Knives In My Back Quotes

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The ruby at Melisandre's throat gleamed red. "It is not those foes who curse you to your face that you must fear, but those who smile when you are looking and sharpen their knives when you turn your back. You would do well to keep your wolf close beside you. Ice, I see, and daggers in the dark. Blood frozen red and hard, and naked steel. It was very cold." "It is always cold on the Wall." "You think so?" "I know so, my lady." "Then you know nothing, Jon Snow," she whispered.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
Carving?" "Your name. My back. I can't fucking wait." Jane whistled under her breath. "Do I get to do it?" He barked a laugh. "No!" "Come on. I'm a surgeon, I'm good with knives.
J.R. Ward (Lover Unbound (Black Dagger Brotherhood, #5))
He swept the red cloak around Inej's shoulders in a rain of petals and blossoms as she continued to strap on her knives. She looked almost as startled as the flower seller. "What?" he asked as he tossed her a Mister Crimson mask that matched his own. "Those were my mother's favorite flower." "Good to know Van Eck didn't cure you of sentiment." "Nice to be back, Kaz." "Good to have you back, Wraith.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Plastic ware," he said slowly, "like knives and forks and spoons?" I brushed a bit of dirt off the back of my car—was that a scratch?—and said casually, "Yeah, I guess.Just the basics, you know." "Did you need plastic ware?" he asked. I shrugged. "Because," he went on, and I fought the urge to squirm, "it's so funny, because I need plastic ware. Badly." "Can we go inside, please?" I asked, slamming the trunk shut. "It's hot out here." He looked at the bag again, then at me. And then, slowly, the smile I knew and dreaded crept across his face. "You bought me plastic ware," he said. "Didn't you?' "No," I growled, picking at my license plate. "You did!" he hooted, laughing out loud. "You bought me some forks. And knives. And spoons. Because—" "No," I said loudly. "—you love me!" He grinned, as if he'd solved the puzzler for all time, as I felt a flush creep across my face. Stupid Lissa. I could have killed her. "It was on sale," I told him again, as if this was some kind of an excuse. "You love me," he said simply, taking the bag and adding it to the others. "Only seven bucks," I added, but he was already walking away, so sure of himself. "It was on clearance, for God's sake." "Love me," he called out over his shoulder, in a singsong voice. "You. Love. Me.
Sarah Dessen (This Lullaby)
Hua Cheng said quietly, "Your Highness, I understand your everything. "Your courage, your despair; your kindness, your pain; your resentment, your hate; your intelligence, your foolishness. "If I could, I would have you use me as your stepping stone, the bridge you take apart after crossing, the corpse bones you need to trample to climb up, the sinner who deserved the butchering of a million knives. But, I know you wouldn't allow it." (...) However, Hua Cheng only replied, "To die in battle for you is my greatest honour." Those words were like a fatal blow. The tears in Xie Lian's eyes could no longer be restrained, and they came pouring out. Like he was hanging on the thread of his life, he pleaded, "You said you would never leave me." However, Hua Cheng replied, "There is no banquet in this world that doesn't come to an end." Xie Lian bowed his head and buried it deep into his chest, his heart and throat in constricted agony, unable to speak. Yet soon after, he heard Hua Cheng say above him, "But, I will never leave you." Hearing this, Xie Lian's head shot up. Hua Cheng said to him, "I will come back. Your Highness, believe me.
Mò Xiāng Tóng Xiù (天官赐福 [Tiān Guān Cì Fú])
I've lost my mind," Alex muttered, grabbing her knives again and stomping back across the kitchen. "I woke up this morning a boring little chef on planet earth, and somehow ended up in the Twilight Zone as a third-rate stand-in for Buffy the Vampire Slayer".
Lynsay Sands (Hungry for You (Argeneau, #14))
Nina Zenik, as soon as I figure out where you’ve put my knives, we’re going to have words.” “The first ones had better be Thank you, oh great Nina, for dedicating every waking moment of this miserable journey to saving my sorry life.” Jesper expected Inej to laugh and was startled when she took Nina’s face between her hands and said, “Thank you for keeping me in this world when fate seemed determined to drag me to the next. I owe you a life debt.” Nina blushed deeply. “I was teasing, Inej.” She paused. “I think we’ve both had enough of debts.” “This is one I’m glad to bear.” “Okay, okay. When we’re back in Ketterdam, take me out for waffles.” Now Inej did laugh. She dropped her hands and appeared to speculate. “Dessert for a life? I’m not sure that seems equitable.” “I expect really good waffles.” “I know just the place,” said Jesper. “They have this apple syrup—” “You’re not invited
Leigh Bardugo (Six of Crows (Six of Crows, #1))
So now, when three Landers, members of a street gang, approach me in the back alley behind the Library, knives drawn, the silver barrel of a gun pointed at my heart, I know I am ready.
Lindsay Cummings (The Murder Complex (The Murder Complex, #1))
Your name. My back. I can’t fucking wait.” Jane whistled under her breath. “Do I get to do it ” He barked a laugh. “No ” “Come on. I’m a surgeon I’m good with knives.” “My brothers will do it—well actually I guess you could do a letter 
too. Mmm that gets me hard.” He kissed her. “Man you are so my 
kind of girl.” “Do I have to get cut ” “Hell no. It’s done on the males so everyone knows who we belong 
to.” “Belong ” “Yup. I’ll be yours to command. Lord over. Do what you want with. 
Think you can handle it ” V and Jane - Lover Unbound
J.R. Ward
You, Doctor Martin, walk from breakfast to madness. Late August, I speed through the antiseptic tunnel where the moving dead still talk of pushing their bones against the thrust of cure. And I am queen of this summer hotel or the laughing bee on a stalk of death. We stand in broken lines and wait while they unlock the doors and count us at the frozen gates of dinner. The shibboleth is spoken and we move to gravy in our smock of smiles. We chew in rows, our plates scratch and whine like chalk in school. There are no knives for cutting your throat. I make moccasins all morning. At first my hands kept empty, unraveled for the lives they used to work. Now I learn to take them back, each angry finger that demands I mend what another will break tomorrow. Of course, I love you; you lean above the plastic sky, god of our block, prince of all the foxes. The breaking crowns are new that Jack wore. Your third eye moves among us and lights the separate boxes where we sleep or cry. What large children we are here. All over I grow most tall in the best ward. Your business is people, you call at the madhouse, an oracular eye in our nest. Out in the hall the intercom pages you. You twist in the pull of the foxy children who fall like floods of life in frost. And we are magic talking to itself, noisy and alone. I am queen of all my sins forgotten. Am I still lost? Once I was beautiful. Now I am myself, counting this row and that row of moccasins waiting on the silent shelf.
Anne Sexton (To Bedlam and Part Way Back)
I looked back at the two of them. I knew I didn't have the sharpest knives carving my Christmas turkey but I had what I had.
Vera Jane Cook (Pleasant Day)
Most people are quite dense. They like little white houses with big stained-glass churches and prefer to do their killing with looks and words behind one another's backs." He paused. "Welcome to my house. No secrets allowed. Here we all do our killing with guns and axes and knives. It's more bloody than what most people are accustomed to, yes, but it's far less brutal.
Ted Dekker (House)
MOTHER – By Ted Kooser Mid April already, and the wild plums bloom at the roadside, a lacy white against the exuberant, jubilant green of new grass and the dusty, fading black of burned-out ditches. No leaves, not yet, only the delicate, star-petaled blossoms, sweet with their timeless perfume. You have been gone a month today and have missed three rains and one nightlong watch for tornadoes. I sat in the cellar from six to eight while fat spring clouds went somersaulting, rumbling east. Then it poured, a storm that walked on legs of lightning, dragging its shaggy belly over the fields. The meadowlarks are back, and the finches are turning from green to gold. Those same two geese have come to the pond again this year, honking in over the trees and splashing down. They never nest, but stay a week or two then leave. The peonies are up, the red sprouts, burning in circles like birthday candles, for this is the month of my birth, as you know, the best month to be born in, thanks to you, everything ready to burst with living. There will be no more new flannel nightshirts sewn on your old black Singer, no birthday card addressed in a shaky but businesslike hand. You asked me if I would be sad when it happened and I am sad. But the iris I moved from your house now hold in the dusty dry fists of their roots green knives and forks as if waiting for dinner, as if spring were a feast. I thank you for that. Were it not for the way you taught me to look at the world, to see the life at play in everything, I would have to be lonely forever.
Ted Kooser (Delights and Shadows)
GONE TO STATIC it sounds better than it is, this business of surviving, making it through the wrong place at the wrong time and living to tell. when the talk shows and movie credits wear off, it's just me and my dumb luck. this morning I had that dream again: the one where I'm dead. I wake up and nothing's much different. everything's gone sepia, a dirty bourbon glass by the bed, you're still dead. I could stumble to the shower, scrub the luck of breath off my skin but it's futile. the killer always wins. it's just a matter of time. and I have time. I have grief and liquor to fill it. tonight, the liquor and I are talking to you. the liquor says, 'remember' and I fill in the rest, your hands, your smile. all those times. remember. tonight the liquor and I are telling you about our day. we made it out of bed. we miss you. we were surprised by the blood between our legs. we miss you. we made it to the video store, missing you. we stopped at the liquor store hoping the bourbon would stop the missing. there's always more bourbon, more missing tonight, when we got home, there was a stray cat at the door. she came in. she screams to be touched. she screams when I touch her. she's right at home. not me. the whisky is open the vcr is on. I'm running the film backwards and one by one you come back to me, all of you. your pulses stutter to a begin your eyes go from fixed to blink the knives come out of your chests, the chainsaws roar out from your legs your wounds seal over your t-cells multiply, your tumors shrink the maniac killer disappears it's just you and me and the bourbon and the movie flickering together and the air breathes us and I am home, I am lucky I am right before everything goes black
Daphne Gottlieb (Final Girl)
Girls like her, my grandfather once warned me, girls like her turn into women with eyes like bullet holes and mouths made of knives. They are always restless. They are always hungry. They are bad news. They will drink you down like a shot of whisky. Falling in love with them is like falling down a flight of stairs. What no one told me, with all those warnings, is that even after you’ve fallen, even after you know how painful it is, you’d still get in line to do it again. A girl like that, Grandad said, perfumes herself with ozone and metal filings. She wears trouble like a crown. If she ever falls in love, she’ll fall like a comet, burning the sky as she goes. She was the epic crush of my childhood. She was the tragedy that made me look inside myself and see my corrupt heart. She was my sin and my salvation, come back from the grave to change me forever. Again. Back then, when she sat on my bed and told me she loved me, I wanted her as much as I have ever wanted anything. There are no words for how much I will miss her, but I try to kiss her so that she’ll know. I try to kiss her to tell her the whole story of my love, the way I dreamed of her when she was dead, the way that every other girl seemed like a mirror that showed me her face. The way my skin ached for her. The way that kissing her made me feel like I was drowning and like I was being saved all at the same time. I hope she can taste all that, bittersweet, on my tongue.
Holly Black (Black Heart (Curse Workers, #3))
This morning I woke up and pulled all the knives out of my back, I then asked God to Please protect me from my enemies. -MillYentei_D.Y
Deshawn Yeldell
There isn't room in my back for anymore knives. If you're going to stab me, you're gonna have to look me in the eyes when you do it.
Kalen Dion
To avoid stabs on the back you have to look behind while moving forward. I'd rather have knives in my back than fall into a manhole!
Manoj Vaz
I look back and think of all the ways he wasn’t the devil in that moment. The devil would break a dog’s neck, not cradle it in his own. The devil would have a mouth comparable to a crate of knives, not a mouth with teeth that held the curves of marshmallows. I think of all the devils I’ve seen in my long life. I know now how brief the innocent, how permanent the wicked. I
Tiffany McDaniel (The Summer That Melted Everything)
Oh my God, Michelle thought, I think we’re making love. It was a term everyone barfed at. No one wanted to make love, people wanted to fuck, to take each other’s skin apart with knives and pin it back together with needles.
Michelle Tea (Black Wave (City Lights/Sister Spit))
I stared down at my hands and saw the blood coat them, how warm and real something felt when it wasn’t just ink and stains. This was life and I was holding it in my hands. I drew my eyes back up and beneath the flickering streetlight and the throng of drunken cattle, I saw nothing else but the dead girl. Somebody out there had taken her life, her heart, and there I was with her warm, sticky blood. Feeling the most alive I’d felt in years. I had to find him. I just had to.
Charlotte Munro (Down by The Mausoleum)
Hypothetically speaking,” Robert said, “if the attack happens, and Roland retaliates, what will you do about it?” “She is a princess of Shinar.” My aunt burst into existence in the middle of the kitchen. “It is by the grace of her mercy you are still breathing.” Robert stumbled back. Raphael’s hands went to his knives. Andrea bared her teeth, cradling Baby B. You could hear a pin drop. “I have family in town for the wedding,” I said into the silence. “My aunt, Eahrratim, the Rose of Tigris.” Curran covered his face with his hand.
Ilona Andrews (Magic Binds (Kate Daniels, #9))
I've had a weird couple of weeks, you know?" "I completely know". "But I- I mean, I'm not totally happy, but there's no way I'd go back to my old obvious self! I like it here. I like all the... confusion and heartbreak". "It wasn't that bad... was it?" "Scott... yes, it was. But I feel like I've learned some stuff along the way. I know things now".
Bryan Lee O'Malley (Scott Pilgrim, Volume 3: Scott Pilgrim & The Infinite Sadness)
To be black in the Baltimore of my youth was to be naked before the elements of the world, before all the guns, fists, knives, crack, rape, and disease. The nakedness is not an error, nor pathology. The nakedness is the correct and intended result of policy, the predictable upshot of people forced for centuries to live under fear, The law did not protect us. And now, in your time, the law has become an excuse for stopping and frisking you, which is to say, for furthering the assault on your body, But a society that protects some people through a safety net of schools, government-backed home loans, and ancestral wealth but can only protect you with a club of criminal justice has either failed at enforcing its good intentions or has succeeded at something much darker. However you call it, the result was our infirmity before the criminal forces of the world. It does not matter if the agent of those forces is white or black—what matters is our condition, what matters is the system that makes your body breakable.
