Knives Out 2 Quotes

I would have come for you. And if I couldn't walk, I'd crawl to you, and no matter how broken we were, we'd fight our way out together-knives drawn, pistols blazing. Because that's what we do. We never stop fighting.

He'd told her they would fight their way out. Knives drawn, pistols blazing. Because that's what we do. She would fight for him, but she could not heal him. She would not waste her life trying.

He was going to break my legs,” she said, her chin held high, the barest quaver in her voice. “Would you have come for me then, Kaz? When I couldn’t scale a wall or walk a tightrope? When I wasn’t the Wraith anymore?” Dirtyhands would not. The boy who could get them through this, get their money, keep them alive, would do her the courtesy of putting her out of her misery, then cut his losses and move on. “I would come for you,” he said, and when he saw the wary look she shot him, he said it again. “I would come for you. And if I couldn’t walk, I’d crawl to you, and no matter how broken we were, we’d fight our way out together—knives drawn, pistols blazing. Because that’s what we do. We never stop fighting.

I would have come for you. And if I could't walk, I'd crawl to you, and no matter how broken we were, we'd fight our way out together - knives drawn, pistols blazing. Because that's what we do. We never stop fighting.

I would come for you,” he said, and when he saw the wary look she shot him, he said it again. “I would come for you. And if I couldn’t walk, I’d crawl to you, and no matter how broken we were, we’d fight our way out together—knives drawn, pistols blazing. Because that’s what we do. We never stop fighting.

Gilan hesitated. "I wouldn't advise anyone to face a battleax with just two knives," he said carefully. So what should I do?" Will joined in. Gilan glared from one boy to the other. He had the feeling he was being set up. Shoot him," he said shortly. Will shook his head, grinning. Can't," he said. "My bowstring's broken." Then run and hide," said Gilan, between gritted teeth. But there's a cliff," Horace pointed out. "A sheer drop behind him and an angry axman coming at him." What do I do?" prompted Will. Gilan took a deep breath and lookd them both in the eye, one after the other. Jump off the cliff. It'll be less messy that way.

I would come for you,” he said, and when he saw the wary look she shot him, she said it again. “I would come for you. And if I couldn’t walk, I’d crawl to you, and no matter how broken we were, we’d fight our way out together—knives drawn, pistol blazing. Because that’s what we do. We never stop fighting.”- Kaz Brekker

Everyone lives in two worlds,” Maggie said, speaking in an absentminded sort of way while she studied her letters. “There’s the real world, with all its annoying facts and rules. In the real world, there are things that are true and things that aren’t. Mostly the real world s-s-s-suh-sucks. But everyone also lives in the world inside their own head. An inscape, a world of thought. In a world made of thought—in an inscape—every idea is a fact. Emotions are as real as gravity. Dreams are as powerful as history. Creative people, like writers, and Henry Rollins, spend a lot of their time hanging out in their thoughtworld. S-s-strong creatives, though, can use a knife to cut the stitches between the two worlds, can bring them together. Your bike. My tiles. Those are our knives.

I would come for you," he said, and when he saw the wary look she shot him, he said it again. "I would come for you. And if I couldn't walk, I'd crawl to you, and no matter how broken we were, we'd fight our way out together-knives drawn, pistols blazing. Because that's what we do. We never stop fighting.

Sicarius, are you ready for a hike?” She faced him only to find he had armed himself—more so than usual. In addition to his daggers and throwing knives, he held two rifles, two pistols, two cargo belts laden with ammo pouches, and a bag of his smoke grenades. “Or a single-handed all-out assault on the forest?

Vashet shook a finger and cuffed the young girl on the side of her head. It was the same scolding any child receives. Stay out of the neighbor's garden. Don't tease the Bentons' sheep. Don't play tag among the thousand spinning knives of your people's sacred tree.

CHAPTER 2: INGLOURIOUS BASTERDS ALDO THE APACHE My name is Lt. Aldo Raine and I'm putting together a special team, and I need me 8 soldiers. 8 Jewish-American soldiers. Now, y'all might've heard rumors about the armada happening soon. Well, we'll be leaving a little earlier. We're gonna be dropped into France, dressed as civilians. And once we're in enemy territory, as a bushwhackin' guerrilla army, we're gonna be doin' one thing and one thing only... killin' Nazis. Now, I don't know about y'all, but I sure as hell didn't come down from the goddamn Smoky Mountains, cross 5,000 miles of water, fight my way through half of Sicily and jump out of a fuckin' air-o-plane to teach the Nazis lessons in humanity. Nazi ain't got no humanity. They're the foot soldiers of a Jew-hatin', mass murderin' maniac and they need to be destroyed. That's why any and every every son of a bitch we find wearin' a Nazi uniform, they're gonna die. Now, I'm the direct descendant of the mountain man Jim Bridger. That means I got a little Injun in me. And our battle plan will be that of an Apache resistance. We will be cruel to the Germans, and through our cruelty they will know who we are. And they will find the evidence of our cruelty in the disemboweled, dismembered, and disfigured bodies of their brothers we leave behind us. And the German won't not be able to help themselves but to imagine the cruelty their brothers endured at our hands, and our boot heels, and the edge of our knives. And the German will be sickened by us, and the German will talk about us, and the German will fear us. And when the German closes their eyes at night and they're tortured by their subconscious for the evil they have done, it will be with thoughts of us they are tortured with. Sooounds good?

Marcus smiled back at her nervously, eyeing not only the rifle but the pair of knives he now saw clipped to her belt. Not one knife - a pair of knives. Who needs two knives? How many things does she have to cut at once? He was in no hurry to find out.

I would come for you. And if I couldn't walk, I'd crawl to you, and no matter how broken we were, we'd fight our way out together-knives drawn, pistols blazing. Because thats what we do. We never stop fighting.

I would have come for you. And If I cound't walk I'd crawl to you, and no matter how brocken we were, we would fight our way out together-knives drawn. Because thats what we do, we never stop fighting.

I would come for you,” he said, and when he saw the wary look she shot him, he said it again. “I would come for you. And if I couldn't walk, I'd crawl to you, and no matter how broken we were, we'd fight our way out together—knives drwan, pistols blazing. Because that's what we do. We never stop fighting.

Cautiously, she let her knuckles brush against his, a slight weight, a bird's feather. He stiffened, but he didn't pull away. "I'm not ready to give up on this city, Kaz. I think it's worth saving." I think you're worth saving. Once they stood on the deck of a ship and she'd waited just like this. He had no spoken then and he did not speak now. Inej felt him slipping away, dragging under, caught in an undertow that would take him farther and farther from shore. She understood suffering and she knew it was a place she could not follow, not unless she wanted to drown, too. Back on Black Veil, he'd told her that they would fight their way out. Knives drawn, guns blazing. Because that's what we do. She would fight for him, but she could not heal him. She would not waste her life trying. She felt his knuckles slide against hers. Then his hand was in her hand, his palm was pressed against her own. A tremor moved through him. Slowly, he let their fingers entwine. For a long while, they stood there, hands clasped, looking out at the gray expanse of sea.

She looked like a princess in a fairy tale, waiting at the top of her tower for someone to ride up and rescue her. Not that traditional princess behavior was like Isabelle at all. Isabelle with her whip and boots and knives would chop anyone who tried to pen her up in a tower into pieces, build a bridge out of the remains, and walk carelessly to freedom, her hair looking fabulous the entire time.

I would come for you" he said, and when he saw the wary look she shot him, he said it again. "I would come for you. And if I couldn't walk, I'd crawl to you, and no matter how broken we were, we'd fight our way out together - knives drawn, pistols blazing. Because that's what we do. We never stop fighting

The strongest of hearts cannot be defeated by the knives and blades that are the storms and blizzards of life, but only by a helping hand that comes out of nowhere, or a gentle whisper by the ear, "Come home.

I would have come for you, and if I couldn't walk, I'd crawl to you, and no matter how broken we were, we'd fight our way out together. Knives drawn, pistols blazing, because that's what we do. We never stop fighting.

