Knock At The Cabin Quotes

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I don’t get a taste of you soon, I’m givin’ up the search and takin’ you to my cabin in Grand Lake. No phones, no cell coverage, no buzzer. Anyone knocks on the door and I’m shooting them.
Kristen Ashley (Rock Chick (Rock Chick, #1))
They're all gone, my tribe is gone. Those blankets they gave us, infected with smallpox, have killed us. I'm the last, the very last, and I'm sick, too. So very sick. Hot. My fever burning so hot. I have to take off my clothes, feel the cold air, splash water across my bare skin. And dance. I'll dance a Ghost Dance. I'll bring them back. Can you hear the drums? I can hear them, and it's my grandfather and grandmother singing. Can you hear them? I dance one step and my sister rises from the ash. I dance another and a buffalo crashes down from the sky onto a log cabin in Nebraska. With every step, an Indian rises. With every other step, a buffalo falls. I'm growing, too. My blisters heal, my muscles stretch, expand. My tribe dances behind me. At first they are no bigger than children. Then they begin to grow, larger than me, larger than the trees around us. The buffalo come to join us and their hooves shake the earth, knock all the white people from their beds, send their plates crashing to the floor. We dance in circles growing larger and larger until we are standing on the shore, watching all the ships returning to Europe. All the white hands are waving good-bye and we continue to dance, dance until the ships fall off the horizon, dance until we are so tall and strong that the sun is nearly jealous. We dance that way.
Sherman Alexie (The Lone Ranger and Tonto Fistfight in Heaven)
Snake pushes me out of the way, using me like a weapon to knock Gage and Tank off balance. He runs for the door and bursts out before we get a chance to get back to our feet. The men try to keep me in the house, but I don’t listen to them. Chasing after Snake, I reach under my shirt and wrap my hand around the handle of my gun. He doesn’t have a car, but that’s not going to stop the slimy piece of shit from trying to get away from me. After jangling a few handles, he finds an unlocked door and dives behind the wheel. My shot obliterates the back window, but it doesn’t stop him from cranking the engine
A.J. Rivers (The Girl in Cabin 13 (Emma Griffin FBI Mystery, #1))
EVERYTHING SMELLED LIKE POISON. Two days after leaving Venice, Hazel still couldn’t get the noxious scent of eau de cow monster out of her nose. The seasickness didn’t help. The Argo II sailed down the Adriatic, a beautiful glittering expanse of blue; but Hazel couldn’t appreciate it, thanks to the constant rolling of the ship. Above deck, she tried to keep her eyes fixed on the horizon—the white cliffs that always seemed just a mile or so to the east. What country was that, Croatia? She wasn’t sure. She just wished she were on solid ground again. The thing that nauseated her most was the weasel. Last night, Hecate’s pet Gale had appeared in her cabin. Hazel woke from a nightmare, thinking, What is that smell? She found a furry rodent propped on her chest, staring at her with its beady black eyes. Nothing like waking up screaming, kicking off your covers, and dancing around your cabin while a weasel scampers between your feet, screeching and farting. Her friends rushed to her room to see if she was okay. The weasel was difficult to explain. Hazel could tell that Leo was trying hard not to make a joke. In the morning, once the excitement died down, Hazel decided to visit Coach Hedge, since he could talk to animals. She’d found his cabin door ajar and heard the coach inside, talking as if he were on the phone with someone—except they had no phones on board. Maybe he was sending a magical Iris-message? Hazel had heard that the Greeks used those a lot. “Sure, hon,” Hedge was saying. “Yeah, I know, baby. No, it’s great news, but—” His voice broke with