Kneel Down And Pray Quotes

We've searched our database for all the quotes and captions related to Kneel Down And Pray. Here they are! All 67 of them:

Why must people kneel down to pray? If I really wanted to pray I’ll tell you what I'd do. I'd go out into a great big field all alone or in the deep, deep woods and I'd look up into the sky—up—up—up—into that lovely blue sky that looks as if there was no end to its blueness. And then I'd just feel a prayer.
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
No, no, no, no! Come, let's away to prison: We two alone will sing like birds i' the cage: When thou dost ask me blessing, I'll kneel down, And ask of thee forgiveness: so we'll live, And pray, and sing, and tell old tales, and laugh At gilded butterflies, and hear poor rogues Talk of court news; and we'll talk with them too, Who loses and who wins; who's in, who's out; And take upon's the mystery of things, As if we were God's spies: and we'll wear out, In a wall'd prison, packs and sects of great ones, That ebb and flow by the moon.
William Shakespeare (The Tragedy Of King Lear (Turtleback School & Library Binding Edition) (Signet Classic Shakespeare))
We two alone will sing like birds i' th' cage. When thou dost ask me blessing, I’ll kneel down And ask of thee forgiveness. So we’ll live, And pray, and sing, and tell old tales, and laugh At gilded butterflies, and hear poor rogues Talk of court news, and we’ll talk with them too— Who loses and who wins, who’s in, who’s out— And take upon ’s the mystery of things As if we were God’s spies.
William Shakespeare (King Lear)
It made me shiver. And I about made up my mind to pray, and see if I couldn't try to quit being the kind of a boy I was and be better. So I kneeled down. But the words wouldn't come. Why wouldn't they? It warn't no use to try and hide it from Him. Nor from ME, neither. I knowed very well why they wouldn't come. It was because my heart warn't right; it was because I warn't square; it was because I was playing double. I was letting ON to give up sin, but away inside of me I was holding on to the biggest one of all. I was trying to make my mouth SAY I would do the right thing and the clean thing, and go and write to that nigger's owner and tell where he was; but deep down in me I knowed it was a lie, and He knowed it. You can't pray a lie--I found that out. So I was full of trouble, full as I could be; and didn't know what to do. At last I had an idea; and I says, I'll go and write the letter--and then see if I can pray. Why, it was astonishing, the way I felt as light as a feather right straight off, and my troubles all gone. So I got a piece of paper and a pencil, all glad and excited, and set down and wrote: Miss Watson, your runaway nigger Jim is down here two mile below Pikesville, and Mr. Phelps has got him and he will give him up for the reward if you send. HUCK FINN. I felt good and all washed clean of sin for the first time I had ever felt so in my life, and I knowed I could pray now. But I didn't do it straight off, but laid the paper down and set there thinking--thinking how good it was all this happened so, and how near I come to being lost and going to hell. And went on thinking. And got to thinking over our trip down the river; and I see Jim before me all the time: in the day and in the night-time, sometimes moonlight, sometimes storms, and we a-floating along, talking and singing and laughing. But somehow I couldn't seem to strike no places to harden me against him, but only the other kind. I'd see him standing my watch on top of his'n, 'stead of calling me, so I could go on sleeping; and see him how glad he was when I come back out of the fog; and when I come to him again in the swamp, up there where the feud was; and such-like times; and would always call me honey, and pet me and do everything he could think of for me, and how good he always was; and at last I struck the time I saved him by telling the men we had small-pox aboard, and he was so grateful, and said I was the best friend old Jim ever had in the world, and the ONLY one he's got now; and then I happened to look around and see that paper. It was a close place. I took it up, and held it in my hand. I was a-trembling, because I'd got to decide, forever, betwixt two things, and I knowed it. I studied a minute, sort of holding my breath, and then says to myself: "All right, then, I'll GO to hell"--and tore it up.
Mark Twain (The Adventures of Huckleberry Finn)
We have heard it said that we need to ‘stand up and fight’. I would suggest that the most powerful way to do that is to ‘kneel down and pray’. The former might win the battle, but the latter will win the war.
Craig D. Lounsbrough
All over India, all over the world, as the sun or the shadow of darkness moves from east to west, the call to prayer moves with it, and people kneel down in a wave to pray to God. Five waves each day - one for each namaaz - ripple across the globe from longitude to longitude. The component elements change direction, like iron filings near a magnet - towards the house of God in Mecca.
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
Relentless. There’s something about a relentless man. You couldn’t ignore them. If they asked long enough, eventually they wore you down. Women looked for that, persistent interest. An investor. We were, in ourselves, an entire universe. We felt too much, talked too much, wanted too much—the anti-simple.   “You
Tarryn Fisher (Atheists Who Kneel and Pray)
Do not get down on your knees to pray just to show God that you always remember him. Instead stay on your feet, and always do as he would do in place of him.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
I did what I never had done in all my life—I kneeled down, and prayed to God to fulfil the promise to me, that if I called upon Him in the day of trouble, He would deliver me.
Daniel Defoe (Robinson Crusoe)
What's a „culture“? Look it up. „A group of micro-organisms grown in a nutrient substance under controlled conditions“. A squirm of germs on a glass slide is all, a laboratory experiment calling itself a society. Most of us wrigglers make do with life on the slide; we even agree to feel proud of that „culture“. Like slaves voting for slavery or brains for lobotomy, we kneel down before the god of all moronic micro-organisms and pray to be homogenized or killed or engineered; we promise to obey.
Salman Rushdie (The Ground Beneath Her Feet)
When Jiang had taught her to access the Pantheon, he had only ever taught her to kneel before the deities. But the Cike pulled them down with them back into the world of mortals, and when they did, they were destructive and chaotic and terrible. When the shamans of the Cike prayed, they were not requesting that the gods do things for them so much as they were begging the gods to act *through* them
R.F. Kuang (The Poppy War (The Poppy War, #1))
Atheists who kneel and pray, the voice sings. Begging for just anything. Non-believers bitten down to the core. Pass them a word, give them a string. When you’re dying you cling. Yara, Yara, the god of disbelief. I worship between your legs. Pray to your fallacy, pray to your winter. You kill everything.
Tarryn Fisher (Atheists Who Kneel and Pray)
Here are the sounds of Wear. It rattles stone on stone. It sucks its teeth. It sings. It hisses like the rain. It roars. It laughs. It claps its hands. Sometimes I think it prays. In winter, through the ice, I've seen it moving swift and black as Tune, without a sound. Here are the sights of Wear. It falls in braids. It parts at rocks and tumbles round them white as down or flashes over them in silver quilts. It tosses fallen trees like bits of straw yet spins a single leaf as gentle as a maid. Sometimes it coils for rest in darkling pools and sometimes it leaps its banks and shatters in the air. In autumn, I've seen it breathe a mist so thick and grey you'd never know old Wear was there at all. Each day, for years and years, I've gone and sat in it. Usually at dusk I clamber down and slowly sink myself to where it laps against my breast. Is it too much to say, in winter, that I die? Something of me dies at least. First there's the fiery sting of cold that almost stops my breath, the aching torment in my limbs. I think I may go mad, my wits so outraged that they seek to flee my skull like rats a ship that's going down. I puff. I gasp. Then inch by inch a blessed numbness comes. I have no legs, no arms. My very heart grows still. These floating hands are not my hands. The ancient flesh I wear is rags for all I feel of it. "Praise, Praise!" I croak. Praise God for all that's holy, cold, and dark. Praise him for all we lose, for all the river of the years bears off. Praise him for stillness in the wake of pain. Praise him for emptiness. And as you race to spill into the sea, praise him yourself, old Wear. Praise him for dying and the peace of death. In the little church I built of wood for Mary, I hollowed out a place for him. Perkin brings him by the pail and pours him in. Now that I can hardly walk, I crawl to meet him there. He takes me in his chilly lap to wash me of my sins. Or I kneel down beside him till within his depths I see a star. Sometimes this star is still. Sometimes she dances. She is Mary's star. Within that little pool of Wear she winks at me. I wink at her. The secret that we share I cannot tell in full. But this much I will tell. What's lost is nothing to what's found, and all the death that ever was, set next to life, would scarcely fill a cup.