I would have come for you. And if I couldn't walk, I'd crawl to you, and no matter how broken we were, we'd fight our way out together - knives drawn, pistols blazing. Because that's what we do. We never stop fighting.

I am a harmless old seller of apples," she said, in a voice more appropriate for the opening of hostilities in a middle-range war. "Pray let me past, dearie." The last word had knives in it. "No-one must enter the castle," said one of the guards. "Orders of the duke." Granny shrugged. The apple-seller gambit had never worked more than once in the entire history of witchcraft, as far as she knew, but it was traditional. "I know you, Champett Poldy," she said. "I recall I laid out your grandad and I brought you into the world." She glanced at the crowds, which had regathered a little way off, and turned back to the guard, whose face was already a mask of terror. She leaned a little closer, and said, "I gave you your first good hiding in this valley of tears and by all the gods if you cross me now I will give you your last." There was a soft metallic noise as the spear fell out of the man's fearful fingers. Granny reached and gave the trembling man a reassuring pat on the shoulder. "But don't worry about it," she added. "Have an apple.

They killed us with traps. They killed us with poisons. They killed us with snares. They killed us with guns. They killed us with knives. They strangled us. They trampled us. They tore us apart with hounds. They baited steel-jawed traps. They starved us out. They burned us alive. They withheld water. They killed all our prey. They slit our throats. They filled in our burrows. They drowned us. They trampled us under horses’ hooves. They bred us for fur and bludgeoned us to death. They kept us in cages so small with so many we burst apart. They suffocated us with poison gas. They strangled us. They put us in sacks and beat us with clubs. They cut out our tongues so we bled to death. They skinned us alive. They detonated rock and stopped our hearts all unknowing. They swung us by our tails and smashed our skulls against stones. They murdered us in each and every year. They murdered us on each and every day.

I would come for you," he said, and when he saw the wary look she shot him, he said it again: "I would come for you. And if I couldn't walk, I'd crawl to you, and no matter how broken we were, we'd fight our way out together--knives drawn, pistols blazing. Because that's what we do. We never stop fighting.

The berth belongs to you too. It will always be there when—if you want to come back.” Inej could not speak. Her heart felt too full, a dry creek bed ill-prepared for such rain. “I don’t know what to say.” His bare hand flexed on the crow’s head of his cane. The sight was so strange Inej had trouble tearing her eyes from it. “Say you’ll return.” “I’m not done with Ketterdam.” She hadn’t known she meant it until she said the words. Kaz cast her a swift glance. “I thought you wanted to hunt slavers.” “I do. And I want your help.” Inej licked her lips, tasted the ocean on them. Her life had been a series of impossible moments, so why not ask for something impossible now? “It’s not just the slavers. It’s the procurers, the customers, the Barrel bosses, the politicians. It’s everyone who turns a blind eye to suffering when there’s money to be made.” “I’m a Barrel boss.” “You would never sell someone, Kaz. You know better than anyone that you’re not just one more boss scraping for the best margin.” “The bosses, the customers, the politicians,” he mused. “That could be half the people in Ketterdam—and you want to fight them all.” “Why not?” Inej asked. “One the seas and in the city. One by one.” “Brick by brick,” he said. Then he gave a single shake of his head, as if shrugging off the notion. “I wasn’t made to be a hero, Wraith. You should have learned that by now. You want me to be a better man, a good man. I—“ “This city doesn’t need a good man. It needs you.” “Inej—“ “How many times have you told me you’re a monster? So be a monster. Be the thing they all fear when they close their eyes at night. We don’t go after all the gangs. We don’t shut down the houses that treat fairly with their employees. We go after women like Tante Heleen, men like Pekka Rollins.” She paused. “And think about it this way…you’ll be thinning the competition.” He made a sound that might almost have been a laugh. One of his hands balanced on his cane. The other rested at his side next to her. She’d need only move the smallest amount and they’d be touching. He was that close. He was that far from reach. Cautiously, she let her knuckles brush against his, a slight weight, a bird’s feather. He stiffened, but he didn’t pull away. “I’m not ready to give up on this city, Kaz. I think it’s worth saving.” I think you’re worth saving. Once they’d stood on the deck of a ship and she’d waited just like this. He had not spoken then and he did not speak now. Inej felt him slipping away, dragged under, caught in an undertow that would take him farther and farther from shore. She understood suffering and knew it was a place she could not follow, not unless she wanted to drown too. Back on Black Veil, he’d told her they would fight their way out. Knives drawn, pistols blazing. Because that’s what we do. She would fight for him, but she could not heal him. She would not waste her life trying. She felt his knuckles slide again hers. Then his hand was in her hand, his palm pressed against her own. A tremor moved through him. Slowly, he let their fingers entwine.

He does not know what caused him to break off from Weston and walk out. Perhaps it was when the boy said 'forty-five or fifty'. As if, past mid-life, there is a second childhood, a new phase of innocence. It touched him, perhaps, the simplicity of it. Or perhaps he just needed air. Let us say you are in a chamber, the windows sealed, you are conscious of the proximity of other bodies, of the declining light. In the room you put cases, you play games, you move your personnel around each other: notional bodies, hard as ivory, black as ebony, pushed on their paths across the squares. Then you say, I can't endure this any more, I must breathe: you burst out of the room amd into a wild garden where the guilty are hanging from trees, no longer ivory, no longer ebony, but flesh; and their wild lamenting tongues proclaim their guilt as they die. In this matter, cause has preceded effect. What you dreamed has enacted itself. You reach for a blade but the blood is already shed. The lambs have butchered and eaten themselves. They have brought knives to the table, carved themselves, and picked their own bones clean.

When they were only a few yards from the stone hull, Inej halted and watched the mists wreathing the branches. “He was going to break by legs,” she said. “Smash them with a mallet so they’d never heal….” She took a shaky breath. The words came like a string of gunshots, rapid-fire, as if she resented the very act of speaking them. “I didn’t know if you would come.” Kaz couldn’t blame Van Eck for that. Kaz has built that doubt in her with every cold word and small cruelty. “We’re your crew, Inej. We don’t leave our own at the mercy of merch scum.” It wasn’t the answer he wanted to give. It wasn’t the answer she wanted. When she turned to him, her eyes were bright with anger. “He was going to break my legs,” she said, her chin held high, the barest quaver in her voice. “Would you have come for me then, Kaz? When I couldn’t scale a wall or walk a tightrope? When I wasn’t the Wraith anymore?” Dirtyhands would not. The boy who could get them through this, get their money, keep them alive, would do her the courtesy of putting her out of her misery, then cut his losses and move on. “I would come for you,” he said, and when he saw the wary look she shot him, he said it again. “I would come for you. And if I couldn’t walk, I’d crawl to you, and no matter how broken we were, we’d fight our way out together—knives drawn, pistols blazing. Because that’s what we do. We never stop fighting.” The wind rose. The boughs of the willows whispered, a sly, gossiping sound. Kaz held her gaze, saw the moon reflected there, twin scythes of light. She was right to be cautious. Even of him. Especially of him. Cautious was how you survived. At last she nodded, the smallest dip of her chin.

I would come for you. And if I couldn't walk, I'd crawl to you, and no matter how broken we were, we'd fight our way out together - knives drawn, pistols blazing.

Logen pulled the knife out of his boot and rammed the blade into the side of the giant’s neck. He looked surprised, for just a moment, then blood dribbled from his mouth and down his chin. He let go of Logen’s shirt, stumbled back, spun slowly round, bounced off one of the stones and crashed on his face. Seemed that Logen’s father had been right. You can never have too many knives.

I would come for you. And if I couldn’t walk, I’d crawl to you, and no matter how broken we were, we’d fight our way out together—knives drawn, pistols blazing. Because that’s what we do. We never stop fighting.

I would come for you. And if I couldn't walk, I'd crawl to you, and no matter how broken we were, we'd fight our way out together- knives drawn, pistols blazing. Because that's what we do. We never stop fighting.