emotion. Hazel suddenly felt horrible for eavesdropping. She would’ve backed away, but Gale squeaked at her heels. Hazel knocked on the coach’s door. Hedge poked his head out, scowling as usual, but his eyes were red. “What?” he growled. “Um…sorry,” Hazel said. “Are you okay?” The coach snorted and opened his door wide. “Kinda question is that?” There was no one else in the room. “I—” Hazel tried to remember why she was there. “I wondered if you could talk to my weasel.” The coach’s eyes narrowed. He lowered his voice. “Are we speaking in code? Is there an intruder aboard?” “Well, sort of.” Gale peeked out from behind Hazel’s feet and started chattering. The coach looked offended. He chattered back at the weasel. They had what sounded like a very intense argument. “What did she say?” Hazel asked. “A lot of rude things,” grumbled the satyr. “The gist of it: she’s here to see how it goes.” “How what goes?” Coach Hedge stomped his hoof. “How am I supposed to know? She’s a polecat! They never give a straight answer. Now, if you’ll excuse me, I’ve got, uh, stuff…” He closed the door in her face. After breakfast, Hazel stood at the port rail, trying to settle her stomach. Next to her, Gale ran up and down the railing, passing gas; but the strong wind off the Adriatic helped whisk it away. Hazel
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
there’s one thing Missis might learn even from poor Tom. Ye said the Lord took sides against us, because he lets us be ’bused and knocked round; but ye see what come on his own Son,—the blessed Lord of Glory,—wan’t he allays poor? and have we, any on us, yet come so low as he come? The Lord han’t forgot us,—I’m sartin’ o’ that ar’. If we suffer with him, we shall also reign, Scripture says; but, if we deny Him, he also will deny us.
Harriet Beecher Stowe (Uncle Tom's Cabin)
The world of literature came knock-knock-knocking on James Baldwin’s door early: Reading and rereading Uncle Tom’s Cabin before he was ten. Discovering the novels of Charles Dickens at around the same time. The Schomburg Library on 135th Street, which he seemed to haunt when not baby-sitting his siblings. Frederick Douglass Junior High School, where he would study with Countee Cullen (“ To make a poet black, and bid him sing!”), by then the author of two volumes of poetry. Surely, for Baldwin, already the idea of being a writer, for a black man, was a tangible, possible thing.
James Baldwin (The Cross of Redemption: Uncollected Writings)
By now Ferris had come to the grudging conclusion that his client was “a plumb good sort.” Garrulous in the cabin, Roosevelt on the trail was quiet, purposeful, and tough. “He could stand an awful lot of hard knocks, and he was always cheerful.” The guide was intrigued by his habit of pulling out a book in flyblown campsites and immersing himself in it, as if he were ensconced in the luxury of the Astor Library. Most of all, perhaps, he was impressed by a casual remark Roosevelt made one night while blowing up a rubber pillow. “His doctors back East had told him that he did not have much longer to live, and that violent exercise would be immediately fatal.”64
Edmund Morris (The Rise of Theodore Roosevelt)
there’s one thing Missis might learn even from poor Tom. Ye said the Lord took sides against us, because he lets us be ’bused and knocked round; but ye see what come on his own Son,—the blessed Lord of Glory,—wan’t he allays poor? and have we, any on us, yet come so low as he come? The Lord han’t forgot us,—I’m sartin’ o’ that ar’. If we suffer with him, we shall also reign, Scripture says; but, if we deny Him, he also will deny us. Didn’t they all suffer?—the Lord and all his? It tells how they was stoned and sawn asunder, and wandered about in sheep-skins and goat-skins, and was destitute, afflicted, tormented. Sufferin’ an’t no reason to make us think the Lord’s turned agin us; but jest the contrary, if only we hold on to him, and doesn’t give up to sin.
