Mysterious Smile Quotes

We've searched our database for all the quotes and captions related to Mysterious Smile. Here they are! All 100 of them:

The sweetest smiles hold the darkest secrets...
Sara Shepard (Flawless (Pretty Little Liars, #2))
The image of the sensual, sleep-laden Naomi made him smile. And wish he’d been lying on the pillow next to her when she’d opened her eyes. Lucky pillow.
Lotchie Burton (Gabriel's Fire: Action Adventure, Romantic Suspense, Multicultural interracial (The Men of Thorne Enterprises Book 2))
Adam offered her a heart-melting smile and a wink, then headed for the door. With his hand on the door, he paused and turned back. Heidi’s eyes jumped up from his butt to his face.
Kirsten Fullmer (Trouble on Main Street (Sugar Mountain, #1))
Aurelia, not all those women are uppity aristocratic bitches. Most of them are normal nice girls trying to survive in shark-infested waters, so if you want to make a difference, why not go in there and change the way things work?" "How?" Marcus smiled deviously. "By unseating the queen bee and changing the rules." "That sounds like a great idea, Colonel. Lead me to the beehive.
Therisa Peimer (Taming Flame)
Do you blame Shakespeare for any of it?” The question is so unlikely, so nonsensical coming from such a sensible man, that I can’t suppress a smile. “I blame him for all of it.
M.L. Rio (If We Were Villains)
Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore, While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door. Tis some visitor," I muttered, "tapping at my chamber door — Only this, and nothing more." Ah, distinctly I remember it was in the bleak December, And each separate dying ember wrought its ghost upon the floor. Eagerly I wished the morrow; — vainly I had sought to borrow From my books surcease of sorrow — sorrow for the lost Lenore — For the rare and radiant maiden whom the angels name Lenore — Nameless here for evermore. And the silken sad uncertain rustling of each purple curtain Thrilled me — filled me with fantastic terrors never felt before; So that now, to still the beating of my heart, I stood repeating, Tis some visitor entreating entrance at my chamber door — Some late visitor entreating entrance at my chamber door; — This it is, and nothing more." Presently my soul grew stronger; hesitating then no longer, Sir," said I, "or Madam, truly your forgiveness I implore; But the fact is I was napping, and so gently you came rapping, And so faintly you came tapping, tapping at my chamber door, That I scarce was sure I heard you"— here I opened wide the door; — Darkness there, and nothing more. Deep into that darkness peering, long I stood there wondering, fearing, Doubting, dreaming dreams no mortals ever dared to dream before; But the silence was unbroken, and the stillness gave no token, And the only word there spoken was the whispered word, "Lenore?" This I whispered, and an echo murmured back the word, "Lenore!" — Merely this, and nothing more. Back into the chamber turning, all my soul within me burning, Soon again I heard a tapping somewhat louder than before. Surely," said I, "surely that is something at my window lattice: Let me see, then, what thereat is, and this mystery explore — Let my heart be still a moment and this mystery explore; — 'Tis the wind and nothing more." Open here I flung the shutter, when, with many a flirt and flutter, In there stepped a stately raven of the saintly days of yore; Not the least obeisance made he; not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door — Perched upon a bust of Pallas just above my chamber door — Perched, and sat, and nothing more. Then this ebony bird beguiling my sad fancy into smiling, By the grave and stern decorum of the countenance it wore. Though thy crest be shorn and shaven, thou," I said, "art sure no craven, Ghastly grim and ancient raven wandering from the Nightly shore — Tell me what thy lordly name is on the Night's Plutonian shore!" Quoth the Raven, "Nevermore." Much I marveled this ungainly fowl to hear discourse so plainly, Though its answer little meaning— little relevancy bore; For we cannot help agreeing that no living human being Ever yet was blest with seeing bird above his chamber door — Bird or beast upon the sculptured bust above his chamber door, With such name as "Nevermore.
Edgar Allan Poe (The Raven)
Are you here to freak me out in any other way?" "Nope." "This would include asking me for a date," I warned. "Babe, don't date," he replied. "You don't?" "Do tequila shots followed by 5 hours of sex count as a date? he asked. "Um... no," I answered. "Then I don't date." I smiled at him. Then, stupidly, I asked. "You can have sex for 5 hours?" He smiled at me. Yikes. Moving on.
Kristen Ashley (Mystery Man (Dream Man, #1))
Raising one hand, he tilts his hat to that sexy slant. "You want me. Admit it." Even if he's partly right, I'll never tell him. "Why would I want you?" He lifts three fingers to countdown. "Mysterious. Rebellious. Troubled. All those qualities women find irresistible." "Such an optimist." "My cup is never empty." "Too bad your brain is." The words bite, but my smile softens with affection.
A.G. Howard (Splintered (Splintered, #1))
It's a mystery," Vin said, narrowing her eyes and smiling. "We Mistborn are incredibly mysterious." Elend paused." Um...I'm Mistborn too, Vin. That doesn't make any sense." "We Mistborn need not make sense," Vin said." It's beneath us. Come on-the sun's already down. We need to get moving.
Brandon Sanderson (The Hero of Ages (Mistborn, #3))
Ah! You speak Levitan,” the man smiled. “But you’re not from Levita I think.” Like
most Levitians he was a good looking man, if perhaps a bit effete for Brown’s tastes. 
“No, I lived there for a while.” 
“Did you enjoy your stay?”
“Up to a point. The Levitian women are very beautiful.”
“Yes of course. So are the men in Levita,” the man smiled. “We used to have a
cleansing programme to ensure a healthy population.”
“You mean a culling policy, where you killed all the weakest members of the
population.
Max Nowaz (The Arbitrator)
In the time of your life, live—so that in that good time there shall be no ugliness or death for yourself or for any life your life touches. Seek goodness everywhere, and when it is found, bring it out of its hiding place and let it be free and unashamed. Place in matter and in flesh the least of the values, for these are the things that hold death and must pass away. Discover in all things that which shines and is beyond corruption. Encourage virtue in whatever heart it may have been driven into secrecy and sorrow by the shame and terror of the world. Ignore the obvious, for it is unworthy of the clear eye and the kindly heart. Be the inferior of no man, or of any men be superior. Remember that every man is a variation of yourself. No man's guilt is not yours, nor is any man's innocence a thing apart. Despise evil and ungodliness, but not men of ungodliness or evil. These, understand. Have no shame in being kindly and gentle but if the time comes in the time of your life to kill, kill and have no regret. In the time of your life, live—so that in that wondrous time you shall not add to the misery and sorrow of the world, but shall smile to the infinite delight and mystery of it.
William Saroyan (The time of your life (RSC playtext))
She gave him a brief, mysterious smile. “You were watching me. I felt you before I saw you.” So? This is a crime? he thought, determined not to retreat. Did you study cultural physiology? The eyes of Italian males are hardwired from birth to examine, observe, even caress, if you will, the female form. Any form. Some we glance at. Some we don’t really see, like our mothers and sisters. Some we ignore, and some we store as reference for the future. Got it?
Vincent Panettiere (Shared Sorrows)
His smile was like lightning in the darkness, blinding and beautiful and mysterious, and I wanted him so badly it was physically painful.
Sylvia Day (Bared to You (Crossfire, #1))
Blake shook his head and smiled as the attorney general of the United States closed the door. As usual, the forecast called for a wonderful day at the United States Department of Justice. Unfortunately, the daily forecast would soon change, as would the life of Blake Hudson.
Chad Boudreaux (Scavenger Hunt)
Sometimes when we're not paying attention, relationships hap­pen. There is no rule that requires two people in love to be ex­actly alike. In fact, there is some scientific evidence to suggest that on a genetic level, the people who are the most opposite are the most likely to have a healthy and long-lasting pairing. But really, who can explain the mysteries of attraction? Blame it on Cupid. The moon. The shape of a smile. Both of you can thrive on your differences, as long as you respect them. You say tomato, he says tomahto . Let it happen, Dive in head first. We usually learn the most about ourselves from people who are different from us. —Miss Independent (ella varner)
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
Hope turned sly. “What if the slice of apple pie is served a la mode?” Smiling, Peggy Sue regarded her tall, brunette, and blue-eyed friend. “Is the slice of apple pie served a la mode with three scoops of homemade vanilla ice cream piled on top of it?
Lyn Key (Nozy Cat 1 (Hope Jones Cozy Mystery #1))
When the mystery of the connection goes, love goes. It's that simple. This suggests that it isn't love that is so important to us but the mystery itself. The love connection may be merely a device to put us in contact with the mystery, and we long for love to last so that the ecstacy of being near the mystery will last. It is contrary to the nature of mystery to stand still. Yet it's always there, somewhere, a world on the other side of the mirror (or the Camel pack), a promise in the next pair of eyes that smile at us. We glimpse it when we stand still. The romance of new love, the romance of solitude, the romance of objecthood, the romance of ancient pyramids and distant stars are means of making contact with the mystery. When it comes to perpetuating it, however, I got no advice. But I can and will remind you of two of the most important facts I know: 1. Everything is part of it. 2. It's never too late to have a happy childhood.
Tom Robbins (Still Life with Woodpecker)
He started to pull away again but she called his name so he stopped. “Yeah?” “Before you go, give me the dimples,” she demanded. That thing in his throat prickled and Hawk dipped his head and kissed the indentation at the base of his wife’s throat. Then he lifted his head and smiled at her. Her hand came to his face and he felt the pad of her thumb in one of his dimples. Then her eyes moved from her thumb to his and she smiled back.  
Kristen Ashley (Mystery Man (Dream Man, #1))
In the time of your life, live—so that in that wondrous time you shall not add to the misery and sorrow of the world, but shall smile to the infinite delight and mystery of it.