Frederick Buechner (Godric)
It made me shiver. And I about made up my mind to pray, and see if I couldn't try to quit being the kind of a boy I was and be better. So I kneeled down. But the words wouldn't come. Why wouldn't they? It warn't no use to try and hide it from Him. Nor from ME, neither. I knowed very well why they wouldn't come. It was because my heart warn't right; it was because I warn't square; it was because I was playing double. I was letting ON to give up sin, but away inside of me I was holding on to the biggest one of all. I was trying to make my mouth SAY I would do the right thing and the clean thing, and go and write to that nigger's owner and tell where he was; but deep down in me I knowed it was a lie, and He knowed it. You can't pray a lie--I found that out.
Mark Twain (The Adventures of Huckleberry Finn)
Bold prayers honor God, and God honors bold prayers. God isn’t offended by your biggest dreams or boldest prayers. He is offended by anything less. If your prayers aren’t impossible to you, they are insulting to God. Prayers are prophecies. They are the best predictors of your spiritual future. Who you become is determined by how you pray. Ultimately, the transcript of your prayers becomes the script of your life. The greatest tragedy in life is the prayers that go unanswered because they go unasked. God does not answer vague prayers. The more specific your prayers are, the more glory God receives. Most of us don’t get what we want because we quit praying. We give up too easily. We give up too soon. We quit praying right before the miracle happens. If you don’t take the risk, you forfeit the miracle. Take a step of faith when God gives you a vision because you trust that the One who gave you the vision is going to make provision. And for the record, if the vision is from God, it will most definitely be beyond your means. We shouldn’t seek answers as much as we should seek God. If you seek answers you won’t find them, but if you seek God, the answers will find you. If your plans aren’t birthed in prayer and bathed in prayer, they won’t succeed. Are your problems bigger than God, or is God bigger than your problems? Our biggest problem is our small view of God. That is the cause of all lesser evils. And it’s a high view of God that is the solution to all other problems. Because you know He can, you can pray with holy confidence. Persistence is the magic bullet. The only way you can fail is if you stop praying. 100 percent of the prayers I don’t pray won’t get answered. Where are you most proficient, most sufficient? Maybe that is precisely where God wants you to trust Him to do something beyond your ability. What we perceive as unanswered prayers are often the greatest answers. Our heavenly Father is far too wise and loves us far too much to give us everything we ask for. Someday we’ll thank God for the prayers He didn’t answer as much or more than the ones He did. You can’t pray for open doors if you aren’t willing accept closed doors, because one leads to the other. Just as our greatest successes often come on the heels of our greatest failures, our greatest answers often come on the heels of our longest and most boring prayers. The biggest difference between success and failure, both spiritually and occupationally, is your waking-up time on your alarm clock. We won’t remember the things that came easy; we’ll remember the things that came hard. It’s not just where you end up that’s important; it’s how you get there. Goal setting begins and ends with prayer. The more you have to circle something in prayer, the more satisfying it is spiritually. And, often, the more glory God gets. I don’t want easy answers or quick answers because I have a tendency to mishandle the blessings that come too easily or too quickly. I take the credit or take them for granted. So now I pray that it will take long enough and be hard enough for God to receive all of the glory. Change your prayer approach from as soon as possible to as long as it takes. Go home. Lock yourself in your room. Kneel down in the middle of the floor, and with a piece of chalk draw a circle around yourself. There, on your knees, pray fervently and brokenly that God would start a revival within that chalk circle.
Mark Batterson (The Circle Maker: Praying Circles Around Your Biggest Dreams and Greatest Fears)
But to think of your mother begging you with her last breath to kneel down and pray for her. And you refused. There is something sinister in you..." (Joyce, Ulysses)
James Joyce (A Portrait of the Artist as a Young Man [with Biographical Introduction])
The only thing that makes reality is death; then they hang it on a cross, kneel down and pray to it.
Charles Manson
It is said that once upon a time St. Kevin was kneeling with his arms stretched out in the form of a cross in Glendalough. . . As Kevin knelt and prayed, a blackbird mistook his outstretched hand for some kind of roost and swooped down upon it, laid a clutch of eggs in it and proceeded to nest in it as if it were the branch of a tree. Then, overcome with pity and constrained by his faith to love all creatures great and small, Kevin stayed immobile for hours and days and nights and weeks, holding out his hand until the eggs hatched and the fledging grew wings, true to life if subversive of common sense, at the intersection of natural process and the glimpsed ideal, at one and the same time a signpost and a reminder. Manifesting that order of poetry where we can at last grow up to that which we stored up as we grew.
Seamus Heaney (Crediting Poetry: The Nobel Lecture)
He was almost a poet in his old age and his notion of what happened took a poetic turn. 'I had come to the time in my life when prayer became necessary and so I invented gods and prayed to them,' he said. 'I did not say my prayers in words nor did I kneel down but sat perfectly still in my chair. In the late afternoon when it was hot and quiet on Main Street or in the winter when the days were gloomy, the gods came into the office and I thought no one knew about them. Then I found that this woman Elizabeth knew, that she worshipped also the same gods. I have a notion that she came to the office because she thought the gods would be there but she was happy to find herself not alone just the same. It was an experience that cannot be explained, although I suppose it is always happening to men and women in all sorts of places.
Sherwood Anderson (Winesburg, Ohio)
He turned abruptly his great searching eyes from the sea to Stephen's face. --The aunt thinks you killed your mother, he said. That's why she won't let me have anything to do with you. --Someone killed her, Stephen said gloomily. --You could have knelt down, damn it, Kinch, when your dying mother asked you, Buck Mulligan said. I'm hyperborean as much as you. But to think of your mother begging you with her last breath to kneel down and pray for her. And you refused. There is something sinister in you . . . He broke off and lathered again lightly his farther cheek. A tolerant smile curled his lips. --But a lovely mummer, he murmured to himself. Kinch, the loveliest mummer of them all. He shaved evenly and with care, in silence, seriously. Stephen, an elbow rested on the jagged granite, leaned his palm against his brow and gazed at the fraying edge of his shiny black coat-sleeve. Pain, that was not yet the pain of love, fretted his heart. Silently, in a dream she had come to him after her death, her wasted body within its loose brown grave-clothes giving off an odour of wax and rosewood, her breath, that had bent upon him, mute, reproachful, a faint odour of wetted ashes.
James Joyce
In The Shadow Of The Night All the clouds are gray, and the sky is dark as night. Soft words are spoken, and there's a twinkle, of a flicker of light. The presence of a Man walks by, and Mighty and Powerful is He. Kneeling down to pray, He says a prayer for me. The sky becomes brighter, and the leaves of the trees turn green. The flowers begin to bloom, and there's a warm gentle breeze. Thank you Lord for setting me free...
Jerrel C. Thomas
Back home, my favorite part of Mass was during communion, when I'd stand at the rail and hold a little gold platter under people's chins. The pretty girls would line up for communion (I confess to Almighty God). They'd kneel (and to you my brothers and sisters), cast their eyes demurely down (I have sinned through my own fault), and stick out their tongues (in my thoughts and in my words). Their tongues would shine, reflected in the gold platter, and since the wafer was dry, the girls would maybe lick their lips (and I ask Blessed Mary ever virgin, all the angels and saints, and you my brothers and sisters) before they swallowed (to pray for me to the Lord our God). It was all I could do not to pass out.
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
And if in the silence and solitude of his room he kneels down on the floorboards, is he praying? And for what? To be free of selfish desires--maybe. Or maybe with his elbows on the mattress, his hands clasped before him, he is only thinking: What do you want from me? Please God show me what you want.
Sally Rooney (Beautiful World, Where Are You)
He prayed: Almighty God, if it aint too far out of the way of things in your eternal plan do you reckon we could have a little rain down here. Pray it up, some called, and kneeling he cried out among the thunder and the wind: Lord we are dried to jerky down here. Just a few drops for some old boys out here on the prairie and a long ways from home. Amen, they said, and catching up their mounts they rode on. Within the hour the wind cooled and drops of rain the size of grapeshot fell upon them out of that wild darkness. They could smell wet stone and the sweet smell of the wet horses and wet leather. They rode on.
