flames clawed at him, seared him, threw him to the ground. Smoke gushed up his nose and into his mouth. But the worst was the blistering heat, the feeling of being roasted alive. Was this the end? Oscar had never wanted to come to this city. And now he was sure he was going to die here.
”
”
Lauren Tarshis (I Survived the Great Chicago Fire, 1871)
“
Willow gazed up at him, her silly grin still in place. "You know wha'? You're kinda cute when you crook your eyebrows down like tha'."
Rider muttered a curse, lifted her off the floor, and tossed her over his shoulder. "Juan, you and Hicks help Mrs. Brigham to her room. I'll take care of this little hellion."
Willow lifted her head from where she dangled over Rider's shoulder. "See yuh later, Mrs. B."
Miriam smiled and waved.
"i think Mrs. B is pickled," Rider's passenger said in a loud whisper as he hauled her out the door.
"No thanks to you,hellion," he growled, and smacked her bottom.
"Ow!"
As he carried Willow into the house, Rider was hard pressed to quell a sudden urge to laugh. In her bedroom, he unceremoniously dumped her on her bed, but when he turned to leave, her pitiful sounding voice halted his exit. "Rider,come here a min-it."
"Oh,hell, I suppose you're going to be sick." Grabbing a basin off her dresser, he shoved it under her chin. "It serves you right, you know." He watched nervously as she knocked the bowl aside.
"Dun...don't be mad." She held her arms out to him. "Come closer. Gimme a kiss and we'll make up. I like your kisses so-o-o-o much."
This time Rider couldn't stall his grin and inadvertently leaned closer.
She was on him like a duck on a June bug. With two hearty handfuls of his shirt, she yanked him down on top of her and plastered her mouth against his.
Talking against his lips, the tipsy girl had the audacity to complain, "Not like this. Do it like before. You know, with your tongue."
Rider squeezed his eyes shut and groaned. This isn't fair, he bemoaned silently. He tried to rise but Willow held tight, squirming her voluptuous little body against his. Sweat broke out on his forehead. If he didn't put a stop to this soon...He lifted his mouth from hers. "If I promise to kiss you with my tongue, will you let go of me and go to sleep?"
"Uh-huh." Willow's eyes drooped, but the affect appeared more seductive than drunken.
Lifting her shoulders slightly off the bed, he wound his arms around her and covered her mouth with his. His tongue explored hers in a long, liquid kiss, tasting of wine and desire. Rider savored its promise, wishing just this once, he could be less a gentleman.
Willow wrapped one of her legs over his and shifted her hips, innocently aligning his swelling heat with hers. He started and bolted off the bed. "Holy hell! You did it again!"
"What?" Her voice was sluggish and sleepy now.
Disgusted with himself, Rider stomped to the door. "Sleep it off, Freckles."
Outside Willow's door, Rider slumped against the wall and shook his head. Willow Vaughn was a constant surprise, and he loved the girl so bad it hurt.
”
”
Charlotte McPherren (Song of the Willow)
“
Alas, great is my sorrow. Your name is Ah Chen, and when you were born I was not truly pleased. I am a farmer, and a farmer needs strong sons to help with his work, but before a year had passed you had stolen my heart. You grew more teeth, and you grew daily in wisdom, and you said 'Mommy' and 'Daddy' and your pronunciation was perfect. When you were three you would knock at the door and then you would run back and ask, 'Who is it?' When you were four your uncle came to visit and you played the host. Lifting your cup, you said, 'Ching!' and we roared with laughter and you blushed and covered your face with your hands, but I know that you thought yourself very clever. Now they tell me that I must try to forget you, but it is hard to forget you.
"You carried a toy basket. You sat at a low stool to eat porridge. You repeated the Great Learning and bowed to Buddha. You played at guessing games, and romped around the house. You were very brave, and when you fell and cut your knee you did not cry because you did not think it was right. When you picked up fruit or rice, you always looked at people's faces to see if it was all right before putting it in your mouth, and you were careful not to tear your clothes.
"Ah Chen, do you remember how worried we were when the flood broke our dikes and the sickness killed our pigs? Then the Duke of Ch'in raised our taxes and I was sent to plead with him, and I made him believe that we could not pay out taxes. Peasants who cannot pay taxes are useless to dukes, so he sent his soldiers to destroy our village, and thus it was the foolishness of your father that led to your death. Now you have gone to Hell to be judged, and I know that you must be very frightened, but you must try not to cry or make loud noises because it is not like being at home with your own people.
"Ah Chen, do you remember Auntie Yang, the midwife? She was also killed, and she was very fond of you. She had no little girls of her own, so it is alright for you to try and find her, and to offer her your hand and ask her to take care of you. When you come before the Yama Kings, you should clasp your hands together and plead to them: 'I am young and I am innocent. I was born in a poor family, and I was content with scanty meals. I was never wilfully careless of my shoes and my clothing, and I never wasted a grain of rice. If evil spirits bully me, may thou protect me.' You should put it just that way, and I am sure that the Yama Kings will protect you.
"Ah Chen, I have soup for you and I will burn paper money for you to use, and the priest is writing down this prayer that I will send to you. If you hear my prayer, will you come to see me in your dreams? If fate so wills that you must yet lead an earthly life, I pray that you will come again to your mother's womb. Meanwhile I will cry, 'Ah Chen, your father is here!' I can but weep for you, and call your name.
”
”
Barry Hughart (Bridge of Birds (The Chronicles of Master Li and Number Ten Ox, #1))
“
Wait in the car." He opened the door and started to climb out.
"Hold on! How long should I give you? What if you don't come back in a certain number of minutes? Should I call the cops?"
"Don't do anything. Don't call anyone. I'll be fine."
"But what if you're not?"
"Then go home."
And with that, he got out and jogged down the street, like if I heard screams or gunshots or whatever I would just drive on home like nothing happened. Well, good for you, I thought, watching him climb a short cement staircase and put a key in the door. You don't need anyone. Fine.
I watched the clock. Three minutes went by, four. I thought about knocking on the door, having of course no idea what I would actually do once I got there. Maybe I'd have to break the door down, wrestle Cameron away from the bad men, and then carry him out the way you hear people when they get a huge burst of adrenaline. Except the person I pictured rescuing was little Cameron, in shorts and a striped T-shirt, his arms wrapped around my neck.
Then there he was, bursting out of the apartment door and bounding down the steps, a big garbage bag in hand. He ran to the car, fast. I reached over and opened the passenger door and he jumped in.
"Go."
You can't exactly peel out in a '94 Escort, but I did my best. Cameron breathed hard, clutching the garbage bag to his chest.
"What happened?" I drove a good fifteen miles per hour over the speed limit, convinced we were being chased by angry roommates with guns.
"Nothing. You can slow down."
I didn't. "Nothing? Nothing happened?"
"They weren't even there."
Then I did slow down. "No one was there? At all?"
"Right." His breathing had returned to almost normal.
"Then what's the deal with freaking me out like that?" My voice came out high and hysterical and I realized how nervous I'd been, imagining some dangerous scenario from which Cameron had barely escaped, an echo of that day at his house.
"I don't know. I started to picture one of them pulling up and finding me there and...I panicked.
”
”
Sara Zarr (Sweethearts)
“
Under Cover Of Darkness"
Slip back out of whack at your best.
It's a nightmare,
So I'm joining the army.
No house phones, but can i still call?
Will you wait for me now?
We got the right to live, fight to use it,
Got everything but you can just choose it
I won't just be a puppet on a string
Don't go that way.
I'll wait for you.
And I'm tired of all your friends
Listening at your door
I want, what's better for you,
So long, my friend and adversary.
But I'll wait for you.
Get dressed, jump out of bed and do it best.
Are you OK?
I've been out around this town
Everybody's singing the same song for ten years.
I'll wait for you.
Will you wait for me too?
And they sacrifice their lives
In our land are all closed eyes.
They've said it a billion times and they'll say it again.
So long my adversary and friend.
Don't go that way.
I'll wait for you.
I'm tired of all your friends,
Knocking down your door.
Get up in the morning, yelling no more,
So long, my friend and adversary.
I'll wait for you.
”
”
The Strokes
“
Pointsman is the only one here maintaining his calm. He appears unruffled and strong. His lab coats have even begun lately to take on a Savile Row serenity, suppressed waist, flaring vents, finer material, rather rakishly notched lapels. In this parched and fallow time, he gushes affluence. After the baying has quieted down at last, he speaks, soothing: “There’s no danger.”
“No danger?” screams Aaron Throwster, and the lot of them are off again muttering and growling.
“Slothrop’s knocked out Dodson-Truck and the girl in one day!”
“The whole thing’s falling apart, Pointsman!”
“Since Sir Stephen came back, Fitzmaurice House has dropped out of our scheme, and there’ve been embarrassing inquires down from Duncan Sandys—“
“That’s the P.M.’s son-in-law, Pointsman, not good, not good!”
“We’ve already begun to run into a deficit—“
“Funding,” IF you can keep your head, “is available, and will be coming in before long… certainly before we run into any serious trouble. Sir Stephen, far from being ‘knocked out,’ is quite happily at work at Fitzmaurice House, and is At Home there should any of you wish to confirm. Miss Borgesius is still active in the program, and Mr. Duncan Sandys is having all his questions answered. But best of all, we are budgeted well into fiscal ’46 before anything like a deficit begins to rear its head.”
“Your Interested Parties again?” sez Rollo Groast.
“Ah, I noticed Clive Mossmoon from Imperial Chemicals closeted with you day before yesterday,” Edwin Treacle mentions now. “Clive Mossmoon and I took an organic chemistry course or two together back at Manchester. Is ICI one of our, ah, sponsors, Pointsman?”
“No,” smoothly, “Mossmoon, actually, is working out of Malet Street these days. I’m afraid we were up to nothing more sinister than a bit of routine coordination over the Schwarzkommando business.”
“The hell you were. I happen to know Clive’s at ICI, managing some sort of polymer research.”
They stare at each other. One is lying, or bluffing, or both are, or all of the above. But whatever it is Pointsman has a slight advantage. By facing squarely the extinction of his program, he has gained a great of bit of Wisdom: that if there is a life force operating in Nature, still there is nothing so analogous in a bureaucracy. Nothing so mystical. It all comes down, as it must, to the desires of men. Oh, and women too of course, bless their empty little heads. But survival depends on having strong enough desires—on knowing the System better than the other chap, and how to use it. It’s work, that’s all it is, and there’s no room for any extrahuman anxieties—they only weaken, effeminize the will: a man either indulges them, or fights to win, und so weiter. “I do wish ICI would finance part of this,” Pointsman smiles.
“Lame, lame,” mutters the younger Dr. Groast.
“What’s it matter?” cries Aaron Throwster. “If the old man gets moody at the wrong time this whole show can prang.”
“Brigadier Pudding will not go back on any of his commitments,” Pointsman very steady, calm, “we have made arrangements with him. The details aren’t important.”
They never are, in these meetings of his.
”
”
Thomas Pynchon (Gravity’s Rainbow)
“
Therefore everyone who hears these words of mine and puts them into practice is like a wise man who built his house on the rock.” MATTHEW 7:24 OCTOBER 28 Little did the thousands who heard Jesus’ words on the hillside that day realize that what they were listening to would be honored by multitudes twenty centuries later. Nor that scholars through the ages would say that these simple statements represented the greatest wisdom mankind would ever hear. As Jesus finished His sermon, He said that a person who had heard and lived by these teachings could be compared to a man who built his house upon a rock. Though all the elements conspired to knock that house down, they could not prevail—it stood, for it was built upon a rock. Friends, you really listen to something when you listen to that passage of Scripture! Why don’t you, this very day, read again the Sermon on the Mount in the Gospel of Matthew? If you read this passage and if you live by it, you will have what it takes; nothing in this world—and I mean nothing—will be able to beat you down.
”
”
Norman Vincent Peale (Positive Living Day by Day)
“
The person you mentioned at the breakfast table, sir. Bingley,' he said, pronouncing the name as if it soiled his lips.
I was astounded. You could have knocked me down with a toothpick.
'Bingley? I'd never have recognized him. He's changed completely. He was quite thin when I knew him, and very gloomy, you might say sinister. Always seemed to be brooding silently on the coming revolution, when he would be at liberty to chase me down Park Lane with a dripping knife.'
The brandy seemed to have restored Jeeves. He spoke now with his customary calm.
'I believe his political views were very far to the left at the time when he was in your employment. They changed when he became a man of property.'
'A man of property, is he?'
'An uncle of his in the grocery business died and left him a house and a comfortable sum of money.'
'I suppose it often happens that the views of fellows like Bingley change when they come into money.'
'Very frequently. They regard the coming revolution from a different standpoint.'
'I see what you mean. They don't want to be chased down Park Lane with dripping knives themselves'.
”
”
P.G. Wodehouse (Jeeves and the Tie That Binds (Jeeves, #14))
“
Jung told the Society that apparitions (ghosts) and materializations were “unconscious projections” or, as he spoke of them to Freud, “exteriorisations.” “I have repeatedly observed,” Jung told his audience, “the telepathic effects of unconscious complexes, and also a number of parapsychic phenomena, but in all this I see no proof whatever of the existence of real spirits, and until such proof is forthcoming I must regard this whole territory as an appendix of psychology.” This sounds scientific enough, but a year later20 when Jung was again in England, he encountered a somewhat more real ghost. Jung spent some weekends in a cottage in Aylesbury outside of London rented by Maurice Nicoll, and while there was serenaded by an assortment of eerie sounds—dripping water, knocks, inexplicable rustlings—while an unpleasant smell filled the bedroom. Locals said the place was haunted, and one particularly bad night, Jung opened his eyes to discover an old woman’s head on the pillow next to his; half of her face was missing. Jung leaped out of bed, lit a candle, and waited until morning in an armchair. The house was later torn down. One would think that having already encountered the dead on their return from Jerusalem, Jung wouldn’t be shaken by a fairly standard English ghost, but the experience rattled him.
”
”
Gary Lachman (Jung the Mystic: The Esoteric Dimensions of Carl Jung's Life & Teachings)
“
It would be grotesque to compare what has happened to workers in the West to what has happened to the Native peoples of the Americas, who have survived a genocide and more than a century of persecution. But while I researched this book, I spent some time in the Rust Belt. A few weeks before the U.S. presidential election in 2016, I went to Cleveland to try to get the vote out to stop Donald Trump from being elected. One afternoon I walked down a street in the southwest of the city where a third of the houses had been demolished by the authorities, a third were abandoned, and third still had people living in them, cowering, with steel guards on their windows. I knocked on a door, and a woman answered who, from looking at her, I would have guessed was fifty-five. She began to rage—how terrified she was of her neighbors, how the kids in the area “have got to go,” how she was desperate for anyone who would make things better, how there wasn’t even a grocery store anywhere nearby any more and she had to take three buses just to get food. She mentioned in passing that she was thirty-seven years old, which took me aback. And then she said something that stayed with me long after the election. She described what the area was like when her grandparents lived there, and you could work in a factory and have a middle-class life—and she made a verbal slip. She meant to say “when I was young.” What she actually said was “when I was alive.
”
”
Johann Hari (Lost Connections: Uncovering the Real Causes of Depression - and the Unexpected Solutions)
“
So anyway,” he continued.
That’s when we heard the loud knocking on the pickup window. I jumped through the roof--it was after 2:00 A.M. Who on earth could it be? The Son of Sam--it had to be! Marlboro Man rolled down the window, and a huge cloud of passion and steam escaped. It wasn’t the Son of Sam. Worse--it was my mother. And she was wearing her heather gray cashmere robe.
“Reeee?” she sang. “Is that yoooou?” She leaned closer and peered through the window.
I slid off of Marlboro Man’s lap and gave her a halfhearted wave. “Uh…hi, Mom. Yeah. It’s just me.”
She laughed. “Oh, okay…whew! I just didn’t know who was out here. I didn’t recognize the car!” She looked at Marlboro Man, whom she’d met only one time before, when he picked me up for a date.
“Well, hello again!” she exclaimed, extending her manicured hand.
He took her hand and shook it gently. “Hello, ma’am,” he replied, his voice still thick with lust and emotion. I sank in my seat. I was an adult, and had just been caught parking at 2:00 A.M. in the driveway of my parents’ house by my robe-wearing mother. She’d seen the foggy windows. She’d seen me sitting on his lap. I felt like I’d just gotten grounded.
“Well, okay, then,” my mom said, turning around. “Good night, you two!” And with that, she flitted back into the house.
Marlboro Man and I looked at each other. I hid my face in my hands and shook my head. He chuckled, opened the door, and said, “C’mon…I’d better get you home before curfew.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Since he had last seen it, the gargoyle guarding the entrance to the headmaster’s study had been knocked aside; it stood lopsided, looking a little punch-drunk, and Harry wondered whether it would be able to distinguish passwords anymore.
“Can we go up?” he asked the gargoyle.
“Feel free,” groaned the statue.
They clambered over him and onto the spiral stone staircase that moved slowly upward like an escalator. Harry pushed open the door at the top.
He had one, brief glimpse of the stone Pensieve on the desk where he had left it, and then an earsplitting noise made him cry out, thinking of curses and returning Death Eaters and the rebirth of Voldemort--
But it was applause. All around the walls, the headmasters and headmistresses of Hogwarts were giving him a standing ovation; they waved their hats and in some cases their wigs, they reached through their frames to grip each other’s hands; they danced up and down on the chairs in which they had been painted; Dilys Derwent sobbed unashamedly; Dexter Fortescue was waving his ear-trumpet; and Phineas Nigellus called, in his high, reedy voice, “And let it be noted that Slytherin House played its part! Let our contribution not be forgotten!”
But Harry had eyes only for the man who stood in the largest portrait directly behind the headmaster’s chair. Tears were sliding down from behind the half-moon spectacles into the long silver beard, and the pride and the gratitude emanating from him filled Harry with the same balm as phoenix song.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
Chuckie: My Uncle Marty. Will knows him. That guy fuckin' drinks like you've never seen! One night he was drivin' back to his house on I-93. Statie pulls him over.
All: Oh shit.
Chuckie: Guy's tryin' to walk the line but he can't even fuckin' stand up, and so my uncle's gonna spend a night in jail. Just then there's this fuckin' BOOM like fifty yards down the road. Some guy's car hit a tree.
Morgan: Some other guy?
Chuckie: Yeah, he was probably drunker than my Uncle, who fuckin' knows? So the cop goes "Stay here" And he goes runnin' down the highway to deal with the other crash. So, my Uncle Marty's standin' on the side of the road for a little while, and he's so fuckin' lit, that he forgets what he's waitin' for. So he goes, "Fuck it." He gets in his car and drives home.
Morgan: Holy shit.
Chuckie: So in the morning, there's a knock on the door it's the Statie. So my Uncle's like, "Is there a problem?" And the Statie's like "I pulled you over and you took off." And my Uncle's like "I never seen you before in my life, I been home all night with my kids." And Statie's like "Let me get in your garage!" So he's like "All right, fine." He takes around the garage and opens the door and the Statie's cruiser is in my Uncle's garage.
All: No way! You're kiddin'!
Chuckie: No, he was so hammered that he drove the police cruiser home. Fuckin' lights and everything!
Morgan: Did your Uncle get arrested?
Chuckie: The fuckin' Trooper was so embarrassed he didn't do anything. The fuckin' guy had been drivin' around in my Uncle's car all night lookin' for the house.
”
”
Matt Damon (Good Will Hunting)
“
I think this book is the most healed and loving form I can make. Then should I send this book across the ocean to where my grandmother is buried-give it to the worms and bugs who live in the soil of my grandmother’s grave? But why do they deserve this sadness? Maybe I’ll just scatter it like ash in the world-as if publishing a book is like scattering ashes from an urn-in the sea, in the forest, in a city, anywhere.
Maybe I will take this book to my mother’s house. I will knock on her door and go up to her and say, It’s here. On the page. Your mother’s sadness, and your sadness, and mine. Although not all of the reasons. I don’t know all of the reasons.
As she reads through it, I’ll stand there and wonder: Do you think with our lives we validated your mother? Do you think we helped her at all? Did we do our job? Can her life be said to be worth what you thought it was worth? Is this the first thing we have ever done together? You carried the nightmares, and I carried them, too. Can we put them down now? In putting down this book, will you put your sadness down? Put down whatever remains of your task, and finally rest satisfied?
Maybe she will say, It’s okay that you don’t know all of the reasons. When I diagnose a cancer, I don’t need to say the reasons. I’m just asked whether it’s malignant or benign.
Then these tears, I will say, this pain, this sadness, this tumour-like growth. In your professional opinion, is it malignant or benign?
I’ve looked it over carefully-and my opinion is that it’s benign. My suggestion is not to operate. There are more dangers associated with taking it out than leaving it inside.
”
”
Sheila Heti (Motherhood)
“
A strange structure untangled itself out of the background like a hallucination, not part of the natural landscape. It was a funny-shaped, almost spherical, green podlike thing woven from living branches of trees and vines. A trellis of vines hung down over the opening that served as a door.
Wendy was so delighted tears sprang to her eyes.
It was her Imaginary House!
They all had them. Michael wanted his to be like a ship with views of the sea. John had wanted to live like a nomad on the steppes. And Wendy... Wendy had wanted something that was part of the natural world itself.
She tentatively stepped forward, almost swooning at the heavy scent of the door flowers. Languorously lighting on them were a few scissorflies, silver and almost perfectly translucent in the glittery sunlight. Their sharp wings made little snickety noises as they fluttered off.
Her shadow made a few half-hearted attempts to drag back, pointing to the jungle. But Wendy ignored her, stepping into the hut.
She was immediately knocked over by a mad, barking thing that leapt at her from the darkness of the shelter.
"Luna!" Wendy cried in joy.
The wolf pup, which she had rescued in one of her earliest stories, stood triumphantly on her chest, drooling very visceral, very stinky dog spit onto her face.
"Oh, Luna! You're real!" Wendy hugged the gray-and-white pup as tightly as she could, and it didn't let out a single protest yelp.