Harriet Beecher Stowe (Uncle Tom's Cabin)
The cabin; by the stern windows; Ahab sitting alone, and gazing out. I leave a white and turbid wake; pale waters, paler cheeks, where'er I sail. The envious billows sidelong swell to whelm my track; let them; but first I pass. Yonder, by the ever-brimming goblet's rim, the warm waves blush like wine. The gold brow plumbs the blue. The diver sun— slow dived from noon—goes down; my soul mounts up! she wearies with her endless hill. Is, then, the crown too heavy that I wear? this Iron Crown of Lombardy. Yet is it bright with many a gem; I the wearer, see not its far flashings; but darkly feel that I wear that, that dazzlingly confounds. 'Tis iron—that I know—not gold. 'Tis split, too—that I feel; the jagged edge galls me so, my brain seems to beat against the solid metal; aye, steel skull, mine; the sort that needs no helmet in the most brain-battering fight! Dry heat upon my brow? Oh! time was, when as the sunrise nobly spurred me, so the sunset soothed. No more. This lovely light, it lights not me; all loveliness is anguish to me, since I can ne'er enjoy. Gifted with the high perception, I lack the low, enjoying power; damned, most subtly and most malignantly! damned in the midst of Paradise! Good night—good night! (waving his hand, he moves from the window.) 'Twas not so hard a task. I thought to find one stubborn, at the least; but my one cogged circle fits into all their various wheels, and they revolve. Or, if you will, like so many ant-hills of powder, they all stand before me; and I their match. Oh, hard! that to fire others, the match itself must needs be wasting! What I've dared, I've willed; and what I've willed, I'll do! They think me mad— Starbuck does; but I'm demoniac, I am madness maddened! That wild madness that's only calm to comprehend itself! The prophecy was that I should be dismembered; and—Aye! I lost this leg. I now prophesy that I will dismember my dismemberer. Now, then, be the prophet and the fulfiller one. That's more than ye, ye great gods, ever were. I laugh and hoot at ye, ye cricket-players, ye pugilists, ye deaf Burkes and blinded Bendigoes! I will not say as schoolboys do to bullies—Take some one of your own size; don't pommel me! No, ye've knocked me down, and I am up again; but ye have run and hidden. Come forth from behind your cotton bags! I have no long gun to reach ye. Come, Ahab's compliments to ye; come and see if ye can swerve me. Swerve me? ye cannot swerve me, else ye swerve yourselves! man has ye there. Swerve me? The path to my fixed purpose is laid with iron rails, whereon my soul is grooved to run. Over unsounded gorges, through the rifled hearts of mountains, under torrents' beds, unerringly I rush! Naught's an obstacle, naught's an angle to the iron way! CHAPTER
Herman Melville (Moby Dick: or, the White Whale)
I am offering this poem to you, since I have nothing else to give. Keep it like a warm coat when winter comes to cover you, or like a pair of thick socks the cold cannot bite through, I love you, I have nothing else to give you, so it is a pot full of yellow corn to warm your belly in winter, it is a scarf for your head, to wear over your hair, to tie up around your face, I love you, Keep it, treasure this as you would if you were lost, needing direction, in the wilderness life becomes when mature; and in the corner of your drawer, tucked away like a cabin or hogan in dense trees, come knocking, and I will answer, give you directions, and let you warm yourself by this fire, rest by this fire, and make you feel safe I love you, It’s all I have to give, and all anyone needs to live, and to go on living inside, when the world outside no longer cares if you live or die; remember, I love you. "I Am Offering This Poem
Jimmy Santiago Baca
But wait, stop, it’s not supposed to end this way! You’re the fantasy, you’re what I’m leaving behind. I can’t pack you up and take you with me.” “That was the most self-centered thing I’ve ever heard you say.” Jane blinked. “It was?” “Miss Hayes, have you stopped to consider that you might have this all backward? That in fact you are my fantasy?” The jet engines began to whir, the pressure of the cabin stuck invisible fingers into her ears. Henry gripped his armrest and stared ahead as though trying to steady the machine by force of will. Jane laughed at him and settled into her seat. It was a long flight. There would be time to get more answers, and she thought she could wait. Then in that moment when the plane rushed forward as though for its life, and gravity pushed down, and the plane lifted up, and Jane was breathless inside those two forces, she needed to know now. “Henry, tell me which parts were true.” “All of it. Especially this part where I’m going to die…” His knuckles were literally turning white as he held tighter to the armrests, his eyes staring straight ahead. The light gushing through the window was just right, afternoon coming at them with the perfect slant, the sun grazing the horizon of her window, yellow light spilling in. She saw Henry clearly, noticed a chicken pox scar on his forehead, read in the