William Saroyan
Pretty women wonder where my secret lies. I'm not cute or built to suit a fashion model's size But when I start to tell them, They think I'm telling lies. I say, It's in the reach of my arms The span of my hips, The stride of my step, The curl of my lips. I'm a woman Phenomenally. Phenomenal woman, That's me. I walk into a room Just as cool as you please, And to a man, The fellows stand or Fall down on their knees. Then they swarm around me, A hive of honey bees. I say, It's the fire in my eyes, And the flash of my teeth, The swing in my waist, And the joy in my feet. I'm a woman Phenomenally. Phenomenal woman, That's me. Men themselves have wondered What they see in me. They try so much But they can't touch My inner mystery. When I try to show them They say they still can't see. I say, It's in the arch of my back, The sun of my smile, The ride of my breasts, The grace of my style. I'm a woman Phenomenally. Phenomenal woman, That's me. Now you understand Just why my head's not bowed. I don't shout or jump about Or have to talk real loud. When you see me passing It ought to make you proud. I say, It's in the click of my heels, The bend of my hair, the palm of my hand, The need of my care, 'Cause I'm a woman Phenomenally. Phenomenal woman, That's me.
Maya Angelou (Phenomenal Woman: Four Poems Celebrating Women)
Why are you smiling?' 'I'm relieved,' I said honestly. 'I was worried I'd given myself cadmium poisoning, or I had some mysterious disease. This is just someone trying to kill me.
Patrick Rothfuss
Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment.  The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the park’s wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read ‘Kinship of the Serpent’. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death?  Worse, would they expect me to redon the life I’ve shed? Staring at that sign, I pissed in the street like the Mearan savage I’ve become. As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsa’s lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge.  The woman wasn’t a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper.  She refused, “I take naught for naught,” and began to remove trinkets from a cloth bag, displaying them for sale. Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. “What do you desire, O Noble Born?” I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.  “Nay, Noble One. You must choose.” She lifted a strand of red beads. “These to adorn your lady’s bosom?”             I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldn’t ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. “Be this worthy of desire, Noble Born?”  I stood stunned a moment, then touched the crescent stamped into the leather and asked if she’d stolen the book. She denied it. I’ve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank. “Take it,” she urged. “Record your deeds for study. Lo, the steps of your life mark the journey of your soul.”   I told her I couldn’t afford the book, but she smiled as if poverty were a blessing and said, “The price be one copper. Tis a wee price for salvation, Noble One.”   So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didn’t. I promised to record my deeds. But I can’t. The price is too high.
K. Ritz (Sheever's Journal, Diary of a Poison Master)
There was a smile dancing on his lips, although it was a wary smile, for the world is a bigger place than a little graveyard on a hill; and there would be dangers in it and mysteries, new friends to make, old friends to rediscover, mistakes to be made and many paths to be walked before he would, finally, return to the graveyard or ride with the Lady on the broad back of her great grey stallion.
Neil Gaiman (The Graveyard Book)
I have realized that mystery is what keeps people away, and I’ve grown tired of smoke and mirrors. I yearn for the clean, well-lighted place. So let’s peek behind the curtain and hail the others like us. The open-faced sandwiches who take risks and live big and smile with all of their teeth. These are the people I want to be around. This is the honest way I want to live and love and write.
Amy Poehler (Yes Please)
It's hard to maintain a reputation for being grim and mysterious when you're accompanied by a brightly clad young thing, skipping merrily along at your side, holding your hand, and smiling sweetly on one and all.
Simon R. Green (The Unnatural Inquirer (Nightside, #8))
The old man smiled. “If they could talk, these walls would tell you of battles lost and won, of fear and terror, of red fire and white light, of peace and prosperity. Aldene has a history going back centuries.
Robert Reid (The Emperor (The Emperor, the Son and the Thief, #1))
I, also, would like to look and smile, sit and walk like that, so free, so worthy, so restrained, so candid, so childlike and mysterious. A man only looks and walks like that when he has conquered his Self. I also will conquer my Self.
Hermann Hesse (Siddhartha)
You ask me why I dwell amidst these jade-green hills? I smile. No words can tell the stillness in my heart. Peach blossoms drift streamwater away deep in mystery. I live in the other world one that lies beyond the human.
Li Bai
And I looked out at the dog, and McCoy trying to cradle her in one arm and cut the rope with t’other, and I said, ‘What goes around, comes around, daddy.’ “And he just smiled. A wicked smile. And he nodded. And he kept on driving, turning left onto the road to the church.”  
J.K. Franko (The Trial of Joe Harlan Junior (Talion #0.5))
Her underwear, her jeans, the comforter, my corduroys and my boxers between us, I thought. Five layers, and yet I felt it, the nervous warmth of touching – a pale reflection of the fireworks of one mouth on another, but a reflection nonetheless. And in the almostness of the moment, I cared at least enough. I wasn’t sure whether I liked her, and doubted whether I could trust her, but I cared at least enough to try to find out. Her on my bed, wide green eyes staring down at me. The enduring mystery of her sly, almost smirking, smile. Five layers between us.
John Green
Wilem looked at me 'Why are you smiling?' "I'm relieved",I said honestly." I was worried I had given myself cadmium poisoning, or had a mysterious disease.This is just someone trying to kill me.
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
Stepping back, Anika smiled at her prisoners and clicked open the Zippo. Its flame hopped to life. Wasting no time, she underhand-tossed the lighter through the air. It hit the middle of its target, and the banner exploded into flames. 
Chad Boudreaux (Homecoming Queen)
What about you?" I kept my voice carefully indifferent. He flashed me a cold smile, sharp at the edges. "Worried about me?" Because I couldn't think of anything snide to say, I stuck my tongue out at him. Jude wagged his head. "More tongue exercises? Would have thought you'd had enough last night." "Go to hell." "Sorry, love, but we're already there.
Becca Fitzpatrick (Black Ice)
The man who believes that the secrets of the world are forever hidden lives in mystery and fear. Superstitiion will drag him down. The rain will erode the deeds of his life. But that man who sets himself the task of singling out the thread of order from the tapestry will by the decision alone have taken charge of the world and it is only by such taking charge that he will effect a way to dictate the terms of his own fate. I dont see what that has to do with catchin birds. The freedom of birds is an insult to me. I'd have them all in zoos. That would be a hell of a zoo. The judge smiled. Yes, he said. Even so.
Cormac McCarthy
=> When life gives you a hundred reasons to cry, show life that you have a thousand reasons to smile. => Never tell your problems to anyone...20% don't care and the other 80% are glad you have them. => It's true that we don't know what we've got until we lose it, but it's also true that we don't know what we've been missing until it arrives.
Stephenie Meyer (Twilight (The Twilight Saga, #1))
Always foster and grow that unquenchable curiosity of yours." I smiled. That was a promise I fully intended to keep.
Kerri Maniscalco (Stalking Jack the Ripper (Stalking Jack the Ripper, #1))
She had thought often of Ada's words about inventing new endings to stories and choosing joy over sorrow. In recent years she had decided her sister had been in part wrong. Suffering and death and loss were inescapable. And yet, what Ada had written about joy was entirely true. When she stands before you with her long, naked limbs and her mysterious smile, you must embrace her while you can.
Eowyn Ivey (The Snow Child)
They have not forgotten the Mysteries,' she said, ‘they have found them too difficult. They want a God who will care for them, who will not demand that they struggle for enlightenment, but who will accept them just as they are, with all their sins, and take away their sins with repentance. It is not so, it will never be so, but perhaps it is the only way the unenlightened can bear to think of their Gods.' Lancelot smiled bitterly. ‘Perhaps a religion which demands that every man must work though lifetime after lifetime for his own salvation is too much for mankind. They want not to wait for God's justice but to see it now. And that is the lure which this new breed of priests has promised them.' Morgaine knew that he spoke truth, and bowed her head in anguish. ‘And since their view of a God is what shapes their reality, so it shall be–the Goddess was real while mankind still paid homage to her, and created her form for themselves. Now they will make for themselves the kind of God they think they want–the kind of God they deserve, perhaps.' Well, so it must be, for as man saw reality, so it became.
Marion Zimmer Bradley (The Mists of Avalon (Avalon, #1))
She stopped and listened to him and somehow his cheerful, friendly little whistle gave her a pleased feeling--even a disagreeable little girl may be lonely, and the big closed house and big bare moor and big bare gardens had made this one feel as if there was no one left in the world but herself. If she had been an affectionate child, who had been used to being loved, she would have broken her heart, but even though she was "Mistress Mary Quite Contrary" she was desolate, and the bright-breasted little bird brought a look into her sour little face which was almost a smile. She listened to him until he flew away. He was not like an Indian bird and she liked him and wondered if she should ever see him again. Perhaps he lived in the mysterious garden and knew all about it.
Frances Hodgson Burnett (Secret Garden (Dover Children's Evergreen Classics))
One of the elders told him that when he was a boy his grandfather came to him one day and said he had two wolves fighting inside him. One was gray, the other black. The gray one wanted his grandfather to be courageous, and patient, and kind. The other, the black one, wanted his grandfather to be fearful and cruel. This upset the boy, and he thought about it for a few days then returned to his grandfather. He asked, 'Grandfather, which of the wolves will win?' The abbot smiled slightly and examined the Chief Inspector. 'Do you know what his grandfather said?' Gamache shook his head. . . . 'The one I feed,' said Dom Philippe.
Louise Penny (The Beautiful Mystery (Chief Inspector Armand Gamache, #8))
I am. I'm here. I'm me. You are the mystery. 