Although...
"You're a bit bigger than I imagined," Wendy said thoughtfully, sitting up. "I thought you were a puppy."
Indeed, the wolf was approaching formidable size, although she was obviously not yet quite full-grown and still had large puppy paws. She was at least four stone and her coat was thick and fluffy. Yet she pranced back and forth like a child, not circling with the sly lope Wendy imagined adult wolves used.
You're not a stupid little lapdog, are you?" Wendy whispered, nuzzling her face into the wolf's fur. Luna chuffed happily and gave her a big wet sloppy lick across the cheek. "Let's see what's inside the house!"
As the cool interior embraced her, she felt a strange shudder of relief and... welcome was the only way she could describe it. She was home.
The interior was small and cozy; plaited sweet-smelling rush mats softened the floor. The rounded walls made shelves difficult, so macramé ropes hung from the ceiling, cradling halved logs or flat stones that displayed pretty pebbles, several beautiful eggs, and what looked like a teacup made from a coconut. A lantern assembled from translucent pearly shells sat atop a real cherry writing desk, intricately carved and entirely out of place with the rest of the interior.
Wendy picked up one of the pretty pebbles in wonder, turning it this way and that before putting it into her pocket.
"This is... me..." she breathed. She had never been there before, but it felt so secure and so right that it couldn't have been anything but her home. Her real home. Here there was no slight tension on her back as she waited for footsteps to intrude, for reality to wake her from her dreams; there was nothing here to remind her of previous days, sad or happy ones. There were no windows looking out at the gray world of London. There was just peace, and the scent of the mats, and the quiet droning of insects and waves outside.
"Never Land is a... mishmash of us. Of me," she said slowly. "It's what we imagine and dream of- including the dreams we can't quite remember.
”
”
Liz Braswell (Straight On Till Morning)
“
Hiya, cutie! How was your first day of school?" She pops the oven shut with her hip.
He shakes his head and pulls up a bar stool next to Rayna, who's sitting at the counter painting her nails the color of a red snapper. "This won't work. I don't know what I'm doing," he says.
"Sweet pea, what happened? Can't be that bad."
He nods. "It is. I knocked Emma unconscious."
Rachel spits the wine back in her glass. "Oh, sweetie, uh...that sort of thing's been frowned upon for years now."
"Good. You owed her one," Rayna snickers. "She shoved him at the beach," she explains to Rachel.
"Oh?" Rachel says. "That how she got your attention?"
"She didn't shove me; she tripped into me," he says. "And I didn't knock her out on purpose. She ran from me, so I chased her and-"
Rachel holds up her hand. "Okay. Stop right there. Are the cops coming by? You know that makes me nervous."
"No," Galen says, rolling his eyes. If the cops haven't found Rachel by now, they're not going to. Besides, after all this time, the cops wouldn't still be looking. And the other people who want to find her think she's dead.
"Okay, good. Now, back up there, sweet pea. Why did she run from you?"
"A misunderstanding."
Rachel clasps her hands together. "I know, sweet pea. I do. But in order for me to help you, I need to know the specifics. Us girls are tricky creatures."
He runs a hand through his hair. "Tell me about it. First she's being nice and cooperative, and then she's yelling in my face."
Rayna gasps. "She yelled at you?" She slams the polish bottle on the counter and points at Rachel. "I want you to be my mother, too. I want to be enrolled in school."
"No way. You step one foot outside this house, and I'll arrest you myself," Galen says. "And don't even think about getting in the water with that human paint on your fingers."
"Don't worry. I'm not getting in the water at all."
Galen opens his mouth to contradict that, to tell her to go home tomorrow and stay there, but then he sees her exasperated expression. He grins. "He found you."
Rayna crosses her arms and nods. "Why can't he just leave me alone? And why do you think it's so funny? You're my brother! You're supposed to protect me!"
He laughs. "From Toraf? Why would I do that?"
She shakes her head. "I was trying to catch some fish for Rachel, and I sensed him in the water. Close. I got out as fast as I could, but probably he knows that's what I did. How does he always find me?"
"Oops," Rachel says.
They both turn to her. She smiles apologetically at Rayna. "I didn't realize you two were at odds. He showed up on the back porch looking for you this morning and...I invited him to dinner. Sorry."
As Galen says, "Rachel, what if someone sees him?" Rayna is saying, "No. No, no, no, he is not coming to dinner."
Rachel clears her throat and nods behind them.
"Rayna, that's very hurtful. After all we've been through," Toraf says.
Rayna bristles on the stool, growling at the sound of his voice. She sends an icy glare to Rachel, who pretends not to notice as she squeezes a lemon slice over the fillets.
Galen hops down and greets his friend with a strong punch to the arm. "Hey there, tadpole. I see you found a pair of my swimming trunks. Good to see your tracking skills are still intact after the accident and all."
Toraf stares at Rayna's back. "Accident, yes. Next time, I'll keep my eyes open when I kiss her. That way, I won't accidentally bust my nose on a rock again. Foolish me, right?"
Galen grins.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
In a civilization frankly materialistic and based upon property, not soul, it is inevitable that property shall be exalted over soul, that crimes against property shall be considered far more serious than crimes against the person. To pound one's wife to a jelly and break a few of her ribs is a trivial offence compared with sleeping out under the naked stars because one has not the price of a doss.
The following illustrative cases are culled from the police court reports for a single week:
South-western Police Court, London. Before Mr. Rose. John Probyn, charged with doing grievous bodily harm to a constable. Prisoner had been kicking his wife, and also assaulting another woman who protested against his brutality. The constable tried to persuade him to go inside his house, but prisoner suddenly turned upon him, knocking him down by a blow on the face, kicking him as he lay on the ground, and attempting to strangle him. Finally the prisoner deliberately kicked the officer in a dangerous part, inflicting an injury which will keep him off duty for a long time to come. Six weeks.
Lambeth Police Court, London. Before Mr. Hopkins. 'Baby' Stuart, aged nineteen, described as a chorus girl, charged with obtaining food and lodging to the value of 5s., by false pretences, and with intent to defraud Emma Brasier. Emma Brasier, complainant, lodging-house keeper of Atwell Road. Prisoner took apartments at her house on the representation that she was employed at the Crown Theatre. After prisoner had been in her house two or three days, Mrs. Brasier made inquiries, and, finding the girl's story untrue, gave her into custody. Prisoner told the magistrate that she would have worked “had she not had such bad health. Six weeks hard labor.
”
”
Jack London (The People of the Abyss)
“
No-knock entries are dangerous for everyone involved—cops, suspects, bystanders. The raids usually occur before dawn; the residents are usually asleep, and then disoriented by the sudden intrusion. There is no warning, and sleepy residents may not always understand that the men breaking down their door are police. At the same time, police procedures allow terribly little room for error. Stan Goff, a retired Special Forces sergeant and SWAT trainer, says that he teaches cops to “Look at hands. If there’s a weapon in their hands during a dynamic entry, it does not matter what that weapon is doing. If there’s a weapon in their hands, that person dies. It’s automatic.”
On September 13, 2000, the DEA, FBI, and local police conducted a series of raids throughout Modesto, California. By the end of the day, they had shot and killed an eleven-year-old boy, Alberto Sepulveda, as he was lying facedown on the floor with his arms outstretched, as ordered by police. In January 2011, police in Farmington, Massachusetts similarly shot Eurie Stamp, a sixty-eight-year-old grandfather, as he lay motionless on the floor according to police instructions.
In the course of a May 2014 raid in Cornelia, Georgia, a flash-bang grenade landed in the crib of a nineteen-month-old infant. The explosion blew a hole in the face and chest of Bounkham Phonesavanh (“Baby Bou Bou”), covering his body with third degree burns, and exposing part of his ribcage. No guns or drugs were found in the house, and no arrests were made.
Sometimes these raids go wrong before they even begin. Walter and Rose Martin, a perfectly innocent couple, both in their eighties, had their home raided by New York Police more than fifty times between 2002 and 2010. It turned out that their address had been entered as the default in the police database.
”
”
Kristian Williams (Our Enemies in Blue: Police and Power in America)
“
What’s going on?’ she said. ‘Talk to me.’
‘I …’ I looked down. I didn’t want her to see me. But Rooney was
looking at me, eyebrows furrowed, so many thoughts churning behind her
eyes, and it was that look that made me start spilling everything out. ‘I just
care about you so much … but I’ve always got this fear that … one day
you’ll leave. Or Pip and Jason will leave, or … I don’t know.’ Fresh tears
fell from my cheeks. ‘I’m never going to fall in love, so … my friendships are all I have, so … I just … can’t bear the idea of losing any of my friends.
Because I’m never going to have that one special person.’
‘Can you let me be that person?’ Rooney said quietly.
I sniffed loudly. ‘What d’you mean?’
‘I mean I want to be your special person.’
‘B-but … that’s not how the world works, people always put romance
over friendships –’
‘Says who?’ Rooney spluttered, smacking her hand on the ground in
front of us. ‘The heteronormative rulebook? Fuck that, Georgia. Fuck that.’
She stood up, flailing her arms and pacing as she spoke.
‘I know you’ve been trying to help me with Pip,’ she began, ‘and I
appreciate that, Georgia, I really do. I like her and I think she likes me and
we like being around each other and, yep, I’m just gonna say it – I think we
really, really want to have sex with each other.’
I just stared at her, my cheeks tear-stained, having no idea where this was
going.
‘But you know what I realised on my walk?’ she said. ‘I realise that I
love you, Georgia.’
My mouth dropped open.
‘Obviously I’m not romantically in love with you. But I realised that
whatever these feelings are for you, I …’ She grinned wildly. ‘I feel like I
am in love. Me and you – this is a fucking love story! I feel like I’ve found
something most people just don’t get. I feel at home around you in a way I
have never felt in my fucking life. And maybe most people would look at us
and think that we’re just friends, or whatever, but I know that it’s just … so
much MORE than that.’ She gestured dramatically at me with both hands.
‘You changed me. You … you fucking saved me, I swear to God. I know I
still do a lot of dumb stuff and I say the wrong things and I still have days
where I just feel like shit but … I’ve felt happier over the past few weeks
than I have in years.’
I couldn’t speak. I was frozen.
Rooney dropped to her knees. ‘Georgia, I am never going to stop being
your friend. And I don’t mean that in the boring average meaning of ‘friend’
where we stop talking regularly when we’re twenty-five because we’ve
both met nice young men and gone off to have babies, and only get to meet
up twice a year. I mean I’m going to pester you to buy a house next door to
me when we’re forty-five and have finally saved up enough for our deposits. I mean I’m going to be crashing round yours every night for
dinner because you know I can’t fucking cook to save my life, and if I’ve
got kids and a spouse, they’ll probably come round with me, because
otherwise they’ll be living on chicken nuggets and chips. I mean I’m going
to be the one bringing you soup when you text me that you’re sick and can’t
get out of bed and ferrying you to the doctor’s even when you don’t want to
go because you feel guilty about using the NHS when you just have a
stomach bug. I mean we’re gonna knock down the fence between our
gardens so we have one big garden, and we can both get a dog and take
turns looking after it. I mean I’m going to be here, annoying you, until
we’re old ladies, sitting in the same care home, talking about putting on a
Shakespeare because we’re all old and bored as shit.’
She grabbed the bunch of flowers and practically threw them at me.
‘And I bought these for you because I honestly didn’t know how else to
express any of that to you.’
I was crying. I just started crying again.
Rooney wiped the tears off my cheeks.
”
”
Alice Oseman
“
Geraldine nodded and headed for Mrs. Armstrong's lawn. I felt sorry for her in her carrot pajamas, having no idea what was really going on. I followed the other girls and stood behind the shrubs. Mrs. Armstrong's house was ginormous. Her house was even bigger than Aunt Jeanie's. There was one light on upstairs. I figured that was the bedroom. The rest of the house was dark. Geraldine went to the far end of the yard and removed a can of spray paint from the bag. She shook it and began to spray. "She's such an idiot," Ava said, taking out her phone to record Geraldine's act of vandalism. "You guys are going to get her into so much trouble," I said. "So what?" Hannah replied. "She got us in trouble at the soup kitchen, it's not like she's ever going to become a Silver Rose anyway. She's totally wasting her time." Geraldine slowly made her way up and down the huge yard carefully spraying the grass. It would take her forever to complete it and there wasn't nearly enough spray paint. "Hey, guys!" Geraldine yelled from across the lawn. "How about I spray a rose in the grass? That would be cool, right?" I cringed. The light on upstairs meant the Armstrongs were still awake. Geraldine was about to get us all caught. "O-M-G," Hannah moaned. "Shhhh," Summer hissed, but Geraldine kept screaming at the top of her lungs. "Well, what do you guys think?" My heart dropped into my stomach as a light from downstairs clicked on. We ducked behind the hedges and froze. "Who's out there?" called a man's voice. I couldn't see him and I couldn't see Geraldine. I heard the door close and I peeked over the hedges. "He went back inside," I whispered, ducking back down. At that moment something went shk-shk-shk and Geraldine screamed. We all stood to see what was happening. Someone had turned the sprinklers on and Geraldine was getting soaked. The door flew open and I heard Mrs. Armstrong's voice followed by a dog's vicious barking. "Get 'em, Killer!" "Killer!" Ava screamed and we all took off running down the street with a soggy Geraldine trailing behind us. I was faster than all the other girls. I had no intentions of being gobbled up by a dog named Killer. We stopped running when we got to Ava's street and Killer was nowhere in sight. We walked back to the house at a normal pace. "So, did I prove myself to the sisterhood?" Geraldine asked. Hannah turned to her. "Are you kidding me? Your yelling woke them up, you moron. We got chased down the street by a dog because of you." Geraldine frowned and looked down at the ground. Hopefully what I had told her before about the girls not being her friends was starting to settle in. Inside all the other girls wanted to know what had happened. Ava was giving them the gory details when a knock on the door interrupted her. It was Mrs. Armstrong. She had on a black bathrobe and her hair was in curlers. I chuckled to myself because I was used to seeing her look absolutely perfect. We all sat on our sleeping bags looking as innocent as possible except for Geraldine who still stood awkwardly by the door, dripping wet. Mrs. Armstrong cleared her throat. "Someone has just vandalized my lawn with spray paint. Silver spray paint. Since I know it's a tradition for the Silver Roses to pull a prank on me on the night of the retreat, I'm going to assume it was one of you. More specifically, the one who's soaking wet right now." All eyes went to Geraldine. She looked at the ground and said nothing. What could she possibly say to defend herself? She even had silver spray paint on her fingers. Mrs. Armstrong looked her up and down. "Young lady, this is your second strike and that's two strikes too many. Your bid to become a Junior Silver Rose is for the second time hereby revoked." Geraldine's shoulders drooped, but most of the girls were smirking. This had been their plan all along and they had accomplished it.
”
”
Tiffany Nicole Smith (Bex Carter 1: Aunt Jeanie's Revenge (The Bex Carter Series))
“
Over the next few days we spent every waking moment together. We made up silly dances, did puzzles in the evening, and she stood smiling on the beach waiting for me as I took my customary New Year’s dip in the freezing cold North Atlantic.
I just had a sense that we were meant to be.
I even found out she lived in the next-door road along from where I was renting a room from a friend in London. What were the chances of that?
As the week drew to a close we both got ready to head back south to London. She was flying. I was driving.
“I’ll beat you to London,” I challenged her.
She smiled knowingly. “No, you won’t.” (But I love your spirit.)
She, of course, won. It took me ten hours to drive. But at 10:00 P.M. that same night I turned up at her door and knocked.
She answered in her pajamas.
“Damn, you were right,” I said, laughing. “Shall we go for some supper together?”
“I’m in my pajamas, Bear.”
“I know, and you look amazing. Put a coat on. Come on.”
And so she did.
Our first date, and Shara in her pajamas. Now here was a cool girl.
From then on we were rarely apart. I delivered love letters to her office by day and persuaded her to take endless afternoons off.
We roller-skated in the parks, and I took her down to the Isle of Wight for the weekends.
Mum and Dad had since moved to my grandfather’s old house in Dorset, and had rented out our cottage on the island. But we still had an old caravan parked down the side of the house, hidden under a load of bushes, so any of the family could sneak into it when they wanted.
The floors were rotten and the bath full of bugs, but neither Shara nor I cared.
It was heaven just to be together.
Within a week I knew she was the one for me and within a fortnight we had told each other that we loved each other, heart and soul.
Deep down I knew that this was going to make having to go away to Everest for three and a half months very hard.
But if I survived, I promised myself that I would marry this girl.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
She looks to the sky watching the rain as it falls through space and there is nothing to see in the ruined yard but the world insisting on itself, the cement’s sedate crumbling giving way to the rising sap beneath, and when the yard is past there will remain the world’s insistence, the world insisting it is not a dream and yet to the looker there is no escaping the dream and the price of life that is suffering, and she sees her children delivered into a world of devotion and love and sees them damned to a world of terror, wishing for such a world to end, wishing for the world its destruction, and she looks at her infant son, this child who remains an innocent and she sees how she has fallen afoul of herself and grows aghast, seeing that out of terror comes pity and out of pity comes love and out of love the world can be redeemed again, and she can see that the world does not end, that it is vanity to think the world will end during your lifetime in some sudden event, that what ends is your life and only your life, that what is sung by the prophets is but the same song sung across time, the coming of the sword, the world devoured by fire, the sun gone down into the earth at noon and the world cast in darkness, the fury of some god incarnate in the mouth of the prophet raging at the wickedness that will be cast out of sight, and the prophet sings not of the end of the world but of what has been done and what will be done and what is being done to some but not others, that the world is always ending over and over again in one place but not another and that the end of the world is always a local event, it comes to your country and visits your town and knocks on the door of your house and becomes to others but some distant warning, a brief report on the news, an echo of events that has passed into folklore, Ben’s laughter behind her and she turns and sees Molly tickling him on her lap and she watches her son and sees in his eyes a radiant intensity that speaks of the world before the fall, and she is on her knees crying, taking hold of Molly’s hand.
”
”
Paul Lynch (Prophet Song)
“
Ryzek will be in a huge crowd of people, many of whom are his most ardent supporters and fiercest soldiers. What kind of ‘move’ do you suggest we make?”
Cyra replied, “You said it yourself, didn’t you? Kill him.”
“Oh, right!” Teka smacked the table, obviously annoyed. “Why didn’t I think of killing him? How simple!”
Cyra rolled her eyes. “This time you won’t have to sneak into his house while he’s asleep. This time, I’ll challenge him to the arena.”
Everybody got quiet again. For different reasons, Akos was sure. Cyra was a good fighter, everybody knew that, but no one knew how good Ryzek was--they hadn’t seen him in action. And then there was the matter of getting to a place where Cyra could actually challenge him. And getting him to do it instead of just arresting her.
“Cyra,” Akos said.
“He declared nemhalzak--he erased your status, your citizenship,” Teka said, talking over him. “He has no reason to honor your challenge.”
“Of course he does.” Isae was frowning. “He could have gotten rid of her quietly when he learned she was a renegade, but he didn’t. He wanted her disgrace, and her death, to be public. That means he’s afraid of her, afraid she has power over Shotet. If she challenges hi in front of everyone, he won’t be able to back down. He’ll look like a coward.”
“Cyra,” Akos said again, quiet this time.
“Akos,” Cyra answered, with just a touch of the gentleness he had seen in the stairwell. “He is no match for me.”
The first time Akos ever saw Cyra fight--really fight--was in the training room in Noavek manor. She had gotten frustrated with him--she wasn’t a patient teacher, after all--and she had let loose more than usual, knocking him flat. Only fifteen seasons old at the time, but she had moved like an adult. And she only got better from there. In all his time training with her, he had never bested her. Not once.
“I know,” he said. “But just in case, let’s distract him.”
“Distract him,” Cyra repeated.
“You’ll go into the amphitheater. You’ll challenge him,” Akos said. “And I’ll go to the prison. Badha and I, I mean. We’ll rescue Orieve Benesit--we’ll take away his triumph. And you’ll take away his life.
”
”
Veronica Roth (Carve the Mark (Carve the Mark, #1))
“
Stick around, though. I’m going to need all the help I can get to figure all this out.”
“That’s me! Mister Helpful. Captain Dependable.”
“That sounds like a brand of adult diapers.”
“This nickname needs some work. Lord Wonderful? The Incredible Hunk?”
“Please, for the love, go inside.”
He laughed, then clomped up the steps and into the house.
“Reth,” I shouted. “Reeeeeeeeth! Reth! Reth, Reth, Reth! If you don’t come in the next thirty seconds, I’m going to do find David’s golf clubs!”
“That tone and level of voice does nothing attractive you for, my love.”
I jumped, startled, but of course Reth would be behind me, leaning heavily on the porch railing.
“You,” I said, glaring. “Fix it. Now.”
A look of disdain on his face, he leaned over and trailed his fingers across Lend’s forehead. A single whispered word, and then . . .
Nothing.
“You liar!” I shouted, standing so abruptly that Lend rolled off my lap and down a step. As he hit the first one, color bloomed through him into his usual glamour and his eyes flew open in panic.
“He was asleep, Evelyn.” Reth’s lips were pursed, but I knew he was smiling gleefully on the inside.
“Lend!” I lunged forward, knocking into him, and we both rolled down the next two steps, landing in a heap on the gravel at the bottom. “You’re awake!”
“Evie! I’m . . . wow, why am I so bruised?”
“Shut up,” I said, grabbing his head and pulling him in for a kiss. It was freezing and we were on the ground but I didn’t care, couldn’t care, not when I could touch my Lend and he was awake to touch me, too. I knew I’d missed it, but it wasn’t until now that it hit me just how empty and desperate it felt to be separated from him like that.
“Maybe,” he said, between tracing my neck with kisses, “we could go inside?”
“Maybe,” I agreed, not getting up.
“Or maybe,” Reth said, his voice dripping with disgust, “Evelyn could come with me to determine how best to fulfill her end of the deal.”