turn down of his upper lip how he must have looked as a pouty little boy and in the faint lines tracing away from the corners of his eyes the old man he’d one day become. Her imagination expanded. She had seen her life like an intricate puzzle, all the boyfriends like dominoes, knocking the next one and the next, an endless succession of falling down. But maybe that wasn’t it at all. She’d been thinking so much about endings, she’d forgotten to allow for the possibility of a last one, one that might stay standing. Jane pried his right hand off the armrest, placed it on the back of her neck and held it there. She lifted the armrest so nothing was between them and held his face with her other hand. It was a fine face, a jaw that fit in her palm. She could feel the whiskers growing back that he’d shaved that morning. He was looking at her again, though his expression couldn’t shake off the terror, which made Jane laugh. “How can you be so cavalier?” he asked. “Tens of thousands of pounds expected to just float in the air?” She kissed him, and he tasted so yummy, not like food or mouthwash or chapstick, but like a man. He moaned once in surrender, his muscles relaxing. “I knew I really liked you,” he said against her lips. His fingers pulled her closer, his other hand reached for her waist. His kisses became hungry, and she guessed that he hadn’t been kissed, not for real, for a long time. Neither had she, as a matter of fact. Maybe this was the very first time. There was little similarity to the empty, lusty making out she’d played at with Martin. Kissing Henry was more than just plain fun. Later, when they would spend straight hours conversing in the dark, Jane would realize that Henry kissed the way he talked--his entire attention taut, focused, intensely hers. His touch was a conversation, telling her again and again that only she in the whole world really mattered. His lips only drifted from hers to touch her face, her hands, her neck. And when he spoke, he called her Jane. Her stomach dropped as they fled higher into the sky, and they kissed recklessly for hundreds of miles, until Henry was no longer afraid of flying.
Shannon Hale (Austenland (Austenland, #1))
The madness surged around him, and Rhy tore himself away from the breaking city and turned his sights again to his quest for the captain of the Night Spire. There were only two places Alucard Emery would go: his family estate or his ship. Logic said he’d go to the house, but something in Rhy’s gut sent him in the opposite direction, toward the docks. He found the captain on his cabin floor. One of the chairs by the hearth had been toppled, a table knocked clean of glasses, their glittering shards scattered in the rug and across the wooden floor. Alucard—decisive, strong, beautiful Alucard—lay curled on his side, shivering with fever, his warm brown hair matted to his cheeks with sweat. He was clutching his head, breath escaping in ragged gasps as he spoke to ghosts. “Stop … please …” His voice—that even, clear voice, always brimming with laughter—broke. “Don’t make me …” Rhy was on his knees beside him. “Luc,” he said, touching the man’s shoulder. Alucard’s eyes flashed open, and Rhy recoiled when he saw them filled with shadows. Not the even black of Kell’s gaze, but instead menacing streaks of darkness that writhed and coiled like snakes through his vision, storm blue irises flashing and vanishing behind the fog. “Stop,” snarled the captain suddenly. He struggled up, limbs shaking, only to fall back against the floor. Rhy hovered over him, helpless, unsure whether to hold him down or try to help him up. Alucard’s eyes found his, but looked straight through him. He was somewhere else. “Please,” the captain pleaded with the ghosts. “Don’t make me go.” “I won’t,” said Rhy, wondering who Alucard saw. What he saw. How to free him. The captain’s veins stood out like ropes against his skin. “He’ll never forgive me.” “Who?” asked Rhy, and Alucard’s brow furrowed, as if he were trying to see through the fog, the fever. “Rhy—” The sickness tightened its hold, the shadows in his eyes streaking with lines of light like lightning. The captain bit back a scream. Rhy ran his fingers over Alucard’s hair, took his face in his hands. “Fight it,” he ordered. “Whatever’s holding you, fight it.” Alucard folded in on himself, shuddering. “I can’t….” “Focus on me.” “Rhy …” he sobbed. “I’m here.” Rhy Maresh lowered himself onto the glass-strewn floor, lay on his side so they were face-to-face. “I’m here.” He remembered, then. Like a dream flickering back to the surface, he remembered Alucard’s hands on his shoulders, his voice cutting through the pain, reaching out to him, even in the dark. I’m here now, he’d said, so you can’t die. “I’m here now,” echoed Rhy, twining his fingers through Alucard’s. “And I’m not letting go, so don’t you dare.” Another scream tore from Alucard’s throat, his grip tightening as the lines of black on his skin began to glow. First red, then white. Burning. He was burning from the inside out. And it hurt—hurt to watch, hurt to feel so helpless. But Rhy kept his word. He didn’t let go.
