Sitting In A Cafe Quotes

Oh it don't make no kind of sense. Big ol' ox like Grady won't sit next to a colored child. But he eats eggs- shoot right outta chicken's ass!

They sit for hours in the "cafes" warming their precious behinds, and talk without stopping about "culture" "art" "revolution" and so on and so forth, thinking themselves the gods of the world, dreaming the most fantastic nonsenses and poisoning the air with theories and theories that never come true.

I knew I should be grateful to Mrs Guinea, only I couldn't feel a thing. If Mrs Guinea had given me a ticket to Europe, or a round-the-world cruise, it wouldn't have made one scrap of difference to me, because wherever I sat - on the deck of a ship or a street cafe in Paris or Bangkok - I would be sitting under the same glass bell jar, stewing in my own sour air.

I guess I´m too used to sitting in a small room and making words do a few things. I see enough of humanity at the racetracks, the supermarkets, gas stations, freeways, cafes, etc. This can´t be helped. But I feel like kicking myself in the ass when I go to gatherings, even if the drinks are free. It never works for me. I´ve got enough clay to play with. People empty me. I have to get away to refill. I´m what´s best for me, sitting here slouched, smoking a beedie and watching this creen flash the words. Seldom do you meet a rare or interesting person. It´s more than galling, it´s a fucking constant shock. It´s making a god-damned grouch out of me. Anybody can be a god-damned grouch and most are. Help!

There was something about being in the vicinity of Grahame Coats that always made Fat Charlie (a) speak in cliches and (b) begin to daydream about huge black helicopters first opening fire upon, then dropping buckets of flaming napalm onto the offices of the Grahame Coats agency. Fat Charlie would not be in the office in those daydreams. He would be sitting in a chair outside a little cafe on the other side of Aldwych, sipping a frothy coffee and occasionally cheering at an exceptionally well-flung bucket of napalm.

what love looks like what does love look like the therapist asks one week after the breakup and i’m not sure how to answer her question except for the fact that i thought love looked so much like you that’s when it hit me and i realized how naive i had been to place an idea so beautiful on the image of a person as if anybody on this entire earth could encompass all love represented as if this emotion seven billion people tremble for would look like a five foot eleven medium-sized brown-skinned guy who likes eating frozen pizza for breakfast what does love look like the therapist asks again this time interrupting my thoughts midsentence and at this point i’m about to get up and walk right out the door except i paid too much money for this hour so instead i take a piercing look at her the way you look at someone when you’re about to hand it to them lips pursed tightly preparing to launch into conversation eyes digging deeply into theirs searching for all the weak spots they have hidden somewhere hair being tucked behind the ears as if you have to physically prepare for a conversation on the philosophies or rather disappointments of what love looks like well i tell her i don’t think love is him anymore if love was him he would be here wouldn’t he if he was the one for me wouldn’t he be the one sitting across from me if love was him it would have been simple i don’t think love is him anymore i repeat i think love never was i think i just wanted something was ready to give myself to something i believed was bigger than myself and when i saw someone who probably fit the part i made it very much my intention to make him my counterpart and i lost myself to him he took and he took wrapped me in the word special until i was so convinced he had eyes only to see me hands only to feel me a body only to be with me oh how he emptied me how does that make you feel interrupts the therapist well i said it kind of makes me feel like shit maybe we’re looking at it wrong we think it’s something to search for out there something meant to crash into us on our way out of an elevator or slip into our chair at a cafe somewhere appear at the end of an aisle at the bookstore looking the right amount of sexy and intellectual but i think love starts here everything else is just desire and projection of all our wants needs and fantasies but those externalities could never work out if we didn’t turn inward and learn how to love ourselves in order to love other people love does not look like a person love is our actions love is giving all we can even if it’s just the bigger slice of cake love is understanding we have the power to hurt one another but we are going to do everything in our power to make sure we don’t love is figuring out all the kind sweetness we deserve and when someone shows up saying they will provide it as you do but their actions seem to break you rather than build you love is knowing who to choose

Do not think that enlightenment is going to make you special, it’s not. If you feel special in any way, then enlightenment has not occurred. I meet a lot of people who think they are enlightened and awake simply because they have had a very moving spiritual experience. They wear their enlightenment on their sleeve like a badge of honor. They sit among friends and talk about how awake they are while sipping coffee at a cafe. The funny thing about enlightenment is that when it is authentic, there is no one to claim it. Enlightenment is very ordinary; it is nothing special. Rather than making you more special, it is going to make you less special. It plants you right in the center of a wonderful humility and innocence. Everyone else may or may not call you enlightened, but when you are enlightened the whole notion of enlightenment and someone who is enlightened is a big joke. I use the word enlightenment all the time; not to point you toward it but to point you beyond it. Do not get stuck in enlightenment.

We did all the tourist crap, but I just wanted to sit in a cafe and watch people

Far out in the uncharted backwaters of the unfashionable end of the Western spiral arm of the galaxy lies a small unregarded yellow sun. Orbiting this, at a distance of roughly ninety million miles is an utterly insignificant little blue-green planet, whose ape descended life forms are so amazingly primitive that they still think digital watches are a pretty neat idea. This planet has, or had, a problem, which was this. Most of the people living on it were unhappy for pretty much of the time. Many solutions were suggested for this problem, but most of these were largely concerned with the movements of small, green pieces of paper, which is odd, because on the whole, it wasn't the small, green pieces of paper which were unhappy. And so the problem remained, and lots of the people were mean, and most of them were miserable, even the ones with digital watches. Many were increasingly of the opinion that they'd all made a big mistake coming down from the trees in the first place, and some said that even the trees had been a bad move, and that no-one should ever have left the oceans. And then one day, nearly two thousand years after one man had been nailed to a tree for saying how great it would be to be nice to people for a change, a girl, sitting on her own in a small cafe in Rickmansworth suddenly realised what it was that had been going wrong all this time and she finally knew how the world could be made a good and happy place. This time it was right, it would work, and no-one would have to get nalied to anything. Sadly, however, before she could get to a phone to tell anyone, the Earth was unexpectedly demolished to make way for a new hyperspace bypass and so the idea was lost forever.

Travel Tip: Relax. It's not a crime to want to sit in a cafe and not take a walking our of all those historic monuments in your peripheral vision.

No, my advocates, my angels with sadist eyes, this is the beginning of my life, or the end. So I lean affirmation across the cafe table, and surrender my fifty years away with an easy smile. But the surety of my love is not dismayed by any eventuality which prudence or pity can conjure up, and in the end all that we can do is to sit at the table over which our hands cross, listening to tunes from the wurlitzer, with love huge and simple between us, and nothing more to be said.

The man sitting across from me at the cafe was thinking about murdering his wife. He imagined stabbing her and pretending like it was a robbery. Or perhaps, he thought, he'd take her hiking, push her off a cliff and say it was an accident; that she'd slipped. I wanted to tell him it wouldn't work, that in those CSI shows on T.V. they always suspected the husband first.

Meanwhile it's got stormy, the tattered fog even thicker, chasing across my path. Three people are sitting in a glassy tourist cafe between clouds and clouds, protected by glass from all sides. Since I don't see any waiters, it crosses my mind that corpses have been sitting there for weeks, statuesque. All this time the cafe has been unattended, for sure. Just how long have they been sitting here, petrified like this?

But the guy sitting at the table next to me who'd been imagining killing his wife and was now imagining seducing me wasn't the problem. No, it was the guy sitting across from me, the man with the bright orange hunting cap pulled low over his eyes, the guy waiting for the right moment to rob the cafe...he was the one who worried me.