Lend lifted a hand off me and held it in the air. I couldn’t see what he was doing with it, but I had a good idea, and I heartily approved.
“See what I meant about the ability to focus?” Reth snapped. “You two are ridiculous.
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
Hey…you okay?” Marlboro Man repeated.
My heart fluttered in horror. I wanted to jump out of the bathroom window, scale down the trellis, and hightail it out of there, forgetting I’d ever met any of these people. Only there wasn’t a trellis. And outside the window, down below, were 150 wedding guests. And I was sweating enough for all of them combined.
I was naked and alone, enduring the flop sweat attack of my life. It figured. It was usually the times I felt and looked my absolute best when I wound up being humbled in some colossally bizarre way. There was the time I traveled to my godmother’s son’s senior prom in a distant city and partied for an hour before realizing the back of my dress was stuck inside my panty hose. And the time I entered the after-party for my final Nutcracker performance and tripped on a rug, falling on one of the guest performers and knocking an older lady’s wineglass out of her frail arms. You’d think I would have come to expect this kind of humiliation on occasions when it seemed like everything should be going my way.
“You need anything?” Marlboro Man continued. A drop of sweat trickled down my upper lip.
“Oh, no…I’m fine!” I answered. “I’ll be right out! You go on back to the party!” Go on, now. Run along. Please. I beg you.
“I’ll be out here,” he replied. Dammit. I heard his boots travel a few steps down the hall and stop. I had to get dressed; this was getting ridiculous. Then, as I stuck my big toe into the drenched leg of my panty hose, I heard what I recognized as Marlboro Man’s brother Tim’s voice.
“What’s she doing in there?” Tim whispered loudly, placing particularly uncomfortable emphasis on “doing.” I closed my eyes and prayed fervently. Lord, please take me now. I no longer want to be here. I want to be in Heaven with you, where there’s zero humidity and people aren’t punished for their poor fabric choices.
“I’m not sure,” Marlboro Man answered. The geyser began spraying again.
I had no choice but to surge on, to get dressed, to face the music in all my drippy, salty glory. It was better than staying in the upstairs bathroom of his grandmother’s house all night. God forbid Marlboro Man or Tim start to think I had some kind of feminine problem, or even worse, constipation or diarrhea! I’d sooner move to another country and never return than to have them think such thoughts about me.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Chip and I were both exhausted when we finally pulled up in front of that house, but we were still riding the glow of our honeymoon, and I was so excited as he carried me over the threshold--until the smell nearly knocked us over.
“Oh my word,” I said, pinching my nose and trying to hold my breath so I wouldn’t gag. “What is that?”
Chip flicked the light switch, and the light didn’t come on. He flicked it up and down a few times, then felt his way forward in the darkness and tried another switch.
“The electricity’s off,” he said. “The girls must’ve had it shut off when they moved out.”
“Didn’t you transfer it back into your name?” I asked.
“I guess not. I’m sorry, babe,” Chip said.
“Chip, what is that smell?”
It was the middle of June in Waco, Texas. The temperature had been up over a hundred degrees for days on end, and the humidity was stifling, amplifying whatever that rotten smell was coming from the kitchen. Chip always carries a knife and a flashlight, and it sure came in handy that night. Chip made his way back there and found that the fridge still had a bunch of food left in it, including a bunch of ground beef that had just sat there rotting since whenever the electricity went out.
The food was literally just smoldering in this hundred-degree house. So we went from living in a swanky hotel room on Park Avenue in New York City to this disgusting, humid stink of a place that felt more like the site of a crime scene than a home at this point. Honestly, I hadn’t thought it through very well. But it was late, and we were tired, and I just focused on making the most of this awful situation.
So we opened some windows and brought our bags in, and I told Jo we’d just tough it out and sleep on the floor and clean it all up in the morning. That’s when she started crying.
I lay down on the floor thinking, Is his what my life is going to look like now that I married Chip? Is this my new normal?
That’s when another smell hit me. It was in the carpet.
“Chip, did those girls have a dog here?” I asked.
“They had a couple of dogs,” he answered. “Why?”
You could smell it. In the carpet. It was nasty. I was just lying there with my head next to some old dog urine stain that had been heated by the Texas summer heat.
It was like microwaved dog pee.
It was. It was awful. It was three in the morning. And I finally said, “Chip, I’m not sleeping in this house.
”
”
Joanna Gaines (The Magnolia Story)
“
It must be disheartening work learning a musical instrument. You would think that Society, for its own sake, would do all it could to assist a man to acquire the art of playing a musical instrument. But it doesn’t! I knew a young fellow once, who was studying to play the bagpipes, and you would be surprised at the amount of opposition he had to contend with. Why, not even from the members of his own family did he receive what you could call active encouragement. His father was dead against the business from the beginning, and spoke quite unfeelingly on the subject. My friend used to get up early in the morning to practise, but he had to give that plan up, because of his sister. She was somewhat religiously inclined, and she said it seemed such an awful thing to begin the day like that. So he sat up at night instead, and played after the family had gone to bed, but that did not do, as it got the house such a bad name. People, going home late, would stop outside to listen, and then put it about all over the town, the next morning, that a fearful murder had been committed at Mr. Jefferson’s the night before; and would describe how they had heard the victim’s shrieks and the brutal oaths and curses of the murderer, followed by the prayer for mercy, and the last dying gurgle of the corpse. So they let him practise in the day-time, in the back-kitchen with all the doors shut; but his more successful passages could generally be heard in the sitting-room, in spite of these precautions, and would affect his mother almost to tears. She said it put her in mind of her poor father (he had been swallowed by a shark, poor man, while bathing off the coast of New Guinea — where the connection came in, she could not explain). Then they knocked up a little place for him at the bottom of the garden, about quarter of a mile from the house, and made him take the machine down there when he wanted to work it; and sometimes a visitor would come to the house who knew nothing of the matter, and they would forget to tell him all about it, and caution him, and he would go out for a stroll round the garden and suddenly get within earshot of those bagpipes, without being prepared for it, or knowing what it was. If he were a man of strong mind, it only gave him fits; but a person of mere average intellect it usually sent mad. There is, it must be confessed, something very sad about the early efforts of an amateur in bagpipes.
”
”
Various (100 Eternal Masterpieces of Literature [volume 2])
“
It was awful. It was three in the morning. And I finally said, “Chip, I’m not sleeping in this house.”
We were broke. We couldn’t go to a hotel. There was no way we were gonna go knock on one of our parents’ doors at that time of night.
That’s when I got an idea. We happened to have Chip’s parents’ old RV parked in a vacant lot a few blocks down. We had some of our things in there and had been using it basically as a storage unit until we moved in. “Let’s get in the RV. We’ll go find somewhere to plug it in, and we’ll have AC,” I said.
As we stepped outside, the skies opened up. It started pouring rain. When we finally got into the RV, soaking wet, we pulled down the road a ways and Chip said, “I know where we can go.” It was raining so hard we could barely see through the windshield, and all of a sudden Chip turned the RV into a cemetery.
“Why are you pulling in to a cemetery?” I asked him.
“We’re not going to the cemetery,” Chip said. “It’s just next to a cemetery. There’s an RV park back here.”
“Are you kidding me? Could this get any worse?”
“Oh, quit it. You’re going to love it once I get this AC fired up.”
Chip decided to go flying through the median between the two rows of RV parking, not realizing it was set up like a culvert for drainage and rain runoff. That RV bounced so hard that, had it not been for our seat belts, we would’ve both been catapulted through the roof of that vehicle.
“What was that?!”
“I don’t know,” Chip said.
I tried to put it in reverse, and then forward, and then reverse again, and the thing just wouldn’t move. I hopped out to take a look and couldn’t believe it. There was a movie a few years ago where the main character gets his RV caught on this fulcrum and it’s sitting there teetering with both sets of wheels up in the air. Well, we sort of did the opposite. We went across this valley, and because the RV was so long, the butt end of it got stuck on the little hill behind us, and the front end got stuck on the little hill in front of us, and the wheels were just sort of hanging there in between. I crawled back into the RV soaking wet and gave Jo the bad news.
We had no place to go, no place to plug in so we could run the AC; it was pouring rain so we couldn’t really walk anywhere to get help. And at that point I was just done. We wound up toughing it out and spending the first night after our honeymoon in a hot, old RV packed full of our belongings, suspended between two bumps in the road.
”
”
Joanna Gaines (The Magnolia Story)
“
Thus He dethroned the king of Israel by the king of Assyria, and, in turn, the king of Assyria by the king of Babylon, the king of Babylon by the king of Persia, the king of Persia by Alexander, the king in Greece, the Greek kingdom by the Romans, the Romans by the Goths and the Turks. And if the world stands long enough, the Turks, too, will find someone to knock them off. That is the way it goes on and on, both in great and in small governments; both among emperors and kings we behold a constant seating and unseating. The whole world with its governments appears to be God’s cavalry tournament, with all of His horsemen stabbing and unseating each other. The rule is: Whoever lies prostrate, lies prostrate; whoever is mounted, is mounted. And all of this happens because of their injustice and their violence, and because it is their fault whenever evils and injustices prevail in a country. The devil, the supreme prince of the world, goads them on, so that they do not use the sword, committed to them by God, aright, just as the world also misuses all the other gifts of God. And yet the sword is necessary, as eating and drinking are. But because of their abuse of it God constantly wrests the sword from the fist of one and gives it to another. Sword and government always remain in the world, but the persons sitting on thrones must continue to topple and tumble as they deserve. But that is what deceived the Jews and hardened their hearts, so that they did not believe Habakkuk. Since they did not commit adultery and had no idols at the time, they assumed that they were godly and had a gracious God. Consequently they were not at all expecting God’s wrath. That is peculiar of these people down to the present day, as it is of all hypocrites and work-righteous: they always imagine that they above all others are the dear children. They cannot believe that they are deserving of wrath. They say, as we read in Micah 2:7: “Should this be said, O house of Jacob? Is the Spirit of the Lord impatient? etc.” For if they had acknowledged that they are sinners, they would have obeyed Habakkuk. They would have reformed fearfully and humbly, as the Ninevites did, and averted the punishment. But since they did not do this, it is certain that they regarded Habakkuk as a fool and idle preacher but themselves as godly, as innocent, and as the true children of God. And this is what we see our own clergy do even today. Amid the most terrible sins and blasphemies they think that they are serving God and are pleasing to Him.
”
”
Martin Luther (Luther's Works, Vol. 19: Lectures on the Minor Prophets II)
“
The madness surged around him, and Rhy tore himself away from the breaking city and turned his sights again to his quest for the captain of the Night Spire.
There were only two places Alucard Emery would go: his family estate or his ship.
Logic said he’d go to the house, but something in Rhy’s gut sent him in the opposite direction, toward the docks.
He found the captain on his cabin floor.
One of the chairs by the hearth had been toppled, a table knocked clean of glasses, their glittering shards scattered in the rug and across the wooden floor. Alucard—decisive, strong, beautiful Alucard—lay curled on his side, shivering with fever, his warm brown hair matted to his cheeks with sweat. He was clutching his head, breath escaping in ragged gasps as he spoke to ghosts.
“Stop … please …” His voice—that even, clear voice, always brimming with laughter—broke. “Don’t make me …”
Rhy was on his knees beside him. “Luc,” he said, touching the man’s shoulder.
Alucard’s eyes flashed open, and Rhy recoiled when he saw them filled with shadows. Not the even black of Kell’s gaze, but instead menacing streaks of darkness that writhed and coiled like snakes through his vision, storm blue irises flashing and vanishing behind the fog.
“Stop,” snarled the captain suddenly. He struggled up, limbs shaking, only to fall back against the floor.
Rhy hovered over him, helpless, unsure whether to hold him down or try to help him up. Alucard’s eyes found his, but looked straight through him. He was somewhere else.
“Please,” the captain pleaded with the ghosts. “Don’t make me go.”
“I won’t,” said Rhy, wondering who Alucard saw. What he saw. How to free him. The captain’s veins stood out like ropes against his skin.
“He’ll never forgive me.”
“Who?” asked Rhy, and Alucard’s brow furrowed, as if he were trying to see through the fog, the fever.
“Rhy—” The sickness tightened its hold, the shadows in his eyes streaking with lines of light like lightning. The captain bit back a scream.
Rhy ran his fingers over Alucard’s hair, took his face in his hands. “Fight it,” he ordered. “Whatever’s holding you, fight it.”
Alucard folded in on himself, shuddering. “I can’t….”
“Focus on me.”
“Rhy …” he sobbed.
“I’m here.” Rhy Maresh lowered himself onto the glass-strewn floor, lay on his side so they were face-to-face. “I’m here.”
He remembered, then. Like a dream flickering back to the surface, he remembered Alucard’s hands on his shoulders, his voice cutting through the pain, reaching out to him, even in the dark.
I’m here now, he’d said, so you can’t die.
“I’m here now,” echoed Rhy, twining his fingers through Alucard’s. “And I’m not letting go, so don’t you dare.”
Another scream tore from Alucard’s throat, his grip tightening as the lines of black on his skin began to glow. First red, then white. Burning. He was burning from the inside out. And it hurt—hurt to watch, hurt to feel so helpless.
But Rhy kept his word.
He didn’t let go.
”
”
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
“
I just care about you so much … but I’ve always got this fear that … one day you’ll leave. Or Pip and Jason will leave, or … I don’t know.’ Fresh tears fell from my cheeks. ‘I’m never going to fall in love, so … my friendships are all I have, so … I just … can’t bear the idea of losing any of my friends. Because I’m never going to have that one special person.’
‘Can you let me be that person?’ Rooney said quietly.
I sniffed loudly. ‘What d’you mean?’
‘I mean I want to be your special person.’
[...]
‘But you know what I realised on my walk?’ she said. ‘I realise that I love you, Georgia.’
My mouth dropped open.
‘Obviously I’m not romantically in love with you. But I realised that whatever these feelings are for you, I …’ She grinned wildly. ‘I feel like I am in love. Me and you – this is a fucking love story! I feel like I’ve found something most people just don’t get. I feel at home around you in a way I have never felt in my fucking life. And maybe most people would look at us and think that we’re just friends, or whatever, but I know that it’s just … so much MORE than that.’ She gestured dramatically at me with both hands.
‘You changed me. You … you fucking saved me, I swear to God. I know I still do a lot of dumb stuff and I say the wrong things and I still have days where I just feel like shit but … I’ve felt happier over the past few weeks than I have in years.’
I couldn’t speak. I was frozen.
Rooney dropped to her knees. ‘Georgia, I am never going to stop being your friend. And I don’t mean that in the boring average meaning of ‘friend’ where we stop talking regularly when we’re twenty-five because we’ve both met nice young men and gone off to have babies, and only get to meet up twice a year. I mean I’m going to pester you to buy a house next door to me when we’re forty-five and have finally saved up enough for our deposits. I mean I’m going to be crashing round yours every night for dinner because you know I can’t fucking cook to save my life, and if I’ve got kids and a spouse, they’ll probably come round with me, because otherwise they’ll be living on chicken nuggets and chips. I mean I’m going to be the one bringing you soup when you text me that you’re sick and can’t get out of bed and ferrying you to the doctor’s even when you don’t want to go because you feel guilty about using the NHS when you just have a
stomach bug. I mean we’re gonna knock down the fence between our gardens so we have one big garden, and we can both get a dog and take turns looking after it. I mean I’m going to be here, annoying you, until we’re old ladies, sitting in the same care home, talking about putting on a Shakespeare because we’re all old and bored as shit.’
She grabbed the bunch of flowers and practically threw them at me.
‘And I bought these for you because I honestly didn’t know how else to express any of that to you.’
I was crying. I just started crying again.
Rooney wiped the tears off my cheeks.
”
”
Alice Oseman (Loveless)
“
What does he have planned?”
“He said it was a surprise, but apparently it includes all my favorites things about the city.”
“That’s cute. Maybe it’ll be the refresher you guys need. It’s hard being apart for so long, especially when there is a super-hot ex-boyfriend living next to you.”
I give her a pointed look.
“And speak of the devil. Look whose truck just pulled into the driveway.” Amanda puts her drink on the coffee table and crawls on top of me, her knees digging into my stomach as she tries to catch a view of Aaron.
“Will you please get off me?”
“I want to see what he looks like. I want to see these muscles you speak of.” Amanda reaches the window, but I yank on her body so she can’t sneak a peek. “Hey, stop that, I can’t see.”
“Exactly. He’ll catch you looking, and I don’t want him thinking it’s me.”
“Don’t be paranoid. He won’t think that. Now let me catch a glimpse.” Pushing down on my head, trying to climb over me, she reaches for the blinds, but I hold strong and grip her around the waist, using my legs to hold her down as well. “Stop it.” She swats at my head. “Just a little looksy.”
“No, he’ll see you.”
“He won’t.”
“He will.”
“He—”
Knock, knock.
We still, our heads snapping to the front door.
“Is someone at the door?” Amanda whispers, one of her hands holding on to my ponytail.
“That’s what a knock usually means,” I whisper back.
“Is it him?”
Oh hell.
“I have no idea.” I hold still, trying not to move in case the person on the other side of the door can hear us.
“Answer it,” Amanda scolds.
“No.”
“Why not?”
“Because if it’s Aaron, I don’t want you anywhere near him. You’ll embarrass me, I know it.”
Amanda scoffs. “Don’t be ridiculous.” She pushes off me, her hand palming my face for a brief second. “I’ll answer the door.” When she places one of her feet on the floor, I hold her in place.
“Oh no, you don’t. You’re not answering that door. Just be still, the person will go away.”
Knock, knock.
“You’re being rude,” Amanda says as she plows her elbow into my thigh, causing me to buckle over in pain. She frees herself from my grip and rushes to the door. Right before she opens it, she fluffs her hair. You’ve got to be kidding me.
I don’t even have to ask if it’s Aaron because that’s just my luck. Also, Amanda makes a low whistle sound when she opens the door.
“Amanda?” Aaron’s voice floats into my house.
“Aaron Walters, look . . . at . . . you.” I sit up just in time to see Amanda give him a very slow once-over. “You were right, Amelia, he has gotten sexier.”
What? Jesus!
I hop off the couch, limping ever so slightly from the dead leg Amanda gave me. “I didn’t say that.”
Amanda waves her hand. “It was in the realm of that. Come in, come in. We need to catch up.” Amanda wraps her hand around Aaron’s arm and pulls him into the house. When she passes me, she winks and squeezes his arm while mouthing, “He’s huge.”
I shut the door behind them and bang my head on it a few times before joining them in the living room. I knew Amanda’s visit was going to be interesting
”
”
Meghan Quinn (The Other Brother (Binghamton, #4))
“
Without thinking, she delivered a stinging slap, all her hurt and disappointment behind the impact.
The imprint of her hand on his cheek shocked her. And though she immediately regretted her childish action, pride forbade her to own up to it. "Mind your manners, next time, Sinclair!"
Across the yard, Luter Hicks halted and burst into guffaws. "Guess she told you, lapdog! Hey, honey," he called to Willow, "if he ain't satisfying you, how 'bout lettin' me warm your bed tonight?"
An angry growl rolled out of Rider's throat. He pulled Willow up on her tiptoes, mashing her breasts against his hard chest. His fingers plowed through her thick tresses, knocking her bonnet off and scattering her hair pins. Then clasping her chin between his thumb and fingers, he tipped her head back and took fierce possession of her mouth.
When he finally released her lips, he set her down a little harder than necessary. "I'll kill the first man who even blinks at you," he ground out loud enough for Hicks to hear. Then in a low, no-nonsense voice,meant for her ears alone, he ordered, "Kiss me and make it look good!"
Willow glanced over at Hick's eager face and cringed. Her pride be damned! Sinclair was by far the lesser evil. She swept her arms around his neck. "Whatever you say...lover," she hissed in his ear. Standing on tiptoe again, she slowly brought his head down and pasted her lips to his.
But he would have none of her stiff-lipped kiss and increased the pressure on her mouth until she opened to his brazen tongue. As the kiss deepened, he spread one big hand at the base of her spine and molded her stomach against his hard, hot need. Willow's blood sang, her anger instantly gone in the heat of the moment.
"Mr. Sinclair!" Miriam interrupted in a berating tone. "You degrade this young lady with your public display. Unhand her at once!"
Without his supporting arms, Willow's weak knees barely held her upright. She stumbled backwards, thoroughly stunned by her backfiring emotions.
A loud crash snapped her to her senses when Luther threw his plate against the house and stomped off to the bunkouse.
Rider collected himself and stooped to pick up Willow's discarded bonnet. Carefully brushing the dust off, he handed it to her without a word.
Willow took her hat, gave him a perfunctory nod, and ground her heel into his toe as she pivoted to enter the house.
Unaware of the young man's pained expression, Miriam followed on the girl's heels. "Talk about circuses!" she exclaimed, closing the door behind them.
"It was just an act for Hick's benefit," Willow defended. Feeling the need to escape Miriam's all-too-knowing glance,she headed down the hall to her room.
A heavy boot kicked at the door. Miriam opened it and Rider limped in. "Where do you want these?" he growled testily from behind a tower of packages.
"Put them on the settee for now, thank you," Miriam said. "I'd have you carry them back to Willow's room but it isn't a healthy place for you right now."
Rider only grunted,dumped the bundles, and returned to the wagon for another armload.