I would have come for you. And if I couldn't walk, I'd crawl to you, no matter how broken we were, we'd fight our way out together-knives drawn, pistols blazing. Because that's what we do. We never stop fighting.

I would come for you. And if I couldn't walk, I'd crawl to you, and no matter how broken we were, we'd fight our way out together - knives drawn, pistols blazing. Because that's what we do. We never stop fighting.

Cautiously, she let her knuckles brush against his, a slight weight, a bird's feather. He stiffened, but he didn't pull away. "I'm not ready to give up on this city, Kaz. I think it's worth saving." I think you're worth saving. Once they stood on the deck of a ship and she'd waited just like this. He had not spoken then and he did not speak now. Inej felt him slipping away, dragging under, caught in an undertow that would take him farther and farther from shore. She understood suffering and she knew it was a place she could not follow, not unless she wanted to drown, too. Back on Black Veil, he'd told her that they would fight their way out. Knives drawn, guns blazing. Because that's what we do. She would fight for him, but she could not heal him. She would not waste her life trying. She felt his knuckles slide against hers. Then his hand was in her hand, his palm was pressed against her own. A tremor moved through him. Slowly, he let their fingers entwine. For a long while, they stood there, hands clasped, looking out at the gray expanse of sea.

I would have come for you. And if I couldn't walk, I'd crawl to you, and no matter how broken we were, we'd fight our way out together-knives drawn, pistols blazing. Because that's what we do. We never stop fighting

I would have come for you. And if I couldn't walk, I'd crawl to you. And no matter how broken we were, we'd fight our way out together knives drawn, pistols blazing. Because that's what we do. We never stop fighting.

There’s the real world, with all its annoying facts and rules. In the real world, there are things that are true and things that aren’t. Mostly the real world s-s-s-suh-sucks. But everyone also lives in the world inside their own head. An inscape, a world of thought. In a world made of thought—in an inscape—every idea is a fact. Emotions are as real as gravity. Dreams are as powerful as history. Creative people, like writers, and Henry Rollins, spend a lot of their time hanging out in their thoughtworld. S-s-strong creatives, though, can use a knife to cut the stitches between the two worlds, can bring them together. Your bike. My tiles. Those are our knives.” She

A group of older women walked past, wearing fanny packs and large cameras around their necks. ... "I think I'm going to get one of those." Weylin's voice was thoughtful as he watched the women jaywalk. "One of what?" Ree cocked an eyebrow and smiled at her friend. "I don't know, Wey-mand. I think they might be too much woman for you." Paden flashed a crooked grin. "Har, har. I meant a fanny pack." Looking thoughtful, Weylin ignored thier expressions of disbelief. "A...fanny pack?" Sophie was looking at Weylin as if he had lost his mind, but Ree noticed the corners of her mouth twitching. "Yeah. Think about all the cool things I could carry in one." Completely unperturbed, Weylin stopped at the crosswalk and hit the button on the light post. "I could carry knives and some of those collapsible swords that Roland uses. Oh and snacks!" Unable to control her laughter anymore, Ree leaned over and clutched her sides. "Snacks? Weylin, I think you might need to lie down. You obviously have a fever or something." "You won't be saying that the next time we're out and you get a hankering for a pizza or some popcorn. I could even carry bottled water and little sanitizer wipes." "How big of a fanny pack are you planning on getting? Paden raised an eyebrow. ... "Oh, hell no! I am not eating food you've been carrying near your man-pickle. That is so not going to happen." Everyone in the group sputtered and laughed at Juliette's comment.

I grabbed a cloud-shaped oven mitt, opened the oven door, and took out the apricot bars. The smell of warm fruit, sugar, and melted butter filled the kitchen, along with a blast of heat. A combination I never grew tired of, especially on a cold, gray night like this one. I grabbed another oven mitt, set it on the table, then put the pan on top of it. Finn’s fingers crept toward the edge of the container, but I smacked his hand away. “I’m not done with them yet,” I said. “Come on, Gin,” he whined. “I just want a taste.” “And you’re just going to have to wait, like the rest of us.” Jo-Jo chuckled, amused by our squabbling. I moved over to the cabinets and got out four bowls, some spoons, and a couple of knives. I also grabbed a gallon of vanilla bean ice cream out of the freezer. After the apricot bars had cooled enough so they wouldn’t immediately fall apart, I cut out big chunks of the bars, dumped them in the bowls, and topped them all with two scoops of the ice cream. My own version of a quick homemade cobbler. Jo-Jo swallowed a mouthful of the confection and sighed. “Heaven, pure, sweet heaven.

I would come for you,’ he said, and when he saw the wary look she shot him, he said it again. ‘I would come for you. And if I couldn’t walk, I’d crawl to you, and no matter how broken we were, we’d fight our way out together—knives drawn, pistols blazing. Because that’s what we do. We never stop fighting.

I would come for you," he said, and when he saw the wary look she shot him, he said it again. "I would come for you. and if I couldn't walk, I'd crawl to you, and no matter how broken we were we'd fight our way out together — knives drawn, pistols blazing. Because that's what we do. we never stop fighting.

I would come for you," he said and when he saw the wary look she shot him, he said it again. "I would come for you. And if I couldn't walk, I'd crawl to you, and no matter how broken we were, we'd fight our way out together — knives drawn, pistols blazing. Because that's what we do. We never stop fighting.

I would come for you," he said, and when he saw the wary look she shot him, he said it again. "I would come for you. And if I couldn't walk, I'd crawl to you, and no matter how broken we were, we'd fight our way out together - knives drawn, pistols blazing. Because that's what we do. We never stop fighting.

What about an axman?" he said. Gilan looked at him, nonplussed for a moment. "An axman?" he asked. "Yes," said Horace, warming to his theme. "What about if you're facing an enemy with a battleax? Do your knives work then?" Gilan hesitated. "I wouldn't advise anyone face a battleax with just two knives," he said carefully. "So what should I do?" Will joined in. Gilan glared from one boy to the other. He had the feeling he was being set up. "Shoot him," he said shortly. Will shook his head, grinning. "Can't," he said. "My bowstring's broken." "Then run and hide," said Gilan, between gritted teeth. "But there's a cliff," Horace pointed out. "A sheer drop behind him and an angry axman coming at him." "What do I do?" prompted Will. Gilan took a deep breath and looked them both in the eye, one after the other. "Jump off the cliff. It'll be less messy that way.

Here we go again, boys. Off on another adventure. This time busting Riley's brother out of prison. There will be danger; there will be spills and thrills. There will be knives and there will be guns and there will be people saying stupid things at the worst possible time." "Probably me!" said Bob cheerfully. "So we need a motto, something to keep us going when the odds are against us." "Like the wind beneath our wings?" asked Riley. "No, not like that. And thanks for putting that song in my head, by the way.