V.E. Schwab (A Conjuring of Light (Shades of Magic, #3))
Just stop and think a bit. All such things as bulk, or width, you know by comparison only; comparison with familiar things. So, just for fun, go up in an imaginary balloon, about half way to that old Moon, which has hung aloft from your birth—(and possibly a day or two in addition)— and look down upon your “gigantic” city. How will it look? It is a small patch of various colors; but you know that, within that tiny patch, many thousands of your kind hurry back and forth; railway trains crawl out to far-away districts; and, if you can pick out a grain of dust that stands out dimly in a glow of sunlight, you may know that it is your mansion, your cabin or your hut, according to your financial status. Now, if that hardly shows up, how about you? What kind of a dot would you form in comparison? You must admit that your past thoughts as to your own pomposity will shrink just a bit! All this shows us that could this big World think, it wouldn't know that such a thing as Man was on it. And Man thinks that his part in all this unthinkably vast Cosmos is important! Why, you poor shrimp! if this old World wants to twitch just a bit and knock down a city or two, or split up a group of mountains, Man, with all his brain capacity, can only clash wildly about, dodging falling bricks.
Ernest Vincent Wright (Gadsby)
Then I can turn my attention to cleaning. It’s a fine cabin but . . . but . . .” She looked a bit lost as she studied all the clutter stacked through the cabin. “I need to knock a f-few cobwebs down.” Rylan saw about a hundred cobwebs without turning his head. “And the floor needs to be swept and scrubbed.” She had to find the floor first.
Mary Connealy (Spitfire Sweetheart (Four Weddings and a Kiss))
skills were needed, and someone inside that cottage was undoubtedly injured or ill. She moved toward the door and was wondering whether to open it or knock first when it flew open, and her kidnapper tugged her inside. “Over there.” He pointed toward the back of the cottage near the hearth. She stood long enough to notice the two guards on either side of the doorway. Which one was the chief? “Stop gawking and move on over. The one on the pallet needs you. Now heal him. I will get more wood to warm the cabin.” The door slammed behind him. The guards at the door ignored her. Clearly they were not in charge. She blocked them out so she could focus on her new patient and do what needed to be done so she could return home. As
Keira Montclair (Healing a Highlander's Heart (Clan Grant, #2))
Lily shoved back her chair and jumped to her feet, knocking the chair over as she glared at Cade. "Leave us? Some friend of yours shoots at my family and you talk about leaving? Do you plan to join those suicidal idiots at the Alamo?" "Lily..." Travis and her father both rose to their feet, but Lily only had eyes for Cade. He met her glare with the same stoic facade he had used the day they met. "There is something I must do there. I know nothing of white men's wars, but for a few hundred men to stand against an army of thousands is the work of either fools or great heroes. I cannot help them either way. My business takes me beyond those walls." "And I suppose I have no right to ask what that business is? I am only your wife, after all." "This is business between myself and one other man. I have already told you more than should be said." "How can you do this?" Lily whispered, so furious she did not dare speak louder. "I can do this because you do not need me here. You have told me yourself that you can stand on your own. You