The other night we talked about literature's elimination of the unessential, so that we are given a concentrated "dose" of life. I said, almost indignantly, "That's the danger of it, it prepares you to live, but at the same time, it exposes you to disappointments because it gives a heightened concept of living, it leaves out the dull or stagnant moments. You, in your books, also have a heightened rhythm, and a sequence of events so packed with excitement that i expected all your life to be delirious, intoxicated." Literature is an exaggeration, a dramatization, and those who are nourished on it (as I was) are in great danger of trying to approximate an impossible rhythm. Trying to live up to dostoevskian scenes every day. And between writers there is a straining after extravagance. We incite each other to jazz-up our rhythm. It is amusing that, when Henry, Fred, and I talked together, we fell back into a deep naturalness. Perhaps none of us is a sensational character. Or perhaps we have no need of condiments. Henry is, in reality, mild not temperamental; gentle not eager for scenes. We may all write about sadism, masochism, the grand quignol, bubu de montparnasse (in which the highest proof of love is for a pimp to embrace his woman's syphilis as fervently as herself, a noblesse-oblige of the apache world), cocteau, drugs, insane asylums, house of the dead, because we love strong colors; and yet when we sit in the cafe de la place clichy, we talk about henry's last pages, and a chapter which was too long, and richard's madness. "One of his greatest worries," said Henry, "was to have introduced us. He thinks you are wonderful and that you may be in danger from the 'gangster author.

What I crave more than anything today is to sit at an outdoor cafe on a cool autumn day. I just want to feel that end-of-the-year breeze as I sip a cup of green tea and take my time with a piece of pumpkin pie. I would slump in my chair and allow my mind to roam wherever it chose. Nothing else in the world epitomizes absolute freedom to me more than that thought. I could be alone or with a friend I know so well that we wouldn't have to speak. Sometimes I wake up in the morning thinking about pumpkin pie.

There is evidence that the honoree [Leonard Cohen] might be privy to the secret of the universe, which, in case you're wondering, is simply this: everything is connected. Everything. Many, if not most, of the links are difficult to determine. The instrument, the apparatus, the focused ray that can uncover and illuminate those connections is language. And just as a sudden infatuation often will light up a person's biochemical atmosphere more pyrotechnically than any deep, abiding attachment, so an unlikely, unexpected burst of linguistic imagination will usually reveal greater truths than the most exacting scholarship. In fact. The poetic image may be the only device remotely capable of dissecting romantic passion, let alone disclosing the inherent mystical qualities of the material world. Cohen is a master of the quasi-surrealistic phrase, of the "illogical" line that speaks so directly to the unconscious that surface ambiguity is transformed into ultimate, if fleeting, comprehension: comprehension of the bewitching nuances of sex and bewildering assaults of culture. Undoubtedly, it is to his lyrical mastery that his prestigious colleagues now pay tribute. Yet, there may be something else. As various, as distinct, as rewarding as each of their expressions are, there can still be heard in their individual interpretations the distant echo of Cohen's own voice, for it is his singing voice as well as his writing pen that has spawned these songs. It is a voice raked by the claws of Cupid, a voice rubbed raw by the philosopher's stone. A voice marinated in kirschwasser, sulfur, deer musk and snow; bandaged with sackcloth from a ruined monastery; warmed by the embers left down near the river after the gypsies have gone. It is a penitent's voice, a rabbinical voice, a crust of unleavened vocal toasts -- spread with smoke and subversive wit. He has a voice like a carpet in an old hotel, like a bad itch on the hunchback of love. It is a voice meant for pronouncing the names of women -- and cataloging their sometimes hazardous charms. Nobody can say the word "naked" as nakedly as Cohen. He makes us see the markings where the pantyhose have been. Finally, the actual persona of their creator may be said to haunt these songs, although details of his private lifestyle can be only surmised. A decade ago, a teacher who called himself Shree Bhagwan Rajneesh came up with the name "Zorba the Buddha" to describe the ideal modern man: A contemplative man who maintains a strict devotional bond with cosmic energies, yet is completely at home in the physical realm. Such a man knows the value of the dharma and the value of the deutschmark, knows how much to tip a waiter in a Paris nightclub and how many times to bow in a Kyoto shrine, a man who can do business when business is necessary, allow his mind to enter a pine cone, or dance in wild abandon if moved by the tune. Refusing to shun beauty, this Zorba the Buddha finds in ripe pleasures not a contradiction but an affirmation of the spiritual self. Doesn't he sound a lot like Leonard Cohen? We have been led to picture Cohen spending his mornings meditating in Armani suits, his afternoons wrestling the muse, his evenings sitting in cafes were he eats, drinks and speaks soulfully but flirtatiously with the pretty larks of the street. Quite possibly this is a distorted portrait. The apocryphal, however, has a special kind of truth. It doesn't really matter. What matters here is that after thirty years, L. Cohen is holding court in the lobby of the whirlwind, and that giants have gathered to pay him homage. To him -- and to us -- they bring the offerings they have hammered from his iron, his lead, his nitrogen, his gold.

The simple act of sitting here sipping this cappuccino is its own testament to my commitment to living the writer’s life. Which is to say: doing nothing but doing it exceedingly well.

There is nothing in back of this cafe. Since the place sits right on the margin between the edge of the world and infinite possibility, he back door opens out to a void. It takes courage to turn the knob and heart to leave the steps.

Nothing belongs to itself anymore. These trees are yours because you once looked at them. These streets are yours because you once traversed them. These coffee shops and bookshops, these cafés and bars, their sole owner is you. They gave themselves so willingly, surrendering to your perfume. You sang with the birds and they stopped to listen to you. You smiled at the sheepish stars and they fell into your hair. The sun and moon, the sea and mountain, they have all left from heartbreak. Nothing belongs to itself anymore. You once spoke to Him, and then God became yours. He sits with us in darkness now to plot how to make you ours.” K.K.

Sunglasses must be kept on until an acquaintance is identified at one of the tables, but one must not appear to be looking for company. Instead, the impression should be that one is heading into the cafe to make a phone call to one's titled Italian admirer, when--quelle surprise!--one sees a friend. The sunglasses can then be removed and the hair tossed while one is persuaded to sit down.

Hi! My name is Nao, and I am a time being. Do you know what a time being is? Well, if you give me a moment, I will tell you. A time being is someone who lives in time, and that means you, and me, and every one of us who is, or was, or ever will be. As for me, right now I am sitting in a French maid cafe in Akiba Electricity Town, listening to a sad Chanson that is playing sometime in your past, which is also my present, writing this and wondering about you, somewhere in my future. And if you're reading this, then maybe by now you're wondering about me, too. You wonder about me. I Wonder about you. Who are you and what are you doing?

After he graduated from college, he went to Paris and became an Existentialist. He had a photograph taken of Existentialism and himself sitting at a sidewalk cafe. Pard was wearing a beard and he looked as if he had a huge soul, with barely enough room in his body to contain it.

Growing up feels like your skin no longer fits. Like you just want to crawl out of that thinly stretched space and lay down in the grass and sob for hours. Instead, I am in a cafe eating lunch and trying not to scream. Looking around wondering if anyone else in this building is doing the same thing, wondering if they ever have and, if so, how they got through it. Maybe I would calm down if I just had the assurance that other people have looked in the mirror and no longer recognized themselves. Maybe if I could sit across the table from an elderly woman and have her tell me that she lived through days where the covers over her head felt even better than an embrace and weeks where she drank her tears to keep from wetting her shirt sleeves, but that those years shaped her into an iron skeleton with a tender heart. That “worth it” was an understatement. Maybe then I would feel okay.

It is a way now, approximately, of being at home. The forum has become one of the most consistent places of her life, like a familiar cafe that exists someone outside geography and beyond time zones. There are perhaps twenty regular posters on F:F:F:, and some muchlarger and uncounted number of lurkers. And right now there are three people in Chat. But there's no way of knowing exactly who until you are in there, and the chat room she finds not so comforting. It's strange even with friends, like sitting in a pitch-dark cellar conversing with people at a distance of about fifteen feet. the hectic speed, and the brevity of the lines in the thread, plus the feeling that everyone is talking at once, at counmter-purposes, deter her.

Part of the blame lies with intellectuals who are unable or unwilling to convey their ideas in terms that will play down to the cafe. But anyone who sits in that cafe and dismisses complexity by reveling in their own simplicity is no less pretentious.