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
She's not much taller than Tess and definitely lighter than Kaede. For a second it seems like the crowd's attention has made her umcomfortable and I'm ready to dismiss her as a real contender until I study her again. No, this girl is nothing like the last one. She's hesitating not because she's afraid to fight,or because she fears losing,but because she's thinking. Calculating.She has dark hair tied back in a high ponytail and a lean, athletic build. She stands deliberately, with a hand resting on her hip, as if nothing in the world can catch her off guard. I find myself pausing to admire her face. For a brief moment,I'm lost to my surroundings. The girl shakes her head at Kaede. This surprises me too-I've never seen anyone refuse to fight. Everyone knows the rules: if you're chosen,you fight. This girl doesn't seem to fear the crowds wrath. Kaede laughs at her and says something I can't quite make out. Tess hears it,though, and casts me a quick, concerned glance. This time the girl nods. The crowd lets out another cheer,and Kaede smiles. I lean a little bit out from behind the chimney. Something about this girl...I don't know what it is.But her eyes burn in the light,and although it's hot and might be my imagination, I think I see a small smile on the girl's face. Tess shoots a questioning look at me.I hesitate for a split second,then hold up one finger again. I'm grateful to this mystery girl for helping Tess out, but with my money on the line,I decide to play it safe. Tess nods,then casts our bet in favor of Kaede. But the instant the new girl steps into the circle and I see her stance...I know I've made a big mistake.Kaede strikes like a bull, a battering ram. This girl strikes like a viper.
Marie Lu (Legend (Legend, #1))
Kevin refilled my plastic cup with more box wine. I smiled thanks. Kevin smiled welcome. Jake kicked my ankle.
Josh Lanyon (A Dangerous Thing (The Adrien English Mysteries, #2))
...he asked, "Where are you today, right now?" Eagerly, I started talking about myself. However, I noticed that I was still being sidetracked from getting answers to my questions. Still, I told him about my distant and recent past and about my inexplicable depressions. He listened patiently and intently, as if he had all the time in the world, until I finished several hours later. "Very well," he said. "But you still have not answered my question about where you are." "Yes I did, remember? I told you how I got to where I am today: by hard work." "Where are you?" "What do you mean, where am I?" "Where Are you?" he repeated softly. "I'm here." "Where is here?" "In this office, in this gas station!" I was getting impatient with this game. "Where is this gas station?" "In Berkeley?" "Where is Berkeley?" "In California?" "Where is California?" "In the United States?" "On a landmass, one of the continents in the Western Hemisphere. Socrates, I..." "Where are the continents? I sighed. "On the earth. Are we done yet?" "Where is the earth?" "In the solar system, third planet from the sun. The sun is a small star in the Milky Way galaxy, all right?" "Where is the Milky Way?" "Oh, brother, " I sighed impatiently, rolling my eyes. "In the universe." I sat back and crossed my arms with finality. "And where," Socrates smiled, "is the universe?" "The universe is well, there are theories about how it's shaped..." "That's not what I asked. Where is it?" "I don't know - how can I answer that?" "That is the point. You cannot answer it, and you never will. There is no knowing about it. You are ignorant of where the universe is, and thus, where you are. In fact, you have no knowledge of where anything is or of What anything is or how is came to be. Life is a mystery. "My ignorance is based on this understanding. Your understanding is based on ignorance. This is why I am a humorous fool, and you are a serious jackass.
Dan Millman (Way of the Peaceful Warrior: A Book That Changes Lives)
We lay on the ground and kissed. Perhaps you smile. That we only lay on the ground and kissed. You young people can lend your bodies now, play with them, give them as we could not. But remember that you have paid a price: that of a world rich in mystery and delicate emotion. It is not only species of animal that die out. But whole species of feeling. And if you are wise you will never pity the past for what it did not know. But pity yourself for what it did.
John Fowles (The Magus)
I don't think literature would be possible in a determined world. We might go through the motions but the heart would be out of it. Nobody could then 'smile darkly and ignore the howls.' Even if there were no Church to teach me this, writing two novels would do it. I think the more you write, the less inclined you will be to rely on theories like determinism. Mystery isn't something that is gradually evaporating. It grows along with knowledge.
Flannery O'Connor (The Habit of Being: Letters of Flannery O'Connor)
Dearie, I’m not going to speak for other people.” Megan manoeuvred her lips into a smile, but her eyes stayed cold. “Now. What else would you like to see me about?” “Do you think things will go backwards if the Rowlands push for change?” “It’s not my place to judge that, but I’ll tell you this for nothing. The Rowlands aren’t the only ones with a vested interest in everything around here. They might own it on paper, but folks make their living here, and if the Rowlands threaten that, they’ll get more than they bargained for.” Something in Megan’s tone caused Saskia to tense. The smile that Megan continued to hold on her lips seemed now an image of threat.
Miriam Verbeek (The Forest: An idylic Australian setting harbouring a criminal secret (Saskia van Essen crime thrillers))
Pahadron glanced around. “No, dear,” he leaned into the open window, "I’m simply telling you to keep away from my sources of revenue, or the payment I’ll exact from the both of you will be more than you’re able to part with in comfort.” His smile vanished, his dark eyes glittered, and his meaning was quite clear to me.
Isabeau Vollhardt (The Casebook of Elisha Grey)
Archbishop James Usher (1580-1656) published Annales Veteris et Novi Testaments in 1654, which suggested that the Heaven and the Earth were created in 4004 B.C. One of his aides took the calculation further, and was able to announce triumphantly that the Earth was created on Sunday the 21st of October, 4004 B.C., at exactly 9:00 A.M., because God liked to get work done early in the morning while he was feeling fresh. This too was incorrect. By almost a quarter of an hour. The whole business with the fossilized dinosaur skeletons was a joke the paleontologists haven't seen yet. This proves two things: Firstly, that God moves in extremely mysterious, not to say, circuitous ways. God does not play dice with the universe; He plays an ineffable game of His own devising, which might be compared, from the perspective of any of the other players, [ie., everybody.] to being involved in an obscure and complex version of poker in a pitch-dark room, with blank cards, for infinite stakes, with a Dealer who won't tell you the rules, and who smiles all the time. Secondly, the Earth's a Libra.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
Love—such a keen mystery prone to pierce and shatter the delicate heart.  Yet it possesses more strength, power, and influence than any other magic known to man. 
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
Why?” breathed Boy 412. “Why me?” “You have astonishing Magykal power. I told you before. Maybe now you’ll believe me.” She smiled. “I—I thought the power came from the ring.” “No. It comes from you. Don’t forget, the Dragon Boat recognized you even without the ring. She knew. Remember, it was last worn by Hotep-Ra, the first ExtraOrdinary Wizard. It’s been waiting a long time to find someone like him.” “But that’s because it’s been stuck in a secret tunnel for hundreds of years.” “Not necessarily,” said Marcia mysteriously. “Things have a habit of working out, you know. Eventually.
Angie Sage (Magyk (Septimus Heap, #1))
Outpouring of emotion—grief, love, affection, anger, distrust . . . fill in the blanks. Emoticons replaced words on the internet. Without words, cohesive thought was replaced by an impulse signified by a smiling or sad face. Where would it end? Driving him to need an outpouring of wine, he expected.
Vincent Panettiere (Shared Sorrows)
His wife waved him farewell with a smile but, deep down, she had to admit that sometimes, when the night was dark and the winds stopped singing, she regretted ever meeting him, and that was true love.
Daniel Cuervonegro (Sins of the Maker)
He laughed, then became serious once more. "Mary............" The expression in his eyes set her heart pounding. "Yes?" Twice he began to frame a sentence, and twice his voice seemed to fail him. And she thought she understood. What could he possibly say to her now, when he was on the verge of leaving forever? Even something as simple as asking her to write to him carried a distinct sort of promis, the type of promise he was ten years and a half a world removed from being able to make. She forced a polite smile and held out her hand. "Good luck, James." Regret-and relief-flooded his eyes. he took her hand, cradling it for a long moment. "And to you." It was foolish to linger. She slid her fingers from his grasp, turned, and began to walk away in the direction of the Academy. She'd gone about thirty paces when she heard his voice. "Mary!" She spun about. "What is it?" "Stay out of wardrobes!" She laughed, shook her head, and began to walk again. She was smiling this time.
Y.S. Lee (A Spy in the House (The Agency, #1))
I slipped in and out of consciousness as time stretched and flowed around me. Dreams and reality blurred, but I liked the dreams better. Noah was in them. I dreamed of us, walking hand in hand down a crowded street in the middle of the day. We were in New York. I was in no rush—I could walk with him forever—but Noah was. He pulled me alongside him, strong and determined and not smiling. Not today. We wove among the people, somehow not touching a single one. The trees were green and blossoming. It was spring, almost summer. A strong wind shook a few steadfast flowers off of the branches and into our path. We ignored them. Noah led me into Central Park. It was teeming with human life. Bright colored picnic blankets burst across the lawn, the pale, outstretched forms of people wriggling over them like worms in fruit. We passed the reservoir, the sun reflecting off its surface, and then the crowd began to thicken. They funneled into a throbbing mass as we strode up a hill, over and through. Until we could see them all below us, angry and electric. Noah reached into his bag. He pulled out the little cloth doll, my grandmother’s. The one we burned.
Michelle Hodkin (The Retribution of Mara Dyer (Mara Dyer, #3))
Life is a puzzle, a riddle, a test, a mystery, a game—whatever challenge you wish to compare it to. Just remember, you're not the only participant; no one person holds all the answers, the pieces, or the cards. The trick to success in this life is to accumulate teammates and not opponents.
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
My, my," he said, looking the note over. "If only students would write this much in their essays. One of you has considerably worse writing than the other, so forgive me if I get anything wrong here." He cleared his throat."'So, I saw J last night,' begins the person with bad handwriting, to which the response is,'What happened,' followed by no fewer than five question marks. Understandable, since sometimes one—let alone four—just won't get the point across, eh?" The class laughed, and I noticed Mia throwing me a particularly mean smile. "The first speaker responds:'What do you think happened? We hooked up in one of the empty lounges.'“ Mr. Nagy glanced up after hearing some more giggles in the room. His British accent only added to the hilarity. "May I assume by this reaction that the use of 'hook up' pertains to the more recent, shall we say,carnal application of the term than the tamer one I grew up with?” More snickers ensued. Straightening up, I said boldly, "Yes, sir, Mr. Nagy. That would be correct, sir." A number of people in the class laughed outright. "Thank you for that confirmation, Miss Hathaway. Now, where was I? Ah yes, the other speaker then asks,'How was it?' The response is,'Good,' punctuated with a smiley face to confirm said adjective. Well. I suppose kudos are in order for the mysterious J, hmmm?'So, like, how far did you guys go?' Uh, ladies," said Mr. Nagy, "I do hope this doesn't surpass a PG rating.'Not very.We got caught.'And again, we are shown the severity of the situation, this time through the use of a not-smiling face.'What happened?' 'Dimitri showed up. He threw Jesse out and then bitched me out.'“ The class lost it, both from hearing Mr. Nagy say "bitched" and from finally getting some participants named. "Why, Mr.Zeklos, are you the aforementioned J? The one who earned a smiley face from the sloppy writer?