have a father and friends here. You will be safe with them." But would he be safe without her? Anguish tore through Lily as she met the implacable look in Cade's eyes. He wasn't going to give an inch. She hated him as much now as she had ever hated anyone. "You're right, I don't need you. I don't need anybody. The whole lot of you can go to Bexar. I'm going to take a nap." Lily walked out, leaving the room behind her crackling with unspoken emotions. Neither Ephraim nor Travis said anything as Cade took the back door toward the barn. The cabin was too small for all of them. Newlyweds ought to be allowed their spats in private. This, however, had the makings of something more than a lovers' quarrel. *
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
I was sound asleep at the Oregon beach cabin one night when there was a knock at the door. A woman who said she was from the Red Cross stood on the front porch. I was foggy-headed. At first, I could not get through my brain what she was saying. “I don’t mean to alarm you,” she said. “But you need to call home immediately.” Terror struck me. My mind raced. Where was Steve? Bindi lay asleep in the bedroom. I asked the woman from the Red Cross to stay on the porch while I went across the street to the pay phone. The international calling procedure seemed immensely complicated that morning, and terribly slow. I tried to keep my fingers steady as I dialed. The sun had not yet risen. I was in my robe. It was February of 2000, and I remember thinking, It’s always the coldest just before the sun comes up. I heard Steve’s voice on the other end of the phone and experienced an immediate flood of relief. He’s alive. But something was terribly wrong. Steve was incoherent. I couldn’t figure out what had happened. Not long before, we had lost our favorite crocodile to old age, and I thought that something had happened to one of our animals. But the tone of Steve’s voice was different. He was sobbing, but finally managed to choke out the words. His mother had been killed in a car accident. I felt the blood drain from my face. I couldn’t believe it. I didn’t know what he was talking about. He tried to explain, but he couldn’t really talk. The next thing I knew, the line went dead. It took a few frantic calls to find out what had happened. In the process of moving to their new home on our property, Lyn had left Rosedale to make one last trip with a few remaining family possessions. She was driving with the family malamute, Aylic, in the passenger seat beside her, and Sharon, their bird-eating spider, in a glass terrarium tank in the back of the truck. Lyn left the Rosedale house early, about three o’clock in the morning. As she approached Ironbark Station, her Ute left the road traveling sixty miles an hour. The truck hit a tree and she died instantly. Aylic was killed as well, and the tank holding the bird-eating spider was smashed to pieces. Early in the morning, at the precise moment when the crash happened, Steve was working on the backhoe at the zoo. He suddenly felt as if he had been hit by something that knocked him over, and he fell violently off the machine, hitting the ground so hard that his sunglasses came off. He told me later that he knew something terrible had happened. Steve got in his Ute and started driving. He had no idea what had happened, but he knew where he had to go. It was still early. With uncanny precision, he drove toward where the accident occurred. His mobile phone rang. It was Frank. When his brother-in-law told him what had happened and where, Steve realized he was already headed there.