In the days when I was ambitious I worked out a very pretty little plan for conquering the whole earth and rearranging things as they ought to be; and when, in the end, everything became so good it almost began to be boring, then I was going to stuff my pockets with as much money as I could lay hands on and creep away, vanish in some cosmopolis and sit at a corner cafe and drink absinthe and enjoy seeing how everything went to the devil as soon as I wasn't on the scene any more.

An attachment grew up. What is an attachment? It is the most difficult of all the human interrelationships to explain, because it is the vaguest, the most impalpable. It has all the good points of love, and none of its drawbacks. No jealousy, no quarrels, no greed to possess, no fear of losing possession, no hatred (which is very much a part of love), no surge of passion and no hangover afterward. It never reaches the heights, and it never reaches the depths. As a rule it comes on subtly. As theirs did. As a rule the two involved are not even aware of it at first. As they were not. As a rule it only becomes noticeable when it is interrupted in some way, or broken off by circumstances. As theirs was. In other words, its presence only becomes known in its absence. It is only missed after it stops. While it is still going on, little thought is given to it, because little thought needs to be. It is pleasant to meet, it is pleasant to be together. To put your shopping packages down on a little wire-backed chair at a little table at a sidewalk cafe, and sit down and have a vermouth with someone who has been waiting there for you. And will be waiting there again tomorrow afternoon. Same time, same table, same sidewalk cafe. Or to watch Italian youth going through the gyrations of the latest dance craze in some inexpensive indigenous night-place-while you, who come from the country where the dance originated, only get up to do a sedate fox trot. It is even pleasant to part, because this simply means preparing the way for the next meeting. One long continuous being-together, even in a love affair, might make the thing wilt. In an attachment it would surely kill the thing off altogether. But to meet, to part, then to meet again in a few days, keeps the thing going, encourages it to flower. And yet it requires a certain amount of vanity, as love does; a desire to please, to look one's best, to elicit compliments. It inspires a certain amount of flirtation, for the two are of opposite sex. A wink of understanding over the rim of a raised glass, a low-voiced confidential aside about something and the smile of intimacy that answers it, a small impromptu gift - a necktie on the one part because of an accidental spill on the one he was wearing, or of a small bunch of flowers on the other part because of the color of the dress she has on. So it goes. And suddenly they part, and suddenly there's a void, and suddenly they discover they have had an attachment. Rome passed into the past, and became New York. Now, if they had never come together again, or only after a long time and in different circumstances, then the attachment would have faded and died. But if they suddenly do come together again - while the sharp sting of missing one another is still smarting - then the attachment will revive full force, full strength. But never again as merely an attachment. It has to go on from there, it has to build, to pick up speed. And sometimes it is so glad to be brought back again that it makes the mistake of thinking it is love. ("For The Rest Of Her Life")

Every year, I took a holiday. I went to Florence, there's this cafe, on the banks of the Arno. Every fine evening, I'd sit there and order a Fernet Branca. I had this fantasy, that I would look across the tables and I'd see you there, with a wife and maybe a couple of kids. You wouldn't say anything to me, nor me to you. But we'd both know that you'd made it, that you were happy.

People sometimes complain that Berliners just sit around all day in cafes, smoking and talking about art. Is that supposed to be a bad thing?

We’re going to stroll up the Champs-Élysées like proper tourists and then sit at a cafe and have coffee in view of the Arc de Triomphe.

What do I believe? I believe that it's easier to sit at home in your yoga pants, with your Lean Cuisine Cafe Classic Fettuccine Alfredo. But it's important not to.

I never dreamed that she meant lights. Sparkling. Shimmering. Waves of light. We could see them from the front of the cafe. Besides the few customers, everyone who lived on the street was gathered inside. And I mean everyone, even strange little Esther. She'd squeezed herself into the darkest corner of the room, sitting on the floor with her arms wrapped around her bent knees. But even her face was in awe. Silvers. Pearls. Iridescent pinks. They now sprayed out into the sunless room and hit the ceiling. The walls. The floor. Glowing copper. Gilded orange. And all kinds or gold. Sequins of light that swirled and spun through the air. Cascades of light flowing in, breaking up, and rolling like fluid diamonds over the worn tile. Emerald. Turquoise. Sapphire. It went on for hours. I looked over there and there were tears streaming down Gabe's wrinkled face: God bless you, Eve. And finally only the muted glow of a cool aquamarine. Then we heard the baby's first thin cry- and the place went wild.

I know I found his lips and let him caress me without realizing that I, too, was crying and didn't know why. That dawn, and all the ones that followed in the two weeks I spent with Julian, we made love to one another on the floor, never saying a word. Later, sitting in a cafe or strolling through the streets, I would look into his eyes and know, without any need to question him, that he still loved Penelope. I remember that during those days I learned to hate that seventeen-year-old girl (for Penelope was always seventeen to me) whom I had never met and who now haunted my dreams. I invented excuses for cabling Cabestany to prolong my stay. I no longer cared whether I lost my job or the grey existence I had left behind in Barcelona. I have often asked myself whether my life was so empty when I arrived in Paris that I fell into Julian's arms - like Irene Marceau's girls, who, despite themselves, craved for affection.

No jewels, save my eyes, do I own, but I have a rose which is even softer than my rosy lips. And a quiet youth said: 'There is nothing softer than your heart.' And I lowered my gaze...” I wrote back telling Liza that her poems were bad and she ought to stop composing. Sometime later I saw her in another cafe, sitting at a long table, abloom and ablaze among a dozen young Russian poets. She kept her sapphire glance on me with a mocking and mysterious persistence.

on the continent I'm soft. I dream too. I let myself dream. I dream of being famous. I dream of walking the streets of London and Paris. I dream of sitting in cafes drinking fine wines and taking a taxi back to a good hotel. I dream of meeting beautiful ladies in the hall and turning them away because I have a sonnet in mind that I want to write before sunrise. at sunrise I will be asleep and there will be a strange cat curled up on the windowsill. I think we all feel like this now and then. I'd even like to visit Andernach, Germany, the place where I began, then I'd like to fly on to Moscow to check out their mass transit system so I'd have something faintly lewd to whisper into the ear of the mayor of Los Angeles upon to my return to this fucking place. it could happen. I'm ready. I've watched snails crawl over ten foot walls and vanish. you mustn't confuse this with ambition. I would be able to laugh at my good turn of the cards - and I won't forget you. I'll send postcards and snapshots, and the finished sonnet.

I might not seem like the type who could sit at an outdoor cafe drinking a latte, but I am. Why? No motion required. It's just sitting. Sitting and sipping. I can't imagine a neurosis that would prevent one from raising one's arm to one's mouth while holding a cup, though given time, I'm sure I could come up with one.

You know, there was a time when I was willing to give up most of my life because I didn’t like it very much,” I finally said. “What do you mean?” “I used to sit at work on Monday mornings and wish I could fast forward the clock to quitting time on Friday. I was willing to give up five days of my life each week, just to get to the days I did like.

The light was crude. It made Artaud's eyes shrink into darkness, as they are deep-set. This brought into relief the intensity of his gestures. He looked tormented. His hair, rather long, fell at times over his forehead. He has the actor's nimbleness and quickness of gestures. His face is lean, as if ravaged by fevers. His eyes do not seem to see the people. They are the eyes of a visionary. His hands are long, long-fingered. Beside him Allendy looks earthy, heavy, gray. He sits at the desk, massive, brooding. Artaud steps out on the platform, and begins to talk about " The Theatre and the Plague." He asked me to sit in the front row. It seems to me that all he is asking for is intensity, a more heightened form of feeling and living. Is he trying to remind us that it was during the Plague that so many marvelous works of art and theater came to be, because, whipped by the fear of death, man seeks immortality, or to escape, or to surpass himself? But then, imperceptibly almost, he let go of the thread we were following and began to act out dying by plague. No one quite knew when it began. To illustrate his conference, he was acting out an agony. "La Peste" in French is so much more terrible than "The Plague" in English. But no word could describe what Artaud acted out on the platform of the Sorbonne. He forgot about his conference, the theatre, his ideas, Dr. Allendy sitting there, the public, the young students, his wife, professors, and directors. His face was contorted with anguish, one could see the perspiration dampening his hair. His eyes dilated, his muscles became cramped, his fingers struggled to retain their flexibility. He made one feel the parched and burning throat, the pains, the fever, the fire in the guts. He was in agony. He was screaming. He was delirious. He was enacting his own death, his own crucifixion. At first people gasped. And then they began to laugh. Everyone was laughing! They hissed. Then, one by one, they began to leave, noisily, talking, protesting. They banged the door as they left. The only ones who did not move were Allendy, his wife, the Lalous, Marguerite. More protestations. More jeering. But Artaud went on, until the last gasp. And stayed on the floor. Then when the hall had emptied of all but his small group of friends, he walked straight up to me and kissed my hand. He asked me to go to the cafe with him.