Richelle Mead (Vampire Academy (Vampire Academy, #1))
In the time of your life, live - so that in that good time there shall be no ugliness or death for yourself or for any life your life touches. Seek goodness everywhere, and when it is found, bring it out of its hiding-place and let it be free and unashamed...In the time of your life, live - so that in that wondrous time you shall not add to the misery and sorrow of the world, but shall smile to the infinite delight and mystery of it.
William Saroyan (The Time of Your Life)
Pasty old men on the porch played Texas hold ’em using Old West playing cards without numbers. They sipped joe and flashed toothless smiles as Anika and Sam marched toward the Alamo entrance. Though their smiles appeared genuine, even endearing, these weren’t the innocent grandpas from central casting. 
Chad Boudreaux (Homecoming Queen)
What the hell are you doing?” I smiled, thinking how odd it was that he was the only person in the world I could say this to. “I’m scared.” He was staring at me. “No way. I’ve never known anyone with more guts than you.” “We’re just not afraid of the same things.
Josh Lanyon (Death of a Pirate King (The Adrien English Mysteries, #4))
Consider ourselves fortunate." Maldynado's jaw slackened. "How so?" "Amaranthe's birthday is next week and, with our limited funds, I didn't think I'd be able to find her a gift." "So, you're getting her...dead bodies?" "Perfect, don't you think?" Books smiled. "Most women like jewelry and flowers." "Do you honestly believe she would prefer jewelry over a mystery to solve?" Maldynado jiggled the key fob thoughtfully, then nodded toward the bodies. "Can we say one is from me?
Lindsay Buroker (Dark Currents (The Emperor's Edge, #2))
The Forgotten Dialect of the Heart How astonishing it is that language can almost mean, and frightening that it does not quite. Love, we say, God, we say, Rome and Michiko, we write, and the words get it all wrong. We say bread and it means according to which nation. French has no word for home, and we have no word for strict pleasure. A people in northern India is dying out because their ancient tongue has no words for endearment. I dream of lost vocabularies that might express some of what we no longer can. Maybe the Etruscan texts would finally explain why the couples on their tombs are smiling. And maybe not. When the thousands of mysterious Sumerian tablets were translated, they seemed to be business records. But what if they are poems or psalms? My joy is the same as twelve Ethiopian goats standing silent in the morning light. O Lord, thou art slabs of salt and ingots of copper, as grand as ripe barley lithe under the wind's labor. Her breasts are six white oxen loaded with bolts of long-fibered Egyptian cotton. My love is a hundred pitchers of honey. Shiploads of thuya are what my body wants to say to your body. Giraffes are this desire in the dark. Perhaps the spiral Minoan script is not language but a map. What we feel most has no name but amber, archers, cinnamon, horses, and birds.
Jack Gilbert (The Great Fires)
ROSE of all Roses, Rose of all the World! The tall thought-woven sails, that flap unfurled Above the tide of hours, trouble the air, And God’s bell buoyed to be the water’s care; While hushed from fear, or loud with hope, a band With blown, spray-dabbled hair gather at hand. Turn if you may from battles never done, I call, as they go by me one by one, Danger no refuge holds, and war no peace, For him who hears love sing and never cease, Beside her clean-swept hearth, her quiet shade: But gather all for whom no love hath made A woven silence, or but came to cast A song into the air, and singing past To smile on the pale dawn; and gather you Who have sought more than is in rain or dew Or in the sun and moon, or on the earth, Or sighs amid the wandering starry mirth, Or comes in laughter from the sea’s sad lips; And wage God’s battles in the long grey ships. The sad, the lonely, the insatiable, To these Old Night shall all her mystery tell; God’s bell has claimed them by the little cry Of their sad hearts, that may not live nor die. Rose of all Roses, Rose of all the World! You, too, have come where the dim tides are hurled Upon the wharves of sorrow, and heard ring The bell that calls us on; the sweet far thing. Beauty grown sad with its eternity Made you of us, and of the dim grey sea. Our long ships loose thought-woven sails and wait, For God has bid them share an equal fate; And when at last defeated in His wars, They have gone down under the same white stars, We shall no longer hear the little cry Of our sad hearts, that may not live nor die. The Sweet Far Thing
W.B. Yeats (The Collected Poems of W.B. Yeats)
Ohmigod! This place is so cool!” This was Tracy, who was sashaying into the warehouse looking around like she just hit the candy garden with chocolate stream at Willy Wonka’s. Her eyes caught site of Elvira who was in the kitchen. “Hey girl! What’s up?” “Job satisfaction, beanpole, what’s up with you,” Elvira replied on a huge smile thus taking the sting out of her nickname for Tracy (I hoped). If Cam was yin to Tracy’s yang, Elvira was yang to all of our yins.
Kristen Ashley (Mystery Man (Dream Man, #1))
I could have asked my father lots of questions. I could have. But there was something in his face and eyes and in his crooked smile that prevented me from asking. I guess I didn’t believe he wanted me to know who he was. So I just collected clues. Watching my father read that book was another clue in my collection. Some day all the clues would come together. And I would solve the mystery of my father.
Benjamin Alire Sáenz (Aristotle and Dante Discover the Secrets of the Universe (Aristotle and Dante, #1))
Without realizing what she was doing and more on an impulse than anything else, she leaned forward and kissed him. It was a simple, yet firm kiss and she pulled back after only a moment. But it sent a thrill through her. He leaned down for another. But she put her finger on his lips to stop him. "That was my reward to you," she said as they danced. "Don't squander it." "Reward? he asked still seeming both surprised and delighted at this unexpected attention. "What for?" "Why for living, Vaelros. And for doing so much else to help me. I will have you rewarded in state as well. But that was just from me." She saw Vaelros flush and she gave him a brilliant smile. "You don't like my reward?" she asked. "I do!" he replied. "I want only to learn how to earn more." The music was fading. The song was ending. Luthiel stepped back and let her hands drop. "A mysterious thing, my heart," she said.
Robert Fanney
Stories come in all different kinds." Hester scooted closer, clearly enjoying the subject at hand. "There's tales, which are light and fluffy. Good for a smile on a sad day. Then you got yarns, which are showy-yarns reveal more about the teller than the story. After that there's myths, which are stories made up by whole groups of people. And last of all, there's legends." She raised a mysterious eyebrow. "Legends are different from the rest on account no one knows where they start. Folks don't tell legends; they repeat them. Over and over again through history.
Jonathan Auxier (The Night Gardener)
You'd think the very thought of a romance writer would bring a smile to people's lips. Ah, how nice. Love. Making love. Laughter. Kissing. But no, the world is upside down as far as I can see, and romances and their writers are ridiculed, hisses and generally spat upon. For what reason? One of my favorites is that women who read them might get mixed up about reality and imagine a man is going to rescue them from Life. According to this theory, women are so stupid that they can't tell a story from reality. Is anyone worried that the MEN who read spy thrillers are going to go after their neighbors with an automatic weapon? No, I don't remember anyone thinking that. Nor do I remember anyone worrying about murder mysteries or science fiction. It just seems to be dumb ol' women who might think some gorgeous, thoughtful, giving hunk is going to rescue them. Honey, if any woman thought a gorgeous hunk was going to rescue her, romance novels wouldn’t be forty percent of the publishing industry.
Jude Deveraux (Remembrance)
Propose a theory to explain one of there eternal mysteries: Mona Lisa's smile, crop circles, or Velveeta. Here is a theory of love: you find a sister, you gain a brother; you lose a sister, you lose a brother; you lose a cat, you find a girl, you kiss a girl, you find the cat, you hope that there is nothing left to lose, and all there is, is there to find.
Laura Ruby (Bone Gap)
When she opened it, she discovered a handwritten dedication on the patterned endpapers: To my beloved—may you always believe in fairy tales. Smiling, she traced her fingers over the letters, feeling the indentations they had left on the paper. This was one of the things she loved best about books. She might never know who had written the dedication, or how long ago, or to whom, but she could briefly clasp hands with them across eternity, a chance meeting of souls made possible by their shared love of a story.
Margaret Rogerson (Mysteries of Thorn Manor (Sorcery of Thorns, #1.5))
Abandoned. The word alone sends shudders down a sensitive spine, troubling the thoughts of pained souls as their hurt swells in ripples. It is a sentence of undesired solitude often pronounced on the innocent, the trusting—administered without warning or satisfactory cause. One day the moon is yours, or so you believe. The next, his countenance transforms from Jekyll to Hyde with no intention of ever turning back, and you are left trampled upon in a deserted street, concealed by dirty fog that squelches all illumination or any hope for future rays of light. It is the worst of mysteries why a beast considered noble would forsake his duty, exhibiting a heart of stone. And all who once looked on him, now turn down their eyes and suffer, beguiled. Some poisons have no antidote, but are slow, silent, torturous ends that curl up the broken body swept into a cold, dark corner. There she is left to drown in her tears—a dying heart. Abandoned.
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
Doors, he told her, are change, and change is a dangerous necessity. Doors are revolutions and upheavals, uncertainties and mysteries, axis points around which entire worlds can be turned. They are the beginnings and endings of every true story, the passages between that lead to adventures and madness and- here he smiled- even love. Without doors the worlds would grow stagnant, calcified, storyless.