Ta-Nehisi Coates (Between the World and Me)
Me iudice, in my opinion, life is like juggling... Things come at you―balls, clubs, knives, sorrow, loss. Either you stand there and let them hit you or you throw them back pugnis et calcibus, with all your might.
Karen Cushman (Will Sparrow's Road)
It was a difficult time to be Irish, a difficult time to be twenty-one years of age and a difficult time to be a man who was attracted to other men. To be all three simultaneously required a level of subterfuge and guile that felt contrary to my nature. I had never considered myself to be a dishonest person, hating the idea that I was capable of such mendacity and deceit, but the more I examined the architecture of my life, the more I realized how fraudulent were its foundations. The belief that I would spend the rest of my time on earth lying to people weighed heavily on me and at such times I gave serious consideration to taking my own life. Knives frightened me, nooses horrified me and guns alarmed me, but I knew that I was not a strong swimmer. Were I to head out to Howth, for example, and throw myself into the sea, the current would quickly pull me under and there would be nothing I could do to save myself. It was an option that was always at the back of my mind
John Boyne (The Heart's Invisible Furies)
This house you speak of, for your sister and the mistress,” I said, ignoring him. “Does it have a library? And can I use it?” He laughed. “Yes. And yes.” “Then, Your Excellency”—I gave my most elaborate courtier’s bow, taking my knives back from his hands—“I am your man.
Kate Quinn (The Serpent and the Pearl (The Borgias, #1))
..."His sigh spoke of fear and regret mingled with grim acceptance. 'Teach her,' he said. 'Teach her to fight. Teach her to defend herself, and teach her to kill. The five of you must be her chatoks in the Dance of Knives. Teach her as you have taught no other. Give her everything. Hold nothing back.' 'Rain...' Bel murmured, his eyes troubled. Rain waved off his unspoken objection. ' She is a Tairen Soul, and we Tairen Souls were born for war. I may not like this path the gods have set before her, but Farsight is right. I must do everything in my power to ensure she is prepared to walk it'...
C.L. Wilson (Queen of Song and Souls (Tairen Soul, #4))
Sixers pour in from every edge of the bridge. We humans back into the center as they lumber toward us. I have my knives out, but they might as well be toothpicks pointed at an army of grizzlies. “Penryn!” I look up to see Raffe watching me with anguish in his eyes as his Watchers hold him at a safe distance from us.
Susan Ee (End of Days (Penryn & the End of Days, #3))
Kaz is … I don’t know, he’s like nobody else I’ve ever known. He surprises me.” “Yes. Like a hive of bees in your dresser drawer.” Jesper barked a laugh. “Just like that.” “So what are we doing here?” Jesper turned back to the sea, feeling his cheeks heat. “Hoping for honey, I guess. And praying not to get stung.” Inej bumped her shoulder against his. “Then at least we’re both the same kind of stupid.” “I don’t know what your excuse is, Wraith. I’m the one who can never walk away from a bad hand.” She looped her arm in his. “That makes you a rotten gambler, Jesper. But an excellent friend.” “You’re too good for him, you know.” “I know. So are you.” “Shall we walk?” “Yes,” Inej said, falling into step beside him. “And then I need you to distract Nina, so I can go search for my knives.” “No problem. I’ll just bring up Helvar.” Jesper glanced back at the wheel as they set off down the opposite side of the deck. Kaz hadn’t moved. He was still watching them, his eyes hard, his face as unreadable as ever.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Once the man vacates the room, Genova motions toward the table between us. "Gun." I hold up my hands. "I don't have one." His brow furrows. "You came unarmed?" "I never carry a gun," I say, "but that doesn't mean I'm unarmed." Everything's a weapon if you look at it the right way. "Knives, then." "None of those, either." "Then what do you got?" "Not much." I consider it for a moment. "Some spare change, a peppermint, my wallet... oh, and I've got a pen in my pocket." He looks at me with disbelief. "A pen." Reaching into my pocket, I pull out a simple black ballpoint ink pen. Probably cost a dollar. "You gonna kill somebody with that?" he asks. I shrug, setting it on the table. "You never know.
J.M. Darhower (Target on Our Backs (Monster in His Eyes, #3))
The heartwood," Rob murmured, looking at me. "You wanted to marry me in the heart of Major Oak." I beamed at him grateful that he understood. "And Scar," he whispered. I leaned in close. "Are you wearing knives to our wedding?" Nodding, I laughed, telling him, "I was going to get you here one way or another, Hood." He laughed, a bright, merry sound. Standing in the heart of the tree, he reached again for my hand, fingers sliding over mine. Touching his hand, a rope of lightening lashed round my fingers, like it seared us together. Now, and for always. His fingers moved on mine, rubbing over my hand before capturing it tight and turning me to the priest. The priest looked over his shoulder, watching as the sun began to dip. He led us in prayer, he asked me to speak the same words I'd spoken not long past to Gisbourne, but that whole thing felt like a bad dream, like I were waking and it were fading and gone for good. "Lady Scarlet." he asked me with a smile, "known to some as Lady Marian of Huntingdon, will thou have this lord to thy wedded husband, will thou love him and honour him, keep him and obey him, in health and in sickness, as a wife should a husband, forsaking all others on account of him, so long as ye both shall live?" I looked at Robin, tears burning in my eyes. "I will," I promised. "I will, always." Rob's face were beaming back at me, his ocean eyes shimmering bright. The priest smiled. "Robin of Locksley, will thou have this lady to thy wedded wife, will thou love her and honor her, keep her and guard her, in health and in sickness, as a husband should a wife, forsaking all others on account of her, so long as ye both shall live?" the priest asked. "Yes," Rob said. "I will." "You have the rings?" the priest asked Rob. "I do," I told the priest, taking two rings from where Bess had tied them to my dress. I'd sent Godfrey out to buy them at market without Rob knowing. "I knew you weren't planning on this," I told him. Rob just grinned like a fool at me, taking the ring I handed him to put on my finger. Laughs bubbled up inside of me, and I felt like I were smiling so wide something were stuck in my cheeks and holding me open. More shy and proud than I thought I'd be, I said. "I take you as me wedded husband, Robin. And thereto I plight my troth." I pushed the ring onto his finger. He took my half hand in one of his, but the other- holding the ring- went into his pocket. "I may not have known I would marry you today Scar," he said. "But I did know I would marry you." He showed me a ring, a large ruby set in delicate gold. "This," he said to me, "was my mother's. It's the last thing I have of hers, and when I met you and loved you and realized your name was the exact colour of the stone- " He swallowed, and cleared his throat, looking at me with the blue eyes that shot right through me. "This was meant to be Scarlet. I was always meant to love you. To marry you." The priest coughed. "Say the words, my son, and you will marry her." Rob grinned and I laughed, and Rob stepped closer, cradling my hand. "I take you as my wedded wife, Scarlet. And thereto I plight my troth." He slipped the ring on my finger and it fit. "Receive the Holy Spirit," the priest said, and kissed Robin on the cheek. Rob's happy grin turned a touch wolflike as he turned back to me, hauling me against him and angling his mouth over mine. I wrapped my arms around him and my head spun- I couldn't tell if we were spinning, if I were dizzy, if my feet were on the ground anymore at all, but all I knew, all I cared for, were him, his mouth against mine, and letting the moment we became man and wife spin into eternity.
A.C. Gaughen (Lion Heart (Scarlet, #3))
It’s just that I am selfish and gas is expensive and it’s hard to tell the difference between wanting to die and just wanting to sink for a while. It’s just that I knew a boy once who said those words to me only when he wanted my undivided attention and my legs spread in the back of his car. It’s just that I thought it was one thing to want to die and another thing to pick up kitchen knives.
Trista Mateer (The Dogs I Have Kissed)
Then it was horn time. Time for the big solo. Sonny lifted the trumpet - One! Two! - He got it into sight - Three! We all stopped dead. I mean we stopped. That wasn't Sonny's horn. This one was dented-in and beat-up and the tip-end was nicked. It didn't shine, not a bit. Lux leaned over-you could have fit a coffee cup into his mouth. "Jesus God," he said. "Am I seeing right?" I looked close and said: "Man, I hope not." But why kid? We'd seen that trumpet a million times. It was Spoof's. Rose-Ann was trembling. Just like me, she remembered how we'd buried the horn with Spoof. And she remembered how quiet it had been in Sonny's room last night... I started to think real hophead thoughts, like - where did Sonny get hold of a shovel that late? and how could he expect a horn to play that's been under the ground for two years? and - That blast got into our ears like long knives. Spoof's own trademark! Sonny looked caught, like he didn't know what to do at first, like he was hypnotized, scared, almighty scared. But as the sound came out, rolling out, sharp and clean and clear - new-trumpet sound - his expression changed. His eyes changed: they danced a little and opened wide. Then he closed them, and blew that horn. Lord God of the Fishes, how he blew it! How he loved it and caressed it and pushed it up, higher and higher and higher. High C? Bottom of the barrel. He took off, and he walked all over the rules and stamped them flat. The melody got lost, first off. Everything got lost, then, while that horn flew. It wasn't only jazz; it was the heart of jazz, and the insides, pulled out with the roots and held up for everybody to see; it was blues that told the story of all the lonely cats and all the ugly whores who ever lived, blues that spoke up for the loser lamping sunshine out of iron-gray bars and every hop head hooked and gone, for the bindlestiffs and the city slicers, for the country boys in Georgia shacks and the High Yellow hipsters in Chicago slums and the bootblacks on the corners and the fruits in New Orleans, a blues that spoke for all the lonely, sad and anxious downers who could never speak themselves... And then, when it had said all this, it stopped and there was a quiet so quiet that Sonny could have shouted: 'It's okay, Spoof. It's all right now. You get it said, all of it - I'll help you. God, Spoof, you showed me how, you planned it - I'll do my best!' And he laid back his head and fastened the horn and pulled in air and blew some more. Not sad, now, not blues - but not anything else you could call by a name. Except... jazz. It was Jazz. Hate blew out of that horn, then. Hate and fury and mad and fight, like screams and snarls, like little razors shooting at you, millions of them, cutting, cutting deep... And Sonny only stopping to wipe his lip and whisper in the silent room full of people: 'You're saying it, Spoof! You are!' God Almighty Himself must have heard that trumpet, then; slapping and hitting and hurting with notes that don't exist and never existed. Man! Life took a real beating! Life got groined and sliced and belly-punched and the horn, it didn't stop until everything had all spilled out, every bit of the hate and mad that's built up in a man's heart. ("Black Country")
Charles Beaumont (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
I never really knew whether my parents loved me or not. I guess I knew later. But those first seventeen years only ever felt like tolerance. They knew I was their fault, and because their god ordered them to love me, they held back their knives. But I knew the stories of fathers who cut their children to pieces, so most often I tried to make them feel like I wasn’t there at all. Most often failing completely.
B.R. Yeager (Negative Space)
I might have told him, in those hours, stories of my own. Scylla and Glaucos, Aeëtes, the Minotaur. The stone wall cutting into my back. The floor of my hall wet with blood, reflecting the moon. The bodies I had dragged one by one down the hill, and burned with their ship. The sound flesh makes when it tears and re-forms and how, when you change a man, you may stop the transformation partway through, and then that monstrous, half-beast thing will die. His face would be intent as he listened, his relentless mind examining, weighing and cataloguing. However I pretended I could conceal my thoughts as well as he, I knew it was not true. He would see down to my bones. He would gather my weaknesses up and set them with the rest of his collection, alongside Achilles’ and Ajax’s. He kept them on his person as other men keep their knives.
Madeline Miller (Circe)
Melisandre’s red lips curled into a smile. “I have seen you in my fires, Jon Snow.” “Is that a threat, my lady? Do you mean to burn me too?” “You mistake my meaning.” She gave him a searching look. “I fear that I make you uneasy, Lord Snow.” Jon did not deny it. “The Wall is no place for a woman.” “You are wrong. I have dreamed of your Wall, Jon Snow. Great was the lore that raised it, and great the spells locked beneath its ice. We walk beneath one of the hinges of the world.” Melisandre gazed up at it, her breath a warm moist cloud in the air. “This is my place as it is yours, and soon enough you may have grave need of me. Do not refuse my friendship, Jon. I have seen you in the storm, hard-pressed, with enemies on every side. You have so many enemies. Shall I tell you their names?” “I know their names.” “Do not be so certain.” The ruby at Melisandre’s throat gleamed red. “It is not the foes who curse you to your face that you must fear, but those who smile when you are looking and sharpen their knives when you turn your back. You would do well to keep your wolf close beside you. Ice, I see, and daggers in the dark. Blood frozen red and hard, and naked steel. It was very cold.” “It is always cold on the Wall.” “You think so?” “I know so, my lady.” “Then you know nothing, Jon Snow,” she whispered.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
...kissing Locke never felt the way that kissing Cardan does, like taking a dare to run over knives, live an adrenaline strike of lightning, like the moment when you've swum too far out in the sea and there is no going back, only cold black water closing over your head. Cardan's cruel mouth is surprisingly soft, and for a long moment after our lips touch, he's still as a statue. His eyes close, lashes brushing my cheek. I shudder, as you're supposed to when someone walks over your grave. Then his hands come up, gentle as they glide over my arms. If I didn't know better, I'd say his touch was reverent, but I do know better. HIs hands are moving slowly because he is trying to stop himself. He doesn't want this. He doesn't want to want this. He tastes like sour wine. I can feel the moment he gives in and gives up, pulling me to him despite the threat of the knife. He kisses me hard, with a kind of devouring desperation, fingers digging in to my hair. Our mouths slide together, teeth over lips over tongues. Desire hits me like a kick to the stomach. It's like fighting, except what we're fighting for is to crawl inside each other's skin. That's the moment when terror seizes me. What kind of insane revenge is there in exulting in his revulsion? And worse, far worse, I like this. I like everything about kissing him- the familiar buzz of fear, the knowledge I am punishing him, the proof he wants me. The knife in my hand is useless. I throw it at the desk, barely registering as the point sinks in to the wood. He pulls back from me at the sound, startled. HIs mouth is pink, his eyes dark. He sees the knife and barks out a startled laugh. Which is enough to make me stagger back. I want to mock him, to show up his weakness without revealing mine, but I don't trust my face not to show too much. 'Is that what you imagined?' I ask, and am relieved to find that my voice sounds harsh. 'No,' he said tonelessly. 'Tell me,' I say. He shakes his head, somewhere chagrined. 'Unless you're really going to stab me, I think I won't. And I might not tell you even if you were going to stab me.' I get up on Dain's desk to put some distance between us. My skin feels too tight, and the room seems suddenly too small. He almost made me laugh there.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
She looped her arm in his. “That makes you a rotten gambler, Jesper. But an excellent friend.” “You’re too good for him, you know.” “I know. So are you.” “Shall we walk?” “Yes,” Inej said, falling into step beside him. “And then I need you to distract Nina, so I can go search for my knives.” “No problem. I’ll just bring up Helvar.” Jesper glanced back at the wheel as they set off down the opposite side of the deck. Kaz hadn’t moved. He was still watching them, his eyes hard, his face as unreadable as ever.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
To be black in the Baltimore of my youth was to be naked before the elements of the world, before all the guns, fists, knives, crack, rape, and disease. The nakedness is not an error, nor pathology. The nakedness is the correct and intended result of policy, the predictable upshot of people forced for centuries to live under fear. The law did not protect us. And now, in your time, the law has become an excuse for stopping and frisking you, which is to say, for furthering the assault on your body. But a society that protects some people through a safety net of schools, government-backed home loans, and ancestral wealth but can only protect you with the club of criminal justice has either failed at enforcing its good intentions or has succeeded at something much darker. However you call it, the result was our infirmity before the criminal forces of the world. It does not matter if the agent of those forces is white or black--what matters is our condition, what matters is the system that makes your body breakable.