Terri Irwin (Steve & Me)
Cade struggled helplessly for words to convey his feelings, but Lily was already straining against another pain. "Why does it not come?" he demanded sharply of Dove Woman, who was merely sitting cross-legged on the floor, humming to herself. "Because it is not time," she repeated. "But it is killing her! Look how she suffers. We must do something." Cade paced, throwing anxious looks at Lily as she took a deep breath and released the bed once more. "You had better go out with the others, Cade. There is nothing you can do to speed the child's coming." Not understanding the actual words between Cade and Dove Woman, Lily understood their content. "I will fetch Travis. He will give you something for the pain." Before Cade could start for the door, Lily gave a groan of pure agony, and Dove Woman unhurriedly rose from the floor. "She is in pain! Santa Maria, do something!" Cade dropped to his knees beside the bed and tried to lift Lily into his arms, but she reached for the bed rails. "Send him out," Dove Woman enunciated in clear Spanish when Lily rested once more. "It will save pain for both." Lily looked up at Cade's anguished expression, startled by the immense emotion displayed for the first time on his usually implacable features, and her heart took two leaps and a jump before settling more calmly in her chest. "Leave, Cade. There is nothing more you can do here," she said softly. "How can I leave?" he cried. "I have done this to you. I would take the pain away." As Lily's eyes closed with the onset of the next contraction, Cade panicked. "Lily, I can't lose you! Lily, please..." Dove Woman went to the door and murmured to the two boys waiting outside. The eldest looked rebellious at her words, but he disappeared into the opposite cabin. Moments later, he returned with Travis. Travis pounded on the closed bedroom door and shouted, "Cade, get your royal ass out here before I have to come in and get you!" Lily's eyes blinked open, and she half smiled at this command. "Go, Cade. You can't bring the child any faster." "I can't leave you here to suffer alone." Cade touched her brow, unwilling to form even in his mind the words for the fear he felt. He had just watched a man die, but it was Lily’s pain that was ripping him apart, tearing down the walls of his heart and soul. "I wish there was music," Lily whispered, surrendering to the pain once again. Cade caught the wish even as Travis slammed into the room, gun in hand to order him out. "Cade, damn you, the women want you out!" Travis shouted. Seeing only an obstruction between himself and the means to satisfy Lily's wish, Cade coolly knocked Travis's gun aside, floored him with a single punch, and stepping over his friend's fallen body, walked out the door. In
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
As John Wesley was crossing the Atlantic Ocean, contrary winds came up. He was reading in his cabin when he became aware of some confusion on board. When he learned that the winds were knocking the ship off course, he responded in prayer. Adam Clarke, a colleague, heard the prayer and recorded it. Almighty and everlasting God, thou hast sway everywhere, and all things serve the purpose of thy will, thou holdest the winds in thy fists and sittest upon the water floods, and reignest a king for ever. Command these winds and these waves that they obey thee, and take us speedily and safely to the haven whither we would go. Wesley stood up from his knees, took up his book, and continued to read. Dr. Clarke went on deck, where he found calm winds and the ship on course. But Wesley made no remark about the answered prayer. Clarke wrote, “So fully did he expect to be heard that he took it for granted that he was heard.”3 How bold are your prayers?
Max Lucado (Glory Days: Living Your Promised Land Life Now)
We told them everything--well, almost everything. I was saving the stuff I’d found out at the cabin. This was enough for now. Too much actually. Despite having seen our powers in action--my near-transformation and Daniel knocking out the pilot--Corey and Hayley couldn’t seem to process it. Corey kept saying, “Are you sure?” tentatively, as if he didn’t want to insult our intelligence, but he couldn’t help thinking there had to be a logical explanation. Hayley just stared at me. When I finally stopped talking, she said, “Are you crazy?” “Hey!” Sam said. “No, seriously. You think you’re going to change into a cougar? Maybe in thirty years you’ll start thinking college boys are kinda hot, but that’s the only sort of cougar you can turn into, Maya. Anything else is nuts.” “Right,” Sam said. “So you weren’t here an hour ago? When her face started changing?” “Yes, something did happen to her face. I don’t know what it was, but I’ll bet it has to go with those vitamins and drugs they were feeding us back in Salmon Creek. That’s what all this is about. They were doing medical experiments on us. It explains what Daniel did on the helicopter and what happened with Maya’s face.” “And Rafe?” Sam said. “Does medical research explain why Rafe thought he was a skin-walker, too, when he’d never even been to the clinic?” “I…I don’t know.” Hayley squared her shoulders. “No one ever saw Rafe do anything magical. He just thought he was one of these skin-walkers. That’s from your religion or whatever, right?” “My religion?” I said. “The stuff you people believe in.” “You people?” Corey said. “Holy hell, Hayley. Did you really just say that?” She went beet red. “I--I didn’t mean--” “We know exactly what you meant,” Sam said. “Got a racist streak there, huh? Surprise, surprise.