Alix E. Harrow (The Ten Thousand Doors of January)
What else can it predict?” Now the other jocks encircled her like a bullseye. “Any event with data,” Holly said and really felt the need to leave. This was a set-up. Big Bob grinned. “Like when I’ll get a date?” Holly’s smile slid across her face. “Low probability events are hard to forecast.” “Huh?” Josh punched his shoulder. “She means, you are not likely to get a date.
Michael Grigsby (Segment of One)
And where," Socrates smiled, "is the universe?" "The universe is well, there are theories about how it's shaped..." "That's not what I asked. Where is it?" "I don't know - how can I answer that?" "That is the point. You cannot answer it, and you never will. There is no knowing about it. You are ignorant of where the universe is, and thus, where you are. In fact, you have no knowledge of where anything is or of What anything is or how is came to be. Life is a mystery. "My ignorance is based on this understanding. Your understanding is based on ignorance. This is why I am a humorous fool, and you are a serious jackass.
Dan Millman (Way of the Peaceful Warrior: A Book That Changes Lives)
We think, sometimes, there's not a dragon left. Not one brave knight, not a single princess gliding through secret forests, enchanting deer and butterflies with her smile. What a pleasure to be wrong. Princesses, knights, enchantments and dragons, mystery and adventure ...not only are they here-and-now, they're all that ever lived on earth! Our century, they've changed clothes, of course. Dragons wear government-costumes, today, and failure-suits and disaster-outfits. Society's demons screech, whirl down on us should we lift our eyes from the ground, dare we turn right at corners we've been told to turn left. So crafty have appearances become that princesses and knights can be hidden from each other, can be hidden from themselves.
Richard Bach
Instead of laughing or smiling at questions like 'Where do we come from?', 'Why do we exist?', we should ponder instead the remarkable fact that the replies 'From nothing. For nothing' really are answers, thereby realizing that these really were questions - and excellent ones at that. There is no longer a mystery, not because there is no longer a problem, but because there is no longer a reason.
Quentin Meillassoux (After Finitude: An Essay on the Necessity of Contingency)
When Hitler marched across the Rhine To take the land of France, La dame de fer decided, ‘Let’s make the tyrant dance.’ Let him take the land and city, The hills and every flower, One thing he will never have, The elegant Eiffel Tower. The French cut the cables, The elevators stood still, ‘If he wants to reach the top, Let him walk it, if he will.’ The invaders hung a swastika The largest ever seen. But a fresh breeze blew And away it flew, Never more to be seen. They hung up a second mark, Smaller than the first, But a patriot climbed With a thought in mind: ‘Never your duty shirk.’ Up the iron lady He stealthily made his way, Hanging the bright tricolour, He heroically saved the day. Then, for some strange reason, A mystery to this day, Hitler never climbed the tower, On the ground he had to stay. At last he ordered she be razed Down to a twisted pile. A futile attack, for still she stands Beaming her metallic smile.
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
Our life settled into a pulse, a heartbeat, a collection of breaths. In the silence between them, I memorized the cadence of Max's barefoot steps padding down the hallways at night, the way one single muscle in his throat twitched when he was stressed, the whisper of a laugh that always followed one of my quips (however unfunny). I learned that one side of his smile aways started first - the left side, a fraction of a second before the right - and that he loved ginger tea above all else and the list of things he wasn't made for. And, in turn, he quietly memorized me, too. I knew he did, because one day I realized he had long ago stopped asking me how I took my tea and we mysteriously always had a never-ending stock of raspberries, even though I knew he didn't like them.
Carissa Broadbent (Daughter of No Worlds (The War of Lost Hearts, #1))
People who could easily be mistaken as preteens just shouldn’t even try to pull off the look-at-me-I’m-so-serious-and-mysterious-and-sexy look. Especially while driving because, please, you look like you are twelve and a half and driving with a serious look. Most kids who get the opportunity to drive illegally are smiling so big that they look dyslexic and about to piss their pants with excitement because they are in operation of a vehicle that isn’t manufactured by PlayStation.
Chase Brooks
She has a fiery soul that cannot be tamed. She has free spirit that cannot be maimed. She moves with the wind and flows with the river. She howls at the moon and smiles at the sun. Just when you think she is finished, she declares, “I’ve just begun.” Like wild flowers, she grows where she decides to push through fallow ground. Like wild fires, she spreads with speed that can’t be drowned. She has mystery in her blood, magic in her touch and regardless of her frame she can be too much-wild woman. She is not predictable, controllable nor the people pleasing kind. That’s why she is called wild woman and can never be defined.
Mishi McCoy
Simon opened the door and was not surprised to find Jace standing outside of it. “Here,” Simon said, handing him the letter. “Took you long enough,” Jace said. “Now we’re even,” said Simon. “Go party in the Herondale house with your weird family.” “I plan to,” said Jace, and smiled a sudden, strangely endearing smile. He had a chipped tooth. The smile made him seem like he was Simon’s age, and maybe they were friends after all. “Good night, Wiggles.” “Wiggles?” “Yes, Wiggles. Your nickname? It’s what you always made us call you. I almost forgot your name was Simon, I’m so used to calling you Wiggles.” “Wiggles? What does that . . . even mean?” “You would never explain,” Jace said with a shrug. “It was the big mystery about you. As I said, good night, Wiggles. I’ll take care of this.” He held up the letter and used it to make a salute. Simon shut the door. He knew most people on the hall had probably done everything they could to make sure they heard that exchange. He knew that in the morning he would be called Wiggles and there was nothing he would ever be able to do about it. But it was a small price to pay to get a letter to Isabelle.
Cassandra Clare (Tales from the Shadowhunter Academy)
There was a pause. Then she smiled and the corners of her mouth drooped and an almost imperceptible sway brought her closer to him, looking up into his eyes. A lump rose in Dexter's throat, and he waited breathless for the experiment, facing the unpredictable compound that would form mysteriously from the elements of their lips. Then he saw--she communicated her excitement to him, lavishly, deeply, with kisses that were not a promise but a fulfillment. They aroused in him not hunger demanding renewal but surfeit that would demand more surfeit . . . kisses that were like charity, creating want by holding back nothing at all.
F. Scott Fitzgerald (Winter Dreams)
No, you don't feel it now. Some day, when you are old and wrinkled and ugly, when thought has seared your forehead with its lines, and passion branded your lips with itshideous fires, you will feel it, you will feel it terribly.Now, wherever you go, you charm the world. Will it always be so? . . . You have a wonderfully beautiful face, Mr. Gray. Don't frown. You have. And beauty is a form of genius-- is higher, indeed, than genius, as it needs no explanation. It is of the great facts of the world, like sunlight, or spring-time, or the reflection in dark waters of that silver shell we call the moon. It cannot be questioned. It has its divine right of sovereignty. It makes princes of those who have it.You smile? Ah! when you have lost it you won't smile. . . . People say sometimes that beauty is only superficial.That may be so, but at least it is not so superficial as thought is. To me, beauty is the wonder of wonders.It is only shallow people who do not judge by appearances. The true mystery of the world is the visible, not the invisible. . . . Yes, Mr. Gray, the gods have been good to you.But what the gods give they quickly take away. You have only a few years in which to live really, perfectly, and fully.When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you, or have to content yourself with those mean triumphs that the memory of your past will make more bitter than defeats.Every month as it wanes brings you nearer to something dreadful. Time is jealous of you, and wars against your lilies and your roses. You will become sallow, and hollow-cheeked, and dull-eyed. You will suffer horribly.... Ah! realize your youth while you have it. Don't squander the gold of your days,listening to the tedious, trying to improve the hopeless failure,or giving away your life to the ignorant, the common, and the vulgar. These are the sickly aims, the false ideals,of our age. Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing. . . . A new Hedonism-- that is what our century wants. You might be its visible symbol.With your personality there is nothing you could not do.The world belongs to you for a season. . . . The moment I met you I saw that you were quite unconscious of what you really are, of what you really might be. There was so much in you that charmed me that I felt I must tell you something about yourself.I thought how tragic it would be if you were wasted. For there is such a little time that your youth will last--such a little time.The common hill-flowers wither, but they blossom again.The laburnum will be as yellow next June as it is now.In a month there will be purple stars on the clematis, and year after year the green night of its leaves will hold its purple stars. But we never get back our youth. The pulse of joy that beats in us at twenty becomes sluggish. Our limbs fail, our senses rot. We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid, and the exquisite temptations that we had not the courage to yield to. Youth! Youth! There is absolutely nothing in the world but youth!
Oscar Wilde (The Picture of Dorian Gray)
Can you conceive of an injustice, criminal in nature, encroaching upon your life’s course? Yes, you; reading this. -- Does your status, as it were, have you so psychologically fractured you honestly believe you’re immune? If thought occupies you for more than a second, you’re entrenched in ignorance you favor. What should be an innate appreciation of society holds little to no relevance today. Your financial footing takes priority over just about any and everything. Being alive, able bodied, and breathing isn’t enough. What happens when that’s all stripped away? The choice to exist in the creation of social media was yours, where a mere accusation, or negative posting could damage what should be held in the highest regard, your reputation. The cyber establishment’s chokehold is fierce, and you feel it, yet you constantly wonder why you can’t breathe, but hey, you’re “woke” right? Your foundation, personal and or financial might be buckling, but you’re clueless, even though it was you who shared every delicate and secular aspect of your life. Our brand has replaced moral fiber, dictating and tampering with the control of humanity. Are we waiting for the catastrophic crash of mankind? It appears so, when you step back from the edge, watch and listen? That’s a predicament that wasn’t even on your radar, but here you are, “woke,” right? A roof over your head, clothes on your back, sustenance, hell, even the air you breathe, all taken for granted. This should be a daunting notion I’m setting before the appetite of your consciousness, but perhaps it remains far-fetched. The question you should be asking yourself is, how woke are you; really? Regardless of gender, a simple compliment, smile, assistance, or jealousy can ignite a desire to stalk or destroy a person. -- The only untainted bubble any of us occupied was in utero, so you are not above reproach of any kind. Whatever self-made bacterial hubris you’ve placed yourself in, outside of that, speaks to the degree of self-importance encasing you, so it’s impossible for you to appreciate what it is to be “woke,” in the real world.