There was a note on the table.” “Bring it here,” Van Eck barked. The boy strode down the aisle, and Van Eck snatched the note from his hand. “What does it … what does it say?” asked Bajan. His voice was tremulous. Maybe Inej had been right about Alys and the music teacher. Van Eck backhanded him. “If I find out you knew anything about this—” “I didn’t!” Bajan cried. “I knew nothing. I followed your orders to the letter!” Van Eck crumpled the note in his fist, but not before Inej made out the words in Kaz’s jagged, unmistakable hand: Noon tomorrow. Goedmedbridge. With her knives. “The note was weighted down with this.” The boy reached into his pocket and drew out a tie pin—a fat ruby surrounded by golden laurel leaves. Kaz had stolen it from Van Eck back when they’d first been hired for the Ice Court job. Inej hadn’t had the chance to fence it before they left Ketterdam. Somehow Kaz must have gotten hold of it again. “Brekker,” Van Eck snarled, his voice taut with rage. Inej couldn’t help it. She started to laugh. Van Eck slapped her hard. He grabbed her tunic and shook her so that her bones rattled. “Brekker thinks we’re still playing a game, does he? She is my wife. She carries my heir.” Inej laughed even harder, all the horrors of the past week rising from her chest in giddy peals. She wasn’t sure she could have stopped if she wanted to. “And you were foolish enough to tell Kaz all of that on Vellgeluk.” “Shall I have Franke fetch the mallet and show you just how serious I am?” “Mister Van Eck,” Bajan pleaded. But Inej was done being frightened of this man. Before Van Eck could take another breath, she slammed her forehead upward, shattering his nose. He screamed and released her as blood gushed over his fine mercher suit. Instantly, his guards were on her, pulling her back. “You little wretch,” Van Eck said, holding a monogrammed handkerchief to his face. “You little whore. I’ll take a hammer to both your legs myself—” “Go on, Van Eck, threaten me. Tell me all the little things I am. You lay a finger on me and Kaz Brekker will cut the baby from your pretty wife’s stomach and hang its body from a balcony at the Exchange.” Ugly words, speech that pricked her conscience, but Van Eck deserved the images she’d planted in his mind. Though she didn’t believe Kaz would do such a thing, she felt grateful for each nasty, vicious thing Dirtyhands had done to earn his reputation—a reputation that would haunt Van Eck every second until his wife was returned. “Be silent,” he shouted, spittle flying from his mouth. “You think he won’t?” Inej taunted. She could feel the heat in her cheek from where his hand had struck her, could see the mallet still resting in the guard’s hand. Van Eck had given her fear and she was happy to return it to him. “Vile, ruthless, amoral. Isn’t that why you hired Kaz in the first place? Because he does the things that no one else dares? Go on, Van Eck. Break my legs and see what happens. Dare him.” Had she really believed a merch could outthink Kaz Brekker? Kaz would get her free and then they’d show this man exactly what whores and canal rats could do. “Console yourself,” she said as Van Eck clutched the ragged corner of the table for support. “Even better men can be bested.

The pretty lady come to play with knives, is it?” the man taunted. “Watch out you don’t break a nail. I only date presentable girls.” Shanti stepped forward and punched him in the sternum with her right hand. She elbowed him in the face with her left before ripping his knife from his hand. With economical movements, she knocked him in the head with the hilt, punched him in the gut, ripped his big body to the side, and stepped around him with a smooth movement. The knife made a loud thunk as it found the center of the target painted on the wooden post twenty paces away.

Almost all of them had mustaches, as though they had learned to blend in by watching movies from the early eighties. He wore a white shirt, and the top button was undone; and for some reason my eyes focused on the thick tuft of black hair poking out. I looked into his dark eyes, and he smiled at me in a way that told me he was looking forward to doing what he was about to do, and I started to cry. I slid down the wall until I dangled from the shackles around my wrists, watching through my tears as he pulled razor blades, knives, pliers, and a drill from the desk they had in the center of the room.” When

Gentlemen, this is Travec the Dacian, who is here on business similar to our own. Travec, you see here Este the Sweet, who claims to be the last true Roman. His weapon is a bow so small and fragile that it seems a toy, while his arrows are little more than slivers; still, he can sling them away with great speed and put out a man’s eye at fifty yards without rising from his chair. Next is Galgus, who is Daut and clever with knives. Yonder sits Kegan from Godelia; he favours a set of curious weapons, among others, the steel whip. I myself am a poor lost dove; I survive the ferocities of life only through the pity and forbearance of my fellows.’ ‘You are a notable group,’ said Travec. ‘I am privileged to be associated with you.

if only you could see yourself now, you’re settling back into a quiet autumn and you’ve missed the smell of must, rain, and tobacco kissed into the corners and couches of the same house you share with seven others. you miss the girl who used to sleep on your couch who had the skull of the bird she is named after tattooed across her arm. you are glad you stopped drinking. it’s 2am and you’re staying up far too late. you have an interview for a job in the morning that you will come to hate in 2 months. you’re not in love the way you expected. some memories turned into broken drawers that you chose to store all your knives in, every time you open them, they always come spilling out towards you. you miss having sex with people you also love. precariousness is now the pillow you sleep upon, and you no longer have such structured repeating romance. you no longer have such a structured repeating life, and I know it killed you that you knew it wasn’t forever. i know i can’t stop you from panicking, but it will all make sense. you repeat repeat repeat repeat repeat repeat until you realized it was too early to build such a life based on repetition. you’re settling back into a quiet autumn, and you’re stone sober at 4am after a Friday night while the world starts to makes a strange kind of sense, the same way words become meaningless when repeated enough times. all of this is to say, you made it this far, and i’m proud of you.

It was the same scolding any child receives. Stay out of the neighbor’s garden. Don’t tease the Bentons’ sheep. Don’t play tag among the thousand spinning knives of your people’s sacred tree.

ORANGE, HONEY, AND THYME BISCUITS Hands-on: 23 min. Total: 36 min. Bake biscuits up to a day ahead, and keep in a sealed zip-top plastic bag. 2 ⁄ 3 cup nonfat buttermilk 2 tablespoons clover honey 2 teaspoons chopped fresh thyme 2 teaspoons grated orange rind 10 ounces spelt four (about 2 cups) 5 teaspoons baking powder 1 ⁄ 4 teaspoon kosher salt 1 5 1 ⁄ 2 tablespoons chilled butter, cut into small pieces cooking spray 1. Preheat oven to 425°. 2. Combine the frst 4 ingredients in a small bowl, stirring with a whisk. 3. Weigh or lightly spoon four into dry measuring cups; level with a knife. Combine four, baking powder, and salt in a medium bowl, stirring with a whisk. Cut in butter with a pastry blender or 2 knives until mixture resembles coarse meal. Add buttermilk mixture to four mixture, stirring just until moist. Turn dough out onto a lightly foured surface; pat into a 7 1 ⁄ 2-inch square; cut into 12 rectangles. Place dough on a foil-lined baking sheet coated with cooking spray. Bake at 425° for 13 minutes or until lightly browned on edges and bottom. SErVES 12 (serving size: 1 biscuit) CalOriES 162; FaT 6.1g (sat 3.3g, mono 1.4g, poly 0.2g); prOTEiN 4g; CarB 22g; FiBEr 3g; CHOl 14mg; irON 1mg; SODiUM 330mg; CalC 61mg

What exactly are we looking for, by the way?” “A body in a trunk would be ideal,” said Reggie. “Or bloodstains.” “Long knives with serpents carved into the hilt,” Colin volunteered. “Evil symbols scratched in the wall.” Reggie laughed and then shrugged as she tried to come up with a serious answer. “Anything with a name on it that we don’t recognize, I suppose. Or pictures or maps. I hadn’t really thought about it.” “Shocking,” said Edmund, rolling his eyes. Stepping past time, Reggie toed him in the side with one booted foot. “A little less sarcasm there, if you please.” “Watch out, Reggie—if I fall over, this whole place could come down.” “Quite likely,” said Colin, looking up at the rafters. He raised a hand and tapped one of his long fingers against the wood. “Nobody breathe too hard, hmm?