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
Never, ever apologize if you haven't done anything wrong. Keep your sorrys and your excuse mes and your please forgive mes, above all keep your please, please forgive mes for the one moment in life when you'll really need them, need those words. And you will be in dire need of entreaties like these, oh you will be praying for those words, blessing yourself for not having wasted them on something spurious and unworthy. You will someday be kneeling, kneeling down in front of a pair of accusing eyes, threatening feet, feet that might kick you or feet that might do something worse. At times what we should dread most are feet that will run away, that will run away and leave us everlastingly alone. Loneliness is what should terrify you most, more than a slap or a kick or hunger even. And that's when those words, please, please forgive me, will be all that separates you from the pit and swamp of the deepest despair. So don't squander them on matters of no consequence. The world is cursed because people do not apologize for theirs sins or crimes or merely their cowardice, but it's even more cursed because people apologize much too much-- they use their regrets as a way of not really probing what the have done, as permission to persevere in their blindness, absolving themselves without having atoned or understood.
Ariel Dorfman
(From Danielle Raver's short story THE ENCHANTRESS) Thick chains attached to the wall hold a metal collar and belt, restraining most of the tiger's movements. Open, bloody slashes cover his face and back, but he shows no loss of strength as he pulls on the chains and tries to rip the flesh of the surrounding humans with his deadly claws. Out of his reach, I kneel down before him, and his lightning-blue eyes cross my space for a moment. “Get her out of there!” I hear from behind me. “Numnerai,” I speak urgently to the tiger. “They will kill you!” He growls and gnashes his teeth, but I sense he is responding to me. “Great white tiger, your duty is to protect the prince. But how can you do that if they sink the end of a spear into your heart?” He looks at me for a longer moment. The fighters respond to this by growing still. In their desperation, they are overlooking my foolishness for a chance to save their fellows' lives. I crouch on my feet and begin to nudge closer to him. The tiger growls a warning, but does not slash out at me. “Think of the prince, protector of the palace. Right now he prays for you to live.
D.M. Raver (The Story Tellers' Anthology)
In The Shadow Of The Night All the clouds are gray, and the sky is dark as night. Soft words are spoken, and there's a twinkle, of a flicker of light. The presence of a Man walks by, and Mighty and Powerful is He. Kneeling down to pray, He says a prayer for me. The sky becomes brighter, and the leaves of the trees turn green. The flowers begin to bloom, and there's a warm gentle breeze. Thank you Lord for setting me free...
Jerrel C. Thomas (Christian Rhyme Poems: Inspiring For The Soul)
The evening air was cool and slick tickling across her bare chest. She kneeled beside Guillermo’s grave, and under her breath, for long minutes afterwards she mumbled prayers to guide him from the afterlife . . . She bent forward, bracing herself on her forearms, knees locked, ass hitched high like a puta patiently waiting to be mounted . . . Even before she finished [praying]. . . [h]e slid her pants down around her thighs; his fingers, feeling like they were coiled in tight, spiral vines brushed between her legs, making her whimper.
Cèsar Sanchez Zapata Dia De LosMuertos
How the intelligent young do fight shy of the mention of God! It makes them feel both bored and superior.” I tried to explain: “Well, once you stop believing in an old gentleman with a beard … It’s only the word God, you know — it makes such a conventional noise.” “It’s merely shorthand for where we come from, where we’re going, and what it’s all about.” “And do religious people find out what it’s all about? Do they really get the answer to the riddle?” “They get just a whiff of an answer sometimes.” He smiled at me and I smiled back and we both drank our madeira. Then he went on: “I suppose church services make a conventional noise to you, too — and I rather understand it. Oh, they’re all right for the old hands and they make for sociability, but I sometimes think their main use is to help weather churches — like smoking pipes to colour them, you know. If any — well, unreligious person, needed consolation from religion, I’d advise him or her to sit in an empty church. Sit, not kneel. And listen, not pray. Prayer’s a very tricky business.” “Goodness, is it?” “Well, for inexperienced pray-ers it sometimes is. You see, they’re apt to think of God as a slot-machine. If nothing comes out they say ‘I knew dashed well it was empty’ — when the whole secret of prayer is knowing the machine’s full.” “But how can one know?” “By filling it oneself.” “With faith?” “With faith. I expect you find that another boring word. And I warn you this slot-machine metaphor is going to break down at any moment. But if ever you’re feeling very unhappy — which you obviously aren’t at present, after all the good fortune that’s come to your family recently — well, try sitting in an empty church.” “And listening for a whiff?” We both laughed and then he said that it was just as reasonable to talk of smelling or tasting God as of seeing or hearing Him. “If one ever has any luck, one will know with all one’s senses — and none of them. Probably as good a way as any of describing it is that we shall ‘come over all queer.’” “But haven’t you already?” He sighed and said the whiffs were few and far between. “But the memory of them everlasting,” he added softly.
Dodie Smith (I Capture the Castle)
McCormack and Richard Tauber are singing by the bed There's a glass of punch below your feet and an angel at your head There's devils on each side of you with bottles in their hands You need one more drop of poison and you'll dream of foreign lands When you pissed yourself in Frankfurt and got syph down in Cologne And you heard the rattling death trains as you lay there all alone Frank Ryan brought you whiskey in a brothel in Madrid And you decked some fucking blackshirt who was cursing all the Yids At the sick bed of Cuchulainn we'll kneel and say a prayer And the ghosts are rattling at the door and the Devil's in the chair And in the Euston tavern you screamed it was your shout But they wouldn't give you service so you kicked the windows out They took you out into the street and kicked you in the brains So you walked back in through a bolted door and did it all again At the sick bed of Cuchulainn we'll kneel and say a prayer And the ghosts are rattling at the door and the Devil's in the chair You remember that foul evening when you heard the banshees howl There was lousy drunken bastards singing Billy in the Bowl They took you up to midnight mass and left you in the lurch So you dropped a button in the plate and spewed up in the church Now you'll sing a song of liberty for blacks and Paks and Jocks And they'll take you from this dump you're in and stick you in a box Then they'll take you to Cloughprior and shove you in the ground But you'll stick your head back out and shout "We'll have another round" At the gravesite of Cuchulainn we'll kneel around and pray And God is in his heaven, and Billy's down by the bay "The Sick Bed of Cuchulainn
Shane MacGowan
In short, one who loves the illusion of the good is eventually won over to actually loving the good. But how can love of the illusion of the good lead to love of the good itself? If one loves the illusion of the good and enacts this illusion in social intercourse, one might come to appreciate its worth and to love the good itself for its own sake. Correlatively, from the point of view of the spectator, loving the illusion of the good in others may make us act politely in order to become lovable, which leads us to exercise our self-mastery, control our passions, and, eventually, to love the good for its own sake. In this sense, paradoxically, by deceiving others through politeness and social pretence, we in fact deceive ourselves and transform our pragmatic, polite behavior into virtuous behavior: by deceiving others through the pretence of virtue, we foster civil society, and in doing so, deceive ourselves by transforming our pretense of virtue into a disposition for virtue itself. Does not this line of thought recall Pascal’s advice to non-believers who would like to believe, but cannot bring themselves to accomplish the leap of faith? “Kneel down, pray, act as if you believe, and belief will come by itself.
Slavoj Žižek (Absolute Recoil: Towards A New Foundation Of Dialectical Materialism)
The shortness of my legs, hanging helplessly for two hours midway between the seat and the floor, was the weapon chosen by Satan for my destruction. In German churches you do not kneel, and seldom stand, but sit nearly the whole time, praying and singing in great comfort. If you are four years old, however, this unchanged position soon becomes one of torture. Unknown and dreadful things go on in your legs, strange prickings and tinglings and dartings up and down, a sudden terrifying numbness, when you think they must have dropped off but are afraid to look, then renewed and fiercer prickings, shootings, and burnings.
Elizabeth von Arnim (Elizabeth and Her German Garden)
She blessed and thanked and praised those bright reflections shimmering down in the pool, and bade them tell her thanks and her praise to Orion, to whom she might not pray. It was thus that Alveric found her, kneeling, bent down in the dark, and reproached her bitterly. She was worshipping the stars, he said, which were there for no such purpose. And she said she was only supplicating their images. We may understand his feelings easily: the strangeness of her, her unexpected acts, her contrariness to all established things, her scorn for custom, her wayward ignorance, jarred on some treasured tradition every day. The more romantic she had been far away over the frontier, as told of by legend and song, the more difficult it was for her to fill any place once held by the ladies of that castle who were versed in all the lore of the fields we know. And Alveric looked for her to fulfil duties and follow customs which were all as new to her as the twinkling stars. But Lirazel felt only that the stars had not their due, and that custom or reason or whatever men set store by should demand that thanks be given them for their beauty; and she had not thanked them even, but had supplicated only their images in the pool. That night she thought of Elfland, where all things were matched with her beauty, where nothing changed and there were no strange customs, and no strange magnificences like these stars of ours to whom none gave their due.