Fayton Hollington (TWISTED)
A Halt Lie still, my soul, the Sun of Grace Is warm within this garden space Beneath tall kindly trees. The quiet light is green and fair; A fragrance fills the swooning air; Lie still, and take thine ease. This silent noon of Jesu's love Is warm about thee and above- A tender Lord is He. Lie still an hour- this place is His He has a thousand pleasaunces, And each all fair and fragrant is, And each is all for thee. Then, Jesu, for a little space I rest me in this garden place, All sweet to scent and sight. Here, from this high-road scarce withdrawn, I thrust my hot hands in the lawn Cool yet with dew of far-off dawn And saturate with light. But ah, dear Saviour, human-wise, I yearn to pierce all mysteries, To catch Thine Hands and see Thine Eyes When evening sounds begin. There, in Thy white Robe, Thou wilt wait At dusk beside some orchard gate, And smile to see me come so late, And, smiling, call me in.
Robert Hugh Benson
depression is stupid and not a thing that makes me a better writer. one time i went a whole year without writing and i stayed in bed and drank. fuck your bukowskisms. i want sunlight and love and running down some street i’ve never been on where it’s warm and cool at the same time and i’m smiling. i want nothing to ever be bad again- and i don’t mean that i want a life free of conflict, i mean that i want a life free of meaningless conflict. not being able to will oneself to take a shower or leave the house is meaningless. there is nothing to be gained, no lesson to be learned from that kind of life. my heart is stale, my prose is stale. give me fire if you want to hurt me. give me something i can taste. there’s nothing romantic or mysterious about where i am. there’s nothing here worth holding onto.
Joshua Espinoza
And, of course, that is what all of this is - all of this: the one song, ever changing, ever reincarnated, that speaks somehow from and to and for that which is ineffable within us and without us, that is both prayer and deliverance, folly and wisdom, that inspires us to dance or smile or simply to go on, senselessly, incomprehensibly, beatifically, in the face of mortality and the truth that our lives are more ill-writ, ill-rhymed and fleeting than any song, except perhaps those songs - that song, endlesly reincarnated - born of that truth, be it the moon and June of that truth, or the wordless blue moan, or the rotgut or the elegant poetry of it. That nameless black-hulled ship of Ulysses, that long black train, that Terraplane, that mystery train, that Rocket '88', that Buick 6 - same journey, same miracle, same end and endlessness.
Nick Tosches
Cosca smiled up at the dragon, hands on hips. ‘It certainly is a remarkable curiosity. A magnificent relic. But against what is already boiling across the plains? The legion of the dumb? The merchants and farmers and makers of trifles and filers of papers? The infinite tide of greedy little people?’ He waved his hat towards the dragon. ‘Such things as this are worthless as a cow against a swarm of ants. There will be no place in the world to come for the magical, the mysterious, the strange. They will come to your sacred places and build . . . tailors’ shops. And dry-goods emporia. And lawyers’ offices. They will make of them bland copies of everywhere else.’ The old mercenary scratched thoughtfully at his rashy neck. ‘You can wish it were not so. I wish it were not so. But it is so. I tire of lost causes. The time of men like me is passing. The time of men like you?’ He wiped a little blood from under his fingernails. ‘So long passed it might as well have never been.
Joe Abercrombie (Red Country)
We read the pagan sacred books with profit and delight. With myth and fable we are ever charmed, and find a pleasure in the endless repetition of the beautiful, poetic, and absurd. We find, in all these records of the past, philosophies and dreams, and efforts stained with tears, of great and tender souls who tried to pierce the mystery of life and death, to answer the eternal questions of the Whence and Whither, and vainly sought to make, with bits of shattered glass, a mirror that would, in very truth, reflect the face and form of Nature's perfect self. These myths were born of hopes, and fears, and tears, and smiles, and they were touched and colored by all there is of joy and grief between the rosy dawn of birth, and death's sad night. They clothed even the stars with passion, and gave to gods the faults and frailties of the sons of men. In them, the winds and waves were music, and all the lakes, and streams, and springs,—the mountains, woods and perfumed dells were haunted by a thousand fairy forms. They thrilled the veins of Spring with tremulous desire; made tawny Summer's billowed breast the throne and home of love; filled Autumns arms with sun-kissed grapes, and gathered sheaves; and pictured Winter as a weak old king who felt, like Lear upon his withered face, Cordelia's tears. These myths, though false, are beautiful, and have for many ages and in countless ways, enriched the heart and kindled thought. But if the world were taught that all these things are true and all inspired of God, and that eternal punishment will be the lot of him who dares deny or doubt, the sweetest myth of all the Fable World would lose its beauty, and become a scorned and hateful thing to every brave and thoughtful man.
Robert G. Ingersoll (Some Mistakes of Moses)
I relied on him to find answers I couldn’t, to blaze a path when I found myself lost. David saw things no one else did. He saw through the world to the mysteries on the other side. I know that he’s gone on to solve those mysteries.” A faint smile touched Nikolai’s lips. “I can see him in some great library, already lost in his work, head bent to some new problem, making the unknown known. When I enter the laboratory, when I wake in the night with a new idea, I will miss him…” His voice broke. “I miss him now. May the Saints receive him on a brighter shore.” “May the Saints receive him,” the crowd murmured. But David hadn’t believed in Saints. He’d believed in the Small Science. He’d believed in a world ordered by facts and logic. What do you believe? Zoya didn’t know. She believed in Ravka, in her king, in the chance that she could be a part of something better than herself. But maybe she didn’t deserve that. All eyes had turned to Genya now. She was David’s wife, his friend, his compatriot. She was expected to speak. Genya stood straighter, lifted her chin. “I loved him,” she said, her body still trembling as if it had been torn apart and hastily stitched back together. “I loved him and he loved me. When I was … when no one could reach me … he saw me. He…” Genya turned her head to Zoya’s shoulder and sobbed. “I loved him and he loved me.” Was there any greater gift than that? Any more unlikely discovery in this world? “I know,” said Zoya. “He loved you more than anything.” The dragon’s eye had opened and Zoya felt that love, the enormity of what Genya had lost. It was too much to endure knowing she could do nothing to erase that pain
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
There is a theory that when a planet, like our earth for example, has manifested every form of life, when it has fulfilled itself to the point of exhaustion, it crumbles to bits and is dispersed like star dust throughout the universe. It does not roll on like a dead moon, but explodes, and in the space of a few minutes, there is not a trace of it visible in the heavens. In marine life we have a similar effect. it is called implosion. When an amphibian accustomed to the black depths rises above a certain level, when the pressure to which it adapts itself is lifted, the body bursts inwardly. Are we not familiar with this spectacle in the human being also? The norsemen who went berserk, the malay who runs amuck—are these not examples of implosion and explosion? When the cup is full it runs over. but when the cup and that which it contains are one substance, what then? There are moments when the elixir of life rises to such overbrimming splendor that the soul spills over. In the seraphic smile of the madonnas the soul is seen to flood the psyche. The moon of the face becomes full; the equation is perfect. A minute, a half minute, a second later, the miracle has passed. something intangible, something inexplicable, was given out—and received. In the life of a human being it may happen that the moon never comes to the full. In the life of some human beings it would seem, indeed, that the only mysterious phenomenon observable is that of perpetual eclipse. In the case of those afflicted with genius, whatever the form it may take, we are almost frightened to observe that there is nothing but a continuous waxing and waning of the moon. Rarer still are the anomalous ones who, having come to the full, are so terrified by the wonder of it that they spend the rest of their lives endeavoring to stifle that which gave them birth and being. The war of the mind is the story of the soul-split. When the moon was at full there were those who could not accept the dim death of diminution; they tried to hang full-blown in the zenith of their own heaven. They tried to arrest the action of the law which was manifesting itself through them, through their own birth and death, in fulfillment and transfiguration. Caught between the tides they were sundered; the soul departed the body, leaving the simulacrum of a divided self to fight it out in the mind. Blasted by their own radiance they live forever the futile quest of beauty, truth and harmony. Depossessed of their own effulgence they seek to possess the soul and spirit of those to whom they are attracted. They catch every beam of light; they reflect with every facet of their hungry being. instantly illumined, When the light is directed towards them, they are also speedily extinguished. The more intense the light which is cast upon them the more dazzling—and blinding—they appear. Especially dangerous are they to the radiant ones; it is always towards these bright and inexhaustible luminaries that they are most passionately drawn…
Henry Miller (Sexus (The Rosy Crucifixion, #1))
He leaned closer. “That’s what I’m trying to do. Your face is absolutely adorable when you blush.” My ears burned. Oh great, am I the color of a tomato now? “Yeah, well, I can make you blush,” I retorted. “By telling you how hot you are, and that when that little piece of black hair falls into your eyes, it’s so sexy it makes me forget my words, and...” I stopped, suddenly aware of how warm the mausoleum was. “Go on,” Caspian prodded, shaking his head so that his hair covered one green eye. I blushed again, and glanced around me, slowly backing away from him. I just needed some... space to clear my head. He followed me, stalking my every move. My blood felt like pure oxygen racing through my veins, fizzy and bubbling and making me want to float away. A hard wall at my back stopped me, but Caspian kept coming. I thought desperately of some way to change the subject. “I got you Moby-Dick,” I blurted out. He gave me a sly smile. “Mmmm, did you? How... interesting.” “And Treasure Island, and The Count of Monte Cristo.” I babbled on. “I thought you might like some boy books.” He stopped an inch away from me. I felt like I was his prisoner. “Let’s go back to the sexy and hot thing,” Caspian said. “Could we add a gorgeous or mysterious in there, too?” I gulped. “Like you don’t already know you’re all of those things. You probably had girls falling all over you before.” Caspian cocked his head to one side. “True. But I always thought it was because I was the quiet new guy. And besides, there’s only one person I was ever really interested in.” “Was?” I squeaked. Then I cleared my throat and tried again. “I mean—” “Am,” Caspian corrected himself. “Technically, I guess it’s both. I was interested the first day I saw her, and I still am interested in her.” His eyes glowed in the soft candlelight around us, and every last ounce of coherent thought left me. “It’s... um... really. It’s...” My head felt like it was thickening and my body was overheating, every word dragged from somewhere in the depths of my fuzzy brain. I waved a hand in front of my face to fan myself, and finally spit out what I was trying to say. “It’s hot in here. Don’t you think? It’s really warm.” “I only feel warmth when I’m standing next to you,” Caspian said. He stepped half an inch closer. “Like right now.