”
”
Charlotte McPherren (Song of the Willow)
“
Slothrop is just settling down next to a girl in a prewar Worth frock and with a face like Tenniel’s Alice, same forehead, nose, hair, when from outside comes this most godawful clanking, snarling, crunching of wood, girls come running terrified out of the eucalyptus trees and into the house and right behind them what comes crashing now into the pallid lights of the garden but—why the Sherman Tank itself! headlights burning like the eyes of King Kong, treads spewing grass and pieces of flagstone as it manoeuvres around and comes to a halt. Its 75 mm cannon swivels until it’s pointing through the French windows right down into the room. “Antoine!” a young lady focusing in on the gigantic muzzle, “for heaven’s sake, not now. . . .” A hatch flies open and Tamara—Slothrop guesses: wasn’t Italo supposed to have the tank?—uh—emerges shrieking to denounce Raoul, Waxwing, Italo, Theophile, and the middleman on the opium deal. “But now,” she screams, “I have you all! One coup de foudre!” The hatch drops—oh, Jesus—there’s the sound of a 3-inch shell being loaded into its breech. Girls start to scream and make for the exits. Dopers are looking around, blinking, smiling, saying yes in a number of ways. Raoul tries to mount his horse and make his escape, but misses the saddle and slides all the way over, falling into a tub of black-market Jell-o, raspberry flavor, with whipped cream on top. “Aw, no . . .” Slothrop having about decided to make a flanking run for the tank when YYYBLAAANNNGGG! the cannon lets loose an enormous roar, flame shooting three feet into the room, shock wave driving eardrums in to middle of brain, blowing everybody against the far walls. A drape has caught fire. Slothrop, tripping over partygoers, can’t hear anything, knows his head hurts, keeps running through the smoke at the tank—leaps on, goes to undog the hatch and is nearly knocked off by Tamara popping up to holler at everybody again. After a struggle which shouldn’t be without its erotic moments, for Tamara is a swell enough looking twist with some fine moves, Slothrop manages to get her in a come-along and drag her down off of the tank. But loud noise and all, look—he doesn’t seem to have an erection. Hmm. This is a datum London never got, because nobody was looking. Turns out the projectile, a dud, has only torn holes in several walls, and demolished a large allegorical painting of Virtue and Vice in an unnatural act. Virtue had one of those dim faraway smiles. Vice was scratching his shaggy head, a little bewildered. The burning drape’s been put out with champagne. Raoul is in tears, thankful for his life, wringing Slothrop’s hands and kissing his cheeks, leaving trails of Jell-o wherever he touches. Tamara is escorted away by Raoul’s bodyguards. Slothrop has just disengaged himself and is wiping the Jell-o off of his suit when there is a heavy touch on his shoulder. “You were right. You are the man.” “That’s nothing.” Errol Flynn frisks his mustache. “I saved a dame from an octopus not so long ago, how about that?” “With one difference,” sez Blodgett Waxwing. “This really happened tonight. But that octopus didn’t.
”
”
Thomas Pynchon (Gravity's Rainbow)
“
When we arrived at the wedding at Marlboro Man’s grandparents’ house, I gasped. People were absolutely everywhere: scurrying and mingling and sipping champagne and laughing on the lawn. Marlboro Man’s mother was the first person I saw. She was an elegant, statuesque vision in her brown linen dress, and she immediately greeted and welcomed me. “What a pretty suit,” she said as she gave me a warm hug. Score. Success. I felt better about life. After the ceremony, I’d meet Cousin T., Cousin H., Cousin K., Cousin D., and more aunts, uncles, and acquaintances than I ever could have counted. Each family member was more gracious and welcoming than the one before, and it didn’t take long before I felt right at home. This was going well. This was going really, really well.
It was hot, though, and humid, and suddenly my lightweight wool suit didn’t feel so lightweight anymore. I was deep in conversation with a group of ladies--smiling and laughing and making small talk--when a trickle of perspiration made its way slowly down my back. I tried to ignore it, tried to will the tiny stream of perspiration away, but one trickle soon turned into two, and two turned into four. Concerned, I casually excused myself from the conversation and disappeared into the air-conditioned house. I needed to cool off.
I found an upstairs bathroom away from the party, and under normal circumstances I would have taken time to admire its charming vintage pedestal sinks and pink hexagonal tile. But the sweat profusely dripping from all pores of my body was too distracting. Soon, I feared, my jacket would be drenched. Seeing no other option, I unbuttoned my jacket and removed it, hanging it on the hook on the back of the bathroom door as I frantically looked around the bathroom for an absorbent towel. None existed. I found the air vent on the ceiling, and stood on the toilet to allow the air-conditioning to blast cool air on my face.
Come on, Ree, get a grip, I told myself. Something was going on…this was more than simply a reaction to the August humidity. I was having some kind of nervous psycho sweat attack--think Albert Brooks in Broadcast News--and I was being held captive by my perspiration in the upstairs bathroom of Marlboro Man’s grandmother’s house in the middle of his cousin’s wedding reception. I felt the waistband of my skirt stick to my skin. Oh, God…I was in trouble. Desperate, I stripped off my skirt and the stifling control-top panty hose I’d made the mistake of wearing; they peeled off my legs like a soggy banana skin. And there I stood, naked and clammy, my auburn bangs becoming more waterlogged by the minute. So this is it, I thought. This is hell. I was in the throes of a case of diaphoresis the likes of which I’d never known. And it had to be on the night of my grand entrance into Marlboro Man’s family. Of course, it just had to be. I looked in the mirror, shaking my head as anxiety continued to seep from my pores, taking my makeup and perfumed body cream along with it.
Suddenly, I heard the knock at the bathroom door.
“Yes? Just a minute…yes?” I scrambled and grabbed my wet control tops.
“Hey, you…are you all right in there?”
God help me. It was Marlboro Man.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Sophie?” He knocked, though not that hard, then decided she wasn’t going hear anything less than a regiment of charging dragoons over Kit’s racket. He pushed the door open to find half of Sophie’s candles lit and the lady pacing the room with Kit in her arms. “He won’t settle,” she said. “He isn’t wet; he isn’t hungry; he isn’t in want of cuddling. I think he’s sickening for something.” Sophie looked to be sickening. Her complexion was pale even by candlelight, her green eyes were underscored by shadows, and her voice held a brittle, anxious quality. “Babies can be colicky.” Vim laid the back of his hand on the child’s forehead. This resulted in a sudden cessation of Kit’s bellowing. “Ah, we have his attention. What ails you, young sir? You’ve woken the watch and disturbed my lady’s sleep.” “Keep talking,” Sophie said softly. “This is the first time he’s quieted in more than an hour.” Vim’s gaze went to the clock on her mantel. It was a quarter past midnight, meaning Sophie had gotten very little rest. “Give him to me, Sophie. Get off your feet, and I’ll have a talk with My Lord Baby.” She looked reluctant but passed the baby over. When the infant started whimpering, Vim began a circuit of the room. “None of your whining, Kit. Father Christmas will hear of it, and you’ll have a bad reputation from your very first Christmas. Do you know Miss Sophie made Christmas bread today? That’s why the house bore such lovely scents—despite your various efforts to put a different fragrance in the air.” He went on like that, speaking softly, rubbing the child’s back and hoping the slight warmth he’d detected was just a matter of the child’s determined upset, not inchoate sickness. Sophie would fret herself into an early grave if the boy stopped thriving. “Listen,” Vim said, speaking very quietly against the baby’s ear. “You are worrying your mama Sophie. You’re too young to start that nonsense, not even old enough to join the navy. Go to sleep, my man. Sooner rather than later.” The child did not go to sleep. He whimpered and whined, and by two in the morning, his nose was running most unattractively. Sophie would not go to sleep either, and Vim would not leave her alone with the baby. “This is my fault,” Sophie said, her gaze following Vim as he made yet another circuit with the child. “I was the one who had to go to the mews, and I should never have taken Kit with me.” “Nonsense. He loved the outing, and you needed the fresh air.” The baby wasn’t even slurping on his fist, which alarmed Vim more than a possible low fever. And that nose… Vim surreptitiously used a hankie to tend to it, but Sophie got to her feet and came toward them. “He’s ill,” she said, frowning at the child. “He misses his mother and I took him out in the middle of a blizzard and now he’s ill.” Vim put his free arm around her, hating the misery in her tone. “He has a runny nose, Sophie. Nobody died of a runny nose.” Her expression went from wan to stricken. “He could die?” She scooted away from Vim. “This is what people mean when they say somebody took a chill, isn’t it? It starts with congestion, then a fever, then he becomes weak and delirious…” “He’s not weak or delirious, Sophie. Calm down.
”
”
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
“
I can’t remember a specific time when the comments and the name-calling started, but one evening in November it all got much worse,’ she said. ‘My brother Tobias and me were doing our homework at the dining room table like we always did.’
‘You’ve got a brother?’
She hesitated before nodding. ‘Papa was working late at the clinic in a friend’s back room – it was against the law for Jews to work as doctors. Mama was making supper in the kitchen, and I remember her cursing because she’d just burned her hand on the griddle. Tobias and me couldn’t stop laughing because Mama never swore.’ The memory of it made her mouth twitch in an almost-smile.
Then someone banged on our front door. It was late – too late for social calling. Mama told us not to answer it. Everyone knew someone who’d had a knock on the door like that.’
‘Who was it?’
‘The police, usually. Sometimes Hitler’s soldiers. It was never for a good reason, and it never ended happily. We all dreaded it happening to us. So, Mama turned the lights out and put her hand over the dog’s nose.’ Esther, glancing sideways at me, explained: ‘We had a sausage dog called Gerta who barked at everything.
‘The knocking went on and they started shouting through the letter box, saying they’d burn the house down if we didn’t answer the door. Mama told us to hide under the table and went to speak to them. They wanted Papa. They said he’d been treating non-Jewish patients at the clinic and it had to stop. Mama told them he wasn’t here but they didn’t believe her and came in anyway. There were four of them in Nazi uniform, stomping through our house in their filthy great boots. Finding us hiding under the table, they decided to take Tobias as a substitute for Papa. ‘When your husband hands himself in, we’ll release the boy,’ was what they said.
‘It was cold outside – a freezing Austrian winter’s night – but they wouldn’t let Tobias fetch his coat. As soon as they laid hands on him, Mama started screaming. She let go of Gerta and grabbed Tobias – we both did – pulling on his arms, yelling that they couldn’t take him, that he’d done nothing wrong. Gerta was barking. I saw one of the men swing his boot at ther. She went flying across the room, hitting the mantelpiece. It was awful. She didn’t bark after that.’
It took a moment for the horror of what she was saying to sink in.
‘Don’t tell me any more if you don’t want to,’ I said gently.
She stared straight ahead like she hadn’t heard me. ‘They took my brother anyway. He was ten years old.
‘We ran into the street after them, and it was chaos – like the end of the world or something. The whole town was fully of Nazi uniforms. There were broken windows, burning houses, people sobbing in the gutter. The synagogue at the end of our street was on fire. I was terrified. So terrified I couldn’t move. But Mum kept running. Shouting and yelling and running after my brother. I didn’t see what happened but I heard the gunshot.’
She stopped. Rubbed her face in her hands. ‘Afterwards they gave it a very pretty name: Kristallnacht – meaning “the night of broken glass”. But it was the night I lost my mother and my brother. I was sent away soon after as part of the Kindertransport, though Papa never got used to losing us all at once. Nor did I. That’s why he came to find me. He always promised he’d try.’
Anything I might’ve said stayed stuck in my throat. There weren’t words for it, not really. So I put my arm through Esther’s and we sat, gazing out to sea, two old enemies who were, at last, friends. She was right – it was her story to tell. And I could think of plenty who might benefit from hearing it.
”
”
Emma Carroll (Letters from the Lighthouse)
“
Are-are you leaving?”
She saw his shoulders stiffen at the sound of her voice, and when he turned and looked at her, she could almost feel the effort he was exerting to keep his rage under control. “You’re leaving,” he bit out.
In silent, helpless protest Elizabeth shook her head and started slowly across the carpet, dimly aware that this was worse, much worse than merely standing up in front of several hundred lords in the House.
“I wouldn’t do that, if I were you,” he warned softly.
“Do-do what?” Elizabeth said shakily.
“Get any nearer to me.”
She stopped cold, her mind registering the physical threat in his voice, refusing to believe it, her gaze searching his granite features.
“Ian,” she began, stretching her hand out in a gesture of mute appeal, then letting it fall to her side when her beseeching move got nothing from him but a blast of contempt from his eyes. “I realize,” she began again, her voice trembling with emotion while she tried to think how to begin to diffuse his wrath, “that you must despise me for what I’ve done.”
“You’re right.”
“But,” Elizabeth continued bravely, “I am prepared to do anything, anything to try to atone for it. No matter how it must seem to you now, I never stopped loving-“
His voice cracked like a whiplash. “Shut up!”
“No, you have to listen to me,” she said, speaking more quickly now, driven by panic and an awful sense of foreboding that nothing she could do or say would ever make him soften. “I never stopped loving you, even when I-“
“I’m warning you, Elizabeth,” he said in a murderous voice, “shut up and get out! Get out of my house and out of my life!”
“Is-is it Robert? I mean, do you not believe Robert was the man I was with?”
“I don’t give a damn who the son of a bitch was.”
Elizabeth began to quake in genuine terror, because he meant that-she could see that he did. “It was Robert, exactly as I said,” she continued haltingly. “I can prove it to you beyond any doubt, if you’ll let me.”
He laughed at that, a short, strangled laugh that was more deadly and final than his anger had been. “Elizabeth, I wouldn’t believe you if I’d seen you with him. Am I making myself clear? You are a consummate liar and a magnificent actress.”
“If you’re saying that be-because of the foolish things I said in the witness box, you s-surely must know why I did it.”
His contemptuous gaze raked her. “Of course I know why you did it! It was a means to an end-the same reason you’ve had for everything you do. You’d sleep with a snake if it gave you a means to an end.”
“Why are you saying this?” she cried.
“Because on the same day your investigator told you I was responsible for your brother’s disappearance, you stood beside me in a goddamned church and vowed to love me unto death! You were willing to marry a man you believed could be a murderer, to sleep with a murderer.”
“You don’t believe that! I can prove it somehow-I know I can, if you’ll just give me a chance-“
“No.”
“Ian-“
“I don’t want proof.”
“I love you,” she said brokenly.
“I don’t want your ‘love,’ and I don’t want you. Now-“ He glanced up when Dolton knocked on the door.
“Mr. Larimore is here, my lord.”
“Tell him I’ll be with him directly,” Ian announced, and Elizabeth gaped at him. “You-you’re going to have a business meeting now?”
“Not exactly, my love. I’ve sent for Larimore for a different reason this time.”
Nameless fright quaked down Elizabeth’s spine at his tone. “What-what other reason would you have for summoning a solicitor at a time like this?”
“I’m starting divorce proceedings, Elizabeth.”
“You’re what?” she breathed, and she felt the room whirl. “On what grounds-my stupidity?”
“Desertion,” he bit out.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
We kissed again, and I shivered in the cold night air. Wanting to get me out of the cold, he led me to his pickup and opened the door so we could both climb in. The pickup was still warm and toasty, like a campfire was burning in the backseat. I looked at him, giggled like a schoolgirl, and asked, “What have you been doing all this time?”
“Oh, I was headed home,” he said, fiddling with my fingers. “But then I just turned around; I couldn’t help it.” His hand found my upper back and pulled me closer. The windows were getting foggy. I felt like I was seventeen.
“I’ve got this problem,” he continued, in between kisses.
“Yeah?” I asked, playing dumb. My hand rested on his left bicep. My attraction soared to the heavens. He caressed the back of my head, messing up my hair…but I didn’t care; I had other things on my mind.
“I’m crazy about you,” he said.
By now I was on his lap, right in the front seat of his Diesel Ford F250, making out with him as if I’d just discovered the concept. I had no idea how I’d gotten there--the diesel pickup or his lap. But I was there. And, burying my face in his neck, I quietly repeated his sentiments. “I’m crazy about you, too.”
I’d been afflicted with acute boy-craziness for over half my life. But what I was feeling for Marlboro Man was indescribably powerful. It was a primal attraction--the almost uncontrollable urge to wrap my arms and legs around him every time I looked into his eyes. The increased heart rate and respiration every time I heard his voice. The urge to have twelve thousand of his babies…and I wasn’t even sure I wanted children.
“So anyway,” he continued.
That’s when we heard the loud knocking on the pickup window. I jumped through the roof--it was after 2:00 A.M. Who on earth could it be? The Son of Sam--it had to be! Marlboro Man rolled down the window, and a huge cloud of passion and steam escaped. It wasn’t the Son of Sam. Worse--it was my mother. And she was wearing her heather gray cashmere robe.
“Reeee?” she sang. “Is that yoooou?” She leaned closer and peered through the window.
I slid off of Marlboro Man’s lap and gave her a halfhearted wave. “Uh…hi, Mom. Yeah. It’s just me.”
She laughed. “Oh, okay…whew! I just didn’t know who was out here. I didn’t recognize the car!” She looked at Marlboro Man, whom she’d met only one time before, when he picked me up for a date.
“Well, hello again!” she exclaimed, extending her manicured hand.
He took her hand and shook it gently. “Hello, ma’am,” he replied, his voice still thick with lust and emotion. I sank in my seat. I was an adult, and had just been caught parking at 2:00 A.M. in the driveway of my parents’ house by my robe-wearing mother. She’d seen the foggy windows. She’d seen me sitting on his lap. I felt like I’d just gotten grounded.
“Well, okay, then,” my mom said, turning around. “Good night, you two!” And with that, she flitted back into the house.
Marlboro Man and I looked at each other. I hid my face in my hands and shook my head. He chuckled, opened the door, and said, “C’mon…I’d better get you home before curfew.” My sweaty hands still hid my face.
He walked me to the door, and we stood on the top step. Wrapping his arms around my waist, he kissed me on the nose and said, “I’m glad I came back.” God, he was sweet.
“I’m glad you did, too,” I replied. “But…” I paused for a moment, gathering courage. “Did you have something you wanted to say?”
It was forward, yes--gutsy. But I wasn’t going to let this moment pass. I didn’t have many more moments with him, after all; soon I’d be gone to Chicago. Sitting in coffee shops at eleven at night, if I wanted. Working. Eventually going back to school. I’d be danged if I was going to miss what he’d started to say a few minutes earlier, before my mom and her cashmere robe showed up and spoiled everything.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Alis coughed from the shadows of the house, and I remembered to start walking, to look toward the dais-
At Tamlin.
The breath knocked from me, and it was an effort to keep going down the stairs, to keep going my knees from buckling. He was resplendent in a tunic of green and gold, a crown of burnished laurel leaves gleaming on his head. He'd loosened the grip on his glamour, letting that immortal light and beauty shine through- for me.
My vision narrowed on him, on my High Lord, his wide eyes glistening as I stepped onto the soft grass, white rose petals scattered down it-
And Red ones.
Like drops of blood amongst the white, red petals had been sprayed across the path ahead.
I forced my gaze up, to Tamlin, his shoulders back, head high.
So unaware of the true extent of how broken and dark I was inside. How unfit I was to be clothed in white when my hands were so filthy.
Everyone else was thinking it. They had to be.
Every step was too fast, propelling me toward the dais and Tamlin. And toward Ianthe, clothed in dark blue robes tonight, beaming beneath the hood and silver crown.
As if I were good- as if I hadn't murdered two of their kind.
I was a murderer and a liar.
A cluster of red petals loomed ahead- just like the Fae youth's blood had pooled at my feet.
Ten steps from the dais, at the edge of that splatter of red, I slowed.
Then stopped.
Everyone was watching, exactly as they had when I'd nearly died, spectators to my torment.
Tamlin extended a broad hand, brows narrowing slightly. My heart beat so fast, too fast.
I was going to vomit.
Right over those rose petals, right over the grass and ribbons trailing into the ailse from the chairs flanking it.
And between my skin and bones, something thrummed and pounded, rising and pushing, lashing through my blood-
So many eyes, too many eyes, pressed on me, witness to every crime I'd committed, every humiliation-
I don't know why I'd even bothered to wear gloves, why I'd let Ianthe convince me.
The fading sun was too hot, the garden too hedged in. As inescapable as the vow I was about to make, binding me to him forever, shackling him to my broken and weary soul. The thing inside me was roiling now, my body shaking with the building force of it as it hunted for a way out-
Forever- I would never get better, never get free of myself, of the dungeon where I'd spent three months-
'Feyre,' Tamlin said, his hand steady, as he continued to reach for mine. The sun sank past the lip of the western garden wall; shadows pooled, chilling the air.
If I turned away, they'd start talking, but I couldn't make the last few steps, couldn't, couldn't, couldn't-
I was going to fall apart, right there, right then- and they'd see precisely how ruined I was.
Help me, help me, help me, I begged someone, anyone. Begged Lucien, standing in the front row, his metal eye fixed on me. Begged Ianthe, face serene and patient and lovely within that hood. Save me- please, save me. Get me out. End this.
Tamlin took a step toward me- concern shading those eyes.
I retreated a step. No.
Tamlin's mouth tightened. The crowd murmured. Silk streamers laden with globes of gold faelight twinkled into life above and around us.
Ianthe said smoothly. 'Come, Bride and be joined with your true love. Come, Bride, and let good triumph at last.'
Good. I was not good. I was nothing, and my soul, my eternal soul was damned-
I tried to get my traitorous lungs to draw air so I could voice a word. No- no.
But I didn't have to say it.
Thunder crackled behind me, as if two boulders have been hurled against each other.
People screamed, falling back, a few vanishing outright as darkness erupted.
I whirled, and through the night drifting away like smoke on a wind, I found Rhysand straightening the lapels of his black jacket.
'Hello, Feyre darkling,' he purred.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
I’m pretty sure he plans on killing me anyway,” I said with a shrug. “At least if he kills me for this, it was for something that matters.”
“I-”
“Tell him I came here and spoke with you about Darius. Tell him I made some excuse to get you to leave the room and by the time you came back I’d done this. Put all the blame on me. I mean that.”
“Okay…” she said hesitantly and I met her eye.
“Do I need to make you swear it on the stars?” I growled.
“No. I’ll tell him. Thank you, Roxanya.”
“It’s Tory. Only Darius calls me Roxy and I can’t make him stop, but I don’t want anyone else making a habit of it,” I said. Although at this point if Darius started calling me Tory it would probably just be weird. Not that I’d ever admit that I was okay with the Roxy thing.
“Okay. Thank you, Tory.”
I smirked at her and hit post.
Catalina gasped as Xavier’s secret went viral and I glanced down at my Atlas as reactions and comments began to pour in before I locked the screen.