Ta-Nehisi Coates
The week after my happy Tin Man 5k, I learned that a friend had died of a heroin overdose, possibly a suicide. He and I had attended the same weekly recovery group for years. His death stunned everyone who knew him, myself included. A few days later, a friend’s boss shot himself in the parking lot of a nearby police department. Both events rattled me. While mourning the losses, I worried the knives in the kitchen drawer might jump out and stab me. I asked Ed to hold me. “I need to tie myself to the planet, so I don’t spin off.
Nita Sweeney (Depression Hates a Moving Target: How Running With My Dog Brought Me Back From the Brink)
Poem for My Father You closed the door. I was on the other side, screaming. It was black in your mind. Blacker than burned-out fire. Blacker than poison. Outside everything looked the same. You looked the same. You walked in your body like a living man. But you were not. would you not speak to me for weeks would you hang your coat in the closet without saying hello would you find a shoe out of place and beat me would you come home late would i lose the key would you find my glasses in the garbage would you put me on your knee would you read the bible to me in your smoking jacket after your mother died would you come home drunk and snore would you beat me on the legs would you carry me up the stairs by my hair so that my feet never touch the bottom would you make everything worse to make everything better i believe in god, the father almighty, the maker of heaven, the maker of my heaven and my hell. would you beat my mother would you beat her till she cries like a rabbit would you beat her in a corner of the kitchen while i am in the bathroom trying to bury my head underwater would you carry her to the bed would you put cotton and alcohol on her swollen head would you make love to her hair would you caress her hair would you rub her breasts with ben gay until she stinks would you sleep in the other room in the bed next to me while she sleeps on the pull-out cot would you come on the sheet while i am sleeping. later i look for the spot would you go to embalming school with the last of my mother's money would i see your picture in the book with all the other black boys you were the handsomest would you make the dead look beautiful would the men at the elks club would the rich ladies at funerals would the ugly drunk winos on the street know ben pretty ben regular ben would your father leave you when you were three with a mother who threw butcher knives at you would he leave you with her screaming red hair would he leave you to be smothered by a pillow she put over your head would he send for you during the summer like a rich uncle would you come in pretty corduroys until you were nine and never heard from him again would you hate him would you hate him every time you dragged hundred pound cartons of soap down the stairs into white ladies' basements would you hate him for fucking the woman who gave birth to you hate him flying by her house in the red truck so that other father threw down his hat in the street and stomped on it angry like we never saw him (bye bye to the will of grandpa bye bye to the family fortune bye bye when he stompled that hat, to the gold watch, embalmer's palace, grandbaby's college) mother crying silently, making floating island sending it up to the old man's ulcer would grandmother's diamonds close their heartsparks in the corner of the closet yellow like the eyes of cockroaches? Old man whose sperm swims in my veins, come back in love, come back in pain.
Toi Derricotte
I stare at the writing on the wall. Hypnotised. Can’t look away. The author has a strong hand. Each letter energetic; bold strokes. Such funny shapes. Such jagged, edged lines. A patchwork woven in the deepest black ink. I reach out to touch its upright, elegant beauty. I gasp as it starts to grow. Big and threatening. Its lines stretch into long, long legs. Its shapes swell into mouths with sharp teeth that transform into gigantic knives. It jumps off the wall, out at me. I scream. Try to run away. Too late. A blade slashes me in the back. I fall. Agonising pain rips through me. I beg for mercy. The knife is a huge needle now heading for my face…
Dreda Say Mitchell (Spare Room)
There was another inspiring moment: a rough, choppy, moonlit night on the water, and the Dreadnaught's manager looked out the window suddenly to spy thousands of tiny baitfish breaking the surface, rushing frantically toward shore. He knew what that meant, as did everyone else in town with a boat, a gaff and a loaf of Wonder bread to use as bait: the stripers were running! Thousands of the highly prized, relatively expensive striped bass were, in a rare feeding frenzy, suddenly there for the taking. You had literally only to throw bread on the water, bash the tasty fish on the head with a gaff and then haul them in. They were taking them by the hundreds of pounds. Every restaurant in town was loading up on them, their parking lots, like ours, suddenly a Coleman-lit staging area for scaling, gutting and wrapping operations. The Dreadnaught lot, like every other lot in town, was suddenly filled with gore-covered cooks and dishwashers, laboring under flickering gaslamps and naked bulbs to clean, wrap and freeze the valuable white meat. We worked for hours with our knives, our hair sparkling with snowflake-like fish scales, scraping, tearing, filleting. At the end of the night's work, I took home a 35-pound monster, still twisted with rigor. My room-mates were smoking weed when I got back to our little place on the beach and, as often happens on such occasions, were hungry. We had only the bass, some butter and a lemon to work with, but we cooked that sucker up under the tiny home broiler and served it on aluminum foil, tearing at it with our fingers. It was a bright, moonlit sky now, a mean high tide was lapping at the edges of our house, and as the windows began to shake in their frames, a smell of white spindrift and salt saturated the air as we ate. It was the freshest piece of fish I'd ever eaten, and I don't know if it was due to the dramatic quality the weather was beginning to take on, but it hit me right in the brainpan, a meal that made me feel better about things, made me better for eating it, somehow even smarter, somehow . . . It was a protein rush to the cortex, a clean, three-ingredient ingredient high, eaten with the hands. Could anything be better than that?
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
It was one thing to know with his mind that Human would not really die. It was another thing to believe it. Ender did not take the knives at first. Instead he reached past the blades and took Human by the wrists. “To you it doesn’t feel like death. But to me—I only saw you for the first time yesterday, and tonight I know you are my brother as surely as if Rooter were my father, too. And yet when the sun rises in the morning, I’ll never be able to talk to you again. It feels like death to me, Human, how ever it feels to you.” “Come and sit in my shade,” said Human, “and see the sunlight through my leaves, and rest your back against my trunk. And do this, also. Add another story to the Hive Queen and the Hegemon. Call it the Life of Human. Tell all the humans how I was conceived on the bark of my father’s tree, and born in darkness, eating my mother’s flesh. Tell them how I left the life of darkness behind and came into the half-light of my second life, to learn language from the wives and then come forth to learn all the miracles that Libo and Miro and Ouanda came to teach. Tell them how on the last day of my second life, my true brother came from above the sky, and together we made this covenant so that humans and piggies would be one tribe, not a human tribe or a piggy tribe, but a tribe of ramen. And then my friend gave me passage to the third life, to the full light, so that I could rise into the sky and give life to ten thousand children before I die.” “I’ll tell your story,” said Ender. “Then I will truly live forever.
Orson Scott Card (Speaker for the Dead (Ender's Saga, #2))
To be black in the Baltimore of my youth was to be naked before the elements of the world, before all the guns, fists, knives, crack, rape, and disease. The nakedness is not an error, nor pathology. The nakedness is the correct and intended result of policy, the predictable upshot of people forced for centuries to live under fear, The law did not protect us. And now, in your time, the law has become an excuse for stopping and frisking you, which is to say, for furthering the assault on your body, But a society that protects some people through a safety net of schools, government-backed home loans, and ancestral wealth but can only protect you with a club of criminal justice has either failed at enforcing its good intentions or has succeeded at something much darker.
Ta-Nehisi Coates (Between the World and Me)
There was a note on the table.” “Bring it here,” Van Eck barked. The boy strode down the aisle, and Van Eck snatched the note from his hand. “What does it … what does it say?” asked Bajan. His voice was tremulous. Maybe Inej had been right about Alys and the music teacher. Van Eck backhanded him. “If I find out you knew anything about this—” “I didn’t!” Bajan cried. “I knew nothing. I followed your orders to the letter!” Van Eck crumpled the note in his fist, but not before Inej made out the words in Kaz’s jagged, unmistakable hand: Noon tomorrow. Goedmedbridge. With her knives. “The note was weighted down with this.” The boy reached into his pocket and drew out a tie pin—a fat ruby surrounded by golden laurel leaves. Kaz had stolen it from Van Eck back when they’d first been hired for the Ice Court job. Inej hadn’t had the chance to fence it before they left Ketterdam. Somehow Kaz must have gotten hold of it again. “Brekker,” Van Eck snarled, his voice taut with rage. Inej couldn’t help it. She started to laugh. Van Eck slapped her hard. He grabbed her tunic and shook her so that her bones rattled. “Brekker thinks we’re still playing a game, does he? She is my wife. She carries my heir.” Inej laughed even harder, all the horrors of the past week rising from her chest in giddy peals. She wasn’t sure she could have stopped if she wanted to. “And you were foolish enough to tell Kaz all of that on Vellgeluk.” “Shall I have Franke fetch the mallet and show you just how serious I am?” “Mister Van Eck,” Bajan pleaded. But Inej was done being frightened of this man. Before Van Eck could take another breath, she slammed her forehead upward, shattering his nose. He screamed and released her as blood gushed over his fine mercher suit. Instantly, his guards were on her, pulling her back. “You little wretch,” Van Eck said, holding a monogrammed handkerchief to his face. “You little whore. I’ll take a hammer to both your legs myself—” “Go on, Van Eck, threaten me. Tell me all the little things I am. You lay a finger on me and Kaz Brekker will cut the baby from your pretty wife’s stomach and hang its body from a balcony at the Exchange.” Ugly words, speech that pricked her conscience, but Van Eck deserved the images she’d planted in his mind. Though she didn’t believe Kaz would do such a thing, she felt grateful for each nasty, vicious thing Dirtyhands had done to earn his reputation—a reputation that would haunt Van Eck every second until his wife was returned. “Be silent,” he shouted, spittle flying from his mouth. “You think he won’t?” Inej taunted. She could feel the heat in her cheek from where his hand had struck her, could see the mallet still resting in the guard’s hand. Van Eck had given her fear and she was happy to return it to him. “Vile, ruthless, amoral. Isn’t that why you hired Kaz in the first place? Because he does the things that no one else dares? Go on, Van Eck. Break my legs and see what happens. Dare him.” Had she really believed a merch could outthink Kaz Brekker? Kaz would get her free and then they’d show this man exactly what whores and canal rats could do. “Console yourself,” she said as Van Eck clutched the ragged corner of the table for support. “Even better men can be bested.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
What happened?” Dallas asked immediately, his hand reaching out toward Louie. I didn’t miss how Lou took his hand instantly. “She called me a brat,” Louie blurted out, his other little hand coming up to meet with the one already clutching our neighbor’s. I blinked and told myself I was not going to look at Christy until I had the full story. “Why?” Dallas was the one who asked. “He spilled some of his hot chocolate on her purse,” it was Josh who explained. “He said sorry, but she called him a brat. I told her not to talk to my brother like that, and she told me I should have learned to respect my elders.” For the second time around this woman, I went to ten. Straight through ten, past Go, and collected two hundred dollars. “I tried to wipe it up,” Louie offered, those big blue eyes going back and forth between Dallas and me for support. “You should teach these boys to watch where they’re going,” Christy piped up, taking a step back. Be an adult. Be a role model, I tried telling myself. “It was an accident,” I choked out. “He said he was sorry… and your purse is leather and black, and it’ll be fine,” I managed to grind out like this whole thirty-second conversation was jabbing me in the kidneys with sharp knives. “I’d like an apology,” the woman, who had gotten me suspended and made me cry, added quickly. I stared at her long face. “For what?” “From Josh, for being so rude.” My hand started moving around the outside of my purse, trying to find the inner compartment when Louie suddenly yelled, “Mr. Dallas, don’t let her get her pepper spray!” The fuck? Oh my God. I glared at Louie. “I was looking for a baby wipe to offer her one, Lou. I wasn’t getting my pepper spray.” “Nuh-uh,” he argued, and out of the corner of my eye, I noticed Christy take a step back. “I heard you on the phone with Vanny. You said, you said if she made you mad again you were gonna pepper spray her and her mom and her mom’s mom in the—” “Holy sh—oot, Louie!” My face went red, and I opened my mouth to argue that he hadn’t heard me correctly. But… I had said those words. They had been a joke, but I’d said them. I glanced at Dallas, the serious, easygoing man who happened to look in that instant like he was holding back a fart but was hopefully just a laugh, and finally peeked at the woman who I’d like to think brought this upon herself. “Christy, I would never do that—” ... I cleared my throat and popped my lips. “Well, that was awkward.” “I’m not a brat.” Louie was still hung up and outraged. I pointed my finger at him. “You’re a tattletale, that’s what you are. Nosey Rosie. What did I tell you about snitches?” “You love them?