Lord Dunsany (The King of Elfland's Daughter)
I found a place that I hoped would be obscure, over on one side, in the back, and went to it without genuflecting, and knelt down. As I knelt, the first thing I noticed was a young girl, very pretty too, perhaps fifteen or sixteen, kneeling straight up and praying quite seriously. I was very much impressed to see that someone who was young and beautiful could with such simplicity make prayer the real and serious and principal reason for going to church. She was clearly kneeling that way because she meant it, not in order to show off, and she was praying with an absorption which, though not the deep recollection of a saint, was serious enough to show that she was not thinking at all about the other people who were there.
Thomas Merton (The Seven Storey Mountain)
Ass up is our best position No one could have told us              we never would’ve believed that someday we would kneel in this place, worshipped We use each other’s raw bodies to remind ourselves how to pray.   Where is this place our baby bodies sprinted towards even when we were holding still for as long as possible? Flight gave birth to birth. Fragment genius comes down to this                    heaven of ass thwack, the miracle of taking it the miracle of sweet good girl best girl good girl finally made it               made it home We don’t always know where this place is. We stumble looking for the light switch, the exit sign. Can we really just relax? When does this get pulled away? Did we finally make it home? Queer grief is a blueprint. We got this shit wired tight.
Leah Lakshmi Piepzna-Samarasinha (Bodymap)
An ordinary simple Christian kneels down to say his prayers. He is trying to get into touch with God. But if he is a Christian he knows that what is prompting him to pray is also God: God, so to speak, inside him. But he also knows that all his real knowledge of God comes through Christ,the man who was God—that Christ is standing beside him,helping him to pray,praying for him.You see what is happening. God is the thing to which he is praying—the goal he is trying to reach.God is also the thing inside him which is pushing him on—the motive power. God is also the road or bridge along which he is being pushed to that goal. So that the whole threefold life of the three-personal Being is actually going on in that ordinary little bedroom where an ordinary man is saying his prayers. The man is being caught up into the higher kind of life—what I called Zoe or spiritual life: he is being pulled into God, by God, while still remaining himself.
Fred Sanders (The Deep Things of God: How the Trinity Changes Everything)
In the land of Uz, there lived a man, righteous and God-fearing, and he had great wealth, so many camels, so many sheep and asses, and his children feasted, and he loved them very much and prayed for them. 'It may be that my sons have sinned in their feasting.' Now the devil came before the Lord together with the sons of God, and said to the Lord that he had gone up and down the earth and under the earth. 'And hast thou considered my servant Job?' God asked of him. And God boasted to the devil, pointing to his great and holy servant. And the devil laughed at God's words. 'Give him over to me and Thou wilt see that Thy servant will murmur against Thee and curse Thy name.' And God gave up the just man He loved so, to the devil. And the devil smote his children and his cattle and scattered his wealth, all of a sudden like a thunderbolt from heaven. And Job rent his mantel and fell down upon the ground and cried aloud, 'Naked came I out of my mother's womb, and naked shall I return into the earth; the Lord gave and the Lord has taken away. Blessed be the name of the Lord for ever and ever.' Fathers and teachers, forgive my tears now, for all my childhood rises up again before me, and I breathe now as I breathed then, with the breast of a little child of eight, and I feel as I did then, awe and wonder and gladness. The camels at that time caught my imagination, and Satan, who talked like that with God, and God who gave His servant up to destruction, and His servant crying out: 'Blessed be Thy name although Thou dost punish me,' and then the soft and sweet singing in the church: 'Let my prayer rise up before Thee,' and again incense from the priest's censer and the kneeling and the prayer. Ever since then - only yesterday I took it up - I've never been able to read that sacred tale without tears. And how much that is great, mysterious and unfathomable there is in it! Afterwards I heard the words of mockery and blame, proud words, 'How could God give up the most loved of His saints for the diversion of the devil, take from him his children, smite him with sore boils so that he cleansed the corruption from his sores with a pot-sherd - and for no object except to board to the devil! 'See what My saint can suffer for My Sake.' ' But the greatness of it lies just in the fact that it is a mystery - that the passing earthly show and the eternal verity are brought together in it. In the face of the earthly truth, the eternal truth is accomplished. The Creator, just as on the first days of creation He ended each day with praise: 'That is good that I have created,' looks upon Job and again praises His creation. And Job, praising the Lord, serves not only Him but all His creation for generations and generations, and for ever and ever, since for that he was ordained. Good heavens, what a book it is, and what lessons there are in it! What a book the Bible is, what a miracle, what strength is given with it to man! It is like a mold cast of the world and man and human nature, everything is there, and a law for everything for all the ages. And what mysteries are solved and revealed! God raises Job again, gives him wealth again. Many years pass by, and he has other children and loves them. But how could he love those new ones when those first children are no more, when he has lost them? Remembering them, how could he be fully happy with those new ones, however dear the new ones might be? But he could, he could. It's the great mystery of human life that old grief passes gradually into quiet, tender joy. The mild serenity of age takes the place of the riotous blood of youth. I bless the rising such each day, and, as before, my heart sings to meet it, but now I love even more its setting, its long slanting rays and the soft, tender, gentle memories that come with them, the dear images from the whole of my long, happy life - and over all the Divine Truth, softening, reconciling, forgiving!
Fyodor Dostoevsky (The Brothers Karamazov)
He paused a little; then kneeling in the pulpit’s bows, folded his large brown hands across his chest, uplifted his closed eyes, and offered a prayer so deeply devout that he seemed kneeling and praying at the bottom of the sea. This ended, in prolonged solemn tones, like the continual tolling of a bell in a ship that is foundering at sea in a fog — in such tones he commenced reading the following hymn; but changing his manner towards the concluding stanzas, burst forth with a pealing exultation and joy — The ribs and terrors in the whale, Arched over me a dismal gloom, While all God’s sun-lit waves rolled by, And lift me deepening down to doom. I saw the opening maw of hell, With endless pains and sorrows there; Which none but they that feel can tell- Oh, I was plunging to despair. In black distress, I called my God, When I could scarce believe him mine, He bowed his ear to my complaints- No more the whale did me confine. With speed he flew to my relief, As on a radiant dolphin borne; Awful, yet bright, as lightning shone The face of my Deliverer God. My song for ever shall record That terrible, that joyful hour; I give the glory to my God, His all the mercy and the power.
Herman Melville (Moby Dick)
The other thing preferable about the weekday services is that no one is there against his will. That’s another distraction on Sundays. Who hasn’t suffered the experience of having an entire family seated in the pew in front of you, the children at war with each other and sandwiched between the mother and father who are forcing them to go to church? An aura of stale arguments almost visibly clings to the hasty clothing of the children. “This is the one morning I can sleep in!” the daughter’s linty sweater says. “I get so bored!” says the upturned collar of the son’s suit jacket. Indeed, the children imprisoned between their parents move constantly and restlessly in the pew; they are so crazy with self-pity, they seem ready to scream. The stern-looking father who occupies the aisle seat has his attention interrupted by fits of vacancy—an expression so perfectly empty accompanies his sternness and his concentration that I think I glimpse an underlying truth to the man’s churchgoing: that he is doing it only for the children, in the manner that some men with much vacancy of expression are committed to a marriage. When the children are old enough to decide about church for themselves, this man will stay home on Sundays. The frazzled mother, who is the lesser piece of bread to this family sandwich—and who is holding down that part of the pew from which the most unflattering view of the preacher in the pulpit is possible (directly under the preacher’s jowls)—is trying to keep her hand off her daughter’s lap. If she smooths out her daughter’s skirt only one more time, both of them know that the daughter will start to cry. The son takes from his suit jacket pocket a tiny, purple truck; the father snatches this away—with considerable bending and crushing of the boy’s fingers in the process. “Just one more obnoxious bit of behavior from you,” the father whispers harshly, “and you will be grounded—for the rest of the day.” “The whole rest of the day?” the boy says, incredulous. The apparent impossibility of sustaining unobnoxious behavior for even part of the day weighs heavily on the lad, and overwhelms him with a claustrophobia as impenetrable as the claustrophobia of church itself. The daughter has begun to cry. “Why is she crying?” the boy asks his father, who doesn’t answer. “Are you having your period?” the boy asks his sister, and the mother leans across the daughter’s lap and pinches the son’s thigh—a prolonged, twisting sort of pinch. Now he is crying, too. Time to pray! The kneeling pads flop down, the family flops forward. The son manages the old hymnal trick; he slides a hymnal along the pew, placing it where his sister will sit when she’s through praying. “Just one more thing,” the father mutters in his prayers. But how can you pray, thinking about the daughter’s period? She looks old enough to be having her period, and young enough for it to be the first time. Should you move the hymnal before she’s through praying and sits on it? Should you pick up the hymnal and bash the boy with it? But the father is the one you’d like to hit; and you’d like to pinch the mother’s thigh, exactly as she pinched her son. How can you pray?