Before we dive into specific examples, let’s first look at a simple, four-step, codified breakdown for a typical infomercial pitch: 1. The Problem: Here’s the problem you’re experiencing today, based on your status quo state or the solution you’re already using. This is where the tension is created. Where they “cut you” and get you to see you are bleeding (as we discussed in chapter 4)! In some cases, this pain might be top of mind, or it might be hidden, latent, or even something you may not think about all that often. This is also a perfect place to call out the enemy you identified earlier in this chapter. For example, if this were an infomercial for a set of space-aged kitchen knives that never need sharpening, the narrative might begin with a poor fool trying to cut a red, ripe tomato with an old, dull knife. As the grainy black-and-white footage rolls, the unsuspecting subject squashes the tomato with their sub-par knife, sending seeds and tomato flesh flying in all directions (and ruining the white suit they were wearing for some reason). Tension is created as the viewer starts to see themselves as the subject or hero of this story. 2. The Ideal Solution: Here’s the ideal solution to the problem. While not always top of mind, people often know the solutions to problems but see them as requiring too much effort and cost. In other words, spending money or investing time doing something our hero doesn’t want to do can usually solve the problem. This is where that solution is positioned. For example, the ideal solution to our dull knife problem is to go to a fancy kitchen store and purchase some top-of-the-line Japanese hand-forged steel knives. In a business context, many problems can be solved by throwing tons of time, money, and both human and technical resources at a them. 3. The Problem with That Ideal Solution: This is what makes that ideal solution difficult or less desirable. Here, you are creating contrast between where your hero is today and where they need to get to—a large gap they need to overcome. In doing this you are positioning the ideal solution as something they don’t want to or can’t make happen. For example, you could go to the kitchen store and buy those fancy knives, but they cost hundreds of dollars that you would rather not spend. The same goes for the massive business resource splurge suggested in the previous step. 4. Enter Our Solution: The stunning climax! Here’s how investing in our product, service, or solution can help you overcome the problem and pain you’re experiencing, while at the same time circumventing the challenges associated with the ideal solution.

The strongest steel is forged by fire, and so are the strongest souls. Your light is so much more beautiful because of your darkness. Your heart is so much more open because it’s been hollowed out by knives. And though I surely would’ve loved the younger, more innocent you, I adore you even more because all your broken pieces sing to mine.

Gilan," Will said. "I've been thinking...." Gilan raised his eyebrows to heaven in mock despair. Again the expression reminded Will forcefully of Halt. "Always a problem," said the Ranger. "And what, pray tell, have you been thinking?" "Well," began Will slowly, "this double knife business is all well and good. But wouldn't it be better just to shoot the swordsmen before he got to close quarters?" "Yes, Will. It certainly would," Gilan agreed patiently. "But what if you were about to do that and your bowstring broke?" "I could run and hide," he suggested, but Gilan pressed him. "What if there were nowhere to run? You're trapped against a sheer cliff. Nowhere to go. Your bowstring just broke and an angry swordsman is coming at you. What then?" Will shook his head. "I suppose I'd have to fight," he admitted reluctantly. "Exactly," Gilan agreed. "We avoid close combat whenever possible. But if the time comes when there's no other choice, it's a good idea to be prepared, isn't it?" "I guess," Will said. Then Horace chimed in with a question. "What about an axman?" he said. Gilan looked at him, nonplussed for a moment. "An axman?" he asked. "Yes," said Horace, warming up to his theme. "What about if you're facing an enemy with a battleax? Do your knives work then?" Gilan hesitated. "I wouldn't advise anyone to face a battleax with just two knives," he said carefully. "So what should I do?" Will joined in. Gilan glared from one boy to the other. He had the feeling he was being set up. "Shoot him," he said shortly. Will shook his head, grinning. "Can't," he said. "My bowstring's broken." "Then run and hide," said Gilan, between gritted teeth. "But there's a cliff," Horace pointed out. "A sheer drop behind him and an angry axman coming at him." "What do I do?" prompted Will. Gilan took a deep breath and looked them both in the eye, one after the other. "Jump off the cliff. It'll be less messy that way.

through any structure without detection by his prey. He was a flawless assassin. It was just before five local time when Steven settled into the plush leather seating of the first-class compartment. The Deutsche Bahn Intercity Express, or ICE, was a high-speed train connecting major cities across Germany with other major European destinations. The trip to Frankfurt would take about four hours, giving him time to spend some rare personal time with his team. Slash was the first to find him. The men shook hands and sat down. Typically, these two longtime friends would chest bump in a hearty bro-mance sort of way, but it would be out of place for Europe. “Hey, buddy,” said Steven. “Switzerland is our new home away from home.” “It appears so, although the terrain isn’t that different from our place in Tennessee,” said Slash. “I see lots of fishin’ and huntin’ opportunities out there.” Slash grew up on his parents’ farm atop the Cumberland Plateau of Tennessee about halfway between Nashville and Knoxville. His parents were retired and spent their days farming while raising ducks, rabbits and some livestock. While other kids spent their free time on PlayStation, Slash grew up in the woods, learning survival skills. During his time with the SEAL Teams, he earned a reputation as an expert in close-quarters combat, especially using a variety of knives—hence the nickname Slash. “Beats the heck out of the desert, doesn’t it?” asked Steven. After his service ended, Slash tried a few different security outfits like Blackwater, protecting the Saudi royal family or standing guard outside some safe house in Oman. “I’m not saying the desert won’t call us back someday, but I’ll take the Swiss cheese and German chocolate over shawarma and falafel every friggin’ day!” “Hell yeah,” said Slash. “When are you comin’ down for some ham and beans, along with some butter-soaked cornbread? My folks really wanna meet you.” “I need to, buddy,” replied Steven. “This summer will be nuts for me. Hey, when does deer hunting season open?” “Late September for crossbow and around Thanksgiving otherwise,” replied Slash. Before the guys could set a date, their partners Paul Hittle and Raymond Bower approached their seats. Hittle, code name Bugs, was a former medic with Army Special Forces who left the Green Berets for a well-paying job with DynCorp. DynCorp was a private

Loose gravel embeds in my cheek, and I look out and see Daisy on her knees, Connor crouched behind her, whispering in her ear. She’s crying like this is the end of us. Her grief is like a thousand knives inside my stomach.

We’ll get to your stance. But always bear in mind, if your sword’s drawn, you’ve already made at least one mistake.' 'Eh?' said Flick, squinting at Clover over the wobbling point of his blade. 'Unless you’re cleaning it, or sharpening it, or maybe selling it.' 'What if you’re in a battle?' 'Then you’ve made at least two mistakes, possibly a lot more. A battle’s no place for a self- respecting warrior. But if you must attend one, at least have the good taste to be where the fighting isn’t.' 'What if some bastard tries to kill you?' 'Ideally, you’d have worked that out a while back and done ’em first, preferably while they’re asleep. That’s what knives are for.

The M1A3 Abrams was a man-killer. Colonel J. “Lonesome” Jones thanked the good Lord that he had never had to face anything like it. The models that preceded it, the A1 and A2, were primarily designed to engage huge fleets of Soviet tanks on the plains of Europe. They were magnificent tank busters, but proved to be less adept at the sort of close urban combat that was the bread and butter of the U.S. Army in the first two decades of the twenty-first century. In the alleyways of Damascus and Algiers, along the ancient cobbled lanes of Samara, Al Hudaydah, and Aden, the armored behemoths often found themselves penned in, unable to maneuver or even to see what they were supposed to kill. They fell victim to car bombs and Molotovs and homemade mines. Jones had won his Medal of Honor rescuing the crew of one that had been disabled by a jihadi suicide squad in the Syrian capital. The A3 was developed in response to attacks just like that one, which had become increasingly more succesful. It was still capable of killing a Chinese battle tank, but it was fitted out with a very different enemy in mind. Anyone, like Jones, who was familiar with the clean, classic lines of the earlier Abrams would have found the A3 less aesthetically pleasing. The low-profile turret now bristled with 40 mm grenade launchers, an M134 7.62 mm minigun, and either a small secondary turret for twin 50s, or a single Tenix-ADI 30 mm chain gun. The 120 mm canon remained, but it was now rifled like the British Challenger’s gun. But anyone, like Jones, who’d ever had to fight in a high-intensity urban scenario couldn’t give a shit about the A3’s aesthetics. They just said their prayers in thanks to the designers. The tanks typically loaded out with a heavy emphasis on high-impact, soft-kill ammunition such as the canistered “beehive” rounds, Improved Conventional Bomblets, White Phos’, thermobaric, and flame-gel capsules. Reduced propellant charges meant that they could be fired near friendly troops without danger of having a gun blast disable or even kill them. An augmented long-range laser-guided kinetic spike could engage hard targets out to six thousand meters. The A3 boasted dozens of tweaks, many of them suggested by crew members who had gained their knowledge the hard way. So the tank commander now enjoyed an independent thermal and LLAMPS viewer. Three-hundred-sixty-degree visibility came via a network of hardened battle-cams. A secondary fuel cell generator allowed the tank to idle without guzzling JP-8 jet fuel. Wafered armor incorporated monobonded carbon sheathing and reactive matrix skirts, as well as the traditional mix of depleted uranium and Chobam ceramics. Unlike the tank crew that Jones had rescued from a screaming mob in a Damascus marketplace, the men and women inside the A3 could fight off hordes of foot soldiers armed with RPGs, satchel charges, and rusty knives—for the “finishing work” when the tank had been stopped and cracked open to give access to its occupants.