Mariana Zapata (Wait for It)
I select the right practice gun, the one about the size of a pistol, but bulkier, and offer it to Caleb. Tris’s fingers slide between mine. Everything comes easily this morning, every smile and every laugh, every word and every motion. If we succeed in what we attempt tonight, tomorrow Chicago will be safe, the Bureau will be forever changed, and Tris and I will be able to build a new life for ourselves somewhere. Maybe it will even be a place where I trade my guns and knives for more productive tools, screwdrivers and nails and shovels. This morning I feel like I could be so fortunate. I could. “It doesn’t shoot real bullets,” I say, “but it seems like they designed it so it would be as close as possible to one of the guns you’ll be using. It feels real, anyway.” Caleb holds the gun with just his fingertips, like he’s afraid it will shatter in his hands. I laugh. “First lesson: Don’t be afraid of it. Grab it. You’ve held one before, remember? You got us out of the Amity compound with that shot.” “That was just lucky,” Caleb says, turning the gun over and over to see it from every angle. His tongue pushes into his cheek like he’s solving a problem. “Not the result of skill.” “Lucky is better than unlucky,” I say. “We can work on skill now.” I glance at Tris. She grins at me, then leans in to whisper something to Christina. “Are you here to help or what, Stiff?” I say. I hear myself speaking in the voice I cultivated as an initiation instructor, but this time I use it in jest. “You could use some practice with that right arm, if I recall correctly. You too, Christina.” Tris makes a face at me, then she and Christina cross the room to get their own weapons. “Okay, now face the target and turn the safety off,” I say. There is a target across the room, more sophisticated, than the wooden-board target in the Dauntless training rooms. It has three rings in three different colors, green, yellow, and red, so it’s easier to tell where the bullets it. “Let me see how you would naturally shoot.” He lifts up the gun with one hand, squares off his feet and shoulders to the target like he’s about to lift something heavy, and fires. The gun jerks back and up, firing the bullet near the ceiling. I cover my mouth with my hand to disguise my smile. “There’s no need to giggle,” Caleb says irritably. “Book learning doesn’t teach you everything, does it?” Christina says. “You have to hold it with both hands. It doesn’t look as cool, but neither does attacking the ceiling.” “I wasn’t trying to look cool!” Christina stands, her legs slightly uneven, and lifts both arms. She stares the target for a moment, then fires. The training bullet hits the outer circle of the target and bounces off, rolling on the floor. It leaves a circle of light on the target, marking the impact site. I wish I’d had this technology during initiation training. “Oh, good,” I say. “You hit the air around your target’s body. How useful.” “I’m a little rusty,” Christina admits, grinning.
Veronica Roth (Allegiant (Divergent, #3))
So, these competitors . . . What do they hope to gain by interfering with your journey?” The instant the question left his mouth, he knew it was too direct. Nicole dropped her gaze and removed her hand from his arm. “With all due respect, Mr. Thornton . . .” Drat. They were back to Mr. Thornton again. “ . . . the details of the business I’m conducting for my father are not your concern.” “They are if they put you in danger. And what of the rest of my staff?” Darius snatched the napkin from his lap and threw it onto the table before lurching to his feet and pacing behind his chair. “I have a right to know if having you here is putting them at risk.” “No greater risk than they face from your exploding boilers!” Nicole shot from her seat, color running high in her cheeks. The audacity of the chit. “I take every precaution—” “As do I.” She glared at him. “The Wellborns are in no peril, especially if they keep my presence here a secret. It’s doubtful that Jenkins’s sons will find me, anyway. Heaven knows they aren’t the sharpest knives in the drawer.” “As master of this house, it’s my duty to know the business of those under my roof.” He didn’t know what nonsense he was spouting now. He didn’t care. Nicole had let a vital piece of information slip in her anger, and he wasn’t about to let the argument cool long enough for her to notice her lapse. “Well, perhaps it’s time I collect the pay I’ve earned and leave you and your roof to your own devices.” Not on her life. The woman would be unprotected. Vulnerable. Easy prey for that Jenkins scum. But he couldn’t let her know his refusal was out of concern for her. She’d simply assure him she’d be fine and walk out the door. Darius crossed his arms over his chest and looked down his nose at her. “You agreed to accept payment after a term of two weeks. I’ll not pay a cent before then. You owe me ten more days, Miss Greyson. Or do you plan to renege on our agreement?” Her hands fisted at her sides. “I never go back on my word.
Karen Witemeyer (Full Steam Ahead)
You know, one time I saw Tiger down at the water hole: he had the biggest testicles of any animal, and the sharpest claws, and two front teeth as long as knives and as sharp as blades. And I said to him, Brother Tiger, you go for a swim, I’ll look after your balls for you. He was so proud of his balls. So he got into the water hole for a swim, and I put his balls on, and left him my own little spider balls. And then, you know what I did? I ran away, fast as my legs would take me “I didn’t stop till I got to the next town, And I saw Old Monkey there. You lookin’ mighty fine, Anansi, said Old Monkey. I said to him, You know what they all singin’ in the town over there? What are they singin’? he asks me. They singin’ the funniest song, I told him. Then I did a dance, and I sings, Tiger’s balls, yeah, I ate Tiger’s balls Now ain’t nobody gonna stop me ever at all Nobody put me up against the big black wall ’Cos I ate that Tiger’s testimonials I ate Tiger’s balls. “Old Monkey he laughs fit to bust, holding his side and shakin’, and stampin’, then he starts singin’ Tiger’s balls, I ate Tiger’s balls, snappin’ his fingers, spinnin’ around on his two feet. That’s a fine song, he says, I’m goin’ to sing it to all my friends. You do that, I tell him, and I head back to the water hole. “There’s Tiger, down by the water hole, walkin’ up and down, with his tail switchin’ and swishin’ and his ears and the fur on his neck up as far as they can go, and he’s snappin’ at every insect comes by with his huge old saber teeth, and his eyes flashin’ orange fire. He looks mean and scary and big, but danglin’ between his legs, there’s the littlest balls in the littlest blackest most wrinkledy ball-sack you ever did see. “Hey, Anansi, he says, when he sees me. You were supposed to be guarding my balls while I went swimming. But when I got out of the swimming hole, there was nothing on the side of the bank but these little black shriveled-up good-for-nothing spider balls I’m wearing. “I done my best, I tells him, but it was those monkeys, they come by and eat your balls all up, and when I tell them off, then they pulled off my own little balls. And I was so ashamed I ran away. “You a liar, Anansi, says Tiger. I’m going to eat your liver. But then he hears the monkeys coming from their town to the water hole. A dozen happy monkeys, boppin’ down the path, clickin’ their fingers and singin’ as loud as they could sing, Tiger’s balls, yeah, I ate Tiger’s balls Now ain’t nobody gonna stop me ever at all Nobody put me up against the big black wall ’Cos I ate that Tiger’s testimonials I ate Tiger’s balls. “And Tiger, he growls, and he roars and he’s off into the forest after them, and the monkeys screech and head for the highest trees. And I scratch my nice new big balls, and damn they felt good hangin’ between my skinny legs, and I walk on home. And even today, Tiger keeps chasin’ monkeys. So you all remember: just because you’re small, doesn’t mean you got no power.
Neil Gaiman (American Gods (American Gods, #1))
Deceptions "Of course I was drugged, and so heavily I did not regain consciousness until the next morning. I was horrified to discover that I had been ruined, and for some days I was inconsolable, and cried like a child to be killed or sent back to my aunt." —Mayhew, London Labour and the London Poor Even so distant, I can taste the grief, Bitter and sharp with stalks, he made you gulp. The sun's occasional print, the brisk brief Worry of wheels along the street outside Where bridal London bows the other way, And light, unanswerable and tall and wide, Forbids the scar to heal, and drives Shame out of hiding. All the unhurried day, Your mind lay open like a drawer of knives. Slums, years, have buried you. I would not dare Console you if I could. What can be said, Except that suffering is exact, but where Desire takes charge, readings will grow erratic? For you would hardly care That you were less deceived, out on that bed, Than he was, stumbling up the breathless stair To burst into fulfillment's desolate attic.
Philip Larkin
Yawning, I crawl into bed as Aron sharpens his knives, and I'm just about to drift off to sleep when the lumpy hay mattress sinks in on one side, and then a big body crawls into bed next to me.   "For real?" I groan as Aron promptly shoves his way onto the narrow mattress and proceeds to take up most of the bed. "You don't even have to sleep."   “You know this is how I protect you best.”   "What's going to attack me while I sleep?" I ask, yawning.   "A wizard could send poisonous snakes to rise up from the floor, creep into bed and kill you."   Jesus. I'm awake now. I roll onto my back and stare up at the ceiling as Aron shifts next to me, trying to get comfortable. "So undead, snakes from the floor, gods wandering the earth…anything else I should know about in this world of yours so I can never sleep again? Dragons? Killer mermen?"   "Don't be foolish. Mermen are long dead."   "You didn't say dragons were."   "Do not go looking for dragons, then," he says, and I don't know if he's joking or not.   "I'm not a big fan of this whole place, just so you know."   "Neither am I. 
Ruby Dixon (Bound to the Battle God (Aspect and Anchor #1))
On any other occasion, I would have been happy to sit back and watch her almost-apologize. But right now it just makes my headache worse. My eyes roll up to the ceiling and I cover them with one hand. She can’t be serious. When I bring my eyes back to her level, she’s staring at me for a response. “Uh,” I begin. “No… You assume correctly.” She pauses. “What?” “I brought him down here,” I admit openly, again preparing to be attacked with knives. “I told him of your cousin’s stupid plan, and I tried to assure him that no one is gonna be gutted in the process.” She gapes at me for a few moments and lifts a hand as if to point at me. It’s shaking wildly; her mouth hanging open in an attempt to reply. Eventually she manages an, “Of course I was right,” and turns on her heel; muttering profanities under her breath. Now, a smart man would just drop this altogether. A smart man would let her go off and have her hissy fit, and then try to talk some sense into her in the morning. A smart man would respect the fact she carries multiple weapons that could inflict fatality upon anyone she so desired. I’ve still never admitted to being a smart man.
Allana Kephart (Resistance (The Dolan Prophecies Series, #1))
Afterward, I pretended to be patient as Akos taught me how to predict how strong a poison would be without tasting it. I tried to seal every moment in my memory. I needed to know how to brew these concoctions on my own, because soon he would be gone. If the renegades and I were caught in our attempt tonight, I would probably lose my life. If we succeeded, Akos would be home, and Shotet would be in chaos, without its leader. Either way, it was unlikely that I would see him again. “No, no,” Akos said. “Don’t hack at it--slice. Slice!” “I am slicing,” I said. “Maybe if your knives weren’t so dull--” “Dull? I could cut your fingertip off with this knife!” I spun the knife in my hand and caught it by the handle. “Oh? Could you?” He laughed, and put his arm across my shoulders. I felt my heartbeat in my throat. “Don’t pretend you’re not capable of delicacy; I’ve seen it myself.” I scowled, and tried to focus on “slicing.” My hands were trembling a little. “See me dancing in the training room and you think you know everything about me.” “I know enough. Look, slices! Told you so.” He lifted his arm, but kept his hand against my back, right under my shoulder blade. I carried the feeling with me for the rest of the night, as we finished the elixir and got ready for bed and he shut the door between us.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
I'm sorry.' It was those two words that shattered me. Shattered me in a way I didn't know I could still be broken, a rending of every tether and leash. Stay with the High Lord. The Suriel's last warning. Stay... and live to see everything righted. A lie. A lie, as Rhys had lied to me. Stay with the High Lord. Stay. For there... the torn scraps of the mating bond. Floating on a phantom wind inside me. I grasped at them- tugged at them, as if he'd answer. Stay. Stay, stay, stay. I clung to those scraps and remnants, clawing at the voice that lurked beyond. Stay. I looked up at Tarquin, lip curling back from my teeth. Looked at Helion. And Thesan. And Beon and Kallias, Viviane weeping at his side. And I snarkled, 'Bring him back.' Blank faces. I screamed at them, 'BRING HIM BACK.' Nothing. 'You did it for me,' I said, breathing hard. 'Now do it for him.' 'You were human,' Helion said carefully. 'It is not the same-' 'I don't care. Do it.' When they didn't move, I rallied the dregs of my power, readying to rip into their minds and force them, not caring what rules or laws it broke. I wouldn't care, only if- Tarquin stepped forward. He slowly extended his hand toward me. 'For what he gave,' Tarquin said quietly. 'Today and for many years before.' And as the seed of light appeared in his palm... I began crying again. Watched it drop onto Rhys's bare throat and vanish onto the skin beneath, an echo of light flaring once. Helion stepped forward. That kernel of light in his hand flickered as it fell onto Rhys's skin. Then Kallias. And Thesan. Until only Beron stood there. Mor drew her sword and laid it on his throat. He jerked, having not seen her move. 'I do not mind making one more kill today,' she said. Beron gave her a withering glare, but shoved off the sword and strode forward. He practically chucked that fleck of light onto Rhys. I didn't care about that, either. I didn't know the spell, the power it came from. But I was High Lady. I held out my palm. Willing the spark of life to appear. Nothing happened. I took a steadying breath, remembering how it had looked. 'Tell me how,' I growled to no one. Thesan coughed and stepped forward. Explaining the core of power and on and on and I didn't care, but I listened, until- There. Small as a sunflower seed, it appeared in my palm. A bit of me- my life. I laid it gently on Rhys's blood-crusted throat. And I realised, just as he appeared, what was missing. Tamlin stood there, summoned by either the death of a fellow High Lord or one of the others around me. He was splattered in mud and gore, his new bandolier of knives mostly empty. He studied Rhys, lifeless before me. Studied all of us- the palms still out. There was no kindness on his face. No mercy. 'Please,' was all I said to him. Then Tamlin glanced between us- me and my mate. His face did not change. 'Please,' I wept. 'I will- I will give you anything-' Something shifted in his eyes at that. But not kindness. No emotion at all. I laid my head on Rhysand's chest, listening for any kind of heartbeat through that armour. 'Anything,' I breathed to no one in particular. 'Anything.' Steps scuffed on the rocky ground. I braced myself for another set of hands trying to pull me away, and dug my fingers in harder. The steps remained behind me for long enough that I looked. Tamlin stood there. Staring down at me. Those green eyes swimming with some emotion I couldn't place. 'Be happy, Feyre,' he said quietly. And dropped that final kernel of light onto Rhysand.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
I’m sorry, Rosie,” Silas says when he sees the sadness in my eyes. I shake my head, trying to brush the look away, but Silas isn’t easily deterred. He hesitates, then leans on the counter beside me, moving slowly as if he needs verification that each move is acceptable, wanted. “Hey,” he says, resting two fingers on my arm. It starts as a friendly gesture. I press my lips together as he slides his palm up my arm and around his shoulders. Silas paused, and though I’m not certain, I think he realizes that the touch is far more friendly as well—a thought that makes me dizzy but practically forces me to move my own hand to the small of his back. I close my eyes and inhale, and I feel Silas’s breath on my forehead, hear his relaxed heartbeats. His lips are so close to me, I could easily tilt my head back and kiss him if I were braver. It’s hard to not sigh, like the exhausted breath is building up in my chest and I’m holding it back, though more than anything I want to release it, to truly hold myself against him— Scarlett’s shower cuts off. Silas snatches his arm away and I lean back up, head swirling from the quick change. “Um . . . right,” Silas says, looking startled. He looks at me. “Okay, back to studying Potentials, wolves, important stuff . . .” He shakes his head as if he’s casting away a mental fog. I bite my lip. I want to get out of here—I need to get out of here, or the thumping desire for Silas is going to consume me. There’s no way Scarlett won’t figure it out if I can’t escape and get my mind off him. It’s just for a little while—I can go get groceries or something. Silas will help her research. We can’t keep paying for Chinese food. I meet Silas’s eyes, dashes of sky color in the monotone apartment. “I’ll be back,” I say, then dart for the door. “Wait!” he whispers sharply. He lunges toward the couch and tosses me the belt with my knives on it. “Just in case.” I catch it with one hand and swing it around my waist. Silas gives me a sly smile—does he know the affect that smile has on me?