John Irving (A Prayer for Owen Meany)
He eases himself down to die. He thinks, others can do it and so can I. He inhales something: sweet raw smell of sawdust; from some-where, the scent of the Frescobaldi kitchen, wild garlic and cloves. He sees the movement from the corner of his eye as the spectators kneel and avert their faces. His mouth is dry, but he thinks, while I breathe I pray. 'All my confidence hope and trust, is in thy most merciful goodness...’ In the sky he senses movement. A shadow falls across his view. His father Walter is here, voice in the air. 'So now get up.' He lies broken on the cobbles of the yard of the house where he was born. His whole body is shuddering. 'So now get up. So now get up.' The pain is acute, a raw stinging, a ripping, a throb. He can taste his death: slow, metallic, not come yet. In his terror he tries to obey his father, but his hands cannot get a purchase, nor can he crawl. He is an eel, he is a worm on a hook, his strength has ebbed and leaked away beneath him and it seems a long time ago now since he gave his permission to be dead; no one has told his heart, and he feels it writhe in his chest, trying to beat. His cheek rests on nothing, it rests on red. He thinks, follow. Walter says, ‘That's right, boy, spew everywhere, spew everywhere on my good cobbles. Come on, boy, get up. By the blood of creeping Christ, stand on your feet?' He is very cold. People imagine the cold comes after but it is now. He thinks, winter is here. I am at Launde. I have stumbled deep into the crisp white snow. I flail my arms in angel shape, but now I am crystal, I am ice and sinking deep: now I am water. Beneath him the ground upheaves. The river tugs him; he looks for the quick-moving Pattern, for the flitting, liquid scarlet. Between a pulse-beat and the next he shifts, going out on crimson with the tide of his inner sea. He is far from England now, far from these islands, from the waters salt and fresh. He has vanished; he is the slippery stones underfoot, he is the last faint ripple in the wake of himself. He feels for an opening, blinded, looking for a door: tracking the light along the wall.
Hilary Mantel (The Mirror & the Light (Thomas Cromwell, #3))
Then she cried quickly, "Stay, brother, stay! do not drink, or you will become a wild beast, and tear me to pieces." Thirsty as he was, the brother conquered his desire to drink at her words, and said, "Dear sister, I will wait till we come to a spring." So they wandered farther, but as they approached, she heard in the bubbling spring the words— "Who drinks of me, a wolf will be." "Brother, I pray you, do not drink of this brook; you will be changed into a wolf, and devour me." Again the brother denied himself and promised to wait; but he said, "At the next stream I must drink, say what you will, my thirst is so great." Not far off ran a pretty streamlet, looking clear and bright; but here also in its murmuring waters, the sister heard the words— "Who dares to drink of me, Turned to a stag will be." "Dear brother, do not drink," she began; but she was too late, for her brother had already knelt by the stream to drink, and as the first drop of water touched his lips he became a fawn. How the little sister wept over the enchanted brother, and the fawn wept also. He did not run away, but stayed close to her; and at last she said, "Stand still, dear fawn; don't fear, I must take care of you, but I will never leave you." So she untied her little golden garter and fastened it round the neck of the fawn; then she gathered some soft green rushes, and braided them into a soft string, which she fastened to the fawn's golden collar, and then led him away into the depths of the forest. After wandering about for some time, they at last found a little deserted hut, and the sister was overjoyed, for she thought it would form a nice shelter for them both. So she led the fawn in, and then went out alone, to gather moss and dried leaves, to make him a soft bed. Every morning she went out to gather dried roots, nuts, and berries, for her own food, and sweet fresh grass for the fawn, which he ate out of her hand, and the poor little animal went out with her, and played about as happy as the day was long. When evening came, and the poor sister felt tired, she would kneel down and say her prayers, and then lay her delicate head on the fawn's back, which was a soft warm pillow, on which she could sleep peacefully. Had this dear
Hamilton Wright Mabie (Fairy Tales Every Child Should Know)
45 Mercy Street In my dream, drilling into the marrow of my entire bone, my real dream, I'm walking up and down Beacon Hill searching for a street sign - namely MERCY STREET. Not there. I try the Back Bay. Not there. Not there. And yet I know the number. 45 Mercy Street. I know the stained-glass window of the foyer, the three flights of the house with its parquet floors. I know the furniture and mother, grandmother, great-grandmother, the servants. I know the cupboard of Spode the boat of ice, solid silver, where the butter sits in neat squares like strange giant's teeth on the big mahogany table. I know it well. Not there. Where did you go? 45 Mercy Street, with great-grandmother kneeling in her whale-bone corset and praying gently but fiercely to the wash basin, at five A.M. at noon dozing in her wiggy rocker, grandfather taking a nap in the pantry, grandmother pushing the bell for the downstairs maid, and Nana rocking Mother with an oversized flower on her forehead to cover the curl of when she was good and when she was... And where she was begat and in a generation the third she will beget, me, with the stranger's seed blooming into the flower called Horrid. I walk in a yellow dress and a white pocketbook stuffed with cigarettes, enough pills, my wallet, my keys, and being twenty-eight, or is it forty-five? I walk. I walk. I hold matches at street signs for it is dark, as dark as the leathery dead and I have lost my green Ford, my house in the suburbs, two little kids sucked up like pollen by the bee in me and a husband who has wiped off his eyes in order not to see my inside out and I am walking and looking and this is no dream just my oily life where the people are alibis and the street is unfindable for an entire lifetime. Pull the shades down - I don't care! Bolt the door, mercy, erase the number, rip down the street sign, what can it matter, what can it matter to this cheapskate who wants to own the past that went out on a dead ship and left me only with paper? Not there. I open my pocketbook, as women do, and fish swim back and forth between the dollars and the lipstick. I pick them out, one by one and throw them at the street signs, and shoot my pocketbook into the Charles River. Next I pull the dream off and slam into the cement wall of the clumsy calendar I live in, my life, and its hauled up notebooks.
Anne Sexton
… Where are the ways through black wastes? God, do not abandon us! What are you summoning, God? Raise your hand up to the darkness above you, pray, despair, wring your hands, kneel, press your forehead into the dust, cry out, but do not name Him, do not look at Him. Leave Him without name and form. What should form the formless? Name the nameless? Step onto the great way and grasp what is nearest. Do not look out, do not want, but lift up your hands. The gifts of darkness are full of riddles. The way is open to whomever can continue in spite of riddles. Submit to the riddles and the thoroughly incomprehensible. There are dizzying bridges over the eternally deep abyss. But follow the riddles. Endure them, the terrible ones. It is still dark, and the terrible goes on growing. Lost and swallowed by the streams of procreating life, we approach the overpowering, inhuman forces that are busily creating what is to come. How much future the depths carry! Are not the threads spun down there over millennia? Protect the riddles, bear them in your heart, warm them, be pregnant with them. Thus you carry the future. The tension of the future is unbearable in us. It must break through the narrow cracks, it must force new ways. You want to cast off the burden, you want to escape the inescapable. Running away is deception and detour. Shut your eyes so that you do not see the manifold, the outwardly plural, the tearing away and the tempting. There is only way and that is your way; there is only one salvation and that is your salvation. Why are you looking around for help? Do you believe that help will come from outside? What is to come will be created in you and from you. Hence look into yourself. Do not compare, do not measure. No other way is like yours. All other ways deceive and tempt you. You must fulfil the way that is in you. Oh, that all men and all their ways become strange to you! Thus might you find them again within yourself and recognize their ways. But what weakness! What doubt! What fear! You will not bear going your way. You always want to have at least one foot on paths not your own to avoid the great solitude! So that maternal comfort is always with you! So that someone acknowledges you, recognizes you, bestows trust in you, comforts you, encourages you. So that someone pulls you over onto their path, where you stray from yourself, and where it is easier for you to set yourself aside. As if you were not yourself! Who should accomplish your deeds? Who should carry your virtues and your vices? You do not come to an end with your life, and the dead will besiege you terribly to live your unlived life. Everything must be fulfilled. Time is of the essence, so why do you want to pile up the lived and let the unlived rot?