It's pronounced wee but spelled O-U-I. It's all you'll want to say when you're sitting at one of the thousands of little cafes that line the streets and you're looking at a menu full of foods you just want to eat for days. And then you wake up early, and the sun is rising in shades of pink over the white buildings as you make your way through the sleepy streets until you're upon the fresh markets!

And I'll know people like you,' I went on, 'people who have thoughts in their heads and quick tongues with which to voice them, and we'll sit in cafes and we'll drink together and we'll clash with each other violently in words, and we'll talk for the rest of our lives in devine excitement.

I’d never been turned down before. In my experience guys have enjoyed being pursued. Appreciated it, even. Maybe it would be nice to let the guy make the first move, but there’s a lot of competition for the good ones. If you don’t get aggressive and make things happen, some other girl snaps him up while you’re sitting around waiting for an invitation. It’s exhausting. And sure, it would be nice to be wooed, but it’s not realistic. Especially in college. These boys are lazy.

We believe that information is an enlightening agent, but I can assure you it is not. We consume information, but we can’t read. We forgot how to sit down and engage the dense layers of a text. We are so busy devouring information that we forgot how to dance with ideas. We confuse linguistic bits of data for knowledge and ideas. I can assure you, gentlemen, they are not the same. Ideas require effort and the kind of sensibility that engages the subtle layers of meaning. What the hell does information require?

Look around at the people in your office, on the subway, sitting across from you at the cafe. Have you ever wondered if the world you see is the same one they see?

Halfway through the tour, we skip out and go to Cafe Lalo instead, determined to sit just where Meg Ryan and Tom Hanks did in You’ve Got Mail.

As I stood there thinking, I saw a general with as many medals as I got hair, sitting at a front table at the outdoor cafe on Fankonin.

blackbirds that are sitting on my telephone wires? I don’t want you to hurt them, I just want you to scare them off…I think they’re up there listening to my telephone calls, through their feet.

If the cities are still standing when you get to Europe,” he said, “and you sit in a cafe for hours, sipping coffee or wine or beer, and discussing painting and music and literature, just remember that the Europeans around you, who you think are so much more civilized than Americans, are looking forward to just one thing: the time when it will become legal to kill each other and knock everything down again.

Tears comes to my eyes when I think about some of God's people I have had the privilege to meet in the past few years. These are people with families, with dreams, people who are made in God's image as much as you and I are. And these people are suffering. Many of them are sick, some even dying, as they live out their lives in dwellings that we would not consider good enough for our household pets. I am not exaggerating. Much of their daily hardship and suffering could be relieved with access to food, clean water, clothing, adequate shelter, or basic medical attention. I believe that God wants His people, His church, to meet these needs. The Scriptures are filled with commands and references about caring for the poor and for those who cannot help themselves. The crazy part about God's heart is that He doesn't just ask us to give; He desires that we love those in need as much as we love ourselves. That is the core of the second greatest command, to 'love your neighbor as yourself' (Matthew 22:39). He is asking that you love as you would want to be loved if it were your child who was blind from drinking contaminated water; to love the way you would want to be loved if you were the homeless woman sitting outside the cafe; to love as though it were your family living in the shack slapped together from cardboard and scrap metal...

I get back in the Continental and continue down the road to the cafe. Then I pull in and there's Larry Johnson's '57 Ford pickup in the parking lot. As I enter the little cafe, I see Larry and Briggs in the corner, drinking some coffee and having a late breakfast. I go right over and sit down with them. We don't say much. David says something about Kirby getting a job at one of the studios. Kirby is very good with his hands and can fix anything, plus he has a very friendly personality. We are happy for him. Larry has to make a call and gets up, heading for the pay phone in the corner. He has us get him another coffee when the waitress comes back. Briggs looks at me and asks what I've been doing.

The breakdown of the neighborhoods also meant the end of what was essentially an extended family....With the breakdown of the extended family, too much pressure was put on the single family. Mom had no one to stay with Granny, who couldn't be depended on to set the house on fire while Mom was off grocery shopping. The people in the neighborhood weren't there to keep an idle eye out for the fourteen-year-old kid who was the local idiot, and treated with affection as well as tormented....So we came up with the idea of putting everybody in separate places. We lock them up in prisons, mental hospitals, geriatric housing projects, old-age homes, nursery schools, cheap suburbs that keep women and the kids of f the streets, expensive suburbs where everybody has their own yard and a front lawn that is tended by a gardener so all the front lawns look alike and nobody uses them anyway....the faster we lock them up, the higher up goes the crime rate, the suicide rate, the rate of mental breakdown. The way it's going, there'll be more of them than us pretty soon. Then you'll have to start asking questions about the percentage of the population that's not locked up, those that claim that the other fifty-five per cent is crazy, criminal, or senile. WE have to find some other way....So I started imagining....Suppose we built houses in a circle, or a square, or whatever, connected houses of varying sizes, but beautiful, simple. And outside, behind the houses, all the space usually given over to front and back lawns, would be common too. And there could be vegetable gardens, and fields and woods for the kids to play in. There's be problems about somebody picking the tomatoes somebody else planted, or the roses, or the kids trampling through the pea patch, but the fifty groups or individuals who lived in the houses would have complete charge and complete responsibility for what went on in their little enclave. At the other side of the houses, facing the, would be a little community center. It would have a community laundry -- why does everybody have to own a washing machine?-- and some playrooms and a little cafe and a communal kitchen. The cafe would be an outdoor one, with sliding glass panels to close it in in winter, like the ones in Paris. This wouldn't be a full commune: everybody would have their own way of earning a living, everybody would retain their own income, and the dwellings would be priced according to size. Each would have a little kitchen, in case people wanted to eat alone, a good-sized living space, but not enormous, because the community center would be there. Maybe the community center would be beautiful, lush even. With playrooms for the kids and the adults, and sitting rooms with books. But everyone in the community, from the smallest walking child, would have a job in it.

I went to meet Kathy at the National Theatre cafe on the South Bank, where the performers would often congregate after rehearsal. She was sitting at the back of the cafe with a couple of fellow actresses, deep in conversation. They looked up at me as I approached.

The cafe was empty, but the cook was unscrewing the outlet plate above my seat. I took my book into the bathroom and read while he finished. When I emerged, the cook was gone and a woman was ready to sit in my seat. - Excuse me, this is my table. - Did you reserve it? - Well, no, but it's my table. - Did you actually sit here? There's nothing on the table and you have your coat on. I stood there mutely. If this were an episode of Midsomer Murders she would surely be found strangled in a wild ravine behind an abandoned vicarage.

In the half-light through the drawn curtains she sits on her perch, relaxed, hooded, extraordinary. Formidable talons, wicked, curved black beak, sleek, cafe-au-lait front streaked thickly with cocoa-coloured teardrops, looking for all the world like some cappuccino samurai.

We all hygger: gathered around a table for a shared meal or beside a fire on a dark night, when we sit in the corner of our local cafe or wrap ourselves in a blanket at the end of a day on the beach. Lying spoons, baking in a warm kitchen, bathing by candlelight, being alone in bed with a hot water bottle and a good book - these are all ways to hygge. Hygge draws meaning from the fabric of ordinary living. It'a a way of acknowledging the sacred in the secular, of giving something ordinary a special context, spirit and warmth and taking time to make it extraordinary.