Shit, what if Daddy Acrux really does kill me for this?
“Run, Tory,” Catalina breathed, real fear dancing in her eyes. “Run for the gate and get back to the academy before he comes back. If he finds you here-”
“Consider me gone.” I barked a laugh as nerves made my heart flutter.
Catalina smiled at me before ripping her dress off, knocking her hair free of its perfectly styled bun, flashing me those gloriously fake tits and leaping out of thewindow after her son. She transformed as she plummeted and my lips fell open as a stunning silver Dragon burst from her flesh.
She beat a path up towards the clouds just as Xavier dipped beneath them with an excited whinny.
I quickly raised my Atlas and snapped a picture of the two of them dancing through the sky before I took a running jump out of the window too.
My wings burst to life at my back and I flew hard and fast along the drive until I soared over the gates, beyond the anti-stardust wards where I landed quickly, my boots skidding in the gravel.
I grabbed the stardust from my pocket and winked at the startled guards half a second before I tossed it over my head and the stars whisked me back to the academy.
I stumbled as they deposited me and suddenly strong arms locked around my chest from behind, making me scream in surprise.
A hand slapped over my mouth and I stilled for a moment as the scent of smoke and cedar overwhelmed me.
Darius dragged me back through the hole in the wards, pulled me through the fence and shoved me up against a huge tree at the edge of campus before he took his hand from my mouth.
His hands landed either side of my head as he penned me in, glaring down at me with an angry as fuck Dragon peering out of his eyes, his pupils transformed into reptilian slits and a hint of smoke slipped between his lips. He was only wearing sweatpants and I got the impression he’d flown here to ambush me the moment I returned. I guess he didn’t like my FaeBook post.
“What the fuck were you thinking?” he demanded.
“Whoa, chill out dude,” I said, pressing my hands to his chest to push him back. He didn’t move a single inch and I just ended up with my hands pressed to his rock hard muscles, his heart pounding frantically beneath my right palm.
“Do you know what you’ve done?” Darius snarled. “Father could kill Xavier for this! He could-”
“He won’t,” I snapped angrily. “He can’t. Don’t you see that? The only power he held over Xavier was in keeping his real Order form a secret. Now everyone knows, he’s free. Killing him wouldn’t change the truth. And he can’t very well alienate every Pegasus in Solaria by making his Orderist bullshit public knowledge. He’ll have to let Xavier leave the house, join a herd, fly.”
Darius was staring at me like he didn’t know whether to kill me or kiss me and as my gaze fell on his mouth, I found myself aching for the latter. Fuck the stars.
(Tory POV)
”
”
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
“
And now, two years later, Squib hadn’t seen much improvement in the fuzz department, but he was half a foot taller and working on a scrappy attitude that had him on the cops’ radar even at the age of fifteen. There was a constable by the name of Regence Hooke who got shot down by Squib’s momma in the Pearl Bar and Grill one time in front of a packed house, and ever since that night Hooke had himself a hard-on for Squib and made sure to take any complaint against the minor real personal. It seemed to Squib that every time he farted, old Regence would be knocking on the door offering to ‘forget all about it’ for a little consideration from Squib’s momma. Goddamn Hooke, Squib thought. He ain’t
”
”
Eoin Colfer (Highfire)
“
If you hadn’t been there, I’m not entirely sure I would’ve been able to stop myself from hurting the guy worse. That’s why I need to get to the lake house and be alone.”
She sniffed.
There was so much in that one little derisive sound that he had to look her way. “What?”
Her expression went deadpan. “You realize that is a completely ridiculous plan, right?”
He frowned.
“Come on, Finn.” She pursed those red-glossed lips like she could barely tolerate his foolishness. “That is such a man plan.”
“A man plan.”
“Yes. You don’t know how to be among the living anymore so you’re going to…go live alone in a cave. Right. Good thinking. That will pop your how-to-be-human skills right back into place.”
He made a frustrated sound and pulled into the lot of the hotel to park so he could face her, make her understand. “You saw what happened today. I’m not fit to be around other people right now. I beat a guy down for taking a picture. And I was…aggressive with you last night.”
“Aggressive?” Her mouth flattened, and she put a finger to her chest. “I kissed you. I was the aggressor. You were just…complicit in the aggressiveness. And you’re lucky I haven’t gone two years’ celibate, because had I been in your shoes, I would’ve convinced you to go up to my room and used you eight ways to Sunday and back again by now. You’d be limping.”
His libido gave a hard kick and knocked the logical thoughts out of his head for a moment. “I—”
“You need to be around people.”
That snapped his attention back to where it needed to be—mostly. “No.”
“You promised your boss you’d be around friends. You made me promise your boss that I’d make sure you did that. You made me lie to the FBI. That’s got to be a federal offense or something.”
“Made is a strong word.”
“Finn.”
He groaned. “What would you have me do? You want to babysit me, Livvy? Come stay at my lake house and make sure I don’t turn into a deviant?”
She stared at him, her gaze way too sharp, and then tipped her chin up in challenge. “Is that an invitation? Because you know you shouldn’t test me. I could babysit the hell out of you, Finn Dorsey. I know who you used to be. You don’t get to become a bad guy. I will make you do slumber-party things like play charades or watch crappy nineties movies or incessant reruns of Friends. You won’t be able to fight your old goofy side. It will emerge like a freaking butterfly and smother scary Finn.”
He blinked and stared, and then he couldn’t help it—he laughed. “A freaking butterfly?”
She smiled triumphantly. “A goofy freaking butterfly.”
He let out a long breath, some of the tension from the morning draining out of him. “You’re weird.”
“So are you.
”
”
Roni Loren (The Ones Who Got Away (The Ones Who Got Away, #1))
“
No rules?” he asked gruffly.
“No rules.”
Harry threw the first punch, and Cam dodged easily. Adjusting, calculating, Harry retreated as Cam threw a right. A pivot, and then Harry connected with a left cross. Cam had reacted a fraction too late, deflecting some of the blow’s force, but not all.
A quiet curse, a rueful grin, and Cam renewed his guard. “Hard and fast,” he said approvingly. “Where did you learn to fight?”
“New York.”
Cam lunged forward and flipped him to the ground. “West London,” he returned.
Tucking into a roll, Harry gained his footing instantly. As he came up, he used his elbow in a backward jab into Cam’s midriff.
Cam grunted. Grabbing Harry’s arm, he hooked a foot around his ankle and took him down again. They rolled once, twice, until Harry sprang away and retreated a few steps.
Breathing hard, he watched as Cam leapt to his feet.
“You could have put a forearm to my throat,” Cam pointed out, shaking a swath of hair from his forehead.
“I didn’t want to crush your windpipe,” Harry said acidly, “before I made you tell me where my wife is.”
Cam grinned. Before he could reply, however, there was a commotion as all the Hathaways poured from the conservatory. Leo, Amelia, Win, Beatrix, Merripen, and Catherine Marks. Everyone except Poppy, Harry noted bleakly. Where the hell was she?
“Is this the after-dinner entertainment?” Leo asked sardonically, emerging from the group. “Someone might have asked me—I would have preferred cards.”
“You’re next, Ramsay,” Harry said with a scowl. “After I finish with Rohan, I’m going to flatten you for taking my wife away from London.”
“No,” Merripen said with deadly calm, stepping forward, “I’m next. And I’m going to flatten you for taking advantage of my kinswoman.”
Leo glanced from Merripen’s grim face to Harry’s, and rolled his eyes. “Forget it, then,” he said, going back into the conservatory. “After Merripen’s done, there won’t be anything left of him.” Pausing beside his sisters, he spoke quietly to Win out of the side of his mouth. “You’d better do something.”
“Why?”
“Because Cam only wants to knock a bit of sense into him. But Merripen actually intends to kill him, which I don’t think Poppy would appreciate.”
“Why don’t you do something to stop him, Leo?” Amelia suggested acidly.
“Because I’m a peer. We aristocrats always try to get someone else to do something before we have to do it ourselves.” He gave her a superior look. “It’s called noblesse oblige.”
Miss Marks’s brows lowered. “That’s not the definition of noblesse oblige.”
“It’s my definition,” Leo said, seeming to enjoy her annoyance.
“Kev,” Win said calmly, stepping forward, “I would like to talk to you about something.”
Merripen, attentive as always to his wife, gave her a frowning glance. “Now?”
“Yes, now.”
“Can’t it wait?”
“No,” Win said equably. At his continued hesitation, she said, “I’m expecting.”
Merripen blinked. “Expecting what?”
“A baby.”
They all watched as Merripen’s face turned ashen. “But how . . .” he asked dazedly, nearly staggering as he headed to Win.
“How?” Leo repeated. “Merripen, don’t you remember that special talk we had before your wedding night?” He grinned as Merripen gave him a warning glance. Bending to Win’s ear, Leo murmured, “Well done. But what are you going to tell him when he discovers it was only a ploy?”
“It’s not a ploy,” Win said cheerfully.
Leo’s smile vanished, and he clapped a hand to his forehead. “Christ,” he muttered. “Where’s my brandy?” And he disappeared into the house.
“I’m sure he meant to say ‘congratulations,’ ” Beatrix remarked brightly, following the group as they all went inside.
Cam and Harry were left alone.
“I should probably explain,
”
”
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
“
She taught me to love in new ways. In my old house your grandparents ruled with the fearsome rod. I've tried to address you differently––an idea begun by seeing all the other ways of love on display at The Mecca. Here is how it started: I woke up one morning with a minor headache. With each hour at the headache grew. I was walking to my job when I saw this girl on her way to class. I looked awful, and she gave me some Advil and kept going. By mid-afternoon I could barely stand. I called my supervisor. When he arrived I lay down in the stockroom, because I had no idea what else to do. I was afraid. I did not understand what was happening. I did not know whom to call. I was laying there simmering, half-awake, hoping to recover. My supervisor knocked on the door. Someone had come to see me. It was her. The girl with the long dreads helped me out and onto the street. She flagged down a cab. Halfway through the ride, I opened the door, with a cab in motion, and vomited in the street. But I remember her holding me there to make sure I didn't fall out and then holding me close when I was done. She took me to that house of humans, which was filled with all manner of love, put me in the bed, put Exodus on the CD player, and turned the volume down to a whisper. She left a bucket by the bed. She left a jug of water. She had to go to class. I slept. When she returned I was back in form. We ate. The girl with the long dreads who slept with whomever she chose, that being her own declaration of control over her body, was there. I grew up in a house drawn between love and fear. There was no room for softness. But this girl with the long dreads revealed something else––that love could be soft and understanding; that, soft or hard, love was an act of heroism.
”
”
Ta-Nehisi Coates (Between the World and Me)
“
I threw out my hands, not giving him any warning as I cast a forceful gust of air to try and knock him onto his back. He was so fast to react that he blocked it before it even got close to holding him down. I cursed as he launched himself at me, trying to scramble away but I wasn’t fast enough. I didn’t even really try to fight him off as he threw his weight down, pinning me to the ground with his entire body.
“You're supposed to use magic,” I said breathlessly, his throat bobbing as his mouth hovered an inch from mine. The scent of cinnamon rolled over me and fire reached deep into my belly, making me consider leaning in for a kiss. We’d made a solid decision to stay away from each other and look where we’d ended up already? Great effort.
“Maybe brute force is just as efficient sometimes,” he said in a rumbling tone which delved into my chest and sent a hungry shudder through me.
“You said no physical contact,” I whispered as his muscles hardened, keeping me caged beneath him. I was losing my mind. I should have tried to fight him off, but I didn't want him to go anywhere. And from the intense look he was giving me, I could tell how close he was to crossing this line again himself.
“What if I’m having second thoughts?” he growled.
“You're fickle,” I pointed out. “And confusing.”
“I don't mean to be.” He dipped his head so his mouth was by my ear and goosebumps rose to meet the heat of his breath. “I can't think straight around you,” he said heavily, his hand clawing into the earth beside my head. “I could have lost you in that battle, or I could have died without ever knowing how this might have played out…”
My throat thickened and I almost gave in to the craving rising in me. But there was too much at stake for the sake of lust. It was stupid. He could lose his job and be 'power-shamed' and I could lose my place at the Academy.
“I owe you my life,” he breathed and my heart nearly detonated as he pressed his lips to my cheek. “Thank you.”
“The rest of Solaria aren’t feeling so grateful,” I said as he drew away, leaving a burning mark on my skin. “Not after that Vulpecula guy printed that article.”
“Fuck what he said,” Orion growled then he frowned as he realised he shouldn’t have said it.
...
"I need a new Liaison,” I said through the gnawing lump in my throat.
He nodded stiffly, looking boyish and broken for a moment as he hung his head.
A magnetic energy hung in the air, trying to force me toward him. It was so powerful I had to consciously take another step back to try and shake it away.
“This has to stop,” I said firmly then turned away and marched off through the meadow, not daring to look back even though my heart pounded painfully in my chest.
As I made it into the woods I started running, racing in the direction of Aer House, needing to hide away until I smothered this desperate longing in my heart.
I was panting by the time I reached my room, hurrying inside and twisting the lock. I sank down against the door, knocking my head back against the wood as my pounding heart started to slow.
My Atlas pinged and I took it out of my bag, my gut fraying as I found a private message waiting for me from Orion.
Lance:
What if I don't want it to stop?
(darcy)
”
”
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
“
I Have to Go Back to 1994 and Kill a Girl
It’s no wonder I’m always tired with all these tract houses—
It’s night & cold
on my belly in the undeveloped field now
I have to bury her
clothing inside a black garbage bag in plot D
police cars roll past but continue down the treeless parkway
even after shining
their lights on me in my freshman sundress
I can only assume
they don’t see the significance of my presence
but I must say 1994 is a simpler time—not everyone is suspect
I crawl up next to
my old house & look through a lit window
my mother reads
a book in bed I want to knock on the glass, there’s something
I need to tell her
”
”
Karyna McGlynn (I Have to Go Back to 1994 and Kill a Girl: Poems)
“
Knocking on their door, a panther's paw that rubbed until it became a pounding no one responded to. He tried the handle. They were there all right, fancy pretending like that, it wasn't as if he had disturbed them from sleeping. He coughed, and gasped, while walking rapidly up and down the landing.
Should he go back into his room, shout from there, scream in fact, as though in the middle of a nightmare? He remained at the top of the stairs, cutoff from the rest of the house, the neighbourhood. Had they gone out, or were they dead— copulating too fast, too much? He moved down one stair head bowed considering the best way into the next event. The other doors had, during his stay, remained part of the walls, a slight murmur or hum of a radio escaped occasionally through a crack. But if he knocked, enquired the time, wouldn't the crack immediately be sealed, not even space for an eye, let alone his finger? He hovered on the front door step, two hundred yards from the Palais de Dance.
Coloured tickets, spent out balloons, contraceptives divided pavement from road.
Berg leaned slightly forward in order to see the pub clock. On his back he stared at the buildings that were giants advancing. Snatch the stars, pull out the moon for my navel, a button hole for my own personal identification.
A shadow pushed itself across his face. He spread out his arms. I implore to be left where I am, as I have been given, I am satisfied, attuned to my world. He shut his eyes, and foetus-curled from the pavement. His lips, dry leaves, slowly parted. Have I ever been inside?
Edith's tears, not coping, timid amongst robust mums. You discovered: dormitory pleasures, what is considered a pretty boy at the age of nine, to be taken advantage of.
”
”
Ann Quin (Berg)
“
I, for one, was outraged at the accused who trampled the trust of a child. I would never watch a priest take a minor upstairs to his bedroom, not for any reason! Nor would I ever cover for him. My anger was directed at the bishops, too, for their abysmal response.
It was like we were living in a house that had rotted up to the rafters. Where would we begin to make repairs? Should we just knock it down and start again? Or should we simply move far, far away?
”
”
Stephen H. Donnelly (A Saint and a Sinner: The Rise and Fall of a Beloved Catholic Priest)
“
frame Tom for the two murders. What did he have against Tom?’ ‘Ah,’ Richard said, ‘you’re right. He didn’t have anything against Tom. Not really. But I remembered something that your solicitor said when she showed me Grandfather William’s will. She said that when Freddie died, the trust would automatically be dissolved and would then be inherited in its entirety by Freddie’s firstborn, assuming that that person was over the age of eighteen, of sound mind and body, and – crucially – had no unspent prison time. ‘That’s why Matthew worked so hard to pin the murders on his brother. Because the moment we arrested Tom, he’d be stopped from inheriting anything. And when Tom was then convicted of double murder – as I’m sure he would have been, considering the evidence against him, both direct and indirect – then he’d have ended up in prison. Tom would have been ineligible to inherit. The whole estate would automatically have passed on to the next oldest child, Matthew. And seeing as Matthew has always been on record as wanting to sell the plantation, it wouldn’t have even begun to look suspicious when he then sold the plantation for five million dollars. ‘So Matthew wasn’t just killing the only two people in the world he thought knew his secret shame. He was also making sure he inherited five million dollars. And five million dollars is always an incentive to commit murder. Don’t you think, Sylvie?’ A few minutes later, Richard emerged from the shower room to see Dwayne and Fidel already guarding the locked boot of the Police jeep where a handcuffed Matthew was sitting inside. From the way his shoulders were heaving up and down, Richard could see that he was crying. As for Camille, she’d taken Andy Lucas off to the shade of a palm tree and was talking to him. ‘Detective Inspector?’ a voice said from behind Richard. Richard turned and saw Hugh standing by the entrance to the shower room with Rosie and Tom. As for Sylvie, she was already heading back to the main house on her own. ‘I’m sorry,’ Hugh said. ‘That you saw our family…like this. That you saw what we’re really like.’ Richard knew that there was nothing he could say that would make Hugh feel any better.
”
”
Robert Thorogood (Death Knocks Twice (Death in Paradise, #3))
“
Grief comes to us in all shapes, knocking down doors of all sizes, the unanticipated guest that it is. We lose life, lose livelihood. Dreams die and bodies deteriorate with disease. Wedding bands go missing and houses fold in foreclosure. We hold our breath waiting for the bad news, waiting to hear that the world will be ripped from under our feet. We, all of us, cradle unnamed grief, crying into corners when the world isn’t looking as we wait for someone—anyone—to say it’s not too much to want to make sense of it all.
”
”
Rachel Marie Kang (Matter of Little Losses: Finding Grace to Grieve the Big (and Small) Things)
“
Think about it, Finn. The guy thinks you beat him over the head, burned down his office, flooded his house with gas, and slashed his tires, and he still hasn’t gone to the cops. He let Bree spend an entire day in custody for a crime he knew she didn’t commit, all because he didn’t want the person in those handcuffs to be you.
”
”
Elle Cosimano (Finlay Donovan Knocks 'Em Dead (Finlay Donovan, #2))
“
and she can see that the world does not end, that it is vanity to think the world will end during your lifetime in some sudden event, that what ends is your life and only your life, that what is sung by the prophets is but the same song sung across time, the coming of the sword, the world devoured by fire, the sun gone down into the earth at noon and the world cast in darkness, the fury of some god incarnate in the mouth of the prophet raging at the wickedness that will be cast out of sight, and the prophet sings not of the end of the world but of what has been done and what will be done and what is being done to some but not others, that the world is always ending over and over again in one place but not another and that the end of the world is always a local event, it comes to your country and visits your town and knocks on the door of your house and becomes to others but some distant warning, a brief report on the news, an echo of events that has passed into folklore,
”
”
Paul Lynch (Prophet Song)
“
Ehsan Sehgal Quotes about Wikipedia
---
* If you are jobless, you do not have the proper ability, even if you can’t get a cleaning job, join Wikipedia, or become an editor. You may knock all the educated figures, lawyers, professional journalists, academics, and specialists of the various subjects down by the Wikipedia rules and policies that contradict each other. You have a useful weapon, which is called consensus. Your friends can support you in winning all disputes. You can change from wrong to right and right to wrong. You can decide the reliability and assessment of subjects; however, no matter whether you qualify for that or not, you have multiple tools for harassing others. That means Wikipedia.
* The duffer’s heaven is Wikipedia, where academic ones are the house arrested and used for their shelter of qualification.
* Wikipedia is the best place for poor grammar.
* If one desires to explore the unique idiots and fools, Wikipedia has that and such a place.
* The scholarly world rejects Wikipedia as a reliable website because most of the world’s silly clowns contribute their ignorance within the garbage of Wiki-Rules, which also, indeed, contradict each other.
* You cannot delete this, whether with due or undue weight. It is social media, not Wikipedia.
* One cannot trust Wikipedia since its articles have minute or continual variant content in all subjects, which demonstrates a lack of qualification and vision. One may find the most authentic and reliable articles on websites that even have no editorial board.
* Notability cannot prevail in any subject’s reality.
* Virtually, Wikipedia rules are not the law of the judiciary, approved by the majority of the parliament that applied accurately and precisely within its context. Conversely, Wikipedian rules, in other words, tools are only garbage of the frustrated and ignorant heads, which support the blackmailers for blackmailing and comfort for its founding architecture, and also fools who have to execute nothing other than fighting, wasting time. Consequently, every second Wikipedia, having no established and qualified paid editorial board, stays as an encyclopedia of Idiots-Pedia. Thus, it endorses itself as unreliable and untrustworthy an ordinary website, where educationally-unmatured children contribute and decide one’s notability, alongside ignorant ones as well.