Advantages of the ASP I have already explained how the ASP is advantageous with regard to its compactness and ease of carry, but there are other advantages. Carrying an impact weapon gives you the ability to counter a threat with less than lethal force, which may save you a long stint in prison. The compact ASP has advantages over the 28-inch stick of the traditional Filipino martial arts. When you are chest-to-chest against an opponent, it's difficult to hit him decisively with a 26-28 inch long stick. Filipino martial artists practice raising the arm and twisting the wrist to snap the tip into an opponent's head, but these flicking strikes can't be counted on to drop an attacker. Also, because of the stick's light weight, space and distance are needed to wind up and generate power. At very close range the short, heavy stick –such as a blackjack, sap, or an 8-inch steel bar-- is a better weapon. The striking tip of the ASP is made of steel, and the middle section is high-grade aluminum. This solid construction means that the ASP hits hard. The unexpanded ASP can be used like a metal yawara (palm stick), which is devastating in close. The Knife The second weapon in Steel Baton EDC is a knife carried at the neck. The knife should be compact and relatively light so that it is comfortable enough for neck carry. Get a light beaded chain that will break away, so that you aren't strangled with your own neck lanyard. The knife should have a straight handle without loops or fingerholes, because you want to be able to access the knife with either hand in an instant, without having to thread your fingers into holes or work to secure a grip. Avoid folding knives. You want a knife that you can draw in an instant. No matter how much you practice drawing and opening your knife, or even if you get an automatic (switchblade) or assisted opener, you will always be slower getting the folding knife open and into action, particularly under stress. Keep in mind that “under stress” may mean somebody socking you in the face repeatedly. Once again, you want open carry. Open carry is almost always legal and is more easily accessible if you are under attack. You can get a neodymium magnet and put it in the gap between the seam of your shirt, in between the buttons. The magnet will attract the steel blade of your knife so that the knife will stay centered and not flop around if you're moving. My recommended knives for neck carry are the Cold Steel Super Edge and the Cold Steel Hide Out. The Super Edge is small, light, and inconspicuous. It also comes in useful as a day-to-day utility tool, opening packages, trimming threads, removing tags, and so on. Get the Rambo knife image out of your mind. You only need a small knife to deter an attacker, because nobody wants to get cut. And if your life is on the line, you can still do serious damage with a small blade.

His red hair was tied back, and there wasn't a hint of finery on him, just armoured leather, swords, knives... His metal eye roamed over me, his golden skin pale. 'We've been hunting you for over two months,' he breathed, now scanning the woods, the stream, the sky. Rhys. Cauldron save me. Rhys was too far back, and- 'How did you find me?' My steady, cold voice wasn't one I recognised. But- hunting for me. As if I were indeed prey. If Tamlin was here... My blood went icier than the freezing rain now sluicing down my face, into my clothes. 'Someone tipped us off you'd been out here, but it was luck that we caught your scent on the wind, and-' Lucien took a step toward me. I stepped back. Only three feet between me and the stream. Lucien's eye widened slightly. 'We need to get out of here. Tamlin's been- he hasn't been himself. I'll take you right to-' 'No,' I breathed. The word rasped through the rain, the stream, the pine forest. The four sentinels glanced between each other, then to the arrow I kept aimed. Lucien took me in again. And I could see what he was gleaming: the Illyrian fighting leathers. The colour and fullness that had returned to my face, my body. And the silent steel of my eyes. 'Feyre,' he said,' holding out a hand. 'Let's go home.' I didn't move. 'That stopped being my home the day you let him lock me up inside of it.' Lucien's mouth tightened. 'It was a mistake. We all made mistakes. He's sorry- more sorry than you realise. So am I.' He stepped toward me, and I backed up another few inches.

Then, before the first ritual declaration, the twelve men cried out, “Satephikos kana ta yerishi ankapharas!” in unison, then drew their knives and cut their own throats. Horrified, Kascamandri clasped his two youngest daughters tight in his elephantine arms. They sobbed and cried out, while his older children, especially his boys, chirped in excited tones. He turned to his dumbstruck interpreter … “Th-they said,” the ashen-faced man stammered, “‘the Warrior-Prophet shall … shall come before you …

1. His back is full of knives. Notes are brittle around the blades. 2. He sleeps face down every night in a chalk outline of himself. 3. He has difficulties with metal detectors. 4. At birthday parties, someone might politely ask, may I borrow one of those knives to slice this chocolate cake? 5. He likes to stand with his back to walls. At restaurants, he likes the corner tables. 6. There is a detective who calls to ask him about the brittle notes. Also: a biographer, a woman who'd like to film a documentary, a curator of a museum, his mother. I can't read them, he says. They're on my back. 7. It would be a mistake for anyone to assume he wants the knives removed. 8. Most of the brittle notes are illegible. One of them, even, is written in French. 9. Every Halloween, he goes as a victim of a brutal stabbing. Once he tried going as a whale, but it was a hassle explaining away the knives. 10. He always wears the same bloody suit. 11. When he walks, he sounds like a tree still full of dead leaves holding on. 12. It is ok for children to count on his knives, but not to climb on them. 13. He saw his own shadow in a park. He moved his body to make the knives reach other people's shadows. He did it all evening. In the shadows, his knives looked like soft outstretched arms. 14. His back is running out of space. 15. On a trip to Paris, he fell in love and ended up staying for a few years. He got a job performing on the street with the country's best mimes. 16. The knives are what hold him together. It is the notes that are slowly killing him. 17. He is difficult to hold when he cries. 18. He will be very old when he dies and the Doctor will say, he was obviously stabbed, brutally and repeatedly. I'm sorry, the Doctor will say to a person in the room, but he's not going to make it.

First round is always a gorsian bullet,” Pippa said mildly in the terrible silence that followed as the Lightfall soldiers drew long knives and began severing heads from necks. “To get the Vanir down. The rest are lead. The beheading makes it permanent.” “Are you fucking insane?” Hunt burst out, just as Tharion spat, “You’re a murdering psycho.” But Cormac snarled at Pippa, getting in her face, blocking Tharion’s direct path. “I was told the crew would be unharmed. They helped us out of their belief in the cause.” She said flatly, “They’re Vanir.” “And that’s an excuse for this?” Ruhn shouted. Blood gleamed on his neck, his cheek, from where it had sprayed down. “They’re Vanir who are helping you.” Pippa only shrugged again. “This is war. We can’t risk them telling the Asteri where we are. The order to put the crew down came from Command. I am their instrument.” “You and Command are going to lead these people to ruin.” Shadows gathered at Ruhn’s shoulders. “And like Hel am I going to help you do it.

I turned around. “Why did you miss when you threw those knives?” Her lips thinned. “Did you think you were the only idiot to spill your blood over a contract?” Ah. Now that it was out in the open, it seemed practically obvious. How had I not seen it before? “You can’t act against him.” “I certainly can’t kill him.” Her wording was different than mine. Noted. “Zeryth and I… never got along,” she said. “And to be a Second is to be a failed competitor of the Arch Commandant, and the one to take power if they die. It made sense to build a loyalty protection into the oath. As much as I despise it.