Jessica Verday (The Haunted (The Hollow, #2))
Helen of Troy Does Counter Dancing The world is full of women who'd tell me I should be ashamed of myself if they had the chance. Quit dancing. Get some self-respect and a day job. Right. And minimum wage, and varicose veins, just standing in one place for eight hours behind a glass counter bundled up to the neck, instead of naked as a meat sandwich. Selling gloves, or something. Instead of what I do sell. You have to have talent to peddle a thing so nebulous and without material form. Exploited, they'd say. Yes, any way you cut it, but I've a choice of how, and I'll take the money. I do give value. Like preachers, I sell vision, like perfume ads, desire or its facsimile. Like jokes or war, it's all in the timing. I sell men back their worst suspicions: that everything's for sale, and piecemeal. They gaze at me and see a chain-saw murder just before it happens, when thigh, ass, inkblot, crevice, tit, and nipple are still connected. Such hatred leaps in them, my beery worshipers! That, or a bleary hopeless love. Seeing the rows of heads and upturned eyes, imploring but ready to snap at my ankles, I understand floods and earthquakes, and the urge to step on ants. I keep the beat, and dance for them because they can't. The music smells like foxes, crisp as heated metal searing the nostrils or humid as August, hazy and languorous as a looted city the day after, when all the rape's been done already, and the killing, and the survivors wander around looking for garbage to eat, and there's only a bleak exhaustion. Speaking of which, it's the smiling tires me out the most. This, and the pretense that I can't hear them. And I can't, because I'm after all a foreigner to them. The speech here is all warty gutturals, obvious as a slam of ham, but I come from the province of the gods where meaning are lilting and oblique. I don't let on to everyone, but lean close, and I'll whisper: My mothers was raped by a holy swan. You believe that? You can take me out to dinner. That's what we tell all the husbands. There sure are a lot of dangerous birds around. Not that anyone here but you would understand. The rest of them would like to watch me and feel nothing. Reduce me to components as in a clock factory or abattoir. Crush out the mystery. Wall me up alive in my own body. They'd like to see through me, but nothing is more opaque than absolute transparency. Look - my feet don't hit the marble! Like breath or a balloon, I'm rising, I hover six inches in the air in my blazing swan-egg of light. You think I'm not a goddess? Try me. This is a torch song. Touch me and you'll burn.
Margaret Atwood (Morning In The Burned House: Poems)
Geez, Vi, you didn’t need to break your own leg to get out of going to the dance with Grady Spencer. A simple ‘no’ would have been just fine, I’m sure.” Apparently no one had noticed that Jay had barely let go of her hand for a second. His thumb was now tracing lazy circles around her palm, and he answered her uncle’s teasing comment without looking away from Violet for even a split second. “She’s not going to the dance with Grady,” he announced, smiling at her mischievously, and for a moment Violet forgot how to breathe. She hoped she never got used to how a simple look from him could turn her into a blithering idiot. “Really?” her aunt Kat asked, her eyes narrowing as she glanced from Violet to Jay, and then down at their intertwined hands. Clearly she wasn’t going to let the comment pass unnoticed. “Why is that?” she asked in a voice filled with unspoken meaning. Stephen Ambrose looked at his wife curiously, a little slow to catch on, which was sad, really, considering it was his job to seek out clues and solve mysteries. Jay answered Kat without missing a beat. “Because she’s going with me.” He winked at violet, whose cheeks had flushed to a brilliant shade of scarlet. She wasn’t entirely sure she was ready for this. Violet saw her mom and Aunt Kat exchange meaningful glances. They knew, she realized. And now her uncle did too. Uncle Stephen gave Jay his best I’m-keeping-my-eye-on-you look, but a quick “Hmm” was the only sound he made. How much embarrassment could one person possible survive? There was a moment of awkward silence, made even more uncomfortable by Jay’s refusal to look anywhere but at her. He reached out and brushed his finger along her cheek. Violet almost forgot to care that everyone in the room was looking at them.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Calvin clears his throat. “Do you have anything to drink?” Booze. Right. This is the perfect situation for some booze. I jump up, and he laughs, awkwardly. “I should have thought to get champagne or something.” “You bought the dinner,” I remind him. “Obviously the champagne was on my list and I dropped the ball.” Pulling a bottle of vodka from the freezer, I set it on the counter and then realize I have nothing to mix it with. And I finished the last beer the other night. “I have vodka.” He smiles valiantly. “Straight-up vodka it is.” “It’s Stoli.” “Straight-up mediocre vodka it is,” he amends with a cheeky wink. His phone buzzes, and it sets off a weird, giddy reaction in my chest. We both have full lives beyond this apartment, which remain complete mysteries to each other. One difference between us is that Calvin likely doesn’t care about my life outside of this. Yet I care intensely about his. Having him here feels like finding the key to unlock a mysterious chest that’s been sitting in the corner of my bedroom for a year. Buzz. Buzz. Looking up, I meet his eyes. They’re wide, almost as if he’s not sure whether to answer. “You can get it,” I assure him. “It’s okay.” His face darkens with a flush. “I . . . don’t think I should.” “It’s your phone! Of course it’s okay to answer it.” “It’s not . . .” Buzz. Buzz. Unless, maybe, it’s some Mafia drug lord and if he answers his ruse is up and I’ll kick him out. Or—gasp—maybe it’s a girlfriend calling? Why had this not occurred to me? Buzz. Buzz. “Oh my God. Do you have a girlfriend?” He looks horrified. “What? Of course not.” Buzz. Buzz. Holy shit, how long until his voicemail puts us out of our misery? “. . . Boyfriend?” “I don’t—” he starts, smiling through a wince. “It’s not.” “ ‘Not’?” “My phone isn’t ringing.” I stare at him, bewildered. His blush deepens. “It’s not a phone.” When he says this, I know he’s right. It doesn’t have the right rhythm to be a phone. I lift the vodka to my lips and chug straight from the bottle. The buzzing has the exact rhythm of my vibrator . . . the one I tucked beneath that cushion on the couch days ago. I’m going to need to be pretty drunk to deal with this.
Christina Lauren (Roomies)
Spring had come early that year, with warm quick rains and sudden frothing of pink peach blossoms and dogwood dappling with white stars the dark river swamp and far-off hills. Already the plowing was nearly finished, and the bloody glory of the sunset colored the fresh-cut furrows of red Georgia clay to even redder hues. The moist hungry earth, waiting upturned for the cotton seeds, showed pinkish on the sandy tops of furrows, vermilion and scarlet and maroon where shadows lay along the sides of the trenches. The whitewashed brick plantation house seemed an island set in a wild red sea, a sea of spiraling, curving, crescent billows petrified suddenly at the moment when the pink-tipped waves were breaking into surf. For here were no long, straight furrows, such as could be seen in the yellow clay fields of the flat middle Georgia country or in the lush black earth of the coastal plantations. The rolling foothill country of north Georgia was plowed in a million curves to keep the rich earth from washing down into the river bottoms. It was a savagely red land, blood-colored after rains, brick dust in droughts, the best cotton land in the world. It was a pleasant land of white houses, peaceful plowed fields and sluggish yellow rivers, but a land of contrasts, of brightest sun glare and densest shade. The plantation clearings and miles of cotton fields smiled up to a warm sun, placid, complacent. At their edges rose the virgin forests, dark and cool even in the hottest noons, mysterious, a little sinister, the soughing pines seeming to wait with an age-old patience, to threaten with soft sighs: "Be careful! Be careful! We had you once. We can take you back again.
Margaret Mitchell (Gone with the Wind)
Who is he?” Eleanor lowered her voice, the name rolling off her tongue like a dark secret. “Dante Berlin.” I laughed. “Dante? Like the Dante who wrote the Inferno? Did he pick that name just to cultivate his ‘dark and mysterious’ persona?” Eleanor shook her head in disapproval. “Just wait till you see him. You won’t be laughing then.” I rolled my eyes. “I bet his real name is something boring like Eugene or Dwayne.” I expected Eleanor to laugh or say something in return, but instead she gave me a concerned look. I ignored it. “He sounds like a snob to me. I bet he’s one of those guys who know they’re good-looking. He probably hasn’t even read the Inferno. It’s easy to pretend you’re smart when you don’t to anyone.” Eleanor still didn’t respond. “Shh . . .” she muttered under her breath. But before I could say “What?” I heard a cough behind me. Oh God, I thought to myself, and slowly turned around. “Hi,” he said with a half grin that seemed to be mocking me. And that’s how I met Dante Berlin. So how do you describe someone who leaves you speechless? He was beautiful. Not Monet beautiful or white sandy beach beautiful or even Grand Canyon beautiful. It was both more overwhelming and more delicate. Like gazing into the night sky and feeling incredibly small in comparison. Like holding a shell in your hand and wondering how nature was able to make something so complex yet to perfect: his eyes, dark and pensive; his messy brown hair tucked behind one ear; his arms, strong and lean beneath the cuffs of his collared shirt. I wanted to say something witty or charming, but all I could muster up was a timid “Hi.” He studied me with what looked like a mix of disgust and curiosity. “You must be Eugene,” I said. “I am.” He smiled, then leaned in and added, “I hope I can trust you to keep my true identity a secret. A name like Eugene could do real damage to my mysterious persona.” I blushed at the sound of my words coming from his lips. He didn’t seem anything like the person Eleanor had described. “And you are—” “Renee,” I interjected. “I was going to say, ‘in my seat,’ but Renee will do.” My face went red. “Oh, right. Sorry.” “Renee like the philosopher Rene Descartes? How esoteric of you. No wonder you think you know everything. You probably picked that name just to cultivate your overly analytical persona.” I glared at him. I knew he was just dishing back my own insults, but it still stung. “Well, it was nice meeting you,” I said curtly, and pushed past him before he could respond, waving a quick good-bye to Eleanor, who looked too stunned to move. I turned and walked to the last row, using all of my self-control to resist looking back.