”
”
Ehsan Sehgal
“
and she sees how she has fallen afoul of herself and grows aghast, seeing that out of terror comes pity and out of pity comes love and out of love the world can be redeemed again, and she can see that the world does not end, that it is vanity to think the world will end during your lifetime in some sudden event, that what ends is your life and only your life, that what is sung by the prophets is but the same song sung across time, the coming of the sword, the world devoured by fire, the sun gone down into the earth at noon and the world cast in darkness, the fury of some god incarnate in the mouth of the prophet raging at the wickedness that will be cast out of sight, and the prophet sings not of the end of the world but of what has been done and what will be done and what is being done to some but not others, that the world is always ending over and over again in one place but not another and that the end of the world is always a local event, it comes to your country and visits your town and knocks on the door of your house and becomes to others but some distant warning, a brief report on the news, an echo of events that has passed into folklore,
”
”
Paul Lynch (Prophet Song)
“
Now, as for me and my house… this gon’ be TMI, but for the sake of the topic, I’m telling you. I’m knockin’ Ash down damn near daily. If she wears them shorts I like and the kids not home, it’s going down. “If she comes to the office to bring me lunch and she got on the pumps she knows I like, I’m knocking her down. After I’ve cleaned the kitchen ‘cause she cooked dinner, and as soon as your niece and nephew are down for the night, I’m trying to see how many orgasms I can give her before I make her tap out. You catch my drift?
”
”
J. Chary (Satisfy Me)
“
It got louder and louder and then music started playing. It was loud music and people were dancing to it. I felt it in my feet not just in my ears. I sat on the bed and covered my ears and I still felt it coming up all the way through the house. It kept going on and on. It was all the way dark outside and I was really afraid now because why would Wanda and Sergey stay down in all that noise unless something bad made them. I had my face pressed up against my knees and my arms over my head, and then there was a knock on the door. I didn’t say to come in because I would have to take my arms from over my head,
”
”
Naomi Novik (Spinning Silver)
“
If you don't take care of your house, let support beams rot, the roof fall in, and the very foundation crack and crumble, you can't blame some storm that comes along for knocking the whole thing down. You've got to take responsibility for your part in it all.
”
”
Annie Jones (The Christmas Sisters)
“
I planned to spend the day vegging out and watching some good action movies when Aunt Jeanie had to ruin my plans as usual. Just when I had gotten comfortable in my beanbag chair with a bag of Twizzlers, she burst into the bedroom without even knocking. "Aunt Jeanie, I'd appreciate it if you would at least knock," I told her as sweetly as possible. "Bex, this is my house. When you get your own house and pay the mortgage, you can make the rules." I sighed and focused on the television, hoping she would go away, but she wouldn't. "So, have you decided on a service project?" "Yes, but Mrs. Armstrong denied it," I answered. I thought my cupcake idea was great. Cupcakes make people happy and wasn't that the point? "Good. This afternoon some of the girls are going down to the soup kitchen to make bagged lunches for the women and children's shelter. Be ready in a little bit." I loved the way she asked whether or not I'd actually like to do it. "All right.
”
”
Tiffany Nicole Smith (Bex Carter 1: Aunt Jeanie's Revenge (The Bex Carter Series))
“
Ignore her. She’ll leave eventually. I want inside of you,” he murmurs, his erection probing between my thighs.
Her knocking persists as he braces himself above me and then plunges his cock inside.
“Jesus,” I quietly cry out.
“Eve, are you awake?” Margaret calls.
Phoenix chuckles low and throaty and thrusts his hips, causing me to grasp at the sheets.
“Oh, she’s awake alright,” he whispers with a smile. “Aren’t you, darling?”
“You’re too cruel,” I moan. “She’s going to end up hearing us.”
“I don’t care,” he answers, his mouth a hair’s breadth away from my earlobe. “In fact, I hope she does. It will teach her not to call to people’s houses at such ungodly hours in the future.”
He pulls out fully before shoving back in deep. Air leaves my mouth in a loud exhale.
“I told her I’d help at the Easter festival. I have to go down.”
His grin is devious. “Not until I feel your tight little cunt squeeze my cock as you come.
”
”
Raine Anthony (Phoenix)
“
Reluctantly Alexander knocked on the door. After coming in, he sat by a quiet Anthony on the bed, and taking a deep breath asked, “Bud, is there anything you want to talk to me about?” “NO!” Anthony said. “Hmm. You sure?” He patted his leg, prodded him. Anthony didn’t say anything. Alexander talked to him anyway. He explained that adults every once in a while wanted to have a baby. The men had this, and the women had that, and to make a baby there needed to be some conjoining, much like a tight connection of mortise and tenon between two pieces of wood. For the conjoining to be effective, there needed to be movement (which is where the mortise and tenon analogy broke down but Anthony thankfully didn’t question it), which is probably the thing that frightened Anthony, but really it was nothing to be afraid of, it was just the essence of the grand design. To reward Alexander’s valiant efforts, Anthony stared at his father as if he had just been told his parents drank the cold blood of vampires every night before bed. “You were doing what?” And then he said, after a considerable pause, “You and Mom were trying to have a—baby?” “Um—yes.” “Did you have to do that once before—to make me?” “Um—yes.” “This is what all adults have to do to make a baby?” “Yes.” “So, Sergio’s mom has three children. Does that mean his parents had to do that... three times?” Alexander bit his lip. “Yes,” he said. “Dad,” said Anthony, “I don’t think Mom wants to have any more children. Didn’t you hear her?” “Son...” “Didn’t you hear her? Please, Dad.” Alexander stood up. “All righty then. Well, I’m glad we had this talk.” “Not me.” When he came outside, Tatiana was waiting at the table. “How did it go?” “Pretty much,” said Alexander, “like my father’s conversation went with me.” Tatiana laughed. “You better hope it went better than that. Your father wasn’t very effective.” “Your son is reading Wonder Woman comics, Tatia,” said Alexander. “I don’t know how effective anything I say is going to be very shortly.” “Wonder Woman?” “Have you seen Wonder Woman?” Alexander shook his head and went to get his cigarettes. “Never mind. Soon it’ll all become clear. So yes for building the house, or no?” “No, Shura. Just lock the door next time.” So the house went unbuilt. Wonder Woman got read, Anthony’s voice changed, he started barricading his bedroom door at night, while across the mobile home, across the kitchen and the living room, behind a locked door, “I Saw Mommy Kissing Santa Claus” played on and on and on.
”
”
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
“
Ever since he’d arrived that morning, he’d been aware of her every move. Her steps on the stairs, the creaking floor over his head, the quiet hush of running water in the kitchen. He was relieved when she left. And then the house felt empty. Too empty. He spent the whole time she was gone wondering where she was and when she was coming back. But then she returned, and he reverted to tracing her every movement. Up the stairs, then back down to answer Lover Boy’s call. He’d been glad she’d taken her conversation upstairs. It bugged him to hear her crooning to her fiancé. Then it bugged him that it bugged him. What was wrong with him? Maybe he’d whacked his head so hard he’d knocked a few marbles loose. He
”
”
Denise Hunter (Driftwood Lane (Nantucket, #4))
“
Suddenly, he hooks an arm around me and drags me to lie on top of him. I rest on my elbows on his chest. “I don’t like the idea of you fucking them.” “I didn’t fuck them,” I say. I move like I’m going to get up. “I’m jealous as hell, Friday, and I don’t like it. I don’t like it one bit. So, go and play house with them. Leave me out of it.” “They’re gay,” I blurt out. I really wanted him to come to the knowledge by himself so he would understand. “What?” “They’re a couple. I’m their surrogate.” I lift my fist and knock playfully on his forehead. “Earth to Paul,” I say. “Are you still in there?” “They’re a couple?” he asks quietly. “Yes.” His arms tighten around me, and then he flips us over until he’s hovering over me. He brushes my hair back from my face. Then he does something I never would have expected. He chuckles. It’s a deep belly laugh, and he buries his face in my neck, his body rocking, he’s laughing so hard. “They’re married,” I say. “And they wanted a baby.” I point down toward my belly. “I wasn’t using my uterus for anything, so I told them they could borrow it.” I lay my palm on the side of his face and bring his blue eyes to meet mine. “Now can you stop being so jealous and come and have dinner with us?” “You never slept with them?” he asks. His eyes search my face, like he’s looking for the meaning of life. I shake my head. “I don’t think they’re into vaginas,” I say. “And I kind of have a vagina.
”
”
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
“
Day had fucked up big time. This was all his fault, all because he couldn’t keep his nosy ass out of other peoples private business. Day rushed to God’s side.
“I’ll help you ba—” Day didn’t know how, but God had found enough strength after that beating to push him so hard that he flew into the dresser, knocking it and all of the items that were on top of it to the floor, including the television. Day rolled a few feet, the dresser just missing falling on top of him.
“Cash, what the fuck!” Day cursed.
He rolled to his side and winced at the sharp pain in his ribs from coming into contact with the dresser.
“I was trying to help you get into bed.”
“Get the fuck out, Leo.” God’s face was an unyielding mask. For the first time in four long years, Day couldn’t read what the hell was going through God’s mind.
Day stood slowly. “God, I only called him because I needed to go—”
“It doesn’t matter why you did it! You had no right! You have no clue what you just did!” God yelled. “Now get out!”
“Cashel, please. Just hear me out,” Day pleaded. His eyes begged for God to see the sincerity in them. He really didn’t mean for any of this to happen. “Baby, I swear. I didn’t know any of this was happening between you and your family. You should’ve told me. Why was he calling you a murderer?”
No matter what, Day couldn’t turn off his detective side.
Day watched God squeeze his eyes shut. He went down on one knee and clutched his chest when the hard coughing started again. God’s eyes were full of water and pain. Day timidly eased over to God’s side but God cut his eyes at him, daring him to come any closer.
Day had to fight the moisture in his own eyes. “I just want to help you into bed.”
“Day, if you don’t get the fuck out of my house, I’m going to show you why he called me a murderer,” God said through clenched teeth.
Day couldn’t stop the gasp that escaped his lips, or the pain that radiated through his chest, as if his rib cage had been torn open and his heart ripped out and thrown underneath the bed. Day kept his eyes on God as he knelt to pick up the dresser, then the television. God watched him as well. Day didn’t say anything as the rogue tear fell down his face without his permission. Day went around to the opposite side of the bed and pulled a pen and piece of scrap paper from the drawer, still watching God carefully. He really didn’t like the look on his best friend’s face. He’d seen the look before, but he’d never had it leveled on him. Day scribbled a couple of phone numbers on the paper.
”
”
A.E. Via
“
A loud knock at the door interrupts us.
“Abre la puerta, soy Elena.”
“Who’s that?”
“The bride.”
“Let me in!” Elena commands.
Alex unlocks the door. A vision in white ruffles with dozens of dollar bills safety-pinned to the back of her dress squeezes her way into the bathroom, then shuts the door behind her.
“Okay, what’s goin’ on?” She, too, sniffs a bunch of times. “Was Paco in here?”
Alex and I nod.
“What the fuck does that guy eat that it comes out his other end smelling so rotten? Dammit,” she says, wadding up tissue and putting it over her nose.
“It was a beautiful ceremony,” I say through my own tissue. This is the most awkward and surreal situation I’ve ever been in.
Elena grabs my hand. “Come outside and enjoy the party. My aunt can be confrontational, but she doesn’t mean any harm. Besides, I think deep down she likes you.”
“I’m taking her home,” Alex says, playing the role of my hero. I wonder when he’ll get sick of it.
“No, you’re not takin’ her home or I’ll lock both of you in this stinkin’ smelly room so you’ll stay.”
Elena means every word.
Another knock at the door. “Vete vete.”
I don’t know what Elena said, but she sure said it with gusto.
“Soy Jorge.”
I shrug and look to Alex for an explanation.
“It’s the groom,” he says, clueing me in.
Jorge slips in. He isn’t as crude as the rest of us because he ignores the fact that the room smells like something died. But he sniffs loudly a few times and his eyes start to water.
“Come on, Elena,” Jorge says, trying to cover his nose inconspicuously but doing a poor job of it. “Your guests are wondering where you are.”
“Can’t you see I’m talkin’ to my cousin and his date?”
“Yeah, but--”
Elena holds up a hand to silence him while holding the tissue over her nose with the other. “I said, I’m talkin’ to my cousin and his date,” she declares with attitude. “And I’m not finished yet.”
“You,” Elena says, pointing directly at me. “Come with me. Alex, I want you and your brothers to sing.”
Alex shakes his head. “Elena, I don’t think--”
Elena holds up a hand in front of Alex, silencing even him. “I didn’t ask you to think. I asked you to join your brothers in singin’ to me and my new husband.”
Elena opens the door and yanks me through the house, stopping only when we reach the backyard. She lets me go only to grab the microphone from the lead singer.
“Paco!” she announces loudly. “Yeah, I’m talkin’ to you,” Elena says, pointing to Paco talking to a bunch of girls. “Next time you want to take a dump, do it in someone else’s house.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
She headed out into the hall and knocked quietly on his door.
“Come in!”
Megan took a deep breath and stepped inside. “Hey.”
Finn looked up from his desk as if startled. “Hi,” he replied, pushing his hands against the thighs of his jeans. He glanced past her at the hallway, but when Megan turned around, she found they were alone.
“What’s up?” Megan asked.
“You really shouldn’t be in here,” Finn said.
Megan’s heart dropped like a stone. “I know your parents are mad, but do you think they really expect us not to talk?”
“Yeah…no…I don’t know,” Finn said, turning in his chair. “I just…Don’t you think we should let things calm down a little first?”
“Yeah, like that’s ever going to happen in this house,” Megan joked lamely. Finn didn’t laugh. She swallowed against a lump in her throat and looked around uncertainly. She had come in here so that Finn could reassure her and make her feel better like he always did, but the evasive way he was acting was just making her feel worse.
“Look, it’s just…being around you is…it’s not easy,” Finn said, looking everywhere but at her. He might as well have thrown cold water in her face.
“Oh, well, I’m sorry,” Megan replied, backing out. “I guess that’s easily solved.”
“No, Megan, wait,” Finn said.
But she was dangerously close to tears and there was no way she was going to break down in front of him. “No, seriously, I’ll go,” Megan said.
Finn swallowed and looked like he wanted to say something. For a split second, Megan’s heart dared to hope, but then he turned away and looked down at his notes again.
“Yeah…okay,” he said.
Finn focused pointedly on his work. This was really happening. Finn really didn’t want to have anything to do with her. Finally, feeling like the biggest idiot on earth, Megan made herself move.
”
”
Kate Brian (Megan Meade's Guide to the McGowan Boys)
“
Miss Minton, what on earth made you let a young girl travel up the Amazon and spend weeks living with savages? What made you do it? The British consul thinks that you must all have been drugged.”
“Perhaps. Yes, perhaps we were drugged. Not by the things the Xanti smoked--none of us touched them--but by…peace…by happiness. By a different sense of time.”
“I don’t think you have explained why you let Maia--”
Miss Minton interrupted him. “I will explain. At least I will try to. You see, I have looked after some truly dreadful children in my time, and it was easy not to get fond of them. After all, a governess is not a mother. But Maia…well, I’m afraid I grew to love her. And that meant I began to think what I would do if she were my child.”
“And you would let her--” began Mr. Murray.
But Miss Minton stopped him. “I would let her…have adventures. I would let her…choose her path. It would be hard…it was hard…but I would do it. Oh, not completely, of course. Some things have to go on. Cleaning one’s teeth, arithmetic. But Maia fell in love with the Amazon. It happens. The place was for her--and the people. Of course there was some danger, but there is danger everywhere. Two years ago, in this school, there was an outbreak of typhus, and three girls died. Children are knocked down and killed by horses every week, here in these streets--” She broke off, gathering her thoughts. “When she was traveling and exploring…and finding her songs, Maia wasn’t just happy, she was…herself. I think something broke in Maia when her parents died, and out there it was healed. Perhaps I’m mad--and the professor, too--but I think children must lead big lives…if it is in them to do so. And it is in Maia.”
The old lawyer was silent, rolling his silver pencil over and over between his fingers.
“You would take her back to Brazil?”
“Yes.”
“To live among savages?”
“No. To explore and discover and look for giant sloths and new melodies and flowers that only blossom once every twenty years. Not to find them necessarily, but to look--”
She broke off, remembering what they had planned, the four of them, as they sailed up the Agarapi. To build a proper House of Rest near the Carters’ old bungalow and live there in the rainy season, studying hard so that if Maia wanted to go to music college later, or Finn to train as a doctor, they would be prepared. And in the dry weather, to set off and explore.
Mr. Murray had risen to his feet. He walked over to the window and stood with his back to her, looking out at the square.
“It’s impossible. It’s madness.”
There was a long pause.
“Or is it?” the old man said.
”
”
Eva Ibbotson (Journey to the River Sea)
“
How do you build a history based on ceaseless self-slaughter and betrayal? Do you deny it? Forget it? But then you are left orphaned. So history is rewritten to suit the present. As the President looks for a way to validate his own authoritarianism, Stalin is praised as a great leader who won the Soviet Union the war. On TV the first attempts to explore the past, the well-made dramas about Stalin’s Terror of the 1930s, are taken off screen and replaced with celebrations of World War II. (But while Stalin’s victory is celebrated publicly and loudly, invoking him also silently resurrects old fears: Stalin is back! Be very afraid!) The architecture reflects these agonies. The city writhes as twentyfirst-century Russia searches, runs away, returns, denies, and reinvents itself. “Moscow is the only city where old buildings are knocked down,” says Mozhayev, “and then rebuilt again as replicas of themselves with straight lines, Perspex, double glazing.” The Moskva Hotel opposite the Kremlin, a grim Stalin gravestone of a building, is first deconstructed, then after much debate about what should replace it, is eventually rebuilt as a slightly brighter-colored version of itself. And this will be the fate of Gnezdnikovsky, demolished and then rebuilt to house restaurants in the faux tsarist style, where waiters speak pre-revolutionary Russian, the menu features pelmeni with brains, and tourists are delighted at encountering the “real Russia.” And
”
”
Peter Pomerantsev (Nothing Is True and Everything Is Possible: The Surreal Heart of the New Russia)
“
Exactly how,” she said, eventually, “does one go about knocking over the houses of people one does not like?” “Urban clearance,” said the Fool. “I was thinking of burning them down.” “Hygienic urban clearance,” the Fool added promptly.
”
”
Terry Pratchett (Wyrd Sisters (Discworld, #6))
“
What did you say?” Henry grated.
“I said shut up, Henry.” Rachel’s voice was still soft, but the glint in her eyes was fighting mean. “I’ve put up with your cussedness for nigh on nine years. No more. You apologize to Loretta Jane this instant.”
“Or you’ll do what?”
Rachel lifted a challenging brow. “Well, I reckon you’re too big for me to grab you by the heels and bash your brains. Guess I’ll have to blow them out. Now apologize. I won’t have that kind of talk in my house.”
“Your house?”
“That’s right.”
Henry did an admirable job of trying to appear amused. Placing his hands on his hips, he bent one knee and eyed the rifle. “Rachel, darlin’, you have a gun right now. Here shortly, you’re gonna have to put it down and cook. And when you do, I’m gonna beat the sass plumb out of you. Now I suggest you be the one to apologize. If you do it convincin’ enough, maybe I’ll forgit this ever happened.”
Loretta figured the bluff would probably work. Aunt Rachel had never been long on guts, and Loretta didn’t see her getting a goodly supply in the space of ten minutes. Rachel surprised her, though. Instead of apologizing, she set her jaw and raised her chin.
“Henry, if you touch me when I’m cookin’, I’ll rip you from stem to bow with my butcher knife. I’ve had it up to my gullet with you.”
“Give me that gun!” Henry stomped toward her.
Rachel took quick aim. The explosion of noise nearly scared Loretta out of her skin. Henry jumped straight up, clearing the floor by several inches.
“Holy Mother, you near shot my foot off, you damned fool woman!”
“Next time, I won’t miss.”
Henry sputtered, so mad he looked fit to bust. “Rachel, I swear, I’ll give you the hidin’ of your life for this.”
“Touch her, Uncle Henry, and I’ll knock you senseless with a chunk of firewood,” Loretta inserted.
“And if she don’t do a good job of it, I’ll finish it for her!” Amy yelled from the loft ladder. “Good for you, Ma! Give the old wart toad what for!”
Rachel returned the Spencer to the rack. “Well, Henry? It sounds like three to one. You gonna apologize to Loretta Jane or not?
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
So saying, she managed to straighten- which left her facing the house, looking directly at the blank bow windows of the downstairs parlor. With the storm darkening the skies, the windows were reflective. They reflected the image of a man standing directly behind her.
With a gasp, Patience whirled. Her gaze collided with the man's- his eyes were hard, crystalline gray, pale in the weak light. They were focused, intently, on her, their expression one she couldn't fathom. He stood no more than three feet away, large, elegant and oddly forbidding. In the instant her brain registered those facts, Patience felt her heels sink, and sink- into the soft soil of the flower bed.
The edge crumbled beneath her feet.
Her eyes flew wide- her lips formed a helpless "Oh." Arms flailing, she started to topple back-
The man reacted so swiftly his movement was a blur- he gripped her upper arms and hauled her forward.
She landed against him, breast to chest, hips to hard thighs. The breath was knocked out of her, leaving her gasping, mentally as well as physically. Hard hands held her upright, long fingers iron shackles about her arms. His chest was a wall of rock against her breasts; the rest of his body, the long thighs that held them braced, felt as resilient as tensile steel.
She was helpless. Utterly, completely, and absolutely helpless.
Patience looked up and met the stranger's hooded gaze. As she watched, his grey eyes darkened. The expression they contained- intensely concentrated- sent a most peculiar thrill through her.
She blinked; her gaze fell- to the man's lips. Long, thin yet beautifully proportioned, they'd been sculpted with a view to fascination. They certainly fascinated her; she couldn't drag her gaze away. The mesmerizing contours shifted, almost imperceptibly softening; her own lips tingled. She swallowed, and dragged in a desperately needed breath.
Her breasts rose, shifting against the stranger's coat, pressing more definitely against his chest. Sensation streaked through her, from unexpectedly tight nipples all the way to her toes. She caught another breath and tensed- but couldn't stop the quiver that raced through her.
The stranger's lips thinned; the austere planes of his face hardened. His fingers tightened about her arms. To Patience's stunned amazement, he lifted her- easily- and carefully set her down two feet away.