If Mrs. Guinea had given me a ticket to Europe, or a round-the-world cruise, it wouldn’t have made one scrap of difference to me, because wherever I sat—on the deck of a ship or at a street cafe in Paris or Bangkok—I would be sitting under the same glass bell jar, stewing in my own sour air.

If Mrs. Guinea had given me a ticket to Europe, or a round-the-world cruise, it wouldn't have made one scrap of difference to me, because wherever I sat--on the deck of a ship or at a street cafe in Paris or Bangkok--I would be sitting under the same glass bell jar, stewing in my own sour air.

If Mrs. Guinea had given me a ticket to Europe, or a round-the-world cruise, it wouldn't have made one scrap of difference to me, because whenever I sat--on the deck of a ship or at a street cafe in Paris or Bangkok-- I would be sitting under the same glass bell jar, stewing in my own sour air.

No, don't come out with me,' he says, laying his hand on my shoulder. 'Finish your coffee, then go back and tell Oscar you've found your wedding dress.' He leans down and kisses my cheek, and I catch hold of him, an awkward half-hug because I don't even know if I'll ever see him again. He doesn't push me away. He sighs, his hand gentle on the back of my head, and then he says, 'Love you, Lu,' as if he's exhausted. I watch him shoulder his way out through the cafe, and when he's gone I take the hat off and clutch it. 'Love you too,' I whisper. I sit there for a while, the hat in my hands, my wedding dress at my feet.

Sitting in the outdoor cafe, the sun finally set. The clouds grew darker. We ignored the rumbling of the night sky, and the parallel bar gymnastics of the lightning. Flashes of light in all directions. My heart began its own flip flops. An emotional gymnast. Even the rain could not put out my fire, as I watched your eyes undress me.

not much chance, completely cut loose from purpose, he was a young man riding a bus through North Carolina on the way to somewhere and it began to snow and the bus stopped at a little cafe in the hills and the passengers entered. he sat at the counter with the others, he ordered and the food arrived. the meal was particularly good and the coffee. the waitress was unlike the women he had known. she was unaffected, there was a natural humor which came from her. the fry cook said crazy things. the dishwasher. in back, laughed, a good clean pleasant laugh. the young man watched the snow through the windows. he wanted to stay in that cafe forever. the curious feeling swam through him that everything was beautiful there, that it would always stay beautiful there. then the bus driver told the passengers that it was time to board. the young man thought, I'll just sit here, I'll just stay here. but then he rose and followed the others into the bus. he found his seat and looked at the cafe through the bus window. then the bus moved off, down a curve, downward, out of the hills. the young man looked straight forward. he heard the other passengers speaking of other things, or they were reading or attempting to sleep. they had not noticed the magic. the young man put his head to one side, closed his eyes, pretended to sleep. there was nothing else to do - just to listen to the sound of the engine, the sound of the tires in the snow." - Charles Bukowski, "Nirvana

Old people need to see children every once in a while,” she whispered confidentially. “It lifts their spirits. Some of these real old ladies they have out here just sit in their wheelchairs all hunched over…but when the nurses give them a baby doll to hold, you’d be surprised at how they just sit right up, holding on to their dolls. Most of them think it’s their own babies they’ve got.

I need someone who knows to enjoy life. Someone who'll get high with me at the Pere - Lechaise cemetery. Someone who'll lose their breath running trough the Louvre. Someone who'll go to coffee with a good book ( Fyodor Dostoyevsky, L. Tolstoy, Voltaire, A. Camus, Oscar Wilde, Gustave Flaubert ). During the weekends to the cafe de Flore, and after that lunch at Ritz. Someone who'll get lost in Paris in the middle of the night. Someone who'll lay beside Seine, drink wine and listen to Florence and Machine, Banks, Borns, Hurts, Bjork, Tom Odelle... Someone who can sit in front of S.Dali's paintings for hours and not talk. Someone who wants to live. Someone who wants to travel and see the world. Someone who'll look at the stars for hours, talk about life, someone who is not afraid of death.

She was sitting at a table in a cafe and he had just left. What she has understood, with absolute certainty, was that to live without him would be, forever, her fundamental occupation and that from that moment on things would always have a shadow for her, an extra shadow, even in the dark, and maybe especially in the dark. She wondered if that might work as an explanation of what it means to be mad about someone.

Artichokes Until you had been the last ones sitting in the cafe on the corner and she has kissed the dark rum from the rim of your glass and schooled you in the art of eating artichokes until then, you are not yet a woman. Until you put soft leaf to lip touch tongue to flesh, bite the lobe, swallow the juice she says will purify you until you open it up, sigh at the color, see it’s very middle and learn what fingers are best at until you reach further still into that thick, hot heart life has not yet started. Before you had been promised. Before she is a liar. Before you are dismantled, fixed and broke again you are not yet a lover. Remember on the right night and under the right light any idea can seem like a good one and love love is mostly ill-advised but always brave. The most important thing to do is not to worry. The lines on your face will never stop the sun from coming up. Your tears cannot affect the weather. There are wars going on. The one in your body is the only one you can be sure of losing or winning, then losing again. You drink more water than rum these days, don’t you? But you drink to her memory, don’t you? And you only take artichokes in salad. Never whole. Not in a cafe on a dusky street at midnight. Not with her. Never with her, or anyone like her.

time, Ruth had just come in from church and Idgie was sitting around with them and she said, ‘Ruth, I’m sorry to have to tell this, but while you were gone, Stump swallowed a twenty-two-caliber bullet.’ “When Ruth got all excited, Idgie said, ‘Don’t worry, he’s just fine. I just took him over to Doc Hadley’s and he gave him a half a bottle of castor oil, and said it was all right to bring him home but just be careful not to point him at anyone.’ 

I have many wonderful memories of this days we had together. It would make me happy to know that at least a few of your memories of me are good ones. I wonder if you ever think about sitting under that oak tree, with the cicadas buzzing, and, at night, the crickets. Or how the ice used to cover the blueberry bushes in the winter, giving them that dreamy look. Or how we used to sell the pies for your mother at the roadside stand. I still think of you whenever I see blueberries.

Like a Small Cafi, That's Love" Like a small cafe on the street of strange.— that's love... its doors open to all. Like a cafe that expands and commas with the w.then if it pours with rain its customers increase, if the weather's fm, they are few and weary... I am here, stranger, sitting in the comer. (What color .e your eyes? What is your name? How shall I call to you as you pass hy, as I sit waiting for you?) A small caa, that's love. I order two glass. of wine and drink to my health and yours. I am carrying two caps and umbrella. It is raining now. It is raining more than ever, and you do not come hA I say to myself at last: Perhaps she who I was waiting for was waiting for me, or was waiting for some other ma, or was waiting for us, and did not find him/me. She would sap Here I am waiting for you. (What color are your eyes? What is your name? What kind of wine do you prefer? How shall I call to you when you pass hyl) A small that's love...

I look out the windscreen at all the people walking on the street and sitting on high stools in cafes and queuing beneath the shelter beside the bus stop sign. I know each person is carrying a tiny screen in their pocket. I know each screen holds a list of the names of other people who are not here but somewhere out there also carrying a tiny screen. I know that inside each pocket there’s a goldhaired woman whispering to the person who carries her, telling them they are included.

I learned that you don’t stand up to the bad guys because you think you’ll win. You stand up because it’s the right thing to do. You stand up for those weaker than you, which at that time in my life meant younger than me. You put yourself between them and harm, not because you’re sure you won’t get hurt, but because you’ve decided that to sit and watch them come to harm is wrong, and you cannot merely sit and watch evil. There comes a time when you have to step up and be willing to take some damage, because it’s the right thing to do.

I inhale slowly, soaking it all in. I step forward and backward, my neck twisting and turning, memorizing every corner. I feel an instant connection to this place. Something about being here grabs me and infatuates me. I begin taking mental pictures of the narrow alleys decorated with rows of artists and vendors. I start imagining myself dining at the sidewalk cafes, sitting there with Chad during the summer, spring, winter, and fall. I get this strong desire to take off my shoes and walk barefooted on the cobblestones as if I have found my new home.