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))
went off, without waiting for serving men, and unsaddled my horse, and washed such portions of his ribs and his spine as projected through his hide, and when I came back, behold five stately circus tents were up—tents that were brilliant, within, with blue, and gold, and crimson, and all manner of splendid adornment! I was speechless. Then they brought eight little iron bedsteads, and set them up in the tents; they put a soft mattress and pillows and good blankets and two snow-white sheets on each bed. Next, they rigged a table about the centre-pole, and on it placed pewter pitchers, basins, soap, and the whitest of towels—one set for each man; they pointed to pockets in the tent, and said we could put our small trifles in them for convenience, and if we needed pins or such things, they were sticking every where. Then came the finishing touch—they spread carpets on the floor! I simply said, "If you call this camping out, all right—but it isn't the style I am used to; my little baggage that I brought along is at a discount." It grew dark, and they put candles on the tables—candles set in bright, new, brazen candlesticks. And soon the bell—a genuine, simon-pure bell—rang, and we were invited to "the saloon." I had thought before that we had a tent or so too many, but now here was one, at least, provided for; it was to be used for nothing but an eating-saloon. Like the others, it was high enough for a family of giraffes to live in, and was very handsome and clean and bright-colored within. It was a gem of a place. A table for eight, and eight canvas chairs; a table-cloth and napkins whose whiteness and whose fineness laughed to scorn the things we were used to in the great excursion steamer; knives and forks, soup-plates, dinner-plates—every thing, in the handsomest kind of style. It was wonderful! And they call this camping out. Those stately fellows in baggy trowsers and turbaned fezzes brought in a dinner which consisted of roast mutton, roast chicken, roast goose, potatoes, bread, tea, pudding, apples, and delicious grapes; the viands were better cooked than any we had eaten for weeks, and the table made a finer appearance, with its large German silver candlesticks and other finery, than any table we had sat down to for a good while, and yet that polite dragoman, Abraham, came bowing in and apologizing for the whole affair, on account of the unavoidable confusion of getting under way for a very long trip, and promising to do a great deal better in future! It is midnight, now, and we break camp at six in the morning. They call this camping out. At this rate it is a glorious privilege to be a pilgrim to the Holy Land.
Mark Twain (The Innocents Abroad - Mark Twain [Modern library classics] (Annotated))
(The very next day) 'I am enduring will standing alone bare and yes, I am completely naked to the world outside. So, unprotected by the atmosphere above and around me, so unlike- the day, I was born into this hellish world.' 'My life was not always like this! Still as of now, I stand trembling on top of this cruel land, which I call my hereditary land or my home-town.' 'Some still call me by my name, and that is 'Nevaeh May Natalie.' 'Some of the others, like the kids I go to school within this land, have other titles for me.' 'However, you can identify me by the name of 'Nevaeh.' That is if you want to.' 'I do not think that even matters to you, my name is… it has been replaced and it is not significant anymore. Nor does my name matter to anyone out there for miles around. At least that is the way it seems to me, standing here now as I see the bus come to take me there.' 'Names or not said to me, 'I feel alone!' I whispered to myself.' 'It is like I am living a dream. I didn't think my nightmare of orgasmic, tragic, and drizzling emotions pouring in my mind would last this long.' ('Class, faces, names, done.') 'It like a thunderstorm pounding in my brain, as it is today outside. I have come home from yet another day of hell that would be called- school to you.' 'I don't even go into the house until I have this restricting schoolgirl uniform torn off my body. I feel like my skin is crawling with bugs when it is on my figure.' (Outside in the fields, next to the tracks) 'It's the middle- September and I am standing in the rain. It is so cold, so lonely, and so loveless! Additionally, this is not usual for me, I am always bare around my house, I have my reason you'll see.' 'The rain has been falling on me like knives ever since the moment, I got off the yellow bus.' 'A thunderbolt clattered, more resonant than anything ever heard previously.' 'All the rain is matting my long brown hair on me as it lies on my backside longer than most girls. Yet I am okay with that at last, I am free.' (I have freedom) 'To a point! I still feel so trapped by all of them.' 'Ten or twenty minutes have now passed; I am still in the same very spot. Just letting water follow me down. I'm drenched!' 'I can feel the wetness as it lingers in my hair for a while, so unforgivably soaking my body even more as if sinking within me washing me clean.' 'Counting my sanctions, I feel satisfied in a way when I do feel it dropping offends my hair, as if 'God' is still in control of my life, even if I was sent to and damned to hell.' 'Like it is wiping away everything that happened to me today, away from the day of the past too.' 'The wetness is still running down the small of my back thirty minutes must have passed, and it is like my mind is off.' 'Currently, it follows the center point on my back. Then down in-between my petite butt cheeks. Water and bloodstream off my butt to the ground near the heels of my feet. I can feel as if that part of me is washed clean from the day that I had to go through.' 'Some of this shower is cascading off my little face, and it slowly collects on my little boobs, where it beads up and separates into two different watercourses down to my belly button.' 'I eyeball this, as it goes all the way down the front of me. It trickles down on me, to where it turns the color of light pink off my 'Girly Parts.' As they would never be the same.
Marcel Ray Duriez
Does it undermine my image as a warrior to be with you?' 'No. Does it undermine Feyre's when she's seen with Rhys?' Her stomach tightened. Her heartbeat pulsed in her arms, her gut. 'It's different for them,' she made herself say as they reached the end of the bridge and turned to walk along the quay flanking the river. Cassian asked carefully. 'Why?' Nesta kept her focus on the glittering river, vibrant with the hues of sunset. 'Because they're mates.' At his utter silence, she knew what he'd say. Halted again, bracing herself for it. Cassian's face was a void. Completely empty as he said, 'And we're not?' Nesta said nothing. He huffed a laugh. 'Because they're mates and you don't want us to be.' 'That word means nothing to me, Cassian,' she said, voice thick as she tried to keep the people who strode past from overhearing. 'It means something to all of you, but for most of my life, husband and wife was as good as it got. Mate is just a word.' 'That's bullshit.' When she only began walking along the river again, he asked. 'Why are you frightened?' 'I'm not frightened.' 'What spooked you? Just being seen publicly with me like this?' Yes. Having him kiss her and realising that soon she'd have to return to the world humming around them, and leave the House, and she didn't know what she would do then. What it would mean for them. If she would plunge back into that dark place she'd occupied before. Drag him down with her. 'Nesta. Talk to me.' She met his stare, but wouldn't open her mouth. Cassian's eyes blazed. 'Say it.' She refused. 'Say it, Nesta.' 'I don't know what you're talking about.' 'Ask me why I vanished for nearly a week after Solstice. Why I suddenly had to do an inspection right after a holiday.' Nesta kept her mouth shut. 'It was because I woke up the next morning and all I wanted to do was fuck you for a week straight. And I knew what that meant, what had happened, even though you didn't, and I didn't want to scare you. You weren't ready for the truth- not yet.' Her mouth went dry. 'Say it,' Cassian snarled. People gave them a wide berth. Some outright turned back toward the direction they'd come from. 'No.' His face shuttered with rage even as his voice became calm. 'Say it.' She couldn't. Not before he'd ordered her to, and certainly not now. She couldn't let him win like that. 'Say what I guessed from the moment we met,' he breathed. 'What I knew the first time I kissed you. What became unbreakable between us on Solstice night.' She wouldn't. 'I am your mate, for fuck's sake!' Cassian shouted, loud enough for people across the river to hear. 'You are my mate! Why are you still fighting it?' She let the truth, voiced at last, wash over her. 'You promised me forever on Solstice,' he said, voice breaking. 'Why is one word somehow throwing you off that?' 'Because with that one word, the last scrap of my humanity goes away!' She didn't care who saw them, who heard. 'With that one stupid word, I am no longer human in any way. I'm one of you!' He blinked. 'I thought you wanted to be one of us.' 'I don't know what I want. I didn't have a choice.' 'Well, I didn't have a choice in being shackled to you, either.' The declaration slammed into her. Shackled. He sucked in a breath. 'That was an incredibly poor choice of words.' 'But the truth, right?' 'No, I was angry- it's not true.' 'Why? Your friends saw me for what I was. What I am. The mating bond made you stupidly blind to it. How many times did they warn you away from me, Cassian?' She barked a cold laugh. Shackled. Words beckoned, sharp as knives, begging for her to grab one and plunge it into his chest. Make him hurt as much as that one would hurt her. Make him bleed. But if she did that, if she ripped into him... She couldn't. Wouldn't let herself do it.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
I was going on a motorbike with a friend of mine in my area [Shah Faisal Colony] and suddenly we saw a university students’ union van. At that time, the union was run by the Jama‘at-e-Islami [IJT]. It was very surprising because the jama‘atis never dared to enter our area. Then I saw one badmash [rogue] called Sayyid in the van. So I told my friend: ‘Maybe they are planning to do something to us, to attack us. There must be something wrong, we must follow them.’ So we followed them in the colony and they parked the van in front of a house and Sayyid and another badmash came out of the car and they had two large boris [gunny bags] that looked very heavy. Then they dumped these two bags in that house. […] I decided that we should check on them in the morning. I gathered all our friends, maybe 20, 30, in my house, and in the early morning, we surrounded their house. At eight o’clock, Sayyid came back with the van and they started uploading the bags. When they were about to upload the second one, Tipu [the most well known PSF militant] came and, you know, he had no patience in him. I had told everyone, ‘Let them complete their job and then we’ll do something.’ But after the first batch [was uploaded in the van], Tipu shouted ‘O, Sayyid!’ He was carrying a gun—we only had one gun, with maybe 20 bullets—and he started firing at Sayyid. Sayyid ran away and the other man ran away and we captured all those bags. They were full of pistols, Sten guns, knives… Hundreds of them… That is the day we became rich in Karachi, when we realised that we could conquer all Karachi. Jama‘at was vanished from Karachi University for a month. Not a single of them went outside because they knew that we had guns now. It was the first time that we saw so many guns. Then the thinkers, the political people [like him] realised that something is happening. How come they have that much and are bringing that many revolvers in Karachi University? [Nearly] 500 revolvers and Sten guns? What is happening? Everybody realised that things in Karachi were about to change.32
Laurent Gayer (Karachi: Ordered Disorder and the Struggle for the City)
Of what use is my going to church every day and still come home and remain the same? Of what use is my attending the mosques and the next day I enter the mall with knives and start slaughtering people in the name of religion. God is a God of variety. He was not stupid creating all of us different with our uniqueness. His creating us different shows the level of His creativity. He didn't make you white to hate black or vice versa. He made it so that we can cherish and love each other irrespective of our differences just as He loved us with all our flaws and our short comings. Can we forgive those who have offended us? Yes and some will say no but never forget that you are not worthy but God still forgives you even till the last hour of your life. If God can love us against all our atrocities why can't we learn to love one another. Take a look around you, you can only see sad faces. Was that really God's intention for us on earth? Absolutely not. But we have remoulded God's creativity to suit our taste and lifestyles and now we are reaping the fruit of our labour. You should not expect to reap love when you sowed the seed of hatred. What a man sows that he reaps. We sowed on weapons of war and we are yielding war in return. We have sowed on weapons of destruction so why are we asking for peace. If you ask me....I will say let's go back to our source. He has never lost any battle. I am a living witness.