C.G. Jung (The Red Book: Liber Novus)
And he came out, and went, as he was wont, to the Mount of Olives; and his disciples also followed him. And when he was at the place, he said unto them, pray that ye enter not into temptation. And he was withdrawn from them about a stone's cast, and kneeled down, and prayed, Saying, Father, if thou be willing, remove this cup from me: nevertheless not my will, but thine, be done. And there appeared an angel unto him from heaven, strengthening him. And being in an agony he prayed more earnestly: and his sweat was as it were great drops of blood falling down to the ground.”  Luke 22:41-44
Benjamin L. Reynolds (The Ten Greatest Prayers of the Bible)
I have a complicated spiritual history. Here's the short version: I was born into a Mass-going Roman Catholic family, but my parents left the church when I was in the fifth grade and joined a Southern Baptist church—yes, in Connecticut. I am an alumnus of Wheaton College—Billy Graham's alma mater in Illinois, not the Seven Sisters school in Massachusetts—and the summer between my junior and senior year of (Christian) high school, I spent a couple of months on a missions trip performing in whiteface as a mime-for-the-Lord on the streets of London's West End. Once I left home for Wheaton, I ended up worshiping variously (and when I could haul my lazy tuckus out of bed) at the nondenominational Bible church next to the college, a Christian hippie commune in inner-city Chicago left over from the Jesus Freak movement of the 1960s, and an artsy-fartsy suburban Episcopal parish that ended up splitting over same-sex issues. My husband of more than a decade likes to describe himself as a “collapsed Catholic,” and for more than twenty-five years, I have been a born-again Christian. Groan, I know. But there's really no better term in the current popular lexicon to describe my seminal spiritual experience. It happened in the summer of 1980 when I was about to turn ten years old. My parents had both had born-again experiences themselves about six months earlier, shortly before our family left the Catholic church—much to the shock and dismay of the rest of our extended Irish and/or Italian Catholic family—and started worshiping in a rented public grade school gymnasium with the Southern Baptists. My mother had told me all about what she'd experienced with God and how I needed to give my heart to Jesus so I could spend eternity with him in heaven and not frying in hell. I was an intellectually stubborn and precocious child, so I didn't just kneel down with her and pray the first time she told me about what was going on with her and Daddy and Jesus. If something similar was going to happen to me, it was going to happen in my own sweet time. A few months into our family's new spiritual adventure, after hearing many lectures from Mom and sitting through any number of sermons at the Baptist church—each ending with an altar call and an invitation to make Jesus the Lord of my life—I got up from bed late one Sunday night and went downstairs to the den where my mother was watching television. I couldn't sleep, which was unusual for me as a child. I was a champion snoozer. In hindsight I realize something must have been troubling my spirit. Mom went into the kitchen for a cup of tea and left me alone with the television, which she had tuned to a church service. I don't remember exactly what the preacher said in his impassioned, sweaty sermon, but I do recall three things crystal clearly: The preacher was Jimmy Swaggart; he gave an altar call, inviting the folks in the congregation in front of him and at home in TV land to pray a simple prayer asking Jesus to come into their hearts; and that I prayed that prayer then and there, alone in the den in front of the idiot box. Seriously. That is precisely how I got “saved.” Alone. Watching Jimmy Swaggart on late-night TV. I also spent a painful vacation with my family one summer at Jim and Tammy Faye Bakker's Heritage USA Christian theme park in South Carolina. But that's a whole other book…
Cathleen Falsani (Sin Boldly: A Field Guide for Grace)
72 1 For Solomon. God, grant Your judgments to the king and Your righteousness to the king’s son. 2 May he judge Your people righteously and Your lowly ones in justice. 3 May the mountains bear peace to the people, and the hills righteousness. 4 May he bring justice to the lowly of the people, may he rescue the sons of the needy and crush the oppressor. May they fear you as long as the sun 5 and as long as the moon, generations untold. May he come down like rain on new-mown grass, 6 like showers that moisten the earth. May the just man flourish in his days—7 and abundant peace till the moon is no more. And may he hold sway from sea to sea, 8 from the River to the ends of the earth. Before him may the desert-folk kneel, 9 and his enemies lick the dust. May kings of Tarshish and the islands 10 bring tribute, may kings of Sheba and Siba offer vassal-gifts. And may all kings bow to him, 11 all nations serve him. For he saves the needy man pleading, 12 and the lowly who has none to help him. 13 He pities the poor and the needy, and the lives of the needy he rescues, 14 from scheming and outrage redeems them, and their blood is dear in his sight. 15 Long may he live, and the gold of Sheba be given him. May he be prayed for always, all day long be blessed. 16 May there be abundance of grain in the land, on the mountaintops. May his fruit rustle like Lebanon, and may they sprout from the town like grass of the land. May his name be forever. 17 As long as the sun may his name bear seed. And may all nations be blessed through him, call him happy. Blessed is the LORD God, Israel’s God, performing wonders alone. 18 And blessed is His glory forever, and may His glory fill all the earth. 19 Amen and amen. The prayers of David son of Jesse are ended. 20
Robert Alter (The Book of Psalms: A Translation with Commentary)
All over India, all over the world, as the sun or the shadow of darkness moves from east to west, the call to prayer moves with it, and people kneel down in a wave to pray to God. Five waves each day - one for each namaaz - ripple across the globe from longitude to longtigude. The component elements change direction, like iron filings near a magnet - towards the house of God in Mecca.
Vikram Seth
While Sean was pulling on his fins, Lily had pretended to be busy herself. She’d made a show of tugging on her goggles, just in case he happened to glance up, and saw her staring like an obsessed ninny. Through the tinted blue of her goggles, she watched him surface. Oh my god. Her knees went weak, threatened to buckle. Sean was doing a butterfly kick on his back. Her eyes traveled down the length of his torso, and stopped, transfixed. She swallowed convulsively. Yet she couldn’t have torn her eyes away from the sight of Sean’s narrow hips if someone had screamed, Fire! Encased in black Lycra, they moved in a suggestive rhythm, breaking the surface of the water, sinking, and then rising again, over and over. Unbearably erotic, an answering beat drummed deep inside Lily. Helplessly, she conjured endless hours of sex, Sean’s body driving into her with the same relentless, unbroken rhythm, each flex of his hips thrusting to her very womb. “Something wrong, Lily?” Hal’s impatient voice demanded. Lily nearly leaped out of her skin. She was the only one left on deck besides Hal. “No, nothing,” she said hurriedly, hyperconscious that her voice was reedy thin. “Just about to jump in.” To clear her mind of the sexual fog that lay thick and heavy, she blinked rapidly—only to mutter a soft curse when she realized what had happened. Yanking her goggles off, she dropped to a kneel and swished them viciously in the water. “What’s the problem now?” Hal’s patience was obviously wearing thin. Embarrassed, resentful, and praying Hal wouldn’t guess the real reason why, Lily ground out her explanation. “My glasses fogged.” “They broken? I’ve got—” “No, no . . .” she interrupted tersely, and felt immediately guilty. It wasn’t Hal’s fault her goggles had literally fogged from the heat of her aroused body. It was hers. That’s what she got from staring at Sean McDermott’s groin for too long: fogged mind, fogged goggles. Determined to ignore the sight of Sean moving like a bold lover through the water next to her, that incredible, muscled body within touching distance, Lily gritted her teeth and dove in.
Laura Moore (Night Swimming: A Novel)
When we were brought to our knees, we could do no other thing than pray.