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
To him who in the love of Nature holds Communion with her visible forms, she speaks A various language; for his gayer hours She has a voice of gladness, and a smile And eloquence of beauty, and she glides Into his darker musings, with a mild And healing sympathy, that steals away Their sharpness, ere he is aware. When thoughts Of the last bitter hour come like a blight Over thy spirit, and sad images Of the stern agony, and shroud, and pall, And breathless darkness, and the narrow house, Make thee to shudder, and grow sick at heart;— Go forth, under the open sky, and list To Nature’s teachings, while from all around— Earth and her waters, and the depths of air— Comes a still voice— Yet a few days, and thee The all-beholding sun shall see no more In all his course; nor yet in the cold ground, Where thy pale form was laid, with many tears, Nor in the embrace of ocean, shall exist Thy image. Earth, that nourished thee, shall claim Thy growth, to be resolved to earth again, And, lost each human trace, surrendering up Thine individual being, shalt thou go To mix for ever with the elements, To be a brother to the insensible rock And to the sluggish clod, which the rude swain Turns with his share, and treads upon. The oak Shall send his roots abroad, and pierce thy mould. Yet not to thine eternal resting-place Shalt thou retire alone, nor couldst thou wish Couch more magnificent. Thou shalt lie down With patriarchs of the infant world—with kings, The powerful of the earth—the wise, the good, Fair forms, and hoary seers of ages past, All in one mighty sepulchre. The hills Rock-ribbed and ancient as the sun,—the vales Stretching in pensive quietness between; The venerable woods—rivers that move In majesty, and the complaining brooks That make the meadows green; and, poured round all, Old Ocean’s gray and melancholy waste,— Are but the solemn decorations all Of the great tomb of man. The golden sun, The planets, all the infinite host of heaven, Are shining on the sad abodes of death, Through the still lapse of ages. All that tread The globe are but a handful to the tribes That slumber in its bosom.—Take the wings Of morning, pierce the Barcan wilderness, Or lose thyself in the continuous woods Where rolls the Oregon, and hears no sound, Save his own dashings—yet the dead are there: And millions in those solitudes, since first The flight of years began, have laid them down In their last sleep—the dead reign there alone. So shalt thou rest, and what if thou withdraw In silence from the living, and no friend Take note of thy departure? All that breathe Will share thy destiny. The gay will laugh When thou art gone, the solemn brood of care Plod on, and each one as before will chase His favorite phantom; yet all these shall leave Their mirth and their employments, and shall come And make their bed with thee. As the long train Of ages glide away, the sons of men, The youth in life’s green spring, and he who goes In the full strength of years, matron and maid, The speechless babe, and the gray-headed man— Shall one by one be gathered to thy side, By those, who in their turn shall follow them. So live, that when thy summons comes to join The innumerable caravan, which moves To that mysterious realm, where each shall take His chamber in the silent halls of death, Thou go not, like the quarry-slave at night, Scourged to his dungeon, but, sustained and soothed By an unfaltering trust, approach thy grave, Like one who wraps the drapery of his couch About him, and lies down to pleasant dreams.
William Cullen Bryant (Thanatopsis)
And so I make my way across the room steadily, carefully. Hands shaking, I pull the string, lifting my blinds. They rise slowly, drawing more moonlight into the room with every inch And there he is, crouched low on the roof. Same leather jacket. The hair is his, the cheekbones, the perfect nose . . . the eyes: dark and mysterious . . . full of secrets. . . . My heart flutters, body light. I reach out to touch him, thinking he might disappear, my fingers disrupted by the windowpane. On the other side, Parker lifts his hand and mouths: “Hi.” I mouth “Hi” back. He holds up a single finger, signalling me to hold on. He picks up a spiral-bound notebook and flips open the cover, turning the first page to me. I recognize his neat, block print instantly: bold, black Sharpie. I know this is unexpected . . . , I read. He flips the page. . . . and strange . . . I lift an eyebrow. . . . but please hear read me out. He flips to the next page. I know I told you I never lied . . . . . . but that was (obviously) the biggest lie of all. The truth is: I’m a liar. I lied. I lied to myself . . . . . . and to you. Parker watches as I read. Our eyes meet, and he flips the page. But only because I had to. I wasn’t supposed to fall in love with you, Jaden . . . . . . but it happened anyway. I clear my throat, and swallow hard, but it’s squeezed shut again, tight. And it gets worse. Not only am I a liar . . . I’m selfish. Selfish enough to want it all. And I know if I don’t have you . . . I hold my breath, waiting. . . . I don’t have anything. He turns another page, and I read: I’m not Parker . . . . . . and I’m not going to give up . . . . . . until I can prove to you . . . . . . that you are the only thing that matters. He flips to the next page. So keep sending me away . . . . . . but I’ll just keep coming back to you. Again . . . He flips to the next page. . . . and again . . . And the next: . . . and again. Goose bumps rise to the surface of my skin. I shiver, hugging myself tightly. And if you can ever find it in your (heart) to forgive me . . . There’s a big, black “heart” symbol where the word should be. I will do everything it takes to make it up to you. He closes the notebook and tosses it beside him. It lands on the roof with a dull thwack. Then, lifting his index finger, he draws an X across his chest. Cross my heart. I stifle the happy laugh welling inside, hiding the smile as I reach for the metal latch to unlock my window. I slowly, carefully, raise the sash. A burst of fresh honeysuckles saturates the balmy, midnight air, sickeningly sweet, filling the room. I close my eyes, breathing it in, as a thousand sleepless nights melt, slipping away. I gather the lavender satin of my dress in my hand, climb through the open window, and stand tall on the roof, feeling the height, the warmth of the shingles beneath my bare feet, facing Parker. He touches the length of the scar on my forehead with his cool finger, tucks my hair behind my ear, traces the edge of my face with the back of his hand. My eyes close. “You know you’re beautiful? Even when you cry?” He smiles, holding my face in his hands, smearing the tears away with his thumbs. I breathe in, lungs shuddering. “I’m sorry,” he whispers, black eyes sincere. I swallow. “I know why you had to.” “Doesn’t make it right.” “Doesn’t matter anymore,” I say, shaking my head. The moon hangs suspended in the sky, stars twinkling overhead, as he leans down and kisses me softly, lips meeting mine, familiar—lips I imagined, dreamed about, memorized a mil ion hours ago. Then he wraps his arms around me, pulling me into him, quelling every doubt and fear and uncertainty in this one, perfect moment.
Katie Klein (Cross My Heart (Cross My Heart, #1))
We began before words, and we will end beyond them. It sometimes seems to me that our days are poisoned with too many words. Words said and not meant. Words said ‘and’ meant. Words divorced from feeling. Wounding words. Words that conceal. Words that reduce. Dead words. If only words were a kind of fluid that collects in the ears, if only they turned into the visible chemical equivalent of their true value, an acid, or something curative – then we might be more careful. Words do collect in us anyway. They collect in the blood, in the soul, and either transform or poison people’s lives. Bitter or thoughtless words poured into the ears of the young have blighted many lives in advance. We all know people whose unhappy lives twist on a set of words uttered to them on a certain unforgotten day at school, in childhood, or at university. We seem to think that words aren’t things. A bump on the head may pass away, but a cutting remark grows with the mind. But then it is possible that we know all too well the awesome power of words – which is why we use them with such deadly and accurate cruelty. We are all wounded inside one way or other. We all carry unhappiness within us for some reason or other. Which is why we need a little gentleness and healing from one another. Healing in words, and healing beyond words. Like gestures. Warm gestures. Like friendship, which will always be a mystery. Like a smile, which someone described as the shortest distance between two people. Yes, the highest things are beyond words. That is probably why all art aspires to the condition of wordlessness. When literature works on you, it does so in silence, in your dreams, in your wordless moments. Good words enter you and become moods, become the quiet fabric of your being. Like music, like painting, literature too wants to transcend its primary condition and become something higher. Art wants to move into silence, into the emotional and spiritual conditions of the world. Statues become melodies, melodies become yearnings, yearnings become actions. When things fall into words they usually descend. Words have an earthly gravity. But the best things in us are those that escape the gravity of our deaths. Art wants to pass into life, to lift it; art wants to enchant, to transform, to make life more meaningful or bearable in its own small and mysterious way. The greatest art was probably born from a profound and terrible silence – a silence out of which the greatest enigmas of our life cry: Why are we here? What is the point of it all? How can we know peace and live in joy? Why be born in order to die? Why this difficult one-way journey between the two mysteries? Out of the wonder and agony of being come these cries and questions and the endless stream of words with which to order human life and quieten the human heart in the midst of our living and our distress. The ages have been inundated with vast oceans of words. We have been virtually drowned in them. Words pour at us from every angle and corner. They have not brought understanding, or peace, or healing, or a sense of self-mastery, nor has the ocean of words given us the feeling that, at least in terms of tranquility, the human spirit is getting better. At best our cry for meaning, for serenity, is answered by a greater silence, the silence that makes us seek higher reconciliation. I think we need more of the wordless in our lives. We need more stillness, more of a sense of wonder, a feeling for the mystery of life. We need more love, more silence, more deep listening, more deep giving.
Ben Okri (Birds of Heaven)