Patience Johnson (Why Does an Orderly God Allow Disorder)
The door to my father’s study swung open silently, thanks to new hinges. The entire office had been decimated, but Galen had painstakingly restored it, carefully putting the few things that had survived back in their rightful places. Papa’s desk had been destroyed, but it had been replaced with an almost identical one; other than the fact that the scent of my father--and the feel of years of joy--could never be returned, all was as it should be. Except for one bookcase. I hadn’t noticed because no one entered this room anymore, but Galen would have known where the replacement case belonged--on the inside wall, adjacent to the door. Now it was on an outside wall. My heart thudding, I curiously approached it. Setting the lantern on the floor, I took hold of the bookcase and pulled, but it would not shift. Odd-it had always been freestanding, but was now anchored to the wall. My excitement mounting, I grabbed armfuls of books, haphazardly strewing them on the floor. The back of the case was solid wood, but I pushed between the shelves, trying to make something budge. Nothing yielded. I paused, listening for movement from upstairs, then stuck my head and shoulders into each and every section to knock softly on the backing. With a tiny, exhilarated laugh, I realized the bottom section was hollow. Determination revived, I shoved with all my weight against the wood, kicking over some of the volumes piled behind me as I grappled for leverage. My hands slipped, and my shoulder hit the left side, earning a groan--not from me, but from the bookcase. The right edge shifted toward me, just enough for me to fit my fingers behind and force it open. The gap I had created was large enough for me to squirm through, and I found myself sitting on the dirt floor of a small room behind the wall. It was partially below ground, cool, but not drafty; in fact, it was difficult to breathe in the small, dark, dusty space. I leaned back through the opening in the bookcase and grabbed the lantern. When I could at last see what the room contained, I grinned. Before me were stacked weapons of every sort--daggers, long-knives, swords, bows and arrows, lances, whips--legions and legions of glorious weapons.
Cayla Kluver (Sacrifice (Legacy, #3))
I find myself wanting to lead the charge for justice, sword in hand and screaming a Viking battle cry.” She frowned. “You did have battle cries, didn’t you?” He laughed. “Some of the best. Remind me the next time we’re up on the mountain, and I’ll teach you a few. I’d do it now, but we’d probably upset the neighbors.” “Do I get my own horned helmet?” He looked a bit insulted. “My tribe never wore anything like that. But if you want to, you can borrow one of my knives to wave around and menace the local fauna.” He was making fun of her. She just knew it. “A knife? Why not a sword?” “Because you couldn’t lift one of my swords, much less swing it. One of my longer knives would be the perfect size for a little bit like you to brandish while you practice screaming oaths in old Norse.” From the way he chuckled, he obviously found the whole idea hilarious. She loved making her husband laugh. From Judith’s memories and her own, she knew that Ranulf had gone way too many years with no joy in his life. That didn’t mean she wouldn’t extract a little revenge. She tweaked a lock of his hair. “Well, I might not be able to lift your sword, my Viking love, but if you keep making fun of me, I’ll flatten you against the nearest wall and keep you there. How would you like that?” The blue flames were back. “I’d like it just fine, if you promise to take advantage of me while I’m at your mercy.” Now that was an image to be savored. “Are you sure I can’t play with your sword? Right now?” She basked in the warm approval in his eyes. “Only if you promise to take really good care of it.” She slid down to kneel between his legs. “Believe me, I plan to.
Alexis Morgan (Dark Warrior Unbroken (Talions, #2))
What would the days be like now? It was Mom who bound us all together, it was Mom who was at the center of Yngve’s and my life, we knew that, Dad knew that, but perhaps she didn’t. How else could she leave us like this? Knives and forks clinking on plates, elbows moving, heads held stiff, straight backs. No one saying a word. That is us three, a father and two sons, sitting and eating. Around us, on all sides, it is the seventies. The silence grows. And we notice it, all three of us, the silence is not the kind that can ease, it is the kind that lasts a lifetime. Well, of course, you can say something inside it, you can talk, but the silence doesn’t stop for that reason.
Karl Ove Knausgård (Min kamp 3 (Min kamp, #3))
Mehmed shook his head. “He is with my father. I saw him but once. He commands a small group directly under the sultan.” “Then it could be anyone. I am no favorite of your father’s, or of Halil Pasha’s, or any number of men. My absence would not be mourned.” “I would mourn it. Every moment of every day.” “Did you?” Mehmed’s eyes were heavy with longing. “I did.” She turned away. “I was going to leave.” He pulled her close, burying his face in her hair. “I forbid it.” “You can forbid me nothing.” But it sounded hollow and forced when she said it. She had spent the last week knowing exactly her value without him. It was a stolen horse, a single loyal friend, and a bleak and difficult future. He moved from her hair to her ear, trailing his lips along it. Her body responded despite her resolve to be angry, to punish him. He still wanted her. And she knew now what a fleeting and precious thing it was for a woman to be wanted in any way that made her important. She had been ready to run when she had lost this, but now… She would never admit it to Nicolae, could barely admit it to herself, but she would stay for Mehmed. She would stay for the way she felt when his mouth or eyes were on her. And she would stay for the power it gave her. His lips found hers, and she kissed him back with a determined ferocity. She touched him everywhere, his face, his hair, his shoulders, his hands, because he was here, and he was alive, and it was the first time that a man she loved had come back for her. She did not have to lose the life she had built here, the threads of safety and power she had. She had not lost him. “Say you are mine.” He trailed his lips down her neck. She arched into him, digging her fingers into his back. “I am yours,” she whispered. The words cut like knives, barely out of her mouth before he stole them, sealing them with his own lips.
Kiersten White (And I Darken (The Conqueror's Saga, #1))
Hawa! It’s my family!” Camellia’s smile was brighter than a star as she waved at them. “Kirikiri, Iris, Lilian, Kevin-kyun! Hullo!” “Um, hello, Camellia,” Kevin muttered, warily eying the soldiers, who were looking at them stupidly. “My Lady, are… are you well? You’re not hurt, are you?” Kirihime asked, her fingers twitching, clearly longing to reach for the daggers under her dress. “Um!” Camellia nodded joyfully. “These nice people kept me company.” The “nice people” that Camellia mentioned snapped out of their fugue. They looked from the group of kitsune to Camellia, then back to the kitsune. Camellia again. Then the kitsune one more time. For good measure. “So, wait, these are the people you’re looking for?” one of the soldiers asked. “Yes!” Camellia’s sunny smile hadn’t changed in the slightest. She was completely unaware of the heavy tension pervading the atmosphere. “Those two are my daughters, and that’s Kevin-kyun, and that one is Kirikiri.” “Daughters,” one of the men muttered, eyes straying to the tails writhing behind the backs of the three kitsune. “Your daughters are kitsune.” “Of course,” Camellia said as if the answer should have been obvious. “I’m a kitsune, too.” As she spoke, five tails emerged from underneath her magical girl skirt, and her ears sprouted fur and became long and pointed. The group of spandex-clad men eyed each other. Anxiety was written all over their faces. They looked at Camellia’s still smiling face, then at the other four people. Kirihime had now taken out her knives, Lilian had several orbs of light orbiting her, and Iris had summoned some void fire, which hovered over her tails. Kevin didn’t have a weapon, or superpowers, but that didn’t stop him from preparing for combat. “We’re screwed, aren’t we?” asked one of the men. Everyone sans Camellia nodded. “Thought so.” ***
Brandon Varnell (A Fox's Vacation (American Kitsune, #5))
scourge. To be black in the Baltimore of my youth was to be naked before the elements of the world, before all the guns, fists, knives, crack, rape, and disease. The nakedness is not an error, nor pathology. The nakedness is the correct and intended result of policy, the predictable upshot of people forced for centuries to live under fear. The law did not protect us. And now, in your time, the law has become an excuse for stopping and frisking you, which is to say, for furthering the assault on your body. But a society that protects some people through a safety net of schools, government-backed home loans, and ancestral wealth but can only protect you with the club of criminal justice has either failed at enforcing its good intentions or has succeeded at something much darker. However you call it, the result was our infirmity before the criminal forces of the world. It does not matter if the agent of those forces is white or black—what matters is our condition, what matters is the system that makes your body breakable.
Ta-Nehisi Coates (Between the World and Me)
Things were tense with me, James, and Haley in the kitchen. I was trying to be normal and lighthearted, but there were several elephants in the room—my guilt over Douglas’s death and James’s guilt over threatening Haley being the two biggest metaphorical pachyderms in the bunch. I wasn’t sure how to resolve it. Do I apologize to him? Does he apologize to me?   Then Haley put silverware in front of us and made us set the table. As she placed a big pile of butter knives in the center of the table she fixed me with a gimlet eye. “Try to not kill anyone while you’re setting the table.” Then she poked James. “And I don’t want to find these in any doors. Knives next to spoons, boys. Not in people or furniture—once is a slipup. Twice is impolite. Three times is downright rude.” She turned and went back to cooking breakfast.   For a long, drawn-out breath, no one said anything. The only sound was the snap of butter on a hot skillet. Then James picked up a handful of knives and placed one carefully by a spoon. He nudged it with one finger until it sat perfect and straight. He stepped back and examined his handiwork, leaning so Haley could see.   She nodded, pleased. “Very good. Baby steps. Keep this up, and I’ll tell you where I hid the steak knives.”   I couldn’t help it then—I collapsed into a chair, laughing. James didn’t laugh—but I could see the beginnings of a smile twisting at the edges of his lips. Haley was right. Baby steps. Leave it to my little sister to settle a complicated issue with place settings.
Lish McBride (Necromancing the Stone (Necromancer, #2))
From the time I was born, I’ve been surrounded by people who had to be strong everyday just to survive. They had to be hard in mind an’ in heart to get from one year to the next. An’ ye’ve seen my back, I’ve known hatred, come to understand it well an’ promised myself I’d never be vulnerable to it again. But I’d no idea that love could make ye ten times more open to destruction. I’ve had men beat me until I was certain there was only a minute or two left between me an’ the grave an’ yet the fists an’ the knives never hurt the way it does when I think of losin’ ye.
Cindy Brandner (Exit Unicorns)
St. Lawrence River May 1705 Temperature 48 degrees From the river they walked back to the town, and the boy was taken into the fire circle outside the powwow’s longhouse. Here he was placed on the powwow’s sacred albino furs. A dozen men, those who were now his relatives, sat in a circle around him. The powwow lit a sacred pipe and passed it, and for the first time in his life, the boy smoked. Don’t cough, Mercy prayed for him. Don’t choke. Afterward she found out they diluted the tobacco with dried sumac leaves to make sure he wouldn’t cough on his first pull. Although the women had adopted him, it was the men who filed by to bring gifts. The new Indian son received a tomahawk, knives, a fine bow, a pot of vermilion paint, a beautiful black-and-white-striped pouch made from a skunk and several necklaces. “Watch, watch!” whispered Snow Walker, riveted. “This is his father. Look what his father gives him!” The warrior transferred from his own body to his son’s a wampum belt--hundreds of tiny shell circles linked together like white lace. The belt was so large it had to hang from the neck instead of the waist. To give a man a belt was old-fashioned. Wampum had no value to the French and had not been used as money by the Indians for many years. But it still spoke of power and honor and even Mercy caught her breath to see it on a white boy’s body. But of course, he was not white any longer. “My son,” said the powwow, “now you are flesh of our flesh and bone of our bone.” At last his real name was called aloud, and the name was plain: Annisquam, which just meant “Hilltop.” Perhaps they had caught him at the summit of a mountain. Or considering the honor of the wampum belt, perhaps he kept his eyes on the horizon and was a future leader. Or like Ruth, he might have done some great deed that would be told in story that evening. When the gifts and embraces were over, Annisquam was taken into the powwow’s longhouse to sit alone. He would stay there for many hours and would not be brought out until well into the dancing and feasting in the evening. Not one of Mercy’s questions had been answered. Was he, in his heart, adopted? Had he, in his heart, accepted these new parents? Where, in his heart, had he placed his English parents? How did he excuse himself to his English God and his English dead? The dancing began. Along with ancient percussion instruments that crackled and rattled, rasped and banged, the St. Francis Indians had French bells, whose clear chimes rang, and even a bugle, whose notes trumpeted across the river and over the trees.
Caroline B. Cooney (The Ransom of Mercy Carter)
Leaving the Connecticut River March 8, 1704 Temperature 40 degrees By the time Mercy had sorted this out, her three brothers were gone. She panicked. “Sam!” she screamed. “John! Benny!” She ran from group to group, darting behind sledges, racing among the dogs, circling the fires. “Sam! John!” What was the matter with her? How could she have stayed separate from them? Why had she not kicked Tannhahorens in the shins, as Ruth would have, and marched with her brothers no matter what he said? Ruth was right, he was nothing but an Indian! O Father! she thought. O Mother! I let you down again. I didn’t protect Tommy. I didn’t save Marah or Stepmama or the baby. And now the boys are gone. On her second screaming circle of the camp, Tannhahorens caught her. “Boys go,” he said. “But are they all right? I didn’t say good-bye! You never let me talk to them at all! I don’t even know their masters’ names!” A new and even more horrifying thought struck Mercy. It tore the wind from her lungs and her voice broke. “Will my brothers and I go to the same place? Will I see them again?” Poor Father, come home to find his entire family ripped away in a night. Father would comfort himself that Mercy was taking care of the boys--and he would be wrong. Tannhahorens had fewer English words than Mercy had Mohawk. He could not understand this outpouring. He steered her back to his possessions. “Raquette,” he said. Mercy jumped in front of him, blocking his path. He was hung with weapons in preparation for departure: knives, tomahawk, hatchet, gun, two bows, quiver of arrows. But something new hanging from Tannhahorens’ chest gave her pause. A Catholic cross. Although in her whole life, Mercy had seen only one spoon and a belt buckle made of silver, she knew this cross to be silver. She wrenched her eyes from its beauty. It would be a sin to find a cross beautiful. Religion must be heart and soul, not scraps of metal. Tannhahorens pushed her along in front of him. “Raquette,” he said irritably. “Raquette?” she begged. “Is that your town? Is that Sam’s master’s name? Are the boys together? Is Same going to be able to watch out for John and Benny?” This time, ragged trousers and a torn stained coat blocked Tannhahorens’s way The Indian looked harshly at the Englishman in front of him, and Mercy wished she had learned words like please. But Tannhahorens walked on and left them together. “Oh, Uncle Nathaniel!” she said, and they wrapped their arms around each other. He held her tightly. He had to clear his throat several times to find his voice. “Your brothers are not together,” he said, “but they seemed all right. They were not afraid. Benny’s Indian has a sled and he will ride as he did yesterday. John’s with five other English, all adults. They will watch for him. And Sam is with the Kellogg girls. He’ll be busy taking care of Joanna and Rebecca.” Her three brothers, going in three directions in the hands of strangers. “They took my Will and my Mary in the last band,” said her uncle. “I have some hope. The Indians treat my children tenderly. When nobody else had a morsel to eat, their masters fed them.” Sam. John. Benny. Will. Little Mary. Gone.