”
”
Stephanie Laurens (A Rake's Vow (Cynster, #2))
“
Imagine America as one house on a suburban lane. Years before he became a Jehovah's Witness, Prince knocked on America's door through his music. He came to the door holding a guitar and an umbrella while concealing a Bible. He flirted his way inside the door and told us he had a dirty mind and was controversial, and then he sat down in the living room on the good couch. And, when America's guard was down, because we thought we were having a conversation about sex, Prince eased out his Bible and said, "Let me also tell you about my Lord and Savior, Jesus Christ.
”
”
Touré (I Would Die 4 U: Why Prince Became an Icon)
“
Goddamn. Who is that?” Steele pointed at the man looking down the scope and knocking off men as the truck spun him in a circle. “That’s Detective Austin Michaels.” Steele pointed to the driver, a behemoth of a man who was now darting across the road – he could move fast – towards the house, both arms raised, shooting anything in his path. Wielding those massive firearms like a true beast… like a soldier. “And him. Who the hell is he?” “That’s your new boss. Lieutenant Cashel Godfrey… they call him… God.
”
”
A.E. Via (Nothing Special V (Nothing Special, #5))
“
What about her?” she asked with a curious tone. “My memory came back of the night I was attacked. She was being dragged into the forest toward the river. And I ran after them.” She gasped. “Oh, Knox. Do we know if she’s okay?” “I tried contacting her and her father, but nobody picked up.” He gulped back the acid in his throat. “I hope she somehow got away.” “Didn’t Nick mention the river once? Maybe we should check it out.” They hurried to the farthest side of the house, down the same pathway Lisa had been dragged, until they reached the raging river. He doubted someone could cross that. The only other option was a guest had brought those people with them. Back at the house, he continued trying to contact Lisa and her father. A call to her father’s office told him that Lisa’s dad was at his vacation home in the mountains. There was no way to reach him and no other information they could share. “Uh-oh,” Scarlett crossed her arms over her chest. “I know that face. Someone’s going to hack something.” He grinned at the way she whispered it. “Babe, we’re home. There’s no one else here but us. You don’t have to whisper.” “So what are you looking for?” “Just John’s mountain home address. I want to go up there and see him. Find out if she’s okay.” “Did you call their house?” He nodded, emailed himself the address, and grabbed her hand. “Yes. Nobody would give me any information other than John was gone. They knew nothing of Lisa.” “Damn.” “Ready for a quick trip?” he asked as they walked outside again. The sound of helicopter blades reached them. “Thank goodness. I really didn’t want to fly on your back again.” He chuckled at her teasing and helped her into the chopper. An hour later, they touched down in the area near the cabin. He gave the chopper instructions to land at the nearest helipad with availability and he’d give them a call when ready to go. They ran to the front door and knocked repeatedly. Nobody answered. “Maybe they’re out back,” Scarlett said and they went around the house. They walked down a trail. He sniffed but got nothing. His senses told him something was wrong. And a new animal decided
”
”
Milly Taiden (Alpha Geek (Alpha Geek, #1))
“
12 One Christmas, Santa was having a really bad day. The local elves union was up in arms over their contract and were threatening a walk-out. Mrs. Clause was pissed that Santa was never around to appreciate all of the hard work she had been doing around the house. Santa decided he needed to go home, sit in front of a fire and relax. When he got there, Miss Clause was all up in his face and wouldn't let down. Then, there was a knock on the door. It was Rudolph. He said the reindeer were sick and tired of Santa not upgrading to the new lightweight sleigh and they were joining the elves walkout. Santa slammed the door and threatened "The next person who knocks on that door is going to get it!" At that time, there was a knock on the door. Santa flung the door open and there stood a tiny little angel. The angel had been searching for the perfect Christmas tree for Santa's house all day long, until it found the perfect one. The little angel asked, "Santa, I was wondering where you would like me to stick this tree?" And that is the story of how the angel atop the tree tradition began.
”
”
Adam Kisiel (101 foolproof jokes to use in case of emergency)
“
And the officers in question admitted this to you, did they?” “Some of them did, yes. Though of course they’d never admit it in public.” “Oh, of course,” I said. “They’d been bringing him in for questioning for years, all related to various murders. They could get nothing to stick, until one of his People slipped up and got himself arrested. He told the cops everything. He told them more than everything. He told them about stuff so bizarre and insane that he had to be making it up, but within all that craziness he knew enough details about open murder cases that they were forced to take him seriously.” “So did they have enough to arrest Moon?” Chrissy took a moment to sip her drink. “It didn’t make any difference. Their key witness, who had agreed to testify and name Moon as the one who’d done all the killing, died in his cell the same night they went to search Moon’s house. He hanged himself with a sheet.” “How inconvenient,” I said, but Chrissy ignored me and continued. “You should know this part,” she said. “The cops have their warrant, knock on the door, don’t get an answer, and they break the door down. They find Bubba Moon’s body in the basement, lying in the middle of a circle, surrounded by occult symbols.” The
”
”
Derek Landy (Armageddon Outta Here (Skulduggery Pleasant, #8.5))
“
Birds— and Territory My dad and I designed a house for a wren family when I was ten years old. It looked like a Conestoga wagon, and had a front entrance about the size of a quarter. This made it a good house for wrens, who are tiny, and not so good for other, larger birds, who couldn’t get in. My elderly neighbour had a birdhouse, too, which we built for her at the same time, from an old rubber boot. It had an opening large enough for a bird the size of a robin. She was looking forward to the day it was occupied. A wren soon discovered our birdhouse, and made himself at home there. We could hear his lengthy, trilling song, repeated over and over, during the early spring. Once he’d built his nest in the covered wagon, however, our new avian tenant started carrying small sticks to our neighbour’s nearby boot. He packed it so full that no other bird, large or small, could possibly get in. Our neighbour was not pleased by this pre- emptive strike, but there was nothing to be done about it. “If we take it down,” said my dad, “clean it up, and put it back in the tree, the wren will just pack it full of sticks again.” Wrens are small, and they’re cute, but they’re merciless. I had broken my leg skiing the previous winter— first time down the hill— and had received some money from a school insurance policy designed to reward unfortunate, clumsy children. I purchased a cassette recorder (a high- tech novelty at the time) with the proceeds. My dad suggested that I sit on the back lawn, record the wren’s song, play it back, and watch what happened. So, I went out into the bright spring sunlight and taped a few minutes of the wren laying furious claim to his territory with song. Then I let him hear his own voice. That little bird, one- third the size of a sparrow, began to dive- bomb me and my cassette recorder, swooping back and forth, inches from the speaker. We saw a lot of that sort of behaviour, even in the absence of the tape recorder. If a larger bird ever dared to sit and rest in any of the trees near our birdhouse there was a good chance he would get knocked off his perch by a kamikaze wren.
”
”
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
“
The family that moved into a house and sound out several days later, in the worst way you can imagine, that their sewer line said nothing hooked up. True. And the crane did fall on the house, it was a town house, and the owners don't aren't in. True. And don't forget the house they had to knock down and start over. True.
”
”
Douglas Frantz (Celebration, U.S.A.: Living in Disney's Brave New Town)
“
Why anyone’s argument for god(s) is fallacious, especially as a causal agent:
Imagine Michael and Jessica are at Jimmy’s house sitting at the kitchen table. Jessica steps outside to take a phone call. When she returns her drink is spilled.
Jessica asks, “How did my drink get knocked over?”
Michael replies, “It was a SnickerDoodle.”
J: “What’s a SnickerDoodle?”
M: “It looks a little like an elephant but it is small, pink, and invisible.”
J: “Is it invisible or pink? It can’t be both.”
M: “Well, it is. You can’t understand what the SnickerDoodle looks like.”
J: “Zip it. SnickerDoodle’s are not real. How did my drink get knocked over?”
M: “Well, it was Jimmy’s cat, but it was because he was chasing the SnickerDoodle, so the SnickerDoodle made him do it.”
J: “Stop with the SnickerDoodle, you weirdo.”
M: “Just kidding, it was Jimmy’s cat, I don’t know why.”
We have no reason to believe that SnickerDoodle’s are real. Without SnickerDoodles being established as possible causes to drinks being knocked down, then there is no point to discussing them as the cause of Jessica’s drink being knocked over. In similar fashion, we have to establish that cats are a possible reason that drinks get knocked down. Okay, we have established that cats are real and capable of doing so. It is now a viable option, but in order for Michael’s story have any plausibility, we not only have to establish that a cat did it, we have to establish that it was Jimmy’s cat, or that Jimmy even has a cat.
Believers cannot get to step one, establishing that any god is even a viable option on the list of possibilities. Then even if gods were proven to be real, you still have to prove that it was your particular god, or that your particular god exists. To argue that your god is real, is like Michael arguing that Jimmy’s SnickerDoodle knocked over Jessica’s drink. Can grown-adults take that argument seriously? Really?
”
”
Michael A. Wood Jr. (Eliot)
“
Congress was split into two houses to assist the few in thwarting the will of the many. The President was given a qualified veto to enable the minority and the President to overcome the majority. The supreme court, too, in usurping the power to declare acts of congress unconstitutional, sought only to prevent the representatives of the majority from enforcing their will. Each of these devices has done and is doing what it was intended to do. The division of congress into two houses helps only the grafters. • If congress were divided into three houses, the situation of the grafters would be still more pleasurable to the grafters. The longer the gauntlet down which a bill must run, the greater the opportunity for grafters to knock it out.
”
”
Anonymous
“
Bing! Bing who? Bing down the house! Knock knock! Who’s there? Zany! Zany
”
”
Johnny B. Laughing (Knock Knock!: Funny Knock Knock Jokes for Kids)
“
No matter how far they traveled, they always had this house to welcome them home.” “True. Did you ever wonder why they altered it so often?” “Miss Everleigh says they were innovators. Visionaries.” He glanced at her, the firelight shadowing his face. “They kept knocking down the walls. Expanding them, making new routes for egress. Not much innovation in that. As visions go, it’s the dream of claustrophobics.” The notion unsettled her. “What do you mean to say?” “I mean, they traveled to escape this place.” He reached for the bottle, splashed more liquor into his glass. Set down the bottle and stared at it. “Came back very reluctantly, already itching to leave again.” She did not like that idea. “It was their home. They were a famously loving family—” “It’s a house,” he said. “That doesn’t make it a home. And family—yes, family is important. But it can trap you more neatly than four walls and a locked door.” Her
”
”
Meredith Duran (Lady Be Good (Rules for the Reckless, #3))
“
I’d grabbed some food in the East Wing and was headed back to the West Wing. A PPD friend and I shot the breeze. A Navy steward pushed the Map Room door open with his butt. In retrospect, we might have advised him to knock first. We didn’t. There before us was E! Network host Eleanor Mondale—former vice president Walter Mondale’s daughter—and President Clinton in a compromising position, that is, making out on the Map Room table. The steward hurriedly put his head down and departed. The doors closed.
”
”
Gary J. Byrne (Crisis of Character: A White House Secret Service Officer Discloses His Firsthand Experience with Hillary, Bill, and How They Operate)
“
I knew the Tam were already a success by the greeting I got. The women in their canoes in the middle of the lake called out loud hellos that I heard over my engine, and a few men and children came down to the beach and gave me big floppy Tam waves. A noticeable shift from the chary welcome we’d received six weeks earlier. I cut the engine and several men came and pulled the boat to shore, and without my having to say a word two swaybacked young lads with something that looked like red berries woven in their curled hair led me up a path and down a road, past a spirit house with an enormous carved face over the entryway—a lean and angry fellow with three thick bones through his nose and a wide open mouth with many sharp teeth and a snake’s head for a tongue. It was much more skilled than the Kiona’s rudimentary depictions, the lines cleaner, the colors—red, black, green, and white—far more vivid and glossy, as if the paint were still wet. We passed several of these ceremonial houses and from the doorways men called down to my guides and they called back. They took me in one direction then, as if I wouldn’t notice, turned me around and doubled back down the same road past the same houses, the lake once again in full view. Just when I thought their only plan was to parade me round town all day, they turned a corner and stopped before a large house, freshly built, with a sort of portico in front and blue-and-white cloth curtains hanging in the windows and doorway. I laughed out loud at this English tea shop encircled by pampas grass in the middle of the Territories. A few pigs were digging around the base of the ladder. From below I heard footsteps creaking the new floor. The cloth at the windows and doors puffed in and out from the movement within. ‘Hallo the house!’ I’d heard this in an American frontier film once. I waited for someone to emerge but no one did, so I climbed up and stood on the narrow porch and knocked on one of the posts. The sound was absorbed by the voices inside, quiet, nearly whispery, but insistent, like the drone of a circling aeroplane. I stepped closer and pulled the curtain aside a few inches. I was struck first by the heat, then the smell. There were at least thirty Tam in the front room, on the floor or perched oddly on chairs, in little groups or even alone, everyone with a project in front of them. Many were children and adolescents, but
”
”
Lily King (Euphoria)
“
While most of the town were settling down to their dinners that evening, Hannah, a raven-haired servant girl, hurried across the marketplace and up the path to the ordinary, where she knocked on the door. Candlelight gleamed through the cracks in the closed shutter after a second knock; the door opened and she slipped inside. Tears started down her cheeks as soon as she tried to speak.
“What is it?” said the widow Jennison, keeper of the establish¬ment. “What on earth is wrong?”
“Tobias is in trouble.” Hannah sat at one of the trestle tables. Sniffing back her tears, she told the story of her lover’s misadventure. They’d been planning for several months to break away from their servitude and look for a better situation in the West Indies. He’d taken to theft to raise money for the trip, but his master, the tallow chandler Aaron Tuck, discovered his transgressions, and Tobias went into hiding. “There’s men a-lookin’ for him now,” Hannah said as tears came to her eyes again. “We can’t stay here another week. People are sayin’ dreadful things about us that just ain’t true.”
“Where is Tobias now?” Nancy asked.
“On the neck somewheres. I’m supposed to meet him at midnight.”
The widow touched her friend’s hand. She herself had been in trouble years before, so she understood the errors to which the girl’s turbulent feelings were likely to bring her. “Yes, life must seem a prison to you. I can see why you want to leave.”
“We’ve gut to leave!” Hannah said. “Just tonight they arrested Marthy Hubbard. Mr. Ridley may want to use us for an example, too.”
Nancy went to the cupboard for a pitcher of cider. “I don’t like what’s happened to Martha either. I’ll help you, but you’ll have to promise to be patient and not make things worse.”
“What do you mean?” Hannah looked around the dusky room with a frightened glance. Experience had taught her that her elders often resorted to compromise when they meant to help.
“I’m going to talk with Governor Willoughby. Now don’t fret, child. He’ll be more sympathetic than you think. Besides, you don’t have any choice but to wait unless you want to live in the woods. There won’t be a ship headed south till next month.”
Hannah frowned and took a quick swallow of cider.
The two friends talked for a while longer by the light of an iron betty lamp, then Hannah went outside to look for Tobias. But all her hopes went for naught. The constable’s men found him just before midnight on the slender strip of marsh and pasture that connected the Botolph peninsula to the mainland.
Now happy that they would get to bed at a decent hour, the men in the search party brought Tobias to the guard-house on the edge of town, where he sat till dawn on a slat bench, dozing or clutching his head in his hands.
”
”
Richard French (The Pilhannaw)
“
The Resonance of Honeyed Summer
Elizabethan Sonnet Sequence
abab, cdcd, efef, gg
Synchronous in honeyed summer sings a choir of tremulous birch leaves,
A sweet breeze surges south from the mountains to cool down the farm.
To a white picket fence, among the honeybees, a steadfast garden cleaves,
After blind disregard by a town plow, mended again from winter harm.
A sensual scent of new mown meadow, the clash of croquet mallet to ball,
A ricochet sings a tin din of two wickets and a knock into a winning stake.
By the barn, night owls howl, by day gleeful wee hummingbirds enthrall.
The mirth of dipping children as wakes of droning motorboats lap a lake.
Bluebirds have woven a love nest in a stilted, rough-hewn, wooden house.
By a stonewall wild berries grow swollen from green to a misty blue hue.
As we ride bikes beside a hayfield, we rouse the flight of a russet grouse.
At dawn a doe and fawn cross our lawn leaving hoof prints upon the dew.
In long lemonade days, rocking and sipping on the porch, in our defense,
We're in awe of honeyed summertime and the harmony of its resonance.
+ + +
”
”
David B. Lentz (Sonnets on the Common Man: New Hampshire Verse)
“
It All Starts at Home The quality of the time that their parents devote to them indicates to children the degree to which they are valued by their parents…. When children know that they are valued, and when they truly feel valued in the deepest parts of themselves, then they feel valuable. —M. SCOTT PECK It was a source of much aggravation to some fish to see a number of lobsters swimming backward instead of forward. So they called a meeting, and it was decided to start a class for the lobsters’ instruction. This was done, and a number of young lobsters came. (The fish had reasoned that if they started with the young lobsters, as they grew up, they would learn to swim properly.) At first they did very well, but afterward, when they returned home and saw their fathers and mothers swimming in the old way, they soon forgot their lessons. So it is with many children who are well-taught at school but drift backward because of a bad home influence. Psalm 127:1-128:4 gives us some principles for building a family in which children are confident that their parents love them. First, the psalmist addresses the foundation and protection of the home: “Unless the LORD builds the house, its builders labor in vain. Unless the LORD watches over the city, the watchmen stand guard in vain” (127:1). The protective wall surrounding a city was the very first thing to be constructed when a new city was built. The people of the Old Testament knew they needed protection from their enemies, but they were also smart enough to know that walls could be climbed over, knocked down, or broken apart. They realized that their ultimate security was the Lord standing guard over the city. Are you looking for God to help you build your home? Are you trusting the Lord to be the guard over your family? Many forces in today’s society threaten the family. In Southern California we see parents who are burning the candle at both ends to provide all the material things they think will make their families happy. We rise early and retire late, but Psalm 127:2 tells us that these efforts are futile. We are to do our best to provide for and protect our families, but we must trust first and foremost in God to take care of them. When we tend our gardens, we’re rewarded by corn, tomatoes, cucumbers, and beans. Just as the harvest of vegetables is our reward, a God-fearing child is a parent’s reward. After parents tend to their children’s instruction in the ways of God’s wisdom and His Word, they do see the work God is
”
”
Emilie Barnes (Walk with Me Today, Lord: Inspiring Devotions for Women)
“
This point was driven home for me for the first time when I was traveling in Asia in 1978 on a trip to a forest monastery in northeastern Thailand, Wat Ba Pong, on the Thai-Lao border. I was taken there by my meditation teacher, Jack Kornfield, who was escorting a group of us to meet the monk under whom he had studied at that forest hermitage. This man, Achaan Chaa, described himself as a “simple forest monk,” and he ran a hundred-acre forest monastery that was simple and old-fashioned, with one notable exception. Unlike most contemporary Buddhist monasteries in Thailand, where the practice of meditation as the Buddha had taught had all but died out, Achaan Chaa’s demanded intensive meditation practice and a slow, deliberate, mindful attention to the mundane details of everyday life. He had developed a reputation as a meditation master of the first order. My own first impressions of this serene environment were redolent of the newly extinguished Vietnam War, scenes of which were imprinted in my memory from years of media attention. The whole place looked extraordinarily fragile to me. On my first day, I was awakened before dawn to accompany the monks on their early morning alms rounds through the countryside. Clad in saffron robes, clutching black begging bowls, they wove single file through the green and brown rice paddies, mist rising, birds singing, as women and children knelt with heads bowed along the paths and held out offerings of sticky rice or fruits. The houses along the way were wooden structures, often perched on stilts, with thatched roofs. Despite the children running back and forth laughing at the odd collection of Westerners trailing the monks, the whole early morning seemed caught in a hush. After breakfasting on the collected food, we were ushered into an audience with Achaan Chaa. A severe-looking man with a kindly twinkle in his eyes, he sat patiently waiting for us to articulate the question that had brought us to him from such a distance. Finally, we made an attempt: “What are you really talking about? What do you mean by ‘eradicating craving’?” Achaan Chaa looked down and smiled faintly. He picked up the glass of drinking water to his left. Holding it up to us, he spoke in the chirpy Lao dialect that was his native tongue: “You see this goblet? For me, this glass is already broken. I enjoy it; I drink out of it. It holds my water admirably, sometimes even reflecting the sun in beautiful patterns. If I should tap it, it has a lovely ring to it. But when I put this glass on a shelf and the wind knocks it over or my elbow brushes it off the table and it falls to the ground and shatters, I say, ‘Of course.’ But when I understand that this glass is already broken, every moment with it is precious.”5 Achaan Chaa was not just talking about the glass, of course, nor was he speaking merely of the phenomenal world, the forest monastery, the body, or the inevitability of death. He was also speaking to each of us about the self. This self that you take to be so real, he was saying, is already broken.