Lailah Gifty Akita
Bedtime by Maisie Aletha Smikle Tick tock tick tock Says my bunny clock It's half past nine o’clock The ship has already dock It's bedtime It's time to unwind And go to bed My mommy said So I take my bath And brush my teeth With a night cap over my hair I hop into my night gown Kneel down Bow my head And clasp my hands To pray Dear Lord You keep me when am awake Please keep me while I sleep Mommy comes in and peek Picks me up and tucks me in Dims the light Kiss me goodnight Read a story And sings me a happy lullaby Mommy reads the story of a sheep That didn't want to sleep So the shepherd counted flocks Till it was way past ten o’clock And the sheep fell fast asleep Mommy sings a lullaby My little one my sweet little one Your warm bed beckons Sweet peaceful sleep And happy lovely dreams Goodnight sunshine I love you dearly Sleep tight see you in the morning light
Maisie Aletha Smikle
Come, let us worship and bow down, Let us kneel before the LORD our Maker. Psalm 95: 6
Lailah Gifty Akita
Martin suggests, let's see Chartres on the way back. The cathedral with its bleached stone and green roofs is visible across miles of flat fields and popular breaks. Approaching it through the dog's leg alleyways of the old town, its proportions are dizzying. Pigeons wheel about its height like cliff birds. The afternoon light begins to go; a battery of floodlights makes an unearthly theatre of spires, pinnacles and buttresses. Martin quotes Ruskin. ' "Trees of stone" '. Inside the cathedral is humbling, it's like walking into the belly of a whale. The glass is a deep rich crimson of blue, eliminating what daylight's left. Furtive figures scurry off into angles of shadow. The medieval darkness is pricked with lighted candles. Martin says it's like Debussy's 'Drowned Cathedral'. 'La Cathédrale Engloutie'. I don't know it, but he's right, exactly right. The weeping wax smells cloyingly sweet. While a priest intones, worshippers kneel and pray in whispers - and it seems to me that what they're begging from the mother of God is hope, and luck, and to be spared this survival game, living from minute to minute to minute. It's what drowning must be like. You find you've somersaulted head-over-heels and upside-down and you're travelling backwards through a vast, lightless place. So much sweet, lulling darkness in the middle of the world, it 'is' a kind of dying...
Ronald Frame (A long weekend with Marcel Proust: Seven stories and a novel)
Shopping Dana Gioia I enter the temple of my people but do not pray. I pass the altars of the gods but do not kneel Or offer sacrifices proper to the season. Strolling the hushed aisles of the department store, I see visions shining under glass, Divinities of leather, gold, and porcelain, Shrines of cut crystal, stainless steel, and silicon. But I wander the arcades of abundance, Empty of desire, no credit to my people, Envying the acolytes their passionate faith. Blessed are the acquisitive, For theirs is the kingdom of commerce. Redeem me, gods of the mall and marketplace. Mercury, protector of cell phones and fax machines, Venus, patroness of bath and bedroom chains, Tantalus, guardian of the food court. Beguile me with the aromas of coffee, musk, and cinnamon. Surround me with delicately colored soaps and moisturizing creams. Comfort me with posters of children with perfect smiles And pouting teenage models clad in lingerie. I am not made of stone. Show me satins, linen, crepe de chine, and silk, Heaped like cumuli in the morning sky, As if all caravans and argosies ended in this parking lot To fill these stockrooms and loading docks. Sing me the hymns of no cash down and the installment plan, Of custom fit, remote control, and priced to move. Whisper the blessing of Egyptian cotton, polyester, and cashmere. Tell me in what department my desire shall be found. Because I would buy happiness if I could find it, Spend all that I possessed or could borrow. But what can I bring you from these sad emporia? Where in this splendid clutter Shall I discover the one true thing? Nothing to carry, I should stroll easily Among the crowded countertops and eager cashiers, Bypassing the sullen lines and footsore customers, Spending only my time, discounting all I see. Instead I look for you among the pressing crowds, But they know nothing of you, turning away, Carrying their brightly packaged burdens. There is no angel among the vending stalls and signage. Where are you, my fugitive? Without you There is nothing but the getting and the spending Of things that have a price. Why else have I stalked the leased arcades Searching the kiosks and the cash machines? Where are you, my errant soul and innermost companion? Are you outside amid the potted palm trees, Bumming a cigarette or joking with the guards, Or are you wandering the parking lot Lost among the rows of Subarus and Audis? Or is it you I catch a sudden glimpse of Smiling behind the greasy window of the bus As it disappears into the evening rush?
Vaddhaka Linn (The Buddha on Wall Street: What's Wrong with Capitalism and What We Can Do about It)
7  When he considers himself exempt. ٨  إِنَّ إِلَىٰ رَبِّكَ الرُّجْعَىٰ 8  But to your Lord is the return. ٩  أَرَأَيْتَ الَّذِي يَنْهَىٰ 9  Have you seen him who prevents? ١٠  عَبْدًا إِذَا صَلَّىٰ 10  A servant when he prays? ١١  أَرَأَيْتَ إِنْ كَانَ عَلَى الْهُدَىٰ 11  Do you think he is upon guidance? ١٢  أَوْ أَمَرَ بِالتَّقْوَىٰ 12  Or advocates righteousness? ١٣  أَرَأَيْتَ إِنْ كَذَّبَ وَتَوَلَّىٰ 13  Do you see how he disbelieved and turned away? ١٤  أَلَمْ يَعْلَمْ بِأَنَّ اللَّهَ يَرَىٰ 14  Does he not know that God sees? ١٥  كَلَّا لَئِنْ لَمْ يَنْتَهِ لَنَسْفَعًا بِالنَّاصِيَةِ 15  No. If he does not desist, We will drag him by the forelock. ١٦  نَاصِيَةٍ كَاذِبَةٍ خَاطِئَةٍ 16  A deceitful, sinful forelock. ١٧ فَلْيَدْعُ نَادِيَهُ 17  Let him call on his gang. ١٨ سَنَدْعُ الزَّبَانِيَةَ 18  We will call the Guards. ١٩  كَلَّا لَا تُطِعْهُ وَاسْجُدْ وَاقْتَرِبْ ۩ 19  No, do not obey him; but kneel down, and come near.
Anonymous (Quran Arabic English Translation)
Vienna was the city of statues. They were as numerous as the people who walked the streets. They stood on the tip of the highest towers, lay down on stone tombs, sat on horseback, kneeled, prayed, fought animals and wars, danced, drank wine and read books made of stone. They adorned cornices like the figureheads of ships. They stood in the heart of fountains glistening with water as if they had just been born. They sat under trees in the parks summer and winter. Some wore costumes of other periods, and some had no clothes at all. Men, women, children, kings, dwarfs, gargoyles, unicorns, lions, clowns, heroes, wise men, prophets, angels, saints and soldiers preserved for Vienna an illusion of eternity.
Anaïs Nin
Yeah, there’s a lot more to it. This whole religion is foreign to a black man. A black man’s got no business kneeling down and praying to some old crazy figurines and talking that old ‘Our Father,’ ‘Jesus,’ and that kind of business. This Christianity thing is the worst thing that ever happened to Negroes. If it wasn’t for Christianity, Negroes would have stopped praying a long time ago. They would’ve started raising a whole lot of hell. They would’ve known. There would’ve been thousands of Nat Turners and Denmark Veseys. But most of the Negroes were too damn busy looking up in the sky and praying to some blond-haired, blue-eyed Jesus and some white God who nobody was suppose to ever see or know anything about.
Claude Brown (Manchild in the Promised Land)
Powerful is a prayer made in complete surrender. When you kneel before God, with brokenness in your heart, you touch the Heavens and Heaven will come down.
Gift Gugu Mona (Prayer: An Antidote for the Inner Man)
The church was only round the corner and they made it as the last bell was an echo, marching down the aisle together, the old man and the old lady and the kids, the eight kids. Eight kids and not enough bread for one. Kneeling together, praying together, marching out again into the cold gloomy Chicago Sunday. The hot sweating Chicago Sunday. “It’s a fine family you have there, Mr...” The old man puffing himself up and accepting the compliments on the church steps and the old lady smirking timidly and fingering her worn black gloves. She blacked them with shoe blacking on Saturday nights. The kids standing like clodhoppers with their welts itching under their sawtoothed winter underwear, under their sweaty summer floursacks. The priest in his stained cassock looking like a pale, pious, nearsighted Saint. Saints didn’t belong in a slum church; there ought to have been a fighting priest like an avenging angel with a fiery sword. To whack the old man down. To strike the old man and his sanctimonious Sunday smile dead on the church steps
Dorothy B. Hughes (Ride the Pink Horse)
A power kneaded with goodness does not want you to kneel before it! A power that wants you to kneel is kneaded with arrogance and belittles you!