Caroline B. Cooney (The Ransom of Mercy Carter)
I once had dinner here, and they had two different sized forks.” I laugh under my breath. “And knives. And spoons, too. And I’m pretty sure I ate a pigeon.” My head tilts back with the force of my guffaw. “You probably did.” His eyes soak me in. “I love watching you laugh.” My heart soars. “I love you.” He smiles, standing to full height again. “Did you have a pool house?” “Yeah, I did.” “Did you have a game room?” “Uh huh.” “Did you have wings?
Jay McLean (First and Forever (Heartache Duet, #2))
through any structure without detection by his prey. He was a flawless assassin. It was just before five local time when Steven settled into the plush leather seating of the first-class compartment. The Deutsche Bahn Intercity Express, or ICE, was a high-speed train connecting major cities across Germany with other major European destinations. The trip to Frankfurt would take about four hours, giving him time to spend some rare personal time with his team. Slash was the first to find him. The men shook hands and sat down. Typically, these two longtime friends would chest bump in a hearty bro-mance sort of way, but it would be out of place for Europe. “Hey, buddy,” said Steven. “Switzerland is our new home away from home.” “It appears so, although the terrain isn’t that different from our place in Tennessee,” said Slash. “I see lots of fishin’ and huntin’ opportunities out there.” Slash grew up on his parents’ farm atop the Cumberland Plateau of Tennessee about halfway between Nashville and Knoxville. His parents were retired and spent their days farming while raising ducks, rabbits and some livestock. While other kids spent their free time on PlayStation, Slash grew up in the woods, learning survival skills. During his time with the SEAL Teams, he earned a reputation as an expert in close-quarters combat, especially using a variety of knives—hence the nickname Slash. “Beats the heck out of the desert, doesn’t it?” asked Steven. After his service ended, Slash tried a few different security outfits like Blackwater, protecting the Saudi royal family or standing guard outside some safe house in Oman. “I’m not saying the desert won’t call us back someday, but I’ll take the Swiss cheese and German chocolate over shawarma and falafel every friggin’ day!” “Hell yeah,” said Slash. “When are you comin’ down for some ham and beans, along with some butter-soaked cornbread? My folks really wanna meet you.” “I need to, buddy,” replied Steven. “This summer will be nuts for me. Hey, when does deer hunting season open?” “Late September for crossbow and around Thanksgiving otherwise,” replied Slash. Before the guys could set a date, their partners Paul Hittle and Raymond Bower approached their seats. Hittle, code name Bugs, was a former medic with Army Special Forces who left the Green Berets for a well-paying job with DynCorp. DynCorp was a private
Bobby Akart (Cyber Attack (The Boston Brahmin #2))
The Nether Dragon D’tort is on the loose. He is the one whose been causing all the trouble and doing all kidnappings recently. We are trying to take him down, but he’s slick. Anyway, we need to hurry, Dad. No time to talk right now. See you soon. Take care.” “Good luck, boys and stay safe!” Dad replied. We hopped on Krop’s back but before he could go after D’tort, he tried to sense his energy again. “Let me try to detect D’tort. Found him. D’tort is to the south of Crimson City. I wonder what he is up to…” Krop flew after D’tort, and we did find him to the south. Apparently, D’tort had landed on one of the houses and started setting fire to the neighborhood in an attempt to create chaos and mayhem. However, he wasn’t expecting retaliation against him. As we approached the fiery scene, we saw hundreds of Piglins gathering around D’tort, throwing sticks and stones at him, as well as putting out all the fire he created. “What is the meaning of this? I thought you were all supposed to be afraid of Dragons!” D’tort complained, as he tried to swat away the Piglins that were climbing on his tail and hitting him with sword and knives. “Ouch! Get off me!” “We are done with this Dragon!” I heard Pegg Hogg’s voice amidst the crowd before I could even see his face. “We won’t put up with this anymore. We know what Dragons are capable of, but we also know that some Dragons are better than others. You are part of the bad ones, my friend! We won’t surrender, we won’t give up! Now my followers, take this Dragon down!” “Take this Dragon down!” Hundreds of Piglins chanted, as they marched and attacked D’zort. In a frantic attempt to get rid of his enemies, D’tort flew up and started shooting fireballs at the crowd.
Mark Mulle (Diary of a Piglin Book 11: An Unknown Enemy)
He orders an expensive bottle of Rioja and we begin our tapas extravaganza with plates of dates wrapped in bacon, langoustines in garlic and butter, chorizo in a tomatoey sauce, and a miniature Spanish tortilla (potato, egg, and onion). Our medium-rare steaks are set before us along with a basket of thinly sliced, golden crisped fries. I'm happy to see that Frank enjoys food- with no mention of any weird hang-ups or allergies. "I was hoping they'd have sweetbreads on the menu," Frank says. "You like sweetbreads?" I ask, my heart expanding at the mention of calf thymus. "I'm an organ man," Frank says, taking a sip of wine. "I know a place where they make great sautéed sweetbreads," I say. "You?" he asks, a look of pleased astonishment spreading across his face. "Love 'em," I say. This mutual infatuation with organs bodes well. Cutting into the steaks with sharp knives, we put morsels in our mouths, close our eyes as if we've died and gone to heaven, chew, and groan, the salty, bloody juices trickling down the backs of our throats.
Hannah Mccouch (Girl Cook: A Novel)
We are all sheep,” I said. “And sheep need a shepherd to keep them safe. The vicar said so.” “Did he?” Mrs. Morton folded her arms. “So I want to make sure we’ve got one.” “I see.” She leaned back against the draining board. “You do know that this is just the vicar’s opinion. Some people are able to manage quite successfully without a shepherd.” “But it’s important to listen to God.” I sank my spoon into the bowl. “If you don’t take any notice of Him, He runs after you.” “With knives,” said Tilly.
Joanna Cannon (The Trouble with Goats and Sheep)
Feyre.” Lucien’s voice was a hoarse rasp. I merely wiped my two knives on Dagdan’s back before going to reclaim my fallen pack. “You’re going back. To the Night Court.” I shouldered my heavy pack and finally looked at him. “Yes.” His tan face had paled. But he surveyed Ianthe, the two dead royals. “I’m going with you.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
His red hair was tied back, and there wasn't a hint of finery on him, just armoured leather, swords, knives... His metal eye roamed over me, his golden skin pale. 'We've been hunting you for over two months,' he breathed, now scanning the woods, the stream, the sky. Rhys. Cauldron save me. Rhys was too far back, and- 'How did you find me?' My steady, cold voice wasn't one I recognised. But- hunting for me. As if I were indeed prey. If Tamlin was here... My blood went icier than the freezing rain now sluicing down my face, into my clothes. 'Someone tipped us off you'd been out here, but it was luck that we caught your scent on the wind, and-' Lucien took a step toward me. I stepped back. Only three feet between me and the stream. Lucien's eye widened slightly. 'We need to get out of here. Tamlin's been- he hasn't been himself. I'll take you right to-' 'No,' I breathed. The word rasped through the rain, the stream, the pine forest. The four sentinels glanced between each other, then to the arrow I kept aimed. Lucien took me in again. And I could see what he was gleaming: the Illyrian fighting leathers. The colour and fullness that had returned to my face, my body. And the silent steel of my eyes. 'Feyre,' he said,' holding out a hand. 'Let's go home.' I didn't move. 'That stopped being my home the day you let him lock me up inside of it.' Lucien's mouth tightened. 'It was a mistake. We all made mistakes. He's sorry- more sorry than you realise. So am I.' He stepped toward me, and I backed up another few inches.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
I always wanted to be blind folded and throw knives at a pretty girl spinning on one of them big wheels. back then i used to throw knives at everything, you know, to see how good my aim was. I tell you, i could hit a mosquito with a knife and pin it to a wall as it flew by.
Doug Hiser (Texas Sugar Pussy Kat Ruckus)
Cassian stepped in Nesta's path when she tried to walk past him. Put a tan, callused hand on her forehead. She shook off the touch, but he gripped her wrist, forcing her to meet his stare. 'Any one of those human pricks makes a move to hurt you,' he breathed, 'and you kill them.' ... Cassian pressed one of his knives into Nesta's hand. 'Ash can kill you now,' he said with lethal quiet as she stared down at the blade. 'A scratch can make you queasy enough to be vulnerable. Remember where the exits are in every room, every fence and courtyard- mark them when you go in, and mark how many men are around you. Mark where Rhys and the others are. Don't forget that you're stronger and faster. Aim for the soft parts,' he added, folding her fingers around the hilt. 'And if someone gets you into a hold...' My sister said nothing as Cassian showed her the sensitive areas on a man. Not just the groin, but the inside of the foot, pinching the thigh, using her elbow like a weapon. When he finished, he stepped back, his hazel eyes churning with some emotion I couldn't place. Nesta surveyed the fine dagger in her hand. Then lifted her head to look at him. 'I told you to come to training,' Cassian said with a cocky grin, and strode off. I studied Nesta, the dagger, her quiet, still face. 'Don't even start,' she warned me, and headed for the stairs.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
That I Saw the Light on Nonotuck Avenue That every musical note is a flame, native in its own tongue. That between bread and ash there is fire. That the day swells and crests. That I found myself born into it with sirens and trucks going by out here in a poem. That there are other things that go into poems like the pigeon, cobalt, dirty windows, sun. That I have seen skin in marble, eye in stone. That the information I carry is mostly bacterial. That I am a host. That the ghost of the text is unknown. That I live near an Air Force base and the sound in the sky is death. That sound like old poetry can kill us. That there are small things in the poem: paper clips, gauze, tater tots, and knives. That there can also be emptiness fanning out into breakfast rolls, macadam, stars. That I am hungry. That I seek knowledge of the ancient sycamore that also lives in the valley where I live. That I call to it. That there are airships overhead. That I live alone in my head out here in a poem near a magical tree. That I saw the light on Nonotuck Avenue and heard the cry of a dove recede into a rustle. That its cry was quiet light falling into a coffin. That it altered me. That today the river is a camera obscura, bending trees. That I sing this of metallic shimmer, sing the sky, the song, all of it and wonder if I am dying would you come back for me?
Peter Gizzi
To be black in the Baltimore of my youth was to be naked before the elements of the world, before all the guns, fists, knives, crack, rape, and disease. The nakedness is not an error, nor pathology. The nakedness is the correct and intended result of policy, the predictable upshot of people forced for centuries to live under fear. The law did not protect us. And now, in your time, the law has become an excuse for stopping and frisking you, which is to say, for furthering the assault on your body. But a society that protects some people through a safety net of schools, government-backed home loans, and ancestral wealth but can only protect you with the club of criminal justice has either failed at enforcing its good intentions or has succeeded at something much darker. However you call it, the result was our infirmity before the criminal forces of the world.
Ta-Nehisi Coates (Between the World and Me)
They definitely didn’t think I’d be stupid enough to get in front of them with only two knives in my hands. They were right. I didn’t get in front of them. I went behind their back.
D.N. Hoxa (Bone Witch (Winter Wayne #1))
But just before I head inside, I pause for a second to take in the enormity of the moment and my small role in it. Five stories up and I'm still standing on hallowed ground. Caskets and chains and splintered beams of slave ships, knives and forks and salt shakers, Woolworth stools and mammy figurines, freedom and blood, progress and pain, voices raised and voices silenced, courage. The purpose of this museum is to resurrect the dead, to honor their lives, to celebrate their progress, to remember their suffering, to never forget their stories. This building is an argument that these stories, traditions, this suffering, this history, matters. In three weeks, I will open my restaurant and with it, I'll have a chance to add my voice to that chorus. To prove that my story, like the millions of voices behind and beneath me, matters. As I push open the kitchen door, the last of my smile fades and I get back to work. I'm standing on stories, and this is my own.
Kwame Onwuachi (Notes from a Young Black Chef)
you know best. It’s insufferable! You’re insufferable!” She shoves me hard, and I stagger back a step. “You just don’t know when to shut up, do you?” I stare at her, wordless. I thought I was ready to hear all that—to stand here and take it like a man. But now I feel like I have a hundred knives stuck in me. And God almighty, it hurts. It hurts because I see the look in Tessa’s eyes. She means it. Every word. She’s the one being honest now. And I’m the one who can’t handle it. “Tessa—” “Don’t.” She cuts me off, her breath ragged. “Don’t say another word.” And with that, she turns away—storming back into the house and slamming the door behind her. For a long moment I stand frozen in place, staring at the door. My heart thundering, breaking, bleeding in my chest. My world burning down around me. And there’s nothing I can do.
Abbie Emmons (Tessa and Weston: The Best Christmas Ever)
I thought being on the good guys’ side meant that I didn't have to keep watching my back for knives.