Kelley Armstrong (The Calling (Darkness Rising, #2))
What about her?” she asked with a curious tone. “My memory came back of the night I was attacked. She was being dragged into the forest toward the river. And I ran after them.” She gasped. “Oh, Knox. Do we know if she’s okay?” “I tried contacting her and her father, but nobody picked up.” He gulped back the acid in his throat. “I hope she somehow got away.” “Didn’t Nick mention the river once? Maybe we should check it out.” They hurried to the farthest side of the house, down the same pathway Lisa had been dragged, until they reached the raging river. He doubted someone could cross that. The only other option was a guest had brought those people with them. Back at the house, he continued trying to contact Lisa and her father. A call to her father’s office told him that Lisa’s dad was at his vacation home in the mountains. There was no way to reach him and no other information they could share. “Uh-oh,” Scarlett crossed her arms over her chest. “I know that face. Someone’s going to hack something.” He grinned at the way she whispered it. “Babe, we’re home. There’s no one else here but us. You don’t have to whisper.” “So what are you looking for?” “Just John’s mountain home address. I want to go up there and see him. Find out if she’s okay.” “Did you call their house?” He nodded, emailed himself the address, and grabbed her hand. “Yes. Nobody would give me any information other than John was gone. They knew nothing of Lisa.” “Damn.” “Ready for a quick trip?” he asked as they walked outside again. The sound of helicopter blades reached them. “Thank goodness. I really didn’t want to fly on your back again.” He chuckled at her teasing and helped her into the chopper. An hour later, they touched down in the area near the cabin. He gave the chopper instructions to land at the nearest helipad with availability and he’d give them a call when ready to go. They ran to the front door and knocked repeatedly. Nobody answered. “Maybe they’re out back,” Scarlett said and they went around the house. They walked down a trail. He sniffed but got nothing. His senses told him something was wrong. And a new animal decided
Milly Taiden (Alpha Geek (Alpha Geek, #1))
Her foot rammed into a mossy log, knocking her off balance. Even in the fading light she could see that there was nothing up ahead but more forest. She looked at the ground. The path had disappeared. “There’s no road left,” she said, panic in her voice. She whipped her head around to face Driggs. “So Dead End really is a dead end?” He smirked at her. “What, you thought it was just a cute name?” “Driggs,” she said, trying to keep her tone steady, “show me the way to that cabin, or I swear to God I’ll feed you to the first bear that inevitably shows up to eat us.
Gina Damico (Scorch (Croak, #2))
When I knock on the door, it’s not her beautiful face I see, but Oliver’s ugly mug. “You here to shack up with my sister?” he asks with a smirk. “I have a feeling we’ll be hanging out at my cabin more than anywhere else,” I note. “So, you did want to get in her pants?” “Ollie? What the hell?” Stella yells.
Corinne Michaels (Could Have Been Us (Willow Creek Valley, #2))
Rønneberg was suddenly lifted up and back, as if a giant had grabbed the back of his jacket. Then he was flying, head over heels off the roof, tossed away by a gust of wind. He landed in a snowbank. When he staggered to his feet, the cabin had vanished. All was white, swirling white, around him. Heading into the wind that had knocked him away, he eventually found the cabin. Climbing onto the roof a second time, he managed to fix the chimney pot, only to be hit by another gust of wind that sent him flying into the snow.
Neal Bascomb (The Winter Fortress: The Epic Mission to Sabotage Hitler's Atomic Bomb)
steps into the grounds. The sun was already sinking behind the Forbidden Forest, gilding the top branches of the trees. They reached Hagrid’s cabin and knocked. He was a minute in answering, and when he did, he
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
They were knocked together out of wooden beams, set crosswise; they consisted entirely of crosses. These grotesque figures had four legs and a cabin with embrasures on top. Pulpits, for hunting. This name has always amazed and angered me. For what on earth was taught from that sort of pulpit? What sort of gospel was preached? Isn’t it the height of arrogance, isn’t it a diabolical idea to call a place from which one kills a pulpit?
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)