Charlie will never sit here again. She will never write again. She will never have another thought again. He thinks of her lips, how they will never curl into a smile, or spread with laughter. Her eyes, how they will never sparkle with life. Her feet, how they will never walk the pathways of the Sorbonne campus. HE thinks of that cafe in Paris where they will never drink coffee together, that empty table set for two, those two empty chairs, the conversations they will never share, the moments together they will never remember for the rest of their lives.

Another atrocity of summer is soccer. When the Euro Cup is on, it brings out the worst in people. It turns them into ravaging beasts who complain when a team they like, which they have done nothing to deserve, slips from grace and loses the match. An old man sitting beside me at the cafe was watching the men watch the soccer rather than watch the soccer himself. He found their reactions more entertaining than the game. "All this stuff and nonsense over men kicking a ball," he groused. "And they don't do any of the work themselves." I told him, "We should just have wars. Then we would not need sports." He laughed and quite agreed with me.

Wearing Deni's huge vicuna coat with the si cap over my ears, in cold biting winds of December New York, Irwin and Simon led me up to the Russian Tea Room to meet Salvador Dali. He was sitting with his chin on a finely decorated tile headed cane, blue and white, next to his wife at the Cafe table. He had a cane, blue and white, next to his wife at the Cafe table. He had a little wax moustache, thin. When the waiter asked him what he wanted he said 'One grapefruit...peenk!' and he had big blue eyes like a baby, a real or Spaniard. He told us no artist was great unless he made money. Was he talking about Uccello, Ghianondri, Franca? We didn't even know what money really was or what to do with it. Dali had already read an article about the 'insurgent' 'beats' and was interested. When Irwin told him (in Spanish) we wanted to meet Marlon Brando (who ate in this Russian Tea Room) he said, waving three fingers at me, 'He is more beautiful than M. Brando.' I wondered why he said that but he probably had a tiff with old Marlon. But what he meant was my eyes, which were blue, like his, and my hair, which is black, like his, and when I looked into his eyes, and he looked into my eyes, we couldn't stand all that sadness. In fact, when Dali and I look in the mirror we can't stand all that sadness. To Dali sadness is beautiful.

You read of bulls in the old days accepting thirty, forty, fifty and even seventy pics from the picadors while today a bull that can take seven pics is an amazing animal, and it seems as though things were very different in those days and the bullfighters must have been such men as were the football players on the high school team when we were still in grammar school. Things change very much and instead of great athletes only children play on the high school teams now and if you sit with the older men at the cafe you know there are no good bullfighters now either; they are all children without honor, skill or virtue, much the same as those children who now play football, a feable game it has become

I guess she’s about a month old now, isn’t she?” I calculate as Sophie sets our beverages down and sits next to me at the table. “Yeah,” she says. But her tone implies something else and the skin between her eyebrows wrinkles in the slightest way. “Almost a month,” she amends in a rush. “In two days. She’s twenty-eight days old now.” Then she blows out a long breath and shakes her head before meeting my eyes. “I’m one of those moms, Boyd. I promised myself that I wasn’t going to be. But I’m clearly on a path there. I’m that mom who’s going to tell you her kid is forty-nine months old when all you wanted to hear is that she’s four.” She shakes her head again and rolls her eyes to the ceiling. “It’s so embarrassing.

Sit.” The stadium officer points to a chair. There’s a table with two chairs on one side and one on the other. There’s even a surveillance window on the wall, like an episode of Law & Order. This has got to be a joke. I sit. What else am I supposed to do? Make a run for it? I’m not a run-for-it kind of girl. Besides, I’ve done nothing wrong. I am not a criminal. I’m a second-grade teacher. Maybe something awful happened to Cal? Maybe he tripped and hit his head. Stadium seating involves a lot of stairs. Or maybe he got shanked while in line for a cheesesteak. With a plastic knife. It happens. I think I saw it once on TV. What if they need me to provide medical information? I don’t know any medical information about Cal, I’ve met the guy twice

What are you doing here? What have you come for?' 'Work,' said Psmith, with simple dignity. 'I am now a member of the staff of this bank. Its interests are my interests. Psmith, the individual, ceases to exist, and there springs into being Psmith, the cog in the wheel of the New Asiatic Bank; Psmith, the link in the bank's chain; Psmith, the Worker. I shall not spare myself,' he proceeded earnestly. 'I shall toil with all the accumulated energy of one who, up till now, has only known what work is like from hearsay. Whose is that form sitting on the steps of the bank in the morning, waiting eagerly for the place to open? It is the form of Psmith, the Worker. Whose is that haggard, drawn face which bends over a ledger long after the other toilers have sped blithely westwards to dine at Lyons' Popular Cafe? It is the face of Psmith, the Worker.

I didn’t get the time to tell you, or to hold you, or get there to holding you without any awkwardness. It breaks my heart, not a little but a lot, to see how things have turned out and once upon a time i would try to set them right, but now i know there is no point, in trying or in hoping, because it is how it is, and not much can be done, or should be done, but i still wanted to tell you, maybe one of these days I will, maybe I won’t but I wanted to tell you that I wanted those things with you. Meeting you for coffee on a rainy day, in a cafe somewhere between our homes. Spending the evening sitting by the sea, looking at the waves, listening to the noise and chaos of the city around us. Talking a walk with you in that park where we met the second time. Watching a movie with you. Having you over, coming over to yours. Going out to bars, birthday celebrations. Fighting sometimes, crazy loving the next. I wanted these things, and a few more. Oh god, i really wanted them with you.

Lukesagynecologist." "What?" Everly tilts her head like I'm talking crazy. "Luke is a gynecologist. At the student health clinic." "Shut the fuck up." I think I've managed to shock Everly. "I did not see this coming." She looks at me. "So?" "So?" I ask. "So you rescheduled the appointment with another doctor?" "No. I kept the appointment." "You kinky bitch, you did not! Stop it." "I did. I was already sitting on the exam table wearing a paper gown when he walked in. What was I supposed to do?" "Was it good for you?" She grins at me suggestively. "Everly!" "Bitch, I know you enjoyed it. At least a little." "You think there's something wrong with me, don't you?" "Sophie, no. That guy has no business being a gynecologist. It's not fair to women." "I think he's technically an obstetrician." "Same difference." "The nurse said he runs a department at the hospital.” "Well done, Sophie. When you crush, you crush classy." "Ugh." I cringe. "That reminds me. Do you keep your socks on during a gynecologist exam?" "Off. So, did you get your prescription?" "Yeah." I nod. "And a bag full of condoms." I pat my backpack. "Aww. Dr. Luke cares about your safety." "You understand I am never waiting on him again, right?" "Oh, yeah. I figured that out about thirty seconds into this conversation.

they had never been apart, and there was nothing Evelyn could do about it but unwrap her Almond Joy candy bar and sit there for the duration. “The front yard had a great big old chinaberry tree. I remember, we’d pick those little chinaberries all year long, and at Christmas, we’d string them and wrap them all around the tree from top to bottom. Momma was always warning us not to put chinaberries up our nose, and of course the first thing Idgie did, as soon as she learned to walk, was to go out in the yard and put chinaberries up her nose and in her ears as well. To the point that Dr. Hadley had to be called! He told Momma, ‘Mrs. Threadgoode, it looks like you’ve got yourself a little scalawag on your hands.’ “Well, of course Buddy just loved to hear that. He encouraged her every step of the way. But that’s how it is in big families. Everybody has their favorite. Her real name was Imogene, but Buddy started calling her Idgie. Buddy was eight when she was born, and he used to carry her all over town, just like she was a doll. When she got old enough to walk, she’d paddle around after him like a little duck, dragging that little wooden rooster behind her. “That Buddy had a million-dollar personality, with those dark eyes and those white teeth…he could charm you within an inch of your life. I don’t know of a girl in Whistle