This Country's Going to Hell gritty acoustic outlaw country [Verse] Once we had a land, wide and proud, Where freedom's song rang out loud. One nation under a heavenly light, But now it’s fading, lost in the night. [Verse 2] Factories closed, fields go bare, Main Street’s dying in the evening air. God was once our guiding hand, Now it's time we take a stand. [Chorus] This country’s going to hell, Where did we go wrong, who can tell? Let’s put God back in this land, We, the people, must take a stand. [Verse 3] Empty churches, echoing halls, The rise begins when a nation falls. Lest we forget what once made us great, Let’s pray before it’s too late. [Bridge] Bring back the days of honor and trust, When faith in the Lord was more than just dust. We’ve strayed too far, lost our way, Together we can reclaim that day. [Verse 4] Heroes fought, gave their lives, For freedom that’s now on the edge of knives. We need more than slogans and deals, It's soul and spirit that heals.

Would she someday be jaded to all forms of agony? Would she store hot coals, needles and tongs, Craftwork knives and metal swords and poison and wire in a scrapbook to page through on cold mornings when she wanted to remember how life used to feel? Or would she keep seeking out new frontiers, new edges of almost-too-much, until she fell, and fell forever?

Whoever was on the other side definitely got a good look at her leg when she had taken out her knives from her bag and strapped them to her thigh. They were the same knives she had stupidly tried to kill Tristan Caine with—the knives that had been collecting dust in her bag since the night she had gone back to his penthouse. She had never, for some reason, felt the need to bring them out there. That in itself was confounding considering she’d slept with weapons under her pillow every single night under her father’s roof for years. Not once in the penthouse though, not even that first night, not on any night since then. The realization stunned her.

Devlin.” Emmie waited until he met her eyes. “I thought when I met you and listened to you snapping out orders and pronouncements even while you appropriated the manners of a gentleman, that I was dealing with a bone fide barbarian.” “I am…” he began, nodding, but Emmie cut him off. “You are not a barbarian,” she said firmly. “I know you are not because I’ve known the tenderness you’re capable of.” “Soldiers do their share of…” “Would you hush!” Emmie felt tears rising again. “You are not a barbarian. I know this because you have loved me, not swived me, you damned man. And the part of you that killed and maimed and threw knives at civilians, is the part of you that wants desperately to live. Saints do not survive this world,” Emmie said, her tone gentling. “Saints sit on clouds and play harps, but humans, good, kind, decent humans can’t help but seek to live; they fight to live, St. Just. They don’t just throw a punch or two, maybe fire a few rounds at the enemy and take their chances. What you’ve done to survive tells me you are not a barbarian at all but very, very human. Nothing more, and by God, Devlin St. Just, nothing less.” She

that traditional princess behavior was like Isabelle at all. Isabelle with her whip and boots and knives would chop anyone who tried to pen her up in a tower into pieces, build a bridge out of the remains, and walk carelessly to freedom, her hair looking fabulous the entire time.

He quite certainly shouldn't care: and still he feels a hot sick bubbling in his gut, as if he'd drunk turned milk, or been on a drunken spree. Or been spurned in love, since damn fools seem to take that uncommonly serious, and stick knives in their guts over it all the time, in poems and plays. Romeo and Juliet, being one example, that he's read half a dozen times but never thought to see played out on the stage. Except that Ree took it into his head not a month ago, to take him to the theatre at Stratford to see it. The play's practically seditious when you think about it: Shakespeare's tale of forbidden love between a free-born human lad, and the high-born wolf-girl from the family that had owned then freed his father. At least old Will didn't go so far as to make the boy a slave, else he'd probably have found himself clapped in irons for thanks for his labour. Though of course as a wolf himself, for all his relatively low-status till he won fame from his quill, he'd less to fear than a human would have had. And even a wolf audience can sigh and dab their eyes over a tragic romance, between the two classes of men. As long as the powerless class gets no ideas of acting on that offensive gush of sentimentality.

Things were tense with me, James, and Haley in the kitchen. I was trying to be normal and lighthearted, but there were several elephants in the room—my guilt over Douglas’s death and James’s guilt over threatening Haley being the two biggest metaphorical pachyderms in the bunch. I wasn’t sure how to resolve it. Do I apologize to him? Does he apologize to me?   Then Haley put silverware in front of us and made us set the table. As she placed a big pile of butter knives in the center of the table she fixed me with a gimlet eye. “Try to not kill anyone while you’re setting the table.” Then she poked James. “And I don’t want to find these in any doors. Knives next to spoons, boys. Not in people or furniture—once is a slipup. Twice is impolite. Three times is downright rude.” She turned and went back to cooking breakfast.   For a long, drawn-out breath, no one said anything. The only sound was the snap of butter on a hot skillet. Then James picked up a handful of knives and placed one carefully by a spoon. He nudged it with one finger until it sat perfect and straight. He stepped back and examined his handiwork, leaning so Haley could see.   She nodded, pleased. “Very good. Baby steps. Keep this up, and I’ll tell you where I hid the steak knives.”   I couldn’t help it then—I collapsed into a chair, laughing. James didn’t laugh—but I could see the beginnings of a smile twisting at the edges of his lips. Haley was right. Baby steps. Leave it to my little sister to settle a complicated issue with place settings.

Some carried clubs or spears. A few confused ogres carried surfboards, like they’d shown up at the wrong party. All of them were in a festive mood—giving each other high fives, tying plastic bibs around their necks, breaking out the knives and forks. One ogre had fired up a portable barbecue and was dancing in an apron that said KISS THE COOK.

As I pass Logan’s room, I catch a glorious purple glow. My curiosity gets the best of me. I walk in and flick on the light switch. On the wall above a bookshelf hangs something truly magnificent. Delicately, I pick up the Mace Windulightsaber replica. It reminds me of those super expensive knives professional chefs use that are weighted perfectly for precision. I take a step back and brandish the weapon at a poster of Aragorn from Lord of the Rings on the wall. “Don’t worry, your highness. Your Jedi escort will see you to safety,” I say in my best Obi Wan accent. “The force is strong with this one.” The words come from behind me. I whip around out of pure freaked-out instinct, swinging the lightsaber in a big arc. It clashes with one just like it, except it’s blue. I look up into Dan’s smug face and wish these lightsabers weren’t replicas. Sure, it’s a cute face, but it’s a face I’m not in the mood to deal with at the moment. I swirl my saber to move his out of the way and put the point of it to his chin. “Don’t make me slice your nose off, you scruffy-looking nerf herder.” I’ve always wanted to call someone that, but the opportunity never presented itself until now. He tosses his lightsaber onto the bed and holds his hands up in surrender. “I yield, but only because that is a limited edition.

Weapons kill. Knives cut and stab. Bullets pierce and shatter. Hands murder. But love takes her time. Beautifully cruel, she smiles sweetly and slowly starts to pull out your heartstrings, tearing them, ripping them, slaughtering them one by one. Nothing kills as brutally, slow as love.”—Breno Hades el Oscuro.

the line of parked cars across the street, and out of sight. Luke left the trunk door up. He crouched behind it. He patted all his weapons. He had an Uzi, a shotgun, a handgun, and two knives, if it came to that. He took a deep breath

Orpheus literally had his hands full, holding on to her while she struggled to break away from him and plunge into the water, time after time. How the other Argonauts laughed! Jason was exasperated. He needed Orpheus to keep the rowers working together and he was short by three men since the battle. He couldn’t spare anyone else from the crew to keep the girl from killing herself. When he ordered Herakles to grab her and tie her to the mast, our “dove” showed us that she spoke our language well enough to spew blistering curses and threats. “Listen to that!” Herakles exclaimed with an exaggerated shudder. “She’s a witch’s daughter, sure enough. She’ll put a spell on me if I offend her.” “Stop that nonsense and control the brat,” Jason snapped. “Alas, beloved prince, I can’t.” Herakles sighed and hung his head with such a pathetic air that Milo, Hylas, and I stuffed our knuckles into our mouths to stifle snickers. “I made a vow to Hera not to touch a woman until we come to Colchis.” That was too much for Hylas. He burst into hoots of laughter, and Milo and I joined in, until we had to clutch one another to keep from falling over. I was still trying to catch my breath when Jason’s foot shot out and dealt me an undeniable kick in the behind. “You think this is funny? You watch her!” he barked at me. “If anything happens to the scrawny little bitch, we’ll stick you in a dress, hand you over to her flea-bitten relatives, and be halfway to Colchis before they figure out they’ve been duped. If you’re lucky, they’ll kill you quickly. If not, they might decide to use their knives to turn you into the daughter they lost. See if you can laugh your way out of that, boy!” He showed his teeth in a satisfied smirk and didn’t understand why I kept on laughing at his threat, even while I walked off to assume my new job as the girl’s keeper.