”
”
Mark Epstein (Thoughts without a Thinker: Psychotherapy from a Buddhist Perspective)
“
People who don’t know our military very well sometimes seem amazed whenever men like Jordan Haerter and Jonathan Yale make the headlines. On April 22, 2008, those two enlisted Marines were standing watch at a checkpoint outside a joint U.S.-Iraqi barracks in Ramadi when a large truck began accelerating toward their position. Their checkpoint controlled entry to a barracks in the Sufiyah district that housed fifty Marines from the newly arrived First Battalion, Ninth Regiment. They were alert to the VBIED threat and quickly and accurately assessed the situation before them—all the more impressive given that the level of violence in the city generally wasn’t what it had been a few years earlier. Both Marines opened fire immediately, Haerter with an M4 and Yale with a machine gun. Still the truck rushed toward them. Nearby, dozens of Iraqi police fired on the truck as well—but only briefly before their instincts for survival kicked in. Expecting a huge blast, they fled the area. But those two Marines stood their ground, pouring fire into the truck until it coasted to a halt in front of them—and exploded. Later estimates pegged the size of that IED at two thousand pounds or more. The blast damaged or destroyed two dozen houses and knocked down the walls of a mosque a hundred yards away. An Iraqi who witnessed the attack, interviewed by a Marine general afterward, choked back a sob and said, “Sir, in the name of God, no sane man would have stood there and done what they did. No sane man. They saved us all.” Lieutenant General John F. Kelly, who investigated the incident to document the Navy Crosses they were to receive, said, “In all of the instantaneous violence Yale and Haerter never hesitated. By all reports and by the recording [of a security camera nearby], they never stepped back. They never even started to step aside. They never even shifted their weight. With their feet spread shoulder-width apart, they leaned into the danger, firing as fast as they could work their weapons.” Yale, from Burkeville, Virginia, and Haerter, from Sag Harbor, New York, were decorated in 2009 for their steady nerves and heroism in the last six seconds of their lives, saving at least fifty people living
”
”
Marcus Luttrell (Service: A Navy SEAL at War)
“
He was raising his hand to knock when the door suddenly opened, revealing Mr. Kenton, Abigail’s elderly butler. Unfortunately, given that Mr. Kenton seemed to be holding some type of bat in his hands, a bat he was now raising at Everett rather threateningly, Everett got the immediate impression the man might not exactly be happy to see him. “Good evening, Mr. Kenton,” Everett finally said when the butler remained mute, something Everett was fairly sure went against every proper bone in the man’s body. “I was, ah, well, I was wondering if I might speak with Miss Longfellow.” “She doesn’t want to speak with you.” Before Everett could get another word past his lips, Mr. Kenton stepped back and shut the door in Everett’s face. Squaring his shoulders, Everett moved forward and knocked rather determinedly on that door. The sound of the lock clicking into place was the only response. He knocked again. A minute passed, the door remained stubbornly shut against him, so . . . he knocked once more. This, to his annoyance, became a trend. He’d knock, a minute would pass, and he’d knock again. Finally, when his knuckles began burning, he turned and stalked down the steps. Just as Millie had done at the Reading Room, he began to peek in all the windows, hoping to find one that might be unlocked. Unfortunately, Mr. Kenton had apparently already thought of the whole unlocked-window business, because Everett heard windows ahead of him being slammed shut. Pushing through the shrubbery he’d been forced to climb behind, he jumped when a flock of peacocks suddenly flew out at him, screeching in a manner he was far too familiar with, right as the sound of barking puppies could be heard from inside the house. Knowing full well those puppies would be with Millie, who couldn’t refuse cuteness if she tried, Everett followed the sound as the peacocks began trailing after him. Stopping at the back of the house, he pushed his way through yet another shrub, peered through the window, and smiled. Millie was standing by a roaring fire with a book in her hand, something he would never tire of seeing.
”
”
Jen Turano (In Good Company (A Class of Their Own Book #2))
“
They walked down each lane,
avenue, and street,
rang every doorbell
and said, “Trick or treat!”
But just when the children
thought they were done,
the princess said,
“We’ve forgotten just one.”
So they walked to the house
at the top of the hill,
which gave all the kids
a spine-tingling thrill.
They stood on the porch
and were ready to knock,
when they heard heavy footsteps,
and a turn of the lock.
When what to their
curious eyes should loom,
but a wicked old witch
holding a broom.
Her cape--how it shimmered!
Her face--oh, how scary!
Her hat was so pointy,
it frightened the fairy!
The wicked witch said,
“Welcome. We have a surprise.”
And the children yelled,
“Run! It’s not a disguise!
”
”
Natasha Wing (The Night Before Halloween)
“
When she bent to set another pitcher beside Travis, and he absently reached out to hug her hips, Cade's composure cracked. Lily gasped in surprise as Travis's hand was ripped from her side and then Travis himself was hauled from his chair and shoved toward the door. Ollie leapt up, knocking his own chair over as he attempted to interfere, but Cade grabbed his collar with his spare hand and shoved him in the same direction as Travis. Both men came up swinging, but Cade already had the door open, and with the kick of his boot and a block from his shoulder, he shoved them out into the pouring rain and slammed the door after them. Roy came to the door of his cubicle to investigate the commotion. Lily stared at Cade's calm features for a second, then in an explosion of rage, slammed out of the room in the direction of her chambers. Cade pointed his finger at Roy, sending him scurrying back to bed. Tankard in hand, Ephraim looked up from the table at the young giant standing in the room's center, water streaming from his soaked clothing as he visibly forced his fists to unclench in the sudden emptiness of the room. The older man shook his head and took a sip of his steaming drink. "You certainly do know how to empty a room," Ephraim commented to the house at large. Surveying the havoc he had wreaked, the overturned chairs and spilled plates, the tracks of mud across clean planked floors, the condemning silence of closed doors, Cade reached for a plate and the hot stew kept warming by the fire for him. Without a word, he filled his plate, sat down across from the old man, and began to eat. Ephraim raised his shaggy eyebrows, took a drink, and hid his grin in his cup. It didn't seem like the rest of his company was going to return any too soon. It looked like he'd better learn to get along with this one. Generously,
”
”
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
“
me. “Well, I know one thing about my twins. They’re not going to be models. I already tried them out for catalogue work. Within the first ten minutes, Orianthe informed me that she doesn’t like to do boring things and that modelling’s boring. And she’s not going to let her brother do boring things either.” I laughed. The cries of the twins pealed down the hallway as they bounded inside and called Jessie’s name. They must have discovered she was home. “Hey, where’s the pup?” I asked Pria. “Can I see him? Jessie said he’s growing big.” Immediately, Pria rolled her eyes and made a low disparaging sound. “I sent Buster out with the dog walker as soon as I knew Kate was coming over with the kids. He’d knock them flying. Wish I’d never bought him, to tell you the truth. After the break-in, I wanted a watchdog, but I should have paid more attention to the breed. He’s damned strong—even though he’s only nine months old. And he snaps. To tell you the truth, I’m a bit scared of the mutt. I’m having a dog trainer try to rein him in, but if that doesn’t work, he’s gone.” “What a shame,” I said. “Jess told me she’d like to walk the dog sometimes, but that’s not sounding good.” “Nope. The only thing I got right about him is his name. Because Buster has busted everything from doors to shoes.” She shook her head, a sorry smile on her face. The sound of the three children playing became too much. Tommy had once run through this house, too. I stayed for a while longer then made an excuse to leave. 29. PHOEBE Tuesday night STORM CLOUDS PUSHED INTO THE SKY, making the day darken a good hour before the incoming night. The heavy atmosphere pressed down on me. I opened the window of my bedroom upstairs at Nan’s house, letting the chill air stream in. I could only just catch a glimpse of the water from here. An enormous cruise liner dominated the harbour, staining the water red and blue with its lights. Maybe my small step in seeing Pria and Kate earlier had helped my frame of mind, but I didn’t feel it yet. I was back at square one. I began pacing the room, feeling unhinged. Things were all so in between. Dr Moran hadn’t succeeded in jogging my memory about the letters. She’d said she didn’t think it was possible to do all that I’d done in sleepwalking sessions and so the memory should still be in my mind somewhere. True sleepwalkers rarely remembered their dreams. Not remembering any of it was the most disturbing thing of all. It wasn’t the first time I’d forgotten things. With the binge drinking and the trauma of losing Tommy, there were gaps in my memory. But not a fucking chasm. And forgetting the writing of three notes and delivering them was a fucking chasm. Nan called me for dinner, and we ate the pumpkin soup together. I’d tried watching one of her sitcoms with her after that, but I gave up halfway through. I headed back upstairs. Surprisingly, I was tired enough to sleep. I crawled into bed and let myself drift off. I woke just before four thirty in the morning. The temperature had plummeted—I guessed it was below ten degrees. I’d been dreaming. The dream had been of the last day that Sass, Luke, Pria, Kate,
”
”
Anni Taylor (The Game You Played)
“
Why can't you call me Alex?" I ask, my head down while I stare at the food in front of me.
"If I wanted to call you Alex, I wouldn't have bothered to name you Alejandro. Don't you like your given name?"
My muscles tense. I was named after a father who is no longer alive, leaving me the responsibility of being the designated man of the house. Alejandro, Alejandro Jr., Junior . . . it's all the same to me.
"Would it matter?" I mumble as I pick up a tortilla. I look up, trying to gauge her reaction.
Her back is to me as she cleans dishes in the sink. "No."
"Alex wants to pretend he's white," Carlos chimes in. "You can change your name, bro, but nobody'd mistake you for anythin' other than Mexicano."
"Carlos, collate la boca," I warn. I don't want to be white. I just don't want to be associated with my father.
"Por favor, you two," our mother pleads. "Enough fighting for one day."
"Mojado," Carlos sings, egging me on by calling me a wetback.
I've had enough of Carlos's mouth; he's gone too far. I stand, my chair scraping the floor. Carlos follows and steps in front of me, closing the space between us. He knows I could kick his ass. His overblown ego is gonna get him in trouble with the wrong person one of these days.
"Carlos, sit down," mi'ama orders.
"Dirty beaner," Carlos drawls at me in a fake deep accent. "Better yet, es un Ganguero."
"Carlos!" mi'ama reprimands sharply as she comes forward, but I get in between them and grab my brother's collar.
"Yeah, that's all anyone will ever think of me," I tell him. "But you keep talkin' trash and they'll think that of you, too."
"Brother, they'll think that of me anyway. Whether I want them to or not."
I release him. "You're wrong, Carlos. You can do better, be better."
"Than you?"
"Yeah, better than me and you know it," I say. "Now apologize to mi'ama for talkin' smack in front of her."
One look in my eyes and Carlos knows I'm not kidding around. "Sorry, Ma," he says, then sits back down. I don't miss his glare, though, as his ego got knocked down a peg.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
I went to see the house. (...) The place was a squat—thirty-five heroin addicts were living there. The chaos was palpable. It smelled like dog shit, cat shit, piss. (...) One floor was literally burned—it was nothing but charred floorboards with a toilet sitting in the middle. This place looked terrible.
“How much?” I asked.
Forty thousand guilder, they told me. They clearly just wanted to dump this house. But if you bought it, you were also getting the heroin addicts who were squatting in it, and under Dutch law, it was all but impossible to get them out. For any normal human being to buy this place would be like throwing money out the window. So I said, “Okay, I’m interested.”
I talked about it with my friends. “You’re nuts,” they said. “It’s not money you have—what the hell are you going to do?”
...A drug dealer [had] bought the place. But he didn’t pay the mortgage. And he didn’t pay and he didn’t pay, and finally he was in such financial trouble that he decided to burn the place down for the insurance. Except that the fire was stopped in time and only the one floor was damaged. And then the insurance investigator found that the drug dealer had done it intentionally, and the bank took the house away from him. And this was how it turned into a squat for heroin addicts.
“But where is this guy?” I asked.
“He’s still living in the house,” the neighbor told me.
This house had two entrances. One went to the first floor and the other to the second. The door with the board across it was the entrance to the first floor, where I’d already been; the drug dealer was living on the second floor. So I went around and knocked on the door, and he answered. “I want to talk to you,” I said.
He let me in. There was a table in the middle of the floor, covered with ecstasy, cocaine, hashish, all ready to go into bags. There was a pistol on the table. This guy was bloated—he looked like hell. And suddenly I poured my heart out to him.
I told him everything... I said that this house was what I wanted—all I wanted—the only home I could afford with the little money I had. I was weeping. This guy was standing there with his mouth open.
He stood there looking at me. Then he said, “Okay. But I have a condition.”
“This is my deal. I’ll get everybody out; you’ll get your mortgage. But the moment you sign the contract and get the house, you’re going to sign a contract that I can stay on this floor for the rest of my life. That’s the deal. If you cross me...” He showed me the pistol.
It was in a good neighborhood, where a comparable place would sell for forty to fifty times the price. And [now] it was empty—not a heroin addict in sight. I got a mortgage in less than a week.
But now, since my bank knew the house was empty, Dutch law gave them the right to buy the house for themselves. So I went back to the drug dealer and said, “Can we get some addicts back into the place? Because it’s too good now.”
“How many you want?” he asked.
“About twelve,” I said.
“No problem,” he said. He got twelve addicts back. I took curtains I found in a dumpster and put them on the windows. Then I scattered some more debris around the place. Now all I had to do was wait. My contract signing was two weeks away—it was the longest two weeks in my life. Finally the day came... and I walked into the bank.
The atmosphere was very serious. One of the bankers looked at me and said, “I heard that the unwanted tenants have left the house.”
I just looked at him very coolly and said, “Yeah, some left.”
He cleared his throat and said, “Sign here.” I signed. “Congratulations,” the banker said. “You’re the owner of the house.”
I looked at him and said, “You know what? Actually everybody left the house.”
He looked back at me and said, “My dear girl, if this is true, you have just made the best real-estate deal I’ve heard of in my twenty-five-year career.
”
”
Marina Abramović
“
Only 15-20% of Rossmoor houses are “originals”—structures unchanged from their construction in the 1950s. The land is what’s valuable. People knock down the gingerbread cottages to build Mediterranean villas with no yards between them. I don’t want our family’s house to suffer that transformation.
”
”
Tania Runyan (Making Peace With Paradise: an autobiography of a California girl)
“
The early Christians took this story and used it as the backdrop for the doctrine of ‘The Trinity.’ For me, though, this myth has nothing to do with the belief in the father, son, and holy spirit. Rublev’s hospitality icon is important to me because by receiving the three strangers, Abraham and Sarah further their own narrative.
The story of the strangers gets intertwined with Abraham and Sarah and they learn something new about themselves. This icon is a reminder to me to be welcoming and hospitable to strangers. It helps me remember that every stranger has a story.
I kept this myth in mind, when a group of young Mormons came walking down the street and knocked on my door. I offered for them to come in and eat. Did I become Mormon? No. I did have them over three times to understand them and learn what it was like to be Mormon and to be them personally.
Does this mean that you should let every stranger in your house because it says that Abraham did? No, definitely do not do that.
Just like I get to choose what to get out of a myth, I get to choose when to apply it. I am admittedly a nerd and like to discuss beliefs and theology. I like to learn about people and different ways to think and live. This comes with an openness to new people in certain situations.
Being open and hospitable to new people and ideas can help you understand yourself and other people. It can further your narrative and expand your viewpoints.
”
”
Eric Overby
“
Knock Down the House,
”
”
Lynda Lopez (AOC: The Fearless Rise and Powerful Resonance of Alexandria Ocasio-Cortez)
“
In order to house our fellow comrades as quickly and economically as possible, we must, indeed, pursue bold new steps. So, let us not get bogged down with elaborate designs or bow to aesthetic vanities. Let us apply ourselves instead to a universal ideal that is fitting for our times.” Thus was born the golden age of the prefabricated, cement-walled, five-story apartment building—and the four-hundred-square-foot living spaces with ready access to communal bathrooms boasting four-foot tubs (after all, who has time to lie down in a bath when your neighbors are knocking at the door.]
”
”
Amor Towles (A Gentleman in Moscow)
“
One gusty cold night Johnny was walking home from Fergie’s house. At the start of the walk he was in a pretty good mood, because he had beaten Fergie in three straight games of chess. But as he walked on, he found that he was getting jittery. It was so windy that a few dead branches came clattering down near Johnny, and sometimes a very strong gust would knock over a garbage can in an alley. The endless moaning in the trees was not very pleasant either. By the time he got to the end of Fillmore Street, Johnny was jumping at every sound that he heard. He glanced ahead and saw the windows glowing in his grandparents’ house, and—as always —this sight made him feel good. He started walking faster, but he came to a sudden halt when he heard a scraping noise off to his right. Something was moving toward him.
”
”
John Bellairs (The Revenge of the Wizard's Ghost (Johnny Dixon, #4))
“
IF THE MCLAREN P1 ISN’T FASTER THAN THOSE OTHER TWO CARS YOU CAN KNOCK MY HOUSE DOWN … OH BUGGER’ – JEREMY CLARKSON
”
”
Jeremy Clarkson (The Grand Tour Guide to the World: The Official Humour Book of International Travel and Motor Sports)
“
SUNDAY Very boring weekend. I ended up spending most of it lying on my bed listening to the Mary Poppins soundtrack (really very catchy) and reading one of my library books, My Family and Other Animals by Gerald Durrell, which is a true story about a boy who goes off to Corfu with his family and adopts loads of cool animals. His older siblings are totally head-wrecking, especially his pretentious big brother Larry, which is partly why I like it. But I also like it because I too have an affinity with the animal kingdom, as proved by the fact that every time I go to Alice’s house in the country I always see loads of wild creatures. Well, squirrels. But they’re wild, aren’t they? Of course, my sensible way of spending the weekend didn’t please my tyrannical parents. Their sympathy for my relegation to the chorus didn’t last very long. This afternoon my mother came in to my room (without knocking, of course. She has the manners of a … I dunno. Something rude) when I was quietly reading, took one look at me and said, ‘What on earth are you doing like that?’ ‘I am reading, mother,’ I said. ‘Isn’t that obvious?’ ‘But why are you lying with your head over one side of the bed and the book on the floor? That can’t be comfortable. Or good for your neck.’ Honestly! She can even find fault with the way I read! I don’t even know why I was lying like that; it just felt like the right way to lie. Also it meant that when I needed to take a break from Mary Poppins I could reach over and change the music on my iPod which was plugged into its little speakers on a shelf by the bed. So I told her this and she said, ‘Well, if you get a terrible crick in your neck, don’t say I didn’t warn you.’ And then she demanded I come down soon and chop up some carrots. Yet again, I wonder what the fans of my mother’s books would
”
”
Anna Carey (Rebecca's Rules (The Real Rebecca))
“
and delivered a front kick to Mr. J’s abdomen so powerful, it lifted him off the ground and sent him stumbling back at least six or seven feet. As Mr. J crashed on to the messy front lawn, he heard the front door slam shut. ‘Motherfu . . .’ He coughed frantically, trying to breathe in. The kick had knocked the air out of Mr. J’s lungs. He tried to get up, but pain forced him to sit back down for a couple more seconds. He brought his right hand to his stomach and squeezed his eyes tight. Finally. He was able to breathe life back into his limbs. ‘You sonofabitch.’ He got back on to his feet and ran towards the door. Locked. ‘Arghhhh . . .’ Mr. J let out a full-of-frustration cry. He stepped back and, using all the power he had in his muscles, threw his whole body, shoulder first, against the door. It rattled but that was about it. ‘Shit!’ He stepped back again and this time used his right leg to deliver a kick into the door handle. The door shook again, but it still didn’t open. He tried again. Nothing. One more time. Almost. Again, and this time Mr. J gave it everything he had. If this failed, he would use his gun. SLAM! The door finally flew open, cracking the doorframe and throwing splinters up in the air. As he cautiously stepped into the house, Mr. J pulled out a Sig Sauer P226 Legion from his lower-back holster. The pistol was equipped with a silencer. The front door took him straight into a sparsely furnished living room. Empty. Mr. J looked left, then right. Nothing. ‘Jeffery?’ Mr. J called in a loud and angry voice, while taking in the room. No reply. ‘Jeffery? C’mon, let’s talk.’ Silence. Across the room from him there was a shut door. ‘The kitchen,’ he thought. To his right, a corridor would take him deeper into the house. There was no one there either. Mr. J decided to go for the kitchen door. If he went for the corridor that would mean that he would have his back to the shut door. Never a good idea. He crossed the room and threw his back against the wall to the side of the door. He was about to try its handle
”
”
Chris Carter (The Caller (Robert Hunter, #8))
“
Secret Garden"
She'll let you in her house
If you come knocking late at night
She'll let you in her mouth
If the words you say are right
If you pay the price
She'll let you deep inside
But there's a secret garden she hides
She'll let you in her car
To go driving around
She'll let you into the parts of herself
That will bring you down
She'll let you in her heart
If you got a hammer and a vise
But into her secret garden, don't think twice
You've gone a million miles
How far would you get
To that place where you can't remember
And you can't forget
She'll lead you down a path
There will be tenderness in the air
She'll let you come just far enough
So you know she's really there
Then she'll look at you and smile
And her eyes will say
She's got a secret garden
Where everything you want
Where everything you need
Will always stay
A million miles away
Bruce Springsteen, Greatest Hits (1995)
”
”
Bruce Springsteen (Bruce Springsteen -- Greatest Hits: Piano/Vocal/Chords)
“
Eighteen thousand people,’ Rachel announces triumphantly. ‘And you’re knocking down a load of council houses for a few fancy apartments with a gym.’ She rolls her eyes, grinning, as if this is all hilariously funny, instead of hideously uncomfortable. ‘I bet most of it is foreigners, isn’t it? Buying from abroad? I bet half of them won’t even live there.’ Lisa’s expression hardens from lukewarm to glacial.
”
”
Katherine Faulkner (Greenwich Park)
“
INT. NEWT’S HOUSE—NIGHT
NEWT opens the front door cautiously. Inside, a baby Niffler is swinging from the brass cord of a table lamp, causing the light to flicker on and off. The baby Niffler succeeds in stealing the brass cord before spotting NEWT. It scampers away, knocking all manner of objects to the floor.
NEWT spots a second baby Niffler sitting on a set of weighing scales, pinned down by gold-colored weights it is clearly attempting to steal.
As the first baby makes it to the dining table, NEWT lightly drops a saucepan on top of it, which continues moving across the table. NEWT tosses an apple into the opposite weighing scale, sending the baby Niffler flying into the air. NEWT catches both baby Nifflers as they fall, then tucks them into his pockets.
Satisfied, NEWT heads toward the door to his basement but turns at the last moment to see a third escaped baby Niffler climbing onto a bottle of champagne on the counter. With a sense of inevitability, the champagne bottle pops and the baby Niffler zooms toward NEWT on top of the cork, soaring past him and down the stairs to the basement.
”
”
J.K. Rowling (Fantastic Beasts: The Crimes of Grindelwald: The Original Screenplay (Fantastic Beasts: The Original Screenplay, #2))
“
His mother claims not to miss anything about Cuba except the way she visited friends, which was to walk through their gardens and into their houses, without knocking, and to sit down at a kitchen table as if she were in her own home. That is not the way here, she says, and anyway there are no friends.
”
”
Marie Rutkoski (Real Easy)