Go away.” I stick my elbow in his ribs and force him to step back. “Sit on the couch and keep your hands to yourself,” I instruct, then follow him to the sofa and grab my Dating and Sex for Dummies books off the coffee table and shove them into my sock drawer while he laughs. “You’re making me miss my show,” I gripe as I toss things into the suitcase. “Your show? You sound like you’re eighty.” He glances at the TV behind me then back to me. “Murder on Mason Lane,” he says. “It was the neighbor. She was committing Medicare fraud using the victim’s deceased wife’s information. He caught on so she killed him.” I gasp. “You spoiler! You spoiling spoiler who spoils!” Then I shrug. “This is a new episode. You don’t even know that. It’s the daughter. She killed him. I’ve had her pegged since the first commercial break.” “You’re cute.” “Just you wait,” I tell him, very satisfied with myself. I’m really good at guessing whodunnit. “Sorry, you murder nerd, I worked on this case two years ago. It’s the neighbor.” “Really?” I drop my makeup bag into the suitcase and check to see if he’s teasing me. “I swear. I’ll tell you all the good shit the show left out once we’re on the plane.” I survey Boyd with interest. I do have a lot of questions. “I thought you were in cyber crimes, not murder.” “Murder isn’t a department,” he replies, shaking his head at me. “You know what I mean.” “Most crimes have a cyber component to them these days. There’s always a cyber trail.” Shit, that’s hot.

He’s hot—and he’s FBI. Everyone knows you have that Fed fetish. I bet he owns handcuffs,” she adds, with a dramatic wink. “And there is no way he’s bad in bed. No way. You know how you can just tell sometimes by looking at a guy? Just by the way he moves? That’s what you need. A guy who knows what he’s doing in bed. And at the very least this guy is packing.” “Wait. Are you talking about my brother?” Sophie interjects. Sophie has a half-brother I’ve never met. “Obviously, Sophie. How many federal agents do I know?” Everly responds in a ‘duh’ tone of voice. “It’s actually a great idea, but please do not talk about my brother’s junk in front of me. It’s disgusting.” Sophie winces and rubs at her baby bump. “I think Boyd’s a bit of a player though. He’s never even introduced me to anyone he’s seeing. But good plan. You guys talk about it. I’m going to the restroom.” She pushes back her chair and stands, then immediately sits again, looking at us in a panic. “I think my water just broke.” “I’ve got this,” Everly announces, waving her hands excitedly as she flags down the waitress. “I’m gonna need a pot of boiling water, some towels and the check.” “Oh, my God,” Sophie mutters and digs her cell phone out of her purse. “Just the check,” I tell the waitress. I turn back to Everly as Sophie calls her husband. “You’re not delivering Sophie’s baby, Everly. Her water broke ten seconds ago and her husband—the gynecologist—is in their condo upstairs. So even if this baby was coming in the next five minutes, which it is not, you’re still not delivering it at a table in Serafina.” Everly slumps in her chair and shakes her head. “I’ve been watching YouTube videos on childbirth for months, just in case. What a waste.” She sighs, then perks up. “Can I at least be in the delivery room?” “No,” we all respond in unison.

So in this Hemisphere when the moon goes down, I sit in one of those all-night-into-mornings cafes, watching short short skies below the skyscrapers and low-rises and sense the big turntables turning and the roadies setting up from stadium to stadium from L.A. to New York and all north and south and east and west and in between – and i know there must be a lot of kids who aren't sleeping but listening to their muse – iPad-ing and YouTubing...and the final shore ain't no shore at all but a long ether cable cyperspacing us together – cutting the continent in half.

Third places remain upbeat because of the limited way in which the participants are related. Most of the regulars in a third place have a unique and special status with regard to one another. It is special in that such people have neither the blandness of strangers nor that other kind of blandness, which takes zest out of relationships between even the most favorably matched people when too much time is spent together, when too much is known, too many problems are shared, and too much is taken for granted. Many among the regulars of a third place are like Emerson's "commended stranger" who represents humanity anew, who offers a new mirror in which to view ourselves, and who thus breathes life into our conversation. In the presence of the commended stranger, wrote Emerson, "We talk better than we are wont. We have the nimblest fancy, a richer memory, our dumb devil has taken leave for a time. For long hours, we can continue a series of sincere, graceful, rich communications, drawn from the oldest, secretest experience, so that those who sit by, of our kinsfolk, and acquaintance, shall feel a lively surprise at our unusual power.: The magic of commended strangers fades as one comes to know them better. They are fallible. They have problems and weaknesses like everyone else and, as their luster fades, so does their ability to inspire our wit, memory, and imagination. The third place, however, retards that fading process, and it does so by keeping the lives of most of its regulars disentangled. One individual may enjoy the company of others at a mutual haunt for years without ever having seen their spouses; never having visited their homes or the places where they work; never having seen them against the duller backdrop of their existence on the "outside." Many a third place regular represents conversationally and socially what the mistress represents sexually. Much of the lure and continuing allure of the mistress rests in the fact that only pleasure is involved. There is no rising from bed to face the myriad problems that husband and wife must share and that contaminates their lives and their regard for one another. Third places surely contain many of these "mistresses of conversation," people who meet one another only to share good times and scintillating activities and with whom good times and scintillation thus come to be associated. Out of tacit agreement not to share too much, the excitement attaching the commended stranger is preserved among third place regulars. What, after all, are such incidentals as home and family and job when the nature of life itself, the course of the world in modern times, or the booted ball that cost a victory in last night's game are on the agenda?

And then, one Thursday, nearly two thousand years after one man had been nailed to a tree for saying how great it would be to be nice to people for a change, one girl sitting on her own in a small cafe in Rickmansworth suddenly realized what it was that had been going wrong all this time, and she finally knew how the world could be made a good and happy place. This time it was right, it would work, and no one would have to get nailed to anything.

I have no idea who he is but I want him to be mine. He stares at me intensely and I resent how he makes me feel. I’m a successful businesswoman, an icon in my industry. I command enormously generous payments for the work I do. I don’t sit in cafes wondering if I might be drooling over a stranger.

All of those thousands upon thousands of photographs my father had taken. Think of them instead. Each one a record, a testament, a bulwark against forgetting, against nothingness, against death. Look, this happened. A thing happened, and now it will never un happen. Here it is in a photograph: a baby putting its tiny hand in the wrinkled palm of an octogenarian. A fox running across a woodland path and a man raising a gun to shoot it. A plane crash. A comet smeared across a morning sky. A prime minister wiping his brow. The Beatles, sitting at a cafe table on the Champs-Elysees on a cold January day in 1964, John Lennon's pale face under the brim of a fisherman's cap. all these things happened, and my father committed them to a memory that wasn't just his own, but the world's. My father's life wasn't about disappearance. His was a life that worked against it.

Midgebo starts to give pursuit, before standing perfectly still, big black nose quivering in the air. Correctly, he scents food, and instead gallops over to us in case something delicious accidentally falls off the barbecue. The smell of the steak means that he sits at Cal’s feet – in fact on Cal’s feet – and looks extra-pathetic for the next twenty minutes, literally giving him the puppy-dog eyes and pretending that he’s not been fed that day.

I like being able to sit among locals who all have their own coffee routines. It gives me a sense for the city I'm in, knowing that I have at least one thing in common with everyone else in the cafe.

I wanted to become a flaneur, a professional meditator, sit in cafes, lounge, unglued to desks and organization structures, sleep as long as I needed, read voraciously, and not owe any explanation to anybody. I wanted to be left alone in order to build, small steps at a time, an entire system of thought based on my Black Swan idea

Up north, whenever I could get out of the store I’d go out on the desert–lots of big ranches up there–and ride after cattle. I liked it and it kept my blood running; but down here I didn’t even have a store to try to get out of. I’d sit in the cafe and rechew the newspapers, and when I couldn’t take any more of that I’d go out and drive my pickup around on these desert roads, which are all straight as strings and numbered A to Z in one direction (running east to west) and 1 to 100 in the other, with every tenth one laid right along the section line; easy to find your way wherever you wanted to go, but I didn’t know where that was. After a couple of weeks I began to think, “Well, if this is heaven I’ve had enough of it,” and I decided to go out and shop for a horse.