Mehmet Murat ildan
Abraham was a man who lived in oneness with God. If I live in oneness with a certain brother day after day, there will be no need for him to tell me of many things. I will already know what he likes and what he does not like, what pleases him and what offends him. If I love him and live in oneness with him, whatever I say and do will be in accordance with his likes or dislikes. I am sorry to say that many Christians [791] do not live in oneness with God. When important matters arise, they kneel down and pray, “O Lord, what is Your will?” Eventually, they do not follow God’s will but their own concept. We do not know God’s will by praying in such a way. If we would know God’s will, we must live in oneness with Him. If we live in oneness with Him, He will not need to tell us what He desires, because we shall already know it by being one with Him.
Witness Lee (Life-Study of Genesis (Life-Study of the Bible))
I can’t hear you, people! Make some noise if you want a good show. How about death? Do you wanna see lots and lots of death tonight?” I took in the applause, the hollering, the hammering feet, basking in it. Then my arm shot up, pointing one finger to the ceiling. The guard-tower window exploded. A man plummeted from the tower, slamming on the concrete floor behind me with a splat like someone stomping on a tomato. He’d been torn open from throat to groin, his chest a ragged ruin of splintered, wrenched-back ribs and mangled organs. His dead eyes were still open, jaw wrenched wide in terror. Then came the rain. The second sniper, one piece at a time. Hands. Feet. Arms, wrenched off at the elbows. His severed head bounced like a basketball as it hit the concrete, rolling across the floor and coming to a stop next to Warden Lancaster’s Italian leather shoe. A horrified silence fell across the room. The guards looked at one another, uncertain, hands on their guns but not sure if they should draw. Lancaster stared down at the severed head, frozen like a deer in the headlights. “Well,” I said, “you’re about to get everything you asked for. What do you think, Warden? Is this good and messy enough for you? Wouldn’t want you to think I ‘pussied out’ again.” His gaze snapped toward me. He took a halting step back, away from the carnage. “How? How did you—” A third body dove from the shattered window. Not in a guard’s uniform, but a billowing white leather coat. She landed as graceful as a raptor, absorbing the impact with one knee and the outstretched fingers of a single hand, and slowly rose to her full willowy height. Her eyes blazed like molten copper, as radiant as her twist of scarlet hair. “If anyone in this room believes themselves to be a righteous soul,” Caitlin said, “I suggest you kneel down and pray. If nobody answers…then you belong to me.
Craig Schaefer (The Killing Floor Blues (Daniel Faust, #5))
MORNING AND NIGHT 早与晚 SEE how bright it is! The sun is up. The birds are up. Hark! do you hear them sing? The bees are at work. They have been up a long time. Make haste, that we may go and watch them near the hive. It is good for you and for me to rise with the sun, and the birds, and the bees. Now, kneel down, and thank God that He has kept you all through the night. Ask Him to bless you, and keep you safe all day long. See, now, the sun is down. Look how red the sky is in the west. It will soon be dark. The birds are at rest in the trees. See how each one hides its head in its wing. It is time, too, for you to say, “Good night,” and to go to bed. But do not go to rest till you have knelt down to pray to God, and to thank Him for all His love and care. Ask Him to watch you in the night. He sees you, and will keep you safe from harm. “I will not fear, for God is near, Through the dark night, as in the light; And while I sleep, safe watch will keep. Why should I fear, when God is near?” 中文阅读 太阳升起来了!你看,太阳多么明亮啊!鸟儿也起来了。听!你听见鸟儿唱歌了吗? 蜜蜂正忙忙碌碌,它们已经起来好久了。 快点儿,咱们就能到蜂巢旁边,看看蜜蜂了。 跟太阳、鸟儿、蜜蜂一块儿起床,对我是一件好事。 现在请跪下来感谢上帝,是他守着你整晚的平安。 请他保佑你,让你今天一整天也能平平安安。 瞧,现在太阳落山了。西方的天空一片绯红,天很快就要黑了。 鸟儿们在树上睡着了。看看,每只鸟儿都把头藏在翅膀底下。也到了你说过“晚安”、上床睡觉的时候了。但首先还是请你跪下,对上帝祈祷,感谢他所有的爱与关怀。 请他在夜里看顾着你,他会看见你,也会保佑你不受伤害的。 “整个黑暗的夜间,上帝都在身边, 我就无所畏惧,一如光明的白天; 他的眷顾,会伴随我入眠, 而我又能有,什么害怕可言?
托马斯·尼尔森公司 (科学读本(英文原版)(套装1-6册))
Is there any pure pleasure like praying?
Lailah Gifty Akita
Depression   Intimidating as the oceans roar I retreat to a corner cold on the floor He is back and determined as ever to win He speaks to me often but he is no friend   Words as sharp as razors edge A voice strong as thunder, attention I pledge I see you’re still here, he says with a grin I mumble quietly, I’ll silence your sins   He hates when I love and laugh through the day Hates when I smile, kneel and pray His presence alone is something I dread What he yearns most, is to see me dead   Natural causes just will not please Death by my hands he wants to achieve So we battle again until one of us falls I’m down, not for long up the bed I crawl   Digging down deep my spirit must hold Though hurting so badly, I must not fold I saw faces of family all over my room Then KO’d Depression, rematch coming soon          
Lucius Johnson (My Bipolar Mind II)
St Cuthbert was called to be a hermit on Lindis­farne. This was more than a thousand years ago. There were only small wooden huts there then, and the wind and the wild sea and everything that lived in the wild sea. Cuthbert went out there to the mon­astery, but the monastery was not far enough and he was called out further. He rowed to an empty island, where he ate onions and the eggs of seabirds and stood in the sea and prayed while sea otters played around his ankles. He lived there alone for years, but then he was called back. The King of Northumbria came to him with some churchmen, and they told him he had been elected Bishop of Lindisfarne and they asked him to come back and serve. There’s a Victorian painting of the king and the her­mit. Cuthbert wears a dirty brown robe and has one calloused hand on a spade. The king is offering him a bishop’s crosier. Behind him, monks kneel on the sands and pray he will accept it. Behind them are the beached sailboats that brought them to the island. The air is filled with swallows. Cuthbert’s head is turned away from the king, he looks down at the ground and his left hand is held up in a gesture of refusal. But he didn’t refuse, in the end. He didn’t refuse the call. He went back. We head out because the emptiness negates us. We leave the cities and we go to the wild high places to be dissolved and to be small. We live and die at once, the topsoil is washed away and the rock is exposed and it is not possible to play the games anymore. Now I am exposed rock. Like Cuthbert, I have been washed clean. What do I see?
Paul Kingsnorth (Beast)
Enough, Raven. Let’s go outside and tend my garden. Once you feel the dirt on your hands, and breathe in the fresh air, you will feel so much better.” If that didn’t work, he would have no choice but to fall to his knees and pray. Raven managed laughter through her tears. “When you touch me, Father, I know what you’re thinking. Is a priest supposed to hate getting down on his knees?” He released her as if she had burned him, and then began to laugh himself. “At my age, my dear, with my arthritis, I feel much more like swearing than praying when I kneel. And you have uncovered one of my greatest secrets.
Christine Feehan (Dark Prince (Dark, #1))
The doors of the church on the corner stood open; the church was always crowded but this evening the people overflowed down the steps into the street, kneeling pressed together, women mostly, all in black, black shawls thrown over their heads. In passing she glimpsed the altar, a blaze of candle flame and tinsel against the shadows, mysterious, remote, set apart from the seething black mass of worshippers, magnificent as a medallion on velvet, untouchable behind stout wire mesh; a dream, not for the possessing, and better so, better sighed over, prayed for, dreamed of, better at a distance, to remain a mystery, a legend, in order to be of real and permanent comfort in distress.
Mary McMinnies (The Visitors (New Portway Reprints))