J. Bree (Tragic Bonds (The Bonds That Tie, #5))
1. His back is full of knives. Notes are brittle around the blades. 2. He sleeps face down every night in a chalk outline of himself. 3. He has difficulties with metal detectors. 4. At birthday parties, someone might politely ask, may I borrow one of those knives to slice this chocolate cake? 5. He likes to stand with his back to walls. At restaurants, he likes the corner tables. 6. There is a detective who calls to ask him about the brittle notes. Also: a biographer, a woman who'd like to film a documentary, a curator of a museum, his mother. I can't read them, he says. They're on my back. 7. It would be a mistake for anyone to assume he wants the knives removed. 8. Most of the brittle notes are illegible. One of them, even, is written in French. 9. Every Halloween, he goes as a victim of a brutal stabbing. Once he tried going as a whale, but it was a hassle explaining away the knives. 10. He always wears the same bloody suit. 11. When he walks, he sounds like a tree still full of dead leaves holding on. 12. It is ok for children to count on his knives, but not to climb on them. 13. He saw his own shadow in a park. He moved his body to make the knives reach other people's shadows. He did it all evening. In the shadows, his knives looked like soft outstretched arms. 14. His back is running out of space. 15. On a trip to Paris, he fell in love and ended up staying for a few years. He got a job performing on the street with the country's best mimes. 16. The knives are what hold him together. It is the notes that are slowly killing him. 17. He is difficult to hold when he cries. 18. He will be very old when he dies and the Doctor will say, he was obviously stabbed, brutally and repeatedly. I'm sorry, the Doctor will say to a person in the room, but he's not going to make it.
Zachary Schomburg (The Man Suit)
An eight-year-old back then wasn’t like an eight-year-old today. I was already working, helping my father to sharpen knives in winter and out in the fields with my grandfather when the weather turned warm. In those days you were never a child for long.
Ilaria Tuti (The Sleeping Nymph)
The waiters taught me the proper way to wrap the knives and forks in napkins, and every day I emptied the ashtrays and polished the metal caddy for the hot frankfurters I sold at the station, something I learned from the busboy who was no longer a busboy because he had started waiting at tables, and you should have heard him beg and plead to be allowed to go on selling frankfurters, a strange thing to want to do, I thought at first, but I quickly saw why, and soon it was all I wanted to do too, walk up and down the platforms several times a day selling hot frankfurters for one crown eighty apiece. Sometimes the passenger would only have a twenty crown note, sometimes only a fifty, and I'd never have the change, so I'd pocket his note and go on selling until finally the customer got on the train, worked his way to a window and reached out his hand. Then I'd put down the caddy of hot frankfurters and fumble about in my pockets for the change, until the fellow would yell at me to forget about the coins and just give him the notes. Very slowly I'd start patting my pockets, and the dispatcher would blow his whistle, and very slowly I'd ease the notes out of my pocket, and the train would start moving, and I'd trot alongside it and when the train had picked up speed, reach out so that the notes would just barely brush the tips of the fellow's fingers, and sometimes he'd be leaning out so far that someone inside would have to hang on to his legs and one of my customers even beaned himself on a signal post. But then the fingers would be out of reach and I'd stand there panting, the money still in my outstretched hand, and it was all mine. They almost never came back for their change, and that's how I started having money of my own, a couple of hundred a month, and once I even got handed a thousand-crown note.
Bohumil Hrabal (I Served the King of England)
I unrolled my knife bag and saw all my old friends staring back at me. Some girls liked diamonds, some liked pearls, but just give me a good knife. Knives are sexy, that's all there is to it.
Victoria Benton Frank (My Magnolia Summer)
It is not the foes who curse you to your face that you must fear, but those who smile when you are looking and sharpen their knives when you turn your back. You would do well to keep your wolf close beside you. Ice, I see, and daggers in the dark. Blood frozen red and hard, and naked steel. It was very cold." "It is always cold on the Wall." "You think so?" "I know so, my lady." "Then you know nothing, Jon Snow," she whispered.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
Emotions Dreams I feel like my skin is crawling with viruses when it is on my figure. It’s mid-November and I am standing in the rain, as I run out the door it is, so cold, so lonely, and so freaking loveless! As I found my way back to him, I left behind oh so long ago. Up till now this is not habitual for me, I am always naked around my house, yet this is not a home at all, I don’t know what you call this place, it’s like a school however not so. I have my reason you’ll see, not to say too much, I have someone looking down at me with the eyes and the face and crap. The rain is falling on me, eyes and ears, and boys and girls all like knives inside me, never since the moment I got off the damn bus so it could just run my ass over and get it over with. The rain is matting my long brown hair on me as it lies on down my rump, just like a movie just like the books. Just like me living it, like her. Some of this shower is cascading off my little face, and it slowly collects on my breasts, where it beads up and separates into two different watercourses down to my belly button. I eyeball it, as it goes all the way down the front of me. Yet I am okay with it… at last, I am free. To a fact! I still feel so shut in by all of them. Ten or twenty-five or three minutes have passed, I am still in a similar varied advertisement. ‘Girly portion.’ Almost like a waterfall gushing in-between my legs. It trickles down to me to where it turns and goes in my butt cheeks, falling too and thrashing my mud exposed toes. After standing so long, holding me upright, weekly my legs so not right give out. Just letting water follow me down. I'm soaked! Soft thump, sooner or later the pounding gets rains resilient. Making me fall to the ground with where I will remain until I feel that I can get up and over what has happened to me. I can feel the wetness as it lingers in my hair for a while, so unforgivably waterlogged my body even more. That’s if I can… like if I can accept it all. It’s all because of them! Counting my sanctification, I feel dissatisfied in a way when I do feel it releasing offends my hair. Like it is wiping away everything that happened to me today, away from the day of the past. I feel the dropping rain weeping for me, like hell’s tears of pain and flam it runs out of me as I yell out for his safety in a call of his name.
Marcel Ray Duriez (Nevaeh A Void She Cannot Feel)
Grabbing another knife, I toss that as well, but I miss, and Ryder glares over at me. “Open the fucking fanny pack!” he screams. Roxy laughs. “What’s in it?” Leaning back on my knees, I unzip it and show her the grenades inside. “Do you always keep your grenades there?” she inquires, the firing still going on around us. “Not always, sometimes I keep knives or tacos in it,” I murmur as I palm one.
K.A. Knight (Den of Vipers)
Shall I tell you what happened?’ I asked. ‘I died, and died without a sword in my hand, so I was sent to Hel and heard her dark cockerels crowing! They announced my coming, Leiknir, and the Corpse-Ripper came for me.’ I took a pace towards him and he stepped back. ‘The Corpse-Ripper, Leiknir, all rotted flesh peeling from his yellow bones and his eyes like fire and his teeth like horns and his claws like gelding knives. And there was a bone on the floor, a thigh bone, and I picked it up and I ripped it to a point with my own teeth and then I slew him.’ I hefted Serpent-Breath. ‘I am the dead, Leiknir, come to collect the living. Now kick your swords, spears, shields and helmets towards the door.
Bernard Cornwell
As I pass Logan’s room, I catch a glorious purple glow. My curiosity gets the best of me. I walk in and flick on the light switch. On the wall above a bookshelf hangs something truly magnificent. Delicately, I pick up the Mace Windulightsaber replica. It reminds me of those super expensive knives professional chefs use that are weighted perfectly for precision. I take a step back and brandish the weapon at a poster of Aragorn from Lord of the Rings on the wall. “Don’t worry, your highness. Your Jedi escort will see you to safety,” I say in my best Obi Wan accent. “The force is strong with this one.” The words come from behind me. I whip around out of pure freaked-out instinct, swinging the lightsaber in a big arc. It clashes with one just like it, except it’s blue. I look up into Dan’s smug face and wish these lightsabers weren’t replicas. Sure, it’s a cute face, but it’s a face I’m not in the mood to deal with at the moment. I swirl my saber to move his out of the way and put the point of it to his chin. “Don’t make me slice your nose off, you scruffy-looking nerf herder.” I’ve always wanted to call someone that, but the opportunity never presented itself until now. He tosses his lightsaber onto the bed and holds his hands up in surrender. “I yield, but only because that is a limited edition.
Leah Rae Miller (Romancing the Nerd (Nerd, #2))
Hold on,” Ettrek said. “What qualifies you to be in charge of this mission, anyway?” “I’m better than you,” I said. “At everything.” Teka rolled her eyes. “She knows the target, Trek. You want to charge into Voa to kill a man you don’t understand or know at all?” Ettrek shrugged. “Guess not.” “Everybody take this week to do what you need to get done,” Teka said. “I’ll start getting the ship ready now. I might need a new gravity compressor, and I know we need food.” “And,” I said, thinking of what Isae had used to kill my brother, “maybe some new kitchen knives.” Teka wrinkled her nose, likely remembering the same thing. “Definitely.” “Anyway, we might not be coming back, so…” I shrugged. “Say your good-byes.” “You’re just bursting with optimism, aren’t you,” Ettrek said. “Did you expect the person leading your assassination mission to be cheerful?” I said. “If so, I think you’re in the wrong field.” I set my half-finished bowl of breakfast down, and drew the knife at my hip instead. I leaned across the table and pointed the blade at him. “And by the way, if you call me ‘Scourge’ again, I will cut that stupid knot right off the top of your head.” Ettrek licked his lips, considering my knife. “Okay,” he finally said. “Cyra.
Veronica Roth (The Fates Divide (Carve the Mark, #2))
Everybody take this week to do what you need to get done,” Teka said. “I’ll start getting the ship ready now. I might need a new gravity compressor, and I know we need food.” “And,” I said, thinking of what Isae had used to kill my brother, “maybe some new kitchen knives.” Teka wrinkled her nose, likely remembering the same thing. “Definitely.” “Anyway, we might not be coming back, so…” I shrugged. “Say your good-byes.” “You’re just bursting with optimism, aren’t you,” Ettrek said. “Did you expect the person leading your assassination mission to be cheerful?” I said. “If so, I think you’re in the wrong field.
Veronica Roth (The Fates Divide (Carve the Mark, #2))
Janner’s skin prickled with pride, and he curled his fingers into fists. He knew they were nothing like Podo’s weathered hands, but they would have to do. Claxton’s eyes flitted to Janner and Tink, then Oskar, considering Podo’s threat. “Ye crept the West Redoubt?” he asked. “Really?” “By the light of the Hanger Moon.” Claxton’s eyes narrowed and burned with a cold light. Such a fierce look passed between the two men that Janner cringed, as if all the darkness in each man’s soul poured out and fought a great battle in the space between them. It wasn’t clear who won, but Claxton appeared satisfied that Podo was at least a worthy enemy, if not a comrade. The tension faded from the bearded man’s face, and he smiled. “Then I’ve found a reason to allow ye to live, Podo Helmer. You’re gonna tell us a tale—an account of the Strand in the days of yer youth. Me clan and I will sleep tonight with the thrill of old stories in our bones.” Claxton’s smile vanished and he lowered his voice. “But if what ye have to give ain’t good enough, old man, then it’ll be the Blapp or my blade for you and your company. We Stranders can fight like dragons too, remember.” Claxton turned to his clan. “Can’t we?” The Stranders bared their teeth and hissed. In one deadly motion, the men, women, and children around the fire drew their knives, ready to leap over the fire at Claxton’s order. 23 Growlfist the Strander King Podo stood before the Stranders, shifting his weight from his good leg to his stump and back again. Claxton sat on a log in the center of his clan, his arms folded across his chest. The Igibys and Oskar gathered behind Podo. The fire had burned down to a steady red glow that turned the air the color of a bad dream.
Andrew Peterson (North! or Be Eaten)
It’s nice to see you.” Stupid, silly, banal little words. Luca smiles, his dark blue eyes sparking. “Nice?” he says, and he starts to take off his shoes. “This is a very strong word in English, non è vero?” “No,” I say quickly. “It’s not a strong word at all.” “Oh, peccato,” he says cheerfully, which means “what a shame.” He’s pulling off his socks. “What are you doing?” I ask, which is stupid too, as it’s obvious; he’s standing up now, his hands at his waistband, unbuckling his belt. The sight is incredibly disconcerting. I back away, into deeper water, on the tips of my toes now. “Luca--” “I am hot,” he says. “That’s correct, isn’t it? Not ‘I have hot.’” I know what he means: in Italian, you say you “have” hot or cold, not that you “are.” It takes a bit of getting used to. Especially with the double meaning, which I’m certainly not going to explain to him now. “Yes,” I say even more feebly as Luca’s jeans drop to the ground and he steps out of them. Thank goodness he’s wearing boxers! His legs are long and almost too thin, a bit stork-like. I’m ridiculously glad to have found a defect in him. As he starts to unbutton his shirt, I take another step back and find myself treading water frantically, out of my depth now. I can’t look at his mostly bare body: I turn away, feeling a blush suffusing my cheeks. So I hear, rather than see, him dive into the river. He surfaces next to me, shaking his wet hair back from his face. It plasters down to his skull, and that makes his bone structure much more pronounced, his cheekbones sharp as knives. I stare at him, tongue-tied, as he treads water easily next to me. “Now you must be cross with me,” he says, a thread of laughter in his voice. “You must tell me that I’m wrong, that we must not be alone together.” “We mustn’t,” I say, suddenly angry. “You know we mustn’t.” I can’t keep treading water; my legs feel too wobbly. I put my head down and swim away from him, a couple of strokes to the far bank, where I can stand. He follows me; he swims right to me, and when he comes up, he’s so close, so tall, that he blocks out the moon. His bare chest is dappled with drops of water clinging to his skin. I can’t look anymore, so I raise my eyes, and then I’m looking into his, and oh no, that’s a really terrible idea, that’s the worst idea in the world… “Se scorre un fiume dentro ad ogni cuore, arriveremo al mare prima o poi,” he says, looking down at me. “More Jovanotti,” he adds, smiling, as he sees me staring at him in confusion. Jovanotti is Luca’s favorite singer; he’s quoted songs of his before to me. But I don’t know this one. “‘If a river runs inside every heart, we will arrive at the sea,’” he translates. “I think of this because we are in a river.” “It’s very pretty,” I mumble. “The rest of the song is maybe not so pretty,” he says. “It is a love song, but Jovanotti tells the truth about love. That it is sometimes not pretty at all.” I nod, even though hearing the word “love” spoken by Luca is enough to make me feel as if I’m blushing all over.
Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))