Oh, she says gravely, when a bell chimes or a phone rings, we simply take the opportunity to switch off and abandon all our plans and emotions - all our thoughts about other people and ourselves. Abandon all our human perceptions? I ask indignantly. In that case, what’s left for us? No, she says with a shake of the head, I only mean our conception of the world. I like the way she pronounces the word ‘conception’ in her Dutch accent, as if it were hot and she might burn her lips on it. I wish I could speak a foreign language as fluently as you do, I tell her. Please say ‘conception’ again. Explain it to me. What’s the difference between my perceptions and my conceptions? Resolutely, she makes for a cafe beneath some plane trees whose leaves are casting decorative shadows on the white tablecloths. She sits down and regards me sceptically, as if gauging whether I’m bright enough to merit an answer. Most of the time, she says, we form an opinion about things without really perceiving them. She points to an elderly woman waddling across the square laden down with plastic bags. For instance, she goes on, I look at that woman and I think, How bow-legged she is, and that skirt! A ghastly colour and far too short for her. No one should wear short skirts at that age. Are my own legs still good enough for short skirts? I used to have a blue skirt myself. Where is it, I wonder? I wish I was wearing that blue skirt myself. Where is it, I wonder? I wish I was wearing that blue skirt right now. But if I looked like that woman there... She props her head on her hands and regard me with a twinkle in her eye. I laugh. I haven’t really ‘perceived’ the woman, she says, I’ve merely pondered on skirts and legs and the ageing process. I’m a prisoner of my own ideas - my conceptions, in other words. See what I mean? I say yes, but I’d say yes to a whole host of things when she looks at me that way. A waitress of Franka’s age takes our order. She’s wearing a white crocheted sweater over her enormous breasts and a white apron tightly knotted around her prominent little tummy. Her platform-soled sandals, which are reminiscent of hoofs, give her a clumsy, foal-like appearance. Now it’s your turn, says Antje. French teenager, I say. Probably bullied into passing up an apprenticeship and working in her parents’ cafe. Dreams of being a beautician. No, Antje protests, that won’t do. You must say what’s really going through your head. I hesitate. Come on, do. I sigh. Please, she says. OK, but I take no responsibility for my thoughts. Deal! Sexy little mam’selle, I say. Great boobs, probably an easy lay, wouldn’t refuse a few francs for a new sweater. She’d be bound to feel good and holler Maintenant, viens! That song of Jane Birkin’s, haven’t heard it for years. I wonder what Jane Birkin’s doing these days. She used to be the woman of my dreams. Still, I’m sure that girl doesn’t like German men, and besides, I could easily be her father, I’ve got a daughter her age. I wonder what my daughter’s doing at this moment... I dry up. Phew, I say. Sorry, that was my head, not me. Antje nods contentedly. She leans back so her plaits dangle over the back of the chair. Nothing torments us worse than our heads, she says, closing her eyes. You’ve got to hand it to the Buddhists, they’ve got the knack of switching off. It’s simply wonderful.

Fighting for your rights or one else neither falls under the conflict of interest nor that builds self-promotion. The differential between that only visionary and scholars and lawmakers can elucidate and delineate, not the ordinary and ignorant ones, even low category lawyers, sitting in pubs, street cafes, or running websites as similarly as Wikipedia.

Since Asta could remember, Jurgen was usually found with a sketchbook in hand. He was forever drawing something he'd seen: scenes of daily life in Hamburg, from canals to people at cafes and restaurants or sitting on benches. He drew dogs roaming free, as well as Asta and their adventures. There was a playfulness to his scenes, a way of looking at the world and finding the humour, along with the shared humanity

It's too bright," I complain. "Where am I?" "You're at Baldwin Memorial," Luke says, as he reaches over and hits a switch on the wall, dimming the lights. A moment after that the bed is moving, adjusting me so that I'm sitting up. "Stop, you're annoying me. I'm sleeping." "You're awake and I need to check your pupils." "You're a gynecologist." "I can give you a pelvic when we're done if you like," he replies. "Open your eyes.

I sit her at the vanity in Sawyer’s bathroom and go to work putting big loose curls into Sandra’s hair. “Who is Everly trying to set you up with?” Chloe asks her, while digging through my makeup bag, so she misses the startled expression on Sandra’s face. “What?” Sandra’s eyes dart over to Chloe. “She’s setting you up, you know that, right?” Chloe, finding my hand lotion, looks up. “I’m not setting anyone up.” I shake my head. I’m not. I’m merely creating opportunities. “She put me on a dating site without telling me.” Chloe squeezes some lotion out of the tube and rubs her hands together. I don’t think she needs the lotion. I think she was just looking for an excuse to rub her hands together in glee over having someone new to share my wrongdoings with. “Sent me on a date I didn’t even know I was on,” she adds. “One time. That happened one time.” I unplug the curling iron, wrapping the cord around the handle. “Just make sure it doesn’t happen again.” “It won’t!

The Bridges of Marin County harbor views back east never so panoramic but here driving the folds of mt tamalpais the whole picture smooth blue of the bay set like a table for dinner guests who seat themselves in berkeley oakland and san jose pass around delicate dishes of angel island ferry boats and alcatraz i'll save a spot for you in san francisco spread with your favorite dishes don't leave me hanging in marin dinner at eight and everyone else on time you said you'd bring the wine we waited as long as we could the food went cold witnesses said that you stood nearly an hour i imagine you crossing back and forth leaning tower to tower finally choosing the southern your wish to rest nearer the city than the driveway how long had you been letting your two selves push each other over the edge stuffing your pockets with secrets and shame weighing yourself down with cement shoes a gangster assuring your own silence i pay the toll daily wondering as the dark shroud of the bay smoothed over you that night who did you think your quiet splash was saving were you keeping yourself from the pleasures you found in the city boys in dark bars handsome men who loved you did they love you too did you wrestle with vertigo lose your sense of balance imagine yourself icarus dizzied by your own precarious perch glorious ride on flawed wings was it so impossible to live and love on both sides of the bay did you think i couldn't feel your love when it was there for me your distraction when desires divided history like the water smoothes over with half-truth story of good job and grieving widow but each time i cross this span i wonder about the men with whom i share the loss of you invisibly i sit unseen in a castro cafe wondering which men gave you what kinds of comfort delight satisfaction these men of leather metal tattoos did you know them how did you get their attention how did they get yours did you walk hand-in-hand with a man who looked like you the marlboro man double exposed did you bury a love of bondage dominance submission in the bay did you find friendship too would you and i have found the same men handsome where are you in this cafe crowd i want to love what you wouldn't show me dance with more than a slice of truth hold your halves together in my arms and rock the till i have mourned and honored the whole of you was it so impossible to cross that divide to live and love on both sides of the bay hey isn't that what bridges are for

I have many wonderful memories of those days we had together. It would make me happy to know that at least a few of your memories of me are good ones. I wonder if you ever think about sitting under that oak tree, with the cicadas buzzing, and, at night, the crickets. Or how the ice used to cover the blueberry bushes in the winter, giving them that dreamy look. Or how we used to sell the pies for your mother at the roadside stand. I still think of you whenever I see blueberries.

Sandra, I need one of the IT guys to send me the feeds for all of Everly Jensen’s social media accounts.” Wait. What? “She’s a senior at Penn. Grew up in Ridgefield, Connecticut. You should be able to locate her easily enough.” “What are you doing?” I interrupt, confused and annoyed. “Facebook, Twitter, Instagram,” he rattles off. “And whatever other sites college girls are currently using to post selfies on the internet. That will be all, Sandra.” He ends the call with a tap to a control on the steering wheel. “Hello, I’m sitting right here. Did you want me to friend-request you or something?” I wave the phone in my hand as I talk. “Because that”—I point in the direction of the speakers in the dashboard—“was a little melodramatic.