Gabriel waited until Aisling had left the room before cocking an eyebrow at Drake. ‘‘Still haven’t told her she’s not going to the sárkány?’’ ‘‘No.’’ Drake grimaced. ‘‘She’s not going to be pleased, but it is too dangerous. She will just have to understand.’’ Gabriel cast a considering glance my way. ‘‘May-ling, if you were in Aisling’s shoes, and I forbade you to attend a weyr meeting to which you wished to go, what would you do?’’ ‘‘I’m a shadow walker. I would simply slip into the shadow world and go anyway. But if I was Aisling herself, I’d probably grab the nearest blunt instrument and smack you upside the head, then go to the meeting.’’ Drake snorted. ‘‘Aisling is not so crass. She would not behave in such a manner.’’ He paused as he walked past me, eyeing for a moment a small stone bust of a woman that sat on an isolated pedestal. He picked up the bust and stuffed it into one of thesideboard cupboards, a set look to his face as Gabriel laughed out loud. ‘‘You have learned, I think.’’ ‘‘I am simply taking an unnecessaryprecaution, nothing more.’’ He hesitated again, then quickly whisked all the knives from the table, depositing them unobtrusively in an urn on the sideboard just as Aisling opened the door. ‘‘What did I miss?’’ she asked as Gabriel roared with laughter. ‘‘A good joke? I love jokes! Is it the one about the demon and the nun? That one always makes Jim wheeze

His irises are ringed with pale green light, and his pupils are circled with white. They’re mechanical implants. They only move by shifting, incremental. I know they likely don’t show him much--enough to help him, maybe, but they’re just supplements, like the beetle Isae called Pazha. “Nice new tech,” Isae says to him. “Yeah, they’re the new fashion in Othyr,” he drawls in a brim lilt. “Everybody who’s anybody is cutting out their eyes with butter knives and replacing them with tech.” “Always with the sarcasm,” Isae says. “Do they actually help?” “Some. Depends on the light.” Ast shrugs. “Seems like a nice setup in here.” He flicks his fingers, sending Pazha away from Isae’s fist and into the room. It flies the perimeter of the room, whistling at each corner. “Big. Smells clean. Surprised you’re not wearing a crown, Chancellor.” “Didn’t go with my outfit,” Isae says.

Nice new tech,” Isae says to him. “Yeah, they’re the new fashion in Othyr,” he drawls in a brim lilt. “Everybody who’s anybody is cutting out their eyes with butter knives and replacing them with tech.” “Always with the sarcasm,” Isae says.

Shea cried out but could not look away with Gregori forcing her to obey his command. Then suddenly, as Slovensky’s heart exploded violently out of his chest and he slumped forward, face down onto the floor, she was released. Wallace made strange sounds, little mewling noises interspersed with curses. He dragged Shea to her feet, forced her with him toward the door. Her back was to him, and for a moment Shea was curiously thankful. She had never killed or injured another human being in her life. She had taken an oath to save lives. Every instinct in her was to go to Raven, see if there was anything she could do. Even to go to the stick old man and try to aid him. Killing was utterly out of her realm. You did not kill him, Jacques said soothingly. I was the instrument you used, she protested. As Wallace dragged her outside, the light hit her eyes, and she cried out as a thousand knives seemed to pierce her skull. Look at this man, his hand on you, anything I can use, Jacques ordered gruffly. He could feel her horror, her reluctance. I can’t, Jacques. I can’t think. It was true. Her mind was consumed with grotesque images of blood and death. This time it was not Gregori who took charge. Jacques gripped her mind in a hold of steel, forcing her compliance. He was far stronger than she had ever imagined him to be, and supremely confident in his abilities, even in the morning hours. The Carpathians men were coming closer, too. Even with the burden of protecting Byron, they were moving rapidly as a group toward the cabin. Mikhail reluctantly split off from the rest of them, Byron a dead weight in his arms, his path away from the forest and toward the cave of healing. But his concentration on his wife and child was total. He had no room for any other emotion. He kept their waning life force flickering in his mind, held them locked to him, giving them no chance to die before the healer was there to aid them.

It’s nice to see you.” Stupid, silly, banal little words. Luca smiles, his dark blue eyes sparking. “Nice?” he says, and he starts to take off his shoes. “This is a very strong word in English, non è vero?” “No,” I say quickly. “It’s not a strong word at all.” “Oh, peccato,” he says cheerfully, which means “what a shame.” He’s pulling off his socks. “What are you doing?” I ask, which is stupid too, as it’s obvious; he’s standing up now, his hands at his waistband, unbuckling his belt. The sight is incredibly disconcerting. I back away, into deeper water, on the tips of my toes now. “Luca--” “I am hot,” he says. “That’s correct, isn’t it? Not ‘I have hot.’” I know what he means: in Italian, you say you “have” hot or cold, not that you “are.” It takes a bit of getting used to. Especially with the double meaning, which I’m certainly not going to explain to him now. “Yes,” I say even more feebly as Luca’s jeans drop to the ground and he steps out of them. Thank goodness he’s wearing boxers! His legs are long and almost too thin, a bit stork-like. I’m ridiculously glad to have found a defect in him. As he starts to unbutton his shirt, I take another step back and find myself treading water frantically, out of my depth now. I can’t look at his mostly bare body: I turn away, feeling a blush suffusing my cheeks. So I hear, rather than see, him dive into the river. He surfaces next to me, shaking his wet hair back from his face. It plasters down to his skull, and that makes his bone structure much more pronounced, his cheekbones sharp as knives. I stare at him, tongue-tied, as he treads water easily next to me. “Now you must be cross with me,” he says, a thread of laughter in his voice. “You must tell me that I’m wrong, that we must not be alone together.” “We mustn’t,” I say, suddenly angry. “You know we mustn’t.” I can’t keep treading water; my legs feel too wobbly. I put my head down and swim away from him, a couple of strokes to the far bank, where I can stand. He follows me; he swims right to me, and when he comes up, he’s so close, so tall, that he blocks out the moon. His bare chest is dappled with drops of water clinging to his skin. I can’t look anymore, so I raise my eyes, and then I’m looking into his, and oh no, that’s a really terrible idea, that’s the worst idea in the world… “Se scorre un fiume dentro ad ogni cuore, arriveremo al mare prima o poi,” he says, looking down at me. “More Jovanotti,” he adds, smiling, as he sees me staring at him in confusion. Jovanotti is Luca’s favorite singer; he’s quoted songs of his before to me. But I don’t know this one. “‘If a river runs inside every heart, we will arrive at the sea,’” he translates. “I think of this because we are in a river.” “It’s very pretty,” I mumble. “The rest of the song is maybe not so pretty,” he says. “It is a love song, but Jovanotti tells the truth about love. That it is sometimes not pretty at all.” I nod, even though hearing the word “love” spoken by Luca is enough to make me feel as if I’m blushing all over.

I would come for you.” he said, and when he saw the wary look she shot him, he said it again, “I would come for you. And if I couldn’t walk, I’d crawl to you, and no matter how broken we were, we’d fight our way out together- knives drawn, pistols blazing. Because that’s what we do. We never stop fighting.

wielding words like knives out of anger. While it might not leave the same kind of wounds as fists, words can do more damage than anything.